Karen Winship’s poignant NHS Heroes portraits show launched at Hull Marina

Mother and daughter: Karen Winship’s self-portrait of her painting her portrait of Kelly, an NHS occupational therapist

YORK artist Karen Winship’s poignant tribute to the selfless work of front-line NHS workers during the Covid-19 pandemic is on display at Hull Waterside & Marina until June 20.

Eleven of Karen’s NHS Heroes portraits were first shown at York Art Gallery in the Our Heroes Welcome thank-you to essential workers from August 1 when Lockdown 1 eased last summer.

Last August too, 13 more made their debut at City Screen, York, where the exhibition included a montage of all 24 that is being gifted to York Hospital by Karen, whose self-portrait of herself painting one of the NHS Heroes completes the collection.

The original paintings have been presented to the sitters, but the 24 portraits have been given a new life, reproduced on biodegradable boards for outdoor display by Pocklington Arts Centre (PAC) at a larger size than the originals.

Karen Winship’s NHS Heroes portraits on the railings at All Saints’ Church, Pocklington

First shown side by side on the railings at All Saints’ Church, Pocklington, from late-November to January, the portrait prints have headed further east to Hull, where they can be viewed for free, thanks to PAC joining forces with the marina managers, Aquavista.

“I’ve had a great response to the portraits so far, so it’s incredible that Pocklington Arts Centre is now taking the exhibition on tour into the wider community,” says Karen, whose work also features in Portraits For NHS Heroes, a fund-raising book for NHS charities.

“It’s been such a challenging time for everyone, especially our NHS front-line workers, and this was my way of recognising everything they do for us, so it’s fantastic that this recognition can be expanded even further. Art doesn’t get much more accessible than an open-air exhibition.

“I’m delighted to see my portraits lining the railings along Hull Marina, which is a landmark in itself, and I hope the public enjoy them too.”

Amanda, by Karen Winship, from her NHS Heroes series of portraits

NHS Heroes is one of two pop-up touring exhibitions being taken into communities across the region by PAC. York artist Sue Clayton’s collection of 21 portraits celebrating children and young adults with Down Syndrome was unveiled last Tuesday at the NHS York Vaccination Centre, at Askham Bar, for browsing by those attending jab appointments in the “Tent of Hope” until June 13. Plans are being put in place for the “21” show to transfer to Hull Marina after Karen’s show closes.

PAC director Janet Farmer says: “Making our exhibitions accessible to the public despite the pandemic has been really important for us, and the feedback has been really positive, so we’re very much looking forward to enabling even more people to see these incredibly poignant portraits created by the talented Karen Winship.

“We think they will make for a striking display along the marina. Our thanks to Aquavista for helping to make this possible.”

York artist Karen Winship with Aquavista manager Graham Richardson and Pocklington Arts Centre director Janet Farmer at Hull Waterside & Marina

Aquavista took over ownership of Hull Waterside & Marina last year and were only too keen to support PAC’s pop-up exhibition plans. Manager Graham Richardson says: “We’re delighted to support this fantastic initiative. The marina is a popular visitor destination, so we hope to see lots of people coming to view the portraits over the next few weeks.”

Karen, artist and educator, had begun her career as a graphic designer, later gaining a teaching degree and subsequently working for 15 years at a maximum-security prison as head of art.

Embarking on her journey as a professional artist in 2012, she is “living the dream” in her words, not least as a community-minded artist who enjoys “giving back” through her involvement in community art projects.

NHS Heroes is her latest public-spirited endeavour, this one inspired by Tom Croft’s #portraitsfornhsheroes project for artists to complete a free portrait in appreciation of the NHS for gifting to the worker depicted.

Karen Winship’s portrait of Samantha, from the NHS Heroes exhibition and Portraits For NHS Heroes fund-raising book for NHS charities

“There was a shout-out on Facebook across the country from Tom Croft, calling for artists to take part, and I was inundated with ten requests. Then I appeared on Look North and got even more,” says Karen.

“Tom Croft has now put together a book of 300 of the portraits, including one of mine, the one of Samantha, when she hasn’t got a mask on, but you can see all the creases on her face from the mask.

“Portraits For NHS Heroes is available in hardback on Amazon with all proceeds going to NHS charities.”

Among Karen’s portraits is one of her daughter, Kelly, who works for the NHS as an occupational therapist, bringing home the challenges faced by frontline workers in the pandemic. “I even had to do her portrait from photographs,” says Karen, to whom most of her subjects were unknown.

Kelly, NHS occupational therapist and daughter of artist Karen Winship, from NHS Heroes

“They were a few people I know from York, but the photographs came from all over. Newcastle, Northern Ireland, Scotland. At first, I thought it might be difficult to work just from a photo, because I’m used to doing portraits from people sitting for me, but because these photographs were taken as they were working, looking into their eyes, you can see the trauma, the sadness, the exhaustion.

“Normally, you can see a sitter’s mouth, but invariably in these photographs the mouth had to be covered with a mask, so the eyes become even more important.”

Karen’s portraits were first “exhibited” informally. “My neighbours in my cul-de-sac [St Thomas Close in Osbaldwick] put them in their windows,” she recalls. “People even came from Beverley and Newcastle to walk down the street, and one told me their back story…and you then carry those stories with you.”

Karen Winship at Monday’s launch of her NHS Heroes exhibition at Hull Waterside & Marina

She found creating the NHS Heroes portraits “so intense”, she eventually had to stop. “I tend to work quickly because I like spontaneity,” says Karen. “Normally with portraits, I work from one sitting and then photos, but what was different with these portraits was that I was totally absorbed just in painting. Normally, we would be chatting at a sitting.

“I was exhausted, doing one after another from photographs. I just kept going until they were done. Afterwards, I immediately went on to do something that was colourful: a couple of autumn paintings, still lifes. I had to do something that was completely contrasting.

“And I’ve also been lucky that since the NHS project, I’ve had various commissions as I had to cut back on my teaching during the lockdowns.”

For more information on PAC’s forthcoming exhibitions, visit: pocklingtonartscentre.co.uk.

Joan, portrait by Karen Winship from the NHS series

‘A year ago, I couldn’t have looked you in the eye and said, ‘this is going to be OK’,’ says York Theatre Royal chief exec Tom Bird

Tom Bird: Looking forward to tonight’s reopening of York Theatre Royal after 15 months like no other

YORK Theatre Royal will re-open tonight after 427 days, but chief executive Tom Bird feared this day might never have come.

Aside from two preview performances of December’s Travelling Pantomime tour, the main house stage has been in Covid-enforced hibernation since March 14’s performance of Alone In Berlin.

In the ensuing months, shorn of 89 per cent of its annual income being generated through selling tickets and associated revenue streams, the Theatre Royal had to cut its permanent staff by one third – seven voluntary redundancies and nine staff made redundant – after extensive consultations against a grim national picture where an estimated 40 per cent of theatre workers have lost jobs over the past 15 months.

Last September too, the Theatre Royal’s divorce was announced from the neighbouring De Grey Rooms, home to the theatre’s leased rehearsal rooms, workshops, offices and below-stairs costume department, as well as weddings, parties, award ceremonies and performances in the glorious ballroom.

Had Tom ever thought that the pandemic might be the final curtain for the Theatre Royal, England’s longest-running theatre outside London?  “Yes, as early as last May, I started wondering. I remember it well because the weather was gorgeous, but the outlook was bleak, though it was at that stage that Arts Council England were brilliant, in that they moved very quickly to provide £160 million Emergency Funding to theatres like us,” he recalls.

Josh Benson: The comic turn in York Theatre Royal’s upturn with The Travelling Pantomime last December

The Theatre Royal received £196,493 to help to cover costs in the fallow months from last July to September 30. “The ACE grant was about ‘What do you need right now not to collapse?’,” said Tom at the time.

“But when 89 per cent of your income revolves around ticket sales, you’re looking at that situation thinking, ‘that’s 89 per cent of our revenue gone, a turnover of £4.5 million; what business survives that?’.”

What’s more, Tom and the theatre faced the problem of running an old, if recently refurbished, building that is both huge and hard to heat, “so much so that it costs £475,000 a year just to keep it open, without staffing, to cover heating, lighting, water and safety,” he reveals.

“At that point, we didn’t know that Culture Recovery Funding would be made available by the Government, though there was a lot of noise, and we didn’t know if the pantomime [Cinderella, in the Theatre Royal’s first collaboration with Evolution Productions] could go ahead.

“What we did was to get brave at that point, making big decisions, giving up the lease of De Grey House and the De Grey Rooms, going back into our old offices in the gorgeous, ramshackle Tate Wilkinson House.

“Then there’s the decision you never want to have to make: having to lose staff, and that decision still haunts me. But in a way, the need to make savings was pretty black and white; it wasn’t a case of looking to be a bit more efficient. We had to take steps now, and last summer was pretty tough.”

The Pop Up On The Patio festival stage on the York Theatre Royal terracing last August

A Pop Up On The Patio festival season on the theatre terracing ran from August 14 to 29, a positive step in showcasing York and Yorkshire talent, but through the huge glass panes of the Theatre Royal could be seen the dormant foyer, box office and closed doorways to the main house and Studio: out of reach and shrouded in uncertainty.

Once the £1.57 billion Culture Recovery Fund was announced, the Theatre Royal was awarded £230,000 to assist the theatre until March 31, but the pandemic’s grip put paid to any chance of Cinderella going to the ball at the Theatre Royal.

“What picked us up was deciding to do the Travelling Pantomime that we took round York’s wards: it gave us something to focus on, not just thinking ‘is the Theatre Royal going to survive?’,” says Tom.

“It energised us all, and it was such a great show to do, but the truth is, a year ago, I couldn’t have looked you in the eye and said, ‘this is going to be OK’.

“We didn’t even know what was going to happen through that year ahead, but I have to say that the Yorkshire producing theatres have been brilliant. York, Hull [Hull Truck], Leeds [Playhouse], Scarborough [Stephen Joseph Theatre] and Sheffield [Sheffield Theatres] have got together each week on Zoom, which has been a really good case of peers supporting each other…

“…and we are where we are now, reopening to coincide with Step 3 of the roadmap. Love is in the air at the Theatre Royal!”

Clown time: James Lewis-Knight’s in rehearsal for Staying Connected, one of the Love Bites at York Theatre Royal tonight and tomorrow. Picture: Tom Arber

Tom is referring to The Love Season, already trailered in CharlesHutchPress [April 29 2021], that opens with Love Bites: two nights of two nights of letters from the heart tonight and tomorrow at 8pm that have both sold out.

The Love Season should have opened on St Valentine’s Day, February 14, but Lockdown 3 put yet another red line through diary plans. However, a second round of the Cultural Recovering Fund grants has put a £324,289 spring in the Theatre Royal’s step, coupled with the third stage of lockdown loosening from today.

Love Bites will turn the spotlight on the creativity of artists from in and around York, whether poets, performers, singers, dancers or digital artists, who have been commissioned to write love letters celebrating the return to live performances after the easing of the Government’s pandemic restrictions.

Introduced by Look North alumnus Harry Gration, Love Bites will explore the idea of love letters, dedicated to people, places, things, actions, occupations and more besides in five-minute specially commissioned bite-sized chunks.

The Love Season’s focus on human connection, the live experience and a sense of togetherness will embrace solo shows by stage and screen luminary Ralph Fiennes and Coronation Street star Julie Hesmondhalgh (The Greatest Play In The History Of The World…); a new Ben Brown political drama about writer Graham Greene and spy Kim Philby, A Splinter Of Ice, and Swedish playwright August Strindberg’s Miss Julie, transposed to 1940s’ Hong Kong by writer Amy Ng and director Dadiow Lin.

Ralph Fiennes in rehearsal for T S Eliot’s Four Quartets

The number one talking point is Ralph Fiennes’s Theatre Royal debut, in six performances from July 26 to 31, directing himself in the world-premiere tour of T S Eliot’s Four Quartets: a solo theatre adaptation of Burnt Norton, East Coker, The Dry Salvages and Little Giddings, a set of poems first published together in 1943 on the themes of time, nature and the elements, faith and spirituality, war and mortality.

Tom says: “Ralph is rehearsing in London, opening at the Theatre Royal, Bath, from May 25 and then touring. We’re so chuffed to have Ralph coming to York. We can’t believe it!

“We’re thrilled that Ralph’s show became a possibility for us, and it’s a huge credit to him to recognise the need to support theatre around the country at this time. Let’s say it, it’s rare for an actor of his profile and standing to do a regional tour, but he’s seen that he can help to save some incredibly important producing houses, like this one, by doing a tour – and it’s not an act of charity; it’s an important and really exciting piece of work.”

Performances in The Love Season will be presented to socially distanced audiences, adhering to the latest Government and industry Covid-19 guidelines to ensure the safety of staff and audiences with a reduced capacity of 344, but should Step 4 of the roadmap roll-out go ahead as planned on June 21, there is scope for more seats to go on sale for shows later in the season. Over to you, Mr Johnson and the Indian Variant fly in the ointment.

For full details of The Love Season, go to: yorktheatreroyal.co.uk. Tickets can be booked at yorktheatreroyal.co.uk; on 01904 623568, Monday to Saturday, 12 noon to 3pm, and in person, Thursday to Saturday, 12 noon to 3pm.

In the name of love: York Theatre Royal’s reopening season

Boy George heads for coast as Culture Club confirm Scarborough Open Air Theatre gig

Clubbing together: Culture Club founder members Boy George, Roy Hay and Mikey Craig will perform at Scarborough Open Air Theatre this summer

BOY George and Culture Club are off to the Yorkshire seaside to play Scarborough Open Air Theatre on August 14.

Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”.

Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com on Friday (21/5/2021) at 9am.

Since their inception in 1981, Culture Club have sold more than 150 million records worldwide, clocking up such hits as Do You Really Want To Hurt Me, fellow chart topper Karma Chameleon, I’ll Tumble 4 Ya, Time (Clock Of The Heart), Church Of The Poison Mind, Victims, It’s A Miracle, The War Song, Move Away and I Just Wanna Be Loved.

Poster Boy: Boy George fronts the artwork for Culture Club’s August 14 concert at Scarborough Open Air Theatre

In 1984, Culture Club picked up the Grammy Award for Best New Artists and the BRIT Awards for Best British Group and Best British Single.

Boy George’s New Romantic luminaries became the first group since The Beatles to have three top ten hits in the United States from a debut album (1982’s Kissing To Be Clever).

Scarborough Open Air Theatre (OAT) venue programmer Peter Taylor, of promoters Cuffe & Taylor, says: “I’ve wanted to bring Boy George and Culture Club to Scarborough OAT for some time, so I’m delighted we’ve been able to make this happen for this summer.

“George remains one of the most colourful and iconic pop stars in British history, a true music star around the world. Culture Club’s live shows are a true spectacle and this is going to be a really special night.”

For full details of Scarborough OAT’s summer season, go to scarboroughopenairtheatre.com.

NCEM gardens to stage second set of Songs Under Skies acoustic double bills with The Crescent and Fulford Arms

Joshua Burnell: Sharing a Song Under Skies double bill with Katie Spencer on June 14. Picture: Elly Lucas

SONGS Under Skies will return to the glorious gardens of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, in June.

Five outdoor acoustic double bills will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

Wounded Bear and Rachel Croft: First Songs Under Skies double bill on June 1

As with last September’s debut series, season two of the open-air, Covid-safe Songs Under Skies will be presented by the National Centre for Early Music (NCEM), working in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance.

Gates will open at 6.30pm for the acoustic double bills from 7pm to 8.30pm with a 30-minute interval between sets. Each concert costs £8 and tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.  

Kell Chambers and Nadedja: Double bill in the NCEM churchyard gardens on June 2

Social distancing will be strictly observed and masks must be worn inside the NCEM but will not be required in the gardens.

NCEM director Delma Tomlin says: “We’re very excited to be bringing you the second Songs Under Skies: a feast of acoustic music taking place in our beautiful gardens, the perfect spot for a June evening in the sunshine.

Katie Spencer: Yorkshire singer-songwriter to play NCEM gardens on June 14, as well as a second Yorkshire open-air gig at Primrose Wood Acoustics, Pocklington, supporting Martin Simpson on July 1 at 7pm

“We’re also glad to be working once again with our partners The Fulford Arms, The Crescent and York Music Venues Network to begin the long-awaited revival of live music in our city. Last year Songs Under Skies was a complete sell-out and we’re looking forward to welcoming back audiences for these summer nights of music by these talented musicians.”

Harkirit Boparai, from The Crescent and the York Music Venues Network and North East regional coordinator for the Music Venues Alliance, says: “We’re delighted to be collaborating with the NCEM for another short run of outdoor concerts to take place in their beautiful gardens, with a stellar line-up of musicians from York and beyond heralding the return of live gigs to York.

Zak Ford and Alice Simmons: Playing acoustic sets at Songs Under Skies on June 15

“One of the silver linings of the pandemic has been that cultural organisations in the city have been able to collaborate in ways that they didn’t before, and after the success of our last series in the autumn, it’s been great to work with the NCEM team once again.”

Among the first arts organisations to stream online concerts, the NCEM has been keeping music alive since the beginning of lockdown, attracting a worldwide audience of more than 70,000. 

Epilogues and Sunflower Thieves: Songs Under Skies’ closing concert coupling on June 16

Over the past year, the NCEM staged socially distant events when possible and streamed concerts and festivals from St Margaret’s Church.

In June, this will continue with the streaming of the very first Beverley & East Riding Early Music Festival Online with concerts, walks and talks from the Yorkshire market town where the first festival was staged 35 years ago. This summer’s York Early Music Festival will run from July 12 to 16; a full line-up announcement is expected today (17/5/2021).

Kitty VR: Playing her first gig for seven months at the NCEM churchyard at last September’s first Songs Under Skies concert series. Picture: Neil Chapman/Unholy Racket

Last year’s inaugural Songs Under Skies presented Amy May Ellis and Luke Saxton on September 2; Dan Webster and Bella Gaffney, September 3; Kitty VR and Boss Caine, September 9; Wolf Solent and Rosalind, September 10; Polly Bolton and Henry Parker, September 16, and Elkyn and Fawn, September 17.

Full details of this summer’s Songs Under Skies can be found at: ncem.co.uk/songs-under-skies/.

Bite-sized Q & A with…Elena Skoreyko Wagner on Magic, her Love Bites collaboration at York Theatre Royal

Magic trio Elena Skoreyko Wagner, Bethan Ellis and James Cave

THE Love Season will set hearts pulsing at York Theatre Royal, where the Step 3 reopening from tomorrow will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.

More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged tomorrow (17/5/2021) – the first day that theatres can reopen after restrictions are lifted – and on Tuesday.

The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.

In the sixth in a series of CharlesHutchPress Q&As, papercut artist and illustrator Elena Skoreyko Wagner has five minutes to discuss Magic, her Love Bite collaboration with composer and singer James Cave and writer Bethan Ellis.

How did you hear about Love Bites, Elena?

“My collaborator, James Cave, caught wind of the project and got in touch.  We had discussed collaborating before, during one of the intense, hour-long “work” conversations we would have while our daughters took gymnastics together, but I think it was Bethan’s idea to adapt one of my poems.” 

What is your connection with York?

“York is our home! I honestly didn’t know if I would ever have a place that felt as much like home as York does. I am Canadian, and my husband, Achim, is German, and our first child was born in Canada; our second in Germany.

“We spent the first few years of our relationship in Toronto and the next five in Bonn, Germany, but really had no idea where we would settle. Achim ended up getting a job here in York, and we moved here knowing nearly nothing of the place. I had only ever been to the UK once, when I visited London for a weekend!

“But we encountered so much warmth and kindness, we feel like we got very lucky to randomly end up here! We intend to stay for a good while.” 

“These little things. Thank goodness for these things,” says Elena, as she seeks out magic and meaning in the mundane

What will feature in your Love Bite, Magic, and why?

“Our Love Bite is a miniature musical theatre piece, adapted from a poem I wrote during the first lockdown. The poem starts, ‘If ever you worry that magic is not real, remember how music can make you feel’, and continues with a list of little moments, small experiences of wonder and magic. If you are able to see them, recognise them in that way.

“James has composed a piece of music that he’ll be performing live, while I operate a miniature paper theatre I’ve constructed. The theatre is actually a re-creation of our allotment! 

“I think I largely coped with this past year by mining for these small sparkling bits, just catching hold of moments of beauty and connection during a very anxious time. It carried me through in a lot of ways.

“So, this piece is a sort of love letter to that, I suppose. To my allotment, in one sense, but only as a stand-in for that experience anywhere…For the house plant that I was able to propagate after months of trying! For watching my kids develop an entire fantasy world while lying on a hammock together in our tiny backyard for hours upon end…These little things. Thank goodness for these things!”

Your work “seeks to find magic and uncover meaning in the mundane”. What makes York a good place to do that?

“York is a beautiful city, which in many ways makes it easier to find magic. There are snickelways that look straight out of Tolkien, and crumbling walls, climbing with vines, straight from The Secret Garden! But really, York is just as good a place as any.

“I think that’s the discipline of it… It’s an approach to moving through the world. One of the lines in the poem is, ‘how we can have conversations with nothing but glances’. That is magical too, in my mind.

“Just these slow observations; noticing these truly amazing things, allowing ourselves to get caught in them, for just a second even, to help carry us through the rest of life, which can be on the heavier side.”

Elena Skoreyko Wagner will be making her York Open Studios debut at The Drey Studio in July

In lockdown, what have you missed most about theatre?

“I’ve missed that sense of occasion, of all of these people coming together in this perfect storm of creative energy to create something to move and touch others.

“When I go and see a performance, I feel that, and that proximity to people creating, putting this thing out into the world together, it’s inspiring in the most literal sense. I walk away feeling energised to make more, to kind of continue that current of electricity! I have missed that.” 

What’s coming next for you?

“After this, I will be illustrating a book about mums’ having feelings! I’m really excited about that. I also have some animated projects and I’m working up to taking part in York Open Studios in July.

“I opened a small studio on Heslington Road, The Drey Studio, in September and we haven’t really been able to properly get it running yet, given the restrictions, so I’m also looking forward to breathing some life into that space as well!” 

What would be the best way to spend five minutes if you had a choice?

“It’s possible that, over the past year, my vision for an ideal five minutes has gotten smaller, but maybe that’s not the worst thing in the world. The happiest five minutes I’ve had in recent months was digging in my allotment, sun on my face, to the sound of bird song and my kids laughing their way through some make-believe game about a dragon named Tiny, while they shared the swing we hung up in the apple tree. 

“I would like to note, I’m not a good or experienced gardener, but it does not matter. Just being able to find peace and beauty in this small way…I could not have felt happier in that moment.”

Tomorrow’s show has sold out. Tickets for Tuesday cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.

Manic Street Preachers booked for York Barbican on October 4 after September 3 release of The Ultra Vivid Lament album

Manic Street Preachers: Returning with 14th studio album and York Barbican date

WELSH rock band Manic Street Preachers will play York Barbican on October 4 on a 14-date 2021 tour with a second Yorkshire gig at Leeds O2 Academy on October 7.

The autumn itinerary will showcase the September 3 release of their 14th studio album, The Ultra Vivid Lament, on Columbia/Sony, preceded by lead single Orwellian, out today (14/5/2021).

In a departure from 2018’s Resistance Is Futile, the new album is the first Manics’ studio set to be conceived initially on piano rather than guitar.

Recording sessions took place in Wales over the winter of 2020-2021, at Rockfield Studios in Monmouth and the Manics’ Door To The River studio in Newport, working with long-time collaborator Dave Eringa before the tracks were mixed by David Wrench, whose credits include Blossoms, Frank Ocean and Arlo Parks.

The Ultra Vivid Lament will feature two guest vocalists: Julia Cumming, from Sunflower Bean, on The Secret He Had Missed and godfather of grunge Mark Lanegan on Blank Diary Entry.

On the subject of new single Orwellian, the Manics say: “The track is about the battle to claim meaning, the erasing of context within debate, the overriding sense of factional conflict driven by digital platforms leading to a perpetual state of culture war.

“As with many songs on the record, it was written on the piano by James Dean Bradfield. Musically, it echoes Abba, the majesty of Alan Rankine’s playing in The Associates and Talk Talk’s It’s My Life with a Lindsey Buckingham guitar solo. It felt like the perfect sonic and lyrical introduction to The Ultra Vivid Lament.”

The poster for The Ultra Vivid Lament Tour, Manic Street Preachers autumn travels

Bradfield, Nicky Wire and Sean Moore say of the album: “The Ultra Vivid Lament is both reflection and reaction; a record that gazes in isolation across a cluttered room, fogged by often painful memories, to focus on an open window framing a gleaming vista of land melting into sea and endless sky.” 

Inspired by the record box of their formative years – Abba, post-Eno Roxy Music, Echo & The Bunnymen, Fables-era REM and David Bowie’s Lodger – the 11 tracks marry introspection with quiet rage, from the opening ambient hum of Snowing In Sapporo to the galloping The Secret He Had Missed, with its push-and-pull duet imagining dialogue between Welsh brother and sister artists Augustus and Gwen John. In between come Diapause’s contemplation and Happy Bored Alone’s stoic wishful thinking. 

The full track listing is: Still Snowing In Sapporo; Orwellian; The Secret He Had Missed; Quest For Ancient Colour; Don’t Let the Night Divide Us; Diapause; Complicated Illusions;
Into The Waves Of Love; Blank Diary Entry; Happy Bored Alone and Afterending.

After their longest enforced break from playing live, the Manics will return to the stage with summer festival appearances and an open-air headline show at The Piece Hall, Halifax on September 10.

On the subsequent tour, the support act will be The Anchoress, the stage name of Welsh-born multi-instrumentalist, songwriter and author Catherine Anne Davies, whose March album, The Art Of Losing, is one of the records of 2021 to discover.

Manic Street Preachers last played York Barbican on May 27 2019 on a tour marking the 20th anniversary of their fifth album, September 1998’s This Is My Truth Tell Me Yours. Tickets for their October 4 return will go on sale on Friday, May 21 at 10am at yorkbarbican.co.uk.



Bite-sized Q & A with…Ashleigh J Mills on their Love Bites piece at York Theatre Royal

Ashleigh J Mills: Exploring and digesting lived experience of life on the margins

THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.

More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.

The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.

In the fifth in a series of CharlesHutchPress Q&As, Ashleigh J Mills [they/them] has five minutes to discuss their  Love Bite, In Progress.

ASHLEIGH [they/them] is a Black, non-binary and unapologetically autistic creator, calling themselves Angry Black Changeling on their Twitter account. Politically and poetically minded, their work seeks to explore and digest their lived experience of life on the margins. They believe that within resistance lies creation. They are a work in progress.

How did you hear about Love Bites, Ashleigh?

“Henry Raby, York’s resident punk poet, tagged me in the call out on Twitter. As someone who dips in and out of York’s poetry scene, he probably recognised that it’d be definitely something I’d be interested in! And I was!”

What is your connection with York?

“I moved to York almost eight years ago now. Initially for university, I’ve attended both York St John and the Uni of York in the past. But really, I’ve made my home there. I’ve got partners and a cat and everything!”

What will feature in your Love Bite, In Progress, and why? 

“In Progress is a poem I’ve created as a love letter to words and to the complex and tricksy process of learning who you are and who you’re going to be. I’ve kept a Good Words List for over four years now: a list of words I don’t know, learn and don’t want to forget. Using those words, I’ve created a piece about lockdown-inflicted self-reflections.”

You believe that “within resistance lies creation”.  Discuss further…

“We live in a world of oppressive power structures. I’m a person who is Black, queer, trans, autistic, and disabled. As such, my existence will always function as a form of resistance – whether or not I opt into that.
“I think there are a myriad of ways to navigate straddling so many intersections, but for me, poetry and art is my primary outlet and communication tool. It helps me filter and process my own experiences and find similar community, which is an endlesssly important thing when any one of those facets of my identity can implicitly result in isolation. I believe, as Audre Lorde once wrote, “poetry is not a luxury”.

In lockdown, what have you missed most about theatre?

“I’ve been quite privileged in terms of lockdown and theatre. I’m studying a professional acting MA at ALRA North [Academy of Live and Recorded Arts, in Wigan, Manchester]. While lockdown has undoubtedly impacted us, it’s also been sprinkled with times I’ve been able to get into a (Covid-safe) room and create with my small cohort. It’s been a relief, an adventure and a very stressful time all in one!

“I’ve missed being able to explore new places and theatres and see new experimental and exciting ways of working! However, I’m pleased that accessibility within theatre has come into the mainstream awareness and contention.

“I hope the trend for more accessible theatre continues as more venues begin to reopen their doors. Like poetry, theatre and art should not be a luxury! I hope the future holds a new way of doing things that doesn’t negate the widened access lockdown has inspired!”

What’s coming next for you?

“I’m heading into my final seven months of my actor training. So hopefully I’ll finish that and get a certificate to prove it!

“More seriously, I hope to unearth a way of making art that I can access holistically. I often receive feedback that I’m too intellectual or academic. But really, I feel that this is a symptom of existing as I do. When your existence is politicised, people often assume that when you speak from experience, you’re trying to root a social theory or make it accessible. I’m not. I’m just expressing myself as best I know how.

“In summary, I want to work with new people and find new ways of accessing creativity. I want to act. I want to write. I want to continue exploring this new-found joy of play. There’s much I want to do! So we shall see what the future holds when we get to it.”

What would be the best way to spend five minutes if you had a choice?

“My dream five minutes would be being inside on a rainy Sunday afternoon, with my cat, Franklin, on my lap. I’d have a coffee from the local fancy coffee shop, soft music would play in the background, and I’d be able to just sit, and be, and read a book from my books-to-read shelf without thinking about work, or deadlines, or ‘being productive’.”

Tickets cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.

Delyth Field and Jacob Fitzgerald win NCEM Young Composers Awards prizes in York

Young Composers Award winner Delyth Field with Palisander at the National Centre for Early Music, York

DELYTH Field and Jacob Fitzgerald have won the 14th National Centre for Early Music Young Composers Award prizes.

Presented in partnership with BBC Radio 3, the finals were streamed last night (13/5/2021) from the NCEM in York. 

Delyth Field won the age 19 to 25 category with “Kagura Suite for Recorders”, inspired by Kagura, the oldest form of dance in Japan.

Jacob Fitzgerald won the age 18 and under category with “murmuration”, composed in response to the natural dance performed by starlings across the skyscape.

Young composers living in the United Kingdom were invited to create a new work for recorder quartet based on dance-forms from across all eras and cultures. Although they were writing for instruments from the Baroque era, they were not limited to dance forms of that period. 

The eight finalists’ compositions were performed by recorder quartet Palisander after a day-long workshop at the NCEM led by composer Christopher Fox, professor of music at Brunel University, working alongside Palisander and the shortlisted composers.

Mollie Carlyle, Delyth Field and Lux Knightley took part in the 19 to 25 category; Jacob Fitzgerald,  Matty Oxtoby, Adam Spry, Shuchen Xie and Shoshana Yugin-Power in the younger final. 

The 2021 panel of judges were BBC Radio 3 producer Les Pratt, NCEM director Dr Delma Tomlin and Palisander.

Young Composers Award winner Jacob Fitzgerald with recorder quartet Palisander after last night’s final

“Kagura Suite for Recorders” and “murmuration” will be premiered by Palisander at St John’s Smith Square, London, as part of the London Festival of Baroque Music, where the September 20 performance will be recorded for broadcast on BBC Radio 3’s Early Music Show.

Delma said: “The NCEM Young Composers Award continues to attract composers of the highest calibre from all over the UK and the standard of compositions this year was extremely high.  I’d like to congratulate all our composers for their impressive work, and we hope that they enjoyed this unique and rewarding experience. 

“Due to Covid-19 restrictions, we had to stage last year’s awards online, so we were especially thrilled to be able to welcome young composers to our home of St Margaret’s Church in Walmgate. As always, I would like to say a massive thank-you to my fellow judges and the fabulous Palisander, who will perform the pieces at St John’s Smith Square on September 20.

“Last but not least, I would like thank our partners, BBC Radio 3, for their continued and invaluable support, which enables us to continue presenting these important awards.”

Alan Davey, controller of BBC Radio 3 and classical music, said: “We are proud to support the NCEM’s Young Composers Awards once again as part of Radio 3’s mission to find and support young talent and to promote new music, in this case work inspired by early music.

“The project reflects the excellence of young talent and the quality of work that young composers are producing. We warmly congratulate the winners and look forward to sharing performances of their works later this year on the Early Music Show.”

The streamed performance is available to watch at youngcomposersaward.co.uk/2021 and the Facebook page, @yorkearlymusic.

Hope springs nocturnal in light installation global project at According To McGee

Hope Is The New Hero, by Jake T, from Rawcliffe and Clifton Without, for the Hope display at the According To McGee gallery in York

HOPE springs nocturnal in a collaboration between young artists from York and around the world at According To McGee from May 19.

Under the title of Hope, the artwork will be on display in light projections in the window of the Tower Street gallery.

Originated by Viborg UNESCO Creative City of Media Arts, the project has been brought to York by Chris Bailey, clerk of York’s Guild of Media Arts, via REACH, the Cultural Education Partnership for the city.

According To McGee co-director Greg McGee, left, and light installation artist Nick Walters

Primary schools jumped at the chance to be involved in a creative response to the pandemic that, mirroring the Coronavirus, has travelled around the world, inspiring thousands of children from China to Mexico.  

Chris enthuses: “This project is exactly what York’s UNESCO designation is all about, responding creatively to the challenges we all face, joining forces with other ‘Creative Cities’ and encouraging the next generation of creative leaders.

“I hope that, once this dreadful virus is just a memory, the relationships these young people have built with children in other countries will continue to thrive.”

Anabela Couto’s artwork, from Braga

Gallery co-director Greg McGee says: “Chris e-introduced me to Henrik Holmskov, from Viborg, and the project just sounded so optimistic and creative, just what we all needed at this time. The idea of opening it up to participants from all over York made perfect sense and was instantly met with enthusiasm.

“Our charity, New Visuality, had been wrapping up projects funded by York wards Heworth Without, Dringhouses and Woodthorpe, Guildhall, Rawcliffe and Clifton Without, and for the young people from these areas to now see their artwork projected in a city-centre gallery is a huge boost.”

Here comes the science bit: “The window projections will be based around carefully curated events using the newly released platform ‘SuS’, a smart solution to publishing artwork to a pool of digital screens from anywhere using mobile or desktop devices from SplashBY,” explains Greg.

Chen Sihan, Changsha, for the According To McGee light installation

SplashBY founder Pritpal Rehal chips in: “I’m more than happy to facilitate and play a small part in this global project to promote artistic creativity of Hope for all to see.”

Here comes the Maths part: “The evenings will feature projections of 350 artworks selected from all 3,000 images from cities in 33 countries around the world,” reveals Greg. 

Digital artist Nick Walters is delighted to be linking up with the McGee gallery and New Visuality again for Hope after his installations for York Mediale and York Design Week.

Danna Marcela Viverod, Laura Hinestroza, for the upcoming Hope display

“The location of the window is so iconic, directly opposite Clifford’s Tower,” he says. “I like the looser time-frame to this project and I’m looking forward to showing the illuminated artworks, perhaps alternating the transparency of the sheets, tweaking how long the images will flicker on screens.

“It’s a good chance for us to show passers-by what York does well, which is fuse creativity with innovative technology.” 

The Hope projections will launch on Wednesday, May 19 and continue on May 20 and 21, then run on Wednesday to Friday for the next two weeks at 6pm to 9pm each night.

Visuel, by Laerke Bitsch Lynngard, from Viborg

News BULLetin…

Bull boutique: York band to set up pop-up market stall tomorrow

BULLet point: “If you find yourself in York tomorrow (15/5/2021), you may see a bit of BULL activity in and around Shambles Market as the York band will be serving up a BULL Boutique to sell all things BULL and also from their friends from Young Thugs Records. They’ll be busking around the city throughout the day.”

A case of Bull in a kinda shop.