More Things To Do in York and beyond for November 4 onwards. Here’s Hutch’s List No. 45 for 2023, from The Press

Tous Love Me, directed by Victor Claramunt, showing at the Aesthetica Short Film Festival 2023

FIVE days of short films lead off a week long on Latin pop and school rock musicals, plus science and sticks, dance moves and festive designs, as Charles Hutchinson reports.

Festival of the week: Aesthetica Short Film Festival, York city centre, November 8 to 12

THE 13th edition of York’s Aesthetica Short Film Festival combines 300 films and 15 venues in a five-day showcase of worldwide independent film that champions emerging creative talent.

Guest programmes explore the climate crisis, Black British cinema and LGBTQ+ experiences. Look out too for the Aesthetica Games Lab, in celebration of video game culture, plus multiple masterclasses, networking sessions, kids’ workshops, AI workshops and the VR Lab’s selection of 360 (degree) and immersive film experiences. York residents can save 50 per cent each day with the York Days Discount. Full programme and tickets: asff.co.uk.

Shower After Swimming, linocut by Anita Klein, from the Comfort And Joy exhibition at Pyramid Gallery, York

Exhibition launch of the week: Comfort And Joy, Pyramid Gallery, Stonegate, York, November 4, 11am to 3pm, until mid-January 2024

PYRAMID Gallery’s Christmas show, Comfort And Joy, combines paintings, prints, ceramics, sculpture and glass. Look out for needlepoint by Dinny Pocock, jewellery by Joy McMillan and sculpture by Paul Smith, Lynn Muir, Helen Martino, Peter Hayes, Eva Mileusnic, Gwen Vaughan, Fidelma Massey and Louise Connell, among others.

On show too will be paintings and original prints by Sarah Williams, Anita Klein, Lesley Birch, Eliza Southwood, Emma Whitelock, Trevor Price, Mychael Barratt and Hilke Macintyre, porcelain origami by Kate Buckley, plus glass by Keith Cummings, E&M Glass, Hannah Gibson, Tracey Knowles, Will Shakspeare, Morag Reekie, Jo Kenny and more besides. Attending today’s launch will be Smith, Birch, McMillan, Whitelock and Knowles.

York illustrator Elliot Harrison

Inspired event: York Artists & Designer Makers’ Annual Christmas Show, York Cemetery Chapel, Cemetery Road, York, November 4 and 5, 10am to 5pm

YORK artists and designers return to York Cemetery Chapel this weekend for their Inspired festive showcase. Adrienne French will be exhibiting paintings; Jo Bagshaw and Richard Whitelegg, jewellery; Elliot Harrison, illustrations; Catherine Boyne-Whitelegg, pottery; John Watts and Wilf Williams, furniture; Petra Bradley, textiles; Sally Clarke, prints, and Simon Palmour, photography.

Safia Bartley’s Filomina in Tutti Frutti and One Tenth Human’s The Lightbulb Princess at York Theatre Royal

Science show of the week: Tutti Frutti and One Tenth Human in The Lightbulb Princess, Theatre@41, Monkgate, York, November 5, 2pm

LEEDS company Tutti Frutti Productions and Lancaster’s One Tenth Human team up for a magical, fun-filled 50-minute extravaganza for children aged four and upwards that explores the science behind electricity.

Kai’s sister Ray is determined that Mum will enjoy a perfect Christmas. It may be way too early, but already she has Kai and Ali hunting everywhere for decorations. When they find tree-top sparkly fairy Filomina, an unexpected adventure begins, one where they will need your help in a show full of electrifying storytelling and original songs. Box office: tickets.41monkgate.co.uk.

Anton Du Beke: Chat and cha cha cha at York Theatre Royal

Song and dance of the week: An Evening With Anton Du Beke And Friends, York Theatre Royal, November 6, 7.30pm

STRICTLY Come Dancing legend and judge Anton Du Beke sashays into York with his live band, guest singer Lance Ellington and dancers for a fab-u-lous evening of song, dance and laughter. The ballroom king will be combining songs and dances that have inspired him with behind-the-scenes stories from his many years on Strictly. Box office: 01904 623568 or yorktheatreroyal.co.uk.

La Bamba! leaps into the air at Grand Opera House, York, from Tuesday. Picture: Pamela Raith

New musical of the week: La Bamba!, Grand Opera House, York, Tuesday to Saturday, 7.30pm; Wednesday and Saturday, 2.30pm

NOT to be confused with the 1987 film of the same name or Richie Valens’ teenage hit from 1958, La Bamba! is a new musical fiesta of passion, pride and Latin pop anthems starring Strictly Come Dancing champion Pasha Kovalev, The Wanted’s Siva Kaneswaran and rising star Inês Fernandez, choreographed by Strictly’s Graziano Di Prima.

Follow young Los Angeles dreamer Sofia as she takes her first steps toward stardom and witnesses the power of music to unite communities. Box office: atgtickets.com/york.

Stick Man: Freckle Productions head to York Theatre Royal with Julia Donaldson’s story

Children’s show of the week: Freckle Productions in Stick Man, York Theatre Royal, Tuesday, 4.30pm; Wednesday, 10.30am, 1.30pm and 4.30pm

WHAT begins as a morning jog becomes a misadventure for Stick Man: a dog wants to play Fetch, a swan builds a nest with him, and he even ends up atop a fire. How will Stick Man return to the family tree in time for Christmas?  

Adapting Julia Donaldson’s book, Freckle Productions combine puppetry, songs, live music and funky moves in the 55-minute performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Emma Dickinson and Jonny Holbek rehearsing with the York Light Youth ensemble for the York amateur premiere of School Of Rock

Are you ready to rock? York Light Youth in School Of Rock, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee

YORK Light Youth’s tenth anniversary show is the York premiere of the technically and musically challenging musical School Of Rock, combining young performers aged ten to 17 and York Light Opera Company adults.

Based on the 2003 film, the storyline follows Jonny Holbek’s Dewey Finn, a failed wannabe rock star, who vows to turn his clueless prep school students into a rock band to enter Battle of the Bands. Along the way, Dewey finds romance, self-worth, a proper job, while initiating the children and their parents in the beauty of rock. Box office: josephrowntreetheatre.co.uk.

Recommended but fully booked

QUEEN of British soul Beverley Knight’s York Barbican concert on Thursday has sold out, as has indie pop trio Scouting For Girls’ gig there the next night.  

In Focus: Gigs of the week: Teenage Fanclub on tour in Leeds and Sheffield with new album Nothing Lasts Forever in tow

Teenage Fanclub: Heading for Leeds and Sheffield on tour. Picture: Donald Milne

GLASGOW indie legends Teenage Fanclub follow up September’s release of 11th full-length studio album Nothing Lasts Forever with a 12-date November tour, taking in Yorkshire gigs in Leeds on Wednesday (sold out) and Sheffield on November 12

On songs looking for positives while faced with the grim realities of the 21st century, songwriters and guitarists Raymond McGinley and Norman Blake are joined by Francis Macdonald on drums, Dave McGowan on bass and Euros Childs on keyboards.

Light is a recurring theme, both as a metaphor for hope and as an ultimate destination further down the road. That said, although McGinley and Blake found themselves covering similar ground, it was pure coincidence.

McGinley says: “We never talk about what we’re going to do before we start making a record. We don’t plan much other than the nuts and bolts of where we’re going to record and when.

“That thing about light was completely accidental; we didn’t realise that until we’d finished half the songs. The record feels reflective, and I think the more we do this thing, the more we become comfortable with going to that place of melancholy, feeling and expressing those feelings.”

Blake reflects: “These songs are definitely personal. You’re getting older, you’re going into the cupboard getting the black suit out more often. Thoughts of mortality and the idea of the light must have been playing on our minds a lot.

“The songs on the last record were influenced by the break-up of my marriage. It was cathartic to write those songs. These new songs are reflective of how I’m feeling now, coming out of that period.

“They’re fairly optimistic, there’s an acceptance of a situation and all of the experience that comes with that acceptance. When we write, it’s a reflection of our lives, which are pretty ordinary.

“We’re not extraordinary people, and normal people get older. There’s a lot to write about in the mundane. I love reading Raymond Carver. Very often there’s not a lot that happens in those stories, but they speak to lived experience.”

While the vocals and finishing touches on Nothing Lasts Forever were added at McGinley’s place in Glasgow, the music was recorded in an intense ten-day period in the bucolic Welsh countryside at Rockfield Studios, near Monmouth, in late August.

This environment led to a record full of soft breezes, wide skies, beauty and space. “We like to get something out of where we go, and you can definitely hear a stamp of Rockfield on the record,” says McGinley.

“We recorded our album Howdy there in the late ’90s. Prior to that, I’d been a bit reluctant to go as everyone seemed to record there, especially if you were signed to Creation, but I thought I’d go and have a look at the place. “

McGinley continues: “When I went down there, I loved the fact that there’s no memorabilia about anyone who’s ever been in the studio. The only visual musical reference is a picture of [pioneering space age record producer} Joe Meek on their office wall.

Teenage Fanclub’s artwork for their 11th studio album, Nothing Lasts Forever

“Anyway, over 20 years after our first visit, we decided to go back. When you’re there, it feels like your place. We’re really rubbish at trying to find words to describe how our music sounds, but maybe because we recorded in Rockfield in late summer, there’s something pastoral about the record.”

Blake, McGinley, Macdonald, McGowan and Childs arrived at the residential studio without a fixed plan. Their confidence and ease with working together meant the record came together quickly. 

McGinley says: “When we got offered ten days in Rockfield, we weren’t ready in our minds but then we just thought, ‘**** it’ and went for it. If you’re sitting around waiting for the stars to align, you can end up never doing anything. We turned up and worked our way through ideas, and came up with some while we were there.

“The song Foreign Land was born in the studio. If we hadn’t gone there at that point through happenstance, that song wouldn’t exist. We like to let things happen. As people, we find a deadline inspiring. We like to put ourselves on the spot and see what happens. We usually get away with it. This record is the cliche of the blank canvas, which thankfully we managed to fill.”

Blake adds: “We’ve all been playing together for such a long time. In the past, whoever had written the song would have been the director. ‘This is how I’m hearing the drums, if you could play the bass like this’…We don’t do that now.

“Raymond or myself would just bring in the idea and people would listen and play what works with it. We’d play for a couple of hours and that would be the arrangement. There’s a trust that comes from knowing each other such a long time, a kind of telepathy. Everyone knows where they fit in the puzzle.”

The seven-minute acoustic closing track, I Will Love You, looks to a point beyond the fury and polarisation of our modern discourse, to a time when “the bigots are gone/after they apologise/for all the harm that they’ve done”. 

McGinley says: “In many ways, us-and-them-ism has taken over the world. I Will Love You is looking for positivity but it’s being totally fatalistic at the same time. This s**t will exist forever, what are you going to do about it?

“I came up with the line ‘I will love you/until the flags are put down/and the exceptionalists are buried under the ground’ while I was playing the guitar. I started wondering what that was all about and where it might go. It’s looking for positives within a fatalistic, negative view of human nature.”

The full track listing is: Foreign Land; Tired Of Being Alone; I Left A Light On; See The Light; It’s Alright; Falling Into The Sun; Self-Sedation; Middle Of My Mind; Back To The Light and I Will Love You.

Teenage Fanclub play Leeds Brudenell Social Club, Wednesday, doors 7.30pm, sold out; Leadmill, Sheffield, November 12, 7.30pm. Support comes from Sweet Baboo. Box office for Sheffield: leadmill.co.uk.

Special screening: Zomblogalypse, South Bank Community Cinema, Clements Hall, Nunthorpe Road, York, November 17, 8pm

The poster for November 17’s screening of Milestone Films’ Zomblogalypse at South Bank Community Cinema

MANY Zomblogalypse cast and crew members will be in attendance to introduce the screening and discuss the York-made zombie comedy in a Q&A afterwards, following its release by Dark Rift Films, the York film company behind festival crowd-pleaser How To Kill Monsters.

Zomblogalypse co-director Miles Watts says: “We love screening Zomblog with an audience because it’s got that trashy late-night Rocky Horror vibe. Usually it’s a bit tough to watch your own films with a crowd of people because all you see is the mistakes.

“But Zomblog is a different beast because this year marks the 15th anniversary of the original web series that launched this whole thing, and we’ve always had an appreciative and supportive fanbase.”

The cast includes Watts and his Milestone Films co-directors Hannah Bungard and Tony Hipwell, as well as seasoned York actors Victoria Delaney, Andrina Carroll and Dinnerladies’ Andrew Dunn.

Look out for a flash sale of film merchandise including posters and blu-rays of the film, with details of special discounts on the Zomblogalypse Facebook page. Tickets cost £4 on the door from 7:30pm.

York Musical Theatre Company to hold introductory evening ahead of auditions for May 2024 production of The Wizard Of Oz

York Musical Theatre Company in the May 2023 production of Joseph And The Amazing Technicolor Dreamcoat at the Joseph Rowntree Theatre, York

YORK Musical Theatre Company will follow up May’s sold-out run of Joseph And The Amazing Technicolor Dreamcoat with The Wizard Of Oz at the Joseph Rowntree Theatre, York, from May 22 to 25 2024.

An introduction evening will be held at Poppleton Methodist Church Hall (the old hall to the front of the building) on Wednesday, November 22 from 7.30pm to 9.30pm, with an “open invitation to all individuals aged 16 plus eager to participate in this extraordinary show”.

This event provides an opportunity to meet the creative team, gain insights into the show’s vision, audition process and rehearsal schedule, and even share in a song or two.

Adult auditions (16 plus) will be held on Saturday, December 2 from 2pm to 5pm at the same location. Members can request an audition pack by emailing Mick Liversidge at auditions@yorkmusicaltheatrecompany.org.uk. New members are encouraged to sign up at membermojo.co.uk/ymtcjoinus.

In addition, for little munchkins dreaming of joining the adventure, York Musical Theatre Company (YMTC) will be hosting children’s audition workshops on Saturday, November 25, from 2pm to 5.30pm at Haxby Memorial Hall. This event will feature singing and dancing workshops for children aged nine to 12 years (school years 5, 6 and 7). To register your child, visit: membermojo.co.uk/ymtcjoinus.

YMTC’s The Wizard Of Oz promises to be a “mesmerising, extraordinary journey into the land of magic and wonder”, with tickets going on sale soon at josephrowntreetheatre.co.uk and on 01904 501395.

To stay updated on all YMTC’s developments and behind-the-scenes moments, follow YMTC on www.facebook.com/yorkmusicaltheatrecompany.

Did you know?

FOUNDED in 1902 by Janet Hayes Walker, York Musical Theatre Company is the longest-running amateur theatre company in York, presenting more than 970 full-scale musical productions over the years.

York Light Youth and York Light Opera Company principals team up for York premiere of School Of Rock next week

Emma Louise Dickinson’s headteacher Rosalie Mullins and Jonny Holbek’s Dewey Finn rehearsing with the ensemble for York Light Youth’s School Of Rock

YORK Light Youth’s tenth anniversary show will be the York amateur premiere of School Of Rock, ready to rock at the Joseph Rowntree Theatre, York, from November 8 to 11.

Directed by Sue Hawksworth, this technically and musically challenging musical – music by Andrew Lloyd Webbber, lyrics by Glenn Slater, book by Julian Fellowes – will be performed by a cast combining young performers aged ten to 17 and adults from the York Light Opera Company in equal numbers: a unique occurrence for York Light.

Among the adult cast will be Megan Overton and Maddy Hicks, who both performed in York Light Youth’s first show, Joseph And The Amazing Technicolor Dreamcoat, in 2013 and are enjoying their return to the group.

Based on Richard Linklater’s 2003 American film, the storyline follows Jonny Holbek’s Dewey Finn, a failed wannabe rock star, who decides to make some cash by teaching at a prestigious prep school. Soon he discovers his students to be clueless about rock’n’roll, but he vows to mould them into a rock band to enter Battle of the Bands.

Bella Smith, Jonny Holbek, Finley Walters and Ollie Lee rehearsing a number in School Of Rock

Along the way, Dewey finds romance, self-worth and a proper job as he initiates the children and their parents in the beauty of rock.

Director Sue Hawksworth was formerly assistant director of York Light Opera Company for 18 years, working on diverse productions ranging from The Sound Of Music and Oliver! to South Pacific and The King & I, and she is no stranger to working with young people.

Assistant director Gavin Shaw has performed in many musical theatre productions, appearing as Officer Krupke in York Light Youth’s West Side Story in 2016. Martin Lay is the musical director, a post he has held for York Light Youth since 2019.

Playing opposite Jonny Holbek in his relentless lead role will be leading lady Emma Louise Dickinson’s formidable headteacher Rosalie Mullins. Jonny and Emma Louise last appeared together as Che and Eva Peron in York Light’s 2022 production of Evita.

For those about to rock: School Of Rock band members Ollie Lee, Finley Walters, Sam Brophy and Bella Smith

Flynn Coultous and Georgia Foster take on the roles of Ned Schneebly, Dewey’s long-suffering flatmate, and his girlfriend, Paty Di Marco. Best friends Flynn and Georgia have been performing together since they were seven and five respectively, ten years in total.

Flynn joined York Light Youth for Hairspray in 2019 and played a loud and comical Joe Vegas in last year’s production of Fame.

School Of Rock is unique among musicals because not one, but two bands play live on stage. The adult band, No Vacancy, features cast members and musicians Jonny Holbek, Mat Tapp, Ant Pengally and Kathryn Lay, along with musicians Ben Huntley on guitar and Mike Hampton on drums.

Jonny Holbek’s Dewey Finn rocks out with the ensemble in the School Of Rock rehearsal room

The young band, School Of Rock, comprises four highly talented musicians who have achieved great things already. On keys will be Sam Brophy, a 2022 finalist in the BBC’s Young Chorister of the Year competition. On guitar will be Ollie Lee, whose band Bangers And Thrash won Minster FM’s Battle of the Bands in 2019, when he was nine.

Double bassist Bella Smith took up playing bass guitar less than a year ago, very similar to the trajectory of her character, Kate, a cellist turned bass guitarist. Completing the line-up will be Finley Walters, already an accomplished drummer at the age of ten. Invited to perform at the RSL Virtual Music Festival in 2021, he opened with a solo drum performance.

“School Of Rock is a celebration of music, friendship and the power of self-expression,” says York Light chair and publicity officer Helen Eckersall. “We’re confident that audiences of all ages will thoroughly enjoy it. Don’t miss the York premiere of this amazing show.”

York Light Youth in School Of Rock, Joseph Rowntree Theatre, York, November 8 to 11, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Lovely jubbly! Only Fools And Horses The Musical will be cushty in York next October in Grand Opera House run

The poster for the 2024-2025 tour of Only Fools And Horses The Musical, bound for York next October

DIRECT from a four-year sold-out West End run, Only Fools And Horses The Musical will head to York next autumn in Paul Whitehouse and Jim Sullivan’s show, based on John Sullivan’s record-breaking1980s’ BBC comedy.

Running at the Grand Opera House from October 14 to 19, it features a script and original score by John’s son and Whitehouse, bringing lovable Peckham rogues Del Boy, Rodney, Grandad, Cassandra, Raquel, Boycie, Marlene, Trigger, Denzil, Mickey Pearce, Mike the Barman and the Driscoll Brothers to the stage with wide-boy humour and 20 songs.

Directed by the originating West End director Caroline Jay Ranger, the tour will kick off in September 2024 and then travel to more than 30 theatres across the country, concluding in June 2025. Casting will be announced in early 2024.

Co-writer Whitehouse says: “Following four amazing years in the West End, I’m thrilled we are announcing today that Only Fools And Horses The Musical is going on tour.

“I’ve long been asked by many fans when this might happen, so I’m delighted to confirm that the show will be coming to a theatre near you from September next year. All of the characters we know and love from the Only Fools television series will be live on stage, as we take Peckham on the road! Bonnet de douche!”

Paul Whitehouse: Comedian, actor, writer and television presenter has co-written Only Fools And Horses The Musical with Jim Sullivan, John’s son

After playing more than 1,000 performances at London’s Theatre Royal Haymarket, this home-grown musical, featuring cherished material from the TV series, takes a trip back in time, “where it’s all kicking off in Peckham”.

While the yuppie invasion of London is in full swing, love is in the air as Del Boy sets out on the rocky road to find his soul mate, Rodney and Cassandra prepare to say “I do”, and even Trigger is gearing up for a date. Meanwhile, Boycie and Marlene give parenthood one final shot and Grandad takes stock of his life and decides the time has finally arrived to have his piles sorted out.

Co-writer Whitehouse says: “Following four amazing years in the West End, I’m thrilled we are announcing today that Only Fools And Horses The Musical is going on tour. I’ve long been asked by many fans when this might happen, so I’m delighted to confirm that the show will be coming to a theatre near you from September next year. All of the characters we know and love from the Only Fools television series will be live on stage, as we take Peckham on the road! Bonnet de douche!”

Musical contributions from London legends Chas & Dave and the beloved theme tune as never heard before combine with an array of new songs full of character and Cockney charm, guaranteeing a right ol’ knees-up!  

“Only Fools And Horses The Musical is a feel-good family celebration of traditional working-class London life in 1989 and the aspirations we all share,” rolls out the publicity machine. “So don’t delay, get on the blower, and get a ticket for a truly cushty night out. Only a 42-carat plonker would miss it!”

Tickets are on sale at atgtickets.co.uk.

Ian Pace to begin Late Music York’s Beethoven Project of Liszt symphonic transcriptions to piano on Saturday

Ian Pace: Launching The Beethoven Project for Late Music York on Saturday

VIRTUOSO pianist Ian Pace will perform Late Music York’s first recital of The Beethoven Project at the Unitarian Chapel, St Saviourgate, York, on Saturday night.

Devised by Pace and Late Music administrator Steve Crowther, the project involves programming the whole cycle of Beethoven’s symphonies transcribed for piano by Franz Liszt in an annual series of piano recitals.

“Playing all nine transcribd Beethoven symphonies, the project should take Ian seven to eight years!” says Steve. “It’s incredibly demanding and it’ll be a real event.”

The opening 7.30pm concert features the heroic Symphony No. 5 and Liszt’s sublime transcription of the radical An die Ferne Geliebte, Beethoven’s only song cycle.

But why did Liszt undertake such an enormous artistic challenge?” asks Steve. “To be sure, he loved the music deeply; he loved the challenge; he also loved the idea of the intimacy of performing these orchestral works on the piano, experiencing the symphonies afresh.

“But the main reason was financial. The music publisher Breitkopf & Härtel commissioned Liszt to transcribe the work, paying him eight francs per page. Liszt completed this (and the 6th Symphony) in 1837, ten years after Beethoven’s death.”

In an interview in 1988, the great pianist Vladimir Horowitz said: “I deeply regret never having played Liszt’s arrangements of the Beethoven symphonies in public. These are the greatest works for the piano – tremendous works – every note of the symphonies is in the Liszt works.”

Steve says: “Horowitz’s comments are embedded in the score itself to help the performer realise the original work through the lens of the piano transcription. Liszt would note down the names of the orchestral instruments for the pianist to imitate and add pedal marks and fingerings for pianistic clarity.”

Late Music York’s poster for the Beethoven Project

Saturday’s full concert programme is:

Beethoven: An die Ferne Geliebte (transcribed by Franz Liszt) ;

Gershwin: Love Is Here To Stay (transcribed by Michael Finnissy);

Gershwin: Embraceable You (transcribed by Michael Finnissy);

Gershwin (maybe): Please Pay Some Attention To Me (transcribed by Michael Finnissy)

Jerome Kern: Can’t Help Lovin’ That Man (transcribed by Michael Finnissy)

 Steve Crowther: Piano Sonata No.4;

Beethoven: Symphony No.5 (transcribed by Franz Liszt).


“Now if we park the rogue Piano Sonata, the rest of the programme also reimagines original works, songs by Gershwin and Kern, for piano. This time transcribed by the wonderful composer, Michael Finnissy,” says Steve.

“I know Michael, having studied with him at the University of Sussex and continued contact with him through programming, and commissioning his highly original music. Indeed, it was Michael that introduced me and Late Music to Ian Pace. The rest, as they say, is history.”

Crowther sent Finnissy the programme blueprint, “not surprisingly receiving a corrective response with a lovely insight into Gershwin’s Please Pay Some Attention To Me”.


Finnissy wrote: “I have slightly corrected your programme attributions. Richard Rodney Bennett gave me the melody of Please Pay Some Attention To Me; he had been given it by a Swedish cabaret singer. It is (RRB told me) only attributed to George Gershwin – and does not appear in his work list.

“Jerome Kern wrote (rather than transcribed!) Can’t Help Lovin’ That Man (the original version of Show Boat had ‘dat’ instead of ’that’, but more recent editions have replaced this imitation-black-slang with ‘plain English’).”

In a pre-concert talk at 6.45pm, with a complimentary glass of wine or juice, Ian Pace will be in conversation with fellow pianist Kate Harrison-Ledger.

“We would like to discuss the Liszt and Gershwin transcriptions, and what they bring to the original compositions,” says Kate. “We will hopefully include a few anecdotes from Michael Finnissy, and, if time allows, invite questions from the audience.”

Tickets are on sale at www.latemusic.org and on the door.

Shed Seven to play “extraordinary” York Museum Gardens two-nighter for 30th anniversary with Peter Doherty on bill

Shed Seven: 30th anniversary celebrations in 2024. Picture: Barnaby Fairley

SHED Seven will mark their 30th anniversary next year with a brace of “extraordinary” outdoor concerts in York Museum Gardens on July 19 and 20. Tickets go on sale on Friday (3/11/2023) at 9am at seetickets.com.

“It’s been a long time coming, and now we can finally announce two special homecoming shows,” says the York band’s website.

“We’re already planning something truly extraordinary for these shows, so you can expect special guests and grand ideas galore. It’s going to be a jubilant celebration of the last 30 years of Shed Seven and a performance like nothing we’ve done before.”

The announcement continues: “We’re thrilled to be joined by special guests Peter Doherty, The Lottery Winners, Brooke Combe, Serotones and Apollo Junction throughout the weekend.”

Doherty recorded a guest vocal for Throwaways, the closing track of Shed Seven’s upcoming sixth studio album, A Matter Of Time, when his band, The Libertines, were at work on new recordings in their Margate studio.

Throwaways is an anything-but-throwaway duet with Sheds’ singer Rick Witter. “We played Bingley Festival a couple of summers ago when The Libertines were headlining the main stage, and as we played, there was Peter at the side of the stage, singing along to all our songs,” recalls Rick.

“When I met him afterwards, he said he used to sit on his bed learning our guitar parts, so I said, ‘would you sing on our new album?’.

“We sent Peter the song Throwaways and he did some harmonising and ad-libbing. It’s a song about outsiders. We’ve always been outsiders, and The Libertines have that about them too.”

A Matter Of Time will be released on Shed Seven’s new label, Cooking Vinyl, on January 5 2024 and can be pre-ordered from shedseven.com.

This will be the first Sheds’ album to feature new members Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Ian Brown band member Tim Willis on keys, along with Witter, guitarist Paul Banks and bass player Tom Gladwin, band stalwarts from the Britpop era.

Did you know?

SUPPORT act Serotones feature Rick Witter’s son, Duke, on vocals, alongside original Sheds’ drummer Alan Leach’s son, Sonny, on guitar.

Did you know too?

SHED Seven’s Museum Gardens shows will be celebrating the 30th anniversary of their debut single for Polydor Records, the double A-side Mark and Casino Girl (March 7 1994), and debut album Change Giver (September 5 2024), rather than the 30th anniversary of the year they formed in York (1990).  

Only a matter of time now before Shed Seven’s new album arrives, launched with in-store appearances and special shows

Shed Seven in 2023: Rick Witter, left, Rob ‘Maxi’ Maxfield, Tim Willis, Paul Banks and Tom Gladwin

SHED Seven release their fourth single off upcoming album A Matter Of Time this week as their autumn tour rolls on with a climactic week of sold-out shows.

Starlings joins Kissing California, F:K:H and In Ecstasy – featuring Happy Mondays’ backing singer Rowetta – in previewing the York band’s January 5 2024 sixth studio set on their new home of Cooking Vinyl.

Building up melancholic layers of piano, strings, dramatic beats and swooping vocal harmonies into a slow-burning finale, frontman Rick Witter’s lyrics offer the hope that perhaps not all goodbyes are forever [as proven by the Sheds’ return to the concert platform in 2007 after splitting in 2003!].

“Starlings showcases the album with a different kind of emotion,” says Rick. “It’s a love letter to a departed partner. I had an idea about a couple who have been together since forever, only for one of them to pass away, and the remaining partner is basically treading water until the time comes where they can be reunited for eternity in the ether.

“Some may say it’s dark subject matter, but I find it also pretty uplifting and is more of a common thing than one might think. The beautiful strings and piano add everything that is needed for such a heartfelt song. It’s nostalgic and reflective but has a feeling of evermore too.”

Yorkshire is missing out on the Sheds’ eight-date “Shoctober” autumn itinerary – originally timed to coincide with a September release date for the album that was subsequently put back – but they did play a 6,000-capacity Sounds Of The City 2023 gig at Millennium Square, Leeds, in July that sold out in a day.

What’s more, hush-hush plans are being made for celebrations of their 30th anniversary in 2024 in home city York. Watch this space; announcements are expected very soon.

Before then, the Sheds will embark on a run of in-store appearances next January to promote A Matter Of Time with a mix of intimate, stripped-back performances and meet-and-greet/signing sessions. Such has been the ticket demand that the schedule has expanded to encompass 16 sessions in ten days.

Among them will be Vinyl Whistle, in Otley Road, Headingley, Leeds on January 5 at 12 noon (sold out) and the HMV store, in Coney Street, York, on January 5 at 4.30pm (tickets: shedsevenn.lnk.to/instores).

Three special album launch shows for A Matter Of Time sold out in a matter of minutes in Kingston upon Thames (January 25), Coventry (January 26) and closest to home, Project House, in Armley Road, Leeds, hosted by Crash Records on January 27. Each will feature two sets: A Matter Of Time, played in its entirety for the first and only time (well, three times), followed the Sheds’ greatest hits.

Meanwhile, album pre-orders have seen all test pressings and all copies of Blood Records’ hand-numbered vinyl rapidly sell out already.

Hot off the presses: Shed Seven’s album cover artwork for A Matter Of Time

The usual Shed three of Witter, guitarist Paul Banks and bassist Tom Gladwin recorded the album in Spain with new recruits Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Ian Brown band member Tim Willis on keys, replacing founder members Joe Johnson and Alan Leach, who left after the 2021 summer festival season.

As with November’s 2017’s Instant Pleasures, the sessions were produced by Youth – famed for his work with Pink Floyd, Paul McCartney, The Orb and The Verve – at his residential El Mirador Studios in Andalucia, southern Spain.

Maxfield and Willis had first joined for the Sheds’ rearranged “Covid tour” dates in 2021, whipping 20 songs into shape at ten weeks’ notice. “They’re amazing, very professional musicians, who’ve brought a new kind of vibe to the band, but it’s still very much Shed Seven, with the spirit of the band rising high,” says Rick.

“It’s given us a kick up the backside, and that’s proven by me and Paul beginning to write the album seriously in March 2022 and finishing the songs by December, the quickest since we wrote A Maximum High in 1995. We must have hit a rich purple patch; pretty much everything that came out of us was good.”

For A Matter Of Time, the Sheds reconnected with the classic albums that first inspired them to form a band in York in 1990: The Smiths, R.E.M., U2, Simple Minds, The Cure, even Duran Duran.

As Paul Banks puts it, the songs are a heartfelt homage to those cherished times, while embodying the essence of rebirth, leading to three titles out of 12 featuring “Let’s Go”.

“This record is Shed Seven but with a new edge,” says Rick. “This is more the next rung on the ladder after Instant Pleasures. It just feels better and more grown up.”

Listen out for special guest contributions, not only from Happy Mondays back singer Rowetta’s fervent gospel vocals on In Ecstasy and Reverend And The Makers’ Laura McClure on the folk-pop Tripping With You, but also The Libertines’ Peter Doherty duetting with Witter on the dramatic closer Throwaways.

“We played Bingley Festival a couple of summers ago when The Libertines were headlining the main stage, and as we played, there was Peter at the side of the stage, singing along to all our songs,” recalls Rick.

“When I met him afterwards, he said he used to sit on his bed learning our guitar parts, so I said, ‘would you sing on our new album?’.”

Doherty duly recorded his vocals for Throwaways remotely at Margate. “He did some harmonising and ad-libbing,” says Rick. “It’s a song about outsiders. We’ve always been outsiders, and The Libertines have that about them too.”

A Matter Of Time can be pre-ordered or pre-saved at https://shedsevenn.lnk.to/AMOTPR.

More Things To Do in and around York? Here come Halloween screams and Noises Off. Hutch’s List No. 44, from The Press

Noises Off: Michael Frayn’s on-stage and off-stage comedy on York Theatre Royal’s main stage from Tuesday. Picture: Pamela Raith

HALLOWEEN films and double bills, classic comedy and a time-travelling York legend, a Disney deep freeze and a punk/jazz collision help Charles Hutchinson leave behind October for November frights and delights.  

Play of the week: Noises Off, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MATTHEW Kelly, Liza Goddard and Simon Shepherd lead the cast in Theatre Royal Bath’s touring revival of Michael Frayn’s riotous Noises Off, directed by Lindsay Posner, who staged Richard III and Romeo And Juliet for York’s first season of Shakespeare’s Rose Theatre productions in 2018.

Structured as a play within a play, this cherished 1982 farce follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On, from shambolic final rehearsals to a disastrous matinee, seen silently from backstage, before the catastrophic final performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Nick Naidu and Imogen Wood in Punch Porteous – Lost In Time at All Saints North Street

York legend of the week: Punch Porteous – Lost In Time, All Saints North Street, York, tonight, 7pm.

HAVE you heard or indeed seen the eccentric, evasive York legend Punch Porteous: soldier, philosopher, worker (when absolutely unavoidable), husbandman, connoisseur of ale and now the subject of poet Robert Powell, creative practitioner Ben Pugh and producer John Beecroft’s “multi-media drama experience”?

York Theatre Royal creative director Juliet Forster directs Powell, Nick Naidu and Imogen Wood in Powell’s story of an ordinary man with an extraordinary predicament, lost in time in York. While the city shape-shifts around him, he is catapulted unpredictably into different eras of its history from c.70 to c.2023. Box office: yorktheatreroyal.co.uk/show/punch-porteous-lost-in-time/.

The poster for Navigators Art & Performance’s Punk/Jazz explorations at The Basement, City Screen Picturehouse, York

Music, poetry and comedy bill of the week: Navigation Art & Performance present Punk Jazz: A Halloween Special, The Basement, City Screen Picturehouse, York, tonight, 7.30pm

COMPLEMENTING the ongoing Punk/Jazz: Contrasts and Connections exhibition at Micklegate & Fossgate Socials, Navigators Art & Performance bring together energetic York punk band The Bricks;  intense improvisers Teleost; the Neo Borgia Trio, formed for the occasion from a University of York big band; grunge-influenced Mike Ambler and the experimental Things Found And Made.

Taking part too will be firebrand polemical poet Rose Drew and comedians Isobel Wilson and Saeth Wheeler. Box office: https://bit.ly/nav-punkjazz.

The Gildas Quartet: Presenting the String! concerts at the NCEM

Children’s concerts of the week: MishMash presents String!, National Centre for Early Music, Walmgate, York, tomorrow, 11.30am and 2pm

THE Gildas Quartet lead tomorrow’s double celebration of the string quartet in informal 40-minute performances featuring a diverse programme from Haydn to Jessie Montgomery, Joseph Bologne, Chevalier de Saint-Georges to Dvorak, and everything in between.

Staged creatively to bring the audience into the music, these fun concerts are suitable for ages seven to 11 and their families. Box office: 01904 658338 or ncem.co.uk.

Community film event of the week: The Witches (PG), Theatre@41, Monkgate, York, tomorrow, 2.30pm

MAKE It York and The Groves Community Centre team up for a Halloween screening of Robert Zemeckis’s visually innovative 2020 film The Witches. Based on Roald Dahl’s novel, it tells the darkly humorous, heartwarming tale of an orphaned boy who goes to live with his loving Grandma in late-1967 in the rural Alabama town of Demopolis, where they have an run-in with the Grand High Witch (Anne Hathaway). Box office: tickets.41monkgate.co.uk.

Emily Portman & Rob Harbron: Delving into folk traditions to emerge with a fresh sound

Folk concert of the week: Emily Portman & Rob Harbron, National Centre for Early Music, Walmgate, York, Tuesday, 7.30pm

EMILY Portman, from The Furrow Collective, and Rob Harbron, who performs with Leveret, Fay Hield and Jon Boden, have formed an inspired collaboration to delve into English folk traditions with an intricately woven contemporary sound.

Portman (voice, banjo and piano) and fellow composer Harbron (concertina, guitar and voice) released their debut album, Time Was Away, last November, comprising eight English folk songs and two 20th century poems set to music. Box office: 01904 658338 or ncem.co.uk.

Chris Green accompanying FW Murnau’s Nosferatu

Halloween screaming/screening of the week: Nosferatu: Live Silent Cinema, Theatre@41, Monkgate, York, Tuesday, 7.30pm

CHRIS Green’s score was commissioned by English Heritage for an outdoor screening of FW Murnau’s 1922 German Expressionist vampire film at Dracula’s spiritual home of Whitby Abbey. Now the composer plays his haunting blend of electronic and acoustic instruments for the first time in York to accompany the first cinematic interpretation of Bram Stoker’s Dracula, one that gave birth to the horror movie. Box office: tickets.41monkgate.co.uk.

Please Please You’s poster for Steve Gunn’s Rise solo concert

Double bill of the week: Please Please You presents Steve Gunn & Brigid Mae Power, Rise@Bluebird Bakery, Acomb, York, Wednesday, doors 7.30pm

EXPERIMENTAL Brooklyn guitarist and songwriter Steve Gunn’s “forward-thinking” songwriting draws on the blues, folk, ecstatic free jazz and psychedelia, suffused with a raga influence. His website says he is “currently somewhere working on new music”, although York will be the first of 12 solo gigs in Britian, Spain and Poland in November.

Wednesday’s gig will be opened by Irish singer-songwriter Brigid Mae Power, whose latest folk-tinged dreampop album, Dream From The Deep Well, arrived in March. Box office: seetickets.com/event/steve-gunn/rise-bluebird/.

Meet York Stage’s young princesses in Disney’s Frozen Jr

Musical of the week: York Stage in Disney’s Frozen Jr, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

IN a story of true love and acceptance between sisters, Disney’s Frozen Jr follows the journey of Princesses Anna and Elsa, based on the 2018 Broadway and West End musical set in the magical land of Arendelle, with all the Kristen Anderson-Lopez and Robert Lopez songs from the animated film.

Producer Nik Briggs directs a cast led by Megan Pickard, Bea Charlton, Matilda Park and Esther de la Pena as the princesses. Malachi Collins plays the Duke of Weselton, Lottie Marshall, Bulda, and Oliver Lawery, King Agnarr. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

In Focus: Say Owt Slam, with special guest Polarbear, The Crescent, tonight, 7.45pm

Spoken word artist and writer Polarbear: Making an apperance at tonight’s Say Owt Slam at The Crescent, York

SAY Owt, York’s loveably gobby gang of performance  poets, take over The Crescent community venue twice a year for a raucous night of spoken word and poetry in the form of a stellar slam.

Fast, frantic and fun, a slam gives each poet three minutes to wow the audience. Regular host Henry Raby enthuses: “We love doing Say Owt on a Saturday night, because it’s a party! A poetry party!

“Although one poet will be crowned a Say Owt Slam Champion, this isn’t a bitter battle. It’s a celebration as poets bring a variety of styles and forms. In the past, we’ve had tender personal reflections, hilarious laugh-out-loud comedy poems and fiery political tirades.”

Special guest at tonight’s Say Owt Slam in York will be Polarbear. “The last time he graced our city, Polarbear (a.k.a Steven Camden) was supporting Scroobius Pip and Kae Tempest,” says Henry. “He’s an internationally acclaimed spoken word artist and award-winning writer from Birmingham, whose poetry drips with gorgeous storytelling.

“He talks about people and places with a unique ear for language: celebrating the tiny human characteristics.”

Since first stepping on stage in 2004, Polarbear has performed his work and led creative projects from Manchester to Melbourne and Kuala Lumpur to California, as well as featuring on BBC Radio1, 3 and 6Music, attracting 155,000 views on YouTube and releasing a live album on Scroobius Pip’s Speech Development record label.

A few surprises might be in store tonight too. Box office: thecrescentyork.com/events/say-owt-slam-featuring-polarbear/ or on the door.

Sarah Beth Briggs to play Variations Plus at Sheffield Crucible’s Playhouse in Music in the Round piano recital on November 4

York pianist Sarah Beth Briggs

YORK classical pianist Sarah Beth Briggs will perform her Variations Plus recital at Sheffield Crucible Theatre’s Playhouse on November 4 at 2.30pm.

Everyone will be able to “see the pianist” in action at this Music In The Round event because the piano will be rotated 180 degrees at the interval in the Crucible’s former Studio theatre.

“I’m delighted to be returning to the Crucible to present my Variations Plus programme,” says Sarah. “This series offers a wonderful opportunity to de-formalise classical music. The idea of having the audience all around me and offering accessible spoken introductions to make everyone feel they can really relate to what they’re listening to is so refreshing.”

In her two-hour Piano Masterpieces recital, Sarah will play works from her 2023 album, Variations, released on AVIE Records this spring.

At the heart of the programme will be Hans Gál’s tightly structured four-movement Sonata from 1927, with a set of variations as its rather haunting third movement. Sarah was invited to perform this work by the Hans Gál Society at a Gál Celebration Concert at Queen’s Hall, Edinburgh, following plaudits for her recordings of Gal’s Piano Concerto (Gramophone Critic’s Choice) and Piano Trio (Gramophone Editor’s Choice.)

The first half will place Gál between Mozart’s late Duport variations and Mendelssohn’s virtuosic Variations Sérieuses, regarded by many as his most significant piano work, while in the second half Beethoven’s Variations on God Save The King will preface Schubert’s classic theme and five variations that comprise his much-loved B flat impromptu, D935 No. 3.

The poster for Sarah Beth Briggs’s Variations Plus programme in Sheffield

The programme will conclude with two works by Chopin. Firstly, his Berceuse, originally offered to its publishers with the title Variantes, later changed to Berceuse, perhaps to represent the rocking of the cradle depicted by the ostinato bass that runs throughout the piece.

Finally, Chopin’s Fourth Ballade, effectively a set of variations on a rather tragic theme with contrasting interludes building up to a dramatic coda: a work that the late John Ogdon said “contained the experience of a lifetime”.

“Most of my programme will be well known and loved by regular concert goers, but it would be great to think that it might attract less frequent classical music attendees too,” says Sarah.

“Alongside familiar repertoire, I’m excited to present Hans Gál’s 1927 Sonata, with its haunting Variations 3rd movement, as a centrepiece. Having been proud to play a part in a major Gál revival on disc, it’s good to introduce this fascinating composer to live audiences.”

Box office: 0114 249 6000 or sheffieldtheatres.co.uk. For Sarah’s introduction to her Playhouse programme, here is her home video: https://www.youtube.com/watch?v=WqvONlLvSSw

SARAHh Beth Briggs will perform Hans Gál’s Piano Concerto in Germany in December with the Hofer Symphoniker, having made the world premiere recording with the Royal Northern Sinfonia in 2016.

NCEM welcomes global applications for York International Young Artists Competition. Entry deadline: January 15

Protean Quartet: Winners of the 2022 York International Young Artists Competition, pictured at the NCEM

APPLICATIONS from ensembles across the world are invited for next year’s York International Young Artists Competition. The closing date is January 15 2024.

This longstanding competition for young ensembles will take place from July 10 to 13 at the National Centre for Early Music, Walmgate, York, as part of York Early Music Festival 2024.

The final will take place on Saturday, July 13 with a day of public performances at the NCEM. The first prize includes a recording contract from Linn Records; a £1,000 prize; opportunities to work with BBC Radio 3 and a concert at the 2025 York Early Music Festival.

Further prizes on offer include: the Friends of York Early Music Festival Prize, the Cambridge Early Music Prize and one for The Most Promising Young Artist/s, endorsed by the EUBO Development Trust. 

The competition is open to early music ensembles with a minimum of three members and an average age of 32 years or under and a maximum age of 36 for individuals.

The ensembles must demonstrate historically informed performance practice and play repertory spanning the Middle Ages to the 19th century on period instruments.

The competition is recognised as a major international platform for emerging talent in the world of early music. Attracting musicians from all over the globe, it offers a major boost to young professional careers with opportunities for performance, recording and broadcasting, plus international exposure. 

Festival director and NCEM founder Delma Tomlin says: “We’re delighted to be staging the Young Artists competition once again in 2024. One of the highlights of our festival, the competition takes place every two years and fills every corner of the NCEM with music and laughter. 

“We believe it is extremely important to nurture and develop young talent, and the competition provides an important opportunity for young artists and musicians not just from the UK but from all over the world.” 

Last year’s winners, Protean Quartet, say: “We were delighted and honoured to win the main prize in 2022. Taking part in the competition was an amazing experience. It was wonderful performing at the NCEM’s home, the beautiful St Margaret’s Church, and meeting the other ensemble who were taking part. The prize provides a real boost to our confidence, profile and careers.”

Protean Quartet performed at last summer’s festival, as did 2019 winners L’Apothéose, who say: “Winning the York competition was an extremely important and prestigious recognition of our career. It was wonderful to return to York for the recording of our CD with Linn Records and to appear at the York Early Music Festival last July.”

For details of how to apply, head to: www.yorkcomp.ncem.co.uk or email yorkcomp@ncem.co.uk