Kaiser Chiefs, minus Ricky Wilson, at the launch of their York Art Gallery exhibition in December 2018
KAISER Chiefs’ pop-meets-art exhibition at York Art Gallery can be enjoyed all over again online.
The Leeds indie rock band collaborated with senior curator Beatrice Bertram in 2018 to create When All Is Quiet, an innovative show that “explored the liminal spaces between art and sound, sensation and perception, and creation and performance”.
For the December 14 2018 to March 10 2019 run, Kaiser Chiefs hand-picked 11 paintings from York Art Gallery’s collection to show alongside a selection of songs by contemporary musicians and sound artists that have influenced their practice directly.
Dr Beatrice Bertram: Co-curator of the Kaiser Chiefs’ exhibition at York Art Gallery
You can listen to the Spotify playlist at: open.spotify.com/playlist/0Vs2kvg5xcPV8Pnna3l66d?si=NV1iSHX8QLavG_GMDveA5A.
The exhibition featured work by Peter Donnelly; Bryan Winter; John Hoyland; Jack Butler Yeats; Malcolm Edward Hughes; Oliver Bevan; John Golding; L. S. Lowry; J. M. W. Turner, Rebecca Appleby and Bridget Riley.
The chance to “re-visit” When All Is Quiet: The Kaiser Chiefs in Conversation with York Art Gallery comes courtesy of Art UK at @artukdotorg.
Kaiser Chiefs should have been playing their Forest Live gig at Dalby Forest on Friday (June 26), but the Covid-19 pandemic intervened.
York countertenor Iestyn Davies: Two concerts with Elizabeth Kenny, one today on BBC Radio 3, the second at York Early Music Festival on July 9
IF you can’t wait for York countertenor Iestyn Davies’s July 9 concert with lutenist Elizabeth Kenny at the online 2020 York Early Music Festival, tune into BBC Radio 3 today.
At 1pm, Davies and Kenny will be introduced by Martin Handley live at London’s Wigmore Hall, where they will perform works by Purcell, Dowland, Campion, Johnson, Mozart and Schubert.
In York next month, Davies and Kenny, a former artistic adviser to the York Early Music Festival, will team up at a socially distanced, otherwise empty National Centre for Early Music for The Art Of Melancholy.
Streamed live from the former St Margaret’s Church, Walmgate, their 7.30pm programme will combine the music of Elizabethan lutenist John Dowland with Davies’s renditions and readings of poetry by Robert Burton, Michael Drayton, Rose Tremain, Leo Tolstoy and Dowland himself.
Tickets for the July 9 to 11 festival are on sale at tickets.ncem.co.uk and boxoffice@ncem.co.uk, with a festival package at £30, individual concert tickets at £10 each and illustrated talks at £3.50 each.
Back to today’s live Lunchtime Concert, one of a series of 20 recitals being broadcast from Wigmore Hall every weekday in June as part of BBC Arts’ Culture in Quarantine initiative.
Lutenist Elizabeth Kenny
Taking place without an audience present, these are the first live concert broadcasts on BBC Radio 3 since the start of lockdown, bringing together “some of the UK’s finest instrumentalists and singers in music from the 16th century to the present day”.
Today’s hour-long programme comprises:
Purcell: Strike The Viol from Come, Ye Sons Of Art Away; Purcell: By Beauteous Softness from Now Does The Glorious Day Appear; Purcell: Lord, What Is Man?; Purcell: Rigadoon (arranged by Elizabeth Kenny); Purcell: Sefauchi’s Farewell (arr. Elizabeth Kenny); Purcell: Lilbulero (arr. Elizabeth Kenny).
Dowland: Behold A Wonder Here Opus; Campion: The Sypres Curten Of The Night Is Spread; Johnson: Fantasie; Dowland: Sorrow, Stay, Lend True Repentant Tears; Dowland: King Of Denmark’s Galliard; Campion: I Care Not For These Ladies; Anon: Mr Confess’ Coranto.
Mozart: Abendempfindung; Schubert: Heidenröslein; Schubert: Litanei Auf Das Fest Aller Seelen.
Melody Gardot looking out over the Paris skyline during lockdown
MELODY Gardot’s lockdown single From Paris With Love est arrivé “after incredible efforts made by fans to help finish the track”.
Confined in the French capital, where she now lives, the American singer-songwriter made headlines last month when she launched a call-out on social networks for musicians to join her on her remote new project with a “global yet personal tone”.
After reviewing hundreds of the online submissions from the United States, Armenia, South Korea, Japan, Australia, Brazil, Norway and beyond, the final piece is ready, completed in the first session at London’s Abbey Road studios after lockdown.
From Paris With Love combines the musicality and skills of orchestral musicians from all over the world who have never met, many of them out of work these past few months, unable to perform under COVID-19 strictures.
The artwork for Melody Gardot’s From Paris With Love single in aid of healthcare workers
The hopelessness of this continuing situation for Gardot’s fellow musicians inspired the New Jersey-born singer to embark on her ambitious digital recording in isolation. All musicians chosen for the final project were paid a fee relative to the standard UK musicians’ studio wage.
“This project is a stunning example of how music is a universal language and how our global awareness is greater than ever” says Gardot, 35. “Seeing what’s happening around the world, we cannot ignore our need for love and connection during this time.
“I am so happy to see the generous response displayed in the vast array of characters, from all corners of the globe, coming together to create this unique piece of music. It is a symbolic gesture for the way we can offer hope as we look towards the idea of creation in the future.”
The global digital orchestra musicians were selected by producer Larry Klein, conductor, arranger and composer Vince Mendoza and veteran engineers Al Schmitt and Steve Genewick, who have worked in the past with Frank Sinatra, Joao Gilberto, Bob Dylan and Paul McCartney.
From Paris With Love….and a heart
From Paris With Love’s accompanying video captures the selected musicians performing from their homes, complemented by a montage of people who sent video portraits of themselves with messages of love from all over the globe.
“This video is a kind of a digital postcard, made possible by the generous contributions of musicians and people currently confined,” says Gardot. “My hope is that this message will continue to find its way around the world and bring hope where hope is most needed to leave us all feeling more connected. My most heartfelt thanks to everyone who participated in the making of this project.”
Earlier this month, Gardot had the honour of being the first artist through the doors when Abbey Road Studio re-opened for business after ten weeks for a socially distanced album recording session.
From Paris With Love is being released on the Decca Records label to benefit healthcare workers; both Decca and Gardot are waiving their profit, instead paying a minimum of 50p to the charity Protégé Ton Soignant for each permanent download sold in the UK and 20p for each permanent download sold outside Britain or for every 150 streams.
Oh, what a Knight: Chris Knight as Donkey in York Stage Musicals’ Shrek The Musical in September 2019. Shrek will return to the Grand Opera House in 2021
YORK Stage Musicals are to present The Hunchback Of Notre Dame in…2022.
“Theatres may be closed at the moment but that does not stop us planning for the future,” says artistic director Nik Briggs.
“We are honoured to be producing The Hunchback Of Notre Dame at the Grand Opera House in Autumn 2022. With lyrics by Wicked’s Stephen Schwartz and music by Aladdin’s Alan Menken, this is a very exciting project for us indeed.
“It was one where we were approached by the rights holders, like with Shrek The Musical. We love that because we’re not in the rat race to get it, and it’s nice they value the work we do, especially with Disney, who have very strict regulations.”
The York Stage diary for 2021 is taking shape with Shrek The Musical confirmed for a return to the Grand Opera House next spring, over the Easter holidays, and rights secured for Elf next winter.
Jacob Husband, as Adam, front, Alex Weatherhill, as Bernadette, and Joe Wawrzyniak, as Tick, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York. Picture: Benedict Tomlinson
More shows are being lined up too, not least a new work from Alex Weatherhill, who starred as Bernadette in York Stage Musicals’ production of Priscilla Queen Of The Desert, The Musical, in September 2017.
“Alex came to see us in Tim Firth’s The Flint Street Nativity and Steel Magnolias and said he wanted to do something for us, and we’re delighted as he writes the summer show at the Bridlington Spa,” says Nik.
Shrek The Musical will bring York Stage full circle, being the last show the company staged at the Grand Opera House before the Coronavirus pandemic shut down theatres and the first to be mounted by YSM once the Cumberland Street theatre re-opens.
As for The Hunchback Of Notre Dame, Nik says: “It’s a show we’ve always wanted to look at doing because it’s never been done in the West End, only in America, so it will be nice to bring it to York.”
Indeed it will but, after his tour de force as Shrek in Shrek The Musical last September, will Nik be playing the Hunchback? “Definitely not,” he insists. That Autumn 2022 slot still leaves plenty of time to change his mind, however.
FROM The Jam and The Selecter will form a double bill at York Barbican on January 15 2021, given a fair wind with further progress on Covid-19 social-distancing measures enabling the venue to re-open.
Founder bassist Bruce Foxton and vocalist/guitarist Russell Hastings’ band will be touring Britain to celebrate the 40th anniversary of Sound Affects, The Jam’s fifth studio album, performing this 1980 release in its entirety, complemented by a Jam back-catalogue selection.
Recorded by Foxton, frontman Paul Weller and drummer Rick Buckler, Sound Affects peaked at number two in the UK charts and boasted two of The Jam’s most-loved singles, Start! and That’s Entertainment.
From The Jam formed in 2007, originally with Buckler as the drummer until 2009, and have performed around the world, as well as charting with their 2017 album From The Jam Live!.
Pauline Black and Arthur ‘Gaps’ Hendrickson of special guests The Selecter
Joining them as special guests on the 2021 tour will be Coventry ska group The Selecter, fronted by Pauline Black and featuring original member Arthur ‘Gaps’ Hendrickson.
They too will be marking a 40th anniversary, in their case their 1980 2 Tone debut, Too Much Pressure, played in full, bolstered by further Selecter favourites. Expect to hear Three Minute Hero, On The Radio, Too Much Pressure, Missing Words, James Bond, The Whisper, Celebrate The Bullet and Frontline.
Tickets for January 15 are on sale at yorkbarbican.co.uk. Meanwhile, the Barbican website is yet to write the word Postponed across From The Jam’s July 11 gig this summer, already moved from April 3 after the Coronavirus lockdown. Watch this space for an update on a show built around the 40th anniversary of The Jam’s fourth studio album, Setting Sons, the one with The Eton Rifles, the Woking three-piece’s first top ten hit, peaking at number three.
“We can’t wait to perform the whole of Setting Sons live,” said Hastings when the 2020 tour was first announced. “The album has been noted as another one of The Jam’s best albums along with All Mod Cons. It seems that even the obscure album tracks like Little Boy Soldiers and Thick As Thieves are as popular when we play them live as the hit singles.” Will that tour ever happen? Wait and see.
Still from Survey Number Zero, by Priya Thuvassery, 2016
SCARBOROUGH Art Gallery’s online film series will resume on June 30 with Re-presenting India On Screen.
The 7pm screening marks a new and ambitious element of Scarborough Museums Trust’s digital programming, with filmmakers Suraj Prasad and Tarini Manchanda joining the post-screening Q&A live from Delhi in this international collaboration between Britain and India.
Gallery Screenings Online, on the last Tuesday night of each month, features films selected to give audiences a new perspective on both visiting exhibitions and the permanent Scarborough Collections. Each is followed by a question-and-answer session.
Re-presenting India On Screen will feature short films by director, cinematographer and editor Priya Thuvassery; Gautam Valluri, an artist working with film; Suraj Prasad, co-founder of Lightcube, a film collective in New Delhi, and Tarini Manchanda, a filmmaker based in New Delhi.
Built around short films that re-think how India has been and continues to be re-presented on screen, the event will be co-hosted by Suraj Prasad and curator Martha Cattell.
The catalyst for June 30’s online screening was an item in the Scarborough Borough Collection: a journal by colonialist traveller Colonel James Harrison, from Brandesburton in East Yorkshire.
Suraj says: “The idea that colonialism is necessarily connected to a specific identity and location is convoluted and over-simplified; we are all colonialists to some degree. Perhaps our images can help reveal a lot about how we see the world.”
Still from The Dhenuki Cinema Project, by Suraj Prasad, 2016
Harrison’s journal and photographs offer a specific representation of India through an external and colonialist perspective, observes Martha. “This screening will consider how filmmakers have used moving images to represent India. It will feature archive and contemporary works, drawing on themes of ecology, architecture and colonialism,” she says.
“It will aim to challenge pre-existing biases and colonist hangovers of India on screen, and is part of ongoing work at Scarborough Museums Trust to decolonialise the Scarborough Collections.”
Each Gallery Screening will have optional live captions from a stenographer; downloading the app version of Zoom is recommended for those wishing to use this function.
A “social story” – a visual guide – will be created too, with illustrations by Scarborough artist Savannah Storm to explain the format and accessible elements of the screening.
Access to the June 30 event is by password only, available, along with a link, by emailing Martha Cattell at Martha.cattell@smtrust.uk.com. Email the same address for access to the social story.
The introduction and Q&A will be available post-event on Scarborough Museums Trust’s YouTube channel: bit.ly/YouTubeSMT.
Visit the trust’s YouTube channel at the same address to watch the recorded introductions and Q&As from previous Gallery Screenings.
Singers and musicians recording Up On The Roof remotely for the Joseph Rowntree Theatre’s Raise The Roof campaign
THE Joseph Rowntree Theatre, in York, is launching a song on You Tube to help raise £5,000 towards vital roof repairs.
At a time when the future is looking bleak for many theatres in the Coronavirus crisis, York’s community theatre in Haxby Road is determined to buck the trend of depressing news by using lockdown as a chance to further its expansion plans.
Launching the online video this week kick-starts Raise The Roof, the JoRo’s fundraising campaign with a £90,000 target.
Aptly, the choice of song is a cover of The Drifters’ hit Up On The Roof, written in 1962 by Gerry Goffin and Carole King.
Jess Douglas: Arranger, pianist, co-organiser
The video has been produced, arranged and performed by York performers who call the Art Deco building their theatrical home, many of them also counting themselves among the JoRo’s army of volunteers. Put together during lockdown via socially distanced media, it can be viewed at youtu.be/IPsw4VQcMsg.
Stage manager Ollie Nash and Jessica Douglas, a regular musical director of shows at the JoRo, have brought together a team of singers and musicians to create the video. “It’s been a real challenge under lockdown conditions,” says Ollie. “In the week leading up to its release, I spent 30 hours pulling all the bits together for the final edit.”
Arranged by Jessica and mixed and edited by Ollie, Up On The Roof is performed by Abigail Atkinson, Chris Gibson, Helen Singhateh, Jennie Wogan, Nick Sephton, Paul Blenkiron, Ruth McCartney, Sandy Nicholson and Susan Blenkiron. Backing them in the recording are Jessica Douglas, piano, Clark Howard, drums, Georgia Johnson, bass, Damien Sweeting, guitar, and Emily Jones and Tom Marlow, violin.
Graham Mitchell, the JoRo’s fundraising and events director, says: “We’ve had great fun putting this video together. The fact that so many of our performing and volunteering community came together ‘virtually’ to produce it shows just how much the future success of the theatre means to them.”
Ollie Nash: Spent 30 hours “pulling all the bits together for the final video edit”
Against a backdrop of growing fears over the future for many arts venues across the country, the Joseph Rowntree Theatre believes it is in a “particularly strong position”.
How come? Because the charity that runs it owns the building and the theatre is operated entirely by more than 170 unpaid volunteers.
Dan Shrimpton, chair of the board of trustees, says: “We’re using this period of enforced closure to look after and improve the fabric of the building. The roof repairs need to be completed before we can move on with our major plans to expand the building.
“The new insulation and solar panels will significantly reduce our operating costs and also the impact we have on the environment. The expansion plans will make our venue even greener and more accessible.”
A peck on the cheek of a teenage Judi Dench from a cheeky young chap at the Joseph Rowntree Theatre is a favourite anecdote among theatre volunteers
The roof has stood the test of time, not needing any major work since the theatre was built 85 years ago. The Raise The Roof appeal is not the first time it has appeared in a news article, however. In 2012, the Daily Telegraph published the story of a teenage Judi Dench coming down from the roof after watching the sunset with a group of friends.
One brave young man took the opportunity to sneak a quick kiss on the way down the ladder! Dame Judi does not remember the name of the cheeky chap, but it is a favourite anecdote among the theatre’s volunteers.
To launch the Raise the Roof campaign, the JoRo has set up a Just Giving page and is encouraging people to donate “even just the amount of a takeaway coffee”. Go to: justgiving.com/campaign/Raise-the-Roof.
The Joseph Rowntree Theatre, in Haxby Road, York
Did you know?
THE Joseph Rowntree Theatre was built by the Joseph Rowntree Village Trustees as a place for recreation and education for the benefit of Rowntree employees and the York community.
Seebohm Rowntree opened the Haxby Road theatre in 1935. It remains a vital community asset, run entirely by volunteers for the people of York. A board of 13 trustees and 170 volunteers give 17,000 hours of volunteering time every year.
Last year, the JoRo put on more than 135 performances, staged by 35 York groups and several professional touring companies.
Can’t wait to get out, like these sled dog racers in Dalby Forest from Tony Batholomew’s online exhibition Forest 100: A Year In The Life? If so, read on…
METRE by metre, Downing Street daily briefing by catch-you-by-surprise Downing Street daily briefing, we are moving closer to the beginning of the end of the 10 Things To See Next Week In York shutdown.
However, there is still no theatre, concert venue or cinema re-opening for the foreseeable future, although cinemas are making plans to do so in July. Watch this ever-shifting space.
In the meantime, amid the loosened-lockdown dawn of summer, when football and horse racing are back, albeit with no crowds, and beaches are back, but too crowded, the search continues for entertainment, enlightenment and exercise at home and farther afield.
From behind his door, increasingly ajar, CHARLES HUTCHINSON makes these suggestions.
Drive-In Cinema parks up in York next month, but unlike in this poster, viewers will have to stay in, not on, their cars throughout each screening
Daisy Duke’s Drive-In Cinema, Knavesmire, York, July 3 to 5
STATIC cinemas, no, but Boris Johnson’s Government has given the green light to drive-in cinemas with social distancing rules in place.
North Easterners Daisy Duke’s Drive-In Cinema have been quick off the mark to announce a Drive-In Saturday (one for David Bowie fans), and a Friday and Sunday too, from July 3 to 5.
Interaction between staff and customers will be kept to a minimum, with cars parked two metres apart and those attending expected to remain within their vehicles for the duration of the screenings on LED screens with the sound transmitted to car radios.
Four screenings a day are in store, with the film line-up taking in The Jungle Book, The Lion King, Mamma Mia!, Frozen 2, Bohemian Rhapsody, The Greatest Showman, A Star Is Born, 28 Days Later, Pulp Fiction and Joker. Tickets can be booked at dukescinema.epizy.com.
Oh, and if theatres are still closed come December, would there be any takers for a drive-in pantomime?
Rosy Rowley: Reprising her role in the 2012 York Mystery Plays as Mrs Noah in the York Radio Mystery Plays
York Radio Mystery Plays, on BBC Radio York, Sunday mornings throughout June
YORK Theatre Royal and BBC Radio York are collaborating to bring the York Mystery Plays to life on the airwaves on the Sunday Breakfast Show with Jonathan Cowap.
Working remotely from home, a cast of 19 community and professional actors has recorded four 15-minute instalments under the direction of Theatre Royal associate director Juliet Forster.
After Adam And Eve and The Flood Part 1, the series continues with The Flood Part 2 this weekend and Moses And Pharaoh on June 28. Hear the earlier ones at bbc.co.uk/sounds.
York In Flood, 2019, taken by Museum Gardens, from Katherine-of-Yorkshire’s exhibition at Village Gallery, York
Galleries re-opening…
NO, not the big ones yet, such as York Art Gallery, but among those to announce the re-opening of doors in York this week are Simon Main’s Village Gallery, in Colliergate, and Ann Petherick’s Kentmere House Gallery, in Scarcroft Hill.
Village Gallery is presenting a photographic show by Instagrammer Katherine-of-Yorkshire until August 2. “Katherine regularly posts photographs on Instagram, mainly of York, and usually in black and white, using the camera on her phone to take the photos,” Simon says.
“She manages to convey a deep feeling of peace, even when documenting the major floods in York that happen all too regularly, as well as showing a different perspective of well-known places.”
Open by appointment only until further notice, Kentmere House is displaying A Life In Colour, Work from the Studio of Jack Hellewell, 1920-2000, including unframed pieces never seen before, to mark Hellewell’s centenary.
North York Moors, by Jack Hellewell, at the re-opened Kentmere House Gallery, York
Mother Shipton’s Pixie Village Trail, Knaresborough
HAVE you ever dreamt of stepping into an utterly enchanted realm, deep in the captivating woodland, filled with fairy rings and secret doorways, where pixies are waiting to play?
If so, at Mother Shipton’s you can tread carefully through the land of the woodland people and keep your eyes peeled as you follow the trail to see their tiny houses.
Visitors will be provided with a trail sheet to explore the natural woodland at their own pace. Please note, open to pre-booked car admissions only, this Pixie Village event will not include any confined spaces and the actors will not be interacting with visitors, in order to reduce large gatherings of crowds and physical contact.
Shed Seven: Rearranging two big outdoors concerts in Yorkshire for their 2021 diary
Seek out the good news
NO York Festival with Madness, Westlife and Lionel Richie at York Sports Club from tomorrow until Sunday. No revival of Alan Ayckbourn’s Just Between Ourselves opening at the SJT tonight for a summer run. No Ronan Keating: Twenty Twenty gig at York Barbican tomorrow.
However, one festival is going ahead, albeit in revised online form, namely the York Early Music Festival, from July 9 to 11, with York countertenor Iestyn Davies’s concert with lutenist Elizabeth Kenny as the stand-out.
Keating’s Twenty Twenty show will now be in Twenty Twenty One, on January 13 to be precise. Meanwhile, York’s Britpop alumni Shed Seven have re-arranged two 2020 outdoor concerts for next year, now playing Doncaster Racecourse post-racing on May 15 2021, rather than August 15 this summer, and headlining an all-Yorkshire bill at the Piece Hall, Halifax, on June 26 2021, instead of the same date this year.
The artwork for Bob Dylan’s new album, Rough And Rowdy, out tomorrow
And what about…
79-YEAR-OLD Bob Dylan’s first album of original songs in eight years, Rough And Rowdy Ways, out tomorrow, on Columbia. Phoebe Bridgers’ Punisher and Maccabees frontman Orlando Weeks’s solo debut A Quickening as further album recommendations. Spike Lee’s new Vietnam War film, Da 5 Bloods, streaming on Netflix. The Salisbury Poisonings, on BBC iPlayer, York actor Mark Addy among the cast. Talking Heads, Alan Bennett’s isolation monologues re-visited in Covid-19 times with two new additions, on BBC One from Tuesday.
Gardens at National Trust properties re-opening, such as Beningbrough Hall; bookings only. Val and Emma Carr’s Stanley & Ramona dinky coffee house, in Bishopthorpe Road, serving up coffee and cake again, hurrah.
Walks through the rhododendrons at Forestry England’s Wheldrake Wood and watching out for the tiny toads and frogs at the RSPB’s Fairburn Ings. Tony Bartholomew’s Forest 100: A Year In The Life online exhibition of Dalby Forest from spring 2019 to spring 2020 at forestryengland.uk
York countertenor Iestyn Davies: Performing at the revised 2020 York Early Music Festival on July 9. Picture: Benjamin Ealovega
Courtney Marie Andrews: June 17 2021, not June 17 2020, for a night out in Pocklington
AMERICAN country singer Courtney Marie Andrews should have been playing Pocklington Arts Centre tonight. Instead she will do so on…June 17 2021.
Courtney’s postponed date with a full band was to have been a showcase for her new break-up album, Old Flowers, originally set for release on June 5 on Loose/Fat Possum Records.
Phoenix-born Courtney, 29, is now rescheduling the album launch too, again in response to the Covid-19 pandemic. “Hello dear ones,” she says on the Loose website. “Unfortunately, I must push back the release to July 24th. In order to protect the safety of its workers, the vinyl manufacturing plant producing my record is temporarily closed for the time being, meaning it won’t be possible to meet the original release date.
“During these strange times, I think it’s important we work together, rather than trudge ahead alone and abandon those who have helped artists along the way. I can’t explain to you how much this record means to me personally, and I am so incredibly excited for it to reach your ears soon. It’s just showing up fashionably late, 2020 style.”
In the meantime, Courtney has released another taster from Old Flowers: the late-May single It Must Be Someone Else’s Fault, accompanied by a video directed by V Haddad and choreographed by Marlee Cook-Parrot, alias Marlee Grace, a writer and dancer who focuses on improvisation and self-expression.
Haddad reflects: “It Must Be Someone Else’s Fault inspired us to create a video exploring being and becoming a woman and the world that surrounds her in this journey. Through dream-logic, we set out to interweave our characters through choreographed echoes and mirror moments of dance to draw out an ode to matriarchy, empathy, and sisterhood.”
This chimes with the overall theme of an album created in the aftermath of a long-term relationship ending, leading to Courtney’s most vulnerable writing on ten new songs that chronicle her journey through heartbreak, loneliness and finding herself again.
“I didn’t lie in what I wrote because it was a very cathartic process,” says Courtney Marie Andrews of her break-up album
“There are a million records and songs about heartbreak, but I did not lie when writing these songs,” Courtney says. “This album is about loving and caring for the person you know you can’t be with.
“It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but OK with that, if it means truth. This was my truth this year: my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.”
Truth hurts, love hurts, but Courtney found writing Old Flowers “a safe place, a place of comfort”. “I didn’t lie in what I wrote because it was a very cathartic process,” she says. ”It was the only way I could channel what I was going through but I think sometimes people do lie in these situations because vulnerability is scary – and when you’re vulnerable you show your weakest emotions, and people are uncomfortable with that.”
By way of contrast, Courtney benefited from the confessional self-analysis. “Songs can predict your future or look back at what’s happened, and I didn’t realise that I felt the way I did until I started writing them,” she says.
“I definitely learned a lot about vulnerability: not hiding behind a character I learned so much about my relationship and goodbyes. Everything has a reason and we’re always searching for ourselves and for joy in our lives.This record is no different: when you reach the end of the tunnel, you reach the light and life goes on.”
Produced by Bon Iver and Big Thief producer Andrew Sarlo, Old Flowers was recorded at Sound Space Studio, a private studio in Los Angeles, with only three musicians: Andrews on vocals, acoustic guitar and piano, Twain’s Matthew Davidson, on bass, celeste, mellotron, pedal steel, piano, pump organ, Wurlitzer and background vocals, and Big Thief’s James Krivcheniaon drums and percussion.
“You can’t revive old flowers, but they remain beautiful even when they’ve died and they’re preserved,” says Courtney, drawing parallels with the end of her long-term relationship.
“I think it may be only the third or fourth album to have been made there. Andrew had made a connection with the owner, and it’s just an amazing downtown space in the arts district of LA with giant windows and so many cool instruments in there,” says Courtney.
“Andrew and I had both decided the album needed to be made in a very intimate space with the fewer cooks in the kitchen, the better, and this place was perfect.
“A lot of the record was just Matt and me and I guess it was like a musical dance of communication between the two of us, and then James added those small moments of magic between our ‘dancing’.”
Old Flowers is Courtney’s seventh album, following on from 2018’s May Your Kindness Remain; 2016’s Honest Life; 2013’s On My Page; 2010’s No One’s Slate Is Clean; 2009’s Painters Hands And A Seventh Son and 2008’s Urban Myths.
“I definitely look at albums in their own right. I’m with Neil Young on that,” says Courtney. “Every album has its own journey. It would be a disservice and an injustice if I were to try to make the same record over and over again. The best artists are constantly re-born with each album.”
Old Flowers finds Courtney in full bloom. “The title means lots of things to me, one of them being that you can’t revive old flowers, but they remain beautiful even when they’ve died and they’re preserved.
“A friend of mine once said to me that flowers are timeless, and I can agree with that sentiment.”
Courtney Marie Andrews plays Pocklington Arts Centre on June 17 2021. For tickets, go to pocklingtonartscentre.co.uk.
Piece in our time? No, not until next year after Shed Seven’s Piece Hall headline show was moved to next June
YORK band Shed Seven’s all-Yorkshire bill at The Piece Hall, Halifax, is being rescheduled for a second time.
The Coronavirus lockdown put paid to the original date of June 26 2020, first moved to September 19. Now, third time lucky, the Sheds’ show will take place on June 26 2021.
Joining the Sheds that West Yorkshire day will be Leeds bands The Pigeon Detectives and The Wedding Present and Leeds United-supporting York group Skylights, plus the Brighton Beach DJs.
Tickets for this Futuresounds Events open-air concert are on sale at £42.50, premium seats £55, at lunatickets.co.uk, seetickets.com and gigantic.com.
This is the second outdoor Shed Seven show in 2020 to need a new date. They should have been chasing winners as well as Chasing Rainbows at Doncaster Racecourse on August 15, but that Live After Racing debut is now a non-runner instead of being under starter’s orders at 5.45pm.
The new race day will be May 15 2021, the post-racing show now re-billed as Don 2021 Music Live.
When announcing the Halifax headline gig, Shed Seven lead singer Rick Witter said: “We’re doing this Piece Hall show partly because our 2018 gig at Manchester’s Castlefield Bowl went so well.”
No-show blow: Covid-19 has scuppered Paul Banks and Rick Witter’s Shed Seven Acoustic set at next month’s Platform Festival at The Old Station, Pocklington
The revived Britpoppers drew 8,000 that June day; the capacity will be 5,500 for the Piece Hall, a renovated 18th-century Halifax cloth hall that now houses history exhibits and independent shops, bars and restaurants.
Last year, the Sheds mounted their biggest ever Shedcember winter tour, chalking up their record run of 23 shows between November 21 and December 21, with Leeds First Direct Arena on December 7 at the epicentre.
“After we did the Shedcember gigs, we just fancied doing something similar to Castlefield Bowl this summer, but this time a Yorkshire gig,” said the Stockport-born Witter, when interviewed in January.
Stockport, Mr Witter?! “I know, but I consider myself a Yorkie now,” said Rick, who attended Huntington School in York.
“I remember Embrace playing The Piece Hall [Elbow have done likewise], and it’s taken a few months to confirm our gig since we came up with the idea of playing there. We wanted to do an outdoor show, and to do it in such a salubrious setting will be a great buzz.”
Seven summer festival appearances by the Sheds have been knocked on the head by the Covid-19 pandemic and so too has Rick Witter and Paul Banks’s Shed Seven Acoustic headline show at Pocklington’s Platform Festival on July 11
Roll on next summer, the all-Yorkshire day at the Piece Hall and Shed Seven’s first run-out at Donny racecourse. “I went as a guest to see Kaiser Chiefs play at York Racecourse [July 22 2016], and it was a great day out,” said Rick. “People love it because it’s a full day out with racing and music. Let’s feel the love that day as everyone makes a big day of it. We can’t wait.”
