Ed Gamble in his promotional picture for the Hot Diggity Dog tour. Picture: Matt Crockett
CHART-TOPPING Off Menu podcaster, Great British Menu judge, Taskmaster champion and The Traitors: Uncloaked and Taskmaster podcast host Ed Gamble is back on the road in his extended UK and Irish stand-up comedy tour, Hot Diggity Dog.
Next stop on a second leg running from September 26 to January 20 2025 will be the Grand Opera House, York, tomorrow night (9/10/2024), having played there in February 2022 on his Electric travels.
The Hit Diggity Dog tour now adds up to the south-west Londoner’s longest-ever itinerary at 38. Not without irony for a comedy turn who confesses: “A lot of the show is about – and I don’t know how the audience feels about this – how I would rather be at home with my wife [producer Charlie Jamison], after all those years spent becoming a comedian who travels the road.
“I got married in 2021, and there’s a lot of stuff about my honeymoon in 2022 in the show, after all the Covid restrictions got lifted [having forced three postponements of his wedding].
“Look, when I’m on the road, I complain I’m not at home, but then when I’m at home, I complain I’m not on the road. It’s addictive to get a response on stage night after night, when you don’t know how things will go down, or whether it will be different from one part of the country to another, though it’s rare that a joke that goes down well one night is met with silence the next, but it’s always a highwire act.
“On a tour, the main story beats and the big punchlines stay the same, but I can never resist chatting to ther audience, reacting to the vibe each night.”
In a nod to the title of Hot Diggity Dog, the tour publicity proclaims “Ed Gamble has minced a load of meat (thoughts), piped it into a casing (show) and it’s coming to a bun (venue) near you. There will be all your classic Gamble ranting, raving and spluttering but he’s doing fine mentally. Promise.”
“Gamble is my real name,” says Ed Gamble. “I was told by someone that a good comedian’s name has a one-syllable first name and a two-syllable second name.” Picture: Matt Crockett
So much so, he says: “I’m absolutely delighted to do so many dates and that so many people want to see it. I just do as many shows as I can because when you start out, you write a show for the Edinburgh Fringe, then just do Edinburgh and maybe ten more shows after that. But with Hot Diggity Dog, I’m now hoping to do international dates next year.”
Hot Diggity Dog, Ed? Explain yourself. “I’m told it’s a Mickey Mouse thing [The Hot Dog Song, with its lyric “Hot Dog, Hot Dog, Hot Diggety Dog”], but it’s pretty difficult because you always have to come up with a tour title well before you do the tour, and by the time you do the shows, the title probably should have changed!” he admits.
“I only said ‘Hot Diggity Dog’ once in the show and now I don’t even mention it – but it was good for the promotional picture!” Except in London, where Ed found himself caught up in “Cucumbergate”.
His show poster of a hot dog fell foul of Transport for London’s ban on junk food advertising on the London Underground, whereupon the Off Menu co-presenter replaced the off-menu item with a similarly shaped but healthier cucumber.
Ed has been busier than ever, having brought his Off Menu podcast with co-host James Acaster to the stage, written his first book, the memoir Glutton: The Multi-Course Life Of A Very Greedy Boy (published by Penguin Books last October]; hosted BBC Two’s The Traitors: Uncloaked podcast and been crowned series nine champion of Taskmaster (Dave/Channel 4).
Add to that list featuring on the second Champions of Champions episode of Taskmaster in 2022; hosting the Taskmaster podcast; competing in The Great Celebrity Bake Off for Stand Up To Cancer and earlier appearing in more than 30 episodes of the satirical panel show Mock The Week between 2015 to 2021.
The show poster image that fell foul of Transport for London’s ban on junk food advertising on the London Underground
On top of all that, he has been a judge on BBC Two’s Great British Menu, co-hosts a Sunday morning show on Radio X with Matthew Crosby and has served as one of six rotating guest-hosts for Pointless on BBC One.
“It’s good that comedians get picked up to do other stuff, being trusted to do it, because I love to keep a variety of things going on that feed into the live shows,” says Ed.
What’s next? “The Traitors will be back and I’ll be back doing The Traitors: Uncloaked podcast on BBC Two; Off Menu rumbles on and I’ll be recording a Taskmaster podcast every week for the current series that started last month,” he says. “Then there’s filming for Great British Menu series 20, for broadcast next year.”
Any last words on tomorrow’s show in York, Ed? “Just come and see it. We’ve been having a lot of fun on tour. We have a laugh, and the shows have been going great,” he says. “We’d love to have as many people there as possible.”
Ed Gamble: Hot Diggity Dog, Grand Opera House, York, October 9, 7.30pm. Box office: atgtickets.com/york.Also playing:St George’s Hall, Bradford, October 19, 7.30pm. Box office: bradford-theatres.co.uk. Age guidance: 14 upwards.
Did you know?
ED Gamble began his comedy career performing with the Durham Revue while studying Philosophy at Durham University, where he met fellow comedians Nish Kumar, Nick Mohammed and Tom Neenan. He came to prominence playing Georgie Carlton in two series of Almost Royal (BBC America/E4/Netflix) and co-wrote series three and four of Greg Davies’s sitcom Man Down (Channel 4), as well as appearing in two episodes.
Navigators Art & Performance’s poster for Co-Audenation. W H Auden picture: George Cserna, 1956
YORK collective Navigators Art & Performance presents Co-Audenation: A Creative Exploration of W. H. Auden, a night of spoken word, live music and performance art, at The Basement, City Screen Picturehouse, York, on October 19.
“This is a revised and expanded version of our sold-out summer show for the York Festival of Ideas and York Civic Trust’s York Trailblazers sculpture trail project, for whom we researched and constructed one of the sculptures commemorating York’s unsung heroes,” says Navigators Art co-founder Richard Kitchen. “Our W. H. Auden tansy beetle sculpture can be seen outside City of York Council’s West Offices in Station Rise.”
All works in October 19’s 7pm to 10pm show are written or inspired and influenced by W. H. Auden, the “Picasso of modern poetry” born in Bootham, York, on February 21 1907.
Navigators Art & Performance’s tansy beetle sculpture of W. H. Auden for York Trailblazers at West Offices, Station Rise, York
“A leader of the British avant-garde at a time of cultural upheaval in Europe, Auden experimented ceaselessly with poetic form and subject matter,” says Richard. “Openly gay and defiantly anti-establishment, he was controversial and influential in his views on politics, morals, love, and religion. His poem Funeral Blues was popularly featured in the film Four Weddings And A Funeral.”
Navigators Art’s inspiring line-up features award-winning and published Yorkshire writers and performers in a mixed-media event replete with songs and physical theatre, as well as poetry.
“Expect the unexpected!” says Richard. “An informal discussion will precede the main event from 6pm. All ticket holders are welcome to attend. The performance will begin at 7pm after a short break.”
Carrieanne Vivianette: Leeds performance artist
Taking part will be:
Anthony Vahni Capildeo: poet, professor and writer in residence at the University of York.
Antony Dunn: poet, dramatist and screenwriter.
Carrieanne Vivianette: performance artist and experimentalist from the creative hotlands of Leeds.
Elizabeth Chadwick Pywell: York poet, English/Drama tutor and co-host of Rise Up! at Bluebird Bakery in Acomb.
Ian Parks: Award-winning and widely published poet and translator; editor of Versions Of The North: Contemporary Yorkshire Poetry
Anthony Vahni Capildeo: poet, professor and writer in residence at the University of York
Jane Stockdale: Singer and multi-instrumentalist from beloved York alt. folk legends White Sail.
Janet Dean: Poet and novelist exploring contemporary themes through the prism of history.
JT Welsch: Exploratory musician and poet; lecturer in English and Creative Industries at University of York.
Richard Kitchen: Visual artist, poet and Navigators co-founder.
Plus contributions from York luminaries Alan Gillott, Hugh Bernays and others.
For full details and tickets, go to: https://bit.ly/nav-auden. “Advance booking is advised,” says Richard.
The cover artwork for Michael Palin’s new book, in focus at the Grand Opera House, York, tomorrow
FROM a talkative traveller to a Californian Kate Bush tribute act, York’s weekend of open doors to a best-of-British musical revue, Charles Hutchinson seeks diverse cultural opportunities.
Globe-trotter of the week: Michael Palin, Grand Opera House, York, tomorrow, 7.30pm
IN the words of Monty Python alumnus, actor, presenter and Yorkshireman Michael Palin: “In There And Back – The Diary Tour 2024, I’ll bring to life the fourth collection of my diaries and the first to be released for ten years.
“Lots of fun as I go through the Noughties, and some dark times too. I constantly surprise myself with the sheer amount I took on.” Tickets update: still available at atgtickets.com/york.
Baby Bushka: Delighting in the theatricality of Kate Bush’s songs at Pocklington Arts Centre
Tribute show of the week: Baby Bushka, Pocklington Arts Centre, tomorrow, 8pm
THE music and magic of Kate Bush has reached across the seas and skies to San Diego, California, where the eight women of the bewitching Baby Bushka have honed their wide-eyed, other-worldly versions of Kate’s baroque, ethereal pop.
Performed in jump-suits by Natasha Kozaily, Lexi Pulido, Nancy Ross, Leah Bowden, Batya Mac Adam-Somerm, Marie Haddad, Heather Nation and Melanie Medina, their kooky rock show is filled with four-part harmonies, avant-garde choreographed dancing, theatrical props, costumes and glitter masks. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The Korgis: This is the time for everybody to learn about their favourite songs at Selby Town Hall
Sing something synth-full: The Korgis Time Machine, Selby Town Hall, tomorrow, 7.30pm
WHIRL back in time with The Korgis as they undertake a musical and audio/visual journey though the songs and bands that influenced them. Best known for their 1980 hit Everybody’s Got To Learn Sometime, the Bristol synth-pop band will put their spin on songs by The Beatles, The Beach Boys, Simon & Garfunkel, 10cc, The Buggles, Peter Gabriel and their own songs of peace and hope with The Korgis and, earlier, with Stackridge.
If I Had You, Bringing Back The Spirit Of Love, If It’s Alright With You Baby and Something About The Beatles will feature, along with new compositions from this year’s two-album set, UN – United Nations. Questions will be taken too. Box office: 01757 708449 or selbytownhall.co.uk.
Lucy Porter: No regrets about her regrets at Selby Town Hall
Comedy gig of the week: Lucy Porter, No Regrets!, Selby Town Hall, Friday, 8pm
REGRETS? Frank Sinatra had too few to mention, but Lucy Porter has hundreds, and she is raring to go into graphic detail about all of them. From disastrous dates and professional calamities to ruined friendships and parenting failures, she charts all the mistakes she has made, works out why they happened, and ponders how her life would have turned out if she had acted differently.
Porter posits that if you regret something, you can use it to change your ways. “See the thing you regret as your rock bottom, and let it spur you on to become a better person,” says Porter, who names guilt as one of her top five hobbies as a middle-aged, middle-class, left-leaning ex-Catholic. Box office: 01757 708449 or selbytownhall.co.uk.
Barbara Dickson: Reflecting on her career in music and musical theatre at All Saints Church, Pocklington, and Leeds City Varieties
Folk gigs of the week: Hurricane Promotions present Barbara Dickson & Nick Holland, All Saints Church, Pocklington, Friday (sold out) and October 16, 7.30pm. Also Leeds City Varieties Music Hall, October 20, 7.30pm
SCOTTISH folk singer Barbara Dickson and her pianist Nick Holland explore her catalogue of songs in these acoustic concerts in intimate settings, where the pair will let the words and melodies take centre stage as they draw on Dickson’s folk roots, contemporary greats and her classic hits, from Another Suitcase In Another Hall to I Know Him So Well. Box office: barbaradickson.net; Leeds, 0113 243 0808 or leedsheritagetheatres.com.
Festival of the week: York Unlocked 2024, Saturday and Sunday
IN its third year, York Unlocked welcomes residents and visitors to experience York’s architecture and open spaces with the chance to discover, explore and enjoy around 50 sites.
This year’s new addition is a children’s trail book; families can pick up a free copy from York Explore Library, All Saints’ Church, North Street, or The Guildhall. Full details of the participating locations, from Spark: York to City Screen Picturehouse, Terry’s Factory Clock Tower to Bishopthorpe Palace, Holgate Windmill to York Railway Station, can be found at york-unlocked.org.uk. Entry is free, including for those requiring booking.
Stevie Williams & The Most Wanted Band: Heading to Helmsley
“Wild journey” of the week: Stevie Williams & The Most Wanted Band, Helmsley Arts Centre, Saturday, 7.30pm
LED by powerhouse vocalist Stevie Williams, The Most Wanted Band take their audiences on a wild musical journey with tight grooves, searing guitar solos and a rhythm section that hits with precision in an accomplished, high-energy, explosive show. Box office: 01439 771700 or helmsleyarts.co.uk.
Courtney Brown: From playing Ado Annie in Oklahoma! to assistant-directing Pickering Musical Society’s Wonders Of The West End
Ryedale musical show of the week: Pickering Musical Society, Wonders Of The West End, Kirk Theatre, Pickering, October 10 to 13, 7.30pm
PICKERING Musical Society performs the best of British musicals, from the early 20th century to current hits next week, when the full company will be joined once again by Sarah Louise Ashworth School of Dance students. Lesser-known gems will complement show-stopping favourites.
Regular performer Courtney Brown, seen latterly as the Princess in Aladdin and Ado Annie in Oklahoma!, steps up to the role of assistant director alongside regular director Luke Arnold after expressing an interest in directing. Box office: 01751 474833 or kirktheatre.co.uk.
Sharleen Spiteri: Fronting Texas at Scarborough Open Air Theatre next summer
Gig announcement of the week: Texas, Scarborough Open Air Theatre, July 26 2025
SCOTTISH band Texas, fronted as ever by Sharleen Spiteri, will return to Scarborough Open Air Theatre for the first time since July 2018 to showcase five decades of songs, from I Don’t Want A Lover, Say What You Want and Summer Son to Inner Smile, Mr Haze and Keep On Talking next summer. Tickets will go on sale at 9am on Friday at scarboroughopenairtheatre.co.uk and ticketmaster.co.uk. Irish rock band The Script are confirmed already for July 5.
Ian Rankin reading the script for Rebus: A Game Called Malicein the rehearsal room. Picture: Jonathan Phang
NOVELIST Ian Rankin is contemplating killing someone. Not surprising, perhaps, as his business is crime in general and murder in particular.
What does come as a shock is the identity of the person he would like to bump off: his best-selling creation, Scottish detective John Rebus.
However, with a new play, Rebus: A Game Called Malice, heading to York Theatre Royal from October 15 to 19, the six-part BBC television series that aired in May and June, and a new book out next Thursday, Rebus is very much alive and investigating.
“I have tried to bump him off or get rid of him several times,” confesses the Fife-born crime writer and philanthropist, who was knighted for services to literature and charity in June 2023.
“But he seems to want to stick around. He refuses to leave my head.” Indeed so. Earlier attempts to rid himself of Rebus, including the detective’s retirement, have ended in failure.
“With the previous novel, I thought this is the end because at the end of the book he’s in court charged with murder and in the dock waiting to be sentenced,” Rankin explains.
“I thought, ‘what a great way to finish the Rebus series,’ then fans disagreed. They said, ‘we need to know what happened in court. Was he found guilty or not guilty?’, so I’ve written this latest book to explain that and answer the question.
“The end of this new book is, I think, a very good end to the series, so let’s wait and see. It’s up to him, not up to me. It’s up to Rebus. He’ll tell me when he’s had enough of me.”
The latest Rebus thriller, Midnight And Blue, will be sending Rankin out and about to do interviews and head to Yorkshire on a book tour to discuss the landmark novel, meet readers and sign copies.
His 7.30pm visit to The Cat Club, Pontefract, on November 21 has sold out, but tickets are still available for his Farsley Book Festival appearance at the Old Woollen, Sunnybank Mills, Town Street, Farsley, Leeds, on November 22, hosted by Truman Books from 12.30pm to 3pm. To boo tickets, go to: trumanbooks.co.uk/event/an-afternoon-with-sir-ian-rankin or ring 0113 805 6019.
Crime writer Ian Rankin, second left, with Rebus: A Game Called Malice cast members Billy Hartman, left, Abigail Thaw and Gray O’Brien. Picture: Jonathan Phang
Before then, at York Theatre Royal, he will take part in the post-show discussion with members of the Rebus: A Game Called Malice company after the October 18 performance of his new play, co-written with Simon Reade.
The plot? A splendid dinner party in an Edinburgh mansion concludes with a murder mystery game, wherein a murder needs to be solved. However, the guests have secrets of their own, threatened by the very game they are playing.
Among them is Inspector John Rebu, but is he playing an alternative game, one where only he knows the rules? Cue suspects, clues and danger with every twist and turn and a shocking discovery – a yes, a real-life murder – that sends this game called Malice hurtling towards a gasp-inducing conclusion.
After mentioning his Yorkshire connections – Rankin’s mother grew up in Bradford and he still has family around there and Leeds, whom he hopes will attend the play in York – he enthuses about his upcoming train journey from Edinburgh to York.
“I like taking the train,” he says. “It’s a joy with Durham, Newcastle and the coast. A beautiful part of the world to do by train. And you get to go into the railway station bar – The Tap, isn’t it? – and have a pint.”
Tickets are selling well for the Theatre Royal run of Rebus: A Game Called Malice, testament to the public appetite for whodunnit, detective and crime stories. “It’s a very popular genre and producers know it will put bums on seats. It’s a good night out,” says Rankin.
“You’re working hard mentally in a fun way, there’s an interval when you can get a drink and discuss with your friends and family what you think is going on, what happens next. And you’re in and out of the theatre in two hours. As far as I’m concerned, I want to be home and in bed by ten o’clock.”
Rebus has been a hit on stage from the start. Rankin recalls being told by the manager of the King’s Theatre, where the first play, Rebus: Long Shadows, premiered in Edinburgh, that “he’d never seen takings like it”. “So they were very happy because they were selling more drinks at the interval,” says Rankin.
He wrote the first draft of the latest Rebus play during lockdown, “basically to entertain myself”. “It was written without anyone knowing I was doing it,” he says. “When I read it I thought, ‘it’s short but I like it’, so I showed it to Simon Reade, who is a professional playwright with whom I’d worked previously. He picked it apart and put it together again – and that’s what we’ve got.”
Writing a play and a book present differing challenges. “You have to get in a completely different mindset. In a novel, you can be inside a character’s head, you can have a huge cast of characters, you can range widely over geography and time,” says Rankin. “A play is a much more succinct entity and the actors have to speak your ideas.
“A play is a much more succinct entity [than a novel] and the actors have to speak your ideas,” says Ian Rankin
“The challenge for me is in how different it is. You have to tell a story through voices in a way that I don’t when writing a novel. Very early in my writing career I was writing radio plays for the BBC. They were a lot of fun to do and I enjoyed working with the director and actors. Sometimes the actors came up with much better lines than mine. But the writer gets the credit when it’s broadcast, so it’s terrific from my point of view.
“Writing a novel is not collective. You sit there in splendid isolation for six months to a year. With a play, from quite early on it is collaborative, especially when the actors and director get involved.
“It changes shape because the intonation of each actor is different to the way I imagined the lines being spoken. The way they move around the stage is not how I imagined it might be. And every night in the theatre is, of course, subtly different from the night before.”
Assorted actors have played John Rebus both on stage and television, among them John Michie, who appeared in a try-out of A Game Called Malice but could not commit to a long tour this year.
Gray O’Brien, familiar to TV viewers through Casualty, Coronation Street and Peak Practice, takes on the role on the road, and Rankin is confident he will do the character justice.
Not protective of Rebus, he says each actor adds something to the role: “Every actor is going to give me a slightly different interpretation. Every actor that has played him on television, on radio, on stage has brought something new to the performance and my understanding of this complex character.
“I’ve been writing about this guy Rebus since 1985, and the first book was published in 1987. I’ve spent more than half my life with him. I still don’t quite know what makes him tick. I keep writing about him to get to the core of his identity. And so each actor helps me understand the character a little bit better.”
He missed the first week’s run of Rebus: A Game Of Malice at the Cambridge Arts Theatre on account of a pre-arranged holiday in Greece. He will turn 65 on April 28 next year and his wife has suggested that he might consider slowing down work-wise to enable them to go travelling.
It should be noted that this is a big ask of a writer who could not resist doing some work during a recent year-long sabbatical. His wife has been booking holidays aplenty, but will she be more successful at encouraging him to take things easy than he has been so far at killing off Rebus?
Rebus: A Game Called Malice runs at York Theatre Royal, October 15 to 19, 7.30pm plus 2pm Wednesday and Thursday and 2.30pm Saturday matinees.. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Ian Rankin’s new Rebus book, Midnight And Blue, will be published by Orion Books on October 10.
Gray O’Brien’s Inspector John Rebus in a scene from Rebus: A Game Called Malice, directed by Loveday Ingram. Picture: Nobby Clark
Did you know?
GRAY O’Brien will be appearing at a York theatre for the second time in 2024. His role as John Rebus in Rebus: A Game Called Malice at the Theatre Royal follows his performance as Juror 10 in Twelve Angry Men at the Grand Opera House from May 13 to 18.
Rievaulx Abbey, mixed media, by Robert Dutton, on show in A Yorkshire Year at Nunnington Hall
YORKSHIRE landscapes, campsite class division, horror movies to the max and a talkative traveller herald the arrival of the arts autumn for Charles Hutchinson.
Exhibition of the week: A Yorkshire Year, Nunnington Hall, near Helmsley, until December 5
THE changing landscape of the Yorkshire countryside and coastline is captured by Yorkshire artists Robert Dutton, from Nunnington, and Andrew Moodie, from Harrogate, in seasonal images.
Dutton presents a dramatic interpretation of the untamed expanses of Yorkshire, from meandering freshwater rivers and hidden woodlands to the stark beauty of the moors. Moodie directs his attention to the undulating valleys of the Yorkshire Dales, as well as coastal villages. Opening hours: Tuesday to Sunday, 10.30am to 5pm, last entry at 4.15pm. Normal admission prices apply at nationaltrust.org.uk/nunnington-hall.
The artwork for the Dead Northern 2024 Horror Film Festival at City Screen Picturehouse, York
Film event of the week: Dead Northern 2024 Horror Film Festival, City Screen, Picturehouse, York, today and tomorrow
IN “the world’s most haunted city”, Dead Northern presents a festival of movies, music and social gatherings. Today opens with Demonic Shorts at 11am, followed by the regional premiere of Scopophobia, 12.30pm; Slasher, Thriller and Creature Shorts, 2.30pm; UK premiere of The Healing, 4.30pm; Dead Talk film-making panel, 7.30pm; regional premiere of Kill Your Lover, 9pm, and VIP Awards Party at Revolution, York,11pm.
Tomorrow features the Mad Props documentary, 11am; mini-feature Strike,12.45pm; feature film The Monster Beneath Us, 1.15pm; music mini-feature The Black Quarry, 3.45pm; Music Videos, 4.30pm; UK premiere of Kill Victoria, 6.30pm, and world premiere of Lake Jesup, 8.30pm. Guests must be aged over 18 to access screenings and live events. Box office: deadnorthern.co.uk/dead-northern-2024-film-festival.
Tom Gallagher, Annie Kirkman and Laura Jennifer Banks in a scene from John Godber’s revival of Perfect Pitch
Touring play of the week: John Godber Company in Perfect Pitch, Harrogate Theatre, today, 2pm and 7.30pm; Pocklington Arts Centre, October 9 and 10, 7.30pm; Stephen Joseph Theatre, Scarborough, November 13 to 16, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
WHEN teacher Matt (Frazer Hammill) borrows his parents’ caravan for a week on the Yorkshire coast with partner Rose (Annie Kirkman), they are expecting four days of hill running and total de-stressing. However, with a Tribfest taking place nearby, Grant (Tom Gallagher) and Steph’s (Laura Jennifer Banks) pop-up tent is an unwelcome addition to their perfect pitch.
The class divide and loo cassettes become an issue as writer-director John Godber reignites his unsettling1998 state-of-the-nation comedy, set on an eroding coastline, as Matt and Rose are inducted into the world of caravanning and karaoke. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Scarborough, 01723 370541 or sjt.uk.com.
The bird man of RedHouse Originals Gallery: artist Jim Moir at his Birdland exhibition in Harrogate
Last chance to see: Jim Moir, Birdland, RedHouse Originals Gallery, Cheltenham Mount, Harrogate, today, 10am, 10am to 5pm
“PEOPLE think that I am a comedian, but art comes first,” says Jim Moir, aka Vic Reeves, as he mounts his second RedHouse show. “This one is Birdland because of my love of birds. I spend most of my days bird watching and painting,” he says.
On show – and for sale – is an exclusive collection of 50 new paintings celebrating his favourite subject ahead of the October 24 release of his second bird book, More Birds, Paintings Of British Birds, published by Unbound. Free entry.
Clare Ferguson-Walker and Robin Ince: Plenty to discuss at Pocklington Arts Centre
Double act of the week: Clare Ferguson-Walker & Robin Ince, Pocklington Arts Centre, tonight, 8pm
TAKE a tour around two marvellous minds via the vehicles of poetry, storytelling, jokes, and general silliness when Clare Ferguson-Walker and Robin Ince link up in Pock. Poet, comedienne, sculptor and singer Clare’s explosive second collection, Chrysalis, lays bare the poet’s soul on a journey laced with humour and humane observation.
Humorist, presenter, poet and author Ince co-hosts the BBC Radio 4 series The Infinite Monkey Cage with Professor Brian Cox. His books include Bibliomaniac, The Importance Of Being Interested, I’m A Joke And So Are You and his next work, Normally Weird And Weirdly Normal: My Adventures In Neurodiversity, will be published next May. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The cover design for Michael Palin’s new diary collection
Globe-trotter of the week: Michael Palin, Grand Opera House, York, October 3, 7.30pm
IN the words of Monty Python alumnus, actor, presenter and Yorkshireman Michael Palin: “In There And Back – The Diary Tour 2024, I’ll bring to life the fourth collection of my diaries and the first to be released for ten years.
“Lots of fun as I go through the Noughties, and some dark times too. I constantly surprise myself with the sheer amount I took on.” Tickets update: still available at atgtickets.com/york.
Barbara Dickson: Acoustic October concerts in Pocklington and Leeds
Folk gigs of the week: Hurricane Promotions present Barbara Dickson & Nick Holland, All Saints Church, Pocklington, October 4 (sold out) and October 16, 7.30pm. Also Leeds City Varieties Music Hall, October 20, 7.30pm
SCOTTISH folk singer Barbara Dickson and her pianist Nick Holland explore her catalogue of songs in these acoustic concerts in intimate settings, where the pair will let the words and melodies take centre stage as they draw on Dickson’s folk roots, contemporary greats and her classic hits, from Another Suitcase In Another Hall to I Know Him So Well. Box office: barbaradickson.net; Leeds, 0113 243 0808 or leedsheritagetheatres.com.
Mundane matters: Josh Widdicombe mulls over really niche observations about silly little thingsin 2025 and 2026
Gig announcement of the week: Josh Widdicombe, Not My Cup Of Tea Tour, Hull City Hall, October 2 2025, and York Barbican, February 28 2026
PARENTING Hell podcaster and comedian Josh Widdicombe, droll observer of the absurd side of the mundane, will take stock of the little things that niggle him, from motorway hotels to children’s parties, and explain why he has finally decided to embrace middle age, hot drinks and doing the school run in his 58-date tour show, Not My Cup Of Tea.
“That’s my favourite type of stand-up: really niche observations about silly little things that you wouldn’t think about. I’ve got no interest in the big topics.” Box office: joshwiddicombe.com; yorkbarbican.co.uk; hulltheatres.co.uk.
In Focus: Mark Thomas: Gaffa Tapes…Old Title, New Show, The Crescent, York, tomorrow. More Yorkshire shows to follow
This is the modern world:Mark Thomas returns to stand-up venting at The Crescent, York. Picture: Tony Pletts
LAST appearing in York in Ed Edwards’s one-man play England & Son in the Theatre Royal Studio last September, South London’s grouchy “godfather of political comedy”, Mark Thomas, returns to polemical stand-up in Gaffa Tapes…Old Title, New Show at The Crescent tomorrow night.
One of the longest-surviving alternative comics after close to 40 years of stand-up, theatre, journalism, human rights campaigning and the odd bout of performance art, his latest tour’s fusillade of jokes, rants, politics, play and the occasional sing-song adds up to “generally mucking about trying to have fun and upset (shall we say) the right people”.
Gaffa Tapes…Old Title, New Show? Explain the extended tag, Mark. “What happened is I liked the idea of ‘Gaffa Tapes’ as a title and had it last year for my Edinburgh Fringe show, but halfway through the Fringe run I got Covid and had to stop.
“Last year I toured England & Son, written by Ed Edwards, which I was really pleased with. It picked up more awards than I’d ever done before – six awards – and one of them was to perform the play in Australia, taking it out to Adelaide for five weeks – and we might be going to New York …
“But we made no money out of it. I thought, ‘right, how do we make some money?’, so it’s great to be getting back to stand-up. What I love about stand-up is… and this is simple…if you stop doing it, they say you’ll feel rusty, so if you have a hiatus, what you have to learn to do is put your hand on the neck of the beast.
“I thought, ‘I’m going to do all the clubs at the bottom of the eco-system, doing ten minutes here, ten minutes there, doing shows in different places, and the thing about it is, I died on my arse a couple of times, which feels horrible each and every time…
“But if you take a break, you need to get your muscle memory back working again. That’s why I loved doing Edinburgh this summer. I did 26 gigs. It’s just bang, bang, bang, every night. You can muck around, try things out.
Mark Thomas in England & Son, toured to York Theatre Royal Studio in 2023. Picture: Alex Brenner
“The riots were happening around that time, so I wrote about them – and it’s important to be able to talk about that. It’s a living, breathing affecting thing. I love being a warrior in the culture wars, and it’s good to be back on the battlefield.”
The tectonic plates of the political landscape keep shifting: fresh meat to a polemicist comedian’s grist. “Things are always changing,” says Mark. “What I love is that when I started work on the show, there was loads going on, because the Tories were no longer in power, and it’s good to be able to react to that and to suggest what should be happening.
“I was at the Diggers Festival, celebrating Gerrard Winstanley [English Protestant religious reformer, political philosopher, activist and leader and co-founder of the ‘True Levellers’ or ‘Diggers’], doing a talk in a church, where someone said, ‘if you get rid of the oath to the King, that would be the most radical thing you could do’.
“I said, ‘well, actually, I don’ think it is. If you want democracy to work, you should have voting at 16, proportional representation, and you need to abolish the House of Lords’…whereas they’re just tidying up what [Tony] Blair started all those years ago. The most radical thing would be to ban donations to political parties. Make it state-funded, giving money to run parties and campaigns, making it a level playing field.
“Do you know who is the only other country in Europe to have a ‘first past the post’ electoral system? Belarus. So if anyone is out of step, it’s us. I think eventually PR [proportional representation] will come in; it’s just a question of what form it takes.”
How does the change of ruling party in Westminster from the Conservatives to Labour after 14 years have an impact on Thomas’s venting? “It changes the goalposts because it’s a new set of people to attack for a new set of reasons,” says Mark. “It’s the new austerity that they’re proposing that’s not great.
“The fact is that Starmer got some of the things right over the riots. I find it fascinating that there is this a disconnect; the idea that everyone who rioted was a racist, but not everyone was, because riots have a movement of their own, but certainly the organisers were far right.
“I didn’t vote Labour. I’m a Socilaist, why on Earth would I vote Labour?” says Mark Thomas. Picture: Art by Tracey Moberly
“You can be a Zen Buddhist but if you set fire to an asylum seekers’ hotel, then you’re a racist.”
Long associated with spouting anti-Tory sentiment aplenty, Thomas will hold the incoming Labour Party to account too. “I think it’s healthier that way in politics. The honeymoon period is over already,” he says.
“I didn’t vote Labour. I’m a Socialist, why on Earth would I vote Labour? There shouldn’t be a honeymoon period anyway, but I expect the right-wing press to go at Labour with gusto because they want to shape not only this government, but the next Tory one too.”
Any suggestions for policy change, Mark? “Local government can run the bus companies, but it’s really important that it’s not about making the maximum profit. That’s what used to happen until Thatcher changed it,” he says.
“I’m lucky now – because I’m 61, I get the 60+ London Oyster card for £20 [administration fee] that allows me to travel everywhere in London for free and I use buses a lot. That’s one of the great things about London: wherever you are, there will be a night bus coming along in a moment.”
He is looking forward eagerly to tomorrow’s return to The Crescent. “I love The Crescent,” he enthuses. “What they may lack in technical facilities, it’s a proper community venue. I always say, when talking about what community venues could be, take a look at this place.”
Mark Thomas: Gaffa Tapes, Burning Duck Comedy, The Crescent, York, tomorrow, 7.30pm; Marsdsen Mechanics, November 8, 8pm; Social, Hull, November 16, 8pm; Sheffield Memorial Hall November 10, 8pm; Leeds City Varieties Music Hall, February 5 2025; Wakefield Theatre Royal, February 6 2025, 7.30pm.
Box office:York, thecrescentyork.com; Marsden, 01484 844587 or marsdenmechanics.co.uk; Sheffield, sheffieldcityhall.co.uk; Hull, socialhumberstreet.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com; Wakefield Theatre Royal, 01924 211311 or theatreroyalwakefield.co.uk (on sale soon) Age guidance: 16 plus.
Mark Thomas: the back story
The next step for Mark Thomas: Touring Gaffa Tapes
“IF you don’t know what Mark does, ask your parents. In his time, he has won eight awards for performing, three for human rights work… and one he invented for himself. He has made six series of the Mark Thomas Comedy Product and three Dispatches for Channel 4, made five series of The Manifesto for BBC Radio 4, written five books and four play scripts, curated and authored two art exhibitions with artist Tracey Moberly and was commissioned to write a show for the Royal Opera House.
“He has forced a politician to resign, changed laws on tax and protest, become the Guinness Book of Records world-record holder for the number of protests in 24 hours, taken the police to court three times and won (the fourth is in the pipeline), walked the length of the Israeli Wall in the West Bank (that’s 724km), and generally mucked about trying to have fun and upset (shall we say) the right people.”
Kate Hampson in the matriarchal role of Marmee in York Theatre Royal’s production of Little Women. Picture: Charlie Kirkpatrick
GARDEN ghosts, a coming-of-age classic, a political groundbreaker, astronaut insights and an awful aunt stir Charles Hutchinson into action as autumn makes its entry.
Play opening of the week: Little Women, York Theatre Royal, September 21 to October 12
CREATIVE director Juliet Forster directs York Theatre Royal’s repertory cast in Louisa May Alcott’s coming-of-age story of headstrong Jo March and her sisters Meg, Beth and Amy as they grow up in New England during the American Civil War.
Adapted by Anne-Marie Casey, the production features Freya Parks, from BBC1’s This Town, as Jo, Ainy Medina as Meg, Helen Chong as Amy and York actress Laura Soper as Beth. Kate Hampson returns to the Theatre Royal to play Marmee after leading the community cast in The Coppergate Woman. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Steve Wynn: A night of stories and songs at Rise@Bluebird Bakery, Acomb. Picture: Guy Kokken
York gig of the week: Steve Wynn, I Wouldn’t Say It If It Wasn’t True: A Night Of Songs And Stories, Rise@Bluebird Bakery, Acomb, York, September 21, 7.30pm
STEVE Wynn, founder and leader of Californian alt. rock band The Dream Syndicate, promotes his first solo album since 2010, Make It Right (Fire Records), and his new memoir, I Wouldn’t Say It If It Wasn’t True (Jawbone Press), both released on August 30.
Touring the UK solo for the first time in more than ten years, his one-man show blends songs from and inspired by the book with a narrative structure of readings and storytelling. Expect evergreens and rarities from The Dream Syndicate’s catalogue, coupled with illuminating covers and reflective numbers from the new record. Box office: bluebirdbakery.co.uk/rise.
Ghosts In The Garden: Returning for fourth season with more locations and more wire-mesh ghosts. Picture: Gareth Buddo/Andy Little
Installation of the week: Ghosts In The Gardens, haunting York until November 5
GHOSTS In The Gardens returns with 45 ghosts, inspired by York’s past, for visitors to discover in the city’s public gardens and green spaces, with the Bar walls, St Olave’s Church and York Railway Station among the new locations.
Organiser York BID has partnered with design agency Unconventional Design for the fourth year to create the semi-translucent 3D sculptures out of narrow-gauge wire mesh, six of them new for 2024. Pick up the map for this free event from the Visitor Information Centre on Parliament Street and head to https://www.theyorkbid.com/ghosts-in-the-gardens/ for full details
Points Of View, stainless steel, by Tony Cragg, at Castle Howard. Picture: Nick Howard
Last chance to see: Tony Cragg’s Sculptures, Castle Howard, near York, ends September 22
TONY Cragg’s sculptures, the first major exhibition by a leading contemporary artist to be held in the grounds and house at Castle Howard, closes on Sunday after a successful run since May 3 that has seen a 12 per cent rise in visitor numbers since the equivalent period last year.
On show are large-scale bronze sculptures in the gardens plus works in wood, glass sculptures and works on paper, some being displayed for the first time in Great Britain. Opening hours: grounds, 10am to 5pm, last entry 4pm; house, 10am to 3pm. Tickets: 01653 648333 or castlehoward.co.uk.
Making her point: Lauren Robinson as politician Jennie Lee in Mikron Theatre’s premiere of Jennie Lee. Picture: Robling Photography
Political drama of the week: Mikron Theatre Company in Jennie Lee, Clements Hall, Nunthorpe Road, York, September 22, 4pm to 6pm
IN Marsden company Mikron Theatre’s premiere of Jennie Lee, Lindsay Rodden charts the extraordinary life of the radical Scottish politician, Westminster’s youngest MP, so young that, as a woman in 1929, she could not even vote for herself.
Tenacious, bold and rebellious, Lee left her coal-mining family in Scotland and fought with her every breath for the betterment of all lives, for wages, health and housing, and for art and education too, as the first Minister for the Arts and founder of the Open University. She was the wife of NHS founder Nye Bevan, but Jennie is no footnote in someone else’s past. Box office: mikron.org.uk/show/jennie-lee-clements-hall.
Crime novelists Ajay Chowdhury, left, and Luca Veste team up for The Big Read in York and Harrogate on Monday
Book event of the week: Theakston Old Peculier Crime Writing Festival presents The Big Read, Acomb Explore Library, York, September 23, 12.30pm to 1.30pm; The Harrogate Inn, Harrogate, September 23, 2.30pm to 3.30pm
THE North’s biggest book club, The Big Read, returns next week with visits to York and Harrogate on the first day, when visitors can meet the festival’s reader-in-residence, Luca Veste, and fellow novelist Ajay Chowdhury, who will discuss Chowdhury’s Sunday Times Crime Book of the Year, The Detective.
More than 1,000 free copies of tech entrepreneur, writer and theatre director Ajay Chowdhury’s 2023 novel from his Detective Kamil Rahman series will be distributed across the participating libraries. Entry is free.
Astronaut Tim Peake: Exploring the evolution of space travel at York Barbican
Travel show of the week: Tim Peake, Astronauts: The Quest To Explore Space, York Barbican, September 25, 7.30pm
BRITISH astronaut Tim Peake is among only 610 people to have travelled beyond Earth’s orbit. After multiple My Journey To Space tours of his own story, he makes a return voyage to share stories of fellow astronauts as he explores the evolution of space travel.
From the first forays into the vast potential of space in the 1950s and beyond, to the first human missions to Mars, Peake will traverse the final frontier with tales of the experience of space flight, living in weightlessness, the dangers and unexpected moments of humour and the years of training and psychological and physical pressures that an astronaut faces. Box office: yorkbarbican.co.uk.
Neal Foster’s Aunt Alberta and Annie Cordoni’s Stella in Birmingham Stage Company’s Awful Auntie at Grand Opera House, York. Picture: Mark Douet
Children’s show of the week: Birmingham Stage Company in Awful Auntie, Grand Opera House, York, September 26 to 29
CHILDREN’S author David Walliams and Birmingham Stage Company team up for the fourth time. Ater adaptations of Gangsta Granny, Billionaire Boy and Demon Dentist, here comes actor-manager Neal Foster’s stage account of Awful Auntie.
As Stella (Annie Cordoni ) sets off to visit London with her parents, she has no idea her life is in danger. When she wakes up three months later, not everything Aunt Alberta (Foster) tells her turns out to be true. She quickly discovers she is in for the fight of her life against her very own awful Auntie! Suitable for age five upwards. Box office: atgtickets.com/york.
Jim Moir at RedHouse Originals Gallery in Harrogate
“PEOPLE think that I am a comedian, but art comes first,” says Jim Moir, as he mounts his second exhibition at RedHouse Originals, Harrogate.
“This one is ‘Birdland’ because of my love of birds,” he told the crowded preview gathering that spilled out of the gallery doors. “I spend most of my days bird watching and painting.
“My mother said to me, ‘are you going to retire?’. I said I retired at 21 when I was never going to work for anyone again. I wanted to be an artist and then took a diversion into acting and comedy, and this is now the third act, doing what I was doing at 12. I’m 65 now, and I’m loving it.
“Back in Yorkshire, where I was born, for this exhibition. I’ve been all over the world, but I never get a reaction like I do in Yorkshire – and people buy paintings here!”
Black Cap, watercolour on paper,by Jim Moir
On show – and for sale – until September 28 is an exclusive collection of 50 new paintings celebrating his favourite subject ahead of the October 24 release of his second bird book, More Birds, Paintings Of British Birds, published by Unbound.
“I’m a big wildlife fan,” says Leeds-born Moir, alias comedian Vic Reeves. “When I started birding, I was very young. I remember all I had was natural history books. I’d just look at them on me bed, all day, all night, and then if it wasn’t that, I’d be looking at birds.
“I loved bird watching as a kid and I could probably tell you what any bird was, to this day. It’s really important.”
Birdland marks Moir’s return to RedHouse, having first exhibited there in 2022 when Yorkshire Rocks & Dinghy Fights captivated visitors and featured in the first season of Sky Arts’ Painting Birds With Jim & Nancy Moir. Two paintings that featured in the documentary are now on show in the new collection, by the way.
Pigeon Mob, watercolour on paper, by Jim Moir
Described as “the Warhol of bird painting” by the Guardian art critic Jonathan Jones, Moir’s enduring fascination and wonder at nature is expressed through his depictions of peregrine falcons, lapwings, curlews, barn owls and ospreys, even elevating the pigeon to iconic status. “To paint a bird and put it in its environment gives a bit more of a clue about its life and its personality,” he says.
Why birds, Jim? “It’s what I grew up doing: I was bird watching because I grew up before tablets and mobile phones,” he says. “Birds. That’s what I liked looking at. I liked outdoor pursuits. Nature. I still do.”
What is his favourite bird and why? “It’s always the one I see that day, and if I have to make a special trip, it definitely will be that one,” he says.
Jim Moir: Birdland, on show at RedHouse Originals Gallery, Cheltenham Mount, Harrogate, until September 28. Opening hours: Monday to Saturday, 10am to 5pm; Sundays by appointment. Free entry.
Barn Owl, watercolour on paper, by Jim Moir
Jim Moir: the back story
BORN James Roderick Moir in Leeds on January 24 1959.
First came to prominence as a comedian, actor, and musician with the stage alias of Vic Reeves, writing TV sketches with long-term writing partner Bob Mortimer.
Long before the rise of Reeves, Moir was a practising artist. “Painting is what I always liked doing and if you can get the opportunity to live your life doing what you like doing, then grasp it,” he advises.
After completing an engineering apprenticeship, he studied Fine Art Foundation at Sir John Cass College in 1983, leading to a curator position at The Gardner Gallery and his first exhibition in 1985.
Moir had applied to Goldsmiths but was rejected on the grounds of being “too accomplished” already. “I wanted to go to Goldsmiths but they wouldn’t let me in, so I just walked in and started using the facilities and went to the lectures,” he recalls.” I did that for three years.”
Roc, mixed media on canvas, by Jim Moir
The influence of Pop Art giants from the 1960s such as Gilbert and George, Andy Warhol and Peter Blake, is evident within his paintings, both thematically and stylistically. Often dreamlike and peppered with satirical humour, Moir’s fantastical compositions have been likened to the Surrealist and Dadaist movements of the late 1910s and early 1920s.
Moir’s passion for image-making and sculpture has been integral to his career, through set design and props on such shows as Vic Reeves Big Night Out, The Smell Of Reeves And Mortimer and Shooting Stars, His artwork has remained ever present on television screens as the backdrop to his comedic vision.
Since presenting Turner Prize Moments in 2011, he has tipped the balance of focus from performance towards visual art.
“When I started doing comedy, it was kind of a side-line to my artwork,” he says. “I’ve never not painted. Now I’ve got to a stage where I thought, I’ve done the comedy. I’ve done the TV. I’ll just do bits on TV and film if I want to do it. But all day long I’m going to paint pictures. That’s what I like doing.”
From October 31 to November 3 2012, he transformed the botanical York Museum Gardens into a “magical wonderland” for the Illuminating York festival, lighting up the ruins of St Mary’s Abbey, the Yorkshire Museum and the inners wall of the city’s bar walls with three large-scale, psychedelic, audio-visual projections as part of the York 800 celebrations.
Vic Reeves’ Purple man having a fight with green elephant seal in his Wonderland projections for Illuminating York in 2012. Copyright: The Press, York
Given “free rein to unleash his absurd and magical creations” and inspired by absurdist works such as Lewis Carroll’s Alice’s Adventures In Wonderland, Reeves and partners Bright White Ltd, Bar Lane Studios, Chetwoods and Arup created “a new world that turns the expected upside down and revels in the beauty of the unexpected” at a cost of £500,000.
Organisers invited the public to take part in a projection of dancing figures on St Mary’s Abbey or to power bicycles with wings of light. Among the surreal visions in Reeves’ Wonderland were a bright red elephant, standing on tiptoe while wearing a fez, and a lurid green giant elephant seal fighting a man in purple, while the entire facade of the Yorkshire Museum was transformed into a moving projection of music, pictures and colour.
The third display, beamed onto the city walls behind the bowling green, featured Reeves trapped in a surreal landscape, desperately trying to escape by swallowing blue or red pills to shrink or grow in size.
“Art should be fun,” Reeves told The York Press. “I have ideas and if I think they are funny or peculiar I draw them. I draw because I get a kick out of it. It’s my drug. I’m just doing what I do and it’s projected onto a building that is Georgian.”
Lives and works in converted Georgian schoolhouse in Charring, Ashford, Kent.
Long Tailed Tits, watercolour on paper, by Jim Moir
Naturalist, nature photographer, television presenter and author Chris Packham on Jim Moir
“JIM doesn’t just see birds, he looks at them, so intensely that he understands them. Not just anatomically or behaviourally – he knows how they feel. That transcends painting or art – that is using a brush and pigment to make a future.
“Jim has imbued the bird with imagination. You can’t do this just because you can paint beautifully; it’s not about reproduction, it’s about translation. About being able to speak bird with paint.
“To me, Jim’s process actually appears more instinctive than constructed, which in turn makes it far more admirable and valuable than ‘clever’. There are plenty of clever artists; sometimes I enjoy unravelling their art, but I prefer art that talks to me, talks straight. Art made from love.”
Special event: Jim Moir In Conversation With Tony Pitts
When: September 27. Doors open at 6pm; talk starts at 7pm.
John Hegley: Two poetry peformances at Helmsley Literary Festival. Picture: Jackie di Stefano
HELMSLEY Literary Festival leads off Charles Hutchinson’s recommendations to fill the cultural diary, joined by drag, folk and blues acts and an American coming-of-age classic.
Festival of the week highlight: Helmsley Literary Festival, Helmsley Arts Centre, John Hegley, New & Selected Potatoes, Saturday, 7pm to 8pm; I Am A Poetato, Sunday, 11am to 12 noon
POET, comic, singer, songwriter and spectacles wearer John Hegley heads to Helmsley with two shows, the first being his seriously funny, cleverly comic “best of golden oldies compilation with some new stuff” about love, family, France, art, the sea, dogs, dads, gods, taxidermy, carrots, glasses and…potatoes.
Second gig I Am A Poetato features An A-Z of Poems about People, Pets and other Creatures! Spelling it out for Helmsley, he promises Hedgehogs. Elephants. Laughing. Mandolin. Singing. Luton. Even a cardboard camel with moving parts. Yo! For full details of two days of talks, signings, readings, open mic and a quiz, with Hegley, Anne Fine, Joanne Harris, Harriet Constable and The Chase’s Paul Sinha, visit helmsleyarts.co.uk. Box office: 01439 771700.
Bianca Del Rio: Discussing politics, pop culture and political correctness at York Barbican
Drag show of the week: Bianca Del Rio, York Barbican, tonight, doors 7pm
COMEDY drag queen and RuPaul’s Drag Race champion Bianca Del Rio heads to York on her 11-date stand-up tour. Up for irreverent discussion will be politics, pop culture, political correctness, current events, cancel culture and everyday life, as observed through the eyes of a “clown in the gown”, who will be “coming out of my crypt and hitting the road again to remind everyone that I’m still dead inside”. Box office: yorkbarbican.co.uk.
Ryan Adams: Heading back to York Barbican on Friday
Return of the week: Ryan Adams, Solo 2024, York Barbican, Friday, doors 7pm
NORTH Carolina singer-songwriter Ryan Adams returns to York Barbican next week after playing a very long, career-spanning set there with no stage lighting – only his own side lamps – in April last year. This time he will be marking the 20th anniversary of 2004’s Love Is Hell and tenth anniversary of 2014’s self-titled album, complemented by Adams classics and favourites. Adams, who visited the Grand Opera House in 2007 and 2011, will be performing on acoustic guitar and piano. Box office: yorkbarbican.co.uk.
Harp & A Monkey: Songs of everyday life, love and remembrance at Kirk Theatre, Pickering
Folk gig of the week: Friday Folk presents Harp & A Monkey, Kirk Theatre, Pickering, Friday, 7.30pm
GREATER Manchester song-and-storytelling trio Harp & A Monkey specialise in poignant, uplifting and melodic short stories, both original and traditional, about everyday life, love and remembrance. In a nutshell, the extraordinary ordinary, from cuckolded molecatchers and a lone English oak tree that grows at Gallipoli to care in the community, medieval pilgrims and Victorian bare-knuckle boxers.
This versatile collective of artists, animators, storytellers and multi-instrumentalists has undertaken bespoke songwriting for soundtrack, film and art projects for the likes of Sky Arts and the Department of Sport, Media and Culture. Fylingdales Folk Choir will perform too. Box office: 01751 474833 or kirktheatre.co.uk.
York actress Kate Hampson in the matriarchal role of Marmee in Little Women at York Theatre Royal. Picture: Charlie Kirkpatrick
Play of the week: Little Women, York Theatre Royal, Saturday to October 12
CREATIVE director Juliet Forster directs York Theatre Royal’s new production of Louisa May Alcott’s coming-of-age story of headstrong Jo March and her sisters Meg, Beth and Amy as they grow up in New England during the American Civil War.
Adapted by Anne-Marie Casey, the production features Freya Parks, from BBC1’s This Town, as Jo, Ainy Medina as Meg, Helen Chong as Amy and York actress Laura Soper as Beth. Kate Hampson returns to the Theatre Royal to play Marmee after leading the community cast in The Coppergate Woman. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Seedling, by Sarah Sharpe, on show in Leeds Fine Artists’ 150th anniversary show at Blossom Street Gallery
Exhibition of the week: Leeds Fine Artists Celebrating 150 Years, Blossom Street Gallery, York, until October 31
LEEDS Fine Artists is celebrating its 150th anniversary with an exhibition at its regular York host, Blossom Street Gallery, featuring an inspirational collection of work demonstrating a wide range of styles and different media.
Taking part are: Sharron Astbury-Petit; Dawn Broughton; Jane Burgess; Mark Butler; Pete Donnelly; Alison Flowers; Roger Gardner; Margarita Godgelf; Dan Harnett; Peter Heaton; Nicholas Jagger; Michael Curgenven; Catherine Morris; Martin Pearson; Clare Phelan; Trevor Pittaway; Neil Pittaway; Annie Robinson; Annie Roche; Sarah Sharpe and John Sherwood. Opening hours: Thursdays, Fridays and Saturdays, 10am to 4pm; Sundays, 10am to 3pm.
Tim Peake: Exploring the evolution of space travel at York Barbican
Travel show of the week: Tim Peake, Astronauts: The Quest To Explore Space, York Barbican, September 25, 7.30pm
BRITISH astronaut Tim Peake is among only 610 people to have travelled beyond Earth’s orbit. After multiple My Journey To Space tours of his own story, he makes a return voyage with his stellar new show, sharing the collected stories of fellow astronauts as he explores the evolution of space travel.
From the first forays into the vast potential of space in the 1950s and beyond, to the first human missions to Mars, Peake will traverse the final frontier with tales of the experience of spaceflight, living in weightlessness, the dangers and unexpected moments of humour and the years of training and psychological and physical pressures that an astronaut faces. Box office: yorkbarbican.co.uk.
Lightning Threads: Showcasing their debut album, Off That Lonely Road, at Milton Rooms, Malton
Blues gig of the week: Ryedale Blues Club, Lightning Threads, Milton Rooms, Malton, September 26, 8pm
SHEFFIELD blues-rock trio Lightning Threads are influenced by the great rock musicians of another time, drawing comparisons with The Black Keys, Gary Clark Jr, Cream and The Doors.
Tom Jane, guitar and vocals, Sam Burgum, bass and vocals, and Hugh Butler, drums and keyboards, have been nominated for Best Album in the 2024 Blues Awards for their November 2023 debut, Off That Lonely Road, recorded with Andrew Banfield, of Superfly Studios, and graced by Kelly Michaeli’s gospel vocals. Box office: 01653 696240 or themiltonrooms.com.
Authors Ajay Chowdhury, left, and Luca Veste, right, at the Theakston Old Peculier Crime Writing Festival in Harrogate. Picture: Andrew Stevens
THE North’s biggest book club, The Big Read, returns from September 23 to 25, travelling to libraries across the North of England. First up will be Acomb Explore Library, Front Street, York, next Monday from 11.30am to 12.30pm.
Produced by Harrogate International Festivals and sponsored by the Inn Collection Group and Vintage Publishing, this free event is part of the Theakston Old Peculier Crime Writing Festival and is designed to celebrate and create awareness of literacy, while paying homage to the legacy of crime fiction’s greatest writers.
Visitors will have the opportunity to meet the festival’s reader-in-residence, Luca Veste, and fellow novelist Ajay Chowdhury, winner of The Sunday Times and The Times Crime Book of the Year, who will travel to seven libraries from Merseyside to Teesside, discussing Chowdhury’s The Detective, as they take the festival on tour.
More than 1,000 free copies of tech entrepreneur, writer and Rented Space Theatre Company artistic director Ajay Chowdhury’s 2023 novel will be distributed across the participating libraries.
Luca Veste is the author of numerous crime novels, such as You Never Said Goodbye and The Bone Keeper. As well as hosting of the Two Crime Writers And A Microphone podcast and co-founding the Locked In Festival, he plays bass guitar in the band of authors, The Fun Lovin’ Crime Writers.
The cover artwork for Ajay Chowdhury’s novel The Detective
Sharon Canavar, chief executive of Harrogate International Festivals, says: “We know that reading stimulates the brain, reduces stress and helps us relax, and the aim of the Big Read is to bring people together from all walks of life through their shared passion for reading.
“This event is also a brilliant opportunity to raise awareness of local library services, which really are at the heart of our communities.
“The Detective is a cracking read and illustrates the rich variety that can be found in the crime-writing genre, and I’m sure it will encourage readers to explore the rest of Ajay Chowdhury’s books.”
Chowdhury’s latest novel in his Detective Kamil Rahman series, The Spy, was published by Harvill Sacker/Penguin Books in April, preceded by last year’s The Detective, The Cook in 2022 and The Waiter in 2021. First came his children’s novel, Ayesha And The Firefish, in 2016.
“I am both honoured and humbled that The Detective has been selected for this year’s Big Read,” he says. “I’m excited to join Luca on the road and looking forward to meeting readers across the North of England.”
The Harrogate Inn general manager Daniel Marshall, with a copy of The Detective, as staff member Lawrence Rhodes-Ibarra looks on from behind the bar. Picture: Andrew Stevens
Andrew Robson, of The Inn Collection Group, says: “The Big Read is a great way of supporting our libraries and bringing local communities together. Reading is one of life’s great pleasures and books have the ability to inspire us and show the world in a fresh light, which is why it’s a genuine pleasure for us to be involved in such a wonderful and rewarding project.”
Reader-in-residence Luca Veste says: “I’m delighted once again to be able to take the Theakston Old Peculier Crime Writing Festival on tour with the Big Read. Local libraries are a cornerstone of our communities and have been an important part of my own life from an early age. I’m really looking forward to discussing this brilliant book with crime writing fans new and old.”
Crime novel devotees can head to a choice of seven participating libraries in York, Harrogate, Bradford, Formby (Liverpool), Stockport, Hexham and Stockton-on-Tees (Billingham) to collect a free copy of The Detective and sign up for the North’s biggest book club.
The Big Read 2024 schedule in Yorkshire:
Monday, September 23: Acomb Explore Library, Front Street, Acom, York, 1.30am to 12.30pm. The Harrogate Inn, Ripon Rd, Harrogate, 2.30pm to 3.30pm. Bradford City Library, Centenary Square, Aldermanbury, Bradford, 6.30pm to 7.30pm. Entry is free.
“I don’t see this show as a stodgy reading or as a random selection of songs but, rather, a tiny play of sorts,” says Los Angelean musician and author Steve Wynn.Picture: Guy Kokken
ON his first UK solo tour in more than a decade, The Dream Syndicate founder and leader Steve Wynn visits Rise@Bluebird Bakery, Acomb, York, on Saturday night.
The Paisley Underground legend will be promoting his first solo album since 2010, Make It Right (Fire Records), along with his new memoir, I Wouldn’t Say It If It Wasn’t True (Jawbone Press), both released on August 30.
Wynn’s one-man show blends songs from and inspired by the book with a narrative structure of readings and storytelling. Expect evergreens and rarities from The Dream Syndicate’s 1980s’ catalogue, coupled with illuminating covers and reflective numbers from the new record, adding up to a show of a past revisited.
His debut book details the winding path from growing up as music fan and pre-teen bandleader in Los Angeles, through the formation and ultimate dissolution of The Dream Syndicate at the end of their first era in 1988.
Stops along the way make room for tales of cross-country Greyhound trips to track down Alex Chilton to wild, off-the-rails tours with U2 and R.E.M. and the epic heart-of-darkness making of his Californian indie-rock band’s controversial second album, Medicine Show, and plenty more.
The new album is a similarly reflective and intimately revealing collection, written and recorded in tandem with the writing of I Wouldn’t Say It If It Wasn’t True, featuring contributions from R.E.M.’s Mike Mills, The Bangles’ Vicki Peterson, Psychic Temple’s Chris Schlarb, Serena Maneesh’s Emil Nikolaisen, The Baseball Project’s Linda Pitmon and a cast of dozens.
Wynn says: “I don’t see this show as a stodgy reading or as a random selection of songs but, rather, a tiny play of sorts, a way of giving a flesh-and-blood companion to the book. I’m looking for that magic place where, say, Lenny Bruce and Spalding Grey and Ray Davies and Bob Dylan and maybe Hedwig might meet in a dimly lit cabernet on the back streets of Hollywood. I’ve never done this kind of show before but if I can hit all those markers, I’ll be happy.”
Steve Wynn, I Wouldn’t Say It If It Wasn’t True, A Night Of Songs And Stories, Rise@Bluebird Bakery, Acomb, York, September 21, 7.30pm. Box office: Box office: bluebirdbakery.co.uk/rise. Wynn will be selling and signing copies of I Wouldn’t Say It If It Wasn’t True (book) and Make It Right (CD/LP) after the show. Further Yorkshire gig on Wynn’s eight-date tour at The Greystones, Sheffield, September 18, 8pm.
The poster for Steve Wynn’s show at The Greystones, Sheffield
Steve Wynn: the back story
Founder, singer and guitarist of The Dream Syndicate, revered 1980s’ Los Angeles indie-rock band. 1982 debut The Days Of Wine And Roses is regarded as cornerstone of indie/alternative rock scene.
Prolific solo career, touring the world and recording on regular basis and touring/performing in indie supergroup Gutterball, Danny And Dusty and The Baseball Project (also featuring R.E.M. founders Mike Mills and Peter Buck).
Wrote scores for two hit Norwegian TV shows, Dag and Exit.
His songs have been covered by Luna, Yo La Tengo and Concrete Blonde among others
Lives in New York City.
I Wouldn’t Say It If It Wasn’t True in a nutshell:
A TALE of writing songs and playing in bands as a conduit to a world its author could once have barely imagine: a world of major labels, luxury tour buses and sold-out theatres, but also oneof alcohol, drugs and a low-level rock’n’roll Babylon. Ultimately, a tale of redemption, with music as a vehicle for artistic and personal transformation and transcendence.
Steve Wynn on Make It Right
The artwork for Steve Wynn’s new album, Make It Right
“I WROTE and recorded these songs in tandem with working on I Wouldn’t Say It If It Wasn’t True, my memoir, which comes out on Jawbone Press the same week as Make It Right, my first solo album since 2010.
“With each chapter, I would get ideas for songs inspired by the deep dive into my past and vice versa. The reflections became intertwined after a while, a mutual commentary between literal and metaphorical ruminating.
“The songs here aren’t directly autobiographical although the album does start with Santa Monica, the city and boulevard where I was born, and concludes with Roosevelt Avenue, the main thoroughfare of the Queens neighbourhood in New York City that I call home today.
“You write what you know – even when you’re not aware it’s what you’re writing about at the time.
“If the book recounted a tale of trepidation and dread and questionable choices, then that tale would turn into a song of similar intent like What Were You Expecting. A step back for perspective and positivity, in turn, found its way into a song like You’re Halfway There.
“The cataclysmic ‘one big open drain’ of Simpler Than The Rain was resolved by the resolute ‘I’m just trying to make it right’ on the title track. A gauzy and melancholy where-did-it-go-wrong Southern California flashback on the Long Beach-inspired Cherry Avenue would steer me towards a steelier determination and reset on Making Good On My Promises.
“It was a dialogue between the memoirist and the musician, a one-man Q&A, a gentle volley in the tennis court of my mind. 40-love, game, set and match.
“As I’ve found the melodies and words to stir and simmer with the stories I told in the book, I’ve simultaneously brought friends and collaborators from my recent and distant past to help flesh them out on the record. The likes of Vicki Peterson, Mike Mills, Stephen McCarthy, Scott McCaughey, Jason Victor, Dennis Duck and Mark Walton and my wife Linda Pitmon are all in the book and – look! – there they are on the record as well!
“And much like life itself, new faces and hit-and-run collaborators would pass my radar during the sessions and provide new light as well. Chris Schlarb, from California dream pop ensemble Psychic Temple, added his cinematic touch; Emil Nikolaisen, of Norway psych-grunge combo Serena Maneesh, chimed in with his trademark sonic anarchy and then Eric “Roscoe” Ambel (Del Lords, Joan Jett) used his studio savvy producer chops to tie it all together at the end.
“It feels perfect and very appropriate that the book and record came out in the same week. Not that one is needed to understand the other. Hey, you can just put on Make It Right and use it as the catalyst to create your own life story, dig into your own past. It belongs to you now. Let it tell your own tale while I tell mine. We’re all just trying to make it right.”
Make It Right track listing:
1. Santa Monica. 2. Make It Right. 3. What Were You Expecting. 4. You’re Halfway There. 5. Making Good On My Promises. 6. Cherry Avenue. 7. Then Again. 8. Madly. 9. Simpler Than The Rain. 10. Roosevelt Avenue.
