First, Velma Celli’s divas take over her Bishopthorpe kitchen this weekend. Then, she can come to your place if you ask

Velma Celli’s show poster for Me & My Divas on Saturday

“DARLINGS, I am in London for a bit to try and get things moving and it’s safe to say that it is depressing as F!” So wrote York drag diva divine Velma Celli to her adoring devotees on email on Saturday lunchtime.

“Anyway, I’ll plod on as long as I can. So, I am doing my show ‘Me & My Divas’ next Saturday [June 27] and I would LOVE for you to join me LIVE from LANDAN!”

Since then, Velma, the glorious cabaret creation of actor Ian Stroughair, has returned to Bishopthorpe, from where his series of online performances, streamed live from the Case De Velma Celli kitchen, will resume this weekend.

Tickets for the 8pm show cost £7 at ticketweb.uk/event/velma-celli-me-live-stream-tickets/10614645. As always, tickets come off sale at 5pm and the link will be sent out at around 6pm

Here Charles Hutchinson has a quick catch-up with Velma in the lead-up to Saturday’s virtual date with divas galore.

“Crazy. talented and confidence to suit”: Velma Celli’s three steps to being a diva


How did it feel heading back to London from York after three months in home-town lockdown?

“It was both exciting and nerve-wracking…” 

…You say you went back to London to “try and get things moving”. What can you do at this stage?

“I was hoping to network with restaurants and other smaller venues planning to open on July 4, but it was impossible, so I’m back in York for two weeks.”

How did your last online York kitchen show, Equinox, go on June 13? What did you perform with your remote guest Jodie Steel, the West End star of Wicked, Six and Rock Of Ages?

“It was the best yet! SO much fun. Jodie and I sang Take Me Or Leave Me from Rent [the American musical in which Ian Stroughair played the messianic Angel].

What’s the history of Me & My Divas? 

“I first performed it in January this year in Perth, Australia, at Fringeworld, winning the Best Cabaret award for the season.” 

What’s the content of this new show?

“No diva is safe, no riff she won’t sing – so strap yourself in and let the belt-off begin.

“Me & My Divas is an overindulgent diva fest celebrating the songs and behaviour of all of your favourite divas, including Celine, Mariah, Whitney, Aretha, Cher, Britney (maybe not!) and many more.”

Definitely being one yourself, what are the qualifications required to be a diva, Velma?

“Crazy, talented and confidence to suit.”

Will you have a guest joining you remotely, like you did with Twinnie, Louise Dearman and Jodie Steel for your previous online shows?

“I am working on this. Hopefully I will.”

What are your upcoming plans as lockdown loosens ever more expansively?

“Darlings, you can now book Velma OR Ian to perform privately for your ‘Bubble’ in your outside space/garden or publicly if you have a venue with enough room for social distancing indoors or out!!!

“Get in touch if this is something you might be interested in at stroughair2@hotmail.com.”

The SJT’s Funky Choir and Global Voices re-unite for Zoom sessions to make videos

Global Voices, pictured by Mark Lamb in pre-Coronavirus social-distancing days

SCARBOROUGH’S Stephen Joseph Theatre is taking its two community choirs online from next week to work on songs culminating in a video.

The Funky Choir and Global Voices each have around 30 members and both always welcome new members.

The SJT’s associate director for children and young people, Cheryl Govan, herself a  Funky Choir member, says: ”Singing is a great way to unwind – we all do it in the shower! – and it really doesn’t matter if you’re a brilliant singer or not. Singing is scientifically proven to make you feel happier. 

“Don’t be put off if you think you can’t sing: this is about having a good time. The best bit about Zoom choirs is that only the people in your own house can hear you!”

The Funky Zoom Choir will meet on Tuesdays at 7pm from June 30 after going from strength to strength in the past few years, developing a varied and colourful set of lively pop, funk, disco and soul covers.

Musical director Mark Gordon, a prominent face on the Scarborough music scene for more than 30 years, performs regularly with many bands and takes on the role of musical director for theatre shows.

The Funky Choir, one of the Stephen Joseph Theatre’s two community choirs, will be meeting on Zoom from June 30. Picture: Mark Lamb

Mark teaches music in Scarborough schools and runs youth orchestras, jazz bands, rock workshops and choirs, as well as being a private piano teacher. 

The Global Voices Zoom choir will gather remotely on Thursdays at 7pm from July 2 to resume singing songs from around the world, from warm-ups, short rounds and chants to more complex, exciting songs.

Choir leader, music teacher and composer Sarah Dew creates musical journeys in soundscapes that blend her field recordings, melody and ambient sound art. Poetic narrative features in many of her ethereal works and she has written extensively for her band Raven, whose performances around the region over many years celebrate life, love and the universe.

Looking forward to next week’s re-start, Cheryl Govan says: “The Funky Choir will be learning Car Washby Rose Royce – a funky song if ever there were one! The end result will be a fun and lively video.

“Global Voices will be learning Nina Simone’s I Wish I Knew How It Would Feel To Be Free, giving participants the chance to reflect on what freedom means to them. This reflective, but super-fun, process will result in a thoughtful video to accompany the song.”

Membership of The Funky Choir and Global Voices costs £35 each for a five-week term. For more information, go to: sjt.uk.com/getinvolved/adult.

I predict a Quiet hurrah as Kaiser Chiefs’ York Art Gallery show rises again online

Kaiser Chiefs, minus Ricky Wilson, at the launch of their York Art Gallery exhibition in December 2018

KAISER Chiefs’ pop-meets-art exhibition at York Art Gallery can be enjoyed all over again online.

The Leeds indie rock band collaborated with senior curator Beatrice Bertram in 2018 to create When All Is Quiet, an innovative show that “explored the liminal spaces between art and sound, sensation and perception, and creation and performance”.

For the December 14 2018 to March 10 2019 run, Kaiser Chiefs hand-picked 11 paintings from York Art Gallery’s collection to show alongside a selection of songs by contemporary musicians and sound artists that have influenced their practice directly.

Dr Beatrice Bertram: Co-curator of the Kaiser Chiefs’ exhibition at York Art Gallery



You can listen to the Spotify playlist at: open.spotify.com/playlist/0Vs2kvg5xcPV8Pnna3l66d?si=NV1iSHX8QLavG_GMDveA5A.

The exhibition featured work by Peter Donnelly; Bryan Winter; John Hoyland; Jack Butler Yeats; Malcolm Edward Hughes; Oliver Bevan; John Golding; L. S. Lowry; J. M. W. Turner, Rebecca Appleby and Bridget Riley.

The chance to “re-visit” When All Is Quiet: The Kaiser Chiefs in Conversation with York Art Gallery comes courtesy of Art UK at @artukdotorg.

Kaiser Chiefs should have been playing their Forest Live gig at Dalby Forest on Friday (June 26), but the Covid-19 pandemic intervened.

Iestyn Davies and Elizabeth Kenny perform together on BBC Radio 3 today ahead of online York Early Music Festival pairing

York countertenor Iestyn Davies: Two concerts with Elizabeth Kenny, one today on BBC Radio 3, the second at York Early Music Festival on July 9

IF you can’t wait for York countertenor Iestyn Davies’s July 9 concert with lutenist Elizabeth Kenny at the online 2020 York Early Music Festival, tune into BBC Radio 3 today.

At 1pm, Davies and Kenny will be introduced by Martin Handley live at London’s Wigmore Hall, where they will perform works by Purcell, Dowland, Campion, Johnson, Mozart and Schubert.

In York next month, Davies and Kenny, a former artistic adviser to the York Early Music Festival, will team up at a socially distanced, otherwise empty National Centre for Early Music for The Art Of Melancholy.

Streamed live from the former St Margaret’s Church, Walmgate, their 7.30pm programme will combine the music of Elizabethan lutenist John Dowland with Davies’s renditions and readings of poetry by Robert Burton, Michael Drayton, Rose Tremain, Leo Tolstoy and Dowland himself.

Tickets for the July 9 to 11 festival are on sale at tickets.ncem.co.uk and boxoffice@ncem.co.uk, with a festival package at £30, individual concert tickets at £10 each and illustrated talks at £3.50 each.

Back to today’s live Lunchtime Concert, one of a series of 20 recitals being broadcast from Wigmore Hall every weekday in June as part of BBC Arts’ Culture in Quarantine initiative.

Lutenist Elizabeth Kenny

Taking place without an audience present, these are the first live concert broadcasts on BBC Radio 3 since the start of lockdown, bringing together “some of the UK’s finest instrumentalists and singers in music from the 16th century to the present day”.

Today’s hour-long programme comprises:

Purcell: Strike The Viol from Come, Ye Sons Of Art Away;
Purcell: By Beauteous Softness from Now Does The Glorious Day Appear;
Purcell: Lord, What Is Man?;
Purcell: Rigadoon (arranged by Elizabeth Kenny);
Purcell: Sefauchi’s Farewell (arr. Elizabeth Kenny);
Purcell: Lilbulero (arr. Elizabeth Kenny).

Dowland: Behold A Wonder Here Opus;
Campion: The Sypres Curten Of The Night Is Spread;
Johnson: Fantasie;
Dowland: Sorrow, Stay, Lend True Repentant Tears;
Dowland: King Of Denmark’s Galliard;
Campion: I Care Not For These Ladies;
Anon: Mr Confess’ Coranto.

Mozart: Abendempfindung;
Schubert: Heidenröslein;
Schubert: Litanei Auf Das Fest Aller Seelen.

Melody Gardot and her global digital orchestra bond remotely for From Paris With Love single in aid of health workers

Melody Gardot looking out over the Paris skyline during lockdown

MELODY Gardot’s lockdown single From Paris With Love est arrivé “after incredible efforts made by fans to help finish the track”.

Confined in the French capital, where she now lives, the American singer-songwriter made headlines last month when she launched a call-out on social networks for musicians to join her on her remote new project with a “global yet personal tone”.

After reviewing hundreds of the online submissions from the United States, Armenia, South Korea, Japan, Australia, Brazil, Norway and beyond, the final piece is ready, completed in the first session at London’s Abbey Road studios after lockdown.

From Paris With Love combines the musicality and skills of orchestral musicians from all over the world who have never met, many of them out of work these past few months, unable to perform under COVID-19 strictures.

The artwork for Melody Gardot’s From Paris With Love single in aid of healthcare workers

The hopelessness of this continuing situation for Gardot’s fellow musicians inspired the New Jersey-born singer to embark on her ambitious digital recording in isolation. All musicians chosen for the final project were paid a fee relative to the standard UK musicians’ studio wage.

“This project is a stunning example of how music is a universal language and how our global awareness is greater than ever” says Gardot, 35. “Seeing what’s happening around the world, we cannot ignore our need for love and connection during this time.

“I am so happy to see the generous response displayed in the vast array of characters, from all corners of the globe, coming together to create this unique piece of music. It is a symbolic gesture for the way we can offer hope as we look towards the idea of creation in the future.”

The global digital orchestra musicians were selected by producer Larry Klein, conductor, arranger and composer Vince Mendoza and veteran engineers Al Schmitt and Steve Genewick, who have worked in the past with Frank Sinatra, Joao Gilberto, Bob Dylan and Paul McCartney.

From Paris With Love….and a heart

From Paris With Love’s accompanying video captures the selected musicians performing from their homes, complemented by a montage of people who sent video portraits of themselves with messages of love from all over the globe.

“This video is a kind of a digital postcard, made possible by the generous contributions of musicians and people currently confined,” says Gardot. “My hope is that this message will continue to find its way around the world and bring hope where hope is most needed to leave us all feeling more connected. My most heartfelt thanks to everyone who participated in the making of this project.” 

Earlier this month, Gardot had the honour of being the first artist through the doors when Abbey Road Studio re-opened for business after ten weeks for a socially distanced album recording session.

From Paris With Love is being released on the Decca Records label to benefit healthcare workers; both Decca and Gardot are waiving their profit, instead paying a minimum of 50p to the charity Protégé Ton Soignant for each permanent download sold in the UK and 20p for each permanent download sold outside Britain or for every 150 streams.

York Stage Musicals confirm The Hunchback Of Notre Dame premiere…and Shrek is back too

Oh, what a Knight: Chris Knight as Donkey in York Stage Musicals’ Shrek The Musical in September 2019. Shrek will return to the Grand Opera House in 2021

YORK Stage Musicals are to present The Hunchback Of Notre Dame in…2022.

“Theatres may be closed at the moment but that does not stop us planning for the future,” says artistic director Nik Briggs.

“We are honoured to be producing The Hunchback Of Notre Dame at the Grand Opera House in Autumn 2022. With lyrics by Wicked’s Stephen Schwartz and music by Aladdin’s Alan Menken, this is a very exciting project for us indeed.

“It was one where we were approached by the rights holders, like with Shrek The Musical.  We love that because we’re not in the rat race to get it, and it’s nice they value the work we do, especially with Disney, who have very strict regulations.”

The York Stage diary for 2021 is taking shape with Shrek The Musical confirmed for a return to the Grand Opera House next spring, over the Easter holidays, and rights secured for Elf next winter.

Jacob Husband, as Adam, front, Alex Weatherhill, as Bernadette, and Joe Wawrzyniak, as Tick, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York. Picture: Benedict Tomlinson

More shows are being lined up too, not least a new work from Alex Weatherhill, who starred as Bernadette in York Stage Musicals’ production of Priscilla Queen Of The Desert, The Musical, in September 2017.

“Alex came to see us in Tim Firth’s The Flint Street Nativity and Steel Magnolias and said he wanted to do something for us, and we’re delighted as he writes the summer show at the Bridlington Spa,” says Nik.

Shrek The Musical will bring York Stage full circle, being the last show the company staged at the Grand Opera House before the Coronavirus pandemic shut down theatres and the first to be mounted by YSM once the Cumberland Street theatre re-opens.

As for The Hunchback Of Notre Dame, Nik says: “It’s a show we’ve always wanted to look at doing because it’s never been done in the West End, only in America, so it will be nice to bring it to York.”

Indeed it will but, after his tour de force as Shrek in Shrek The Musical last September, will Nik be playing the Hunchback? “Definitely not,” he insists. That Autumn 2022 slot still leaves plenty of time to change his mind, however.

From The Jam and The Selecter team up for 40th anniversary gig at York Barbican

Russell Hastings and Bruce Foxton of From The Jam

FROM The Jam and The Selecter will form a double bill at York Barbican on January 15 2021, given a fair wind with further progress on Covid-19 social-distancing measures enabling the venue to re-open.

Founder bassist Bruce Foxton and vocalist/guitarist Russell Hastings’ band will be touring Britain to celebrate the 40th anniversary of Sound Affects, The Jam’s fifth studio album, performing this 1980 release in its entirety, complemented by a Jam back-catalogue selection.

Recorded by Foxton, frontman Paul Weller and drummer Rick Buckler, Sound Affects peaked at number two in the UK charts and boasted two of The Jam’s most-loved singles, Start! and That’s Entertainment.

From The Jam formed in 2007, originally with Buckler as the drummer until 2009, and have performed around the world, as well as charting with their 2017 album From The Jam Live!.

Pauline Black and Arthur ‘Gaps’ Hendrickson of special guests The Selecter

Joining them as special guests on the 2021 tour will be Coventry ska group The Selecter, fronted by Pauline Black and featuring original member Arthur ‘Gaps’ Hendrickson.

They too will be marking a 40th anniversary, in their case their 1980 2 Tone debut, Too Much Pressure, played in full, bolstered by further Selecter favourites. Expect to hear Three Minute Hero, On The Radio, Too Much Pressure, Missing Words, James Bond, The Whisper, Celebrate The Bullet and Frontline.

Tickets for January 15 are on sale at yorkbarbican.co.uk. Meanwhile, the Barbican website is yet to write the word Postponed across From The Jam’s July 11 gig this summer, already moved from April 3 after the Coronavirus lockdown. Watch this space for an update on a show built around the 40th anniversary of The Jam’s fourth studio album, Setting Sons, the one with The Eton Rifles, the Woking three-piece’s first top ten hit, peaking at number three.

“We can’t wait to perform the whole of Setting Sons live,” said Hastings when the 2020 tour was first announced. “The album has been noted as another one of The Jam’s best albums along with All Mod Cons. It seems that even the obscure album tracks like Little Boy Soldiers and Thick As Thieves are as popular when we play them live as the hit singles.” Will that tour ever happen? Wait and see.

Re-presenting India On Screen is the focus of Scarborough Art Gallery’s online film night on June 30

Still from Survey Number Zero, by Priya Thuvassery, 2016

SCARBOROUGH Art Gallery’s online film series will resume on June 30 with Re-presenting India On Screen.

The 7pm screening marks a new and ambitious element of Scarborough Museums Trust’s digital programming, with filmmakers Suraj Prasad and Tarini Manchanda joining the post-screening Q&A live from Delhi in this international collaboration between Britain and India.

Gallery Screenings Online, on the last Tuesday night of each month, features films selected to give audiences a new perspective on both visiting exhibitions and the permanent Scarborough Collections. Each is followed by a question-and-answer session.

Re-presenting India On Screen will feature short films by director, cinematographer and editor Priya Thuvassery; Gautam Valluri, an artist working with film; Suraj Prasad, co-founder of Lightcube, a film collective in New Delhi, and Tarini Manchanda, a filmmaker based in New Delhi.

Built around short films that re-think how India has been and continues to be re-presented on screen, the event will be co-hosted by Suraj Prasad and curator Martha Cattell.

The catalyst for June 30’s online screening was an item in the Scarborough Borough Collection: a journal by colonialist traveller Colonel James Harrison, from Brandesburton in East Yorkshire.

Suraj says: “The idea that colonialism is necessarily connected to a specific identity and location is convoluted and over-simplified; we are all colonialists to some degree. Perhaps our images can help reveal a lot about how we see the world.”

Still from The Dhenuki Cinema Project, by Suraj Prasad, 2016

Harrison’s journal and photographs offer a specific representation of India through an external and colonialist perspective, observes Martha. “This screening will consider how filmmakers have used moving images to represent India. It will feature archive and contemporary works, drawing on themes of ecology, architecture and colonialism,” she says.

“It will aim to challenge pre-existing biases and colonist hangovers of India on screen, and is part of ongoing work at Scarborough Museums Trust to decolonialise the Scarborough Collections.”

Each Gallery Screening will have optional live captions from a stenographer; downloading the app version of Zoom is recommended for those wishing to use this function.

A “social story” – a visual guide – will be created too, with illustrations by Scarborough artist Savannah Storm to explain the format and accessible elements of the screening.

Access to the June 30 event is by password only, available, along with a link, by emailing Martha Cattell at Martha.cattell@smtrust.uk.com. Email the same address for access to the social story.

The introduction and Q&A will be available post-event on Scarborough Museums Trust’s YouTube channel: bit.ly/YouTubeSMT.

Visit the trust’s YouTube channel at the same address to watch the recorded introductions and Q&As from previous Gallery Screenings.

Joseph Rowntree Theatre is Up On The Roof to launch fundraising campaign

Singers and musicians recording Up On The Roof remotely for the Joseph Rowntree Theatre’s Raise The Roof campaign

THE Joseph Rowntree Theatre, in York, is launching a song on You Tube to help raise £5,000 towards vital roof repairs.

At a time when the future is looking bleak for many theatres in the Coronavirus crisis, York’s community theatre in Haxby Road is determined to buck the trend of depressing news by using lockdown as a chance to further its expansion plans.

Launching the online video this week kick-starts Raise The Roof, the JoRo’s fundraising campaign with a £90,000 target.

Aptly, the choice of song is a cover of The Drifters’ hit Up On The Roof, written in 1962 by Gerry Goffin and Carole King.

Jess Douglas: Arranger, pianist, co-organiser

The video has been produced, arranged and performed by York performers who call the Art Deco building their theatrical home, many of them also counting themselves among the JoRo’s army of volunteers.  Put together during lockdown via socially distanced media, it can be viewed at youtu.be/IPsw4VQcMsg.

Stage manager Ollie Nash and Jessica Douglas, a regular musical director of shows at the JoRo, have brought together a team of singers and musicians to create the video. “It’s been a real challenge under lockdown conditions,” says Ollie. “In the week leading up to its release, I spent 30 hours pulling all the bits together for the final edit.”

Arranged by Jessica and mixed and edited by Ollie, Up On The Roof is performed by Abigail Atkinson, Chris Gibson, Helen Singhateh, Jennie Wogan, Nick Sephton, Paul Blenkiron, Ruth McCartney, Sandy Nicholson and Susan Blenkiron. Backing them in the recording are Jessica Douglas, piano, Clark Howard, drums, Georgia Johnson, bass, Damien Sweeting, guitar, and Emily Jones and Tom Marlow, violin.

Graham Mitchell, the JoRo’s fundraising and events director, says: “We’ve had great fun putting this video together.  The fact that so many of our performing and volunteering community came together ‘virtually’ to produce it shows just how much the future success of the theatre means to them.”

Ollie Nash: Spent 30 hours “pulling all the bits together for the final video edit”

Against a backdrop of growing fears over the future for many arts venues across the country, the Joseph Rowntree Theatre believes it is in a “particularly strong position”.

How come? Because the charity that runs it owns the building and the theatre is operated entirely by more than 170 unpaid volunteers.

Dan Shrimpton, chair of the board of trustees, says: “We’re using this period of enforced closure to look after and improve the fabric of the building.  The roof repairs need to be completed before we can move on with our major plans to expand the building. 

“The new insulation and solar panels will significantly reduce our operating costs and also the impact we have on the environment. The expansion plans will make our venue even greener and more accessible.”

A peck on the cheek of a teenage Judi Dench from a cheeky young chap at the Joseph Rowntree Theatre is a favourite anecdote among theatre volunteers

The roof has stood the test of time, not needing any major work since the theatre was built 85 years ago.  The Raise The Roof appeal is not the first time it has appeared in a news article, however. In 2012, the Daily Telegraph published the story of a teenage Judi Dench coming down from the roof after watching the sunset with a group of friends. 

One brave young man took the opportunity to sneak a quick kiss on the way down the ladder!  Dame Judi does not remember the name of the cheeky chap, but it is a favourite anecdote among the theatre’s volunteers.

To launch the Raise the Roof campaign, the JoRo has set up a Just Giving page and is encouraging people to donate “even just the amount of a takeaway coffee”.  Go to: justgiving.com/campaign/Raise-the-Roof.

The Joseph Rowntree Theatre, in Haxby Road, York

Did you know?

THE Joseph Rowntree Theatre was built by the Joseph Rowntree Village Trustees as a place for recreation and education for the benefit of Rowntree employees and the York community. 

Seebohm Rowntree opened the Haxby Road theatre in 1935. It remains a vital community asset, run entirely by volunteers for the people of York. A board of 13 trustees and 170 volunteers give 17,000 hours of volunteering time every year. 

Last year, the JoRo put on more than 135 performances, staged by 35 York groups and several professional touring companies.