Gareth Gates in Valentine mood on return to York Barbican to croon movie love songs

Gareth Gates: Bringing Valentine romance to York Barbican

GARETH Gates was visiting York Barbican for the first time on Wednesday – or so he thought – to promote his upcoming visit on February 16 with a concert of love songs from the movies.

A perusal through The Press files revealed the Bradford pop singer, musical theatre actor and pantomime regular, now 40, had performed there in Mad About The Musicals, singing the songs of Rodgers & Hammerstein, Kander & Ebb, Boublil & Schönberg and Lloyd Webber & Rice, in November 2015.

Forgive him for not recalling that York performance. After all, much water has passed under the bridge since former Bradford Cathedral head chorister Gareth was piloted to pop success at 17 by his 2002 Pop Idol clash of the stammering northern working-class lad versus the unstoppable southern posh boy, Will Young.

In York, he also had appeared as bad-boy Warner in Legally Blonde The Musical in September 2012 and in his first comedy role as cowboy Willard in Footloose in May 2017, both at the Grand Opera House. “I did two tours of that show and they asked me to do it a third time, but I thought, ‘I’ve ticked that box,” he says.

Tanned, teeth pearly white, hair and beard matinee-idol dark, full and thick, he looked the very picture of gym-toned good health in the Barbican bar, his vocal coach a calming presence by his side as the stammer that never affects his singing or stage performances only rarely punctuated his affable conversation.

“I used to come to York as a child,” he says. “I’m from Bradford and we’d always have a day out here over the summer, bringing me over for a cruise on the River Ouse. I’ve always loved this place, going to the  Minster, and being able to perform here over the years has been a thrill.”

His latest return, in the week of St Valentine’s Day, will see producer and performer Gareth leading a company of singers and a four-piece band in Gareth Gates Sings Love Songs From The Movies, a show rooted in his 2002 cover of The Righteous Brothers’ Unchained Melody.

“That was my biggest hit and first ever number one, made famous by that scene in the movie Ghost, and I got thinking about how the world’s greatest love songs come from the movies and how I should do a show built on all those incredible movie songs,” says Gareth.

“The more I’ve looked into it and put together the set list, I realised that the synergy between music and movies is huge, and I hope that tapping into that will be a great move.

“If the show is a roaring success, we could look at doing an album, either as a live concert recording or going into the studio.”

Expect songs from Armageddon, Dirty Dancing, Titanic, A Star Is Born, My Girl, Top Gun and Footloose, among others, in a concert show divided into two sets of “beloved classic ballads, heart-warming melodies, electrifying up-tempo modern hits”. “And of course I’ll be doing Unchained Melody too,” says Gareth.

“I’m working again with Carrie Courtney, who booked the tour for Mad About The Musicals, and I’ve put together an incredible cast featuring West End talent. We have Maggie Lynne, who’s done Wicked and worked with me on a show many, many years ago, and Britt Lenting, a Dutch singer, who’s just finished doing panto with me in Snow White And The Seven Dwarfs at the Churchill Theatre in Bromley, where I was Prince Gareth of Greenwich and she was the Evil Queen.

The tour poster for Gareth Gates Sings Love Songs From The Movies

“We started rehearsals when I was looking to cast the show. I heard her sing and thought, ‘I need you to be in the cast’. She’s done The Phantom Of The Opera, Love Never Dies and Little Mermaid, and she can be very operatic when she sings. She has such a powerhouse voice.

“She made a big name for herself in Holland but in 2016 she decided to take a leap across the water to see if she could make it in the West End and she’s absolutely smashing it.”

Completing Gareth’s vocal line-up will be Dan Herrington. “He’s fresh out of college after studying at Performers College in Essex,” says Gareth. “I like to put together an experienced bunch of performers but I also like to give aspiring, budding talent a chance to shine.

“I went to a showcase at Performers College, heard him sing and booked him straightaway for my autumn tour, where he was one of the Four Seasons in my Gareth Gates Sings Frankie Valli & The Four Seasons show.”

The band from that tour – all of them session musicians from big shows in the West End – will be joining Gareth for the 25-date movie music tour of England, Scotland and Wales. “We also had this crazy idea of taking the Frankie Valli show out again at the same time, doing one show in some cities, the other show in other cities. It seemed like a good idea – I’ll tell you how it goes!”

Gareth has worked with lighting designer Matt Boyles on the movie show’s design. “It’s essentially a concert show, but because of my roots in theatre, there will be a narrative to it too, with an old-school TV screen that we’ll start the show on and then we launch into all these amazing songs, which I’m really excited about singing all in the same show.

“Putting the set list together is based on instinct and experience over the years of doing these shows, which counts for a lot.  If, after the first show or two, we feel something doesn’t work where we’ve placed it, we will change things up, based on the reaction of the crowd. I’m a great believer in that: you have to read the room.”

Gareth has lived in London since his Pop Idol discovery at 17, “but any opportunity I get to come back to Yorkshire, I do,” he says. “The first house I ever bought was up here in Yorkshire, on the edge of the Dales, which I bought for my family and I still have a house up here. I come up as often as I can and Yorkshire will always be my home.”

Hence his Love Songs tour will open in Yorkshire in Valentine’s week with shows at Wakefield Theatre Royal on February 10 and Hull Connexin Live on February 13, as well as York Barbican on February 16, and later dates at Bradford St George’s Hall on March 14 and Sheffield City Hall on March 28, while Gareth Gates Sings Frankie Valli & The Four Seasons will play the Victoria Theatre, Halifax, on March 1.

He has filmed a piece for ITV’s Calendar show on Bradford City of Culture 2025, visiting “some of the places where I grew up, like my old school Dixons City Academy and Bradford Cathedral, where I joined the choir when I was nine and was head boy chorister at 11,” recalls Gareth.

“I sang for The Queen at the Maundy Thursday Service in 1997 when I was 12 and was given Maundy money as I was the head boy soprano soloist, so essentially I was working for The Queen!

“For that sort of pressure to land on your shoulders at that age was a challenge, but all great training for what was to come.”

“The more I’ve looked into it and put together the set list, I realised that the synergy between music and movies is huge, and I hope that tapping into that will be a great move,” says Gareth Gates

Gareth had the honour of meeting HM The Queen again on his 18th birthday. “I was invited to Buckingham Palace for a Young Achievers ceremony after I’d helped many people with stammering and speech impediments. She didn’t remember me singing at the Maundy service!.”

Gareth hopes to take part in Bradford’s year as City of Culture, on top of his home-city performance of Gareth Gates Sings Love Songs From The Movies. “We’re in talks about doing a show  at Bradford Live,  the brand new venue at the old  Bradford Odeon, hopefully towards the end of the year,” he reveals. Watch this space.

Gareth’s diary is ever busy. “I’m constantly working, and the biggest thing I’ve learned of late is not to overdo it,” he says. “I’m very fortunate to be as much in demand as I’ve ever been. There’s never been a dry spell – I find it hard to say ‘No’ – though I do have to at times.

“In 2023 I worked the most I’d ever worked with only ten nights off. It was a mixture of work, like performing every night when I was on board on cruise ships, with my own lounge, and also doing pantomime and The SpongeBob Musical, which was a fun show to do.

“I did lots of festivals, lots of Nineties and Noughties shows, and do you know what, I did burn out. I did way too much, so last year I eased off when I could, and this year I’ll be trying to do a little less – and that’s through the fear of my voice becoming slightly smashed.  I do have to be careful with it and look after it.”

Staying fit is important to Gareth. “I’m massively into the gym,” he says. “I’m a health freak! I get all that right but I am very guilty of over-working.”

Twenty-three years on from Pop Idol, he and Will Young maintain their friendship. “I’ve only stayed in touch with Will and with Zoe Birkett too from that time. We’re really good friends; we hook up whenever we can  – I spoke to him last week.”

Looking back to 2002, he says: “We went into it completely blind, not knowing what to expect, and we had each other to rely on throughout. Then we had a number one hit together with The Long And Winding Road and went on tour together. We were the guinea pigs of it all but we could fall back on each other.”

Pop careers rooted in the hothouse of talent shows can crash and burn, but not so with Gareth. “I’m fortunate that people have not turned on me, but a big part of that is I’ve not changed from the person I was, whereas you open yourself up to criticism if you do. I’ve stuck with the same people, always being grounded, rather than overstepping the mark,” he says.

 “The danger of pop stars losing their way is if they surround themselves with ‘yes’ people, and then the moment someone goes against them and says ‘No’, that’s their downfall. I’ve kept the friends I’ve always had around me and they’ve kept me the person I’ve always been.”

He may live in London, but you cannot take the Yorkshireman out of Gareth. “It’s massively important to me,” he says. “I take a lot of pride in keeping my roots. My accent is still quite broad and I actually enjoy that. I get a lot out of coming from Bradford and Yorkshire.  It’s made me the person I am. I love being from Yorkshire – and I love playing to a home crowd as they love to see a Yorkshireman doing well.”

Gareth Gates Sings Love Songs from The Movies – A Valentine Special, York Barbican, February 16, 7.30pm. Box office: yorkbarbican.co.uk. Also Hull Connexin Live, February 13, 7.30pm. Box office: connexinlivehull.com.

York Theatre Royal to stage world premiere of Jeremy Dyson and Andy Nyman’s twisted thriller The Psychic in Spring 2026

Andy Nyman and Jeremy Dyson: Writers of The Psychic, premiering at York Theatre Royal in 2026

YORK Theatre Royal will stage the world premiere of Jeremy Dyson and Andy Nyman’s twisted thriller The Psychic at York Theatre Royal next year. Tickets go on general sale from 1pm on January 15.

In the wake of the success of Ghost Stories, which spooked the Grand Opera House, York, in March 2020, Dyson and Nyman are to reunite for this electrifying new production. Show dates will be April 29 to May 23 2026, with the first week being previews.

Leeds-born Dyson and Nyman say: “We are so thrilled to have the world premiere of our new play at York Theatre Royal and to be part of their exciting next chapter. We cannot wait to unleash The Psychic at this remarkable venue.”

Theatre Royal chief executive Paul Crewes says: “We are very proud to be producing the world premiere of The Psychic here at York Theatre Royal. Andy and Jeremy have created this wonderful edge-of-your-seat script that we can’t wait to bring to life on our stage in 2026.”

The poster for The Psychic at York Theatre Royal

In The Psychic, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan. It costs her not only her reputation, but also a fortune in legal fees. 

When wealthy parents ask Sheila to conduct a séance to attempt to make contact with their late child, Sheila senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed, leading her on a journey into the darkest corners of her life. Cue thrills, shocks…and laughs.

The Psychic adds to York Theatre Royal’s bill of produced and co-produced work in 2025 and 2026. In the diary for this year are the co-production of North By Northwest with Emma Rice’s Wise Children, HOME Manchester and Liverpool Everyman & Playhouse from March 18 to April 5 and erstwhile pantomime cat Gary Oldman’s return to the Theatre Royal in Samuel Beckett’s Krapp’s Last Tape from April 14 to May 17.

To book tickets, ring 01904 623568 or head to yorktheatreroyal.co.uk.

The night-watchman on his guard in Jeremy Dyson and Andy Nyman’s Ghost Stories (pictured in the 2019 London production)

Jeremy Dyson: the back story

Award-winning Leeds-born writer and director.

Writing credits for theatre include Ghost Stories (Lyric Hammersmith, nominated for Olivier Award for Best Entertainment); The League Of Gentlemen Are Behind You (UK tour); The League Of Gentlemen: A Local Show For Local People (UK tour, Theatre Royal Drury Lane – nominated for Olivier Award for Best Entertainment) and The League Of Gentlemen.

Co-writing credits for television include Psychobitches (winner of Rose d’Or for Best TV Comedy and nominated for two British Comedy Awards); The Armstrong & Miller Show (winner of BAFTA Award for Best Comedy); Billy Goat; Funland (nominated for  BAFTA Award for Best Drama Serial) and The League Of Gentlemen (winner of BAFTA Award for Best Comedy, Golden Rose of Montreux and RTS Award for Best Entertainment).

Co-writing credits for film include Ghost Stories and The League Of Gentlemen’s Apocalypse.

Andy Nyman: the back story

Award-winning actor, director and writer.

As an actor, his theatre work includes The ProducersAssassins (Menier Chocolate Factory); Fiddler On The Roof (Menier Chocolate Factory and Playhouse Theatre – Olivier Award nomination for Best Actor in a Musical); Abigail’s Party (Menier Chocolate Factory and Wyndham’s Theatre); Hello, Dolly! (London Palladium); Martin McDonagh’s Hangmen (Wyndham’s Theatre/Broadway), and the original production of Ghost Stories (Duke of York’s Theatre/Arts Theatre), which he starred in, co-wrote and co-directed with Jeremy Dyson. Later adapted into a film, in which he also starred.

Television credits include Lockerbie; Wanderlust; The Eichmann Show; Campus and Dead Set, as well as playing Winston Churchill in Peaky Blinders

Film credits include Jungle Cruise; Judy; The Commuter; Death At A Funeral; Kick-Ass 2; Black Death; The Brother’s Bloom; Severance and Shut Up & Shoot Me, for which he won Best Actor award at Cherbourg Film Festival in 2006.

Collaborated with Derren Brown for almost 20 years, co-writing and co-creating much of Brown’s early TV work.  Co-written and directed Brown’s stage shows, winning Olivier Award for Best Entertainment for Derren Brown – Something Wicked This Way Comes and New York Drama Desk Award for Best Unique Theatrical Event 2017 for Derren Brown – Secret

Author Rob Chapman to discuss Syd Barrett & Nick Drake book at Vinyl Sessions at Starling Independent bar, Harrogate

The cover artwork for Rob Chapman’s book, Unsung: Unsaid, Syd & Nick In Absentia

ROB Chapman, one of Britain’s premier music writers, will make an exclusive visit to Starling Independent Bar Cafe Kitchen, Oxford Street, Harrogate, for a Vinyl Sessions event co-hosted by Charm on January 22 at 7.30pm.

Author Chapman will participate in an evening of conversation and music focused on two legends, Syd Barrett, who was responsible for Pink Floyd’s first Top Ten hit See Emily Play, and singer-songwriter Nick Drake.

Chapman, who has written regularly for Mojo and Uncut magazines, as well as The Times and the Guardian, will take part in a Q&A about these seminal enigmas of the 1960s’ and 1970s’ rock world with Graham Chalmers, of the Harrogate Advertiser, and his Charm colleague James Littlewood.

Chapman also will discuss his two bestselling books, Syd Barrett: A Very Irregular Head, published by Faber & Faber in 2010, and his latest groundbreaking work, Unsung: Unsaid – Syd And Nick In Absentia.

The cover to Rob Chapman’s 2010 book Syd Barrett: A Very Irregular Head


The evening will feature two all-time classic albums in the shape of Pink Floyd’s Piper At The Gates Of Dawn (1967) and Nick Drake’s Pink Moon (1972).

The event will be helmed by Vinyl Sessions founder Colin Paine and will include an accompanying video slide show by Jim Dobbs.

Vinyl Sessions and Charm present An Exclusive Evening with Rob Chapman on Pink Floyd & Nick Drake,Starling Independent Bar Cafe Kitchen, Oxford Street, Harrogate, January 22; doors open at 7pm for the 7.30pm start.

Tickets must be booked in advance at £10 each plus booking fee at eventbrite.co.uk/e/an-evening-with-rob-chapman-plus-pink-floyd-nick-drake-on-vinyl-tickets-1127910934969. Every penny goes to Harrogate Hospital Community Charity.

More Things To Do in York and beyond in 2025 Part Two when the ice age cometh. Hutch’s List No. 2 from The York Press

Taboo-shattering comedy: Ed Byrne in Tragedy Plus Time at Grand Opera House, York. Picture: Roslyn Grant

FROM Narnia to ice sculptures, comedy in wolf’s clothing to Ayckbourn’s 91st play, Charles Hutchinson finds plenty to perk up the days and nights ahead.

Taboo subject of the week: Ed Byrne: Tragedy Plus Time, Grand Opera House, tonight, 7.30pm

MARK Twain, the 19th century American writer, humorist, and essayist, defined humour as Tragedy Plus Time. Irish comedian Ed Byrne tests that formula by mining the most tragic event in his life – the death of his brother Paul from Hodgkin’s lymphoma at 44 – for laughs.

Byrne’s show carries the content warning “Discussions of death”.  “But as with any subject I do, there are always digressions into asides,” he says. Box office: atgtickets.com/york.

Mark Reynolds’ illustration for Stewart Lee Vs The Man-Wulf, on tour at York Theatre Royal for five nights

Comedy and not comedy: Stewart Lee Vs The Man-Wulf, York Theatre Royal, January 28 to February 1, 7.30pm; The Shed presents Indeterminacy with Tania Caroline Chen, piano, Steve Beresford, piano and objects, and Stewart Lee, voice, National Centre for Early Music, York, February 1, 3.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by  the silver bullet of Lee’s deadpan stand-up? Box office: 01904 623568 or yorktheatreroyal.co.uk.

On John Cage and David Tudor’s 1959 double LP Indeterminacy, Cage read 90 of his stories, each one, whether long or short, lasting precisely one minute. Unheard by Cage, Tudor simultaneously played the piano and other things in another room. Now Stewart Lee joins pianists Tania Caroline Chen and Steve Beresford to do their own version of Cage’s work in a 40-minute performance in one room, where the musicians do their best not to hear Lee’s reading. Box office: 01904 658338 or ncem.co.uk.

York Ice Trail 2025: Taking the theme of Origins on February 1 and 2

After this week’s deep freeze, here comes York Ice Trail 2025, February 1 and 2

YORK’S “free weekend of frosty fun” returns with a 2025 theme of Origins as York’s streets are turned into an icy wonderland of frozen tableau in this annual event run by Make It York. Among the 30 ice sculptures showcasing 2,000 years of city history will be a Roman shield, a Viking helmet, a chocolate bar,  a drifting ghost, a majestic train and a Yorkshire rose, all captured in the language of ice by Icebox. Full details can be found at visityork.org/york-ice-trail.

The book cover for Elizabeth Sharkey’s Why Britain Rocked: Under discussion with musician and environmental campaigner husband Feargal at Pocklington Arts Centre

One-off interview comes into view:  Why Britain Rocked: Elizabeth and Feargal Sharkey, Pocklington Arts Centre, February 13, 7.30pm.

FEARGAL Sharkey, former frontman of The Undertones, will interview his wife, author Elizabeth Sharkey, on one night only of her debut book tour: the final show, which just happens to be in Pocklington.

Together they will explore the history of British pop music, as charted in Why Britain Rocked: How Rock Became Roll And Took Over The World, wherein Elizabeth re-writes the established history by uncovering the untold stories behind Britain’s musical evolution and challenges the American claim to have invented rock’n’roll. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Mike Scott: Leading The Waterboys at York Barbican for the eighth time on May 15. Picture: Paul MacManus

Gig announcement of the week: The Waterboys, York Barbican, May 15; Leeds O2 Academy, June 17

THE Waterboys showcase “the most ambitious album of Mike Scott’s career”, Life, Death And Dennis Hopper, on their latest return to York Barbican, having previously played their “Big Music” brand of folk, rock, soul and blues there in 2012, 2013, 2014, 2015, 2018, 2021 and 2023.

Released on April 4 on Sun Records, their 16th studio album charts the epic path of the trailblazing American actor and rebel, as told through a song cycle that depicts not only Hopper’s story but also the saga of the last 75 years of western pop culture. Box office: York, yorkbarbican.co.uk; Leeds, academymusicgroup.com.

The Corrs: Kicking off the 2025 season at Scarborough Open Air Theatre

Off to the East Coast this summer: Scarborough Open Air Theatre season

IRISH siblings The Corrs lead off Cuffe & Taylor’s 2025 season in Scarborough with support from Natalie Imbruglia  on June 11. In the diary too are Gary Barlow, June 13; Shed Seven with special guests Jake Bugg and Cast, June 14; Pendulum, June 15; Basement Jaxx, June 21, and The Human League, plus Thompson Twins’ Tom Bailey and Blancmange, June 28.

July opens with The Script and special guest Tom Walker on July 5; UB40 featuring Ali Campbell, with special guest Bitty McLean, July 6; Blossoms, with Inhaler and Apollo Junction, July 10; Rag’n’Bone Man, with Elles Bailey, July 11; McFly, with Twin Atlantic and Devon, July 12; Judas Priest, with Phil Campbell & The Bastard Sons, July 23, and Texas, with Rianne Downey, July 26. Box office: scarboroughopenairtheatre.com.

Bunmi Osadolor (Edmund), Jesse Dunbar (Peter), Kudzai Mangombe (Lucy) and Joanna Adaran (Susan) in The Lion, The Witch And The Wardrobe at Leeds Playhouse. Picture: Brinkhoff-Moegenburg

Touring show of the year: The Lion, The Witch And The Wardrobe, Grand Opera House, York, April 22 to 26, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun, Aslan, the Lion, and the coldest, cruellest White Witch. 

Running at Leeds Playhouse until January 25 in the most spectacular production of the winter season, this breathtaking stage adaptation of CS Lewis’s allegorical novel then heads out on a new tour with its magical storytelling, bewitching stagecraft and stellar puppets. Box office: atgtickets.com/york.

Alan Ayckbourn: Directing his 91st play, Earth Angel, at the SJT, Scarborough, in the autumn. Picture: Tony Bartholomew

Alan Ayckbourn’s 91st play: Earth Angel, Stephen Joseph Theatre, Scarborough, September 13 to October 11

 STEPHEN Joseph Theatre director emeritus Alan Ayckbourn directs his 91st play, Earth Angel, wherein Gerald has lost his wife of many years. Amy was the light of his life, almost heaven sent. It is tricky thinking about life without her but he is trying his best to put a brave face on things, accepting help from fussy neighbours and muddling along as best he can.

Then a mysterious stranger turns up at Amy’s wake. He seems like a nice enough chap, washing the dishes and offering to do a shop for Gerald, but is he all that he appears? Box office: 01723 370541 or sjt.uk.com.

Art Of Protest Projects wants to hear your views on creating Front Street community mural and street bench refurbishment

“We are passionate about getting the community involved,” says Art Of Protest Projects founder and creative director Jeff Clark

ART Of Protest (AOP) has been awarded a UK Shared Prosperity Fund grant by City of York Council to create a more vibrant, people-friendly, accessible space for all in Front Street, Acomb.

The grant will go towards installing a community mural and eight benches as part of a wider regeneration of Front Street.

Art Of Protest Projects, a social impact enterprise founded in 2016 and based in York, engages communities in place-making and public art, with its team of professional creatives, artists and storytellers having delivered a series of projects in York and beyond so far.

Many of the team reside in Acomb, making the latest project close to their hearts, and already AOP is proactive within the Acomb community, presenting their flagship creative learning workshops at York High School and Inspire Academy.

Founder and creative director Jeff Clark says: “We want to deliver something that the Acomb community can be proud of for decades to come. It’s not just about creating art, it’s about listening to the views of the people.”

Councillor Katie Lomas, City of York Council Executive Member with responsibility for Finance and Major Projects, says: “It is great to see the Front Street project taking another step forward and this is a very exciting part of the transformation. So far, we have seen new seating and planters installed, upgraded public toilets, improved Blue Badge parking and removed a significant number of bollards.

“We are looking forward to working closely with artists at Art Of Protest Projects to introduce public art to the area, which 68 per cent of respondents supported during our consultation last spring. We will continue listening to the community and get to the heart of what residents would like to see.

“It is vital that the local community is involved and helps to shape these designs, which will be part of Front Street for years to come, so I’d encourage everyone who lives or spends time in Acomb to share your thoughts. I would also like to thank everyone for their patience while work is ongoing in the area, and I look forward to seeing more of these improvements take shape as the project progresses.”

Jeff adds: “AOP aims to creatively engage and impassion individuals of all capabilities and backgrounds to build local capacity and skills. We believe that art is a common and universal language where people of all ages, creeds and beliefs can meet, engage and connect.”

AOP has tight deadlines set by UK Shared Prosperity Fund to complete the installation by the end of March, preceded by a series of open consultation events running during the last week of January and the first week of February.

Art Of Protest’s poster invitation to mural and benches engagement sessions in Acomb

Spray paint mural engagement sessions will be held at Acomb Explore Library on January 27, 5pm to 7pm, The Place, Acomb, January 28, 4pm to 5.30pm, and Gateway Centre, Acomb, February 3, 5pm to 7pm. Paint-a-pot benches engagement sessions will take place at The Place on January 29, 3.30pm to 4.30pm, and Acomb Explore Library on January 31, 10am to 12 noon.  

Jeff says:  “We want to build on the community consultations that have already taken place, listening to the views to celebrate Acomb’s heritage, to be bright, fun and inviting.”

For the mural consultations, he explains: “We are arranging a series of workshops at local schools, as well as creative spray paint workshops where participants can take away their own piece of art home and inspire the design brief for the mural. The mural will be a community totem, carefully crafted and shaped by community input”.

For the bench consultations, Jeff says: “Accessibility is really important and there is also an opportunity to signpost the local community to our green spaces and celebrate local flora. The bench engagement sessions will be an opportunity to chat about what you want to see, as well as paint your own plant pot to take away a seedling or plant.

“The curators’ responsibility is to capture as many Acomb residents’ voices and project them into one shared vision. We love the local area and want to create a legacy piece that celebrates all the local green spaces as well as Acomb’s connection to the oak trees.”

You can book for the engagement events at eventbrite.co.uk/o/art-of-protest-projects-40881047083 or by emailing workshops.aopprojects@gmail.com.

AOP is arranging drop-in sessions on Front Street with everyone welcome at The Place on January 30, 10am to 12 noon, Bluebird Bakery, February 1, 3pm to 5pm, and Gateway Centre, February 4, 2.30pm to 4.30pm.

A key aspect of the project is the Street Art Academy, delivered in partnership with The Place with its ethos to create, collaborate and increase curiosity, confidence and capability. This structured programme will up-skill and create cultural capital and legacy by providing career pathways in the creative industries.

In addition, a talent development opportunity will become available for participants to shadow the creation of the mural.

“We are passionate about getting the community involved,” says Jeff. “What’s really unique about the programme is the Street Art Academy focused on skills development and capacity building. 

“AOP would love to hear from the local community and will be arranging a celebration event following the installation of the mural and benches with details to follow. If you have any queries, please get in touch with workshop.aopprojects@gmail.com.”

Panto queen Suzy Cooper and RSC actor Mark Holgate to star in York Stage’s A Midsummer Night’s Dream from May 6 to 11

Suzy Cooper and Mark Holgate: Playing Titania and Hippolyta and Oberon and Theseus respectively in York Stage’s A Midsummer Night’s Dream

GARY Oldman will not be the only former Berwick Kaler co-star returning to a York stage in 2025.

Suzy Cooper, for more than 20 years the ditzy, posh-voiced, jolly super principal gal in the grand dame’s pantomimes, will lead Nik Briggs’s cast alongside York actor Mark Holgate as the quarrelling Queen and King of the Fairies, Titania and Oberon, in York Stage’s A Midsummer Night’s Dream from May 6 to 11.

In his tenth anniversary of producing and directing shows at the Grand Opera House, Briggs relocates his debut Shakespeare production from the court of Athens to Athens Court, a northern council estate, where magic is fuelled with mayhem and true love’s path still does not run smooth.

Presented as York Stage’s first co-production with the Cumberland Street theatre, Briggs’s Dream will feature a new score by musical director Stephen Hackshaw. “Whilst not being a musical, the show will include a live band alongside powerhouse vocals that York Stage are famous for with their musical production,” says Nik. “Keep your eyes peeled over the coming weeks for more Dreamy cast announcements. The next one will be very soon.”

Suzy last trod the Grand Opera House boards in dowager dame Berwick Kaler’s valedictory pantomime after 47 years on the York stage in Robinson Crusoe And The Pirates Of The River Ouse from December 9 2023 to January 6 2024.

Britannia rules the waves: Suzy Cooper’s fairy in Robinson Crusoe &The Pirates Of The River Ouse at the Grand Opera House, York, in December 2023. Picture: Charlie Kirkpatrick

“It will be lovely to be back in York, performing at the Grand Opera House again,” says Suzy, who will take the role of Hippolyta too opposite Holgate’s Theseus. “I’ve never played Titania before, but I did play the fairy, Mustardseed, at York Theatre Royal, with Malcom Skates as Bottom and Andrina Carroll as Titania, and then Peter Quince in Shakespeare’s Rose Theatre’s production at Blenheim Palace in 2019 [when she also appeared as Lady Macbeth in Macbeth].

“I’ve not worked with Mark before, but he did the Shakespeare’s Rose Theatre season the same summer that I did, and it’s going to be a lot of fun working with him.”

Explaining how this production and the initial casting came to fruition, producer-director Nik says: “This is a new venture for York Stage in our first co-production with the Grand Opera House, so as part of that we were looking at how we could create the next generation of York Stage productions.

“Like when we did our first pantomime [the socially distanced Jack And The Beanstalk in the Covid-shadowed winter of 2020] and we’ve also talked about using professional casting alongside our community casting, where a lot of our actors have professional credits too.

“It was important for York Stage to use professional actors with connections with York, and Suzy was someone I had wanted to work with for a long time. We’d talked several times about doing a show, and this was the perfect opportunity. It’s been in the offing since late-summer when we started talking about it.”

York Stage director Nik Briggs: Relocating Shakespeare’s A Midsummer Night’s Dream from the court of Athens Court, a northern council estate

Nik continues: “We were thinking about making ‘Dream’ like Brassic or Shameless, set on a northern council estate. In the original telling, Hippolyta is the Amazon queen, who is almost a prisoner of the Athenian court, and the idea struck me that with Suzy being a southerner but adopted by York after performing here for nigh on 30 years, she would be ideal as the southern counterpoint to the northern world in the tumultuous battle that unfolds, adding a North-South divide to it.”

Nik will be directing Mark Holgate for the first time too. “Our paths have never crossed before. Mark’s father had seen a piece in The Press about us looking for actors and said that Mark had had a career with the Royal Shakespeare Company, Cheek By Jowl, Sheffield Crucible and theatres across the UK and was a real master of Shakespearean acting, but he’d never performed at the Grand Opera House or York Theatre Royal.

“The opportunity to perform in one of the big theatres in his home city, with his family living in the city, was a real draw for him.  He’s played such roles as Banquo in Macbeth and Duke Orsino in Twelfth Night – he was sensational in that – for Shakespeare’s Rose Theatre but until now I wasn’t aware that he was from York.

“So we met up, he did some readings and he was exactly what I’d envisaged for Oberon. It really hinges on Oberon in this play, and Mark got my vision; he had just what I wanted from the role. It’s really exciting to see what he’ll bring to it.”

Suzy Cooper and Mark Holgate will star in York Stage’s A Midsummer Night’s Dream, Grand Opera House, York, May 6 to 11, 7.30pm plus 2.30pm Wednesday, Saturday and Sunday matinees . Box office: atgtickets.com/york.

York Minster to be illuminated with wildlife 3D projection in Colour & Light 2025 free event from February 12 to March 2

Colour & Light: York BID free event returns to York Minster from February 12

YORK Minster’s South Transept is to be illuminated with York wildlife down the centuries for the return Colour & Light from February 12 to March 2.

Building on the impact of the 3D projection mapping illuminations at York Minster in 2023 and York Art Gallery in 2024 that drew tens of thousands of spectators from York and beyond,  this year’s large-scale visual arts project will highlight the city’s heritage and creativity once more in celebration of  the city’s UNESCO Media Arts status.

This free event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the peregrine falcons that call the Minster home and the foxes that roam the city after dark, to the horses on which the Romans rode into Eboracum and the legendary dragons carved into York’s history.

Carl Alsop, operations manager at York BID, says: “Colour & Light is fast becoming a highlight of York’s cultural calendar. The event started at York Minster in 2023, so we’re proud to partner with them again for our 2025 event.

“We’re particularly excited as this year’s projections showcase the diversity of wildlife and unique animal stories that makes York so special. By encouraging families and visitors to explore the city centre during these quieter months, we’re not only creating magical experiences but also supporting local businesses and reinforcing York’s vibrant evening economy.”

Colour & Light 2024 on the frontage of York Art Gallery

Lisa Power, York Minster’s head of events and participation, says: “We are thrilled to welcome Colour & Light back to York Minster this February. The inaugural display in 2023 saw the city welcome tens of thousands of people during what is often the coldest, darkest and quietest time of the year.

“This year’s projections will bring York Minster’s heritage to life, this time through a spectacular display of flora and fauna illuminating the cathedral’s South Transept. We hope that this beautiful display will once again remind everyone that York is open all year round!”

Colour & Light will run nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening will feature a designated quiet hour with reduced noise and crowd levels, ensuring everyone can enjoy the event. No tickets are required.

Colour & Light 2025 is funded by the UK Government through the UK Shared Prosperity Fund, highlighting the importance of investing in cultural initiatives to support local economies and enhance community well-being.

 Visitors are invited to explore York’s shops, restaurants and cafés as part of their evening. Join the conversation on social media via #ColourAndLight2025.

More Things To Do in York and beyond in 2025, whether new or Oldman. Here’s Hutch’s List No. 1, from The Press, York

Laura Fraser’s DI Bea Metcalf on the York waterfront in Channel 4’s crime drama Patience. Picture: Channel 4

FROM a neurodiverse TV crime drama to an Oscar winner’s stage return, Charles Hutchinson picks highlights of the year ahead.

Seeing York through a different lens: Patience, Channel 4 from January 8, 9pm

CHANNEL 4’s six-part police procedural drama Patience, set in York, opens with the two-part Paper Mountain Girl, on January 8 and 9, wherein autistic Police Records Office civilian worker Patience Evans (Ella Maisy Purvis) brings her unique investigative insight to helping DI Bea Metcalf (Laura Fraser) and her team.

Written for Eagle Eye Drama by Matt Baker, from Pocklington, Patience is as much a celebration of neurodiversity as a crime puzzle-solver. “The centre of York itself is a little bit like a puzzle,” he says.   

Lara McClure: Atmospheric storytelling at A Feast Of Fools II at the Black Swan Inn

Out with the old, in with the new: Navigators Art presents A Feast Of Fools II, Black Swan Inn, Peasholme Green, York, Sunday, 7pm to 10.30pm; doors, 6pm

YORK collective Navigators Art presents a last gasp of mischief in an alternative end-of-season celebration of Twelfth Night and Old Christmas, packed with live folk music, spoken word and a nod to the pagan and the impish.

Dr Lara McClure sets the scene with atmospheric storytelling, joined by York musicians Oli Collier, singer, guitarist and rising star Henry Parker, York alt-folk legends White Sail and poet and experimental musician Thomas Pearson. Book tickets at  bit.ly/nav-feast2.

Seeing eye to eye: Rob Auton in his new touring comedy vehicle The Eyes Open And Shut Show

The eyes have it:  Rob Auton: The Eyes Open And Shut Show, Burning Duck Comedy Club at The Crescent, York, March 5, 7.30pm; Leeds City Varieties Music Hall, May 3, 7.30pm

“THE Eyes Open And Shut Show is a show about eyes when they are open and eyes when they are shut,” says surrealist York/Barmby Moor comedian, writer, artist, podcaster and actor Rob Auton. “With this show I wanted to explore what I could do to myself and others with language when eyes are open and shut…thinking about what makes me open my eyes and what makes me shut them.”

On the back of last summer’s Edinburgh Fringe trial run, Auton goes on the road from January 27 to May 4 with his eyes very much open. Box office: York, thecrescentyork.com; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

York-raised artist Harland Miller with his title work for the XXX exhibition at York Art Gallery. Picture: courtesy of White Cube (Ollie Hammick), 2019

No stopping him this time, please: Harland Miller: XXX, York Art Gallery, March 14 to August 31, Wednesday to Sunday, 10am to 5pm

AFTER the first Covid lockdown curtailed his York, So Good They Named It Once show only a month into its 2020 run, international artist and writer Harland Miller returns to the city where he was raised to present XXX, a new exhibition that showcases paintings and works on paper from his Letter Paintings series.

Coinciding with the release of a book of the same title by Phaidon, XXX features several new Miller works, including one that celebrates his home city, in a hard-edged series that melds the sacred seamlessly with the everyday. The exhibition will be accompanied by a Q&A with the artist plus community activities to “inspire, inform and involve all”. Tickets: yorkartgallery.org.uk/tickets.

Gary Oldman in the dressing room when visiting York Theatre Royal last March to plan this spring’s production of Krapp’s Last Tape

Theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17

ONCE the pantomime Cat that fainted thrice in Dick Whittington in his 1979 cub days on the professional circuit, Oscar winner Gary Oldman returns to the Theatre Royal to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since the late-1980s.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Suzy Cooper and Mark Holgate: Teaming up as Titania and Oberon – and Hippolyta and Theseus too – in York Stage’s A Midsummer Night’s Dream

Look who’s back too: Suzy Cooper in York Stage’s A Midsummer Night’s Dream, Grand Opera House, York, May 6 to 11

GARY Oldman will not be the only former Berwick Kaler co-star returning to a York stage in 2025. Suzy Cooper, for more than 20 years the ditzy, posh-voiced, jolly super principal gal in the grand dame’s pantomimes, will lead Nik Briggs’s cast alongside York actor Mark Holgate as the quarrelling Queen and King of the Fairies, Titania and Oberon.

Briggs relocates his debut Shakespeare production from the court of Athens to Athens Court, a northern council estate, where magic is fuelled with mayhem and true love’s path still does not run smooth. Box office: atgtickets.com/york.

Beach hut five, Shed Seven: York band to make Scarborough Open Air Theatre debut in June

“Biggest ever headline show in their home county”: Shed Seven, TK Maxx Presents Scarborough Open Air Theatre, June 14

IN the aftermath of their 30th anniversary celebrations and two number one albums in 2024, refulgent York band Shed Seven will focus on the great outdoors in the summer ahead, fulfilling a dream by making a long-overdue Scarborough OAT debut, when Jake Bugg and Cast will be their special guests. “It’s a stunning and historic venue…Yorkshire’s very own Hollywood Bowl!” enthuses lead singer Rick Witter.

The Sheds also return to Leeds Millennium Square on July 11, supported by Lightning Seeds and The Sherlocks. Box office: Scarborough, scarboroughopenairtheatre.co.uk or ticketmaster.co.uk; Leeds,  gigsandtours.com and ticketmaster.co.uk.

Bridget Foreman: Co-writer of York Theatre Royal and Riding Lights’ community play His Last Report

Community play of the year: York Theatre Royal and Riding Lights Theatre Company in His Last Report, York Theatre Royal, July 22 to August 3

YORK Theatre Royal creative director Juliet Forster and York company Riding Lights artistic director Paul Birch will co-direct a large-scale community project that focuses on pioneering York social reformer Seebohm Rowntree and his groundbreaking 1900s’ investigation into the harsh realities of poverty.

Told through the voices of York’s residents, both past and present, Misha Duncan-Barry and Bridget Foreman’s play will ask “What is Seebohm’s real legacy as the Ministry begins to dismantle the very structures he championed?” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Who won the 2024 Hutch Awards?

Nothing could burst Shed Seven’s celebratory balloons in 2024. Picture: Chris Little

CharlesHutchPress doffs his cap to the makers, creators, artists and shakers who shaped York’s year of culture.

Story of the year and gigs of the year: Shed Seven’s 30th anniversary annus mirabilis

GOING for gold anew, York’s likely lad Britpop veterans had the alchemist’s touch throughout their busiest ever year, matching Frank Sinatra, Elvis Presley, The Beatles, Bob Dylan, Led Zeppelin and Elton John in notching two number one  albums in a year in January’s studio set A Matter Of Time and October’s newly re-recorded compilation Liquid Gold.

In a year of resurgent upward motion in York, one that ended with York City atop the National League, Shed Seven’s resurrection was crystallised by lead singer Rick Witter’s name being appropriated for a council road gritter but even more so by two nights of homecoming concerts at York Museum Gardens in July, when special guest Peter Doherty’s beatific smile best captured the exultant mood of celebration.

Tristan Sturrock’s Blue Beard versus Katy Owen’s Mother Superior in Wise Children’s Blue Beard at York Theatre Royal

You Should Have Seen It play of the year: Wise Children’s Blue Beard, York Theatre Royal, February 27 to March 9

“IT certainly won’t be boring,” promised Wise Children writer-director Emma Rice, and it certainly wasn’t. Blue Beard, her table-turning twist on the gruesome fairytale, was everything modern theatre should be: intelligent, topical, provocative, surprising; full of music, politics, “tender truths”, mirror balls and dazzling costumery.

It had comedy as much as tragedy; actors as skilled at musicianship as acting and dancing to boot, all while embracing the Greek, Shakespearean, cabaret, kitchen-sink and multi-media ages of theatre. So, why oh why, weren’t the audiences bigger?

Angst and anger: Bright Light Musical Productions in Green Day’s American Idiot

York debut of the year: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, July 4 to 6

BRIGHT Light Musical Productions staged the York premiere of punk rock opera Green Day’s American Idiot in Dan Crawfurd-Porter’s high-octane, politically driven, perfectly-timed production that opened on American Independence Day and the UK General Election day, also marking the 20th anniversary of Green Day’s groundbreaking album American Idiot.

“Personally, the issues it tackles have affected me profoundly, as they have many others,” said Crawfurd-Porter. “The aim is to give a voice to those who feel unheard, just as it has given one to me.” The show, with its commentary on America and the impact of politics at large, did just that.

Jack Savoretti performing at Live At York Museum Gardens, presented by the Futuresound Group. Picture: Paul Rhodes

Event launch of the year: Futuresound presents Live At York Museum Gardens, July 18, 19 and 20

LEEDS concert and festival promoters Futuresound stretched their wings to launch Live At York Museum Gardens, selling out all three nights featuring Anglo-Italian singer-songwriter Jack Savoretti and a brace of gigs by local heroes Shed Seven, each bill featuring York and Yorkshire support acts. One complaint, from Clifton, over the Sheds’ noise levels was rejected by City of York Council, and Mercury Prize winners Elbow are booked already for 2025.

Rob Auton: Comedy mined from self-examination at The Crescent, York

Comedy show of the year: Rob Auton in The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28

ROB Auton, hirsute York/Barmby Moor stand-up comedian, writer, podcaster, actor, illustrator and former Glastonbury festival poet-in-residence, returned north from London with his tenth themed solo show.

After mulling over the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds in past outings, surrealist visionary Rob turned the spotlight on himself, exploring memories and feelings from his daily life, but with the observational comic’s gift for making the personal universal as the sublime and the ridiculous strolled giddily hand in hand.

Bristol street artist Inkie’s artwork for Rise Of The Vandals at 2, Low Ousegate, York

Exhibition of the year: Bombsquad’s Rise Of The Vandals, 2, Low Ousegate, York, June 22 and 23, June 28 to 30 and July 5 to 7

YORK art collective Bombsquad launched Rise Of The Vandals in a celebration of the city’s street art scene, taking over a disused office block with the owner’s permission but suffused with the underground spirit of squatters’ rights. Art was not only wall to wall, but even the loos were given a black-and-white checkerboard revamp too.

Spread over four floors in one of the tallest buildings in the city, the installation showcased retrospective and contemporary spray paint culture, graffiti, street art and public art in three galleries, complemented by a cinema room, an art shop and live DJs. There really should be more such artistic insurrections in York, instead of turning every shell of a building into another hotel or yet more student accommodation.

Honourable mention: National Treasures, an exhibition built around Claude Monet’s The Water-Lily Pond, as part of the National Gallery’s bicentenary, at York Art Gallery, May 10 to September 8.

Leading lights: Riding Lights’ new executive director Oliver Brown, left, and artistic director Paul Birch at Friargate Theatre in York

Re-enter stage right: Riding Lights Theatre Company and Friargate Theatre, Lower Friargate, York, under the new artistic directorship of Paul Birch, picking up the baton from late founder Paul Burbridge. York Theatre Royal Studio, re-booting for cabaret nights as The Old Paint Shop.

Behind you: Departing dame Berwick Kaler gave his last pantomime performance as Dotty Dullally at the Grand Opera House, York, on January 6 2024. Picture: Charlie Kirkpatrick

Exit stage left: Dowager dame Berwick Kaler, from York pantomimes after 47 years; Harkirit Bopara, from The Crescent community venue; The Howl & The Hum’s Sam Griffiths, from York and Leeds for London; At The Mill, from serving up theatre, comedy, music, fine dining and Saturday sausage sandwiches at Stillington Mill; The Victoria Vaults, from promoting gigs, in an enforced pub closure on December 11 after 160 years. The very next day, City of York Council upheld York CAMRA’s request to list the Nunnery Lane premises as a community asset. Watch this space.

Gordon Kane RIP. Picture: Gareth Jenkins

Gone but not forgotten: Gordon Kane, actor and good sport

A SCOTSMAN by birth and richly theatrical accent, but long resident in York, this delightfully playful screen and stage actor, and casual cricketer and golfer to boot, appeared in Time Bandits, The Comic Strip Presents and latterly Nolly and Buffering, but around Yorkshire he will be treasured for his work for York Theatre Royal, Shakespeare’s Rose Theatre, Harrogate Theatre and Hull Truck Theatre, not least in John Godber’s plays.

His good friend Mark Addy delivered the eulogy – written with typically mischievous humour by Gordon himself – at December 18’s funeral at York Cemetery.  

Irish comedian Ed Byrne shatters taboo of discussing death in Tragedy Plus Time in shows in York, Leeds and Doncaster

Taboo or not taboo? Ed Byrne shatters the glass ceiling of not conversing about death by doing just so in Tragedy Plus Time. Picture: Roslyn Gaunt

LOOK at these snippets from the reviews for Irish comedian Ed Byrne’s groundbreaking tour show, bound for the Grand Opera House, York, on January 11.

“Genuinely reflective and deeply emotional”. “Grief, regret”. “From rage to dark humour to poignancy”. “Dead funny”. “Cathartic storytelling”. “Tear-jerking observations”. “Poignant, touching, spiky”. “Plumbs the very depths of his soul”.  “Delicate, sensitive high-wire act of a show”.

Just checking: this is a comedy gig, right?  Yes indeed, one that takes its title from a quote from 19th century American writer, humorist, and essayist Mark Twain, who defined humour as “Tragedy Plus Time”.

Putting that metric to the test by mining the most tragic event in his life for humour, 52-year-old Byrne “manages to make dying and death very funny” (to quote the Daily Business Group review] in a show that carries the content warning “Discussions of death” with an age guidance of 14 plus.

At the time of this interview, Byrne, who grew up on the east coast of Ireland in Swords, County Dublin, had just finished a run of Irish dates where some had proved challenging, even for such an experienced act.

“The last night was a breeze, really, really good, not having to shut down drunken ****holes, but in Dunleary there was a noisy works outing and then four lads in Kilkenny on the front row that just wouldn’t shut up: one table of quite drunk people who I had to address for joining in too much,” Ed says.

“I don’t know if it [raucous behaviour] is on the increase, but with this show, it’s full of jokes but there are a couple of moments where it’s more serious, so you need some quiet, though it’s punctuated with a couple of laughs, but the last thing you want is someone who’s drunk to use that moment to butt in.”

Byrne’s material refracts the concept of Tragedy Plus Time through the prism of two ‘tragedies’. “One was my car being broken into, which I was raging about by the following night’s show. It was an enormous ball ache but I ended up with eight minutes of stand-up,” Ed says.

“The rest of the show is about how my brother Paul died [of Hodgkin’s lymphoma, a form of cancer, in February 2022, aged 44, after being diagnosed initially in 2013].” He had suffered a short illness in lockdown. “Then the Covid finished him off,” adds Ed.

“There is now comedy for everybody: whatever your demographic, race, creed, sexual orientation,” says observational Irish comedian Ed Byrne

“In the show I’m arguing with those who locked us down but at the same time didn’t take it seriously enough, and the reaction will depend on people’s political sensibilities.”

On stage, Byrne talks of how he argued with comedy director Paul, who he had called “my pain in the a*** little brother” in his 2022 tribute, but also of how he reconnected with him. “I will miss him so much,” his tribute had ended.

He is playing York as part of an extended tour that began in 2023, will visit Leeds City Varieties for the third time on January 25 and end in April 2025, almost two years after the first date. “My tours have been getting longer,” he says. “I always say that the hard part of the show is writing it and then getting out and doing it is the reward – and now there are just more and more places to play.

“When I was starting out, even playing a comedy night outside London in the Nineties, you were worried about how it would go because people had this idea of comedy as end of the pier and pub jokes, so observational comedy was something of an unknown quantity.

“I remember playing in Southend, where it was always one observational comedian and one end-of-the-pier comedian on the bill. Now, if people go and see a comedy club night, they know there’ll be some one-liners but a lot more storytelling, so you don’t feel like a visionary any more – and outside pantomime, comedy now draws the biggest audiences to theatres.”

Comedy has its broadest scope ever too, Byrne suggests. “I think people previously were perhaps slightly put off when they thought it was all going to be too political or too ‘ladsy’, but I think it’s a fact there is now comedy for everybody: whatever your demographic, race, creed, sexual orientation, there is humour designed just for you, comedy for all stripes,” Ed says.

He does add a note of caution, however: “The worrying thing is that it is becoming a bit polarised, and if a comedian is not tailored exactly to someone’s taste, they’ll say, ‘well, I’m not going to laugh at that’. I feel it’s post-Brexit where it’s become more divisive.”

As for Ed Byrne, he is breaking the unspoken barrier of death still being considered a taboo subject for conversation in Tragedy Plus Time, a show that has done anything but divide opinion. Oh, and for the record: “As with any subject I do, there are always digressions into asides,” he says.

Ed Byrne: Tragedy Plus Time, Grand Opera House, York, January 11, 7.30pm; Leeds City Varieties Music Hall, January 25, 7.30pm, and Cast, Doncaster, January 28, 7.30pm. Box office: York, atgtickets.com/york; Leeds, 0113 243 0808 or leedsheritagetheatres.com; Doncaster, 01302 303952 or castindoncaster.com.

Copyright of The Press, York