The Joseph Rowntree Theatre: Fundraising target hit
THE Joseph Rowntree Theatre has exceeded its ambitious £10,000 fundraising target, launched through the Theatres Trust’s national crowdfunding campaign.
The Haxby Road theatre, in York, was one of the first to sign up for a scheme designed to raise valuable funds to support theatres throughout the country.
Graham Mitchell, the JoRo’s fundraising and events director, says: “The fact that 165 supporters have donated to this campaign over just 41 days shows just how much this theatre and its survival means to the people of York and the surrounding area.
“In total, including Gift Aid, we’ve raised the incredible total of £10,377.50. Fundraising during a pandemic has certainly been a challenge and we want to say a huge, huge ‘Thank you’ to all those who have pledged an amount, large or small. We did it!”
Some donations went towards specific “rewards” on the Crowfunder page, such as theatre teddy bears, personal theatre tours and afternoon teas on the stage.
Paws and effect: A Joseph Rowntree Theatre fundraising teddy bear
Other benefits available included Friends’ memberships and sponsored seats, both still for sale via the JoRo’s website, josephrowntreetheatre.co.uk/saveourtheatre.
The JoRo prides itself on being a strong community hub, a venue run for the community by the community. “Our income, however, has been decimated since lockdown, meaning that savings originally earmarked for vital repairs are now being used to fund day-to-day expenses,” says Graham.
The nationwide scheme has been backed by high- profile individuals such as The Third Day star Jude Law, who is a Theatres Trust ambassador.
“Theatres are a vital community hub that bring joy to millions of people each year and we must try and save these theatres for generations to come,” he said.
Symbol of the North: Actor-manager, artistic director and theatre pioneer Barrie Rutter
BARRIE Rutter OBE is to return to the stage for the first time since his successful treatment for throat cancer.
The Hull-born titan of northern theatre, now 73, will perform his one-man show, An Evening With Barrie Rutter, on November 7 at The Holbeck, Jenkinson Lawn, Holbeck, home to the Slung Low theatre company in Leeds.
The Saturday night of tall tales and anecdotes, poetry and prose will be a fundraiser for the installation of a new lift at the south Leeds community base, the oldest social club in the country.
Actor-manager and artistic director Rutter founded the pioneering touring company Northern Broadsides, based at Dean Clough in Halifax, from where they delivered stories in full-blooded, unapologetic northern dialect in non-traditional spaces across Britain.
A formidable, inspiring frontman, never afraid to be outspoken, Rutter stood down as Broadsides’ artistic director in 2018 after 25 years at the helm but, as this one-off fundraising performance will demonstrate, the irrepressible Yorkshireman has lost none of his fervour to have a good time with audiences.
Barrie Rutter as Lear in Northern Broadsides’ 2015 production of King Lear. Picture: Nobby Clark
The son of a Hull fishmonger, Rutter was given a part in the school play by an English teacher who thought he had “the gob for it”. He discovered he loved the stage, whereupon his career went from taking early steps with the National Youth Theatre to performing with the Royal Shakespeare Company and onwards to making such an impact with the clog-wearing Broadsides. In 2015, he was awarded the OBE for services to drama.
Rutter – he always signed off his director’s notes in Broadsides’ programmes solely with his surname – says: “I am absolutely thrilled at the invitation from Alan Lane and his team at Slung Low to perform at The Holbeck. What goes on in there is truly inspirational and I’m delighted support this wonderful venue when I perform there on November 7.”
All proceeds will go towards the Slung Low’s fundraising campaign for a lift to make The Holbeck accessible to everyone who wishes to attend events and private functions. Generous supporters have gifted £60,000 already towards the £150,000 target.
Alan Lane, Slung Low’s artistic director, says:“Barrie Rutter is one of the reasons why there are so many amazing theatre companies in the greater north nowadays – he was a genuine trail blazer. It’s such an honour to have Barrie perform at the club and delighted to share with our audience the opportunity to see a world-class, one-of-a-kind performer here at The Holbeck.”
People We Love: Video portraits focused on people filmed looking at a photograph of someone they love, at York Minster for York Mediale
EXIT York Mediale, the biennial festival launched in 2018. Re-enter York Mediale, recalibrated as a charity to create and deliver a year-round programme of digital arts events across the city.
What’s more, in response to the reaction to the debut programme two years ago, the international new media arts organisation will place a greater emphasis on working closely with York artists, young people and neighbourhoods.
In keeping with the wider arts industry, Covid-19 has had its killjoy impact on York Mediale 2020, although the festival retains its opening date of Wednesday, October 21.
“Prior to Covid, we were planning around 23 projects, but then the world changed,” says creative director Tom Higham. “We’ve had to re-structure our organisation and pivot how we go forward. We lost some funding and suddenly things that we had confirmed and things that were nearly over the line were off.
“We lost £70,000 straightaway, sponsor conversations were dead in the water and venues closed in the lockdown. But we did some speculating and reflecting, and we’ve managed to continue pursuing the small number of projects that would work for now.”
Tom Higham: Creative director of York Mediale
York Mediale 2.0 comprises six new commissions in the form of five world premieres and one UK premiere, in a festival now running from Wednesday into the New Year, whether in York neighbourhoods, online or at two cultural landmarks, York Minster and York Art Gallery.
By comparison, the first Mediale in 2018 was “the largest media arts festival in the UK”, drawing 65,000 people to cutting-edge events over ten days in celebration of York’s status as Britain’s first and only UNESCO Creative City of Media Arts.
Festival number one, being new, attracted the support of City of York Council, Make It York, Science City and both York universities. This time, the key funding has come from Arts Council England in a rise from £100,00 to £284,000.
“That is a vote of confidence, backing the second festival where we’ve had to create a new model to succeed in this new world,” says Tom, defining a festival that will feature artists’ installations and interactive performances, engaging audiences both in person and digitally.
“Initially, as the new kid on the block, it takes a while to build trust and make connections and to get under the skin of the city, but the projects that sought to connect with the communities, like the Inspired Youth film-making project, went very well.”
Rachel Goodyear’s Limina: “Offering a glimpse into the psyche and fragments of the unconscious”
Tom continues: “The projects where we engage with parts of the city are much more honest and not forced, so this time it will be a festival focusing on how we connect with our loved ones, our community, nature and culture: themes that are prevalent and poignant in society now after months of lockdown and isolation.
“We looked closely at the works already submitted and worked to develop the pieces that would most closely examine these extraordinary times, picking out the ones that were safe to do and that people would engage with.
“All of these projects resonated with us at the start of 2020 but we could never have imagined how they could develop to so beautifully reflect our worries, hopes and relationships to our communities.”
The possibilities may have narrowed for York Mediale 2020, but that has not dampened Tom’s enthusiasm for festival number two. “The way we can do it amid the pandemic is to develop projects that are outdoors or online…not in dark places with electronic music, like last time,” he says.
“The positive spin is that maybe the dramatic shutdown that has affected the arts allows for a re-set in terms of who makes it, who it’s for and what is possible. It’s a jolt of DIY-ness that’s good for creativity. It strips the ‘bull’ out of what you’re doing and why.
Kit Monkman: York artist and filmmaker bringing a passion project to fruition for York Mediale 2020
“I think people are looking to build on the possibilities of Zoom to do something more creative with what is possible, and York Mediale can do that.”
Among those taking part in the festival will be Marshmallow Laser Feast, fresh from their show at the Saatchi Gallery in London; composer, musician and producer Elizabeth Bernholz, better known as Gazelle Twin, and Kit Monkman’s York arts collective, KMA, whose installations have transformed public spaces, from London’s Trafalgar Square to Shanghai’s Bund.
York Mediale 2020 audiences can discover how the human body is hardwired, synchronised and inextricably linked to nature; experiment with a new form of performance; and explore the invisible transaction between a person and a piece of art and how WhatsApp has shaped communities for the Covid generation at this year’s “diverse, digitally engaged and mentally stimulating” event.
Full details on Absent Sitters (October 21 to 25, online), Good Neighbours, in Layerthorpe, York (October 21 to 25), Human Nature’s triptych of installations at York Art Gallery (October 21 to January 24, York Art Gallery) and KMA’s People We Love, at York Minster (November 2 to 29) can be found at yorkmediale.com.
“Taking on fewer projects but with a longer shelf-life is the way forward for York Mediale, picking the right project, doing them rigorously, and then they can go on to other cities,” says Tom.
“Trying to develop projects like that is surely the longer-term vision for York Mediale, not being a receiving festival, not just inviting artists into the city, but doing something that’s in-depth, engaging with what’s already here and then taking it elsewhere too with the stamp of Made In York.
The York Mediale 2020 logo
“Our responsibility as a comparatively small, new festival structurally is to find ways to push boundaries of technology and art.
“Like it has for all of us, this year has been grim, but to be able to focus on what we think we’re good at, fitting in with pushing our vision of the city, has been positive. The opportunity to be a bit more truthful with ourselves, to go where the energy and projects are in the city, to do that with artists from York that share our belief, that is progress.”
York Mediale 2020 highlights
Absent Sitters, online, October 21 to 25
GAZELLE Twin, a vital contemporary voice in the UK electronic music scene, collaborates with York artist and filmmaker Kit Monkman and Ben Eyes and Jez Wells from the University of York music department to experiment with a new form of performance in Absent Sitters.
In this intimate, shared event, you will be guided by a “performer medium” to investigate what is live performance in 2020? The audience, participating via video call, will become part of an online audio-visual experience that examines the power of “collective imagination” and the importance of “presence/absence” in a live event. “Are we live? Can we connect? Who are you?” it asks.
“The culmination of Absent Sitters will take place on London’s South Bank in Summer 2021 at the Royal Festival Hall with the BBC Concert Orchestra,” reveals Tom Higham.
Good Neighbours, in Layerthorpe, York, October 21 to 25
Good Neighbours: Micro-politics of communities and a weirdly familiar fictional documentary walk. Picture: Kgabo Mametja and Koos Groenewald
GOOD Neighbours, from Amsterdam’s Affect Lab – interactive artist Klasien van de Zandschulp and researcher Natalie Dixon – is based on research into the micro-politics of communities and the increase in WhatsApp neighbourhood watch groups through lockdown.
Individual audience members will use their own mobile devices as they immerse themselves in a weirdly familiar fictional documentary walk alongside live performance, co-ordinated by Lydia Cottrell, in the Layerthorpe area of York.
“In this time of Black Lives Matter, living under lockdown and communities delivering to the vulnerable, Good Neighbours is a long-term study of how communities work,” says Tom. “It’s gone from village halls and pubs to WhatsApp neighbourhood watch groups.”
Absent Sitters: Online audio-visual experience that examines the power of “collective imagination”
Human Nature, at York Art Gallery, October 21 to January 24 2021
THIS triptych of installations under the banner of Human Nature is jointly curated by York Mediale and York Museums Trust, uniting for an ambitious show at York Art Gallery as a centrepiece of York Mediale 2020.
Embers And The Giants, a short film by Canadian media artist Kelly Richardson, makes its UK premiere, exploring human intervention through thousands of tiny drones mimicking a natural spectacle, suggesting a time when we will need to amplify nature in order to convince the public of its worth.
The Tides Within Us is a new commission from immersive art collective Marshmallow Laser Feast that looks at the journey of oxygen from lungs to the heart and body in a series of installations that echo the ecosystem within nature.
Fine artist Rachel Goodyear continues her exploration of animation-based work with Limina, a series of animations supported by her intricate drawings, each responding to an untitled sculpture from York Art Gallery’s collection; all offering a glimpse into the psyche and fragments of the unconscious.
Seeing, by Rachel Goodyear, inspired by the York Art Gallery collection
People We Love, at York Minster, November 2 to 29
THIS new commission from Kit Monkman’s York creative collective KMA will be positioned in the York Minster Nave, where a new temporary “congregation” will be made up of a collection of five large high-definition screens, showing video portraits focused on people that have been filmed looking at a photograph of someone they love.
The viewer will not know who is being looked at but will experience the emotion on the face projected on screen before them, interpreting each unspoken story in People We Love.
Visitors can add their story to the installation as a pop-up booth will be on-site, ready to capture the love stories of the city without the need for words.
“People We Love is a passion project for Kit that he’s been talking about for ten years,” says Tom. “It’s a love letter to the citizens of York by the best media artist in the city. It’s for the people of York, by the people of York, but I think it’s a project that will continue to travel the world after York.
“I’ve been talking to Kit since 2016 about the seeds of what he’d like to do next, as KMA had not done a project for a few years and this was the one he wanted to do and then take to the world.”
More people from People We Love: On show at York Minster in November
Down on his luck: Simon Slater as Derek Eveleigh in Douglas Post’s thriller Bloodshot. Picture: Mark Brenner
SIMON Slater, Scarborough-born actor, musical director and composer, is revisiting familiar ground on his return to his hometown.
From Wednesday to Saturday at the Stephen Joseph Theatre, he will perform Douglas Post’s Bloodshot, a one-man, four-role thriller he premiered nine years ago.
“This autumn, I’ve been doing it four weeks at the Watermill, Newbury, playing to a socially distanced 80-capacity audience, then I finish with five performances in The Round at the SJT,” says Simon.
“Doing a one-man show, you’re so alone. One stage manager and a lighting guy at each venue, as technically, it’s quite a big show with slides, music and videos.”
Alone, yes, but Simon fills the stage with four contrasting characters in Post’s gripping yarn of vaudeville, murder, magic and jazz, wherein the central character is Derek Eveleigh, a down-on-his-luck, yet skilled photographer in 1957 London.
A mysterious envelope arrives from a stranger asking Eveleigh to take secret pictures of an elegant young woman as she walks in Holland Park. The reward is handsome, but the irresistible assignment takes a sudden, shocking turn.
“I think to myself, ‘why am I doing this? No-one to talk to for two hours except me!” says Simon, who has performed Bloodshot 300 times
Entangled and compelled to understand, Derek is led into a seedy Soho nightlife populated by dubious characters: an Irish comedian, a New York saxophone player and a Russian magician.
“An Irishman, an American and a Russian…it sounds like the start of a joke, doesn’t it?!” says Simon, who calls on his diverse skills to play them all under Patrick Sandford’s direction.
What have they to do with the bloody event Eveleigh has witnessed and how are these men connected to the woman in Holland Park? In attempting to learn the truth, Eveleigh will find his whole life being turned upside down.
Simon has been involved with the globe-trotting Bloodshot from the very start. “Douglas Post is an American writer, who wrote a thriller called Earth And Sky that I did at the Nuffield Theatre, and we became mates. I was holidaying in Chicago, where my brother has a house, and we met up in a late-night bar, where I said, ‘Go on, Douglas, write me a play.”
Post duly did so, incorporating Simon’s mastery of magic, composition and ear for accents. “I’ve always done magic since I was a kid, when there was a magic shop on the Scarborough front called Dinsdale’s [Famous Joke & Trick Shop],” he says.
“He knew I was a musician too, so I get to show off all my meagre talents! There I am, on stage, talking to myself in a schizophrenic way in various accents. I offend everybody equally by stereotyping three nations with my accents…but offending in a nice way!”
On a knife edge: Simon Slater in the one-man thriller Bloodshot
As for the music, “I sent Douglas a CD of George Formby songs for inspiration for the Irish comedian’s ukulele song. God knows what a Chicago writer would have made of that!” recalls Simon, who has been teaching saxophone on Zoom during lockdown and beyond, by the way.
He has performed Bloodshot around 300 times, in London, Canada, Vienna and Chicago. “But never Scarborough…until now,” he says. “I last did it in Chicago four years, and the dialogue did come back quickly when I started rehearsing for the Watermill run.
“But if you think too hard, you have no idea where you are and sometimes you can’t remember a particular word. Like the other night, when I couldn’t remember ‘boat’. My late father [celebrated one-legged Prospect Of Whitby yachtsman Arthur Slater] would be turning in his grave!
“I talk side to side, back and forth, like schizophrenia, but if you get the timing wrong, it’s most extraordinary. I remember when I forgot my line as Derek and the Russian magician prompted me and felt very smug at doing that. It’s a complete internal conversation that’s going on.”
Simon describes the experience of performing Bloodshot as “absolutely knackering”. “I think to myself, ‘why am I doing this? No-one to talk to for two hours except me!” he says.
“It’s the only one-man thriller I’ve ever heard of, and whether my body can hold up, we’ll see, as I damaged my shoulder playing squash with my son. My rotator cuff. It’s b****y painful. My squash days are over, which is a relief…especially for my son!”
Simon Slater and Jemma Redgrave: Rehearsed reading of Simon Woods’ Hansard at the SJT tonight (October 19)
Simon, who played Sam Carmichael in Mamma Mia! in the West End for five years and appeared regularly as Inspector Kite in The Bill, will be doing one other performance while back in Scarborough: a rehearsed reading of Simon Woods’ brutally funny political satire Hansard tonight (October 19).
SJT artistic associate Simon will be teaming up with theatrical dynasty luminary Jemma Redgrave for the sold-out 7.30pm show, directed by SJT artistic director Paul Robinson, in The Round.
Premiered at the National Theatre, London, in August 2019, Hansard’s witty and devastating play takes place on a summer’s morning in 1988, when Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana, but all is not as blissful as it first seems.
Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital sparring quickly turns to blood-sport.
“It’s set at the time of Section 28 [banning the promotion of homosexuality in schools, enacted by Margaret Thatcher’s Government on May 24 1988] and as a play it’s a bit like Who’s Afraid Of Virginia Woolf? with a political edge to it,” says Simon.
“It was Paul who found the play – which I haven’t seen – and we’ve been rehearsing it on Zoom with my friend Jemma to perform as a reading with chairs and lecterns. Paul is yet to decide whether to stage the play next year, so let’s see what happens.”
The eyes have it; the ice has it: Polly Lister in the SJT’s poster for The Snow Queen, featuring music by artistic associate Simon Slater
Looking forward to spending this week at the SJT, Simon says: “It’s going to be quite busy! It’s almost like a career.”
Ever in demand as a musical director and composer, whether as MD for Amadeus at the National Theatre or writing more than 300 original scores for theatre, film, TV, radio and theatre, Simon has one further engagement at the SJT in the winter ahead.
Having provided the score for Nick Lane’s past four Christmas shows in the Round, he will do so again for The Snow Queen, now revised by Lane as a solo show for Polly Lister from December 4 to 30.
“The songs will all be recorded on click track and I can be in a bubble for rehearsals,” says Simon. “I’m also writing the music for Winchester Theatre Royal’s panto for four socially distanced actors, Four Dames, written by James Barry with lots of routines about dames, obviously!”
In Newbury, Simon has been adapting to performing in Covid times, the audiences masked up and distanced from each other. “You know that theatre expression, ‘you can’t hear a smile’. Well, now you can’t see one either,” he says.
“Audiences have been quite self-conscious in this new way of watching live theatre: it’s like playing to 65 Lone Rangers.”
Nevertheless, let’s celebrate that the Stephen Joseph Theatre is presenting theatre once more…and that tickets are selling well for Simon’s five performances as he prepares to play to a home crowd.
Simon Slater in Douglas Post’s Bloodshot, in The Round, Stephen Joseph Theatre, Scarborough, Wednesday, Thursday and Friday, 7.30pm; Saturday, 2.30pm and 7.30pm.
The Snow Queen will run from December 4 to 30. Box office: sjt.uk.com/whatson or call 01723 370541 (Tuesdays to Saturdays, 11am to 4pm, for both phone calls and in-person bookings).
Sleigh belles singing: All-female Scarborough group Raven to play Christmas concert at Stephen Joseph Theatre. Picture: Tony Bartholomew
SCARBOROUGH six-piece Raven will perform their socially distanced 2020 Christmas concert in the Round at the Stephen Joseph Theatre on December 15.
Noted for their enchanting harmonies and haunting melodies, Raven will take their 7.30pm audience on a magical Christmas ride through traditional festive songs and their own winter music.
In the all-female line-up are: Jaye Lewis, vocals, tenor recorder, flute and percussion; Karen Chalmers, vocals, keyboards, piano accordion, recorder and percussion; Nia Davidson, vocals, ukulele, recorder and percussion; Pat Edmond, vocals, guitar, recorder and percussion; Sally Lidgley, vocals and percussion, and Sarah Dew, vocals, keyboards, penny whistle, bass guitar and percussion.
The versatile sextet has performed across Yorkshire, from the Grassington Fringe Festival, Coastival, Woodend and Filey Festival, to the Spotlight Theatre, Bridlington, Helmsley Arts Centre, Selby Abbey and Castle Howard.
Raven have created original soundtracks for Scarborough’s Animated Objects Theatre Company’s large-scale community projects Leviathan and Orpheus The Mariner. Now they are working on The Odyssey, a three-year project for the Yorkshire Coast.
The SJT has introduced comprehensive measures for the safety and comfort of audiences (visit sjt.uk.com/were_back for more details) and has been awarded the VisitEngland We’re Good To Go industry standard mark and UK Theatre’s See It Safely standard mark.
Tickets for Raven cost £12 at sjt.uk.com/whatson or on 01723 370541. The SJT box office is open Tuesdays to Saturdays, 11am to 4pm, for both phone calls and in-person bookings.
Campbell scoop: Scarborough Open Air Theatre signs up UB40 featuring Ali Campbell and Astro for 2021 summer season
UB40 featuring Ali Campbell and Astro and Keane are the latest additions to Scarborough Open Air Theatre’s 2021 summer season.
Campbell and Astro, founding members of the Birmingham reggae and pop hit makers, re-united six years ago and will play with a seven-piece band on June 19 on their second visit to the Yorkshire coast.
East Sussex chart-toppers Keane, who returned from a six-year hiatus with last year’s album Cause And Effect, will head to Scarborough on July 9.
Tickets for both concerts will go on sale at 9am on Friday, October 23 at scarboroughopenairtheatre.com.
Campbell and Astro played Scarborough OAT previously in 2017 and last year’s The Real Labour Of Love tour visited Australia, New Zealand, Europe and America.
They have been active during this year’s enforced hiatus, writing songs for their forthcoming album and reassembling their touring band remotely to record a lockdown single, a poignant cover of the late Bill Withers’ Lean On Me, in aid of NHS Charities Together.
Campbell and Astro will return to the road in 2021 with bassist Colin McNeish, guitarist Winston Delandro, keyboardist Michael Martin, drummer Paul Slowly, backing singer Matt Hoy and a brass section of trumpeter Colin Graham and saxophonist Winston Rose.
A handful of new songs will complement multiple UB40 classics, notably King, a hymn to the legacy of American Civil Rights leader Dr Martin Luther King and One In Ten, a paean to the rising tide of unemployment in Margaret Thatcher’s Britain, both as resonant today as they were when first sung in 1980 and 1981.
Campbell says: “We wrote King 40 years ago, but it’s still representative of what’s happening in America. It’s depressing that nothing has changed. It’s the same with One In Ten in the UK. With the impact the Coronavirus could have on jobs, we could soon be looking at unemployment figures on a par with the early Eighties.”
Campbell adds: “Those songs will feature in a show we’ve been honing for the past 12 years. We’ll always play the classics, like Red Red Wine and (I Can’t Help) Falling In Love With You, but we like to change the beginning and end of the show.
Keaner than ever: Keane returned from a six-year hiatus with 2019 album Cause And Effect, peaking at number two last September. Picture: Jon Stone
“We’ll play Lean On Me and maybe add three or four new songs. The band members are all fantastic musicians and we’ve climbed back up to the biggest venues.”
The similarly rejuvenated Keane had been booked for Scarborough OAT’s 2020 season until Covid-19 put paid to their July 17 show.
Now singer Tom Chaplin, sparring partner Tim Rice-Oxley, bassist Jesse Quin and drummer Richard Hughes will perform on July 9 next summer
The birth of their fifth studio album in September 2019 came as a surprise even to the band from Battle. Chaplin had released two solo albums, 2016’s The Wave and 2017’s Twelve Tales Of Christmas, but nevertheless missed working with Rice-Oxley.
So, when Chaplin, Quin and Hughes heard the songs Rice-Oxley had been composing, they were immediately drawn to them, both sonically and lyrically, and Keane were reborn. “We’re not some heritage act,” says Rice-Oxley. “We’ve got a lot of great music in us.”
The comeback album, featuring the singles The Way I Feel, Love Too Much and Stupid Things, peaked at number two last autumn, adding to the success of a career that had chalked up 13 million album sales, four number one albums, two BRIT awards and one Ivor Novello award before coming to a halt in 2013 with The Best Of Keane compilation.
Their 2004 debut, Hopes And Fears, elicited the hits Somewhere Only We Know, Everybody’s Changing, This Is The Last Time and Bedshaped en route to being ranked among Britain’s 40 best-selling albums of all time. Next came Under The Iron Sea in 2006, Perfect Symmetry in 2008 and Strangeland in 2012.
Venue programmer Peter Taylor, of promoters Cuffe and Taylor, says: “Keane were obviously going to be one of the major highlights of our 2020 season and so we are delighted to have arranged for them to play a headline show here in 2021.
“This special arena was created for artists like Keane. Their songs are beautiful, anthemic, the soundtrack to many people’s lives over the last 20 years, and I’m sure their army of fans cannot wait to see these songs played live here.”
Confirmed for the Scarborough OAT 2021 diary so far are: June 19, UB40 featuring Ali Campbell and Astro; June 20, RuPaul’s Drag Race: Werq The World; July 9, Keane; July 10, Olly Murs, and August 20, Nile Rodgers & Chic. More shows will be added. Watch this space.
The last hurrah: Robin Ince and Laura Lexx perform the final Your Place Comedy show from their living rooms
YOUR Place Comedy returns for one last hurrah on October 25 as a Rule of Six of a different kind applies to the Yorkshire virtual comedy club.
After Mark Watson and Lucy Beaumont, Simon Brodkin and Maisie Adam, Jo Caulfield and Simon Evans, Paul Sinha and Angela Barnes, Shappi Khorsandi and Justin Moorhouse, now Robin Ince and Laura Lexx form the sixth and final double bill of headline sets, live-streamed for free from their living rooms to yours next weekend.
“Created and funded by ten small, independent venues from across Yorkshire and the Humber, the project has allowed some of our best-loved theatres and arts centres to continue presenting great performances while their doors have remain closed, with nationally acclaimed touring acts delivering unique and intimate sets, live from their own homes,” says comedy co-ordinator Chris Jones, Selby Town Council’s arts officer.
“However, as restrictions across the north of England tighten once more, both performers and venues recognise that it may be some considerable time before live events can be held safely, at a capacity which makes them financially viable.”
Reflecting on Your Place Comedy’s six-of-the-best run of remote shows in lockdown and beyond, and now into these “Not a full lockdown but…” times, Chris says: “Our virtual comedy club has provided a fantastic opportunity for venues to explore new ways of providing entertainment to their audiences.
Robin Ince: Melding ideas on art, literature, music and science
“We’ve presented virtual gigs from the kind of acts who, in normal times, might be appearing on stages across the region, enabling performers to innovate and adapt to a style of delivery that may be with us for good, as well as to earn some vital income.”
Looking ahead to next Sunday’s double bill, Chris says: “I’m thrilled that Robin and Laura have agreed to headline our final show. While Laura looks set to be one of the big stars of the next decade, having racked up a hugely impressive CV of live accolades and broadcast credits in just a few short years, Robin remains one of the most diverse and inventive acts in the business.
“He melds ideas on art, literature, music and science into some of the most brilliant and thought-provoking comedy you’re ever likely to hear.
“As always, the show remains completely free to watch, so please do come and join Laura, Robin and compere Tim FitzHigham, and help us give Your Place Comedy a grand send-off!”
Ince co-hosts the Sony Gold Award-winning BBC Radio 4 series The Infinite Monkey Cage alongside Professor Brian Cox, also co-presenting Book Shambles With Robin And Josie, a hit podcast with fellow comedian Josie Long that draws more than 100,000 listeners a month.
Laura Lexx: Comedian and author
As a stand-up, Ince has won three Chortle Awards and the Time Out Outstanding Achievement Award and was nominated for the British Comedy Awards’ Best Live Show.
Lexx has twice won Best Show at the Comedian’s Choice Awards, voted for entirely by fellow comics, and landed a coveted place in Dave’s Top Ten Jokes of the Edinburgh Fringe.
Last month, she released her first book, Klopp Actually: (Imaginary) Life With Football’s Most Sensible Heartthrob, after going viral during lockdown with her fictional Twitter thread about marriage to Liverpool manager Jurgen Klopp.
Hosted once again by the writer and star of BBC Radio 4’s The Gambler, Tim FitzHigham, alias Pittancer of Selby, next Sunday’s double bill will be free to watch on YouTube and Twitch, with an option for viewers to donate if they have enjoyed the broadcast.
“The money raised will be used to support both the performers and the ten venues involved, all of whose livelihoods have been thrown into jeopardy with precious few opportunities to derive any meaningful income from live performances since lockdown closed venues in the middle of March,” says Chris, who programmes both Selby Town Hall and the Otley Courthouse.
Tim FitzHigham: Pittancer of Selby and regular remote host of Your Place Comedy
Taking part too in the lockdown comedy scheme have been The Ropewalk, Barton upon Humber; East Riding Theatre, Beverley, Junction, Goole; Helmsley Arts Centre; Shire Hall, Howden; Carriageworks Theatre, Leeds; Pocklington Arts Centre and Rotherham Theatres.
Reflecting on the impact of the ground-breaking Your Place Comedy scheme, Chris says: “It’s been such an enjoyable project and has evolved into something quite distinct from both TV comedy shows and live gigs: a very intimate, personal experience, more like a podcast than a raucous live show.
“It’s also provided an excellent opportunity to shine a light on the venues involved, to remind people we’re still here – even if we can’t open our doors – and to deliver entertainment to our audiences from the kind of acts who would otherwise be appearing across the region in less challenging times.”
Explaining the decision to call time on the virtual shows, Chris reasons: “Unfortunately, live-streaming is a difficult format to make financially sustainable and the project in its current form has really run its course now.
“The industry as a whole remains in a perilous position, though, and there’s still precious little work available for performers of all stripes. The venues involved will continue to work together, exploring ways in which they can support each other and the artists they miss hosting so much.”
For full details on Your Place Comedy and to find out how to watch next Sunday’s 8pm show, visit www.yourplacecomedy.co.uk.
YORK artist Carol Douglas is the latest addition to According To McGee’s year-long celebration of contemporary painting to mark the Tower Street gallery’s 16th birthday in York.
“Actually, we were supposed to be holding events and happenings with performance artists, lasers, illuminations and installations, but Covid came and kicked that into the long grass,” says gallery co-director Greg McGee.
“And we’re glad it did, in a sense. It forced us to re-address ourselves as a gallery and distil what we do best into something unique, which is exhibit painting as though it was the edgiest, most crucial artform on the scene – which it is, by the way.”
Greg’s garrulousness has been vindicated by an autumn spike in sales of paintings by artists such as wife and co-director Ails McGee and Newcastle’s Beth Ross.
“What Carol’s art has that sets it apart is a steely dedication to noticing the domestic and elevating it into the sublime,” says According To McGee co-director Ails McGee
“The time for making contemporary painting the gallery’s priority seems to be now, and it is with this in mind that we approached Carol Douglas,” says Ails.
“We love Carol’s art, which dovetails very neatly with the rest of the current exhibition: in essence an evolving version of the summer show, with painting leading the way.
“What Carol’s art has that sets it apart, however, is a steely dedication to noticing the domestic and elevating it into the sublime. So, we have a bowl of fruit composed as it if it were weightless, or a chair rendered as if lit from within with flat, languid light, like a flag. All the time there is experimentation and mischief, made obvious by sudden placements of colour and playful lines.”
Carol Douglas: Hygge and Expressionism, an exclusive collection of paintings for According To McGee, launches today (Saturday, October 17) and marks a first for the McGees.
“Carol Douglas’s paintings have that crucial human warmth that, even via minimal expressionism, good art reminds us that things aren’t so bad,” says Greg McGee
“It is the first time that we will be simultaneously inaugurating an exhibition both physically and online via the gallery’s social media,” says Greg. “The nature of the opening matters less than the nature of the paintings, though.
“People have been obliged to stay at home and contemplate their homes. Interior-design decisions have been increasingly important for Brits for the past 20 years, and I should know: I was a judge on the BBC’s Best House In Town.
“The Danish concept of ‘hygge’ is attractive and simple. It means maximum cosiness with minimalist clutter. It’s a nice way to live. Carol’s art seems to compound that, with its wet pebble palette and gentle compositions.”
Greg adds: “It’s especially powerful because it’s so idiosyncratic. You can walk in a room and even if you don’t know the artist, you see the painting and go, ‘ah yes, there’s that painter whose Still Lifes are so crisp and exact’.
“I hope that people who see my work find it both visually exciting and somewhat amusing,” says Carol Douglas
“They have that crucial human warmth that, even via minimal expressionism, good art reminds us that things aren’t so bad. There’s a glow in life that even 2020 can’t extinguish.”
Summing up her latest paintings, Carol says: “I hope that people who see my work find it both visually exciting and somewhat amusing. The domestic has always been my focus and speaks of my personality and history.”
Hygge and Expressionism will run at According To McGee, Tower Street, York, from today until October 26. The gallery is open every Saturday or by appointment on weekdays via accordingtomcgee.com/pages/contact or on 01904 671709 or 07973 653702. Alternatively, view online at: accordingtomcgee.com/collections/carol-douglas
Did you know?
Carol Douglas won the Adult & Access Award for Art & Design Lifelong Student of the Year in 2018.
Joshua Burnell: Living room concert tomorrow night. Picture: Elly Lucas
THE future of folk, alias York multi-instrumentalist, singer and composer Joshua Burnell, will be joined by his partner, vocalist Frances Sladen, for a one-off online concert organised by the East Riding Theatre, Beverley, tomorrow night (October 17).
“We’ll be playing acoustic versions of songs old and new,” says Joshua, who released his futuristic new album, Flowers Where The Horses Sleep, on September 4.
What can viewers expect when they head to ERT’s Facebook page https://www.facebook.com/events/365072138001228/ for the free 7.30pm concert? “I’m still figuring out exactly how it’ll work!” said Joshua, when first announcing the folk-fused baroque’n’roll virtual gig.
The artwork for Joshua Burnell’s new album, Flowers Where The Horses Sleep
“But we’ll definitely be sharing tales that influenced the songs, as well as reflections on how the lockdown affected our musical process.”
Here Joshua, winner of the Rising Star award in the 2020 Folking Awards, answers Charles Hutchinson’s questions on this weekend’s Live In Your Living Room concert.
How did this living room gig come about?
“We were supposed to be playing a live show at East Riding Theatre as part of the album launch tour, which couldn’t go ahead. Then, Chris [music and comedy programmer Chris Wade] sent me an email out of the blue, asking if we’d like to do an online show in anticipation of a real show next year. Of course, we were delighted and said yes!”
“There’s a handful of new songs we’ve been desperate to share with an audience,” says Joshua
“I’m still figuring out exactly how it’ll work!” you said initially when contemplating playing an online gig. Have you figured it out yet?
“Just about. I’ve invested in some fancy wires that I can plug into my normal wires and then we’ll be on the internet. If that fails, we’ll just have to go round to every audience member’s house, stand in the garden and perform two metres away from their window.”
Which instruments will feature?
“I’m glad you asked! Especially for this show, I have acquired a piano. A real piano. With actual strings and wood and everything. I figured it’d be a relief having one thing I can’t forget to plug in… and it sounds beautiful too. I’ll have my trusty acoustic guitar to hand too.”
“For the first time, I’ve had a real affinity with the 17th century minstrels,” says Joshua
How prominent inthe set list will be songs from the new album?
“We’ll be opening the set with some favourites from Flowers Where The Horses Sleep. There’s also a handful of new songs we’ve been desperate to share with an audience: lots more stories and characters. Some of them are so new, it’ll be my first time hearing them live as well as the audience’s. I can’t wait!”
What do you most enjoy when performing as a duo rather than with your band?
“The first thought that comes to mind is that there’s less gear to carry. And now the commute consists of along the landing and down our staircase, it really is a dream.
“Especially for this show, I have acquired a piano,” says Joshua
“On a slightly more sensible front, it’s a completely different show, so that brings different styles and genres and arrangements to the table. When we approach material that we usually play with the band, it’s good fun finding stripped-back arrangements that work for us, as opposed to just playing them without the other instruments.”
Do you have any other shows in the pipeline?
“Nothing else online planned yet, but there’s a whole album-launch tour that’s been waiting to go for a while. It was meant for this autumn but has been postponed to next spring. We’ll just have to wait and see what happens with the ol’ Covid.
“For the first time, I’ve had a real affinity with the 17th century minstrels. Just imagine what it must have been like trying to rearrange a tour in the middle of the bubonic plague!”
Emma Hallam, associate marketing manager for Scarborough Museums Trust, sketches out a few ideas ahead of The Big Draw 2020 at Scarborough Art Gallery during the half-term holiday. Picture: Tony Bartholomew
SPOOKY goings-on for Halloween and climate-conscious art are on offer from Scarborough Museums Trust for half-term.
The Spooky Museum Weekend runs amok from Friday, October 30 to Sunday, November 1 at the Rotunda Museum, when visitors are invited to explore the museum in Halloween fancy dress from 10am to 4pm each day.
The spooky weekend is suitable for families, who can follow the trail and make and take a deer or wolf mask inspired by the trust’s Star Carr headdress.
Booking is essential, either by calling 01723 353665 or emailing rotunda@smtrust.uk.com to book a 45-minute slot for a group of up to six people. Each allotted time slot allows exclusive use of the gallery.
Drawing you in: Emma Hallam’s handiwork seeks to catch your eye to take part in The Big Draw 2020 at Scarborough Art Gallery. Picture: Tony Bartholomew
The Spooky Star Carr Trail can be enjoyed every day during half-term except Monday. Families are invited to join the wolf tribe and look for the wolves hidden in the Rotunda. “Crack the puzzle and enter our prize draw,” says the trust.
The half-term events include two that form part of this year’s Big Draw, Britain’s annual festival of drawing. Celebrating its 20th anniversary this year, The Big Green Draw Festival #ClimateOfChange focuses on the relationship between people and our living environments and ecosystems, highlighting how we live today and the ways we do and do not harmonise with nature.
The Big Green Draw: Plant, Grow, Draw! at Scarborough Art Gallery on Monday, October 26, from 10am to 4pm, invites you to be inspired by the trust’s seed collection to create your own drawings. “Have a go at decorating a plant pot and sow a seed to take home and grow,” says the trust.
Again suitable for families, booking is essential for this activity on 01723 374753 or by emailing gallery@smtrust.uk.com for a 45-minute slot for a group of up to six people. Each allotted time slot allows exclusive use of the gallery for this relaxed event, fully accessible for disabled and non-disabled children.
Picture this: Emma Hall does some canvas work to attract support for The Big Draw 2020. Picture: Tony Bartholomew
On Saturday, October 24 and 31, you can tune into The Big Green Draw: Drawing with Nature on the trust’s YouTube Channel at 10am to take part in online drawing challenges inspired by the natural world. To join in this pre-recorded event, suitable for families, you will need drawing materials, scissors and glue.
The Big Green Scavenger Trail will take place every day during half-term, except Monday, at Scarborough Art Gallery and The Crescent. To hunt for wildlife on The Crescent in a special scavenger trail designed by artist Savannah Storm, families will need to pick up a copy from Scarborough Art Gallery.
Scarborough Museums Trust’s learning manager, Christine Rostron, says: “We’re delighted to be able to offer some socially-distanced events for our families, alongside some online challenges. Our Halloween and Big Draw activities are always so popular and we can’t wait to see families and children back in our venues for lots of creative fun!”
Staff at Scarborough Museums Trust have been trained in post-lockdown safety procedures, and the trust has been awarded VisitEngland’s We’re Good To Go industry standard mark, signifying the venues’ adherence to Government and public health guidance.
Entry to Scarborough Art Gallery and the Rotunda Museum for adults costs £3 for an annual pass; for under-18s, entry is free. For all activities, all children must be accompanied by an adult. Both venues are open Tuesdays to Sundays, 10am to 5pm.
