After allotment gardening in lockdown, Lisa Howard turns her hand to solace-seeking monologue in Rowntree Park garden

Green Howard: Lisa Howard has enjoyed time spent on her allotment in lockdown before returning to performing in the Friends Garden in Rowntree Park, York, in Every Time A Bell Rings. Picture: Northedge Photography

LISA Howard will be spending the weeks ahead performing in the Friends Garden in Rowntree Park, York, but she has been no stranger to the world of gardens in lockdown.

“I went ‘allotmenting’, growing stuff and trying to feed the world from my allotment,” says Lisa, who will be playing Cathy in the Park Bench Theatre premiere of Matt Aston’s Every Time A Bell Rings from August 26 to September 5.

“I was imagining the worst, that there would be no fresh food in the shops. I wanted to provide my own food. I had already started hoarding last year because of the fear of Brexit. I’d already gathered toilet rolls. I got a bit paranoid.

“I didn’t do what a lot of actors did and make a sound studio or practise getting on to Zoom. I thought I’d never work again. I did get a bit down about it, so I buried myself with getting mucky hands in the allotment. Something that felt real and connected to the earth.”

Matt Aston: Artistic director of Engine House Theatre and Park Bench Theatre and writer of Every Time A Bell Rings. Picture: Livy Potter

In The Park Bench Theatre season that begins with Wakefield Theatre Royal pantomime dame Chris Hannon performing Irish playwright Samuel Beckett’s short story First Love from Wednesday, Lisa will play a woman seeking solace as she emerges from isolation in lockdown on Easter Sunday 2020.

As Cathy sits on her favourite park bench in her favourite park, she reflects on her situation: a scenario that chimes with our Covid times in a play prompted by writer – and Park Bench Theatre artistic director – Matt Aston doing likewise on his regular exercise routine in Rowntree Park during lockdown.

Not that Lisa was aware of the script – a 45-minute monologue that takes a touching, humorous and poignant look at how the world is changing through the extraordinary circumstances of 2020 – before taking on the part. Asked to play the role by director Tom Bellerby, she agreed to do so without reading the script first. “Later that afternoon I did read it and was glad I’d said ‘yes’,” she says.

She has worked with Tom previously, firstly when he was a member of York Theatre Royal Youth Theatre. He was in the cast of artistic director Damian Cruden’s 2005 production of Macbeth, wherein Lisa played one of the three Witches, and later he was associate director for the Pilot Theatre/Slung Low/York Theatre Royal promenade production of Blood + Chocolate in York in 2013.

Lisa Howard and director Tom Bellerby on the first day of rehearsals for Every Time A Bell Rings. Picture:
Northedge Photography

“Every Time A Bell Rings is an inner monologue about a woman who is out of isolation after 14 days of not going anywhere or seeing anybody. Basically, it’s the story of her life. She’s a woman in her fifties who’s had a life full of ups and downs,” says Lisa.

“I’ve done my fair share of new writing. I enjoy creating characters and working through stuff that’s fresh and people haven’t seen before. It’s good to be working on something that’s so ground-breaking about a situation that none of us have experienced before.”

She is no newcomer to outdoor theatre or site-specific productions, especially for Alan Lane’s Leeds company Slung Low whose “sense of adventure” she so admires, typified by the epic promenade production of Blood + Chocolate, where the audience listened on headsets as they followed the cast around the centre of York and out to Clifford’s Tower. Blood and Chocolate was an epic promenade production around the city

Last year, Lisa appeared in Twelfth Night, The Borrowers and Henry V in Grosvenor Park Open Air Theatre, in Chester, but she is new to Rowntree Park, despite having worked and stayed in York many times.

Lisa Howard in Pilot Theatre’s Noughts And Crosses at York Theatre Royal in April 2019

She has only one worry. “I hope I don’t fidget too much sitting in one place on a park bench for a long time. I might have a cushion sewn into my trousers,” she says.

Her most recent appearances in York came at the Theatre Royal in Sabrina Mahfouz’s stage adaptation of Malorie Blackman’s novel Noughts And Crosses for Pilot Theatre in the main house in April 2019 and Joyce Branagh’s comedy bus-trip Ladies That Bus in the Studio in February this year before the world as we knew it was stopped in its tracks.

“Luckily we finished the tour of Ladies That Bus before lockdown happened. We were in our own little bubble on a rural tour with no concept of what was happening,” says Lisa.

“We mentioned it once when we were washing our hands and singing Happy Birthday. The tour ended and lockdown happened.”

Bus trip: Lisa Howard, left, with Helen Longworth and writer Joyce Branagh in Ladies That Bus at York Theatre Royal Studio in February 2020. Picture: Joel Chester Fildes

As well as more acting, she would love to see the return of Lula And The BeBops, dormant for far too long. “It feels like we’ve been scuppered at every turn,” says Lisa, the band’s lead singer. “The last gig we did was a couple of years ago. We’ve haven’t done anything recently mainly because I’ve been working away a lot with different tours.

“I’m desperate for us to get back together again. It’s wanting to perform with other people in groups. It’s great to be part of a band.”

Engine House Theatre present Matt Aston’s Every Time A Bell Rings, at Park Bench Theatre, Friends Garden, Rowntree Park, York, August 26 to September 5, 7pm; August 29 and September 5, 4pm matinees. Running time: 45 minutes. Please note: contains very strong language.

Full details, including tickets and the audience use of headphones, can be found at: Box office:

“It’s good to be working on something that’s so ground-breaking about a situation that none of us have experienced before,” says Lisa Howard


The Friends Gardenis an enclosed lawn at Rowntree Park that will have socially distanced seating in an outdoor Covid-secure setting with clearly delineated areas/boxes marked on the grass – three metres square – for audience members to sit in.

Up to three or four people from the same household can sit in each box. Further individual seats will be spaced around the side of the lawn. 

You are encouraged to bring blankets if booking for the first few rows or chairs for the back few rows.

The capacity is 75 tickets for each performance.