York Stage take Songs From The Settee out of the home and into Theatre @41 UPDATE

TONIGHT’s opening performance of York Stage’s Songs From The Settee – Live On Stage has sold out.

Only a handful of tickets are still available across the next three nights at Theatre @41, Monkgate, York, where director/producer is staging the series in the wake of a hit series of online shows. Hurry, hurry to book at yorkstagemusicals.com.

Briggs and his York production company never let the first pandemic lockdown grind them down, instead bringing together their performers, musicians and technicians remotely for a streamed concert season that played out over ten weeks under the title of Songs From The Settee.

“The idea was to keep the city entertained with top-quality musical theatre while we were in uncharted territory,” says Nik. “We thought the weekly publications would last three to four weeks, but before we knew it, we were at ten!

“We were blown away and driven by our friends and followers, who were engaging with the series and sending us messages, saying how we were helping them get through the week.”

The first online recording, Heroes All Around, was released on April 9 2020. “So, it felt like the perfect date, one year later, to announce what we’d be bringing to our audiences as theatres reopen with social distancing from May 17: Songs From The Settee – Live On Stage,” says Nik.

“From May 20 to 23, we have two different concerts that will run back to back under the same title at 7.30pm each evening.

“Musical director Jess Douglas will start the ball rolling with her band and some of York Stage’s finest vocal talents on May 20 and 21, before passing the baton to Stephen Hackshaw, who will bring in a new band and showcase more of the York Stage talent pool on May 22 and 23.”

The event will be staged in the Covid-secure John Cooper Studio at Theatre@41 on Monkgate, where audiences will be seated at cabaret tables, socially distanced from other bubbles around the studio. Drinks and refreshments will be served throughout the show with a table-service offering.

“Having produced a socially distanced pantomime, Jack And The Beanstalk, at Theatre @41 over Christmas, we know we can bring a show with full Covid compliance to the venue successfully and very much look forward to doing so,” says Nik.

Nik Briggs: York Stage artistic director

Here CharlesHutchPress fires off a fusillade of questions for a round of quickfire responses from artistic director Nik Briggs:

What will be the format of each concert? Will each one have a separate theme?
“Songs From The Settee: Live On Stage will bring some of the our online performances to the stage for the first time, alongside lots of other musical theatre and pop songs.

“There will be some group numbers of course, but the main part of the evenings will be made up of a series of cabaret/live lounge-type sets that will see our performers take to the stage solo with a collection of songs that mean something to them! 

“Throughout lockdown, we saw a lot of people setting up their ring lights and creating mini- recording studios in their homes in order to continue to create and be creative and the evenings are set to celebrate the tenacity performers showed across the industry and the work they created in lockdown.

“I often say to younger performers who I work with, ‘Sing like you sing in your bedroom mirror and now it’s time to see what that mantra brings from our older performers!”

Will Jess and Stephen decide on each concert’s content or will you be involved too?

“These shows will be a real collaboration between the artists, musical directors and myself due to the nature of the evening.”  

Who will be the singers for Jess’s shows and Stephen’s shows?

“On May 20 and 21, Jess will be working alongside Sophie Hammond, Lauren Sheriston, Joanne Theaker and some recent graduates.

“On May 22 and 23, Stephen will be returning to the musical director’s chair after a year for his concerts and he’ll be working with Grace Lancaster, Conor Mellor, Damien Poole, Emily Ramsden and, again, recent grads.

“Taking part across the four nights will be graduates Stephanie Bolsher, Holly Smith and Talia Firth, who have all performed with us previously, and Elodie Lawry, who will be graduating from the University of York this year.”

How will the stage be dressed for each show?  What will be the dress code for the performers?
“Well, we’re indoors this time, so we’ll not need as many layers as when we had our sell-out shows in Rowntree Park last August and September. Umbrellas certainly not called for! “There’s is no real dress code for this one though; our performers will be dressed to make them feel suitably fabulous and ready to entertain.” 

Just wondering: will there be a settee (or ‘sofa’ as my mother has always insisted I should say) on stage?

“Of course! How could we have Songs From The Settee: Live On Stage without a settee? I joked that we should maybe have a sacrificial burning or destruction of the settee at the end of each show to symbolise Boris’s plans that these reopenings will be very much irreversible.

“The venue will be beautifully lit again by Adam Moore and his Tech 24:7 team.”

 
What did you learn from mounting the Songs From The Settee shows online series; will “streaming” continue to play a role in York Stage’s work?

“Who knows. What I think it showed was yet again York Stage are adaptable. We responded and worked hard to ensure we continued and provided top-notch entertainment for the city, even in the darkest, hardest times for theatre.

“As you yourself have often commented in reviews, we really aim to set the bar high with everything we do as a producer in York. We are unique in that we proudly sit between others in the city where we continually mix professional performers and production teams with only the best of York’s community actors.

“That is what makes us exciting and ensures we are are able to bring huge West End and Broadway titles to the city, alongside smaller concerts, plays and studio pieces, which all have high production values, the best performances and stories that are filled with spirit and heart.” 

The HandleBards ride roughshod over Romeo & Juliet as tragedy turns to comedy in York Theatre Royal’s Love Season

“Kissing by the book” for pandemic masked ball times in The HandleBards’ unhinged and bonkers re-cycling of Romeo & Juliet for The Love Season at York Theatre Royal

IN the exhortative words of the late Freddie Mercury, “Get on your bikes and ride”.

Eco-friendly, perma-cycling Shakespearean travelling theatre company The HandleBards will be heading to  York Theatre Royal on May 25 and 26.

Directed by Nel Crouch, company founders Paul Moss and Tom Dixon and partner in chaotic irreverence Lucy Green have created an “unhinged and bonkers” version of Romeo & Juliet, the pulp fiction, early Sixties’ girl-group teenage tragedy of the Shakespeare canon.

“Forget the tears and tragedy, and get ready for some live and wired Shakespeare as you’ve never seen it before,” they advise after fashioning a show replete with music, mayhem and a pile-up of costume changes under the influence of cabin fever when cooped up together in lockdown.

“It was pure fortitude that the three of us were living together,” says Paul. “We ended up living in a three-bedroom house in Crystal Palace for the whole of lockdown, and we just opened a bottle of wine and started rehearsing.”

Crouch had adapted Romeo & Juliet originally as an all-female four-hander in 2016 that then toured internationally to Singapore, Malaysia, India and Myanmar in 2017 and 2018, when Lucy slipped into various roles.

“I’d even played Juliet and the Nurse when needed, and Tom had been an emergency understudy too, so we all knew the show really well, and we decided to adapt it as a three-hander for when we could tour outdoors [in a social bubble] last year,” says Paul.

“We rehearsed it in our living room and a rehearsal room, and then we managed to tour it throughout July, August and September, and we ended up doing about 50 shows, so it was pretty extensive. We then started talking to theatres about doing a tour in March and April, but of course that all got cancelled, though we’ve managed to move a lot of the tour dates to September and October.”

O Romeo, Romeo, wherefore art thou, Romeo? Lucy Green’s Juliet giving out distress signals in The HandleBards’ Romeo & Juliet

The HandleBards have toured York since four fearless friends, Moss, Dixon, Callum Cheatle and Callum Brodie pedalled Twelfth Night to 20 venues in 2013. “In our first days, I drew up a map of beautiful places we could go to, and of course York was on there,” recalls Paul.

“Someone suggested Merchant Adventurers’ Hall [in Fossgate], and we made contact with Lauren Marshall [hall manager and audience development officer]. We didn’t realise there was an outdoor performance space there, but that’s where we played and then camped by the river that night! The shows became so popular that we had to move them inside the hall.”

York missed out on the Romeo & Juliet tour in 2020, but Paul’s past association with Theatre Royal chief executive Tom Bird in their days at Shakespeare’s Globe has brought about next week’s stand-alone performances.

“Tom used to be executive producer at the Globe, and I was among the first Candlelighters in the Sam Wanamaker indoor theatre [where plays are lit by candlelight]. Tom and I have kept in touch to help each other out, and when he was interested in putting on shows outdoors at the Theatre Royal, we spoke, but instead we’re now doing the Love Season indoors.”

Usually, The HandleBards travel by cycle on their tours. “But for Romeo & Juliet, we’ve toured by van with a stage for socially distanced performances, and we’ll be taking the train to York,” says Paul.

Looking ahead, he adds: “For our upcoming all-female, comical Macbeth tour, our stage will now fit into an electric van, to go with the cycles, to give us carbon neutrality. If the show doesn’t make it to York this summer, it definitely will next year.

“Lucy, meanwhile, is going into rehearsals for Nel Crouch’s new version of Oscar Wilde’s The Importance Of Being Earnest: not Shakespeare and probably not cycling, for my new company, Slapstick Picnic, where basically the company premises will be wherever I have my laptop! Only two actors will be doing the entire show: Lucy and Bill Ross-Fawcett.”

Should anyone be a newcomer to The HandleBards, what should they expect from Romeo & Juliet? “Unbridled joy!” says Paul. “There are so many parts to our shows, always changing costumes, playing different roles, always having a good time. Romeo & Juliet may be one of the world’s great tragedies, but we’re here to entertain, so if there are tears, they will be tears of joy.

Wherefore art I? Cast thine eye hither, O Juliet. Paul Moss’s Romeo pulls a face of exasperation in The HandleBards’ Romeo & Juliet

“Shakespeare’s plays are there to entertain and we’re just here to tell good stories. The interesting thing about Shakespeare’s tragedies is that there’s so much humour and comedy in them! 

“Until Mercutio bites the dust, there’s very little tragedy in it. It’s a comedy till then, and people forget that, trying to make it so dark. You can play it that way, but it’s a family comedy in the first half. Even if the plays are tragedies, we approach them first with the aim of finding the comedy within the tragedy.

“There’s very little violence in Romeo & Juliet until it’s self-inflicted, so it’s all revolving around a ‘thumb bite’ up to that point!”

Reflecting on the spoke in the wheel of Lockdown x 3, applied to both The HandleBards and theatre, Paul says: “We’ve been some of the luckiest people in our industry, being able to tour last year and getting back up on our feet so quickly this spring.

“The Arts Council has been so supportive to theatres, but when things start opening up again and the furloughs drop out, I think we’ll see holes where people who are freelance haven’t been able to survive . I fear there’ll be a definite impact on theatre over the next two years.”

The Love Season presents The HandleBards’ Romeo & Juliet, York Theatre Royal, May 25, 8pm; May 26, 3pm and 8pm. Box office: 01904 623568 or at yorktheatreroyal.co.uk. YTR is complying with government and industry Covid-19, social-distancing guidelines to ensure safety of staff and audiences.

Riding ruff-shod: The HandleBards’ Paul Moss, left, Lucy Green and Tom Dixon transforming Shakespeare’s tragic teen romance into a chaotic comedy under the influence of lockdown cabin fever

Copyright Of The Press, York

More Things To Do in York and beyond and online as Step 3 tiptoes into the light. List No. 33, courtesy of The Press, York

Minster Men: The Howl & The Hum to play livestreamed concert at York Minster on Tuesday

THE Indian Variant may be dampening down hopes for June 21, but Charles Hutchinson’s diary is still filled with hope, concerts, festivals, exhibitions and a Minster livestreaming.

Livestreaming of the week ahead: The Howl & The Hum, Live At York Minster, Tuesday, 8pm   to 9.30pm

YORK rock band The Howl & The Hum are performing a one-off streamed concert in the Nave of York Minster on Tuesday, with tickets available via Brudenell.ticketco.events/.

The 8.15pm setlist will be built around last year’s debut album, Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred. New material may well feature too. “I reckon it will,” says frontman Sam Griffiths.

Rachel Croft: York singer-songwriter to perform on Songs Under Skies acoustic double bill with Wounded Bear at the NCEM. Picture: Amy D’Agorne

A fistful of outdoor gigs: Songs Under Skies, National Centre for Early Music, York, in June  

SONGS Under Skies will return to the NCEM’s churchyard gardens at St Margaret’s Church, Walmgate, York, next month.

Five outdoor acoustic double bills from 6.30pm to 8.30pm will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

As with last September’s debut series, the socially distanced, Covid-safe season two will be presented in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance. Box office: at tickets.ncem.co.uk.

Hope Is The New Hero, by Jake T, from Rawcliffe and Clifton Without, for the Hope display at the According To McGee gallery in York

Children’s art show of the week in York: Hope projections, According To McGee, York, tonight, tomorrow, then Wednesday to Friday for the next two weeks, 6pm to 9pm nightly

HOPE springs nocturnal in a collaboration between primary school artists from York and around the world at York gallery According To McGee.

Under the title of Hope, the artwork will be on display in light projections in the window of the Tower Street gallery in a creative response to the pandemic.

Digital artists Nick Walters is overseeing evenings featuring projections of 350 artworks selected from 3,000 images from cities in 33 countries.

York artist Sue Clayton, second from right, with NHS York Vaccination Centre site manager Will McEvoy, Nimbuscare director of quality and patient experience Michelle Phillips and Pocklington Arts Centre director Janet Farmer at the unveiling – but not unmasking! – of the 21 exhibition at Askham Bar

Jab in the arm for art: Sue Clayton’s 21 exhibition, NHS York Vaccination Centre, Askham Bar, York, until June 13

WHAT a captive audience for Sue Clayton’s portrait exhibition of children and young adults with Down Syndrome, presented in association with Pocklington Arts Centre (PAC).

As many as 3,000 people a day are attending the Askham Bar vaccination centre to receive a jab in the “Tent Of Hope”, where biodegradable prints of Sue’s paintings are in place.

The theme of 21 symbolises the extra 21st chromosome that people with Down Syndrome have, Sue’s energetic son James among them. 

Manic Street Preachers: New tour, new album…oh, and a new single called…Orwellian

Gig announcement of the week in York: Manic Street Preachers, York Barbican, October 4

WELSH rock band Manic Street Preachers’ 14-date autumn itinerary will showcase the September 3 release of their 14th studio album, The Ultra Vivid Lament, on Columbia/Sony.

In a departure from 2018’s Resistance Is Futile, the new record is the first Manics’ studio set to be conceived initially on piano rather than guitar.

James Dean Bradfield, Nicky Wire and Sean Moore last played York Barbican in May 2019. Their support will be The Anchoress, the Welsh-born multi-instrumentalist, songwriter and author Catherine Anne Davies. Tickets sales go live tomorrow (21/5/2021) at 10am at yorkbarbican.co.uk.

Mad about the Boy: Boy George and Culture Club perennial members Roy Hay and Mikey Craig are off to the Yorkshire seaside

Gig announcement of the week outside York: Culture Club, Scarborough Open Air Theatre, August 14

EIGHTIES’ icon Boy George and Culture Club are off to the Yorkshire seaside in a new addition to the packed Scarborough Open Air Theatre programme.

Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”. Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com tomorrow (21/5/2021) at 9am.

Rachel Podger: The Violinist Speaks concert at York Early Music Festival 2021. Picture: Theresa Pewal

Festival launch of the week: York Early Music Festival 2021, July 12 to 16

PRESENTED by the National Centre of Early Music, the classical York Early Music Festival 2021 will have the theme of Encounters, most vitally between audience and artists after lockdown loosening.

Among the guest artists will be violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook; the Monteverdi String Band; harpsichordist Steven Devine; The Society Of Strange & Ancient Instruments; La Vaghezza and Ensemble Clement Janequin.

Taking part too will be vocal ensemble Stile Antico and Spanish Baroque ensemble L’Apothéose. Tickets are on sale at ncem.co.uk. Upcoming too will be YEMF 21 Online, from July 15 to 18, featuring festival concerts and commissioned highlights.

Bull in a field: York alt.rock band booked for Deer Shed: Base Camp Plus festival

No Deer Shed 11 festival, but here comes Deer Shed: Base Camp Plus, Baldersby Park, Topcliffe, Thirsk, July 30 to August 1

AFTER last summer’s Base Camp, Deer Shed Festival co-directors Oliver Jones and Kate Webster have created Base Camp Plus with a female-headlined main stage, live music, DJ sets, comedy and shows. As with last year’s event, each camping pitch will contain its own Portaloo and washing facilities.

Jane Weaver, Dream Wife and Porridge Radio are the headliners; York bands Bull and New York Brass Band will be playing too; John Shuttleworth, Mark Watson and Angelos Epithemiou lead the comedy.

The organisers will adhere to the Step 3 restrictions in place since Monday, limiting the capacity, with social distancing and face coverings in covered areas. For tickets, go to: deershedfestival.com/basecampplus.

And what about?

Brief encounter: York drag diva Velma Celli in Love Is Love: A Brief History Of Drag at York Theatre Royal

Velma Celli in Love Is Love: A Brief History Of Drag, York Theatre Royal, May 29, 8pm

YORK drag diva deluxe Velma Celli’s fabulous contribution to York Theatre Royal’s reopening Love Season will be one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially to meet the love brief.

Joining Velma – the creation of York musical actor Ian Stroughair – will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, together with backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.

Ian last appeared on the Theatre Royal in Kes at the age of 14, all of 24 years ago.

Look who will be playing at York Early Music Festival in July…

Stile Antico: Long-awaited concert at York Early Music Festival 2021. Picture: Marco Borggreve

YORK Early Music Festival 2021 will have the theme of Encounters for its five-day run from July 12 to 16.

Presented by the National Centre of Early Music (NCEM), the annual festival of classical concerts will include a celebration of the 500th anniversary of the Franco-Flemish genius Josquin des Prez. 

“This year’s festival theme is one of encounters, most vitally between audience and artists, which seems particularly pertinent at a time when the festival can welcome audiences back to an array of York’s wonderful historic venues,” says director Delma Tomlin.

“We’re particularly delighted to announce that we’ll be working in partnership with the Flanders-based Alamire Foundation to present one of the highlights of the festival, a long-awaited concert by vocal ensemble Stile Antico.”

Renowned for their vibrant and expressive performances of music from the Renaissance, Stile Antico will perform in the resplendent surroundings of York Minster on July 13.

Rachel Podger: The Violinist Speaks…and plays at St Lawrence Parish Church, York, on July 13. Picture: Theresa Pewal

Among the guest artists for the 2021 event will be: violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook, working with Peter Seymour; the Monteverdi String Band, led by Oliver Webber; a York favourite, harpsichordist Steven Devine, with Robin Bigwood; The Society Of Strange & Ancient Instruments with their “weird and wonderful” Trumpet Marine Project; EEEmerging artists La Vaghezza, specialising in music from the  17th and 18th centuries, and the ever entertaining Ensemble Clement Janequin.

“The NCEM is also delighted to welcome Spanish Baroque ensemble L’Apothéose back to York as part of the Young Artists Showcase,” says Delma. “L’Apothéose last appeared in the city in 2019 when they won the York Early Music International Young Artists Competition and The Friends of York Early Music Festival prize. This year they will be recording a CD with Linn Records, which was part of their prize.”

Established in 1977, York Early Music Festival celebrates York’s myriad medieval churches, guildhalls and historic houses through “historically informed music-making of the highest international standard”. The festival is considered the jewel in the crown of the NCEM’s annual programme, drawing visitors from across the world.

“At last, we are able to welcome audiences back to York in person and we can’t wait!” says Delma. “ This year’s theme of Encounters celebrates the joy of music-making and being back together again to appreciate these glorious sounds together. 

“We can’t wait to throw our doors wide open again,” says York Early Music Festival and NCEM director Delma Tomlin

“For over a year, our home of St Margaret’s Church, in Walmgate, has been missing the energy and excitement that live audiences bring to us and we can’t wait to throw our doors wide open again. We hope you will join us for this five-day celebration of music and friendship in our beautiful city, bringing you world-class music from stunning surroundings.”

The festival concerts will take place in a Covid-secure, comfortable environment.  “All tickets are unreserved and audience members will be seated on arrival within social bubbles,” says Delma. “Each concert will last about an hour without an interval. Covid advice will be updated according to government guidelines.”

York Early Music Festival also will be available online from July 15 to 18. YEMF ’21 Online will include concerts recorded during the festival alongside commissioned highlights, with guests including The Gesualdo Six and The Rose Consort Of Viols.  Full details and tickets will be released on Wednesday, June 16. 

Tickets for the live festival are on sale at ncem.co.uk

Monteverdi String Quartet: Opening concert of the 2021 festival on July 12

YORK EARLY MUSIC FESTIVAL 2021 LISTINGS

Monday, July 12, 1pm, NCEM, St Margaret’s Church, York: Illustrated talk: Oliver Webber, “Un non so che di frizzante: the madrigal as a cauldron of creativity”.

Monday, July 12, 6.30pm and 8.45pm, NCEM: Monteverdi String Band, with soprano Hannah Ely, The Madrigal Re-imagined.

Tuesday, July 13, 1pm, St Lawrence Parish Church, York: Steven Devine & Robin Bigwood, The Bach Circle.

Tuesday, July 13, 7.30pm, York Minster: Stile Antico, Sine Nomine: Josquin des Prez.

The Society Of Strange & Ancient Instruments: Playing NCEM on July 14

Tuesday, July 13, 9.15pm, St Lawrence Parish Church: Rachel Podger violin, The Violinist Speaks.

Wednesday, July 14, 1pm, NCEM: The Society Of Strange & Ancient Instruments, The Trumpet Marine Project.

Wednesday, July 14, 7.30pm, NCEM: La Vaghezza, Sculpting The Fabric.

Wednesday, July 14, 9.30pm, Merchant Adventurers’ Hall, York: Jacob Heringman, lute, Inviolata: Josquin des Prez.  

Jacob Heringham: Playing Merchant Adventurers Hall on July 14. Picture: Guy Carpenter

Thursday, July 15, 11am, NCEM: Illustrated talk: John Bryan, Josquin des Prez: the first of the “great composers”?

Thursday, July 15, 1pm, Matthew Brook & Peter Seymour, Amore Traditore – Cantatas for bass and harpsichord.

Thursday, July 15, NCEM, 6.30pm and 8.45pm: Ensemble Clement Janequin,  Mille Regretz: Josquin des Prez.

Friday July 16, 1pm, NCEM: L’Apothéose, The Family Stamitz.

L’Apothéose: Closing concert of York Early Music Festival 2021

Karen Winship’s poignant NHS Heroes portraits show launched at Hull Marina

Mother and daughter: Karen Winship’s self-portrait of her painting her portrait of Kelly, an NHS occupational therapist

YORK artist Karen Winship’s poignant tribute to the selfless work of front-line NHS workers during the Covid-19 pandemic is on display at Hull Waterside & Marina until June 20.

Eleven of Karen’s NHS Heroes portraits were first shown at York Art Gallery in the Our Heroes Welcome thank-you to essential workers from August 1 when Lockdown 1 eased last summer.

Last August too, 13 more made their debut at City Screen, York, where the exhibition included a montage of all 24 that is being gifted to York Hospital by Karen, whose self-portrait of herself painting one of the NHS Heroes completes the collection.

The original paintings have been presented to the sitters, but the 24 portraits have been given a new life, reproduced on biodegradable boards for outdoor display by Pocklington Arts Centre (PAC) at a larger size than the originals.

Karen Winship’s NHS Heroes portraits on the railings at All Saints’ Church, Pocklington

First shown side by side on the railings at All Saints’ Church, Pocklington, from late-November to January, the portrait prints have headed further east to Hull, where they can be viewed for free, thanks to PAC joining forces with the marina managers, Aquavista.

“I’ve had a great response to the portraits so far, so it’s incredible that Pocklington Arts Centre is now taking the exhibition on tour into the wider community,” says Karen, whose work also features in Portraits For NHS Heroes, a fund-raising book for NHS charities.

“It’s been such a challenging time for everyone, especially our NHS front-line workers, and this was my way of recognising everything they do for us, so it’s fantastic that this recognition can be expanded even further. Art doesn’t get much more accessible than an open-air exhibition.

“I’m delighted to see my portraits lining the railings along Hull Marina, which is a landmark in itself, and I hope the public enjoy them too.”

Amanda, by Karen Winship, from her NHS Heroes series of portraits

NHS Heroes is one of two pop-up touring exhibitions being taken into communities across the region by PAC. York artist Sue Clayton’s collection of 21 portraits celebrating children and young adults with Down Syndrome was unveiled last Tuesday at the NHS York Vaccination Centre, at Askham Bar, for browsing by those attending jab appointments in the “Tent of Hope” until June 13. Plans are being put in place for the “21” show to transfer to Hull Marina after Karen’s show closes.

PAC director Janet Farmer says: “Making our exhibitions accessible to the public despite the pandemic has been really important for us, and the feedback has been really positive, so we’re very much looking forward to enabling even more people to see these incredibly poignant portraits created by the talented Karen Winship.

“We think they will make for a striking display along the marina. Our thanks to Aquavista for helping to make this possible.”

York artist Karen Winship with Aquavista manager Graham Richardson and Pocklington Arts Centre director Janet Farmer at Hull Waterside & Marina

Aquavista took over ownership of Hull Waterside & Marina last year and were only too keen to support PAC’s pop-up exhibition plans. Manager Graham Richardson says: “We’re delighted to support this fantastic initiative. The marina is a popular visitor destination, so we hope to see lots of people coming to view the portraits over the next few weeks.”

Karen, artist and educator, had begun her career as a graphic designer, later gaining a teaching degree and subsequently working for 15 years at a maximum-security prison as head of art.

Embarking on her journey as a professional artist in 2012, she is “living the dream” in her words, not least as a community-minded artist who enjoys “giving back” through her involvement in community art projects.

NHS Heroes is her latest public-spirited endeavour, this one inspired by Tom Croft’s #portraitsfornhsheroes project for artists to complete a free portrait in appreciation of the NHS for gifting to the worker depicted.

Karen Winship’s portrait of Samantha, from the NHS Heroes exhibition and Portraits For NHS Heroes fund-raising book for NHS charities

“There was a shout-out on Facebook across the country from Tom Croft, calling for artists to take part, and I was inundated with ten requests. Then I appeared on Look North and got even more,” says Karen.

“Tom Croft has now put together a book of 300 of the portraits, including one of mine, the one of Samantha, when she hasn’t got a mask on, but you can see all the creases on her face from the mask.

“Portraits For NHS Heroes is available in hardback on Amazon with all proceeds going to NHS charities.”

Among Karen’s portraits is one of her daughter, Kelly, who works for the NHS as an occupational therapist, bringing home the challenges faced by frontline workers in the pandemic. “I even had to do her portrait from photographs,” says Karen, to whom most of her subjects were unknown.

Kelly, NHS occupational therapist and daughter of artist Karen Winship, from NHS Heroes

“They were a few people I know from York, but the photographs came from all over. Newcastle, Northern Ireland, Scotland. At first, I thought it might be difficult to work just from a photo, because I’m used to doing portraits from people sitting for me, but because these photographs were taken as they were working, looking into their eyes, you can see the trauma, the sadness, the exhaustion.

“Normally, you can see a sitter’s mouth, but invariably in these photographs the mouth had to be covered with a mask, so the eyes become even more important.”

Karen’s portraits were first “exhibited” informally. “My neighbours in my cul-de-sac [St Thomas Close in Osbaldwick] put them in their windows,” she recalls. “People even came from Beverley and Newcastle to walk down the street, and one told me their back story…and you then carry those stories with you.”

Karen Winship at Monday’s launch of her NHS Heroes exhibition at Hull Waterside & Marina

She found creating the NHS Heroes portraits “so intense”, she eventually had to stop. “I tend to work quickly because I like spontaneity,” says Karen. “Normally with portraits, I work from one sitting and then photos, but what was different with these portraits was that I was totally absorbed just in painting. Normally, we would be chatting at a sitting.

“I was exhausted, doing one after another from photographs. I just kept going until they were done. Afterwards, I immediately went on to do something that was colourful: a couple of autumn paintings, still lifes. I had to do something that was completely contrasting.

“And I’ve also been lucky that since the NHS project, I’ve had various commissions as I had to cut back on my teaching during the lockdowns.”

For more information on PAC’s forthcoming exhibitions, visit: pocklingtonartscentre.co.uk.

Joan, portrait by Karen Winship from the NHS series

‘A year ago, I couldn’t have looked you in the eye and said, ‘this is going to be OK’,’ says York Theatre Royal chief exec Tom Bird

Tom Bird: Looking forward to tonight’s reopening of York Theatre Royal after 15 months like no other

YORK Theatre Royal will re-open tonight after 427 days, but chief executive Tom Bird feared this day might never have come.

Aside from two preview performances of December’s Travelling Pantomime tour, the main house stage has been in Covid-enforced hibernation since March 14’s performance of Alone In Berlin.

In the ensuing months, shorn of 89 per cent of its annual income being generated through selling tickets and associated revenue streams, the Theatre Royal had to cut its permanent staff by one third – seven voluntary redundancies and nine staff made redundant – after extensive consultations against a grim national picture where an estimated 40 per cent of theatre workers have lost jobs over the past 15 months.

Last September too, the Theatre Royal’s divorce was announced from the neighbouring De Grey Rooms, home to the theatre’s leased rehearsal rooms, workshops, offices and below-stairs costume department, as well as weddings, parties, award ceremonies and performances in the glorious ballroom.

Had Tom ever thought that the pandemic might be the final curtain for the Theatre Royal, England’s longest-running theatre outside London?  “Yes, as early as last May, I started wondering. I remember it well because the weather was gorgeous, but the outlook was bleak, though it was at that stage that Arts Council England were brilliant, in that they moved very quickly to provide £160 million Emergency Funding to theatres like us,” he recalls.

Josh Benson: The comic turn in York Theatre Royal’s upturn with The Travelling Pantomime last December

The Theatre Royal received £196,493 to help to cover costs in the fallow months from last July to September 30. “The ACE grant was about ‘What do you need right now not to collapse?’,” said Tom at the time.

“But when 89 per cent of your income revolves around ticket sales, you’re looking at that situation thinking, ‘that’s 89 per cent of our revenue gone, a turnover of £4.5 million; what business survives that?’.”

What’s more, Tom and the theatre faced the problem of running an old, if recently refurbished, building that is both huge and hard to heat, “so much so that it costs £475,000 a year just to keep it open, without staffing, to cover heating, lighting, water and safety,” he reveals.

“At that point, we didn’t know that Culture Recovery Funding would be made available by the Government, though there was a lot of noise, and we didn’t know if the pantomime [Cinderella, in the Theatre Royal’s first collaboration with Evolution Productions] could go ahead.

“What we did was to get brave at that point, making big decisions, giving up the lease of De Grey House and the De Grey Rooms, going back into our old offices in the gorgeous, ramshackle Tate Wilkinson House.

“Then there’s the decision you never want to have to make: having to lose staff, and that decision still haunts me. But in a way, the need to make savings was pretty black and white; it wasn’t a case of looking to be a bit more efficient. We had to take steps now, and last summer was pretty tough.”

The Pop Up On The Patio festival stage on the York Theatre Royal terracing last August

A Pop Up On The Patio festival season on the theatre terracing ran from August 14 to 29, a positive step in showcasing York and Yorkshire talent, but through the huge glass panes of the Theatre Royal could be seen the dormant foyer, box office and closed doorways to the main house and Studio: out of reach and shrouded in uncertainty.

Once the £1.57 billion Culture Recovery Fund was announced, the Theatre Royal was awarded £230,000 to assist the theatre until March 31, but the pandemic’s grip put paid to any chance of Cinderella going to the ball at the Theatre Royal.

“What picked us up was deciding to do the Travelling Pantomime that we took round York’s wards: it gave us something to focus on, not just thinking ‘is the Theatre Royal going to survive?’,” says Tom.

“It energised us all, and it was such a great show to do, but the truth is, a year ago, I couldn’t have looked you in the eye and said, ‘this is going to be OK’.

“We didn’t even know what was going to happen through that year ahead, but I have to say that the Yorkshire producing theatres have been brilliant. York, Hull [Hull Truck], Leeds [Playhouse], Scarborough [Stephen Joseph Theatre] and Sheffield [Sheffield Theatres] have got together each week on Zoom, which has been a really good case of peers supporting each other…

“…and we are where we are now, reopening to coincide with Step 3 of the roadmap. Love is in the air at the Theatre Royal!”

Clown time: James Lewis-Knight’s in rehearsal for Staying Connected, one of the Love Bites at York Theatre Royal tonight and tomorrow. Picture: Tom Arber

Tom is referring to The Love Season, already trailered in CharlesHutchPress [April 29 2021], that opens with Love Bites: two nights of two nights of letters from the heart tonight and tomorrow at 8pm that have both sold out.

The Love Season should have opened on St Valentine’s Day, February 14, but Lockdown 3 put yet another red line through diary plans. However, a second round of the Cultural Recovering Fund grants has put a £324,289 spring in the Theatre Royal’s step, coupled with the third stage of lockdown loosening from today.

Love Bites will turn the spotlight on the creativity of artists from in and around York, whether poets, performers, singers, dancers or digital artists, who have been commissioned to write love letters celebrating the return to live performances after the easing of the Government’s pandemic restrictions.

Introduced by Look North alumnus Harry Gration, Love Bites will explore the idea of love letters, dedicated to people, places, things, actions, occupations and more besides in five-minute specially commissioned bite-sized chunks.

The Love Season’s focus on human connection, the live experience and a sense of togetherness will embrace solo shows by stage and screen luminary Ralph Fiennes and Coronation Street star Julie Hesmondhalgh (The Greatest Play In The History Of The World…); a new Ben Brown political drama about writer Graham Greene and spy Kim Philby, A Splinter Of Ice, and Swedish playwright August Strindberg’s Miss Julie, transposed to 1940s’ Hong Kong by writer Amy Ng and director Dadiow Lin.

Ralph Fiennes in rehearsal for T S Eliot’s Four Quartets

The number one talking point is Ralph Fiennes’s Theatre Royal debut, in six performances from July 26 to 31, directing himself in the world-premiere tour of T S Eliot’s Four Quartets: a solo theatre adaptation of Burnt Norton, East Coker, The Dry Salvages and Little Giddings, a set of poems first published together in 1943 on the themes of time, nature and the elements, faith and spirituality, war and mortality.

Tom says: “Ralph is rehearsing in London, opening at the Theatre Royal, Bath, from May 25 and then touring. We’re so chuffed to have Ralph coming to York. We can’t believe it!

“We’re thrilled that Ralph’s show became a possibility for us, and it’s a huge credit to him to recognise the need to support theatre around the country at this time. Let’s say it, it’s rare for an actor of his profile and standing to do a regional tour, but he’s seen that he can help to save some incredibly important producing houses, like this one, by doing a tour – and it’s not an act of charity; it’s an important and really exciting piece of work.”

Performances in The Love Season will be presented to socially distanced audiences, adhering to the latest Government and industry Covid-19 guidelines to ensure the safety of staff and audiences with a reduced capacity of 344, but should Step 4 of the roadmap roll-out go ahead as planned on June 21, there is scope for more seats to go on sale for shows later in the season. Over to you, Mr Johnson and the Indian Variant fly in the ointment.

For full details of The Love Season, go to: yorktheatreroyal.co.uk. Tickets can be booked at yorktheatreroyal.co.uk; on 01904 623568, Monday to Saturday, 12 noon to 3pm, and in person, Thursday to Saturday, 12 noon to 3pm.

In the name of love: York Theatre Royal’s reopening season

Boy George heads for coast as Culture Club confirm Scarborough Open Air Theatre gig

Clubbing together: Culture Club founder members Boy George, Roy Hay and Mikey Craig will perform at Scarborough Open Air Theatre this summer

BOY George and Culture Club are off to the Yorkshire seaside to play Scarborough Open Air Theatre on August 14.

Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”.

Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com on Friday (21/5/2021) at 9am.

Since their inception in 1981, Culture Club have sold more than 150 million records worldwide, clocking up such hits as Do You Really Want To Hurt Me, fellow chart topper Karma Chameleon, I’ll Tumble 4 Ya, Time (Clock Of The Heart), Church Of The Poison Mind, Victims, It’s A Miracle, The War Song, Move Away and I Just Wanna Be Loved.

Poster Boy: Boy George fronts the artwork for Culture Club’s August 14 concert at Scarborough Open Air Theatre

In 1984, Culture Club picked up the Grammy Award for Best New Artists and the BRIT Awards for Best British Group and Best British Single.

Boy George’s New Romantic luminaries became the first group since The Beatles to have three top ten hits in the United States from a debut album (1982’s Kissing To Be Clever).

Scarborough Open Air Theatre (OAT) venue programmer Peter Taylor, of promoters Cuffe & Taylor, says: “I’ve wanted to bring Boy George and Culture Club to Scarborough OAT for some time, so I’m delighted we’ve been able to make this happen for this summer.

“George remains one of the most colourful and iconic pop stars in British history, a true music star around the world. Culture Club’s live shows are a true spectacle and this is going to be a really special night.”

For full details of Scarborough OAT’s summer season, go to scarboroughopenairtheatre.com.

NCEM gardens to stage second set of Songs Under Skies acoustic double bills with The Crescent and Fulford Arms

Joshua Burnell: Sharing a Song Under Skies double bill with Katie Spencer on June 14. Picture: Elly Lucas

SONGS Under Skies will return to the glorious gardens of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, in June.

Five outdoor acoustic double bills will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

Wounded Bear and Rachel Croft: First Songs Under Skies double bill on June 1

As with last September’s debut series, season two of the open-air, Covid-safe Songs Under Skies will be presented by the National Centre for Early Music (NCEM), working in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance.

Gates will open at 6.30pm for the acoustic double bills from 7pm to 8.30pm with a 30-minute interval between sets. Each concert costs £8 and tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.  

Kell Chambers and Nadedja: Double bill in the NCEM churchyard gardens on June 2

Social distancing will be strictly observed and masks must be worn inside the NCEM but will not be required in the gardens.

NCEM director Delma Tomlin says: “We’re very excited to be bringing you the second Songs Under Skies: a feast of acoustic music taking place in our beautiful gardens, the perfect spot for a June evening in the sunshine.

Katie Spencer: Yorkshire singer-songwriter to play NCEM gardens on June 14, as well as a second Yorkshire open-air gig at Primrose Wood Acoustics, Pocklington, supporting Martin Simpson on July 1 at 7pm

“We’re also glad to be working once again with our partners The Fulford Arms, The Crescent and York Music Venues Network to begin the long-awaited revival of live music in our city. Last year Songs Under Skies was a complete sell-out and we’re looking forward to welcoming back audiences for these summer nights of music by these talented musicians.”

Harkirit Boparai, from The Crescent and the York Music Venues Network and North East regional coordinator for the Music Venues Alliance, says: “We’re delighted to be collaborating with the NCEM for another short run of outdoor concerts to take place in their beautiful gardens, with a stellar line-up of musicians from York and beyond heralding the return of live gigs to York.

Zak Ford and Alice Simmons: Playing acoustic sets at Songs Under Skies on June 15

“One of the silver linings of the pandemic has been that cultural organisations in the city have been able to collaborate in ways that they didn’t before, and after the success of our last series in the autumn, it’s been great to work with the NCEM team once again.”

Among the first arts organisations to stream online concerts, the NCEM has been keeping music alive since the beginning of lockdown, attracting a worldwide audience of more than 70,000. 

Epilogues and Sunflower Thieves: Songs Under Skies’ closing concert coupling on June 16

Over the past year, the NCEM staged socially distant events when possible and streamed concerts and festivals from St Margaret’s Church.

In June, this will continue with the streaming of the very first Beverley & East Riding Early Music Festival Online with concerts, walks and talks from the Yorkshire market town where the first festival was staged 35 years ago. This summer’s York Early Music Festival will run from July 12 to 16; a full line-up announcement is expected today (17/5/2021).

Kitty VR: Playing her first gig for seven months at the NCEM churchyard at last September’s first Songs Under Skies concert series. Picture: Neil Chapman/Unholy Racket

Last year’s inaugural Songs Under Skies presented Amy May Ellis and Luke Saxton on September 2; Dan Webster and Bella Gaffney, September 3; Kitty VR and Boss Caine, September 9; Wolf Solent and Rosalind, September 10; Polly Bolton and Henry Parker, September 16, and Elkyn and Fawn, September 17.

Full details of this summer’s Songs Under Skies can be found at: ncem.co.uk/songs-under-skies/.

Bite-sized Q & A with…Elena Skoreyko Wagner on Magic, her Love Bites collaboration at York Theatre Royal

Magic trio Elena Skoreyko Wagner, Bethan Ellis and James Cave

THE Love Season will set hearts pulsing at York Theatre Royal, where the Step 3 reopening from tomorrow will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.

More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged tomorrow (17/5/2021) – the first day that theatres can reopen after restrictions are lifted – and on Tuesday.

The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.

In the sixth in a series of CharlesHutchPress Q&As, papercut artist and illustrator Elena Skoreyko Wagner has five minutes to discuss Magic, her Love Bite collaboration with composer and singer James Cave and writer Bethan Ellis.

How did you hear about Love Bites, Elena?

“My collaborator, James Cave, caught wind of the project and got in touch.  We had discussed collaborating before, during one of the intense, hour-long “work” conversations we would have while our daughters took gymnastics together, but I think it was Bethan’s idea to adapt one of my poems.” 

What is your connection with York?

“York is our home! I honestly didn’t know if I would ever have a place that felt as much like home as York does. I am Canadian, and my husband, Achim, is German, and our first child was born in Canada; our second in Germany.

“We spent the first few years of our relationship in Toronto and the next five in Bonn, Germany, but really had no idea where we would settle. Achim ended up getting a job here in York, and we moved here knowing nearly nothing of the place. I had only ever been to the UK once, when I visited London for a weekend!

“But we encountered so much warmth and kindness, we feel like we got very lucky to randomly end up here! We intend to stay for a good while.” 

“These little things. Thank goodness for these things,” says Elena, as she seeks out magic and meaning in the mundane

What will feature in your Love Bite, Magic, and why?

“Our Love Bite is a miniature musical theatre piece, adapted from a poem I wrote during the first lockdown. The poem starts, ‘If ever you worry that magic is not real, remember how music can make you feel’, and continues with a list of little moments, small experiences of wonder and magic. If you are able to see them, recognise them in that way.

“James has composed a piece of music that he’ll be performing live, while I operate a miniature paper theatre I’ve constructed. The theatre is actually a re-creation of our allotment! 

“I think I largely coped with this past year by mining for these small sparkling bits, just catching hold of moments of beauty and connection during a very anxious time. It carried me through in a lot of ways.

“So, this piece is a sort of love letter to that, I suppose. To my allotment, in one sense, but only as a stand-in for that experience anywhere…For the house plant that I was able to propagate after months of trying! For watching my kids develop an entire fantasy world while lying on a hammock together in our tiny backyard for hours upon end…These little things. Thank goodness for these things!”

Your work “seeks to find magic and uncover meaning in the mundane”. What makes York a good place to do that?

“York is a beautiful city, which in many ways makes it easier to find magic. There are snickelways that look straight out of Tolkien, and crumbling walls, climbing with vines, straight from The Secret Garden! But really, York is just as good a place as any.

“I think that’s the discipline of it… It’s an approach to moving through the world. One of the lines in the poem is, ‘how we can have conversations with nothing but glances’. That is magical too, in my mind.

“Just these slow observations; noticing these truly amazing things, allowing ourselves to get caught in them, for just a second even, to help carry us through the rest of life, which can be on the heavier side.”

Elena Skoreyko Wagner will be making her York Open Studios debut at The Drey Studio in July

In lockdown, what have you missed most about theatre?

“I’ve missed that sense of occasion, of all of these people coming together in this perfect storm of creative energy to create something to move and touch others.

“When I go and see a performance, I feel that, and that proximity to people creating, putting this thing out into the world together, it’s inspiring in the most literal sense. I walk away feeling energised to make more, to kind of continue that current of electricity! I have missed that.” 

What’s coming next for you?

“After this, I will be illustrating a book about mums’ having feelings! I’m really excited about that. I also have some animated projects and I’m working up to taking part in York Open Studios in July.

“I opened a small studio on Heslington Road, The Drey Studio, in September and we haven’t really been able to properly get it running yet, given the restrictions, so I’m also looking forward to breathing some life into that space as well!” 

What would be the best way to spend five minutes if you had a choice?

“It’s possible that, over the past year, my vision for an ideal five minutes has gotten smaller, but maybe that’s not the worst thing in the world. The happiest five minutes I’ve had in recent months was digging in my allotment, sun on my face, to the sound of bird song and my kids laughing their way through some make-believe game about a dragon named Tiny, while they shared the swing we hung up in the apple tree. 

“I would like to note, I’m not a good or experienced gardener, but it does not matter. Just being able to find peace and beauty in this small way…I could not have felt happier in that moment.”

Tomorrow’s show has sold out. Tickets for Tuesday cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.