Author: Charles Hutchinson

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Seascapes and fossils combine in Carolyn Coles & Mike Marshall’s Beyond The Nab event at St Mary’s Church, Sandsend

York artist Carolyn Coles enjoying painting in plein air at Sandsend

ARTISTS and fossil collectors Carolyn Coles and Mike Marshall share their love of the north east coastline in Beyond The Nab at St Mary’s Church, Sandsend, near Whitby, on July 24 to 27.

Held at this beautiful church located at the end of the Sandsend Valley at the bottom of Lythe Bank, the special four-day event takes place in one of Yorkshire’s prettiest valleys, noted for its picturesque, high-end stone cottages, rich local history, tied to the Mulgrave Estate, and ancient woodlands leading to the ruins of Mulgrave Castle.

On show and sale will be contemporary paintings with a traditional twist, sculptured fossils, evocative photography, jet jewellery, cards and prints, with both York seascape artist Carolyn Coles and East Coast fossil legend Mike Marshall on hand to guide you through the works.

South Bank Studios artist Carolyn will be demonstrating painting techniques while Mike, who runs Yorkshire Coast Fossils, will be glad to identify any fossil you bring along. A pop-up cafe will serve light refreshment in aid of the church, championed by volunteer Helen Lloyd.

Mike Marshall looking out to sea

Carolyn explains the idea behind the event as a “brilliant medley of art and heritage, combining contemporary art and sculpture with traditional techniques”. “We talked about coming together professionally as our work is a perfect compliment and we have such a shared love of the area,” she says.

Carolyn has had a busy 2026, joining wildlife sculptor Karen Fawcett and PICA Studios ceramicist Emily Stubbs in The Sky’s The Limit exhibition at Pyramid Gallery, York, from January 24 to mid-March and taking part in York Open Studios on April 18, 19, 25 and 26.

“My dream is to open a studio and gallery and live by the coast, so this event is a huge pleasure to hold,” she says.

Carolyn Coles and Mike Marshall, Beyond The Nab, St Mary’s Church, Sandsend, near Whitby, July 24 to 27, 10am to 5pm. A preview event will be held on June 24, 5pm to 7pm. “You will be very welcome to come along and  join us in celebrating this very special part of Yorkshire,” says Carolyn.

Carolyn Coles’s studio at South Bank Studios, York

Carolyn Coles: back story

AFTER studying art and illustration in the early 1990s, Carolyn has exhibited artwork in York, Leeds, London, Derby, Manchester and Hereford in solo and shared shows, selling work internationally too.

She has worked in the creative industry for more than 30 years within adult education, graphic design and illustration and now paints full time from her studio with a group of 19 artists at South Bank Studios, Southlands Methodist Church, Bishopthorpe Road, York.

Sandsend, by Carolyn Coles, from her Beyond The Nab exhibition

Described by Pyramid Gallery curator Terry Brett as “a painter of gorgeous seas and skies”, Carolyn has chosen seascapes as her primary subject matter and likes to capture atmosphere, usually with a leaning towards dark and moody, and generally on a larger scale.

Carolyn’s love of the seaside and nature in general is reflected in her painting. Utilising a range of styles, her latest work is mostly impressionistic: “This allows the viewer to interpret their own story and pull their own memories back into play,” she says.

“I’m interested in recreating a feeling, an essence. I love being by the sea or in the hills. It’s a tonic. The noise, everything, just soaks into me. I like to be playful, bold and subtle in my work, which is mostly acrylic on stretched canvasses.”

Mike Marshall’s photograph of the sea at Sandsend with Whitby in the distance. Picture: Yorkshire Coast Fossils

Mike Marshall: back story

MIKE works with locally sourced fossils and Whitby Jet, sculpting and polishing the fossils into natural pieces of art. Fossils are used in the process of producing hand-crafted pieces of Whitby Jet jewellery too. Photography has become part of Mike’s life too, capturing the landscape and wildlife that he encounters on the Yorkshire coast.

Yorkshire Coast Fossils: back story

SITUATED close to the historic port of Whitby on the North Yorkshire Heritage Coast, Yorkshire Coast Fossils has been supplying customers with high-quality fossil specimens, Whitby Jet jewellery and photography since 1989.

The majority of the fossils offered are from the upper lias shales of the Lower Jurassic. Specimens range from the relatively abundant ammonites Dactylioceras and Hildoceras to rarer collectors pieces, such as remains of marine reptiles, including Ichthyosaur, Plesiosaur and marine crocodile, as well as occasional fish and crinoid specimen.

Yorkshire Coast Fossils also offers a range of polished fossil gifts, such as sectioned and polished ammonites, as well as other unusual cut and polished fossil material.

Also available is a range of handmade Whitby Jet jewellery, some being inlaid with local ammonites, Baltic Amber, Mammoth ivory and other semi-precious stones. Bespoke pieces of jewellery can be commissioned and made according to a customer’s requirements.

Storms End, by Carolyn Coles, from her Beyond The Nab exhibition

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REVIEW: The Rocky Horror Show, Grand Opera House, York, until Saturday ****

Stephen Webb’s Dr Frank N Furter: Third time at Grand Opera House, York. Picture: David Freeman

MARCH 2022, October 2024, now July 2026. The time to do the Time Warp again at the Grand Opera House comes around ever more quickly. Once it was every three years, then 31 months, now 21.

No doubt Rocky Horror aficionados will be delighted by that acceleration, making their pilgrimage to Richard O’Brien’s schlock-horror rock’n’roll musical comedy sextravaganza time and time again to enact the time-honoured rituals established since 1973 in gothic fancy dress.

Likewise, new converts as wide-eyed and innocent as O’Brien’s American sweetheart college nerds Brad Majors and Janet Weiss sign up for their rites-of-passage initiation to the cult of Rocky Horror.

This time, Stephen Webb is doing a Time Warp of his own, back in Dr Frank N Furter’s fishnets on tour, having played the role at the Grand Opera House in 2019 and 2022. The swagger, the grace and the fruity decadence are now accompanied by a doomed sense of impending tragedy, especially in his rendition of Don’t Dream It, Be It.  

Christopher Luscombe is still on directorial duty too, cracking the whip – like Frank in Act Two – to sustain its fast and increasingly furious pace, to push the tongue ever further into the cheek, to make it a visual and sensual feast in tandem with set designer Hugh Durrant.

Nothing can rectify the dip in quality of songs in Act Two or the mad rush to the finishing line, more in keeping with a Jacobean tragedy’s pile-up of dead bodies, but the 2026 production has increased momentum. On opening night, too, it overcame a sudden stoppage, when Bethany Amber Perrins had to take over from Daisy Steere as Columbia after a 20-minute hiatus. As ever, the show must go on, and indeed it did, quickly re-establishing its rhythm.

For any newcomers, the storyline opens with newly engaged, squeaky-clean American college couple  Brad (James Bisp) and prim prom queen Janet (2022 returnee Haley Flaherty) losing their way in a storm and then their cherry under the seductive allure of Webb’s castle-dwelling transvestite scientist, Dr Frank N Furter, all framed in a bravura send-up of horror and sci-fi B-movies, heightened by O’Brien’s raucous pastiche of Fifties’ rock’n’roll music.

His show is driven by song, set-piece, outre characters and carnal pleasure, not quite disguising the flimsy plot with its shameless riff on Frankenstein in Frank N Furter’s desire to forge a new life in the form of glitter-dusted beefcake Rocky (Morgan Jackson).

All the while, the audience plays its part, not only in its dress code of Fifties’ waitress outfits, scientist cloaks, Frank N Furter fishnets and tattoos, gold shorts and blond wigs,  but in participating in the ritual interjections, focused heavily on the salacious and salty shout-outs (after rice, confetti, lighter flames and water pistols were given the red card).

Most are directed at the unflappable Narrator, on this occasion the actor, stand-up comedian and author Jackie Clunes, who consistently outwitted the audience, especially in her anatomical proclamations and acerbic topical asides. She shows originality in her retorts and quips, contrasting with the often crude “scripted abuse” from the stalls, although one shout of “Prince Andrew” made you crave more such impromptu cries.

For the rituals to work at their best, they need more participants than at Monday’s more-reserved- than-usual show, where the insults sometimes could not be discerned if watching from the Dress Circle. Clunes, nevertheless, worked the crowd skilfully, ever responsive but one thought ahead too.

What strikes you more and more after 50 years is how the sartorially and sexually audacious Rocky Horror fits with our gender-fluid times far more than in its earliest form, with its themes of transvestism, freedom of self-determination and homosexuality chiming ever louder alongside the old chestnuts of infidelity, the price of ambition and loss of innocence.

The Rocky Horror Show, Grand Opera House, York, tonight, Wednesday and Thursday, 8pm; Friday & Saturday, 5pm and 8.30pm. Box office: atgtickets.com/york.

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Outdoor event of the week: York Proms, York Museum Gardens, July 19; gates 5pm/5.30pm; entertainment from 6.30pm; concert from 7.30pm

Ashley Stillburn: York-born tenor, making York Proms debut on Sunday

THE York Proms picnic concert returns to York Museum Gardens on Sunday for its ninth celebration of pomp and circumstance.

Gracing the open-air stage will be York-born tenor and West End star Ashley Stillburn in his York Proms debut, and British-Irish soprano Jennifer Coleman, completing her hat trick of appearances.

Event co-founder Rebecca Newman says: “We have tried to book Ashley for a couple of years now, and even came very close in the past but diary clashes prevented it. I worked with Ashley in 2010 on a Bev Jones show at the Grand Opera House, when he was only about 17!

“I was so pleased to see how he went on to pursue a career in the arts and I know he will absolutely knock the socks off the audience on the night. Having the connection to York just makes it even more special.”

Ashley says: “It’ll be such a special event for me to return to York to perform and especially as it’s such a well- loved event in one of the most iconic spots in York.”

After leaving his beloved home city of York in 2011, Ashley graduated from Guildford School of Acting (GSA) in 2014 with a 1st Class BA (Hons) degree in Musical Theatre and the award for Best Performance in a Musical. 

Ashley left vocational training early at GSA to join the West End cast of Les Miserables, in which he played the role of Feuilly and understudied and played Enjolras. He went on to appear as Raoul in The Phantom Of The Opera (Her Majesty’s Theatre, London); Anthony Hope in Sweeney Todd (Opera de Toulon); Corrado Montelli in Death Takes A Holiday, Armand Dufau in The Braille Legacy and Walter Hartright in Andrew Lloyd Webber’s first revival of The Woman In White, all at the Charing Cross Theatre in the West End.

He appeared as Charles Clarke in the UK and international tour of Titanic – The Musical and returned to the West End production of The Phantom Of The Opera post-COVID, where he covered and played both The Phantom and Raoul at certain performances. He later returned to play The Phantom in April 2023 for a brief period to cover for an unforeseen absence within the cast.

Ashley Stillburn in Les Miserables. Picture provided by York Proms

Ashley has worked extensively in the development of new and developing work and has participated in workshops that include She Loves You, All About My Mother, Coastliners, Dance With A Stranger, Murder At The Gates, Miss Pettigrew Lives For A Day, Strangers, Annie Get Your Gunand Production 54.

Ashley’s concert work includes West End Men: Unplugged Live from Park Theatre; West End Men in Concert (Royal Bangkok Symphony Orchestra, Thailand); Enjolras in Les Miserables in Concert (Beau Sejour, Guernsey); Raoul in The Phantom Of The Opera in Concert (MFCC Arena, Malta) and Carols by Candlelight at St Martin in the Fields, London. He also appeared as one of the ‘3 Phantoms’ singing Music Of The Night at West End Live in Trafalgar Square in 2022.

Throughout the course of his career, he has appeared multiple times on Elaine Paige On Sunday on BBC Radio 2, BBC Radio Kent and BBC Radio York.

Ashley has had the good fortune to work with leading creatives and practitioners in the theatre, including Andrew Lloyd Webber, Claude Michel- Schoenberg, Hal Prince, Dame Gillian Lynne, Sir Cameron Mackintosh, Dame Maureen Lipman, Maria Friedman, Brian Conley, Carrie Hope Fletcher, Maury Yeston and David Zippel.

He has worked as a guest entertainer on some of the world’s most luxury ocean liners and is a member of a cappella group Shantify, enjoying two runs at the Edinburgh Fringe Festival and a brief stint at the Ambassador’s Theatre in the West End. 

Ashley was delighted to appear in To Maury, With Love at the Theatre Royal Drury Lane in celebration of Maury Yeston’s 80th birthday in February this year.

Since 2023, Ashley has lived in Buxton in the Peak District with his wife and two young children, building a career in education. He has taught at prestigious northern institutions, including serving as director of music at St Bede’s College, Manchester, and head of performing arts at Beech Hall School, Macclesfield, and he is a guest lecturer at The Hammond School in Chester and KTCo in Castle Donington.

He is also an accredited partner for Derbyshire Music Partnership and has become part of its body of staff, aiming to build opportunities and access to singing and music across Derbyshire. 

Soprano Jennifer Coleman: Making her third York Proms appearance on Sunday

GUEST soprano Jennifer Coleman will be returning to Museum Gardens after earlier York Proms appearances in 2019 and 2023, when she took on the more classic soprano songs and the finale in the Night At The Musicals-themed show.

Royal College of Music graduate Jennifer’s performance career has spanned opera, concerts, television and recitals.

As of August 2025, she is a full-time chorus member of the Royal Ballet and Opera (formerly the Royal Opera House) in Covent Garden, London. In 2026, she is delighted to be covering the role of First Bridesmaid in the Royal Opera’s production of Mozart’s Le Nozze di Figaro and she also covered the soprano solo in Bernstein’s Chichester Psalms for the Royal Ballet. 

In the 2025/26 season with RBO, Jennifer will perform in Tosca, Les Vêpres Siciliennes, Die Zauberflöte, Ariodante, Turandot, Traviata, Boris Godunov, Peter Grimes, Samson & Delilah, Le Nozze di Figaro, I Puritani and La Boheme. 

From 2018 to 2025, Jennifer was a full-time soprano chorister with Opera Ballet Vlaanderen (OBV) (International Opera Awards: Best Opera Company 2019) in Antwerp and Ghent, Belgium. Productions ranged from Mozart to Philip Glass to Wagner. 

For OBV, she performed as a soloist in Verdi’s Libera Me from Requiem in Choeurs in 2022, Brahms’s Deutsches Requiem, Schreker’s Der Schmied von Gent, La Cugina in Puccini’s Madama Butterfly, cover Giovanna in Verdi’s Ernani and a spoken solo in Halevy’s La Juive.

Jennifer completed her undergraduate training at the Royal Northern College, Manchester, then  graduated with distinction from the Masters of Music and Diploma course at the Royal College of Music, London, where she was a Theo Max van der Beugel scholar.

In 2016, she won a Musical Odessey Prize; in 2017, she won the Hatfield Festival Voice Competition and was a Britten-Pears Young Artist.

Her operatic roles have included First Bridesmaid in Le Nozze di Figaro (cover, Royal Opera); Theodora in Handel’s Theodora (RCM Oratorio Society); Pamina, Mozart’s The Magic Flute (St John’s Opera); Taumann/Dew Fairy, Hänsel und Gretel (RCMIOS); Mabel , The Pirates Of Penzance;  Frasquita, Carmen; 2nd Niece, Peter Grimes (Dartington International); Priestess, Gluck’s Iphigenie en Tauride (Euphonia Opera); Noga, Tom Smail’s Electric Blue (Tête-à-Tête) and Vixen,  Janáček’s The Cunning Little Vixen (RCM Scenes).

Concert performances include soprano solos in Bach’s St John Passion, Brahms’ Deutsches Requiem, Handel’s The Messiah and Dixit Dominus, Purcell’s Come Ye Sons Of Art, Fili in Handel’s bilingual Acis And Galatea (Snape Maltings) and Elsie Suddaby in Vaughan-Williams’ Serenade To Music. 

Among further highlights, she reached the semi-finals of Belgium’s Got Talent with her opera duo, toured the world for six months as the resident opera singer aboard The Silver Muse and undertook an 11-concert tour of the South of France with the Young Virtuosi Orchestra in 2016.

She performed recitals in Spain as part of the Encuentro de Música y Academia de Santander in 2017, sang on ITV’s The Only Way Is Essex and gave recitals with clarinettist Peter Dec at the Royal Albert Hall, Kings Place, Victoria & Albert Museum and Royal Academy of Art, London.

Naming her dream roles, Jennifer picks:  Musetta (La Boheme); Leila (Bizet’s Pearl Fishers); Cleopatra (Handel’s Giulio Cesare); Cunegonda (Bernstein’s Candide);  Eliza Doolittle (Lerner and Loewe’s My Fair Lady) and, most especially, Mary Poppins (the Sherman Brothers’ Mary Poppins).

When she is not singing, Jennifer generally can be found at Parkrun, drinking tea out of china teacups or tucking into delicious Belgian chocolates.

Rebecca Newman: York Proms co-founder and organiser

Sunday’s York Proms programme

RUN as ever by classical chart-topping York soprano Rebecca Newman, Sunday’s York Proms will feature music from the world of classical and opera, film soundtracks and show songs.

“This year we have invested a bit more into the stage show, with a larger instrumental line-up in the orchestra to support these great singers, and also to allow us to take on some of the bigger film pieces, like works by Star Wars composer John Williams,” says Rebecca.

“We’ve always been restricted by the size of the venue and stage, but this year we’ve pushed the boat out a bit more and we hope our audience enjoys it.”

Tickets are on sale in advance at www.yorkproms.com or at the Visit York Information Centre. Attendees are allowed to bring food and drink, including alcohol, plus picnic chairs (which helps to keep down costs). Food and drink be will be available on site on the day, with a bar, hot and cold food and drinks, treats, and more. No tables or trolleys are permitted on the main lawn.

Please note, NO tickets will be sold on the gate. Previous years’shows have sold out, so prompt booking is advised.

Fast Track tickets have sold out; gates for these ticket holders will open at the Marygate entry at 5pm. Gates for all other ticket holders will open on Museum Street at 5.30pm, after the Fast Track queue has entered.

Wheelchair spaces can be booked after booking a disabled plus carer ticket via the website.

Entertainment will start from around 6pm and the evening show will begin at 7.30pm, climaxing with a low-noise fireworks finale from 10pm to 10.20pm.

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The Duke’s Theatre Company to stage open-air Romeo And Juliet in Scarborough, Harrogate and at Ripon Racecourse

Kissing by the book: Molly Marr-Johnson’s Juliet and Alfie Jameson’s Romeo in The Duke’s Theatre Company’s Romeo And Juliet

THREE North Yorkshire open-air venues will welcome The Duke’s Theatre Company’s bold, high-energy reimagining of Shakespeare’s Romeo And Juliet this week.

The Brighton touring company will play Esplanade & Prince of Wales Terrace, Scarborough, on Wednesday, Valley Gardens, Harrogate, on Thursday and Ripon Racecourse on Friday, promoted by Ripon Theatre Festival.

The trio of 7pm performances are part of a multi-date national tour of outdoor locations, from the cliff-top theatre at Minack in Cornwall to Scottish castles and stately homes, gardens, abbeys and parks across the UK, playing to more than 40,000 spectators.

Blending dynamic staging, evocative sound and the enduring power of Shakespeare’s verse, this retelling of Romeo And Juliet illuminates the passion, peril and youthful intensity at the play’s core, inviting audiences to rediscover the world’s most famous star-crossed lovers.

Joshua Merara’s Benvolio, left, and Joe Carrick’s Mercutio in The Duke’s Theatre Company’s Romeo And Juliet

Joseph Pitcher’s cast of six is headed by Alfie Jameson as Romeo and Molly Marr-Johnson as Juliet, in her professional debut after graduating from the Royal Welsh College of Music & Drama, joined by Joe Carrick as Mercutio and Lady Capulet, Sam Claridge as Tybalt and Paris, Emily Juler as Nurse and Prince and Joshua Merara as Friar Lawrence and Benvolio. All other roles will be played by members of the company.

Pitcher has directed Gypsy (UK Theatre Award for Best Musical Production) and My Fair Lady at The Mill at Sonning and Macbeth at the Salomans Theatre, Tunbridge Wells. For Romeo And Juliet, he leads a production team of designer Diego Pitarch (Sunset Boulevard and Spend, Spend, Spend, London) and award-winning composer Rob Millett (Ballet Rambert, National Theatre and Shakespeare’s Globe), who has provided original music.

For Ripon Theatre Festival, Friday’s performance will provide the finale to a season of more than 160 events in July.

For tickets, go to: https://www.thedukestheatrecompany.co.uk/book-now.

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Thunk-It Theatre appointed Pocklington Arts Centre’s first associate company

Thunk-It Theatre’s young performers in Misfit Fairytales

YORK company Thunk-It Theatre will become Pocklington Arts Centre’s first associate company, formalising a creative partnership developed over several years.

The new association reflects Pocklington Arts Centre’s commitment to supporting the local cultural economy, while building on both organisations’ shared goal of increasing the number of accessible creative opportunities in the North and East Yorkshire area.

After collaborating on a range of projects, Thunk-It Theatre will continue to use Pocklington Arts Centre as a base to develop exciting new productions, engage the community and nurture emerging talent.

Juliette Risingham, Thunk-It Theatre’s associate director, says: “We’re absolutely delighted to become an associate company of Pocklington Arts Centre. This partnership feels like a natural next step in a relationship that has grown over several years through shared values, ambitious projects and a genuine commitment to making the arts accessible to everyone.”

“From developing our Youth Theatre to creating large-scale community projects such as 25/5, Pocklington Arts Centre has continually championed our work and believed in our vision. Together we’ve created opportunities for young people, families and local communities to connect through creativity, and we’re incredibly excited about what comes next.

“Becoming an associate company gives us an even stronger foundation to nurture local talent and continue creating theatre that belongs to the people who take part in it. We can’t wait to begin this next chapter together.”

Known for its diverse, year-round programme of live comedy, music, theatre and exhibitions, Pocklington Arts Centre has established a strong reputation over the past 25 years as East Yorkshire’s cultural hub, but its contribution to the community extends far beyond its live events.

From its dementia-friendly Singing For Fun group to its newly formed Arts and Dramatic Society, the venue hosts a variety of regular creative groups, offering a welcoming space for communities to connect and creativity to flourish.

Launching its associate company programme is a natural progression for the venue and marks a further step forward in its ambition to champion East Yorkshire talent and support the development of new work that is inclusive and accessible to all.

Pocklington Arts Centre (PAC) director Kelly Munro-Fawcett says: “We’re delighted to welcome Thunk-It Theatre as our first associate company. They create fantastic, accessible theatre, and we’re excited to support their work as they continue to grow. We want PAC to be a place where local artists can develop, new ideas can flourish and creative partnerships can thrive, so this feels like a really exciting step for us.”

Thunk-It Theatre is developing a number of new shows and community projects, with further details to be announced in the coming months.

More information on Pocklington Arts Centre and its programme, including Thunk-It productions, can be found at pocklingtonartscentre.co.uk.

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More Things To Do in York and beyond. Hutch’s List No. 29, from The York Press

Danger, danger for a ranger at close quarters with a dinosaur’s teeth in Dinosaur Adventure Live: Danger On T-Rex Mountain at York Theatre Royal

DINOSAUR adventures and Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.

Children’s show of the week: Dinosaur Adventure Live, Danger On T-Rex Mountain, York Theatre Royal, today, 2.30pm

SIXTY-FIVE million years in the making, Dinosaur Adventure Live brings a fusion of family-friendly storytelling, puppetry and roarsome science to the stage as the ancient world of dinosaurs crashes back to life for gasps, giggles and occasional jump-scares.

From a shadowy raptor on the loose to baby dinosaurs that you can feed (carefully!), Mike Newman’s show blends humour, thrills and hands-on learning into an interactive stage experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Liz Foster: Exhibiting her abstract artworks in Arnup Studios’ first collective show at Pyramid Gallery

Exhibition launch of the week: Arnup Studios at Pyramid Gallery, Stonegate, York, today, 11am to 2pm, then running until September 27

CERAMICIST Hannah Arnup, landscape and natural world artist Michelle Galloway, abstract artist Liz Foster, plein-air and studio artist Kate Pettitt, British wildlife ceramicist Penny Phillips and handmade jewellery designer Emma Welsh will be on hand at today’s opening of Holtby-based Arnup Studios’ first collective exhibition at Pyramid Gallery. Gallery opening hours are 10am to 5pm, Monday to Saturday.

Justine Warner with exhibits from today’s showcase of experimental textiles and mixed media at Laburnum Cottage, Sheriff Hutton 

Art showcase of the week: Experimental Textiles and Mixed Media, Laburnum Cottage Art Studio, West End, Sheriff Hutton, near York, today, 10am to 5pm

NORTH Yorkshire Open Studios textile and mixed-media artist, Landscape Artist Of The Year 2022 contestant, teacher and workshop tutor Justine Warner plays host to an exhibition of one year of student work, showcasing skills, workbooks and final pieces based on a wide range of experimental textile techniques that employ exciting and unusual materials in creative ways.

Look at how Bondaweb, Lutradur, soluble fabrics, metal, foils, gel printing, transfer printing, batik, tetra pack printing, block printing and heat-shrink can be used and  speak with some of the students who experimented with them.

Rowan Armitt-Brewster’s introverted office worker Thomas struggling with his bothersome briefcase in Skedaddle Theatre’s A Brief Case Of Crazy

Silent love story of the week: Skedaddle Theatre & Shoddy Theatre present A Brief Case Of Crazy, York Theatre Royal Studio, today, 2pm & 7pm

INSPIRED by the timeless genius of Charlie Chaplin, Buster Keaton and Mr Bean,Rowan Armitt-Brewster, Samuel Cunningham and Lennie Longworth’s physical comedy A Brief Case Of Crazy is a silent love story with a very loud heart, told through slick choreography, mime, clowning and puppetry.

Meet Thomas, an awkward, introverted office worker with a quiet crush on his equally shy colleague, Daisy. His quest for love must contend with a boisterous boss named Simon and a rather bothersome briefcase that drags an awkward introvert into extraordinary events. Will his quest for love fail? Or will he discover that what’s on the inside counts most? Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Five upwards.

Dominic Goodwin in a triptych of his myriad roles in Twice Nightly

Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Friargate Theatre, York, tonight, 7.30pm

RYEDALE writer, performer and pantomime dame Dominic Goodwin is touring his first one-man comedy show, directed by York director and actor Thomas Frere.

Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. Box office: York, 01904 655317 or ridinglights.org/friargatetheatre.

CMAT: Songs of identity, grief and beauty standards at Scarborough Open Air Theatre tonight 

Coastal gig of the week: CMAT, Scarborough Open Air Theatre, today, gates 6pm

CMAT, alias Ciara Mary-Alice Thompson, burst on to the music scene six years ago with her debut single Another Day (KFC). The Dublin-born, County Meath-raised singer and songwriter has since released three bitingly humorous, emotionally honest albums, 2022’s If My Wife New I’d Be Dead, 2023’s Crazymad, For Me and 2025’s  Mercury Prize-nominated Euro-Country, her exploration of identity, grief and beauty standards, exemplified by Take A Sexy Picture Of Me. Box office: scarboroughopenairtheatre.co.uk.

Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House next week. Picture: David Freeman 

Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, July 20 to 25, Monday to Thursday, 8pm; Friday & Saturday, 5pm and 8.30pm

STEPHEN Webb leads the cast as Dr Frank N Furter on The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.

Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.

Lenny Pearce: Techno for toddlers at York Barbican 

Techno dance moves for children: Lenny Pearce, Toddler Rave World Tour Part 2, York Barbican, July22, 3.30pm

LENNY Pearce is a force in family entertainment, captivating a global audience as the pioneer of Toddler Techno. Driven from his passion as a father, and his strong commitment to his home life, Lenny makes songs and videos and performs live shows where he spins children’s favourites, remixed into modern hits that keep young ones and parents alike dazzled. Box office: yorkbarbican.co.uk.

Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York. Picture: Andrew O’Neill 

Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Joe Sellman-Leava in Copycat (Work In Progress), July 23, 7.30pm; Andrew O’Neill: Escape, July 24, 8pm

DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student, and a copycat dictator to examine the links between art, fascism and rapid technological change. 

HOW do we get out of this mess, asks cult comedian Andrew O’Neill in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.

Airline hostesses at the treble: Bethan Olliver as Gloria, left, Val Debenedetti as Gabriella Jorja Cartwright as Gretchen in Rowntree Players’ Boeing Boeing 

Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, July 23 to 25, 7.30pm

MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”

He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Craig David: TS5 DJ set at York Racecourse Music Showcase Weekend next Friday

Outdoor concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, July 24, and Tom Grennan, July 25

SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.

Bedford singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

Tom Grennan: Performing next Saturday’s Music Showcase Weekend at York Racecourse

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How Mike Newman turned Dinosaur Adventure Live into a roaring success as Danger On T-Rex Mountain arrives in York

Danger, danger, the new T-Rex is on the loose in Dinosaur Adventure Live: Danger On T-Rex Mountain

SIXTY-FIVE million years in the making, and now in its fifth year of roaring and touring, Dinosaur Adventure Live takes over York Theatre Royal’s main stage tomorrow afternoon with its story of Danger On T-Rex Mountain.

From the imaginative mind of Exciting Science creator Mike Newman, the hour-long show combines family-friendly storytelling, puppetry and “roarsome” science as the ancient world of dinosaurs crashes back to life for gasps, giggles and occasional jump-scares when Mike’s cast of intrepid rangers leads a quest to recover the data crystal, restore power to the island and save the dinosaurs.

From a shadowy raptor on the loose to baby dinosaurs that you can feed – very carefully – Dinosaur Adventure Live blends humour, thrills and hands-on learning in a physically interactive stage experience, where children are encouraged to “stomp, roar and swish their tails”, climaxing with the T-Rex bursting on to the stage in a heart-pounding finale. Beyond the action, the show is educative too, sprinkled throughout with Dino-Facts and paleontological titbits.

“The show’s been running since 2022,” says Mike. “I wrote the first show that year, which ran successfully in 2022 and 2023, then the follow-up , Trouble On Volcano Island, and then it became a trilogy in 2025, with The Big Jurassic Storm, and  now we’ve gone back to the first one for a bit of a re-work for the latest tour called Danger On T-Rex Mountain.”

Mike’s company’s offices are in Bloomsbury Street, London, where the high costs of central London make storage of the dinosaurs unimaginable there. Instead, they are stored elsewhere in a “fair amount of 40ft shipping containers”.

A ranger finds herself up close with a dinosaur in Dinosaur Adventure Live, on tour at York Theatre Royal

“In producing the show, one of the first things you have to consider is the size of the show, because although you can write something, you have to start from the basic proviso of it being a show with a ticket price of under £20 to make it viable, and that determines a lot of things. So the show tours with everything in one low loader and one long wheelbase Sprinter,” says Mike, who lives in Bedfordshire, where he conducted this interview from his Portakabin office at the end of his garden.

“The great thing with these dinosaurs is, it’s not that we are under any illusion they are real, but the fact you can take a 12ft tail and head off an 8ft body makes it a lot more feasible to tour – and you can get a fair amount of stuff inside the body too. Of course, it doesn’t leave room for much else!”

 Mike is the definition of an arts and entertainment polymath, as an actor, puppeteer and theatre producer, having presented The Sooty Show from 2005 to 2008, taken the mic as a stand-up comedian and written, directed and performed in live stage adaptations of children’s shows, such as Rainbow, featuring Zippy, George and Bungle, since 2009.

Now dinosaur adventures have taken on growing prominence in his diary. “I knew you couldn’t just throw something on stage and watch it roar and think ‘that’s cool’, but kids want something more that they can invest in, and that’s why we have a story for each one, so it has a lot more to it than something visual that says ‘wow, that’s a raptor, isn’t that exciting’.

“They are shows for the whole family to go to because dads love to see a T-Rex just as little children do. As the children grow older, they invest in the story, and as they grow older still, the invest in the details; the size of the dinosaur, how many teeth it has; the power of the jaw to crush, which teenagers find pretty cool.”

Two rangers negotiating with a dinosaur in Dinosaur Adventure Live

The Dinosaur Adventure Live dinosaurs are “surprisingly light for the size of them”. “You think, ‘how on Earth can you pick that up?’, but in reality they are very light, but they do look incredibly impressive,” says Mike.

“We have a new T-Rex for this tour, a massive upgrade on 2022, in terms of what he can do and in terms of having an animatronic mouth and eyes. The dinosaurs all have cameras inside them and the newer ones have two cameras with split screens.

“When the T-Rex rises up [manipulated by its operator], it’s a good 12ft-14ft high and he can ‘run’ right to the front of the stage, open the jaw wide and rest his head in the lap of a dad!”

Dinosaurs are not Mike’s only venture into the distant past, by the way. “Since April, we’ve been touring Ice Age Adventure, featuring huge woolly mammoths, a white wolf and a baby sloth,” he says.

Dinosaur Adventure Live, Danger On T-Rex Mountain, York Theatre Royal, tomorrow (18/7/2026), 2.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Four plus.

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REVIEW: Skedaddle Theatre in A Brief Case Of Crazy, York Theatre Royal Studio, silent love blossoms until tomorrow  ****

Rowan Armitt-Brewster’s introverted officer worker Thomas struggling with his bothersome briefcase in A Brief Case Of Crazy

SILENCE is golden in A Brief Case Of Crazy, a retro ray of comedic sunshine from Skedaddle Theatre that elicits the broadest of smiles and makes the heart pound with glee.

Trained in physical theatre at East 15 Acting School, Roan Armitt-Brewster, Lennie Longworth and Samuel Cunningham draw inspiration from another Rowan, Atkinson’s Mr Bean, as well as the black-and-white cinema of Charlie Chaplin and Buster Keaton.

There are shades too of Nick Park and Aardman Animation’s Wallace & Gromit comedies and Belgian surrealist René Magrittein the design for this hour-long “silent love story with a very loud heart”.

Armitt-Brewster, who appeared on the Theatre Royal main stage in Around The World In 80 Days-ish and the 2024 pantomime Aladdin, has described A Brief Case Of Crazy as “the sweatiest, stinkiest show in the world”.

In 1940s’ vintage woollen tank top, cardigan and fitted suit respectively, and sometimes in coats and bowler hats too, in such hot conditions for performing, Armitt-Brewster, Longworth and Cunningham must have felt even sweatier, even stickier. Nevertheless, they put everything into such a physically demanding show, one that keeps them constantly on the move, regularly breaking into ever-faster dance routines.

They do not speak a word, but their facial mannerisms speak volumes, and all manner of sound effects and recorded songs and incidental music are the trigger for crisply choreographed movements of exquisite comic timing, especially in scenes on the London Underground.

Armitt-Bewster’s Thomas, in his specs and tank top that have not changed since childhood, is an introverted, nervy, nerdy office drone with a hidden crush on Longworth’s just-as-shy co-worker Daisy, in woolly hat, green cardigan and red skirt, who turns out to be equally secretly love struck (both of them keeping a photo of the other in a stashed-away folder).

Always standing in the way of love’s true path Cunningham’s office boss Simon, a preening poltroon with a large mirror in his briefcase, a snarling growl for Armitt-Brewster’s timid Thomas on every entrance and a red rose for Daisy, stolen each time from knock-kneed Thomas.

Love-struck: Rowan Armitt-Brewster’s timid Thomas and Lennie Longworth’s equally shy co-worker in A Brief Case Of Crazy

Can love prevail or will dastardly Simon spoil everything?  The office “romance” is played with mime and clowning, dance steps and slapstick set-pieces, sometimes involving the drawers of the office chest, where one opens as another is pushed shut. Always keep an eye out for the unexpected, such as the office sunflower suddenly growing taller in the pot when love is declared.

The characters are caricatures with familiar tropes, but beneath the comedy lies pathos too, as bullying and grief suddenly rise to the surface in a brief, deeply moving puppetry scene that takes Thomas back to his childhood.

In the blink of an eye, amid the changing sounds of a hospital, the scene recalls how Thomas was picked on, how he injured himself in a fall, how his mother tended to his injuries, and how that handkerchief went from her hand to his after she dies all too young. When theatre is this economical but visually rich in its storytelling style, it is all the more impactful.

Indeed, the timing is so well judged throughout that only once – in a sequence of love-blossoming dance routines in quick-quick succession, where Armitt-Brewster plays Astaire to Longworth’s Rogers – could the editing be tighter. Maybe trim a song, but definitely keep in Armitt-Brewster tap-dancing finale.

All three performances are a delight, from Armitt-Brewster’s tragicomic office nerd to Longworth’s toothy, Chaplinesque Daisy – you could picture her playing Shakespeare’s Puck – topped off with Cunningham’s vainglorious Simon, the cadaverous cad of the piece.

From a trio of misbehaving briefcases to the cast’s ability to put both commotion and emotion into motion, A Brief Case Of Crazy is an utter joy in its celebration of the romance of the underdog, its empowerment of being different, its love and refinement of a time-honoured but increasingly neglected performance style. You’d be crazy to miss it.

Skedaddle Theatre & Shoddy Theatre present A Brief Case Of Crazy, York Theatre Royal Studio, tonight, 7pm; tomorrow, 2pm and 7pm. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Five upwards.

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REVIEW: Wright & Grainger in SELENE, Halfway To Edinburgh Season, Theatre@41, Monkgate, York****

Megan Drury in SELENE

IN a new creative partnership with Theatre@41, Monkgate, Easingwold duo Wright & Grainger workshopped and rehearsed SELENE at the York theatre before actor Megan Drury headed off to Australia and New Zealand for a Bob Dylanesque never-ending tour that stretched eventually to more than 70 performances.

SELENE is a solo show for Drury, such an electric force on stage, who was so vital to the spoken-word gig theatre chemistry of Edinburgh and Australian Fringe hit THE GODS THE GODS THE GODS, but the imprint of partner Alexander Flanagan Wright’s rhythmic wordplay, cultural nous and philosophical insights and Phil Grainger’s lambent compositions is as deep as ever.

Wright & Grainger specialise in breathing new life into ancient myths, refracting the tales of Orpheus, Euridyce and Helios through the prism of the troubled modern world, often a rural Yorkshire one to boot yet universal too.

SELENE is the latest such venture, billed as a “radical explosion” of the ancient Greek tale of the goddess of the Moon and its dark side that once fixated Pink Floyd.

Dressed all in black with glittering trainers and ear rings, Drury immediately establishes that SELENE – pronounced Sel-ee-nay, not Celine, as in Dion, she clarifies – will not be the fulcrum of the story.

Instead, the focus falls on Selene’s already assertive 12-year-old daughter, Pandia (or ‘Panda’ as everyone calls her), whose fascination with the Moon will be followed at four-yearly intervals.

Drury’s Panda/Pandia will introduce each scene with an update of her/their list of All The Things I Am Not, always kick-started by her frustration at not being weightless, ever since she started watching Apollo 11’s landing on repeat.

She is fearless, frank, bloody-minded even, likes the F word and considers the chalk horse at Kilburn, not far from her home, to be “stupid”. She finds pretty much everything and everyone irritating, especially that horse and Benzo, who is always trying to outdo her with his knowledge of the Moon and its cycles.

In Wright & Grainger house style, the performance is conversational, knocking down theatre’s fourth wall from the off, and immersive too, all the more so for being staged in the round to match the shape of a full moon. Assorted moons will decorate Theatre@41’s black box theatre in differing forms and sizes, each switched on and off by Drury, depending on a scene’s requirement and focus.

Pages from the script, again placed in a circle at the audience’s feet, are a familiar W&G sign of imminent involvement for all those who volunteer to take on roles, in this case playing wild card Panda’s friends/classroom colleagues from schooldays onwards, through various party initiations, lunar experiences, first drinks, skinny dips, first encounters with Fleetwood Mac’s Landslide and morning-after breakfasts with mum Selene.

Another mythical world will stir too, the one where dogs become werewolves at twilight, and again two volunteers take on howling duty, later joined by the entire audience.

As Panda turns into a young adult, discovering who and why they are, Wright & Grainger’s SELENE becomes an ever more humorous, intellectually smart and typically unconventional study of “the light sides of us, the dark sides of us, the things orbiting around us as we grow up and especially the wild stuff inside us”.

Not only is SELENE a joyously wild ride through a rites of passage, but it also rivals Sir Patrick Moore for interesting observations and facts on the Moon, gives belated attention to Michael Collins’s lonely role on that 1969 lunar trip and points out Apollo was a misnomer for a space ship to the Moon, given that Apollo was the sun god.

By now, Drury’s relentless, questing Panda/Pandia/whatever they want to call themself next finally lists All The Things I Am. “The truth,” she says. Oh for such certainty in our world of half truths, alternative truths and Truth Social.

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Arnup Studios artists to hold collective exhibition at Pyramid Gallery for first time

Hannah Arnup: Exhibiting tripod ceramic vessels at Pyramid Gallery from Saturday

ARTISTS Hannah Arnup, Michelle Galloway, Liz Foster, Kate Pettitt, Penny Phillips and Emma Welsh will be on hand at Saturday’s opening of Arnup Studios’ exhibition at Pyramid Gallery, Stonegate, York, from 11am to 2pm.

“We are delighted to show a collection of works made at Arnup Studios, Holtby,” says gallery owner and curator Terry Brett. “Having worked with many of these artists and craftspeople individually, it’s a real honour to have them here as a collective for the first time.”

Liz Foster in her studio

Running until September 27, the exhibition in the 15th century building features landscape and abstract paintings, ceramic wildlife sculpture, stoneware pottery and handmade jewellery, showcasing the diverse range of artists that works at the studios near York.

The connection between Arnup Studios and Pyramid Gallery goes back to the 1990s when the gallery first exhibited work by Hannah’s parents, renowned sculptors Mick and Sally Arnup, alongside sons Ben and Tobias and daughter Hannah.

Kate Pettitt at work in her studio. Picture: The Resilient Wanderer

After inheriting the studios, Hannah redesigned the buildings to create individual studios for artists and craftspeople.

She is proud to continue the artistic legacy of her parents: “Today, the studios are shared by five other artists and craftswomen, each working independently while benefiting from the camaraderie and support of the wider Arnup Studios community,” she says. “It is a truly special place.”

Gallery opening hours are 10am to 5pm, Monday to Saturday.

Michelle Galloway

Immersed In Nature, by Michelle Galloway, at Pyramid Gallery

Who will be exhibiting?

Hannah Arnup: Studied Fine Art Sculpture at Kingston School of Art and Post-Graduate Ceramics at Goldsmiths College. Exhibiting a range of tripod ceramic vessels influenced by the balance, beauty and intricate detail of early Chinese ritual bronze vessels and her ongoing fascination with antiquity.

Liz Foster: Studied painting at Glasgow School of Art. Exhibiting a selection of her contemporary colour-led abstract oil paintings exploring bold colour, form and gestural mark-making.

Wolf Head, by Penny Phillips, from the Pyramid Gallery exhibition. Picture: Dawn McNamara

Kate Pettitt: Studied fine art, illustration and graphic design in both Exeter and York. Exhibiting a selection of plein air and studio paintings.

Michelle Galloway: Exhibiting a selection of landscapes and closely observed paintings of the natural world.

Penny Phillips in her Arnup Studios studio. Picture: Dawn McNamara

Penny Phillips: Exhibiting a series of textural ceramic sculptures inspired by her love of British wildlife.

Emma Welsh: Traditionally trained goldsmith exhibiting a selection of her unique jewellery designs.

Studio website: arnupstudios.weebly.com.

Collector’s Locket, by Emma Welsh, from the Pyramid Gallery exhibition