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Sue Clayton marks World Down Syndrome Day with 21 portrait salute in Pocklington

Sue Clayton’s portrait of Holly from her exhibition 21, opening tomorrow at All Saints Church, Pocklington

YORK portrait artist Sue Clayton is joining forces with Pocklington Arts Centre to present an outdoor exhibition, 21, in celebration of World Down Syndrome Day.

On display on the railings of All Saints Church, Pocklington, from tomorrow (19/3/2021) to April 19, the 21 portraits are all inspired by children and adults who have Down Syndrome, especially Sue’s energetic son James.

Sue, whose portraiture is marked by a vibrant palette and social purpose, has chosen the theme of 21 not only in a nod to World Down Syndrome Day (WDSD) falling on March 21, but also to symbolise the extra 21st chromosome that people with Down Syndrome have. 

21 will be the second such exhibition to be staged by Pocklington Arts Centre (PAC) in lockdown after Karen Winship’s NHS Heroes outside “the Cathedral of the Wolds” from late-November to January 4.

Sue says: “I’m delighted to once again be teaming up with Pocklington Arts Centre to unveil 21 to mark World Down Syndrome Day. 

Todd, by Sue Clayton

“I take a huge amount of inspiration from my son James, who celebrated his 18th birthday in lockdown, so I’m very much looking forward to bringing this collection of portraits featuring children and adults with Down Syndrome at work and play to Pocklington. 

“I really hope it helps to not only celebrate some incredible people but also perhaps to challenge some people’s perceptions of Down Syndrome to coincide with this international awareness-raising campaign.”

The 21 exhibition comes a year after Sue held a record-breaking attempt to create the world’s largest pair of knitted socks at PAC, where the huge socks formed the backdrop to her studio exhibition Downright Marvellous At Large. 

The project involved keen knitters from the Pocklington community and beyond knitting and donating brightly coloured squares that were joined together to make the enormous odd socks. 

“Why odd socks,” you ask?  Odd socks are worn to mark WDSD as part of the global fundraising campaign Lots Of Socks to represent the odd number of chromosomes, whose shape matches a sock.  

“We’re delighted to be working with Sue Clayton once again on what promises to be a fantastic exhibition to help raise awareness of a worthwhile cause,” says Pocklington Arts Centre director Janet Farmer

Sue’s original Downright Marvellous! exhibition at PAC in 2015 mainly depicted young children who have Down Syndrome, but her new portraits in part focus on the “unrepresented and significant” social presence of adults with Down Syndrome at work and at leisure. This is in keeping with her artistic vision to “represent those who are sometimes socially unseen”.

PAC director Janet Farmer says: “We’re delighted to be working with Sue Clayton once again on what promises to be a fantastic exhibition to help raise awareness of a worthwhile cause. 

“Sue’s previous exhibitions at PAC have always proved to be so popular, so we’re looking forward to being able to make 21 happen as an outdoor event while the venue remains closed to the public. 

“We hope as many people as possible enjoy this truly unique and inspiring collection of works.”

Sue, from Wigginton, is drawn to portraiture because “it insists upon the idea that the more you look at a face, the more you see. Every single aspect – the eyelids, the nostrils, and the complexion – reveals the personality and character of every individual person”.

Sue Clayton with her York Heroes portrait of Andrew Fair, stalwart Sainsbury’s worker at Monks Cross

After making a radical mid-career change to become a full-time artist, self-taught Sue soon gained recognition from Britain’s Got Artists in 2012 and later as Outstanding Visual Artist in the York Culture Awards for her York Heroes project in 2017-2018, shown at York Hospital. 

Selected by the York public for Sue’s portrait challenge, the six “heroes” were Dame Berwick Kaler, York Theatre Royal pantomime legend; Mary Chapman, founder of Nuzzlets Animal Charity in Great Ouseburn; Professor Steve Leveson, York Against Cancer co-founder and chairman; Ian Donaghy, motivational public speaker, charity fundraiser, author and Huge singer; the late PC Suzanne Asquith, who was awarded a BEM in the Queen’s Birthday Honours for her work with young people, and Andrew Fair, the perennial friendly face on the trolleys at Sainsbury’s at Monks Cross.

Sue’s portrait of Andrew in uniform, with his yellow hi-viz jacket and orange Sainsbury’s name tag, subsequently featured on the opening episode of Grayson Perry’s Grayson’s Art Club on Channel 4 during Lockdown 1 last spring.

Influenced by Rembrandt, York artist William Etty and more contemporary painters such as Jenny Saville and Tim Benson, Sue enjoys working with dynamic colours to make marks “that should not be there but somehow work”, and her modus operandi is to capture both the likeness of her subjects and their inner life. 

During lockdown, she has been teaching weekly online art classes. To find out more about Sue’s classes and her work, visit sueclayton.com. For further information on World Down Syndrome Day, and how to show support by wearing odd socks on March 21, visit downs-syndrome.org.uk.

Self Portrait, by Sue Clayton

Here, CharlesHutchPress turns the spotlight on Sue Clayton with a broad canvas of questions.

How will you and James mark World Down Syndrome Day on Sunday, March 21, Sue?

“We’ll be definitely wearing our odd socks on WDSD. We’ll be donning the official design odd socks from the Down Syndrome Association, but everyone is warmly encouraged to show support by wearing any odd socks they like, with the odd socks representing the extra sock-shaped chromosome.

“We’ll also be taking part in an online disco party that starts at 3.21pm on Sunday, so beware some serious Mum dancing! The day before, James and I will be doing an online portrait workshop with James debuting as my model. All monies raised from this will go to the local Down Syndrome support group.”

Sue Clayton’s poster for Saturday’s workshop, marking son James’s debut as a model

What works make up the 21 portraits in 21 in 2021?

“The exhibition features seven new portraits of young people from our region, with a new sketch of James from his 18th birthday included. The other portraits have been selected from past Downright Marvellous exhibitions. There’s a range of mediums used this time from pen sketches, acrylic, oils and watercolour.”

Your past Pocklington Arts Centre exhibitions have been held indoors. This time, the works will be on show outside, becoming street art, on view to all. What extra oomph does that bring to this show?

Sue Clayton’s sketch of James on his 18th birthday

“Pocklington Arts Centre strikes again; they are such a great asset to the community. What a fantastic initiative this is. When most artists are struggling during this time PAC are helping by funding these exhibitions. 

“I’m particularly excited as I’m passionate about making art accessible for all. This way, art is shown in an open environment to people who may not go to art galleries. If people can’t go to galleries and art centres, they will come to you!

“The paintings are vibrant and positive; it’s great to think they might make people smile as they pass by All Saints Church. I’m hoping the portraits will dispense the label and instead focus on the individual.”

Artist Sue Clayton, centre, with Janet Farmer, director of Pocklington Arts Centre, and Dr Reverend Jake Belder at Friday’s launch of the World Down Syndrome Day exhibition, 21, outside All Saints Church, Pocklington

You say you want to “perhaps challenge some people’s perceptions of Down Syndrome to coincide with this international awareness raising campaign”. What do you think those perceptions are and how can they be changed?

“I hope to share the individual and unique character of any person I paint; these models are no exception. A misconception may be that people with Down Syndrome will live sheltered lives, never leaving the family home or having a job.

“Many adults with DS make a great contribution to society, working in paid jobs or volunteering within the community. My greatest wish for James in the future will be that he holds down a fulfilling job to him; has a strong, loving relationship and can live as independently as possible, all of which I hope for my daughter too, who doesn’t have DS.”

“Vibrant, young, positive”: The qualities radiating from Rotherham Covid-19 ward nurse Rachel Beal in a photograph that inspired Sue Clayton to paint her for the #portraitsfornhsheroes” national project in 2020. A new NHS commission is on its way

What are you working on and when might your next exhibition be?

“I’ll soon be working on a new commission linked with the NHS, which I am very excited about. More details to follow nearer the time.

“I’m also working on a project that incorporates both large-scale paintings of the portrait and the nude side by side. Yet again, I hope to challenge the perceptions we make of people as we view the same person in a different way: do these change and why?”

How are the Zoom art classes going?

“I’m loving delivering art classes via Zoom. I can’t believe I was so reticent at the start of lockdown; I love it now! The thing I have found lovely is the sense of community and friendship that can form in a virtual class. 

“I now have people from across the UK and even have someone Zooming in weekly from the Netherlands.”

Joe, by Sue Clayton

What has Zoom taught you about the possibilities of opening up to new opportunities?

“The beauty of the classes is no travelling to venues, no forgetting art materials, plus it allows freedom to experiment more with materials as everything is on hand at home.

“I do two watercolour paint-along sessions each week, which allow participants to see in detail how to create the painting. Everyone can view it easily on thier own screen.

“Also, reference photos are much easier to share and I’ve created an online gallery so we can look and share our work together, again building the sense of community. Many of my learners have had to shield, so this has been a great way to still participate and not feel so isolated during this time.

Bethany, by Sue Clayton

“From a personal point of view, I’ve linked to a lot of art talks myself, expanding my art history knowledge. I particularly enjoyed taking part in one from Washington DC examining Van Gogh’s letters and the paintings described within them. Great stuff!”

How have you dealt with lockdown x 3 as a creative person?

“When lockdown began this time last year, my yearning to paint portraits waned; I’m very pleased to say this didn’t last long. Discovering I could continue to teach was a real bonus as, like so many creatives, I was very anxious how I could still earn money.

“The classes have been essential on many levels. They feed my creativity as I need to think about new and exciting challenges for my learners, but it’s also a wonderful time with fellow painters as we share thoughts and ideas. 

“I’ve had the challenge of two children home-schooling and having a young person with special needs 24/7 can have its ups and downs but overall it’s been good. 

Andrew, by Sue Clayton

“I often compensate by working into the early hours but I’m very grateful to have the opportunity to do this and keep my loved ones safe. 

“It’s definitely been a time to learn for me; I’ve invested in learning more about art history. Excitingly too, I’ve now found avenues to link up with models far further afield than I ever thought possible, thanks to technology.”

What do you know about yourself that you didn’t know a year ago pre-Covid?

“Hmm…tricky question! Like so many people, I’ve had to embrace tech more and never thought I would enjoy it so much. I’ve learnt to have more patience as I’ve had to time apart from my partner but equally learned our love is very strong and how thankful I am that he’s in my life.

“I know I enjoyed slowing down a little and how much I appreciate those around me. I now know that I have the scope to teach to a much wider audience and I’ve loved how much I’ve enjoyed it.”

“I really like the way he shows respect for all the artists, whoever they are, allowing them time to talk about their art and listening,” says Sue of artist Grayson Perry on Grayson’s Art Club

Why has Grayson’s Art Club on Channel 4 been such a breath of fresh air for the art world in general, championing people’s art?

“Grayson Perry is just fantastic; I can’t wait to see him in York later this year [Grayson Perry: A Show For Normal People, York Barbican, September 6].

“The TV show is wholesome and heartening and really brings home the fact that art is for everyone and everyone can make it. He’s such a good communicator and shows an understanding of humankind with his empathy. 

“I really like the way he shows respect for all the artists, whoever they are, allowing them time to talk about their art and listening. The connection between [his wife] Philippa and Grayson is great to see too. In a time of crisis, it truly shows the power of art, to create, to distract, to absorb, to think, to just be!”

Sue Clayton’s exhibition, 21, is on display outside All Saints Church, Pocklington, from March 19 to April 19, presented in tandem with Pocklington Arts Centre. For Sue’s short video on 21, go to: https://www.youtube.com/watch?app=desktop&v=lpoeCJW3_5I.

Rebecca, by Sue Clayton
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Pandemic community art project is bubbling up at South Bank Studios…and hurry, hurry, there’s still time to take part

Bubbling up: A Year Of Change: My Bubble project leaders Donna Maria Taylor and Katie Hill at South Bank Studios with bubble artwork submissions for the community art exhibition. Picture: Carolyn Coles/ Nicola Lee

THE first cases of the Covid-19 virus in the UK were identified in a York hotel, and today marks one year since the first UK lockdown was announced with the Government advice to “avoid unnecessary social contact”.

Soon to follow was the Stay Home, Protect The NHS, Save Lives edict as lockdown kicked in March 23 2020.

A year on, Lockdown 3 has reinstated that mantra, and March 23 2021 brings a new deadline, in the form of the closing date for a pandemic community art project launched by South Bank Studios artists Donna Maria Taylor and Katie Hill on January 31 to “help people through lockdown and isolation”.

“Are you looking for an art project to do during lockdown,” they asked. “To mark this year, we’d like to invite our friends in York to take part.

“Even those of us lucky enough to have a studio outside of our homes have had to do much more work than usual at home, so we’d like to represent this by inviting you to make a small artwork at home on the theme of A Year Of Change: My Bubble.”

Bubble-shaped works must then either be delivered to Southlands Methodist Church letterboxes on either the Southlands Road or Nunmill Street entrances, marking the envelope FAO My Bubble, or posted to My Bubble  (South Bank Studios), Southlands Methodist Church, 97, Bishopthorpe Road, York, YO23 1NX.

The ever-expanding online exhibition is already up and running at southbankstudios.co.uk/onlinegallery, and a physical exhibition will follow at Southlands Methodist Church, once the lifting of lockdown restrictions permits the Covid-safe reopening of the church building.

“So that we can put all of the artworks together in 2D – and possibly 3D – forms for the physical exhibition, we’re asking that the artworks should be a specific size and shape,” say the organisers. “So the design must be contained within a circle, somewhere between 12cms and 21cms in diameter.”

For full details on how to take part in My Bubble, go to: southbankstudios.co.uk/art-project.

One of the bubbles for My Bubble. All the works are to be exhibited anonymously

Here, South Bank Studios community art project leaders Donna Maria Taylor and Katie Hill answer Charles Hutchinson’s questions on My Bubble:

What gave you the idea for this lockdown project, Donna?

“I decided I wanted to give something back. And being involved in a community art project was at the top of my ‘To Do’ list at the beginning of this year.

“For personal reasons, I wasn’t in a position to get involved in any of the projects many artists were getting involved in during the first lockdown: making masks, scrubs, painting portraits for NHS Heroes etc.

“I contacted Katie in mid-January to ask if she’d be interested in working with me on the project and we launched it by the end of that month.

“Since Katie had recently taken on the role of ‘studio rep’ for the loft studio spaces at South Bank Studios, she seemed like a good person to approach to work with on the idea. It’s always great to have others to work with on projects like this as you can throw ideas back and forth.

“Katie came up with the timescale idea, linked to the first Covid cases in York and the initial lockdown date [March 23] became the project’s deadline date. She also came up with the title ‘A Year Of Change’.

“We were originally looking at asking people to produce designs within squares but then the ‘My Bubble’ idea suddenly came to me in the middle of the night, as these things tend to do!

“It all happened quite quickly once the idea was formed, and since then we’ve been meeting on Zoom on a regular basis to discuss progress and look at different ideas on how we could promote the project. Our friends on social media have been brilliant at helping us to do that and we’re very grateful to them for that assistance.

“Initially we were going to limit the project to adults, but we soon realised that it would also give families a chance to do something creative together while they were stuck at home doing home schooling, so we opened it up to cover all age groups.”

What drew you to become involved in My Bubble, Katie?

“I’ve worked on a lot of community art projects in Leeds and only moved to York in January 2020, just before lockdown, so it’s been a strange time to arrive in a new city. This project was an opportunity to get involved in something with the local community, to get to know people and do something positive during a very challenging time for everyone.”

How many bubbles have come in so far?  How many do you anticipate exhibiting?

“We’ve had around 40 bubbles arrive so far and we’re expecting quite a few more will arrive in the next week – people love working to a deadline.

“We’ve been in touch with a number of groups in York who we hope will get involved, such as York Carers, York Mind and Refugee Action York, but we really don’t know how many we will receive until the deadline.

“We’d love to get 365, one per day of the year, but however many we get it will make a great exhibition.”

When will the exhibition open online and when might you hope to put the works on display at South Bank Studios?

“We’ve already set up an online exhibition on our website where we’re adding ‘bubbles’ as they come in. You can see it online at: https://www.southbankstudios.co.uk/onlinegallery.

“We’re also doing regular posts on our social media sites, and we’re planning to have an exhibition of all the ‘bubbles’ together at some point over the summer months and certainly hope to coincide this with the two York Open Studios weekends: July 10/11 and July 17/18.”

Why are community projects important to you?  Why are community projects important full stop?

Donna first: “I’ve always enjoyed working with other people and love to see all the original artwork that comes in when you ask people to get involved in something like this. I’ve been involved in many in the past – particularly in my association with York Learning – and in some ways it always amazes me how different the artwork produced is, although obviously I know it shouldn’t.

“Imagine if all the artwork that came in was exactly the same. Now that really would be worrying! I think projects such as this inspire people; they make them feel part of a whole and help to bring people together. Not to mention the huge therapeutic benefits that doing any sort of arts and crafts has on the health and wellbeing of individuals.

Katie: “The Covid crisis has highlighted many things, including the importance of connecting with your community, taking action to maintain your physical and mental wellbeing, and the value of creativity for mental health.

“Hopefully, this project brings those things together. Community projects are so important to create opportunities for people to connect with each other and to express themselves and their experiences.

“We were really aware that the last year has been a very mixed experience, with some severe hardship and distress, and as artists we really believe that doing something creative can help during challenging times.”

In a year of change, what changes have been for the better?

“It’s definitely been a time to get to know our local community and neighbours much better. We’ve also been able to connect online: as artists we’ve started to have regular online meetings, which has really transformed how the studios are run and the sense of community there.

“People have become more aware of local projects and businesses, plus there’s the huge environmental positives, of course.”

What changes have been for the worse?

“So many people have suffered in this last year. So many people have died, and so many have been separated from their loved ones for long periods of time.

“Some people have lost their livelihoods and it’s difficult to imagine how some of that will recover, including live music and theatre.

“Living with the anxiety of feeling vulnerable to a horrible virus for a year has been a huge challenge for mental health, particularly for young people, and for key workers. There have been many changes – some things will never be the same again.

“It’s certainly a historic time we’re living in and we’re grateful that we’ve been able to record this in some way.”

What challenges have been thrown at you as an artist and what have you learned over the past year about your artistic vision and practice?

Donna: “My theatre work has all dried up, of course. I’ve only actually had one theatre job in the last year. And all my teaching has moved online.

“Again, like everything, it seems there are positives and negatives. Not being able to get into the studios all the time has been strange, but the time the pandemic has afforded me has actually meant that I’ve had more time to experiment and move forward with my art, which I may not have been able to do otherwise.”

Katie: “I’m a lecturer and all of my teaching suddenly went online, which actually created a lot of time to do craft and artwork while talking on video calls.

Katie Hill preparing artworks for exhibit in A Year Of Change: My Bubble. Picture: Carolyn Coles/Nicola Lee

“In the first month of lockdown I crocheted three blankets and realised that I needed to find other things to do. I’ve started working in sketchbooks for the first time in years and am developing ideas for textile arts and surface pattern design.

“I’ve been taking lots of photos of leaves and flowers on my exercise walks, which I have then used as inspiration for artwork. I never used to go for walks at all, so that’s a huge change for me.

“I’ve also been able to learn some new techniques by attending online classes with artists all over the world. So, creatively it has been a time of huge growth for me.”

In what ways has South Bank Studios been able to connect with the community during lockdown?

“As well as setting up this community art project, we’ve started free online ‘Create and Chat’ sessions to help the studio and church community through lockdown and loneliness. We also ran a stall outside the studios before Christmas, as part of Planet South Bank’s Crafty Crawl, which was very successful.

“Our studios are housed within Southlands Methodist Church and the church does a lot of creative community projects too. They’ve just put a spring flower display in the church windows and had a community Christmas tree outside at Christmas time that people could add their own decorations and messages to.

“The church is also working on a community garden, which will be a great asset particularly if it continues to be safer to be outdoors. Maybe we can run some outdoor community art sessions in the summer.

“Another artist, Rebecca Mason, has also set up a fundraising page for Cancer Research, and our friends at Planet Food – who share the building on a Thursday – have continued to offer weekly support to members of our community through their zero food waste initiative.”

What is the symbolism of the circular shape for a piece of art in My Bubble?

“We wanted a format that would unify all of the artworks, so that people could do a range of art in different styles, but they would all fit together, so we knew we wanted everyone to do something that was the same shape.

“Obviously the ‘Bubble’ idea links to social bubbles in lockdown, so the circle fits with that idea too. We’ve received some gorgeous artwork so far: the circle idea is working really well.”

What pieces are you each doing for My Bubble?

Donna: “Mine will be based on a photograph I took on New Year’s Eve as I walked through the empty streets of York city centre in the early evening with my daughter. It was deserted and symbolises what York has been like throughout the various lockdowns.

“For those of us who live in York, we know that we’d usually find lots of revellers everywhere at this time on the evening of a New Year. It was quite eerie in a way.”

Katie: “Following on from my flower art from daily exercise walks, I’m drawing and painting a bubble full of plants and flowers, including plants that have connections to my friends and family.

“With much more time at home than usual, I’ve done a lot of work in my small garden and am enjoying growing plants that have been given to me by my family and friends over the years.

“It’s a way to feel connected to them when we can’t be together in person. For example, my front garden is full of pale pink Hesperantha that were given to me by my mother, from her garden, so I really think of her when I see them.

What are you both working on?

Donna: “I’m planning two new online classes,  Experimental Watercolours and Spring Sketchbooks, which I’ll be delivering on Zoom. Although most of my learners are based in York, I’m now also teaching people as far away as Edinburgh, Brighton and Herefordshire. I’m also workin on a new series for York Open Studios.”

Katie: “I started a full-time PhD in January at Northumbria University on Social Design, which is where we use design processes and design thinking to work with communities on social and environmental projects.

“I’m going to be doing a community project as part of it in 2022, so I’m planning that at the moment. I’m also teaching online: design history and theory, and employability skills for designers.”

Which South Bank Studios artists will be participating in York Open Studios in July?

“There’ll be seven of us exhibiting: Donna Maria Taylor, Carolyn Coles, Caroline Utterson. Colin Black, Nicola Lee, Rebecca Mason and Karen Winship. It’s definitely one of the highlights of this year for those of us who are taking part and we’ve been looking forward to it for a long time now. More details about the event can be found at: yorkopenstudios.co.uk.

“We’re also planning to have other events as the building opens up and we’re safely able to do so: further craft fairs, coffee mornings and art exhibitions/installations.

“As a studio community, we’ve lots of ideas for the future and very much look forward to things getting back to normal, so we can explore all the ideas that we do have, both within the studios themselves and also in the space in and around the building.”

Carolyn Coles: One of the South Bank Studios artists who will be taking part in York Open Studios at Southlands Methodist Church on two weekends in July

Where might we all be in a year’s time?

Donna: “This is a tricky one. Personally, I would imagine my theatre work will slowly come back, but I will certainly be continuing with my online classes for a while. I’d like to think that I could go back to some real-life teaching at some point too, but for now I’m just planning things a couple of months in advance.

“In many ways, as artists, we’re very lucky as we’re used to change and insecurity. Historically too, interesting/innovative art often comes from challenging situations and living through difficult times.

“Looking forward, I also like the idea of running further community art projects from South Bank Studios, so watch this space.

Katie: “It’s so hard to imagine. If you had said in March last year that we would still be in lockdown a year later, I would have found that difficult to believe, so that makes me think that progress will continue to be slow.

“I think we’ve experienced a huge and rapid change in our use of technology and those changes will stay with us, so in a year’s time we will still be doing a lot of work from home and online.

“I hope that as a community we will all be working on taking care of each other and healing some of the trauma caused by this year of the pandemic, and that we will continue to nurture our sense of community and our creativity.”

Submissions for A Year Of Change: My Bubble

A Year Of Change: My Bubble: how to take part

Submission deadline: Tuesday, March 23 2021

Exact requirements of your artwork:
Your design must be enclosed within a circle that is a minimum diameter of 12cms (the size of a CD) to a maximum diameter of 21 cms (the width of an A4 sheet of paper).

If your design is on a piece of paper, card or similar, please do not cut out the circle! Instead, leave it with at least a square around it.

“This is because we may join some ‘bubbles’ together to form a 3D display,” say the organisers. “You can decorate this area if you like but do be aware that it may have holes punched into it at a later date, or it may be cut off, depending on the final overall outcome. Therefore, please concentrate your main design within ‘the bubble’, which will not be tampered with.”

Your artwork must be lightweight enough to Blu Tack to a wall.

Your piece should be personal to you and inspired by your life in York during Covid-19 times. 

Donna and Katie are hoping for a range of responses but some of the ideas/themes you may wish to explore as initial lines of enquiry include: 

Neighbours; home school; working from home; loss; support for essential workers.

Or how about: hobbies and interests; walks or exercise regimes; your garden; view from you home; family & friends; specific objects that are important to you; home comforts; a close-up of a room in your house; your lockdown clothing/footwear?

You may use any medium you choose, so your artwork could be sewn, painted, drawn, collaged etc. Or you could use a mix of materials.

Important notice!

Only one entry per person.

Before submitting your artwork, you must ensure that you write the following information on the back (or write it on a separate sheet and include it as part of your submission):


Your name

Your age (if under 18)

A contact email address (PLEASE USE CAPITAL LETTERS)

A contact phone number

Your postcode

You may, if you wish, also write a short description about your piece/inspiration. Only a sentence or two will do but this is not absolutely necessary.

Where to deliver your artwork:

Please deliver you final piece through one of the letterboxes at Southlands Methodist Church, marking the envelope FAO: My Bubble. You will find the letterboxes at the Southlands Road and Nunmill Street entrances. 

Or post your finished artwork (making sure you add an appropriate stamp to cover the cost!) to:

“My Bubble” (South Bank Studios), Southlands Methodist Church, 97, Bishopthorpe Road York,  YO23 1NX.

If you are shielding and are unable to do either of the above, Donna and Katie can arrange to collect your artwork from your doorstep. Use this email address if this is the case: southbankstudiosyork@gmail.com


Communications:

After submitting your My Bubble artwork, all correspondence will then be via email. In taking part in the project, you will be added to the South Bank Studio mailing list that has been set up so everything can be collated, keeping you up to date on progress so far and physical exhibition dates.

By taking part you are agreeing that you are happy for your name, email address and contact number to be on this list. You will be asked at the end of the project if you would like to be deleted from this list – or you can, of course, unsubscribe at any time by sending in an email. 

Website/Social Media:

Donna and Katie will publish the images of the artwork produced on the website southbankstudios.co.uk and associated social media accounts, but individual names and contact details will not be published.

Further details on the project can be found at: southbankstudios.co.uk/art-project. Facebook:.https://www.facebook.com/SouthBankStudiosYork

Instagram: @southbankstudiosyork

https://www.instagram.com/southbankstudiosyork/


Donna and Katie’s exhibition plans:

“We are aiming to get 365 ‘bubbles’ to represent a year, but if we do not have enough entries by the deadline (March 23), we shall open it up, so there may be an opportunity for you to submit more than one piece after this date,” they say. “We will let you know via email if this is the case.”

Return of artwork:

Artwork will be available for collection after the exhibition has finished. You will be contacted via email to inform you of when it can be collected.

Additional information:  

If you would like any further information, or if you would like to take part in the project but do not have any materials, please contact Donna and Katie, who will do their best to help at: southbankstudiosyork@gmail.com.

Extra support if you need it:

Donna and Katie say: “We have designed this project in the hope that it will provide something positive for those who live within our city, although we appreciate that for some these times have been extremely challenging.

“Therefore, if you do feel like you need additional support in any way,we would encourage you to please reach out. Here is a really good link to the organisations and people in York who can help you and they are only a phone call or text away: https://www.livewellyork.co.uk/FeelRealYork.”

More bubbles than at a West Ham United home match…
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Anita Bowerman’s print of The Yorkshire Shepherdess is a hit…and so is the mug!

The Yorkshire Shepherdess, Amanda Owen, holding Anita Bowerman’s artwork The Hay Meadows In Summer At Ravenseat at Anita’s Dove Tree studio in Harrogate

HARROGATE artist Anita Bowerman has created a new painting of The Yorkshire Shepherdess, Amanda Owen, the hill farmer and mother of nine from ITV’s The Dales and Channel 5’s Our Yorkshire Farm.

Painted in watercolour and gouache, The Hay Meadows In Summer At Ravenseat is available in a limited-edition print run of 450 and as a mug.

Each giclee print is signed by both Anita, who runs Dove Tree Art Gallery & Studio at Back Granville Road in Harrogate, and Amanda, who has featured previously in Anita’s fund-raising Christmas cards for Yorkshire Air Ambulance.

The idyllic scene captures Amanda in her shepherdess’s smock coat in the Yorkshire summertime in the ancient Hay Meadows with her nine children, animals, wildlife, insects and flowers and husband Clive on his tractor in the distance at their Ravenseat Farm in Swaledale.

The Yorkshire Shepherdess: The Hay Meadows In Summer At Ravenseat, watercolour and gouache, by Anita Bowerman, available as a giclee print…and a mug

“It took me a long time to create this scene using watercolour and gouache, a thick watercolour,” says Anita. “I love adding detail and telling a story in a picture. Amanda and her sheepdog Kate look adoringly at each other, the children play happily, picking flowers, chatting to each other and racing through the fields.

“There are some sheep, Tony the Pony with three girls surrounding him, a curlew, mole, hares, butterflies and lots more besides.”

Amanda enthuses: “Anita has illustrated a beautiful design featuring my family and animals at home in the hay meadows. She manages to capture all the details so intricately, from my favourite smock coat to the backdrop, animals, flowers and even my children.”

Anita then designed a fine bone china mug showing the same foreground scene, made for her by Duchess China in Stoke-on-Trent. “Amanda has served tea out of some of the mugs and sold them directly to walkers who visit her Ravenseat farm,” she says.

Artist Anita Bowerman and The Yorkshire Shepherdess, Amanda Owen, on a visit to the Duchess China factory in Stoke-on-Trent

“Then, during one episode of Our Yorkshire Farm, the camera honed in on Raven, Amanda’s eldest child, who had just gone to university. She was holding one of the mugs as the interviewer asked her if she was missing home and her eyes welled up with tears.

“The camera held the pose for a while…. and Amanda started to get requests flooding in from viewers to buy the mug. Another order from Duchess was needed.”

Amanda, who has visited Duchess China with Anita, loves the mugs! “They are very special, they make a pretty gift and are not only collectors’ pieces but being fine bone china, they also make a jolly decent cup of tea,” says The Yorkshire Shepherdess, author, photographer and  public speaker.  

Although Anita’s studio and gallery in a refurbished 19th century former coach house in the French Atelier style has been closed for much of the time since the first lockdown last March, she has continued to paint throughout the pandemic.

Elephant Family decorations, in stainless steel, by Anita Bowerman

Not only her Yorkshire Shepherdess prints and mug have been proving popular, so too have Anita’s elephants and boxing hares, all being posted out during lockdown.

The Elephant Family decorations, in hand-polished stainless steel, are inspired by the Painted Elephant Festival in Jaipur, India.

“They’ve become a symbol of families struggling to get together during the pandemic,” says Anita, who has been donating ten per cent of the proceeds to the Elephant Family Charity to protect Asian wildlife and its habitat.

Anita’s signed limited-edition giclee print of Boxing Hares at RHS Garden Harlow Carr was inspired by this enchanted Harrogate garden, depicting the willow boxing hares at the moonlit Glow event held there.

All’s welly that starts welly: Harrogate artist Anita Bowerman launching her Give Cancer The Boot installation at Castle Howard last July

First making her name with her papercuts, Anita was the official artist of the Tour de Yorkshire and latterly an artist in residence at RHS Harlow Carr Gardens.

Last July, her commissioned Tree Of Life art installation of 191 stainless steel wellies on a Lime Walk tree at Castle Howard raised funds for Yorkshire Cancer Research’s Give Cancer The Boot appeal.

Looking ahead, Anita is planning to paint cherry blossom over the exterior of her studio in late-April to coincide with the Harrogate Stray’s cherry blossoms. “It’s an idea that seems to be catching on,” she says. “Damien Hirst is focusing on cherry blossom at the moment too!”

For more information or to acquire a print or mug, go to: anitabowerman.co.uk.

“Not only are they collectors’ pieces but being fine bone china, they also make a jolly decent cup of tea,” says Amanda Owen of Anita Bowerman’s mug depicting The Yorkshire Shepherdess
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Paul Winn and Ben Darwin confirm summer date and line-up for 2nd York Blues Festival

Paul Winn: Co-director of York Blues Festival, blues radio presenter, promoter of Ryedale Blues Club and York Blues Club and manager and member of York band DC Blues

THE 2nd York Blues Festival will be held on Saturday, July 24 at The Crescent community venue, York.

This event was planned originally for April 4 last year and then rescheduled several times as the pandemic ground on. “All being well, fourth time lucky we can go ahead and bring you a day of fantastic blues in the great city of York,” say festival organisers Paul Winn and Ben Darwin.

No strangers to the British blues scene, they present Blues From The Ouse on Jorvik Radio and are members of York band DC Blues.

Winn-Darwin situation: Paul Winn and Ben Darwin confirm the line up for their 2nd York Blues Festival

Winn and Darwin have booked a festival bill of Robbie Reay; The Swamp Hoppers; Dori & The Outlaws; John Carroll; Dr Bob & The Bluesmakers; DC Blues and Nick Steed Five.

Doors will open at 12.30pm; Robbie Reay will kick-start the live music at 1pm and the festival day will close at 11pm. Tickets cost £12.50 in advance (£15 on the door), available from yorkbluesfestival.co.uk and thecrescentyork.com or from Earworm Records, Powells Yard, Goodramgate, York, earwormrecords.co.uk.

“The first event in 2019 was a huge success and was completely sold out,” say Winn and Darwin. “So, if you fancy a full day of blues, we strongly recommend getting your tickets in advance to avoid disappointment.”

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Eboracum Baroque combine with brewery for rowdy Purcell And A Pint virtual gig

Eboracum Baroque: Not only here for the beer on Saturday

YORK ensemble Eboracum Baroque are teaming up with Calverley’s Brewery for a rowdy YouTube and Facebook concert on Saturday (20/3/2021) at 7pm.

“It’s called Purcell And A Pint and is a virtual 17th century pub gig with catches, folk tunes and broadside ballads with a bit of beer tasting in the interval too,” says director and trumpet player Chris Parsons.

“It should be good fun and we hope audiences will be able to sing along at home for some of the programme.”

Eboracum Baroque’s collaboration with the Cambridge brewers will transport Saturday’s audience back to the alehouses of 17th century England for a night of rowdy drinking songs, popular fiddle tunes and folk songs that would have been performed in taverns across the British Isles.

“Have your drinks at the ready and join us for a good sing-song,” says Chris. “We’re delighted to be joined by Calverley’s Brewery, who will present a beer-tasting interval, readying us for the pubs re-opening later this year.” 

Among the highlights of the The Purcell And A Pint programme will be I Gave Her Cakes And Ale, Your Hay It Is Mow’d from King Arthur and The Jovial Broom Man and other classic folk tunes of the 17th Century.

“Henry Purcell (1659-1695) was notorious for liking a trip to the pub,” says Chris. “One story about Purcell’s death goes that he was late home from a rather heavy night and his wife locked him out and he succumbed to the cold.

“His bawdy catches and well-known broadside ballads would have been popular tunes to sing when having a pint. The raucous surroundings overflowed with music, alcohol, sex, gossip, fights, fumes, shouting, singing, laughing, dancing…our performance won’t have all of those!”

Eboracum Baroque’s poster for Saturday’s virtual concert

Taking part in Saturday’s concert alongside Chris will be baritone John Holland Avery; tenors Nils Greenhow and Gareth Edmunds; violinist Kirsty Main; recorder player Miriam Monaghan; cellist Miri Nohl and harpsichordist Seb Gillot, with audio and video editing by David Sims.

Looking ahead, Eboracum Baroque are to host Story Orchestra: Four Seasons In One Day, an online project for primary schools launched by the National Centre for Early Music, York, with funding from East Riding Music Hub.

“We’re really excited to be collaborating with the NCEM,” says Chris of a project that is suitable both for pupils who are in school or those learning from home.

This specially created work, based on the book The Story Orchestra: Four Seasons In One Day, illustrated by Jessica Courtney-Tickle, revolves around a live-streamed performance broadcast from the NCEM’s home, at St Margaret’s Church, Walmgate, on Tuesday, March 23 at 2pm.

The performance will be available to download from ncem.co.uk and can be accessed to watch again until Friday, May 28, and it will be accompanied by a raft of resources and activities, such as arts, crafts, drawing and painting.

Purcell And A Pint will be premiered on youtube.com/eboracumbaroque and facebook.com/eboracumbaroque on March 20 from 7pm to 8.30pm. For online tickets, go to: http://eboracumbaroque.co.uk/event/purcell-and-a-pint/  

Tickets for the March 23 livestream cost £15 for a standard ticket for the whole school, £10 for East Riding schools, and can be booked at: http://www.ncem.co.uk/story-orchestra-project/

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Jessa and Mick Liversidge team up with Helmsley Arts Centre for Fields & Lanes song and poetry livestream tomorrow

Field work: Actor Mick Liversidge and singer Jessa Liversidge take the country air

EASINGWOLD singer Jessa Liversidge and husband actor Mick Liversidge will present the Fields & Lanes Livestream show from Helmsley Arts Centre tomorrow night (13/3/2021).

“Mick and I have been working on a collaborative project with the arts centre all about engaging communities creatively,” says community singing leader and music tutor Jessa. “Now, we’ve recruited some more field singers and outdoor performers to join us virtually for our performance at 7.30pm.”

Since the first Coronavirus pandemic lockdown in March 2020, Jessa and Mick have taken to performing outside to lift spirits and cheer those stuck inside. While Jessa sings in fields, Mick recites poetry down country lanes, and together they have devised Fields & Lanes, a celebration of poetry and song as well a celebration of the great outdoors.

Mick and Jessa perform with no accompaniment, their sincere and heartfelt delivery letting the poems and songs speak for themselves.

Last Saturday, Jessa notched her 50th “field sing”: a Saturday morning routine for the past 50 weeks wherein she “gets up and performs a song outdoors”.

“Over 50 songs now as some weeks I have done two,” she says, and you can watch that performance as she lists all the songs at https://www.facebook.com/JessaLiversidgeSinger/videos/207646327454590/ or on YouTube at https://youtu.be/a8bzyhocd-U.

“I might delay the field sing a bit if it’s snowing or raining, or I’ll shelter under a tree, but I find doing these songs really beneficial for me; doing it every week, having that fixed in my diary, knowing I need to do it on a Saturday morning,” Jessa says.

Mick, a professional actor on stage and screen for six years, and Jessa also performed a socially distanced Fields & Lanes Under The Willow Tree at Easingwold Community Library on a September Sunday afternoon and for Joseph Rowntree Theatre volunteers when testing the York theatre’s Covid-safety regime last October.

Mick LIversidge recording one of his Fields & Lanes poems in lockdown

Buoyed by the response to their outdoor pursuits, Jessa and Mick teamed up with Helmsley Arts Centre (HAC) to offer the Ryedale and wider community the chance to join the Fields & Lanes family in remote workshops.

“You will have the chance to develop singing or recitation skills and work towards your own pre-recorded performance, which will be featured in the livestream Fields & Lanes show on March 13,” read the invitation to recruits on the HAC website.

Places were strictly limited, enabling Jessa and Mick to work with both small groups and individuals on February 27 and March 6. Participants also received support, feedback and guidance from Jessa or Mick in between sessions and they are entitled to a gratis ticket for tomorrow’s livestream.

“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa. “We’ve enjoyed everything that comes with performing in the open air: the bird song, the fields, the winds, and we wanted to help others take part and feel the benefits.

“We’re thrilled to be working with Helmsley Arts Centre, who have provided the funding for a project to demonstrate how music and poetry can connect the community through creativity, and we’re delighted with the wide range of performers who have joined us, from seasoned professional performers to hobby singers and poets.

“In the workshops and individual sessions over the two weekends, we’ve worked on field singing and outdoor recitation techniques and created some collaborative performances. As a result, members of these groups will be appearing with us in the livestream via pre-recorded video.”

Tomorrow’s livestream viewers can expect a wide-ranging show featuring poetry from William Wordsworth to Spike Milligan, Lord Byron to D H Lawrence, and songs from folk standards to pop favourites and gospel classics, The Beatles to Bill Withers, Cilla Black to Carole King.

Poetry collaborators in tomorrow’s livestream are Bill Laverick, Helen Wilson and Maurice Crichton, from York Shakespeare Project and York Settlement Community Players, and Ted Naisbitt, from Sowerby, near Thirsk, performing one of his own poems, My Lakes, inspired by Wordsworth.

Helen Wilson, performing at last summer’s Sitdown Sonnets, presented by York Shakespeare Project at Holy Trinity Church, Goodramgate, York. Tomorrow she is taking part in the Fields & Lanes livestream

Mick worked with Bill, Helen, Maurice and Ted, each taking a verse from Wordsworth’s Daffodils and Sir John Betjeman’s Business Girls, reciting both on Zoom and in the open air.

New field singers taking part are Sinead Livingston, Mary Bourne, Madeleine Cordes, Gary Cordes, Cat Ellis, Caitlin Ellis, Sarah Boyle and Bill Laverick.

“They’re spread across the country from Essex to the North East,” says Jessa. “One of the positives of these times has been being able to work with people from all over the place!

“Sinead, Mary and Madeleine are all singing leaders, who I’ve been liaising with over the past year, all liking the idea of singing outside, and it’s been really great to have such high-quality people to work with.

“Mary runs choirs in Kingston and writes songs, and she’s been a friend for a couple of years. We’ve recorded a duet called My Call, where I recorded my part outside and as she’s ‘Choir Leader In A Kayak’, she’s done her part from a kayak.”

Introducing more of tomorrow’s remote singers, Jessa says: “Cat and Caitlin are a mother and daughter from Easingwold; Cat is in one of my choirs and I teach Caitlin. Sarah Boyle is a ‘hobby singer’ from York who’s joined one of my choirs, and Madeleine and Gary Cordes run a talent agency in Essex.

“In the first workshop, we did Stand By Me and The Water Is Wide, with me editing the virtual performances together and then last Saturday we worked on individual song choices.”

For tomorrow’s livestream, “bubble couple” Mick and Jessa will be performing live and alone in Helmsley Arts Centre, where the pre-recorded songs and poems will be projected on a screen.

“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa

The 7.30pm show marks a return to Helmsley Arts Centre for Jessa, after performing three of her one-woman shows there: ’Til The Boys Come Home, Some Enchanted Sondheim and Songbirds.

She has been a freelance singer and singing leader for the past 12 years, completing high-level training on performance, singing teaching and musical direction with Vocal Process and qualifying as a Vocal Health First Aider.

“From youth choirs and dementia-friendly groups to community choirs and private lessons, my sessions all have an encouraging atmosphere and a positive, inclusive ethos,” she says.

“I’m continuing to run my singing groups online – Singing For All and Community Singers Online, as well as the live YMHSing sessions for the York Music Hub – and I’m always looking for more singers of all abilities to join in.

“One new singer recently said, ‘you fill the screen with fun and enjoyment’ and I’d love to reach a few more of these people.” 

As testament to her teaching skills, Jessa has been nominated for two 2021 Music and Drama Education awards on March 24 for her inspiring work with singers of all ages in the Covid-19 pandemic.

“Quite an honour and a big surprise!” she says. “I’ve no expectations of winning but will glam up and tune into the ceremony on the 24th anyway!”

Jessa is shortlisted for the #goldstars Award, for any teacher who has shown particular flair, creativity or compassion during this past year, and the Francesca Honley Inspiration Award, which honours an individual who has had a hugely inspirational impact on students of any age in their music-making. 

Outdoor pursuits: Mick Liversidge and Jessa Liversidge head out for a song and a poem in the Yorkshire air

“The person who nominated me mentioned the wide range of ways I have adapted and created different ways of inspiring people of all ages through singing, including the live sings and Zoom choirs for York Music Hub, song and music videos, live singing for all and field sings,” says Jessa, as she looks forward to listening to the 6pm online ceremony at https://www.musicdramaedawards.com/.

Looking ahead, Jessa says: “I’m definitely going to continue with the choirs online. I even have participants from Milton Keynes, Rochdale, Bedfordshire, and I’ve been able to engage in various ways, along with continuing my ‘real’ groups.

“I feel loyal to them all, so when lockdown eases under the Government ‘roadmap’, I’ll do hybrid ‘Room and Zoom’ sessions. I did one in October, which I enjoyed, though it is quite exhausting trying to do two things at once!”

Reflecting on 12 months under the pandemic cloud, Jessa says: “I’m really happy with the way I’ve managed to grow and create this past year despite everything, or actually out of necessity due to everything.

“I’ve developed a lot of skills, like a lot of people like me have. I’ve really enjoyed it, picking up technical skills, such as learning how to synch up people singing separately for streaming. It’s quite time consuming but I think it’s worth it, recording people standing alone in a field but then seeing themselves in a group online.”

Jessa is proof positive that singing is good for the soul, for physical health, for mental wellbeing. “Singing just lifts you and takes you somewhere else,” she says in her break from her online “three hat day” for this interview.

“Singing keeps me going. Today [8/3/2021] I’m running a Singing For All session; teaching a couple of pupils and doing a York Music Hub session at four o’clock, so I’ll be buoyant all day!”

Tickets for tomorrow’s 7.30pm livestream cost £8 per household. To book, go to: https://www.helmsleyarts.co.uk/whats-on/fields-and-lanes-livestream-from-hac.

All the Fields & Lanes poems and songs performed by Mick and Jessa outdoors can be found at the Fields & Lanes Facebook page, https://www.facebook.com/fieldsandlanes/.

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Alex Wright, Phil Grainger and Oliver Tilney combine on Half Man//Half Bull ancient myth songs to be experienced at home UPDATED 11/3/2021

On song: Phil Grainger in a recording session for Half Man//Half Bull

THE Flanagan Collective and Gobbledigook Theatre had to cut short their 18-month international tour last March, the pandemic forcing Alexander Wright and Phil Grainger to fly back to North Yorkshire from Australasia.

A year later, however, a brand-new work, created in tandem with fellow theatre-maker Oliver Tilney, arrives in the form of Half Man//Half Bull, a narrative-led double album of two ancient myths and 20 original tracks to be “experienced at home”.

Fusing spoken word, electronica and soul, Half Man//Half Bull retells the interlinking myths of Theseus & The Minotaur and Daedalus & Icarus, presented in a listening pack designed by Lydia Denno that will be sent out in the post.

“We wanted people to be able to hold a beautiful piece of art in their hand, like holding an album cover, so Lydia’s artwork is part of the whole experience,” says Alex. “We also want people to carve out a bit of proper time to really listen to the work, rather than listening to it for the first time when you’re doing the washing-up or while you’re cooking.

“We’re also asking you to reach out to connect with other people by sending out postcards, and there are four cards from the listening pack to hide around your community too. You could even give someone a call, knock on someone’s door and say hello.

“The two stories say a lot about isolation, so it feels good to do something that’s an antidote to that. We didn’t set out to tell a story about this time of Covid lockdowns, but it just seems to have seeped into it.”

Lydia Denno’s artwork for Half Man//Half Bull

Over the past few years, Alex and Phil, friends since Easingwold schooldays, have taken their international award-winning shows Orpheus, Eurydice and The Gods The Gods The Gods to packed rooms across Britain, Australia, New Zealand, Bali and New York, performing an enthralling, electrifying brand of spoken word and live music.

Once back home, they teamed up with long-time collaborator Oliver Tilney – he played Jay Gatsby in Wright’s adaptation of The Great Gatsby for the Guild Of Misrule at 41 Monkgate, York, in 2016 – to create Half Man//Half Bull.

“From the get-go, we wanted to make a new piece of work that wasn’t contingent on being performed live,” says Oliver, who first brought the idea to Alex and Phil last June. “We didn’t want a watered-down version of something to give to audiences; we wanted to create a new piece of work in its correct form. For us, that form is a double narrative-led album.”

Oliver set about reading various Greek myths, seeking a way to connect two together. “The ones we’ve chosen are about becoming a parent; one is about a father loving a son, the other about a son loving a father,” he says.

“Most people don’t carry any sympathy for Icarus, thinking he’s rather brash, but I thought, ‘no, let’s make these characters human’.”

Alex, Phil and Oliver began work on Half Man//Half Bull on Zoom, but lockdown easement then enabled work to develop in Covid-safe conditions, both in Stillington in Alex’s studio at The Mill last October and at Crooked Room Studio in Strensall, York.

Oliver Tilney at work on Half Man//Half Bull

“There was a moment I recall where Ollie’s daughter was in a push chair and I was writing these ditties, and Ollie’s lyrics were so clearly coming from his experience of being a dad,” says Phil.

“More than before, the writing was a mixture of all three of us. With Orpheus, it was very clear that I wrote the music and Alex, the lyrics, but for The Gods The Gods The Gods, there were a couple of songs where Alex came up with the melody.

“Whereas with this project, we’ve all stuck our noses into all of it. Ollie and Alex were writing the first drafts of ideas, while I was building some benches at Alex’s mill. Then I came up with a few bits of guitar, but once that had been done and they’d come up with the skeleton of the stories, we fleshed everything out, with everyone coming up with lyrics and me writing tunes. We all pushed ourselves more than ever.”

Alex rejoins: “We’re lucky that we’ve all known each other and worked together for so long, so it never felt like we needed to define who was doing what, or who was in charge. It just felt organic.”

The trio have partnered up with 15 organisations to bring the idea to life, among them the Stephen Joseph Theatre, Scarborough, Theatr Clwyd, Leeds company Slung Low, Rural Arts, Thirsk, and The Barn Theatre, their involvement affirming the appetite for this type of work. 

Alex says: “We started talking with our brilliant pals at Streatham Space Project [a project that Oliver was involved in setting up], where we managed to bring a socially distanced version of Eurydice in September. It quickly became clear there would be an appetite for a theatre, or an organisation, to be able to deliver content to their audience while people couldn’t gather in a more traditional setting.”

Oliver adds: “Those 15 theatres and organisations around the country are helping us by each agreeing to distribute 100 copies, so that means we’ve pre-sold 1,500 copies, either to be given away to pockets of the community they want to contact through outreach work, or for some to be put on sale through the venues.”

Alexander Flanagan Wright and Phil Grainger on their travels, cut short by the need to head home last March

An Arts Council Project Grant allowed the Half Man//Half Bull team to grow: the trio have collaborated with producers, designers and host of musicians to realise this project, alongside the family of theatres, venues and partner organisations.

After years of touring, lockdown has provided a longer opportunity to create and develop, says Phil. “Alex and I have been writing and touring shows for a while, with an ambition to grow our sound. This felt like a great opportunity to work with more people, collaborate with more artists and, crucially, create some work for as many freelancers as we could afford,” he explains.

That team includes Aminita Francis, from BAC BeatBox Collective, as Theseus; Zimbabwean-born musician Tendaii Sitima, as Daedalus; designer Lydia Denno; music producer Isaac McInnis and project producer Charlotte Bath.

“We were also able to spend a lot of time at Crooked Room Studio working with Isaac McInnis, which really helped grow the sound,” says Phil. “It’s crucial that as this is an audio project, that it sounds flipping great.”

Lockdown 3 was imposed just as Alex, Phil and Oliver were part-way through the last recording session. “But because we were already ‘bubbled up, we were already in the right place to allows us to continue,” says Alex.

“It was lucky that we could continue unimpeded,” says Phil. “Pretty much everyone else, apart from our producer Isaac, was able to send us their parts, recording in their own homes or on Zoom.”

Phil Grainger and Alexander Flanagan Wright last August when The Flanagan Collective and Gobbledigook Theatre presented a week of socially distanced shows in Alex’s back garden at The Mill, Stillington, including Orpheus and Eurydice

Billed as “an epic storytelling adventure for our time”, Half Man//Half Bull is designed expressly as an At-Home experience. “For a project that is an album, a listening experience, something you do with your ears, we were really clear we didn’t want to make a cast recording of something that already existed; it had to be something that stood in its own right,” says Alex.

“For the vast majority of musicians and creative people, they are hard-wired to connect with other people, preferably gathered in one room, but this had to be different – though it does feel odd that we can’t all be together to launch it!”

Instead, Half Man//Half Bull is a form of home service. “If you buy it, you’ll get a physical pack through your door with artwork, listening instructions and an invitation to step back out into the real world,” says Alex.

“Normally we would be thinking about the physical space we’re performing a show in, but this time it’s a listening experience designed for people’s homes.”

Yet might Half Man//Half Bull be turned into a live performance? “While we were writing the album, we had a catchphrase that we banned each other from saying: ‘When we do the live show’,” recalls Oliver. “Instead, we concentrated on the album, but having worked together for so many years, we all have ambitions to do it live.

“We haven’t had many conversations yet, just touched on a few ideas so far, because our focus has been on the album.”

For further information and to buy the albums, go to: halfmanhalfbull.com.

Alexander Flanagan Wright during the making of Half Man//Half Bull
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Michael Lyons’ Ancient and Modern show of outdoor sculptures to close on April 11

Becky Gee, curator of Fine Art at York Art Gallery, with Michael Lyons’ 1993 sculpture Amphitrite in the Artists Garden in May 2019. Picture: Charlotte Graham

THE last chance to see Ancient And Modern, Cawood sculptor Michael Lyons’ valedictory outdoor exhibition in York, is fast approaching.

The free display of large-scale sculpture in York Art Gallery’s Artists Garden and Edible Wood will close on April 11.

On show in the late Michael’s biggest ever exhibition on York soil are nine works created between 1982 and 2000, inspired by nature, myth and ancient cultures, with the central space dominated by Amphitrite, a large painted steel structure evoking the sea that he fashioned in 1993. 

Becky Gee, curator of Fine Art at York Art Gallery, says: “Michael’s incredible work has been shown around the world and in some of the most respected art institutions, and we’ve loved exhibiting it in the gardens here, feeling honoured to have housed his first large-scale exhibition in York, his home city.” 

Opened in late-May 2019, Ancient And Modern originally was booked to run until May 2020, but has remained in place through these pandemic times. “We were so pleased to be able to extend the exhibition and keep it open for visitors to enjoy on their daily walks through the gardens,” Becky continues. 

“The sculptures have brought a new dimension to the unique space and we’re thrilled with the positive response. The works complement and contrast with the ancient walls of St Mary’s Abbey and the more rustic landscapes of the Edible Wood, truly suiting their garden setting, and it’s been fascinating to see how they change as the seasons change how the gardens look.”

Cavalcade, by Michael Lyons, in the Artists Garden at York Art Gallery. Picture: Charlotte Graham

Before his sudden passing in April 2019, Michael Lyons said of the show: “To my knowledge, this is the first time such a large exhibition of outdoor sculpture has been shown in York – certainly for many years.

“It is a great pleasure to make a contribution to the cultural life of York in this way and I hope that the exhibition will help to make sculpture a more integral part of the city.” 

Becky recalls the “wonderful experience” of working on this exhibition with Michael before his passing. “His energy, warmth and creativity made a real impact on the gallery team and the show has proven to be a true celebration of the extraordinary skill and talent he possessed,” she says.

The York exhibition had been in the planning for many years, and once Becky took up her curator’s post in early 2019, she was able to work in tandem with Mr Lyons in the months before his death. They would liaise by phone and email and she visited his studio too.

“Michael was very enthusiastic, full of ideas, and spoke very eloquently about his sculptures, and he loved the space where they were to be exhibited. That inspired the Ancient And Modern title for the exhibition,” says the curator, who collaborated with the sculptor on the detailed wording to accompany each sculpture.

Working from the Cawood studio he established in 1977, Lyons’ sculptures range from small-scale to monumental, made in brass, bronze, clay and copper, with his exploration of the medium of steel resulting in an ambitious body of work equally at home in rural and urban landscapes.

Ancient And Modern exhibition curator Becky Gee is framed by Michael Lyons’ 1989 sculpture High Priest in the Artists Garden behind York Art Gallery. Picture: Charlotte Graham

Although the sculptures are abstract, their starting point is often figurative, as seen in the exhibits Ace (1982), Michaelmas (1982), Mayflower (1983), High Priest (1989), Cavalcade (1990), Hornblower (1992) and the companion pieces Harvest: Ceres’ Key (2000) and Harvest: Demeter’s Dream (2000), as well as Amphitrite.

“Sculptures can be hard to fully comprehend until you see them in front of you, but Michael’s works feel like they have landed here and been here forever,” says Becky.

“The beauty of them is that you can sit on a bench in the gardens and appreciate how each setting has been carefully chosen. That was very important to Michael’s family when they came to see us installing the sculptures.”

Becky’s favourite piece is Cavalcade, the work placed closest to the gallery walls. The most colourful is Mayflower, a yellow disc that evokes the sun, made at Mayflower Engineering in Sheffield, hence its name. Whatever the weather, radiant sunlight has continued to shine in the Artists Garden, thanks to Lyons.

“It’s been a privilege to have Ancient And Modern, and if you’re local we hope you’re able to enjoy the display before it closes,” concludes Becky.

Michael Lyons: Ancient And Modern, on show in the Artists Garden and Edible Wood, behind York Art Gallery, until April 11. Opening hours are 10.30am to 4.30pm daily; admission is free.

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More Things To Do in York and beyond in the months ahead and while staying home, List No. 28, courtesy of The Press, York

Bethany, from York artist Sue Clayton’s exhibition for World Down Syndrome Day, on show outside All Saints Church, Pocklington

THE diary is beginning to turn from blank to much more promising, even if online and home entertainment is still the order of the day, but Charles Hutchinson is feeling positive and so are event organisers.

Outdoor exhibition for World Down Syndrome Day: Sue Clayton, 21, All Saints Church, Pocklington, March 19 to April 19

YORK portrait artist Sue Clayton will celebrate World Down Syndrome Day (WDSD) on March 21 with a month-long open-air exhibition on the railings of All Saints Church in Pocklington.

Self Portrait, by York artist Sue Clayton

Her collection of 21 portraits is inspired by children and adults with Down Syndrome, especially Sue’s energetic son James. She has chosen the theme of 21 both to mark the date of WDSD and to symbolise the extra 21st chromosome that people with Down Syndrome have.

This is the second outdoor display to be staged by Pocklington Arts Centre (PAC) in lockdown at this location after fellow York artist Karen Winship’s NHS Heroes exhibition from late November to early January.

Iestyn Davies: York countertenor will perform at the NCEM’s Awaken online concert series

Springtime celebration of music online: Awaken, National Centre for Early Music, York, March 27 and 28

THE NCEM’s Awaken weekend will feature York countertenor Iestyn Davies and Fretwork, the all-male vocal group The Gesualdo Six, I Fagiolini and the English Cornett & Sackbut Ensemble, Ensemble Augelletti and The Consone Quartet.

The online festivities will celebrate the sublime sounds of spring in a range of historic venues to mark “the unique association between the City of York and the exquisite beauty of the music of the past”. Among the architectural gems will be Holy Trinity Church, Goodramgate, St Olave’s Church, Marygate, the Merchant Adventurers’ Hall and the NCEM. Full details can be found at ncem.co.uk/awaken.

The Minster men: The Howl & The Hum promote their livestreamed concert at York Minster in the ultimate publicity shot for any York band

“Unique” livestreamed concert: The Howl & The Hum, York Minster, May 25

YORK alternative rock band The Howl & The Hum will perform a “unique set to compliment the unique venue” of the Nave of York Minster in a one-off 8.15pm concert livestreamed via ticket.co.

Singer, songwriter and guitarist Sam Griffiths, bassist Brad Blackwell, guitarist Conor Hirons and drummer Jack Williams will combine selections from last May’s prescient album Human Contact with fan favourites and new material recorded in lockdown.

The Howl & The Hum will be the first rock act to play York Minster since York singer-songwriter Benjamin Francis Leftwich on March 29 2019. Tickets are on sale via thehowlandthehum.com/.

Wynne win situation: Castle Howard Proms will go ahead this summer with tenor soloist Wynne Evans

Confirmed for the summertime: Castle Howard Concerts Weekend, August 20 to 22

CASTLE Howard has announced this summer’s concerts weekend will go ahead, in light of the Government’s roadmap rollout.

First up, in the open air at the North Yorkshire country house, will be house music brand Café Mambo Ibiza on August 20, presenting Roger Sanchez, Judge Jules, Julie McKnight (live PA), Ridney and Robin S (live PA), with more big names still to be announced for the Ibiza Classics at the Castle celebration.

Welsh tenor Wynne Evans, from the Go Compare adverts, will be joined by soprano Victoria Joyce and the London Gala Orchestra for the al fresco Castle Howard Proms on August 21.

Four vocalists from We Will Rock You, a five-piece rock band and The Elysium Orchestra will combine for Queen Symphonic on August 22. Box office: castlehoward.co.uk.

Piece in our time at last: Shed Seven move all-Yorkshire bill at The Piece Hall yet again, now in the diary for August 28

Sheds on the move: Shed Seven, The Piece Hall, Halifax, August 28

YORK heroes Shed Seven’s all-Yorkshire bill at The Piece Hall, Halifax, is being rescheduled for a third time, now booked in for August 28.

Joining the Sheds that West Yorkshire day will be Leeds bands The Pigeon Detectives and The Wedding Present and Leeds United-supporting York group Skylights, plus the Brighton Beach DJs.

August 28? Doesn’t that clash with Leeds Festival, co-headlined that day by Stormzy and Catfish And The Bottlemen? Indeed so, but “let’s just say our fans are not their demographic,” quips lead singer Rick Witter.

Shoe-in: Julie Hesmondhalgh in The Greatest Play In The History Of The World…, playing the SJT this spring

The Greatest News In The History Of The World…The Greatest Play In The History Of The World…tour to open in Scarborough from May 18 to 22

THE Stephen Joseph Theatre’s Covid-safe reopening show will be the first tour dates of The Greatest Play In The History Of The World…, the hit one-woman play that Ian Kershaw wrote for his wife, Coronation Street alumnus Julie Hesmondhalgh.

Directed by Raz Shaw, it heads out on a heartfelt journey that starts and ends in a small, unassuming house on a quiet suburban road, as Hesmondhalgh narrates the story of two neighbours and the people on their street, navigating the audience through the nuances of life, the possibilities of science and the meaning of love. 

Hesmondhalgh says: “It’s a beautiful play, a love story, but a universal one about learning in time what matters in the end, about leaving a mark on the world – and maybe beyond – that shows us, the human race, in all its glorious messiness, confusion and joy.”

The Shires: Crissie Rhodes and Ben Earle move York Barbican gig from 2021 to 2022

York-Shires: The Shires, York Barbican, put back by 12 months

BRITAIN’S biggest-selling country act, The Shires, are rescheduling their May 23 show at York Barbican for May 6 2022.

York is the only Yorkshire venue of their rearranged 25-date tour, when Crissie Rhodes and Ben Earle are billed to be joined by Texan country singer and songwriter Eric Paslay. 

“The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life,” say The Shires. “It’s truly a very special thing”.

And what about?

STILL stuck at home, check out Mindhunter on Netflix, Unforgotten on ITV and Sophia Loren’s Desert Island Discs on BBC Sounds. Seek out Nick Cave & Warren Ellis’s new lockdown album, Carnage.

Cave in: Nick Cave & Warren Ellis create Carnage, available digitally now and on CD and vinyl from May 28
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Milton Rooms to reopen with four May events as Scott Garnham becomes patron

Scott Garnham, the new Milton Rooms patron, pictured when playing the lead in Nativity in the West End, alongside the show’s “secret Santa”, Queen guitarist Brian May, no less

THE Milton Rooms is counting down the days until it can reopen its Malton doors with four events lined up to kick-start the May reawakening.

First up, Yorkshire singer and guitarist Martin Gough returns with his One Man Rock Show on May 21; next, the Dickens Society presents Dickens And The Language Of Flowers, a fascinating talk looking at the meaning of flowers and how the Victorians loved sending secret messages in a well-chosen bouquet, on May 23. 

Ryedale Blues Club resumes blues service with District Blues, a mix of Americana and rockabilly, on May 27, and 2018 Britain’s Got Talent star Mandy Muden brings her magic, cabaret and stand-up comedy to Malton on May 29.

The Market Place arts and community venue has a new patron, the award-winning Ryedale actor, singer and theatrical producer Scott Garnham, a local lad who first appeared at the Milton Rooms in 1995 in a Ryedale Youth Theatre production of The Boyfriend, aged ten.

As well as many annual Ryedale Youth Theatre productions, Scott appeared in multiple pantomimes at the Milton Rooms. He started in Little Red Riding Hood, then played Baby Bear in Goldilocks and the Three Bears. In his teens, he was either the comedy double act or village idiot in Dick Whittington, Aladdin, Goody Two Shoes and Jack And The Beanstalk and shined as Buttons in Cinderella.

After graduating from the Royal Conservatoire of Scotland, in Glasgow, he has carved out a career in the West End, notching up credits in Billy Elliot The Musical, Les Miserables and Made In Dagenham, as well as in Matt Lucas’s Pompidou for the BBC. He has created the international vocal group The Barricade Boys too, playing the Grand Opera House in York in March 2018.

“I will forever owe a huge debt to the Milton Rooms and the people who work so tirelessly to ensure this wonderful community building is still a key part of Malton and the surrounding area,” says Scott. 

‘’It was my first experience of ‘theatre’, being lucky enough to perform with a diverse group of ages, cultures and life experiences. I enjoyed dancing with friends at their many discos and found gifts attending art and craft fairs. 

‘’I feel lucky to have grown up where a community building, such as the Milton Rooms, played such a vital and important role in mine and many other people’s lives. Long may it continue.’’

The Milton Rooms’ Covid-safe accreditation has been extended for 2021 by UK tourism body Visit Britain. Under the Government’s roadmap out of Coronavirus lockdown, indoor entertainment venues are expected to be allowed to reopen after May 17 with Covid-secure restrictions in place.

Venue manager Lisa Rich says: “We’re delighted to have someone like Scott on board and we’re really excited at the prospect of being able to open again in a limited way in May and hopefully fully reopening if all restrictions are removed in June.’’

Tickets for all four events can be booked at: themiltonrooms.com/events/