Dave Parkinson’s Sir Lucius O’Trigger gives Paul Toy’s Bob Acres a duelling lesson for Baron Productions’ The Rivals
YORK
company Baron Productions are to stage Richard Brinsley Sheridan’s Georgian
comedy of manners, The Rivals, next month.
Premiered
at Covent Garden Theatre, London, in January 1775, its latest York production
is being directed by Paul Toy, who also will play bombastic
rival suitor Bob Acres in 7.30pm performances at the Quaker Meeting
House, Pickering, on December 7 and St Mary’s Church, Bishophill Junior, York,
from December 12 to 14.
Company
founder Daniel Wilmot says: “The story of Captain Jack Absolute’s clandestine
courtship of the cynical, yet romantic, Lydia Languish, under the noses of
their respective guardians, blustering Sir Anthony Absolute and hilarious Mrs
Malaprop, is one that has made me smile from the first time I read it.
Baron Productions’ poster for next month’s production of The Rivals
“Given that
it’s in keeping with our company’s tradition of theatre with a ‘thoroughly
dashing edge’ – period settings, witty dialogue, lush costumes, occasional duelling,
sometimes even in character – it seemed the perfect choice to bring a laugh or
two to the winter months after our darker production of Hamlet this summer.”
Wilmot formed
Baron Productions in 2015 to produce and direct the swashbuckling pirate romp Crossed
Swords, since when they have performed Oscar Wilde’s The Picture Of Dorian Gray
in 2016, Charlotte Bronte’s Jane Eyre in 2017 and a Yorkshire tour of
Shakespeare’s Hamlet this year.
“The choice
of The Rivals is a poignant one for me as well,” says Wilmot. “I did the show
back in 2012 as a rehearsed reading at the York Theatre Royal Studio, under the
direction of Edward Pearce, and lovely Ruth Ford was in the cast as well, playing
Mrs Malaprop of course.
Touching moment: Meg Davies as Julia and Daniel Wilmot as Captain Jack Absolute in The Rivals
“Neither of them is still with us. I have a lot of happy memories of working with them, so aside from liking the show, I wanted to do a fully-fledged version dedicated to them and their memories.”
Toy’s cast features Steve Mawson as the domineering Sir Anthony Absolute; Margaret Davey as Mrs Malaprop; Daniel Wilmot as Captain Jack Absolute; Raffy Parker as Lydia Languish and Dave Parkinson as the argumentative Irish baronet Sir Lucius O’Trigger.
Fired up: Molly Ridley’s David panics as Paul Toy’s Bob Acres prepares his pistols in The Rivals
Tyler Cooke will play the hapless lovelorn Faulkland; Meg Davies,
his long-suffering partner Julia; Zoe Glossop, pompous butler Fag; Molly Ridley,
Acres’ terrified servant David, and Amy Fincham, conniving housemaid
Lucy.
Toy has
set the piece at the turn of the 19th century. “This allows for lots
of dashing Poldark-esque costumes, the occasional
wig, and a healthy dose of swaggering and swashbuckling,” says Wilmot. “He’s
also promised a little singing as well.”
Tickets cost £10, concessions £8, under 18s £5, at ticketsource.co.uk/baron-productions or on the door from 7pm each night.
Hello…is that York Festival calling? Lionel Richie says yes to playing at York Sports Club
AMERICAN soul icon Lionel Richie, British ska legends Madness and Irish pop stars Westlife will headline the first ever York Festival next year.
Mounted by Cuffe and Taylor, the three-day music festival will be held at York Sports Club, Clifton Park, Shipton Road, from June 19 to 21 2020.
Three-day passes, giving access to every night, are available at £129 from
today at york-festival.com. Tickets for each night go on sale at £39.50 at 9am on
Thursday.
Opening-night headliners Madness, the Camden Town Nutty Boys with a music-hall
wit and ska roots, will be joined by Ian Broudie’s Lightning Seeds; BBC radio presenter
Craig Charles, for a funk and soul DJ set; Leeds indie rockers Apollo Junction
and rising York act Violet Contours.
Westlife will play York Festival on the Saturday as part of their Stadiums
In The Summer Tour. Billed as “Britain’s top-selling album group of the 21st century”,
they will combine such hits as Swear It Again, Flying Without Wings and You
Raise Me Up with songs from their November 15 album, Spectrum.
Joining Westlife in the June 20 line-up will be All Saints, Sophie Ellis-Bextor,
indie rock band Scouting For Girls and Take That’s Howard Donald for a DJ set.
On the closing night, Lionel Richie, 70, will be the star attraction as the four-time Grammy Award winner performs both solo and Commodores material.
Good sports: Madness sign up to bring the nuttiest sound around to York Festival at York Sports Club
Promoters Cuffe and
Taylor present the Scarborough Open Air Theatre concert programme each summer,
bringing Lionel Richie, Madness and Westlife to the East Coast in past years,
as well as the likes of Kylie Minogue, Britney Spears, Sir Elton John and Dame Kiri
Te Kanawa.
They also staged Rod
Stewart’s York Racecourse concert on June 1 this summer, drawing 35,000 to a
specially erected amphitheatre in the centre of the Knavesmire course.
Director Peter Taylor
says: “This is the very first York Festival, so we wanted to make this a very
special debut year.
“To have Lionel Richie, Westlife and Madness as headliners – alongside many
other brilliant chart-topping artists – is a real coup. We feel this is the
perfect line-up for the first year of what we hope will become a major annual
event in this wonderful and historic city.
“We cannot wait for Friday, June 19 and opening night. This really is
going to be a weekend to remember.”
York Festival will be staged at York Sports Club, the home of York RUFC, York Cricket Club, York Tennis Club and York Squash Club, where The Best Of York Music Festival was held on May 26, The Big Nineties Festival on October 25 and Oktoberfest on October 26.
Nigel Durham, Trustee of York Sports Club and Chairman of York Cricket
Club, said:“We are delighted to be hosting the first York Festival,
a major new event for the city of York.
Full Spectrum: Westlife will perform songs old and new at York Festival next June
“An historic city the size and stature of ours truly deserves a
high-profile music festival like this. And to be attracting such massive stars
as Lionel Richie, Westlife and Madness is just brilliant.
“And with the festival being staged in the heart of the city, right here
at York Sports Club, this really will capture the imagination and be a great
thing for the city, residents, local businesses and visitors.”
Cuffe and Taylor are working closely with City of York Council and Make It
York, whose role is to showcase and promote the city around the world.
Championing the inaugural York Festival, Sean Bullick, managing director
of Make It York, says: “York Festival will be a brilliant addition to the
city’s already busy calendar of summer events for both residents and visitors
to enjoy.
“Welcoming such music legends and chart-topping artists, as well as
showcasing local talent, is another step forward for York’s cultural offer and
we are delighted to help spread the word to audiences.”
In addition to three-day passes and day tickets, a range of VIP offers are available. For more information, go to york-festival.com.
Son of Town Hall’s Ben Parker and David Berkeley at The Cockpit, Pickering
Son Of Town Hall, The Cockpit, Pickering, November 20 2019
WE ARE told organic is best, and here is a case in point. Son Of Town Hall are an itinerant duo, with one stock rooted in Simon & Garfunkel and the other in the Peaky Blinders era.
Ben Parker and David Berkeley’s voices meet somewhere in the mid-Atlantic and it’s a thrilling combination, floating on an intimate, warm bed of acoustic guitars.
The pair sail to Yorkshire most years, and it’s always a welcome return (the recent floods hastened their arrival). The tiny club was full, 30 souls sitting in airline seats to hear water-borne songs of love and loss up close. It’s the perfect den to hear live music.
Destined for bigger halls: Son Of Town Hall at The Cockpit
Son Of Town Hall were touring to promote their first album, Adventures Of Son Of Town Hall. It has been a very long time in gestation by modern standards, supposedly recorded live on the raft they travel on.
Miraculously they chose perfectly still days to record and avoided any gimmicky shellac scratches. It ranks with the best of acoustic music released in 2019 – and by virtue of the genre, therefore any year – perhaps an unnecessary drum roll or two away from perfection. While it is music made for the tavern, the song craft worn on Cobbler’s Hill is breath-taking.
Their playful set covered pretty much their entire recorded output, interwoven with amusing interludes about their friendship. Named after a raft made of junk, it is fitting that their music in turn recycles, but, like a weathered pair of frigatebirds, they have picked the ageless bits that shimmer brightest. Some of the old jokes have gone overboard.
“Simon & Garfunkel meets Peaky Blinders”: Son Of Town Hall’s playful set in Pickering
Highlights included Poseidon, which rang and soared, and the quietly devastating Louise. A couple of older songs were revived, with Snow In Mexico particularly welcome. Winds was the pick of the new material, while St Jerome was less fulfilling, missing a measure of grit.
The concept is wildly original, tunes built to last, and their pleasure in performing them so clear. You just hope they don’t tire of the act just as they reach a deservedly wider audience (with gigs this size, in about ten years…).
SARAH Garforth’s exhibition of Upper Nidderdale and coastal scenes will
open at Village Gallery, Colliergate, York, on December 3.
Wanderings is a new body of work focusing on the North Yorkshire reservoirs
around Sarah’s home and favourite locations on the East Coast.
Sarah, a keen walker,
works in a traditional way, collecting sketches out in the field and developing
her ideas once back in the studio.
Last Light, Gouthwaite Reservoir, by Sarah Garforth
“Her aim with this new work is to try to bridge the gap between spontaneity and over-thought contrived work,” says Village Gallery owner Simon Main.
“By continuing to play with
ideas, pieces can evolve, rather than have pre-determined elements.”
Sarah has introduced
mixed media into the oils, using cold wax, marble dust, pigment sticks and
gambasol, applied with spatulas, scrapers and knives, but no brush at all.
Huts At Boulmer, by Sarah Garforth
“By working in layers,
it has allowed her to scrape and draw back into the paint, reconnecting
to the original image,” says Simon.
A preview evening
will be held on Monday, December 2, when Sarah will be on hand to discuss her work.
Tickets are available from Simon at the gallery.
“Aside from our regularly
changing art exhibitions, we are York’s official stockist of Lalique glass and
crystal,” says Simon.
“We also sell a selection
of art, craft, ceramics, glass, sculpture and jewellery, much of it being the work
of local artists – and with Christmas around the corner, there’s lots to
choose from.”
Sarah Garforth’s Wanderings will be on show until January 11 2020. Village Gallery’s opening hours are 10am to 5pm, Tuesday to Saturday.
Alison Britton: giving the Annual CoCA Lecture this evening
THE Centre of Ceramic Art’s annual Day of Clay is expanding into two
Days of Clay this weekend at York Art Gallery.
The event involves hands-on activities, talks and workshops by experts
and the launch of Gillian Lowndes’ exhibition, At The Edge.
CoCA’s Days of Clay offers the chance to watch, make and hear about the
art of clay from leading figures from the world of ceramics, including working
with animal sculptor Susan Hall and participating in performances from Milena
Dragic and Mila Romans, while David Horbury will discuss Emmanuel Cooper’s
memoirs.
This evening’s CoCA lecture will be given by potter Alison Britton OBE
on the subject of being part of the emergence of a radical abstract
expressionist style of ceramic work.
The Days of Clay coincide with the opening of a display of works by
Gillian Lowndes, the most radical ceramicist of the 20thcentury.
Fiona Green, assistant curator at York Art Gallery, says: “This year we
have extended our popular day event to a whole weekend, with fantastic
opportunities to celebrate, discuss and work with clay.
“We have some incredible experts involved, who are looking forward to
discussing their work and sharing experiences and techniques with visitors, and
there are plenty of opportunities to get hands-on and have a go yourself.
“Don’t miss this fantastic opportunity to join other experts,
enthusiasts and novices who all share an appreciation of clay.”
All activities are included in admission to York Art Gallery with the
exception of the CoCA Lecture. Visit yorkartgallery.org.uk for more
details and tickets.
Days of Clay is being held in conjunction with York Ceramics Fair 2019,
running concurrently at the Hospitium, York Museum Gardens, with support from
the Craft Potters Association.
Tickets to York Ceramics Fair are on sale at yorkceramicsfair.com; tickets
to York Art Gallery can be bought at a reduced rate if you hold a York Ceramics
Fair ticket.
Days of Clay full programme
Saturday, November 23
10.30am to 4.30pm: Artist Susan Halls in the Studio.
Come and help fill part of the gallery with a crowd of watchful clay
rabbits. Animal sculptor Susan Halls will be running a hands-on workshop
showing you a quick and effective way to make a hollow rabbit that will form
part of her Meadow installation.
Annual CoCA Lecture 2019: Alison Britton OBE,
lecture at 6pm; Q&A, 6.45pm; drinks in Gillian Lowndes exhibition, 7pm;
close, 8pm.
Alison Britton was part of a group of radical women artists graduating
from the Royal College of Art’s ceramics course in the early 1970s.
In 1993, Britton co-curated The Raw And The Cooked with Martina Margetts,
at the Barbican and Modern Art Oxford, which then toured in East Asia and
Europe.
In her lecture, Britton will reflect on this exhibition and on being
part of an emergence of a radical abstract expressionist style of ceramic work.
Sunday, November 24
In the CoCA 1 gallery:
1pm to 3pm, Clay Participatory Performance.
Joinperformers Milena Dragic and Mila Romans as “artist” and “clay”
as they sculpt out clay movements and then invite you to participate in making,
looking and moving clay to become part of the performance.
3.30pm to 4.30pm, Talk: Making Emmanuel Cooper.
David Horbury discusses how editing Emmanuel Cooper’s memoirs has provided
fresh insights into his pots and practice. David’s book on Emmanuel will be on
sale in the shop and he will be available to sign them.
In the Studio:
11.30am to 12.30pm, The Life Of A Slipware Potter.
Join potter Doug Fitch and his wife Hannah for a talk about their lives
as slipware potters, followed by a hands-on session where you can try out slip
trailing yourself.
2pm to 3.30pm,Texture and carving workshop.
Learn about hand building with artist Wendy Lawrence. Take the
opportunity to get hands on yourself and create a piece of carved, textured
clay to take home with you.
In the CoCA 2 gallery:
11.30am to 12.30pm, Children Curate in conversation
with Anthony Shaw and artist Susan Halls.
Meet the collector and the artist who helped inspire the children who
curated the current Anthony Shaw Collection display.
2.30pm to 3.30pm,Alison Britton in conversation with
Anthony Shaw.
Alison Britton will be talking with Anthony Shaw about the practice and
work of Gillian Lowndes in CoCA’s new exhibition, Gillian Lowndes: At the Edge.
Burton Gallery:
2pm to 3pm, Book Reading: The Ups And Downs In The Life Of The Fabulous
Bernard Palissy.
Join Jane Hamlyn for a reading of a quaint little book
about the 16th century French Huguenot potter Bernard Palissy and his
desperate struggles to discover the lost secrets of Italian tin-glazed
earthenware.
3pm to 4pm, Film Showing.
Watch a screening of Potshots, starring Johnny Vegas as Bernard Palissy.
Produced by Roger Law and Anya Course. Running time: 25minutes. Jane will be
available to answer any questions.
Both Saturday, November 23 and Sunday, November 24
Installation: Recycling the Tower of Pots.
The tower of pots was created by artist Lou Gilbert Scott and visitors
during the 2018 Day of Clay event. Now you are invited to watch as it slowly
dissolves, returning to soft malleable clay ready for re-use.
Hands on Here.
Get hands on with York Art Gallery’s historic and contemporary ceramic
collection; sessions usually run between 11am and 1pm and 1.30pm to 3.30pm.
Children’s ceramic trail available at front desk all day.
Gillian Lowndes: At the Edge
November 23 to May 2020
See the ground-breaking works of Gillian Lowndes (1936-2010), the most
radical ceramicist of the 20th century, in this major new exhibition.
From the 1970s onwards, artist Gillian Lowndes was at the forefront of a
new style of contemporary ceramics which explored the materiality of clay.
Her abstract expressionist way of working brought together a range of
materials and found objects that she recycled to create new sculptural work she
called collages. This exhibition showcases more than 40 artworks drawn from
CoCA’s collection, alongside loans from Anthony Shaw’s collection, many on
public display for the first time.
Accompanying the exhibition will be further displays featuring new
acquisitions by artists including Kate Malone, Emmanuel Cooper and David
Seeger.
THE Shires, Britain’s biggest-selling country act, will return to York
Barbican on May 20 2020.
The announcement coincides with today’s release of New Year, a taster
single from their upcoming fourth album, Good Years, a title whose sentiment
reflects on the impact of Ben Earle and Crissie Rhodes’ two gold-certified
albums and three top ten singles.
The Shires will be playing 25 dates, with York as the only Yorkshire
destination, having last performed at the Barbican in May 2018.
As with 2015’s Brave, 2016’s My Universe and 2018’s Accidentally On
Purpose, Good Years was recorded in the home of country music, Nashville.
Earle and Rhodes describe it as a poignant project after becoming the
first British artists to win Best International Act at the CMA Awards.
“We’re so excited to be releasing Good Years, our fourth album recorded
in Nashville, and also to announce our next UK tour,” say the duo, who played
this July’s Platform Festival in Pocklington. “Honesty and storytelling have always
been such an important part of our songwriting. We’ve poured some of the
incredible experiences and life we’ve lived into these songs.
“We can’t wait to hit the road next year and play them live across the
country. The songs mean so much to us personally, but there really is nothing
like looking out at our fans in the crowd and seeing how much of an impact they can have in someone
else’s life. It’s truly a very special thing.”
Tickets will go on sale on Friday, November 29 at 10am at yorkbarbican.co.uk, on 0203 356 5441 or in person from the Barbican box office.
Rick Astley: the first name to be confirmed for next summer’s concerts on Knavesmire
EIGHTIES’ pop icon Rick
Astley is the first headliner to be confirmed for next summer’s Music Showcase
Weekend at York Racecourse.
The Lancastrian crooner, 53,
will perform after the seven-race card on Saturday, July 25, in his return to
the North Yorkshire open air after his Dalby Forest concert on June 23 2017.
Tickets for the Astley
and racing double bill go on sale today at yorkracecourse.co.uk and on 01904
620911.
Astley, from
Newton-le-Willows, topped the charts in 25 countries in 1987 with Never Gonna
Give You Up, setting in motion a career that brought him eight consecutive British
top ten hits and 40 million sales.
After stepping aside to
focus on his family, he returned from his long hiatus in 2016 with his third
platinum seller, 50, a number one album on which he played all the instruments,
as well as writing and producing it.
He repeated that creative process
for 2018’s Beautiful Life, and last month he released the career-spanning
compilation The Best Of Me, a double disc that included
an independently recorded set of reimagined interpretations of
his songs, old and new.
This year, Astley joined
Take That’s 38-date stadium tour as their special guest, playing to more than
500,000 people. In the summer too, he graced Reading Festival’s main stage,
performing Never Gonna Give You Up with Dave Grohl’s Foo Fighters, no less.
Since releasing 50, he has sold more than 100,000 tickets to his own British headline
shows, including Leeds First Direct Arena last year, and his forthcoming tour
dates take in gigs in Australia and Japan, plus his New
Zealand debut, before arriving at York Racecourse next July.
James Brennan, head of marketing and sponsorship at York Racecourse, says: “Everyone at the course is really excited that a northern boy is set to play York. Add in the spectacle of the racing itself and we hope it will prove a summer day to savour.”
Astley’s show will be one of three race-day concerts on the Knavesmire course next summer, with further acts to be announced for Saturday, June 27 and the evening meeting on Friday, July 24.
John Whitney as Jesus and Marlena Kelli as Mary Magdalene in York Musical Theatre Company’s Jesus Christ Superstar
YORK
Musical Theatre Company will stage Andrew Lloyd Webber and Tim Rice’s Jesus
Christ Superstar from November 27 to 30 at the Joseph Rowntree Theatre, York.
Company
newcomer John Whitney will lead director Paul Laidlaw’s cast for this 1972 rock
opera, a “musical phenomenon” that follows the last week of Jesus’s life through
the eyes of Judas Iscariot, exploring the struggles and personal relationships
between his followers and disciples.
For this
gritty and touching emotional rollercoaster ride, Lloyd Webber and Rice’s score
parades such favourites as Superstar, Everything’s Alright and I Don’t Know How
To Love Him.
Laidlaw is
joined in the creative team by musical director John Atkin, overseeing a cast
led by Whitney’s Jesus, Marlena Kelli’s Mary Magdalene, Peter Wookie as Pilate
and Chris Mooney as Judas.
“We were thrilled
to have such a great response to auditions, particularly from so many new faces
to the company,” says Laidlaw. “We’ve always been proud of the fact that we
welcome any new people to join any show that we do, and if you’re new, you can
walk into lead roles, and that’s what’s happened.
“Our
actors playing Jesus, Judas, Pilate and Mary Magdalene are all new to the company
and it’s really encouraging to see. The strength in the singing is staggering
and is going to sound just fantastic on stage. We really can’t wait to show
York audiences all our hard work.”
Further
principal roles go to John Haigh as Herod; Chris Haygard as Simon Zealotes;
Martin Harvey, Caiphas; Matthew Clare, Annas; Simon Trow and Malcolm Poole,
Priests; David Martin, Apostle Peter, and Heather Richmond, Maid.
In the ensemble will be Helen Barugh; Victoria Hughes; Helen Goodwill; Samantha Hindman; Jane Holiday; Elly-Mai Mawson; Karen Mawson; Jennifer Page; Amie Stone; Holly Inch; Amy Lacy; Paula Stainton; Charlotte Wetherell; Matthew Ainsworth; Derek McMahon and Andrew Pilot.
Tickets for the 7.30pm evening shows and 2.30pm Saturday matinee are on sale at £18, concessions £16, at josephrowntreetheatre.co.uk or on 01904 501935.
Family wreckage: Jo Mousley as Hester in Athol Fugard’s Hello And Goodbye at York Theatre Royal Studio. Picture: Jane Hobson
Hello And Goodbye, York Theatre Royal Studio, until November 30. Box office: 01904 623568 or at yorktheatreroyal.co.uk
HELLO again
to in-house productions in the York Theatre Royal Studio with this revival of
Athol Fugard’s 1965 South African play Hello And Goodbye.
Associate artist
John R Wilkinson had lamented the hiatus since the fading away of such Studio works
as Blackbird, Blue/Orange and The White Crow and his own show, Can’t Stand Up
For Falling Down, six years ago, as he spoke of the pride and spirit engendered
by this resurrection: the very last word uttered in Fugard’s “biting yet beautiful
parable”, by the way.
“The blue magic of
that space has always given rise to intense, intimate storytelling,” said Wilkinson,
whose production is exactly that: intense and intimate.
Hello And Goodbye
is a two-hander, albeit with the “presence” of a third family member, the
father to Johnnie (Emilio Iannucci) and Hester (Jo Mousley).
God fearing: Emilio Iannucci’s Johnnie seeking resurrection in Hello And Goodbye, with Jo Mousley’s Hester in the doorway
Hester is making
an unexpected, unannounced visit to the family home at 57A Valley Road, Port
Elizabeth, after an absence stretching back longer than the aforementioned Studio
hiatus.
Iannucci’s Johnnie
already has delivered a restless, psychologically fevered monologue, one that
establishes both the dysfunctional state of the family and the unnerving dark,
even gothic, humour at play in Fugard’s writing.
Chatting afterwards
with Iannucci, he said audiences had laughed at some performances, not at
others, but the play had worked both ways.
The way it goes may
well depend on how you react to Johnnie telling Hester that he and their
disabled Dad have been getting on well enough, but she cannot disturb him because
he is asleep in the room next door. Put bluntly, his sleep could not be deeper.
Director John R Wilkinson: re-awakening the “blue magic” of the Theatre Royal Studio space
If Johnnie is
nervy, neurotic, repeatedly reaching for biblical quotes, Mousley’s Hester is
frenetic in her desperate search for the £500 that she believes their father has
squirrelled away somewhere in the house.
Johnnie can keep
the house if he lets her find and keep the money, a task that involves him
bringing through case after case that trigger traumatic memories of their past.
Their already fractured relationship only worsens as Fugard meditates on
family, selfishness and redemption, set against the social upheaval in South
Africa at large.
Hello And Goodbye brings to mind the discomfiting Sixties’ plays of Samuel Beckett and Harold Pinter, not least in a set design that mirrors the frayed, wounded state of mind of the sparring siblings, as designer Laura Ann Price scatters the stage with debris from the crumbling, smashed-out back wall.
Wilkinson has cast
superbly: after his Studio debut in the children’s show E Nesbit’s The Book Of
Dragons in December 2017 and his Romeo in Shakespeare’s Rose Theatre’s Romeo
And Juliet at Blenheim Palace this summer, Iannucci has hit new heights here,
calling on his physical theatre skills, his feel for black comedy and his
relish for a surprise.
Mousley is a brilliant
pick too, making her Theatre Royal debut after a year of outstanding performances
in the Leeds Playhouse Pop-Up Theatre Ensemble. Her Hester has the disruptive force
of an Ibsen, Chekhov or Greek tragedian female lead, and together with Iannucci,
they settle on a mutual South African accent that is another impressive feature
of Wilkinson’s intriguing, fascinating production.
In conversation,
he called Hello And Goodbye “weird”, smiling impishly as he said it. Make that
weird good, not weird bad.
Marc Almond: playing Mixtape night at Scarborough Open Air Theatre
MARC Almond, Heaven 17 and Living In A Box will lead the Mixtape line-up of
Eighties and Nineties acts at Scarborough Open Air Theatre on July 10 next
summer.
Tickets will go on sale tomorrow (November 22) at 9am for the second SOAT show to be confirmed for 2020 after McFly were booked in for August 14. Peter Taylor, directorof venue programmers Cuffe and Taylor, says: “We are delighted to announce Mixtape, the much-requested return of an ‘80s and ‘90s night to Scarborough Open Air Theatre.
Martyn Ware and Glenn Gregory of Heaven 17
“Previous shows have always been a big party night and, since the last ‘80s and ‘90s night here in 2017, we’ve been repeatedly asked for another one. We’ve listened, and Mixtape is here for summer 2020. “Marc Almond, Heaven 17 and Living In A Box are not only three great artists with a string of major hits between them, but they all have such a strong local connection. We feel sure this will be another great night on the stunning Yorkshire coast.” Lancashire-born Marc Almond first made his mark as frontman of chart-topping Leeds synthpop duo Soft Cell before branching out into a diverse solo career. He was awarded an OBE for services to music and the arts, an Ivor Novello Inspiration Award, an Icon Award by Attitude Magazine and a Mojo Magazine Inspiration Award, as well as receiving an Honorary Fellowship from Leeds College of Music.
Living In A Bx…now featuring Kenny Thomas
Sheffield electronic stalwarts Heaven 17 will celebrate their 40th
anniversary in 2020. Born out of the schism in the original Human League, they still
feature Glenn Gregory and Martyn Ware, makers of such hits as Temptation and Come
Live With Me and the albums Penthouse And Pavement and The Luxury Gap.
Fellow Sheffield band Living In A Box have joined forces with double BRIT
nominee Kenny Thomas, the Nineties’ soul singer, who has taken over the lead vocals.
Tickets will be on sale at scarboroughopenairtheatre.com, in person from the SOAT box office, in Burniston Road, or the Discover Yorkshire Coast Tourism Bureau, in Scarborough Town Hall, St Nicholas Street, or on 01723818111 and 01723 383636.
