Artist Dan Baldin with works from his new collection The Pursuit Of Happiness
“I FEEL like I’m having a rebirth…and we are into a really bright, fresh, optimistic period,” says artist Dan Baldwin, as he launches The Pursuit Of Happiness at RedHouse Originals Gallery, Harrogate, his debut Yorkshire solo exhibition and first in the north of England since 2007.
“This new collection is a joyous remix of Baldwin’s renowned motifs of animals, flowers, and illustrations,” says RedHouse director Richard McTague, introducing the new Artist Spotlight series of kaleidoscopic original paintings, works on paper, ceramics, steel sculpture and rare editions that can be viewed alongside Baldwin’s iconic swallow series Love And Light. “The exhibition is a true serotonin boost, filled with an abundance of colour.”
The Pursuit Of Happiness, acrylic on canvas, 2023, by Dan Baldwin
Describing The Pursuit Of Happiness as “a celebration of painting, colour and nature”, Baldwin says his new collection focuses on “how painting and colour – along with nature – have been a healing factor over the last four years”, with a return to nature functioning as a form of self-therapy.
Blending abstract and figurative elements, reflecting both reality and the world of imagination, Baldwin says: “I feel like I’m having a rebirth; it’s over 30 years since I began art college in 1990, and a lot of my art over the last few years was quite dark…I feel that has gone, and we are into a really bright fresh optimistic period.
Hold On Tight, acrylic on handmade paper, 2023-2024, by Dan Baldwin
“I’ve come to realise that colour is the driving force behind my compositions. It is the starting point and creates the feel of the composition, dictating the next stages.”
“The work is more abstract, but totally conscious, every mark and element is selected very carefully to get this perfect balance…And that’s what every work is about: harmony, balance, layers, and how everything works together.”
Clarity, acrylic on canvas, 2023, by Dan Baldwin
The last word (of approval) goes to Pop Art doyen and RedHouse Originals alumnus Sir Peter Blake. “Looking at Dan’s work is like meeting old friends for me,” he says. “It looks as though at some point in our careers we used the same casting agency. I am flattered that Dan writes that he was influenced by my work.”
Dan Baldwin: The Pursuit Of Happiness, at RedHouse Originals Gallery, Cheltenham Mount, Harrogate, until August 31. Opening hours: Monday to Saturday, 10am to 5pm, and on Sundays by appointment on 01423 884400 or by email to info@redhouseoriginals.com. Website: www.redhouseoriginals.com.
Dan Baldwin: the back story, from RedHouse Originals Gallery
Artist Dan Baldwin at work. Picture: RedHouse Originals Gallery
BORN in Manchester in 1972, Dan Baldwin studied at Eastbourne College of Art and Design and later at Kent Institute of Art and Design.
A painter, printmaker and ceramicist, Baldwin demonstrates an immediately recognisable style, blending abstract and figurative elements, reflecting both reality and the world of imagination.
His dynamic images shift thematically, from ruminations on love and memory to philosophy and politics.
The poster for Dan Baldwin’s debut solo exhibition in Yorkshire, The Pursuit Of Happiness
Baldwin’s dynamic canvases incorporate multiple planes and perspectives, utilising a broad range of media. As well as traditional painting and mark-making, his images often incorporate 3D elements, gilding, glazes, diamond dust and collage.
Symbolism is key to Baldwin’s oeuvre: swallows, skeletons and religious iconography appear alongside children’s story-book illustrations, flowers and cartoon figures. Recurring motifs are prevalent, including Baldwin’s preoccupation with human existence and perseverance to reflect on life and love.
Baldwin exhibits internationally and collectors of his work include Damien Hirst, Sir Peter Blake and Gilbert and George.
York Theatre Royal chief executive officer Paul Crewes. Picture: Charlie Kirkpatrick
ONCE the York Theatre Royal packed away the big top as the circus-themed Around The World In 80 Days-ish concluded its globe-trotting travels last Saturday, attention could turn to the autumn and winter season.
At its core will be two in-house productions: Theatre Royal creative director Juliet Forster’s staging of Louisa May Alcott’s coming-of-age story Little Women, from September 21 to October 12, and the year-ending pantomime Aladdin, co-produced by the Theatre Royal and Evolution Productions, from December 3 to January 5.
Presented in association with “silent partner” Pitlochry Festival Theatre, Little Women is adapted by Anna Marie Casey in a new look at the story of headstrong Jo and her sisters Meg, Beth and Amy growing up in New England during the American Civil War.
Aladdin reunites regular dame Robin Simpson and baddie Paul Hawkyard, who returns after a year’s absence to restore a partnership last seen as Mrs Smee and Captain Hook in All New Adventures Of Peter Pan. Joining them will be CBeebies star Evie Pickerill as Spirit Of The Ring and BBC Let It Shine winner Sario Solomon in the title role.
“What we’re trying to do here is look to increase the work we produce ourselves, which has become smaller for reasons such as Covid,” says chief executive officer Paul Crewes. “We have to re-establish ourselves as a producing theatre that presents great touring work as well.”
Add Around The World In 80 Days-ish to the home-grown list, and Paul’s vision for the future is taking shape. “I want our in-house productions to run for more than ten days. That’s risky but unless you start doing it, you don’t build an audience,” he says.
“Then you think, ‘what work do I want to put around those shows?’, ‘how do we balance and support that work?’, and one of the things I want to do is build a programme of really high-quality dance shows. That’s why we have London City Ballet coming back for the first time in nearly 30 years as part of their re-launch.”
On September 6 and 7, London City Ballet will perform a revival of Kenneth Macmillan’s 1972 one-act ballet Ballade, not seen in Europe for more than 50 years, Arielle Smith’s premiere of Five Dances and artistic director Christopher Marney’s 2022 work Eve.
“We’re also delighted to have Company Wayne McGregor performing Autobiography (V102 and V103) on October 25 and 26,” says Paul. “Wayne McGregor is one of the top choreographers in the world; he’s just been knighted and he’s running the dance programme for the Venice Biennale 2024. That’s some statement about the quality we’re trying to establish here.”
Genetic codes, AI and choreography merge in this McGregor work that re-imagines and remakes itself anew for every performance as “artificial intelligence and instinct converge in creative authorship”..
Pride And Prejudice* (*Sort Of): Not sort of, but definitely, on stage at York Theatre Royal from November 4 to 9. Picture: Mihaela Bodlovicast
Looking further ahead, the Theatre Royal will welcome Jasmin Vardimon: Now, a new creation by choreographer Jasmin Vardimon MBE, celebrating the 25th anniversary of her dance theatre company, on February 8 next year. “This will be the company’s first time in York,” says Paul.
In addition to Little Women, the autumn’s classic literary focus will continue with Newcastle Theatre Royal’s Olivier Award-winning Pride And Prejudice* (*Sort Of), by Isobel McArthur after Jane Austen, from November 4 to 9. Billed as a unique and audacious retelling of Austen’s iconic love story”, in a nutshell, “it’s the 1800s, it’s party time. Let the ruthless matchmaking begin”.
“I’ve known the producer, David Pugh, for a long time, and it’s good to take shows from the West End and bring them here,” says Paul.
On a literary bent too, crime writer Ian Rankin’s detective Rebus treads the boards in a new play, Rebus: A Game Called Malice, from October 15 to 19, with Glasgow-born Gray O’Brien, last seen in York as the boorish, bigoted Juror 10 in Twelve Angry Men at the Grand Opera House in May, taking the role of John Rebus.
Rankin, who will attend a post-show discussion on October 18, has co-written the play with Simon Reade, set at a stately home dinner party where guests are required by the hostess to play a murder mystery game she has thought up. “It’s well timed after the new TV series, and having Ian Rankin at the discussion is a bit of a coup too,” says Paul.
Olivier Award winner Sally Cookson directs the Bristol Old Vic’s innovative production of Wonder Boy, Ross Willis’s “heartwarming and inspiring story about the power of communication packed with playful humour, dazzling visuals and thrilling original music”. Look out for live creative captioning on stage throughout from October 29 to November2. “Sally has a fantastic track record at Bristol and the National Theatre, and this piece just looks really, really exciting,” says Paul.
Among the one-nighter highlights are two Simons: An Evening With Simon Russell Beale, on September 10, wherein the Olivier Award-winning actor delves into his life and career to celebrate his memoir, A Piece Of Work, and An Evening With Simon Armitage & LYR, on January 24, featuring poetry and live performance by the Poet Laureate and his band.
“We just grabbed at the chance to put on Simon Russell Beale’s show when it was offered,” says Paul. “I’m not a great fan of actors standing on stage talking about themselves, but if it’s Simon Russell Beale – or Ian McKellen – then why not!”
Full details of the new season can be found at yorktheatreroyal.co.uk, including the Theatre Royal Studio taking on a new guise from October as a cabaret club after a makeover and name change to The Old Paint Shop for nights of music, improv and burlesque by York artists. Box office: 01904 623568.
Fountains By Water, by Peter Hicks, on show at Fountains Abbey. All pictures: Joe Cornish
THE National Trust is extending this summer’s run of Peter Hicks’s exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, to September 15.
On show is a collection of works painted in response to the John and William Aislabie-designed landscapes of Fountains Abbey and the Studley Royal Water Garden during Hicks’s residency in 2023.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill.
Born in Osgodby, near Selby, Hicks has lived and worked for most of his life on the North York Moors close to the Yorkshire coast. Now in his eighties, he continues to be inspired by the drama and immense scale of the British landscape.
Peter Hicks with his painting materials in his North York Moors studio
“The chance to work at Fountains Abbey and Studley Royal late in life surprised me,” says Peter. “Then it became a chance to explore a vision of my own in a place rich with promise to a painter crossing from the 20th to the 21st century, heavy with freedoms and procedures and the practical choices newly open to me.
“Fountains Abbey and Studley Royal may not have needed me to speak about its rich heritage and landscape vistas, but I have come to see that it has given me a chance to explore landscape and waterways in my own choice of texture, colour and use of material and pictorial language.
“This is all at a time when I might be expected to be slowing down concerning my painter’s practice. It has been said of me, however, that in fact this opportunity has come when I am at the height of my ongoing fulfilment. What a wonderful hope and promise.”
By The River, Studley Royal, by Peter Hicks
Hicks works in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble and accessible materials, such as old margarine pots for mixing his paints, as well as upcycling old jewellery boxes into paint boxes.
To illustrate this, the exhibition features selected studio objects, such as paint pots and brushes, testimonials from Hicks about his creative process, and his own workbench.
General manager Justin Scully says: “I first met Peter in July 2022, when he had been invited to Fountains Abbey by renowned landscape photographer Joe Cornish. Peter was reminiscing that he had sketched here many years ago and I politely said that it was time for him to visit us again. From such a brief conversation came great things.
“As it has always done, this special place captures an artist’s imagination. The commission has created much more work than we ever intended but, to my mind, it has also captured Peter’s personality itself and his very particular aesthetic.
“This opportunity has come when I am at the height of my ongoing fulfilment,” says Peter Hicks. “What a wonderful hope and promise“
“Peter’s studio in the North York Moors is inspirational; it embodies his way of working, his approach to his art, and we have tried to give some hint of this in the exhibition. Peter has completely understood and captured our spirit of place as both a garden and a romantic ruin, but also the way the iconic image of the abbey itself is part of our Yorkshire identity.”
Justin concludes: “As part of a programme of contemporary art commissions stretching back to 2015, it shows the role Fountains can play in supporting artists but also how art can add to a deeper love and understanding of this place for our visitors.”
The exhibition was scheduled to close on August 11 but will now run for an extra month. Artwork is on display in the Tabernacle at Studley Lake in the water garden too.
Fountains Abbey and Studley Royal, near Ripon, is open all year round. Summer opening hours: 10am to 4.30pm; car parks close at 6.30pm. Normal admission applies for the exhibition; entry is free for National Trust members and under-fives. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
A scene from Liz Stevenson’s production of Brassed Off. Picture: Pamela Raith
LIZ Stevenson’s new staging of Brassed Off marks the 40th anniversary of the Miners’ Strike and the 30th anniversary of the 1994 setting of York film-maker Mark Herman’s pit community drama.
Adapted for the stage by Paul Allen, the co-production by Theatre by the Lake, Keswick, the Stephen Joseph Theatre, Scarborough, and Octagon Theatre, Bolton, has moved from Keswick to Scarborough, where the cast of ten, including several actor-musicians, will perform Herman’s story of northern grit, heart and defiant humour from tonight until August 31.
Ten years after the Miners’ Strike, the mining community of Grimley, Yorkshire, is fighting to keep the colliery open. Meanwhile, revered band leader Danny is battling to keep his dispirited band of brass-playing miners together, fuelled by the dream of qualifying for the national championships at London’s Royal Albert Hall. Loyalty is tested, pressure mounts and the community begins to break apart, but can the band find a way to play on?
“It’s a timely moment to present this iconic play, 40 years after the 1984 Miners’ Strike,” says Liz, Theatre by the Lake’s artistic director. “Our production looks back on the battles of this close-knit mining community, asking: what has changed? And what does this play mean to us today? We’ve assembled an incredible team to deliver a moving theatrical experience that celebrates the resilience of communities and the transformative power of music.”
Liz’s vision for the production started with the question: How do you see the play from a 2024 perspective? “It occurred to me that in our audience, there will be people who lived through the Miners’ Strike, worked down the pit, and are still affected by it. Others will have had little experience of it and won’t have been affected.
“There’ll be some who know and love Mark’s film; others who won’t have seen it. So, what’s your starting point? In our production, we’ve imagined how young narrator Shane, the eight-year-old son of Phil and Sandra in the film, would be 38 now, not dissimilar to my age.
“So we’re now treating it like a memory play, where he re-lives his memories of his childhood, his father and his grandfather [band leader Danny], seeing them through adult eyes and reflecting on how the events of 1984/1994 made him the man he is today.
“Obviously lots of things have changed – though some haven’t – so it feels like a period piece, but for others it still feels like recent history, and some of our cast have grown up playing in brass bands.”
Brassed Off resonates as much as ever in 2024, when “deindustrialisation, inequality and poverty is still felt today in former mining towns and across different communities around the world”, says Liz.
“What there’s no denying in this country is that we still have a great deal of poverty, like the characters in this play. There’s a scene where Phil tries to take his life, and it was an important decision how we would handle that scene: what led him to that point, as we see him become more and more desperate. Lots of people will be able to relate to that – it’s probably the most relatable thing in the play.”
Crucial too is Danny’s climactic speech at the Royal Albert Hall, the one where, in the moment of winning the national championships, he says: “I thought that music mattered, but does it bol****s, not compared with how people matter”. “We didn’t want to make it a nostalgia festival. We wanted to lift it out of that, stripping it back, simplifying the design too,” says Liz.
“There’s something important to be said, locally, nationally and internationally, about the significance of community and how we have to look after each other, how people matter more than money.
“This play shows how vital community is, and this production manifests that by having not only a cast of ten but also a community cast with three teams of two children and members of the local community playing in the band at each show. That brings a community spirit to the performances – which is such a joy.”
That sense of community is enhanced by the theatre-in-the-round configuration of all three theatres. “It’s an inclusive, intimate setting, with audiences on all sides and everyone close to the action, but it’s a challenge too as the Scarborough stage is small but we have to have 19 bodies on stage at one point! You’re thinking, ‘how do we do this, with all the music, in that space, with lots of episodic scenes that flow into each other’?” says Liz.
“It needs to be fluent and dynamic, and especially as a memory play where one moment triggers the next. Something special happens when the band plays for the first time on stage: that feeling of everyone playing together in a collective endeavour. You see the importance of collaborating in the play, but when they perform the music, it takes it to another level.”
Stephen Joseph Theatre, Scarborough, Theatre by the Lake, Keswick, and Octagon Theatre, Bolton present Brassed Off, Stephen Joseph Theatre, Scarborough, tonight to August 31. Box office: 01723 370541 or sjt.uk.com.
Kate Rusby: Headlining today’s bill at Underneath The Stars
THE last Underneath The Stars festival “for now” is under way today for three days of music and arts, fun and festivities at Cinder Hill, Darton Road, Cawthorne, Barnsley.
On June 19, the organisers issued this statement: “Dearest Stargazers, it is with heavy hearts that we announce this year’s festival will be our last for now and that we have decided to take a break on our festival journey.
“Worry not though, all is on track to ensure that 2024 will be our best yet and a fitting celebration of ten stellar years. Join us if you are able”
Festival director Emma Holling explained: “We never imagined that a wild idea conceived around our dining room table, overlooking the hills near Cawthorne, would blossom into the amazing festival it is today.
“When we started a decade ago, we were driven, as now, by passion and a sense of adventure. Now, we find ourselves in different places, both personally and professionally and operating in different times. We can’t believe this will be our tenth event. It is an amazing achievement and now our adventures are leading us in different directions.”
Emma continues: “This decision, though difficult, feels right as we embrace these new chapters in our lives. Looking back, we are overwhelmed with pride and joy. From our humble beginnings to welcoming a beautiful, ever-growing audience, every moment has been a dream come true.
King Zepha: Playing on Sunday
“The laughter, music, and unforgettable memories we’ve shared together have exceeded our wildest expectations. Those we have worked with and who have supported us, together with our incredible audience and volunteer team, have been the heart and soul of this festival.
“Your involvement, energy, love, and unwavering support turned our little dream into a phenomenal and award-winning success. Each year, you’ve brought magic, transforming our event into a celebration of community, creativity, and pure joy.”
“While this news may come as a shock, we wanted to share it with you in good time and so that our stargazers can all come together to celebrate one last time.”
Could the festival return? “Never say never of course and no-one ever knows what we might do in the future,” said Emma.
As for this year: “We do know that the festival landscape is challenging at the moment and our hearts and minds are with all our festival friends and family.
“If you are thinking at all about supporting Underneath the Stars or any independent event or festival this year, now more than ever is the time to and we would urge you to do just that.”
Bill Bailey: Following up tonight’s appearance at Scarborough Open Air Theatre by headlining Sunday’s line-up at Underneath The Stars
The June 19 statement from Team UTS (Underneath The Stars) concluded: “Looking forward to this summer, plans are firmly in place to make this final festival our best and most spectacular yet, filled with love, and the biggest cheer possible.
“Thank you for being a part of this incredible journey. Let’s cherish every moment and create one last round of memories that we will treasure forever; we look forward to seeing you there!”
The festival was founded in 2014 by the production team behind South Yorkshire folk singer Kate Rusby and the Pure Records label. Kate headlines today’s bill, also featuring Blazin’ Saddles, Hope & Social, John Smith, Katherine Priddy, Oh My God! It’s The Church, Fanny Lumsden, Cahalen Morrison and Ruth Lyon.
Tomorrow’s line-up comprises headliners The Feeling, plus Rumer, Dervish, Beans On Toast, O’Hooley & Tidow, Keston Cobblers Club, Rumba De Bodas, Dolores Forever, Suntou Susso, Barnsley Youth Choir and The Hunch.
Comedian and musician Bill Bailey tops Sunday’s bill, when Lucy Spraggan, Hamish Hawk, Skinny Lister, Damien O’Kane & Friends, Gary Stewart’s Graceland, The Bar-Steward Sons Of Val Doonican, Brown Horse, King Zepha and Simeon Hammond Dallas perform too.
The Delma Tomlin sculpture in the York Trailblazers trail of tansy beetle artworks
TRAILBLAZERS in beetle form, Georgian festivities, colliery band dramas, and riverside art take Charles Hutchinson in different directions in the week ahead.
Trail of the week: York Trailblazers, around York city centre, August 1 to September 30
FACT of the day: the river Ouse has the largest population of tansy beetles in the United Kingdom. Now sculptures of these insects form a new trail, York Trailblazers, a celebration of York’s unsung heroes mounted by York Civic Trust and Make It York with National Lottery Heritage Fund support.
Nominated by the public and community groups, the Trailblazers project highlights remarkable individuals who have made a difference to people’s lives either locally or globally.
Author Terry Deary: Introducing his new novel at the York Georgian Festival this evening
Festival of the week: York Georgian Festival, today to Sunday
THE second York Georgian Festival opens tomorrow, when Horrible Histories author Terry Deary’s 6pm showcase of his new novel, A History Of Britain In Ten Enemies, will be an early highlight.
Tours, talks and fascinating hidden Georgian gems will be at the heart of the festival. The first York Georgian Ball will be held at the Grand Assembly Rooms (now home to the ASK Italian restaurant) on Saturday at 7pm. Look out for Mad Alice’s Rogues Gallery Tour around the city at 4pm on Saturday and Sunday. For the full programme and tickets, head to: yorkgeorgianfestival.co.uk.
Brass band blues: A scene from Brassed Off at the Stephen Joseph Theatre, Scarborough
Play of the week outside York: Brassed Off, Stephen Joseph Theatre, Scarborough, tomorrow (2/8/2024) to August 31
ADAPTED for the stage by Paul Allen from the 1996 screenplay by York filmmaker Mark Herman, Brassed Off takes to the stage in a co-production by Keswick’s Theatre by the Lake, Scarborough’s Stephen Joseph Theatre and Bolton’s Octagon Theatre, directed by Liz Stevenson.
The setting is 1994, ten years after the miners’ strike, when the tight-knit mining community of Grimley, Yorkshire, is fighting to keep the colliery open. Once the uncertainty around the pit’s future becomes too much for the pit band members, loyalty is tested, pressure mounts and the community begins to break apart. Can the band find a way to play on? Box office: 01723 370541 or sjt.uk.com.
Yard Act: Leeds art rock band play in their backyard on Saturday. Picture: Phoebe Fox
Leeds gig of the week: Yard Act, Here’s Our Utopia, Leeds Millennium Square, August 3, doors 6pm; 10.30pm finish
LEEDS art rock band Yard Act play their biggest gig yet on home turf at Leeds Millennium Square this weekend in the wake of the March release of second album Where’s My Utopia?.
Co-produced by James Smith’s indie quartet and Gorillaz member Remi Kabaka Jr, the album peaked at number four, following the number two success and Mercury Prize shortlisting of 2022 debut The Overload. Support acts will be English Teacher, Fat Dog and Ultimate Thunder. Box office: 0113 376 0318 or millsqleeds.com/whatson-event/yard-act/.
Laura Joy’s poster design for the 2024 York River Art Market weekends. She will be participating in all six days. Check out her work at laurajoydesign.co.uk
York’s answer to the Left Bank in Paris: York River Art Market, August 3 and 4; August 10 and 10; August 17 and 18, 10am to 5pm
ORGANISED by jewellery designer and York College art tutor Charlotte Dawson, York River Art Market returns to the riverbank at Dame Judi Dench Walk for a ninth summer season from this weekend.
Up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and more. “We care that each of the six events are never the same, so we host a different variety of creatives at each one,” says Charlotte. Admission is free.
Richard Hudson’s Unwind: On show at Thirsk Hall Sculpture Garden. Picture: Celestine Dubruel
Exhibition of the week: Thirsk Hall Sculpture Garden, Kirkgate, Thirsk, open Wednesdays to Saturdays, 11am to 5pm, last entry 4pm
THIRSK Hall Sculpture Garden showcases modern and contemporary sculptures in 20 acres of walled gardens and parkland at the grade II-listed town house, complemented by artwork in Gallery One and The Orangery.
Artists on show include Farnoush Amini, Kenneth Armitage, Tere Chad, Tim Ellis, Laura Ford, Richard Hudson, Jeff Lowe, Gerald Laing, Michael Lyons, Trory Menage, Zak Ové, Tim Pomeroy, William Tucker, Austin Wright and Emily Young. To find out more about the 2024 exhibition, visit willoughnygerrish.com. Tickets: thirskhall.com/sculpture-garden.
Chris Hagyard, pictured in Guys And Dolls mode, will sing in Bev Jones Music Company’s One Night Of Broadway Hits
Musical revue of the week: Steve Coates and Bev Jones Music Company present One Night Of Broadway Hits, Joseph Rowntree Theatre, York, August 3, 2.30pm and 7.30pm
BEV Jones Music Company performs hits from 26 musicals, including Guys And Dolls, in an unashamedly traditional fashion under the musical direction of James Rodgers.
His band is joined in this moving, lively and at times funny show by vocalists Chris Hagyard, Annabel Van Griethuysen, Anthony Pengelly, Ruth McNeil, Sally Lewis, Stephen Wilson, Geoff Walker and producer Lesley Jones, back on stage for this show, wearing a silver cat suit unseen since 2010, when she played Vera in Stepping Out. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Hurry up Harry: The Three Inch Fools cast for The Secret Diary Of Henry VIII at Helmsley Walled Garden
Ryedale play of the week: The Three Inch Fools in The Secret Diary Of Henry VIII, Helmsley Walled Garden, August 6, 7pm; gates 6pm
THE Three Inch Fools, founded by the Cumbrian Hyde brothers, producer James and writer, composer and director Stephen, present an essential guide on how to keep your head in the Tudor Court in a new comical take on Henry VIII and his six-pack of infamous wives.
Unexpectedly thrust into the limelight, Henry must navigate the ups and downs of courtly life, all while fighting the French yet again and re-writing religious doctrine. Bring chairs, blankets, picnics, but not umbrellas. Park in the Cleveland Way car park. Box office: 01439 771700, helmsleyarts.co.uk or threeinchfools.com.
Korn-ucopia of heavy metal hits at Scarborough Open Air Theatre on August 8
Coastal gig of the week: Korn, Scarborough Open Air Theatre, August 8, gates 6pm
FORMED in California in 1993, Korn continue to push the limits of alt. rock and heavy metal after 40 million album sales, two Grammy awards and countless tours. Expect to hear such anthems as Blind, Falling Away From Me, Here To Stay, Freak On A Leash, Twisted Transistor, Make Me Bad and Did My Time as their European tour arrives in Yorkshire. Support acts will be Wargasm and Loathe. Box office: scarboroughopenairtheatre.com/korn.
Riley Catherall: Playing Pig & Pastry, York, on a tour that takes the Australian singer-songwriter to Nayland, Kirton in Lindsay, High Wycombe and Stockholm, Uddevalla and Oland in Sweden
Introducing: Riley Catherall, Pig & Pastry, Bishopthorpe Road, York, August 8. Doors: 7.30pm for 8pm start
MELBOURNE singer-songwriter Riley Catherall’s graceful trajectory into the Australian alt-country world has not gone unnoticed. So much so that he will be playing in York on Thursday, promising songs of poetic sincerity from his June 14 sophomore album The Light, The Beautiful Liar and his 2021 debut When I Go, a record focused on leaving, losing love and finding somewhere to settle down. Box office: wegottickets.com/event/624233/.
Anastacia: Playing York Barbican next May on her Not That Kind 25th Anniversary Tour
Gig announcement of the week: Anastacia, Not That Kind 25th Anniversary Tour, York Barbican, May 4 2025
CHICAGO singer-songwriter Anastacia will play York Barbican as the only Yorkshire concert of the 13-date British and Irish leg of her Not That Kind tour next year, marking the 25th anniversary of her debut album.
“I didn’t get to do a tour for my first album, which makes this all the more special,” says Anastacia. “I can’t believe it’s been 25 years since Not That Kind; we will be sure to celebrate in true Anastacia style. It’ll be one big anniversary party. I can’t wait to see you all there !” Box office: yorkbarbican.co.uk/whats-on/anastacia-2025/.
In Focus:The Magpies Festival, Sutton Park, near York, August 9 and 10
Actress, vocalist and accordion player Natalia Tena fronts Molotov Jukebox at The Magpies Festival, backed by Balkan fiddle, Latin trumpet and a pounding rhythm section, on Friday
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined on Friday on the main stage by bi-lingual six-piece Molotov Jukebox at 10pm, preceded by Chris While & Julie Matthews, 6pm, and Jim Moray, 8pm.
Friday’s Brass Castle Stage bill features Em Risley, 5pm; Taff Rapids Stringband, 7pm; The Turbans, 9pm, and Easingwold musician Gary Stewart’s Graceland, 11pm.
Saturday’s main stage bill will be topped by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm. Saturday’s Brass Castle Stage line-up comprises Painted Sky, 1pm; Suntou Susso, 3pm; Northern Resonance, 5pm; Awkward Family Portraits, 7pm, and Marvara, 9pm.
Festival organisers The Magpies
The all-female The Magpies – Bella Gaffney (singer, songwriter, guitarist and banjo player), fellow founder Holly Brandon (fiddle player and tunesmith) and Ellie Gowers (guitarist, singer and songwriter) – are set on championing gender equality in the music industry, achieving gender parity in both line-up and staff, as well as providing a safe and comfortable environment for female musicians and festival goers.
Festival director Holly Brandon says: “We are so excited to put on The Magpies Festival. We’ve been over the moon at the response to the festival, from the incredible performances from world-class folk musicians to the high-energy spirit that our attendees brought along. It’s felt like a whole new feel to a folk festival.”
Box office: themagpiesfestival.co.uk/tickets.
Sam Kellly & The Lost Boys: To be found at The Magpies Festival at Sutton Park on Saturday
Laura Joy’s poster for the 2024 York River Art Market summer season
YORK River Art Market returns for its ninth summer season this weekend on the riverside walkway at Dame Judi Dench Walk.
Organised by artist and York College art tutor Charlotte Dawson, York’s answer to the markets on the Parisian Left Bank will be held on August 3 and 4, 10 and 11 and 17 and 18 from 10am to 5pm.
Along the riverside railings, up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and much more. “We care that each of the six events are never the same, and so we host a different variety of creatives at each one,” says founder and director Charlotte. “That means there is always something for everyone’s creative tastes and budget.
“York River Art Market’s relaxed and vibrant atmosphere has been compared to the Left Bank and we welcome everyone. Admission to the market is free of charge to come along and browse or buy directly from an array of Yorkshire-based artists.”
Looking forward to this weekend, Charlotte says: “Each year presents fresh challenges, but just don’t say the ‘W’ word [the weather}!” Fear not, Charlotte, sunny intervals and a gentle breeze are forecast for Saturday and Sunday.
Charlotte Dawson: York River Art Market founder-director and jewellery designer
“We’ve had more artists and makers than ever wanting to take part – quite a change from our early days. We get hundreds applying now and I do the selection process with a heavy heart, as we can’t feature everyone. We have a reserve list and people are already asking about next year.”
Why is it so popular, Charlotte? “This area of York lends itself to such an event, working in harmony with the York Museum Gardens, the eateries around here, and the whole ambience by the riverside,” she says.
“I think the river is great for a sense of wellbeing, especially for the artists who are spending the day there, saying ‘it’s so relaxing here’. There’s an ambience you can’t get anywhere else in the city.
“York River Art Market really does celebrate art and York’s creative talent, but not only York, as we have artists and makers from Yorkshire among our variety of new participants, such as Ounce Of Style [Lee Henry], a funky graphic designer and illustrator with a food obsession, who works in really bold colours, and Taken Twice, from Derbyshire, who uses that name because she creates jewellery inspired by ancient Greece and Rome, which is interesting for York with our Roman history.”
Among the returnees will be digital photomontage artist Adele Karmazyn; architectural illustrator Elliot Harrison (York 360); Gerry and Lynn Grant of Fangfoss Pottery; Katrina Mansfield, from PICA Studios in Grape Lane, who specialises in creating “fluid art animal inks” on Yupo paper, and Lincoln Lightfoot, whose surrealist B-movie poster pastiches “tap into the present condition of fear that our news media and politicians perpetuate in a post Covid-19 world”.
Woodburning artist Anna Kirsty Wood: Travelling from Italy for York River Art Market on August 10 and 11
York artist Emma Whitelock, who took part in the first York River Art Market and now exhibits internationally, including in New York, will be returning to the riverside this summer.
Travelling the farthest to take part is woodburning artist Anna Kirsty Wood, who is heading from Frascati, Italy, with a suitcase full of art to stay with her mother in York. She will be showing her original artwork and prints, created from fragments of memories pieced together and hand-burned on to wood, on August 10 and 11.
Busker and folk singer Deb Simpson is likely to pop up at some point, just as she has in past years, and York singer-songwriter Heather Findlay, from the York duo The Bee Tellers, will be busking on August 18. “She’s an artist too, and hopefully she’ll be showing her work next year,” says Charlotte.
To find out the line-up of artists and makers for each of the six days, head to York River Art Market’s Facebook site, facebook.com/YorkRiverArtMarket. Click on More, then Events, then Discussion.
This year’s poster was designed by the aptly named illustrator and maker Laura Joy, of Laura Joy Design, who will be attending all six events this summer. Artistic joy does indeed await on the banks of the River Ouse from this weekend.
Copyright of The Press, York
Heather Findlay: Busking on August 18. Picture: Adam Kennedy
The poster for Dame Judi Dench and Gyles Brandreth’s night of stories, sonnets and surprises at the Grand Opera House, York, on October 10
DAME Judi Dench is heading home to York for one night only in a special performance at the Grand Opera House on October 10.
Stage, film and television actress Dame Judi, 89, will be joined on stage at 7.30pm by television presenter, theatre producer, journalist, author, publisher and former Conservative MP for the City of Chester Gyles Brandreth.
Together they will present their sell-out West End and Royal Albert Hall show, I Remember It Well with Judi Dench & Gyles Brandreth. Tickets go on general sale at 10am on August 2 at atgtickets.com/york, preceded by ATG+ members 24 hours earlier.
Dame Judi joins her friend Gyles on a roller-coaster trip down memory lane as they explore the story of her extraordinary life, from her childhood in Heworth, York, in the 1930s to her latest Oscar nomination – for Best Supporting actress in Kenneth Branagh’s Belfast – in 2022. Expect moments from Shakespeare and anecdotes aplenty – stories, sonnets and surprises – in a “two-hour party of lifetime”.
Educated at The Mount School, and later briefly at the York School of Art, Dame Judi played a “forgetful angel” in the 1951 York Mystery Plays, staged by the St Mary’s Abbey ruins in the York Museum Gardens in the first revival since their suppression in 1569.
This was followed by her roles as a “young man in white clothing” in the 1954 production and the Virgin Mary in 1957, after completing her studies at the Central School of Speech Training and Dramatic Art. That year she made her professional theatrical debut as Ophelia in Hamlet at the Old Vic, London.
Her stage and screen career has taken in the Royal Shakespeare Company and National Theatre; the television series A Fine Romance and As Time Goes By; the role of M in the James Bond franchise from 1995’s GoldenEye to M’s death in 2012’s Skyfall, and an Oscar win, among eight nominations from 1997 to 2022, for Best Supporting Actress in Shakespeare In Love in 1998.
Six film BAFTAs, three television BAFTAs, two Golden Globes, two Screen Actors’ Guild awards, seven Oliviers, one Tony award and three Evening Standard Theatre awards have come her way too.
Here in York, Dame Judi received receive the honour of Millennium Person of the Present award at York Mansion House in 2000, was made an Honorary Freeman of the City of York in 2002 and has had a riverside walkway, Dame Judi Dench Walk, named after her.
On the theatre front, although Dami Judi will be appearing at the Grand Opera House this autumn, she is a patron of York Theatre Royal.
York Georgian Festival: for fans of fans and the period alike
THE second York Georgian Festival runs from today to Sunday, buoyed by an “overwhelming turnout” and VisitYork Tourism Awards nomination for last August’s inaugural event.
Day one’s highlight, Horrible Histories author Terry Deary’s 6pm showcase of his new book, A History Of Britain In Ten Enemies, has sold out.
In response to much demand, the festival will host the first York Georgian Ball at the Grand Assembly Rooms, now home to the ASK Italian restaurant, in Blake Street, on Saturday at 7pm. This ballroom played host to dances and dinners in the 18th and 19th centuries, and now guests will be dressed in their finest as they country-dance under the chandeliers this weekend.
Further festival highlights will be tours, talks and the chance to discover hidden Georgian gems across the city.
Festival creator Sarah White, events and marketing manager for York Mansion House, says: “I am delighted to be working with some of the most beautiful museums, venues and minds in York to bring this festival to life. We want to showcase the impact of this time period on the modern day, and we also want to dance the night away.”
Terry Deary: Introducing his new book this evening
Thursday
10am: Behind the Scenes Curator Tour, at Fairfax House.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guts and Bedlam Tour, from York Medical Society.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour with Mad Alice, around the city.
6pm: Terry Deary previews his new book, A History of Britain in Ten Enemies. SOLD OUT.
7pm: Mad Alice History Talk and Gin Tasting, at Impossible York bar.
Friday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10.30am: Georgian Dance Class at the Guildhall.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guys and Bedlam Tour, from York Medical Society.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
7.30pm: Bridgerton by Candlelight, Ignite Concerts. SOLD OUT.
Saturday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2pm: Anatomy of a Ball, Barley Hall Coffee Shop.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
3pm: Regency Rejigged dance performance, St Helen’s Square.
4pm: The Raree Show of The Fox Trap’t, Holy Trinity Church, Goodramgate. SOLD OUT.
4pm: The Rogues Gallery Tour, with Mad Alice, around the city.
5pm: Family Walking Tour: A Day in the Life of Jane Ewbank, with York Georgian Society, starting from St Helen’s Square.
7pm: The York Georgian Ball, at Grand Assembly Rooms.
Sunday
10.30am to 1pm: Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
1pm: Uncovering The Parrot: A Forgotten Women-Led Satirical Periodical of the 18th Century at York Mansion House. SOLD OUT. York Mansion House will be closed temporarily from 12.30pm to 2.20pm to accommodate this ticketed event.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
