Joseph Black in the role of Tunde in Paines Plough’s premiere of Ifeyinwa Frederick’s Sessions
LIVE theatre returns to Selby Town Hall for the first time since 2019 with the September 29 visit of Paines Plough.
Described by the Daily Telegraph as “the de facto national theatre of new writing”, the London company will be presenting Sessions, the second play by one of Britain’s most hotly tipped young writers, Ifeyinwa Frederick, on the first date of its nationwide tour co-produced with Soho Theatre.
Tunde’s 30th birthday is fast approaching, prompting him to start therapy as he has been unable to head to the gym for weeks and a recent one-night stand ended in tears – his.
A raw, funny and bittersweet deep-dive into the complexities of masculinity, depression and therapy, Sessions interrogates the challenge of opening up and accepting our own vulnerabilities.
Playwright Ifeyinwa Frederick is a fervent believer in the power of storytelling and human connection, a combination that fuels her work as both a writer and entrepreneur. Her debut play, The Hoes, was shortlisted for the Tony Craze Award, Verity Bargate Award and Character 7 Award.
Alongside her theatre work, Ifeyinwa is a restaurateur, co-founding the world’s first Nigerian tapas restaurant, for which she won a Young British Foodie Award and was included on Forbes’ list of 100 Female Founders in Europe.
On the rise: Playwright and restaurateur Ifeyinwa Frederick
“Paines Plough are one of Britain’s finest creative institutions” says Selby Town Council arts officer Chris Jones. “For more than 40 years they have consistently produced exceptional quality, envelope-pushing theatre from some of the UK’s most gifted writers, such as Mike Bartlett, James Graham and Kae Tempest.
“We’ve been working with the company over the past three years as part of a funded project to improve small-scale theatre touring in England, to help more companies make the leap to touring, to bring more high quality work to small venues and to broaden audiences with new and diverse work.
“So I’m thrilled that Paines Plough are returning to Selby Town Hall with Ifeyinwa Frederick’s latest play, giving audiences the chance to see some of the best new writing in the country right here in Selby.”
Joseph Black takes the role of Tunde under the direction of Philip Morris, with design by Anna Reid, lighting by Simisola Majekodunmi, sound and composition by Asaf Zohar and movement by Yassmin V Foster.
Tickets for Wednesday’s 8pm performance cost £13 on 01757 708449 or at selbytownhall.co.uk or £15 on the door.
“The play covers some challenging subject matter, and I know it will be brilliant, because everything Paines Plough do is,” concludes Chris.
York jewellery designer Ruth Claydon mudlarking for treasure on the River Thames in London
MUDLARK Ruth Claydon’s Time and Tide collection of upcycled jewellery from treasure-seeking trips to London are on show at Pyramid Gallery, Stonegate, York.
A mudlark is defined as “someone who fearlessly embraces the hunt for treasure on the banks of the river Thames. Come low tide, you might spot a solitary figure armed with nothing but a pair of tweezers and a small pot, kneeling by the water’s edge as the tide ebbs out”.
York jewellery designer Ruth first chanced on this pastime a few years ago when crossing Waterloo Bridge, from where she espied people milling about on the riverbanks. “As soon as I saw them, I had to check it out, dragging my poor patient friends with me down to a strangely sandy spot,” she recalls.
On discovering that the Thames is Britain’s largest archaeological site, and that all that was needed was a permit, combined with patience and tenacity, Ruth wholeheartedly embraced her desire to trawl for trash turned treasure by time.
Upcycled jewellery designed by Ruth Claydon from her mudlarking finds
“It’s hard to exactly explain the strange lure of the river, but it’s something about the tranquillity I find there,” she says.
“The new layer of history being uncovered by each tide; the joy of holding something lost for 500 years; the unexpected thrill of a rough garnet beneath the rubble; the inevitable poignancy of all that goodness being quickly submerged once again by the incoming tide; the slight sense of danger; the closeness to nature; seeing London from a unique angle, and not least the fascinating characters I encounter down on the foreshore.”
Ruth designs jewellery under the label of Moth and Magpie, the magpie being known for its habit of bringing shiny bits and bobs back to its nest. “She loves incorporating her mudlarking finds into her designs, which she has been doing gradually, but this is the first exhibition where she’s devoted the entire collection to her obsession,” says Pyramid Gallery owner and curator Terry Brett.
“It’s an obvious progression from her signature use of salvaged and ancient materials used in her previous work, where each piece is made from preloved jewellery merged with ancient treasures and heirloom finds.”
“It’s hard to exactly explain the strange lure of the river, but it’s something about the tranquillity I find there,” says Ruth Claydon, pictured on one of her riverbank mudlarking sessions in London
Ruth says: “Planning a special exhibition incorporating mudlarked treasures for Pyramid Gallery is pretty much a dream come true. There are few established galleries that would take a risk with such niche designs, but then Pyramid does enjoy delighting customers with the unexpected.”
Terry Brett, a visionary gallerist who is unafraid to take risks, has embraced Ruth’s quirky work, championing her by not only giving her this first show and launching her career with a special exhibition, but also by being a mentor.
“I’d never have thought of tea staining my labels to match my jewellery. That was a brainwave of Terry’s,” she says. “It’s that level of attention to detail that makes all the difference.”
Fiona MacFarlane, who manages Pyramid Gallery, equally has played a huge part in nurturing Ruth’s practice. “Not only did I have the privilege of working alongside her for many years, but Fiona’s input has been invaluable,” says Ruth. “She’s always giving me ideas about what to make next and displaying my pieces in the most artful ways.
“It’s newer ground for me that makes my heart beat faster,” says Ruth Claydon of her Time and Tide jewellery-designs, crafted from her mudlarking discoveries
“I’ve called this show Time and Tide, after the two original craftsmen for this body of work, using pieces that in themselves are worth nothing, like fragments of copper, which I’ve formed into beads and soldered with real gold solder. I love the high-low contrast and the patina that the river has created on the ancient metal.”
Expect the unexpected, she advises. Such as? Rough garnets from the Thames set amid 100 per cent recycled sterling silver; distressed metal patinated to perfection by time and tide, then shaped into unique beads; salvaged copper wire crafted into rustic bangles.
“I’ve been making under the name Moth and Magpie for years. The name is descriptive of the style of jewellery I love to craft, all bohemian and intricate, but this new collection is something differently. A coming of age, if you will,” says Ruth.
“Melted and mended metal, fire and gold and silver, a rustic, simple and edgy aesthetic. It’s newer ground for me that makes my heart beat faster, pieces I’m loathe to part with because I want them for myself. It’s my hope that authenticity and excitement shines through in every piece.”
Ruth Claydon at work creating her jewellery
Summing up Ruth’s work and artistic progression, Terry says: “I’ve known Ruth since 2008, at which point she was an artist making handmade cards, small pictures, and was experimenting with turning found objects into art and jewellery.
“To me, she was a natural artist with a great sense of humour and style that was a mix of pre-Raphaelite and slightly gothic. All she needed at that time was an outlet and some encouragement. So, she came to work in the gallery and got involved with displaying and selling. I knew that the gallery would gain much if we could harness her natural talent and her quirky and flamboyant style.”
Terry continues: “Every piece of jewellery she makes has a name that reflects the origins of the ‘found’ elements or just her own imagination that is informed by something historical or exotic. The words that she types out onto information cards, using an old typewriter, are almost as important to the customer as the item of jewellery that she is describing.
“The ‘mudlarking’ was a natural progression for Ruth. She is now incorporating artefacts that you simply wouldn’t find at a car-boot sale. Somehow, she makes old corroded bits of metal into precious artefacts and tells or gives them a story.”
Ruth Claydon’s Time and Tide exhibition will run until “at least the end of October”.
Finders, keepers, or not in the case of Ruth Claydon, who makes jewellery pieces “I’m loathe to part with because I want them for myself”, she says, but part with them she must at her Time and Tide exhibition at Pyramid Gallery, York
Author and artist Berrt deBaldock, alias Terry Brett, with his Good Rabbits Gone 2 book at Pyramid Gallery, York
BERRT deBaldock will be raising funds for Refugee Action York from his second volume of cartoon-rabbit tributes to celebrities and remarkable individuals.
Under his nom d’art, the 92-page book is the work of Pyramid gallery owner and curator Terry Brett, who draws the rabbit memorials at the time of the individual’s death, compiling them for his charity project with his tributes or memories of the person.
“Good Rabbits Gone Volume Two To Infinity covers February 2020 and August 2021, which happens to be the period of the start and possible ‘end’ of the pandemic. Hence the book has a subtitle, The Covid Years,” says Terry, who will hold a charity launch at his gallery in Stonegate, York, on Wednesday, October 6 from 6pm to 8.30pm.
“It looks like a strange diary of the pandemic. We have tributes to luminaries such as Terry Jones of Monty Python, rock’n’roll pioneer Little Richard and television and radio personality Tim Brooke-Taylor, Forces’ sweetheart Dame Vera Lynn and Bond Girls Honor Blackman and Dame Diana Rigg, alongside the most venerable Bond, Sir Sean Connery.
“But also we have a visual list of several pandemic crises such as ‘lockdown’, ‘beer going down the drain’ and the ‘demise of the office’. All portrayed as rabbits.”
Bertt deBaldock will sign copies of Good Rabbits Gone 2 at the launch, where donations are invited to Refugee Action York, with proceeds going towards the charity’s work in helping refugees settle into life in Great Britain.
Refugee Action York (RAY) was founded in 2002 to challenge myths and misconceptions about refugees and asylum seekers and to raise awareness of the contribution that refugees and asylum seekers make to our society.
RAY works with refugees, asylum seekers and migrants from within and around the City of York, providing a safe meeting point where people can seek information and support, learn new skills and languages and form lasting friendships. Through providing this support, RAY hopes to empower individuals to assist them in rebuilding their lives.
In addition to the sessions and services offered by the charity, RAY campaigns on behalf of local asylum-seeking families and their relatives who are under threat of detention and/or deportation.
RAY participates in the annual Refugee Week in York as part of a national and international awareness-raising campaign.
Author Berrt says: “I wanted to do a tribute to a friend and fellow musician and artist, Jean Moss, who died in July aged just 73. Philip, her husband, had been actively supporting Refugee Action York and Jean was a supporter of the charity.
“So I’ve decided to split the proceeds between St Leonard’s Hospice and Refugee Action York. The book will be launched at the event for RAY on October 6 and then there will be another event for St. Leonard’s in November.
“I feel good about supporting RAY, always having been one to welcome migrants from other cultures into our community. With so many negative vibes about migrants into the UK – mostly associated with Brexit – I think it’s now vital that we welcome all refugees, demonstrate that we care and help them to integrate.”
The book itself, paid for by Terry’s business Pyramid Gallery, is being given away. Donations are voluntary.
“From my experience with the first volume, released last November, people enjoy being given the book. Most of those people have then offered a donation, sometimes via the website JustGiving.co.uk.
“The fundraising page for St Leonard’s is listed as Terry-Brett6 and the fundraising page for RAY is Terry-Brett7, so people can choose which they prefer.”
A teaser for a Word Map of York, the next project for O+M Snowhome and artist Alison Hardcastle, pending Kickstarter funding
MATT and Helen Harris are launching a new project tomorrow to create a Word Map of York at O+M Snowhome, Gillygate, York.
“Snowhome’s previous owner, Angus McArthur, developed the first Word Map – of the British Isles – ten years ago with Yorkshire artist Alison Hardcastle,” says Helen. “Ten years on, there’s been a Word Map of London and even one of the USA, but never one of York.
“Having spent a lot of time exploring the city over the past 18 months, we felt it was the right time to celebrate all the city has to offer with a Word Map of York. So, we’re setting up a £3,000 Kickstarter campaign from tomorrow (22/9/2021) to crowdfund to allow us to commission Alison to create the artwork and bring the maps to life.”
Independent design store Snowhome was founded in 2001 by artist and printmaker Angus McArthur, after he moved to York from London, and was transformed into O+M Snowhome by Matt and Helen in July 2020 once Angus decided to focus on York Ghost Merchants in Shambles.
“O+M Snowhome has a long tradition of creativity and collaboration and its popular Word Map series is a firm favourite among customers visiting the lifestyle store,” says Helen.
“As the shop celebrates its 20th birthday, at a point in our lives when many of us have been staying at home more than we could have ever imagined, we’ve decided it’s time to celebrate the city with a Word Map of York.”
Matt says: “Like many people, we’ve spent much of the past 18 months exploring the place we call home. Those daily walks took us on new routes and found us making unexpected discoveries, creating a new-found appreciation and gratitude for the city we live in.
Mapped out: Alison Hardcastle at work creating her Word Map of London
“We were very aware of York’s rich history and well-known sites, but what we also discovered were the natural spaces, community links and little-known facts that, like so many places people call home, all combine to sum up the spirit of the city.”
After researching the city and gathering recommendations, Matt and Helen now have more than 200 possible entries to form the content for a new Word Map of York, created once again with Alison Hardcastle.
As with the others in the series, the map will comprise word entries hand-drawn by Alison to form the mapped shape of the city, creating a unique typographic artwork that celebrates the people, creations, events, culinary delights, fun facts and much more, all linked with the city.
“At a time when many of us are enjoying the chance to explore new places once again, we hope the map will serve to share York’s hidden gems with locals and visitors to the city alike,” says Helen.
Artist Alison is no less excited at the prospect of returning to the Word Map family. “Spending time hand-lettering the entries to form the artwork is always so therapeutic and I can’t wait to see how we can create a map that really celebrates the unique character of York,” she says.
Tomorrow’s launch of the Kickstarter campaign will seek to crowdfund the money to enable Matt and Helen to commission Alison to create the artwork exclusively for the shop and bring it to life in their next run of Word Map prints.
Like all Kickstarter campaigns, the project will need to raise its full funding goal to go ahead. To achieve their £3,000 target, the couple have created a range of options from single greetings cards to an opportunity to own the first copies of the map print.
Helen and Matt Harris in the doorway of O+M Snowhome, in Gillygate, York
“As a special thank-you to anyone able to help make the map a reality, backers to the campaign will be able to enjoy early bird offers on the finished art prints, access to an exclusive 20th birthday colourway, plus the chance to own one of ten unique screen-prints of the finished map, which will include a bespoke entry of the backer’s choice, each hand printed, signed and numbered by Alison in her studio,” says Matt.
As Matt and Helen want to share the benefits of the project, they look forward to continuing the long-standing relationships with Alison and printers Wood Richardson in bringing the maps to life.
“It’s been an economically tough time for many, so it’s especially important to us that if the project can go ahead, it helps to fire opportunities for other creatives and businesses,” says Matt.
“If the campaign is successful and the project can go ahead, the maps will all be ready for backers to receive in time for the Christmas gift season in December. The Kickstarter campaign launches on September 22 with some early bird offers until midnight on September 26. The campaign will end at midnight on October 7.”
To find out more about the Word Map of York Kickstarter campaign, go to snow-home.co.uk/awordmapofyork or visit their Kickstarter page at kickstarter.com/projects/wordmapofyork/york-word-map-a-city-celebration.
The story behind O+M
HUSBAND and wife team Matt and Helen Harris took over ownership of long-standing York contemporary design shop Snowhome in July 2020 from its founder Angus McArthur.
“O+M Snowhome was born as we brought the offer from own own homewares and lifestyle shop, Owl & Monkey, in Heslington Road, to Snowhome, bringing together the shared values of creativity, collaboration, innovation and inspiration, where quality, good design and fairness were at the heart of the range and independent retail experience,” they say.
Road To Nunnington, by Heather Burton, from East Riding Artists’ Mixed Messages exhibition at Pocklington Arts Centre from today
POCKLINGTON Arts Centre’s exhibition spaces burst back into life from today with the Mixed Messages show by members of East Riding Artists (ERA).
On show in the studio and foyer for six weeks until Thursday, October 28 will be paintings, ceramics, sculpture and jewellery.
Director Janet Farmer says: “It’s a pleasure to welcome East Riding Artists back to Pocklington Arts Centre (PAC), and it’s fantastic to finally be reopening our exhibition spaces.
“With the return of our cinema screenings, live events and now our exhibitions, the arts centre is once again welcoming plenty of visitors back through the doors, which is wonderful.”
The annual ERA show has become a key date in the artists’ calendar, traditionally attracting hundreds of visitors to PAC at Oak House, Market Place.
Red Sky, by Shirley Davis-Dew, from the Mixed Messages exhibition
ERA chair Larry Malkin says: “This is a wonderful venue for artists from across the whole of the East Riding to showcase their work.
“ERA goes from strength to strength, and this is one of the first in an evolving programme of exhibitions and events extending well into 2022.”
Entry to Mixed Messages is free during opening hours only. Please note, PAC is operating temporary changes to those hours, now being open on Tuesdays, Thursdays and Fridays, 11am to 3pm, and on Saturdays, 10am to 1pm, but closed on Wednesdays and Sundays.
For further information on Mixed Messages, visit pocklingtonartscentre.co.uk; more details on East Riding Artists can be found at eastridingartists.co.uk.
East Riding Artists members Sue Giles, left, Lyn Grant, Peter Winterton and Mary Burton with Pocklington Town Mayor Councillor Richard Bryon, front, at his mayoral visit
The exhibitors in East Riding Artists’ Mixed Messages show at Pocklington Arts Centre:
Chris Attersley; Ingrid Barton; Colin Bickerdyke; Mo Borrows; Jill Bradley; Anna Brown; Heather Burton; Mary Burton; Carol Davidson; Shirley Davis-Dew; Pat Davison; Judy Flanagan; Stephen Fletcher; Margaret Geraghty; Sue Giles; Alastair Gittens; Gerry Grant; Lyn Grant; Lesley Anne Green; Marti Hall; June Hammond; Phil Hargreaves; Belinda Hazlerigg.
Peter Hemmerman; Geoff Hewitt; Jane Higgins; Neil Hindhaugh; Joan Hudson; Graham Johnson; Angela Lambert-Dowell; Blanche Lee; Donna Makey; Larry Malkin; Carolyn Meddins-Ertl; Richard Pearson; Colin Pollock; Judith Pollock; Helga Princz; Phil Ramsdale; Janet Saxby; Shirley Stinchcombe; Carolyn Taylor; Noreen Thorp; Mary Wells; Denise Winter; Peter Winterton;
Artist Amelia Baron with her thread on calico cotton work Connected at the In The Open exhibition at Ryedale Folk Museum
IN The Open explores the impact of the Covid-19 public health crisis on artists and their creative practice in an open exhibition at Ryedale Folk Museum, Hutton-le-Hole, near Kirkbymoorside.
In 2021, in a desire to do something positive to support artists as the lockdown restrictions were lifted, the museum and artist Kane Cunningham came together to look at how artists were affected by the pandemic and how it changed their work.
The project finale is the exhibition of artistic responses to the northern landscape, on show in the art gallery and online via the museum’s website, ryedalefolkmuseum.co.uk, until Sunday, November 14.
Lockdown Feathers, monoprint, by Andrew Dalton
Funded by Arts Council England and selected by a panel featuring curator Jennifer Smith, photographer Joe Cornish, painter Kane Cunningham and ceramic artist Layla Khoo, In the Open assembles paintings, photographs, ceramics and textiles by more than 80 professional, amateur and hobby artists who have turned to the landscape for inspiration.
Museum director Jennifer Smith says: “We are absolutely delighted by the quality and variety of entries. It is encouraging to witness the broad range of people turning to art to express their feelings about landscape and countryside during the pandemic. It has been my great pleasure to bring these individual perspectives together.”
Museum staff also invited entrants to submit an accompanying piece of writing, reflecting on the effects of the events of the past 18 months on their artistic practice.
Message In A Bottle – Yellow Peril III, embroidered fabric and cement, by Nerissa Cargill Thompson
“Many artists have taken the opportunity to discuss the role that their art has played in their lives during this time, supporting them through the lockdowns in a range of really significant ways,” explains Jennifer.
As well as showcasing art produced during lockdown, a central aim of In The Open was to provide a platform for artists to speak openly and share their experiences.
“During the selection process, we had a strong sense of the therapeutic aspects of making art, as well as the benefits of spending time out of doors,” says Jennifer.
Rievaulx Abbey, etching and collagraph, by Anna Matyus
“It’s very moving to learn how much both their artwork and the countryside have meant to artists in these times. Some artists have contributed very personal reflections. Taken together, they are poignant, touching and capture a particular moment in time.
Ryedale Folk Museum is open from 10am to 5pm in September, then 10am to 4pm in October and November. For more information, go to: ryedalefolkmuseum.co.uk/art-gallery/
In The Open curator Jennifer Smith, director of Ryedale Folk Museum
The In The Open artists:
Garth Bayley; Sandra Storey; Nerissa Cargill Thompson; Kevin Parker; Adele Froude; Gaby Lees; Jennifer Cottis; Diana Terry; Freya Horsley; Rebekah Staples; Andrew Dalton; Anna Matyus; Rachel Morrell; Margaret Geraghty.
Emma Paragreen; Jane Wilson; Sarah Roberts; Tim Bos; Zara Browne-Gilbert; Debra Snow; Gigi Dyer; Jill Setterington; Susan Noble; Annie Louvaine; Diane Eagles; Heather Burton; Rebecca Hughes; Jane Walker.
A Moment On The Road, oil and acrylic on canvas, by Louise Ventris
Ernest Newton; David Hope; Louise Ventris; Katy Doncaster; Sue Slack; Jane Taylor; Tessa Bunney; Sarah Connell; Nick Walters; Iona Stock; Catherine Hill; Peter Hicks; Kirsty Davis; Francesca Simon; Janine Baldwin; Alice O’Neill.
Chris Carbro; Judith Pollock; Colin Culley; Sarah Cawthray; Alex McArthur; Sarah Billany; Angela Summerfield; Louise Gardner; Claire Castle; Marion Atkinson; Sandra Oakins; Teddi Coutts; Lucy Saggers; Christian Bailey.
The In The Open exhibition on display at Ryedale Folk Museum
Natalie McKeown; Stef Mitchell; Ken Clarry; Kimberli Werner; Louise Goult; Alina Savko; Louise Lorimer; Lesley Wood, Christine Heath; June Appleton; Joe Cornish; Joan Currie; Alison Britton; Susan Plover; Rob Moore.
Caroline Clarke Green; Simon Dobbs; Louise Harrison; Jean Stephenson; Simon Thurlow; Kane Cunningham; Lindsey Tyson; Judith Glover; Margaret Robson; Fran Brammer; Sally Lister; Amelia Baron and Wendy Tate.
Sea View From Coastal Path, papercut/collage, by Alice O’Neill
The waitresses in Waitress: Sandra Marvin’s Becky, left, Lucie Jones’s Jenna and Evie Hoskins’s Dawn
SUGAR, spice, all things nice and not so nice make up the recipe for Waitress, the all-American musical based on the late writer-director Adrienne Shelly’s minor-key 2007 film.
Flavoured with music and lyrics by Sara Bareilles and book by Jessie Nelson, the show made its West End bow in 2019 and is now doing the regional rounds on its first tour.
Like Heathers: The Musical earlier this season, Waitress has drawn a predominantly female, young, highly enthusiastic audience, out to cheer on heroine Jenna Hunterson (Lucie Jones), waitress and ace pie-maker at Joe’s Pie Diner, a drudge of a cafe off-Highway 27 in small-town Indiana.
Going nowhere in an abusive relationship with layabout, wastrel husband Earl (Tamlyn Henderson), she dreams of escape by winning a prestigious $20,000 pie contest. What a time to discover she has a bun in her own oven.
Newly arrived in town is gynaecologist Dr Pomatter (Matt Jay-Willis, busting out from boy band Busted), whose bedside manner is more akin to bumbling Mr Bean but is nevertheless most agreeably attractive, and you know where this will lead, married though they may both be, once he tastes her pies.
In other hands, other stories, the tone would be more bittersweet, more stridently feminist too, but brutish, feckless Earl stays in the wings for much of Act Two, the story instead being rich with comedic interplay, especially in the burgeoning relationships of Jenna’s fellow waitresses, one older and very self-assured, the other younger and nervous.
No-nonsense, sassy Becky (Emmerdale’s Sandra Marvin) makes out with the ponytailed grump behind the counter, Cal (Christopher D Hunt), while geeky, kooky Dawn (Evie Hoskins) discovers more than a shared love of historical re-enactments with fellow oddball Oggy (scene-stealing George Crawford, who lifts Act One just when it needs an extra ingredient).
Lorin Latarro’s choreography peaks with all three waitresses having their cherry on the cake at the same time, a climactic scene that brings the house down.
It would be misleading to suggest the savvy-humoured Waitress is too saccharine, even if the sung single-word refrain “Sugar” introduces each scene, but friendship and support, the pursuit of love, the search for joy and the quest for the perfect pie prevail over the darkness cast by Earl.
This is a musical, after all, and not a Tennessee Williams play, and so Diane Paulus’s direction is never too heavy on the salt, although always alive to the drive for female empowerment at the entertaining story’s heart.
Lucie Jones (The X Factor finalist in 2009 and Eurovision: You Decide participant in 2017) reprises her lead role from the West End, singing beautifully, especially in the signature song, She Used To Be Mine. Nelson’s book makes Jenna too sweetly accepting at first, but Jones absolutely captures the change into a woman determined to overcome adversity her way, ultimately free of male constraint.
Marvin’s Becky packs a punch, Hoskins’s Dawn is a daffy delight, and an unrecognisable Michael Starke makes a fine Midwestern gent as seen-it-all businessman and proprietor Joe.
Paulus’s direction is brisk, often as sharp as lime juice, sometimes sentimental; Bareilles’s songs have better lyrics than tunes but are delivered with energy and conviction; Scott Pask’s wheel-on set evokes the bustle of a diner and the wide expanse of Indiana beyond; and Paulus’s ensemble deliver sterling support, along with the band to the side of the stage.
Waitress’s musical pie is multi-layered, not perfectly balanced, more salted caramel than lemon zest, but certainly enjoyable.
Box office: 0113 243 0808 or at leedsheritagetheatres.com.
Six of the best for Hooray For Hollywood: Paul Laidlaw’s cast for York Musical Theatre Company’s November show at the Joseph Rowntree Theatre
YORK Musical Theatre Company will head off to Hollywood in November with a desire for escapism from months of pandemic lockdowns.
Devised by director Paul Laidlaw, Hooray For Hollywood’s celebration of songs from Tinseltown’s golden age was first performed by YMTC at the York Theatre Royal Studio in 2007.
From November 8 to 10 at the Joseph Rowntree Theatre, Laidlaw’s revival of his slick and sophisticated six-hander show will explore the musical masters of the classic Hollywood of the 1920s, ’30s and ’40s.
Laidlaw’s cast is made up of four women and two men: Cat Foster, Rachel Higgs, Henrietta Linnemann and Helen Spencer, joined by Richard Bayton and John Haigh.
This nostalgic, whirlwind journey through the sounds of Hollywood is packed with love songs, torch songs, and comic numbers from the bygone days of Fred Astaire, Judy Garland, Bing Crosby and Frank Sinatra.
Director Laidlaw says: “We’ve actually performed the show at the Joseph Rowntree Theatre before, as well as at the Theatre Royal Studio. As we head into our 120th year next year, it felt right to be a bit nostalgic and look back at some of our original pieces that audiences loved and revive them for new audiences.
“We loved performing The World Goes ’Round [a revue of Kander and Ebb’s songbook] a few years ago, and this show has a similar feel in that it’s a small cast and is fast paced and slick but will take the audience on a magical musical journey.”
Tickets for the three 7.30pm performances cost £15, £12 for age 18 and under, at josephrowntreetheatre.co.uk or on 01904 501935.
John Godber and Jane Thornton premiering Sunny Side Up! at the Stephen Joseph Theatre last October. Picture: Martha Godber
THE John Godber Company returns to the Stephen Joseph Theatre next month with Sunny Side Up!, the coastal comedy premiered by the Godbers in a family bubble at the Scarborough theatre last autumn.
Rehearsed at home, John Godber’s play played to socially distanced sell-out audiences at the end of October 2020, just before the start of the second pandemic lockdown. From October 7 to 9, it will be performed before a socially distanced audience once more in the Round.
Writer-director Godber will reprise his role as Barney alongside his wife, fellow writer Jane Thornton, and daughter, Martha Godber. Daughter Elizabeth completes the family line-up as company stage manager; Graham Kirk provides the design and lighting.
In Godber’s moving account of a struggling Yorkshire coast B&B and the people who run it, down-to-earth proprietors Barney, Cath and Tina share stories of awkward clients, snooty relatives and eggs over easy.
Jane Thornton and Martha Godber in a scene from last October’s premiere of John Godber’s Sunny Side Up!. Picture: Elizabeth Godber
“If you’re thinking of holidaying at home this year, why not book into the Sunny Side Boarding House soon,” invites Godber, whose seaside feel-good rollercoaster digs into the essence of “staycations”.
Godber’s play is told in his signature style, blending authenticity and pathos as he addresses the problems of levelling up, leaving home and never forgetting where you come from.
This John Godber Company and Theatre Royal, Wakefield production can be seen at the SJT on October 7 at 1.30pm and 7.30pm, October 8, 7.30pm, and October 9, 2.30pm and 7.30pm.
Tickets, priced from £10, are available on 01723 370541 and at sjt.uk.com.
Barney trouble: John Godber in the role of struggling B&B proprietor Barney in Sunny Side Up!. Picture: Martha Godber
Robert Hollingworth: New musical director for University of York Choir. PIcture: Frances Marshall
ROBERT Hollingworth is the new musical director for University of York Choir, taking over from the long-standing Peter Seymour.
Peter has retired from the post after directing the choir through much of the large-scale choral repertoire for many years but will continue to direct the Yorkshire Bach Choir.
Hollingworth, who moved to York in 2012, is a member of the university’s music department and a vocal specialist, and he has a professional performing career too, leading the vocal ensemble I Fagiolini and directing the annual Stour Music Festival.
He is keen to promote female conductors and composers, hence this term’s repertoire will include Pie Jesu by French composer Lili Boulanger, alongside Faure’s Requiem and other French music.
Peter Seymour: Retiring from director’s post for University of York Choir
For a flavour of Robert’s work, his entertaining and informative Sing The Score videos, produced during lockdown, are well worth exploring at youtu.be/ie7CSrBtbD0.
Membership of University of York Choir is open to students and staff, as well as by audition to those outside the university. Rehearsals are held on Mondays in term time from 7.30pm to 9.30pm in the Sir Jack Lyons Concert Hall, Heslington, York.
Registration and auditions will be held on September 27, followed by the first rehearsal on October 4. The Faure concert is in the diary for December 1 at St Lawrence’s Church, Lawrence Street, York. For more details, contact membership secretary Catherine Duncan via university-choir@york.ac.uk.
University of York Choir performing at York Minster under Peter Seymour’s direction. Picture: Alexandru Ichim
