Six of the best to star in York Stage’s comedy drama Steel Magnolias

“Strong women”: Joanne Theaker, front left, Louise Henry, back left, Sandy Nicholson, Julie-Anne Smith and Kathryn Addison starring in Nik Briggs’s production of Steel Magnolias for York Stage

YORK Stage kick off their 2020 season with Robert Harling’s comedy-drama Steel Magnolias at Theatre @41 Monkgate, York.

Running in the John Cooper Studio from February 19 to 22, this 1987 American play focuses on the camaraderie of six Southern women who talk, gossip, jest and harangue each other through the best of times and comfort and repair one another through the worst.

“Steel Magnolias is alternately hilarious and touching with six female characters that are all as delicate as magnolias yet as strong as steel,” says director Nik Briggs.

Joanne Theaker, Louise Henry, Sandy Nicholson and Julie-Anne Smith in York Stage’s Steel Magnolias

His cast comprises Joanne Theaker as M’Lynn; Louise Henry as Shelby; Julie-Anne Smith as Ousier; Sandy Nicholson as Clairee; Kathryn Addision as Truvy and Carly Morton as Annelle.

Yorkshire actress Joanne Theaker returns to the York Stage company, having led the cast as Maria in The Sound Of Music at the Grand Opera House last April.

Previously, Joanne has played Sister Mary Roberts in Sister Act; Diva in Priscilla Queen Of The Desert – The Musical; Judy in Dolly Parton’s 9 To 5 The Musical and Paulette in Legally Blonde. Elsewhere, she has performed at Hull Truck Theatre in the original casts of John Godber’s Thick As a Brick and Big Trouble In The Little Bedroom and at the Stephen Joseph Theatre, Scarborough, in Neil Simon’s They’re Playing Our Song.

Julie-Anne Smith and Sandy Nicholson have a laugh in the photo-shoot for Steel Magnolias

Louise Henry joins rehearsals after making her professional debut as Snow White in this winter’s Grand Opera House pantomime, Snow White And The Seven Dwarfs. Previously, for York Stage Musicals, she had performed in The Sound Of Music as Liesl last April and Twilight Robbery as Jayne in May. West End actress Julie-Anne Smith last appeared for York Stage Musicals as Violet in 9 To 5 in 2017.

Briggs says: “Bringing Steel Magnolias to the stage, and working with these six women especially, has been a joy. It’s no secret that I love working with strong women, especially in the rehearsal room and you don’t get much stronger than these six.

”Having previously directed many female-led shows – Sister Act, Legally Blonde, 9 To 5, The Sound Of Music, Be My Baby and Little Voice – Steel Magnolias has been on my ‘To Do’ list for a long time.”

Hair-larious: Louise Henry and Joanne Theaker

The women’s closeness drew Briggs to Harling’s piece. “It’s relatable, the salon is a world in itself and the six characters are an adopted family,” he says. “They laugh, cry, argue, support and challenge each other within this world and it really allows for the drama and comedy to flourish and soar.

“We’ve had tears of laughter and tears of sadness over the rehearsal period. This really is a show to see with your closest girl friends and family. Come, laugh and cry together, and if you want to wear pyjamas and bring a large carton of ice cream with you for the ultimate girly ‘night in-out’, we won’t judge!”

Harling was inspired to write Steel Magnolias, his first play, after his sister Susan died of complications from diabetes. Premiered off-Broadway at the WPA Theater in 1987, it quickly transferred to Broadway, where it became an instant sensation, running for three years and spawning the hit movie starring Dolly Parton, Julia Roberts, Sally Field, Daryl Hannah, Olympia Dukakis and Shirley MacLaine.

Hair piece: York Stage’s poster image for Steel Magnolias

York Stage in Steel Magnolias, John Cooper Studio, Theatre @41 Monkgate, York, February 19 to 22, 7:30pm plus 2.30pm Saturday matinee. Tickets: £15, concessions £13, at yorkstagemusicals.com, on 01904 623568 or in person from the York Theatre Royal box office. “We shall be supporting York and District Diabetes UK Group throughout the run,” says director Nik Briggs.

Pre-apocalyptic comedy alert!! But where will The Last Quiz Night On Earth be held?

Look at the pub name! Where else could The Last Quiz Night On Earth be held? Well, Pocklington Arts Centre, actually

QUICK question. Did you see Chip Shop Chips, Box Of Tricks Theatre Company’s show at Pocklington Arts Centre last year?

Yes? So, presumably you will want know when they will be returning to Pock and what in?

The answers are Friday, March 20 in The Last Quiz Night On Earth, an immersive, innovative new play by Alison Carr for theatre devotees and pub quiz enthusiasts alike, who are promised “a very different experience of live performance”.

PAC director Janet Farmer says: “The last time Box Of Tricks visited here, they wowed and wholly entertained us with Chip Shop Chips, an immersive theatre experience that our audiences still talk about. 

“So, we can’t wait to welcome them back to the venue with their brand new show. It looks set to be an absolute blast!”

In the Box Of Tricks locker already are the award-winning Manchester company’s shows SparkPlug, Narvik and Under Three Moons. Now they follow two sold-out tours of Chip Shop Chips with Carr’s pre-apocalyptic comedy, The Last Quiz Night On Earth. 

Next question. What happens? “It’s the final countdown. Landlady Kathy invites audiences to the last quiz night on earth with Quizmaster Rav. He is the host with the most,” say Box Of Tricks.

“But with time ticking, some unexpected guests turn up out of the blue. Bobby wants to settle old scores and Fran wants one last shot at love. Expect the unexpected to the bitter end and plenty of drama as the show gets quizzical.”

Hannah Tyrrell-Pinder directs the play, with design by Katie Scott. Pub landlady Kathy will be played by Meriel Scholfield, who has appeared in Coronation Street, Last Tango In Halifax, Holby City and Doctors, while Shaban Dar will take the role of pre-apocalyptic Quizmaster Rav.

Playwright Alison Carr’s past works include Caterpillar and Iris; her latest play, Tuesday, has been commissioned for the National Theatre’s 2020 Connections programme.

Next question. Why did she write The Last Quiz Night On Earth? “I wanted to combine the known and the unknown, the safe and the downright terrifying,” she answers. 

“My vision was to create something that audiences don’t just sit and watch but are part of – but not in a scary way. 

“Personally, the thought of audience participation makes me feel sick, but a quiz is something we can all do, whether we’re a general knowledge expert or the neatest so we can do the writing.” 

The play was “so much fun to research and write,” she says. “I have to admit, I know a lot about asteroids now, and the answers to a fair amount of quiz questions. I’m so excited to have Box Of Tricks bring it to life and to share it with audiences.”

Director Hannah Tyrrell-Pinder adds: “I’m really excited to be working with Alison Carr on her first play for Box Of Tricks. 

“Alison is a writer of real talent, crafting plays of depth, wit and real emotional warmth. The Last Quiz Night On Earth is a unique piece: a pre-apocalyptic comedy bringing people together through the power of trivia for a great night out.

“Following our success touring Chip Shop Chips to the heart of communities, I’m really looking forward to revisiting some wonderful places and spaces as well as discovering new locations with this play.” 

Last questions. Pocklington show time? 7.30pm. Ticket price? £12.50, under 21s, £10, and Friends Rates. Box office number? 01759 301547. Online? pocklingtonartscentre.co.uk.

“Fourth funniest” comedy duo Max & Ivan to fulfil Commitment at Selby Town Hall

Max & Ivan: Commitment to Selby

THE Guardian’s fourth best comedy show of 2019, Max & Ivan’s Commitment, will play Selby Town Hall on February 7.

“I’m delighted that Selby is the only Yorkshire date on their UK tour and am genuinely very excited to see the show in our little venue,” says Chris Jones, Selby Town Council’s arts officer.

“It’s one of the most talked-about comedy shows of last year, receiving a slew of four and five-star reviews for its Edinburgh Fringe debut, and an agent for an entirely different comedian told me last week that it was one of the best things she’d seen…and that doesn’t happen very often.”

Performed by comedy duo Max Olesker and Ivan Gonzalez, Commitment is the true story of how Max, as Ivan’s Best Man, attempted to reunite Ivan’s teenage band – Voodoo 7:2, the premier “art rock post-punk funk” group in mid-Noughties Liverpool – for one final gig.

“It’s a show about dreaming big, growing up, and trying – but ultimately very much failing – to make it in the band,” says Chris.

“Directed by multiple Edinburgh Comedy Award nominee Kieran Hodgson, it melds fast-paced visuals – including a wealth of embarrassing adolescent photos – with razor-sharp gag writing, classic double-act dynamics and a smattering of virtuoso multi-character performances.

“At its heart, the show is a storytelling hour about Max & Ivan’s real-life friendship and the lengths Max will go to in order to pull off the best night of Ivan’s life.” 

Olesker and Gonzalez have performed at the Melbourne International Comedy Festival; the SXSW (South By Southwest) festival in Austin, Texas; UCB Sunset in Los Angeles and Brooklyn’s Union Hall in New York, as well as touring throughout Britain.

Among their past work is the super-show The Wrestling, where the world’s best comedians step into the ring and wrestle alongside enormous professional wrestlers in Edinburgh and Melbourne.

At last year’s Edinburgh Fringe, they debuted Max & Ivan’s Prom Night, an anarchic, interactive, 1950s’ high-school prom show-cum-party, to a sell-out, thousand-strong crowd in Assembly High, a purpose-designed location. 

Max & Ivan created, wrote and starred in the BBC Radio 4 sitcom The Casebook Of Max & Ivan, attracting such guest stars as Matt Lucas, June Whitfield, Reece Shearsmith and Jessica Hynes, as well as appearing in BBC Two comedy W1A as Ben and Jerry.

“Max & Ivan’s Commitment tour is one of The Times’s picks of 2020,” says Chris. “I’m aware that Max & Ivan are not yet household names, but I would love as many people as possible to catch this 8pm show.”

Tickets cost £14 on 01757 708449 or at selbytownhall.co.uk or £16 on the door from 7.30pm.

Cosmic Collective open Heaven’s Gate to imagine UFO worshippers’ final hour

 ‌

Cosmic Collective Theatre’s Anna Soden, Joe Feeney, Lewes Roberts and Kate Cresswell in Heaven’s Gate

FOUR‌ ‌cups‌ ‌of‌ ‌Apple‌ ‌Sauce.‌ ‌Four‌ ‌canvas‌ ‌camp‌ ‌beds.‌ ‌One‌ ‌Comet.‌ ‌Heaven’s‌ ‌Gate‌ ‌is‌ ‌closing‌ ‌and‌ ‌the‌ ‌Away‌ ‌Team‌ ‌are‌ ‌ready‌ ‌for‌ ‌Graduation, but whatever you do, don’t say the C-word. Cult.

Premiered by the new York company Cosmic Collective Theatre at last summer’s Great Yorkshire Fringe in York, ‌ ‌the 55-minute Heaven’s Gate opens its debut Yorkshire tour at Harrogate Theatre’s Studio Theatre tonight.

Written by company co-founder Joe Feeney, this ‌intergalactic‌ ‌pitch‌-black‌ comedy ‌imagines‌ ‌the‌ ‌final‌ ‌hour‌ ‌of‌ ‌four‌ ‌fictionalised‌ ‌members‌ ‌of‌ ‌the‌ ‌real-life ‌ ‌‌UFO-theistic‌ ‌group, Heaven’s Gate.‌ ‌

“As‌ ‌they‌ ‌prepare‌ ‌for‌ ‌their‌ ‘Graduation’‌ ‌to‌ ‌the‌ ‌‘Kingdom‌ ‌of Heaven’, initially the excitement is palpable, but soon the‌ ‌cracks‌ ‌start‌ ‌to‌ ‌appear,” says Joe, an alumnus of York Theatre Royal Youth, along with fellow cast member Anna Soden.‌

“Is‌ ‌Heavenly‌ ‌Father‌ ‌really‌ ‌waiting‌ ‌for‌ ‌them‌ ‌in‌ ‌a‌ ‌spaceship?‌ ‌Is‌ ‌the‌ ‌Earth‌ ‌actually‌ ‌about‌ ‌to‌ ‌be‌ ‌recycled?‌ ‌Was‌ ‌castration‌ ‌obligatory‌ ‌or‌ ‌not?‌ ‌Is‌ ‌Turkey‌ ‌Potpie‌ ‌an‌ ‌underwhelming‌ ‌last‌ ‌supper?‌” ‌ ‌

Cosmic‌ ‌Collective‌ ‌Theatre‌, who enjoyed a sold-out run at the‌ ‌Drayton‌ ‌Arms‌ ‌Theatre‌, ‌London, after the York premiere, will follow up today and tomorrow’s 8pm Harrogate performances with shows at The‌ ‌Carriageworks,‌ ‌Leeds, on February 5 and 6 at 7.30pm; York Theatre Royal Studio, February 7, 7.45pm; Hull Truck Theatre Studio, February 14,  8pm, and Slung Low at Holbeck Theatre, Leeds, February 16, 5pm.

‌They‌ ‌will be‌ ‌playing ‌York‌ ‌Theatre‌ ‌Royal‌ ‌as‌ ‌part‌ ‌of‌ ‌the‌ ‌Visionari Studio Discoveries festival, a week of shows put together by the theatre’s community programming group.‌ ‌

Performing there ‌has‌ ‌particular‌ ‌resonance‌ ‌for‌ ‌‌Joe‌ and Anna. “This‌ ‌is‌ ‌incredibly‌ ‌special‌ ‌for‌ ‌us,” says Joe. “I’ve been ‌‌involved‌ ‌with‌ ‌York‌ ‌Theatre‌ ‌Royal‌ ‌for‌ ‌more than‌ ‌20‌ ‌years. I was a ‌Youth‌ ‌Theatre‌ ‌member‌ ‌for‌ ten-plus years and‌ ‌have worked‌ ‌as‌ ‌crew‌ ‌backstage‌ ‌on‌ ‌and‌ ‌off‌ ‌since‌ ‌2010.‌

Cosmic Collective Theatre in rehearsal for Heaven’s Gate

“‌As‌ ‌an‌ ‌actor, I’ve ‌ ‌performed‌ ‌across‌ ‌the‌ ‌country‌ ‌and‌ ‌internationally, but‌ ‌nothing‌ ‌will‌ ‌compare‌ ‌to‌ ‌performing‌ ‌at‌ ‌home‌ ‌in‌ ‌our‌ ‌wonderful‌ ‌theatre. It’s honestly‌ ‌a‌ ‌dream‌ ‌come‌ ‌true.”‌ ‌

Anna‌‌ ‌agrees: ‌‌“I‌ ‌wouldn’t‌ ‌be‌ ‌working‌ ‌in‌ ‌this‌ ‌industry‌ ‌if‌ ‌it‌ ‌wasn’t‌ ‌for‌ ‌York‌ ‌Theatre Royal Youth‌ ‌Theatre,‌ ‌which‌ ‌continues‌ ‌to‌ ‌be‌ ‌the‌ ‌greatest‌ ‌youth‌ ‌theatre‌ ‌in‌ ‌the‌ ‌country!” she says. “‌To‌ ‌return‌ ‌all‌ ‌these‌ ‌years‌ ‌later‌ ‌and‌ ‌perform‌ ‌here‌ ‌as‌ ‌a‌ ‌professional‌ ‌actor‌ ‌is‌ ‌beyond‌ ‌a‌ ‌pleasure‌ ‌and‌ ‌a‌ ‌privilege.”‌ ‌ ‌

Cast‌ ‌members‌ ‌Lewes‌ ‌Roberts‌ ‌and‌ ‌Kate‌ ‌Cresswell‌ ‌share‌ ‌this‌ ‌excitement‌.  “We‌ ‌met‌ ‌Joe‌ ‌and‌ ‌Anna‌ ‌when‌ ‌we‌ ‌trained‌ ‌together‌ ‌at‌ ‌Mountview and‌ ‌have‌ ‌been‌ ‌visiting‌ ‌York‌ ‌ever‌ ‌since.

“We ‌may‌ ‌not‌ ‌have‌ ‌been‌ ‌born‌ ‌here‌ ‌but‌ ‌we’re ‌honorary‌ ‌citizens; it’s our‌ ‌home‌ ‌from‌ home. Performing‌ ‌at York’s Great Yorkshire Fringe ‌last‌ ‌summer‌ ‌was‌ ‌brilliant,‌ ‌and‌ ‌to‌ ‌be‌ ‌at‌ ‌the‌ ‌Theatre‌ ‌Royal‌ ‌this‌ ‌year‌ ‌is‌ ‌just‌ ‌next‌ ‌level.” ‌

‌Cosmic‌ ‌Collective‌ ‌Theatre’s cast‌ ‌boast‌s ‌impressive‌ ‌credits. ‌Feeney‌ ‌has‌ ‌returned‌ ‌home from‌ ‌Belgium‌, ‌where‌ ‌he‌ ‌played‌ ‌Captain‌ ‌Stanhope‌ ‌in‌ ‌MESH‌ ‌Theatre’s‌‌ ‌revival‌ ‌of‌ ‌Journey’s‌ ‌End.‌ ‌ 

Soden played ‌Fairy‌ ‌Poppins in this winter’s‌ ‌Liverpool‌ ‌Everyman‌ ‌pantomime, Sleeping‌ ‌Beauty; Roberts‌ ‌can‌ ‌‌be‌ ‌seen in‌ ‌BBC One’s‌ ‌The‌ ‌Tuckers; ‌Cresswell‌ ‌has‌ ‌been‌ ‌treading‌ ‌the‌ London boards‌ ‌in‌ Hansel‌ ‌And‌ ‌Gretel‌ ‌at‌ ‌the‌ ‌Royal‌ ‌Opera‌ ‌House,‌ ‌Covent‌ ‌Garden.

‌Harrogate tickets are on sale on 01423 502116 or at harrogatetheatre.co.uk; Carriageworks, 0113 376 0318 or carriageworkstheatre.co.uk; York, 01904 623568 or yorktheatreroyal.co.uk; Hull, 01482 323638 or hulltruck.co.uk; The Holbeck, slunglow.org/event/heavens-gate/.  ‌

 Please note: Heaven’s Gate ‌contains‌ ‌references‌ ‌to‌ ‌abuse‌ ‌and‌ ‌suicide and has ‌mild swearing.‌ ‌Age recommendation: 15 plus.

What, again, Alan? Yes, Not Again, Alan! tour books third night at York Carrbican

Loud hailer ! Alan Carr announces a third night at York Barbican

WHAT, again, Alan? Tickets have sold so quickly for Alan Carr’s first tour in four years, that Not Again, Alan!, is now, Yes, Again and Again and…Again, Alan, at York Barbican.

Carr, ever-chatty son of former York City footballer Graham Carr, will play three successive Christmas nights in York, newly adding December 17 to December 18 and 19.

Tickets are on sale on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Since his last comedy travels, chat-show host Carr has “managed to find himself in all sorts of dramas”, apparently. Such as? “Between his star-studded wedding day and becoming an accidental anarchist, from fearing for his life at border control to becoming a reluctant farmer, three words spring to mind…Not again, Alan!” says his tour publicity. “Join Alan on tour as he muses upon the things that make his life weird and wonderful.”

Carr pile-up: Alan Carr to play York Barbican again and again and again

Not Again, Alan! will be Carr’s fourth UK solo show in four-year cycles in the wake of Yap, Yap, Yap’s 200 dates in 2015 and 2016, Spexy Beast in 2011 and Tooth Fairy in 2007. He last brought his chat, chat, chat to York on the Yap, Yap, Yap! itinerary on July 11 2015 at the Barbican.

Later this year, Carr will host Alan Carr’s Epic Gameshow on ITV, wherein five all-time favourite game shows will be supersized and reinvigorated for a new audience: Play Your Cards Right, Take Your Pick, Strike It Lucky, Bullseye and The Price Is Right. In 2020 too, Carr will return to the judges’ panel on the second BBC series of RuPaul’s DragRace UK.

Here come one baguette, one dodgy steed, Three Musketeers… and four bicycles

Re-cycling a familiar French adventure: Le Navet Bete in The Three Musketeers. Picture: Mark Dawson

AFTER Dracula: The Bloody Truth and Dick Tracy, travelling players Le Navet Bete come armed only with a baguette and a questionable steed on their latest adventure.

The award-winning Essex physical comedy troupe ride into York Theatre Royal on February 7 and 8 with The Three Musketeers: A Comedy Adventure.

The main-house stage transforms into the French countryside as hot-headed D’Artagnan travels to Paris full of childish excitement and misplaced bravado to become a Musketeer. Will things go to plan? Unlikely, but at least this chaotic caper will be in the hands of four actors wholly assured in taking on more than 30 character portrayals.

“Sorry, I’m tied up for February 7 and 8 already. I’ll be at York Theatre Royal”. Picture: Matt Austin

Billed as their biggest and most riotous show to date, The Three Musketeers: A Comedy Adventure is the sixth time Le Navet Bete have worked with comedy director John Nicholson, co-artistic director of Peepolykus and regular comedy writer for television and radio.

“This time we’ve collaborated on a comedy version of Alexander Dumas’s classic French tale, turning it on its head,” say Le Navet Bete, who have worked on the show with choreographer Lea Anderson and set designer Ti Green too. “Expect all the main characters from the book, but in ways you wouldn’t expect to see them,” they tease.

Le Navet Bete and Exeter Northcott Theatre present The Three Musketeers: A Comedy Adventure, York Theatre Royal, February 7 and 8, 7.30pm and 2.30pm Saturday matinee. Box office: 01904 623568 or at yorktheatreroyal.co.uk. Suitable for age seven upwards.

What’s in a name?

La Navet Bete means “the daft turnip”.

Back in Five Minutes, York Eighties’ band re-unite after 30 years for one night only

Five Minutes in the 1980s, when they were four, before they became six, although they were never five!
From left to right: Nigel Dennis, Sean Rochester, Mark Pearson and Chris Turnbull. Matthew “Duck” Hardy and Paul Shelbourne joined later.

A BAND called Five Minutes had their 15 minutes in York in the late 1980s. Now they are re-uniting for a one-off gig at the Victoria Vaults, in Nunnery Lane, on February 29.

The reason? “The singer and youngest member of the band still living here will be the last of us to turn 50 in February and in his words, ‘Let’s do it before one of us dies’,” reveals trumpet player Matthew “Duck” Hardy, now 50 and a professional musician.

“Our last gig was in January 1989 and most of us haven’t seen each other for 30 years. Now we want to get as many people from York’s late ‘80s music scene down to the gig for a huge reunion.”

In the soul and funk line-up on February 29 will be Hardy; business development manager Chris Turnbull, newly turned 50 next month, on vocals and guitar; IT consultant Sean Rochester, 53, on bass; cinema owner Nigel Dennis, 52, on drums, and retired police officer turned Criminology MSc mature student Mark Pearson, 52, on saxophone.

Not there, but there by the wonder of a video link, will be ex-pat trombonist and urban dog trainer Paul Shelbourne, 49, from his home in Brisbane.

“We’ll be playing original, danceable, driving Northern Soul-esque music with hard- hitting catchy brass riffs and a couple of covers thrown in near the end,” says Matthew, .introducing a set list featuring The Party; Smile; Sequels; Merry-go-round; Bridge In Time; Happy Home; Casanova; Could It Be; This Innocent Kiss; Only A Fool; Soul On Fire; Cornflake Packet; Time Will Tell; B Derdela; All The Daughters and Heatwave.

Back in their day, Five Minutes played York Arts Centre and Harry’s Bar, in Micklegate; Temple Hall, York campus of the College of Ripon and York St John; Central Hall, University of York; the Gimcrack pub (now flats), in Fulford Road, and Bretton Hall (now the Yorkshire Sculpture Park), near Wakefield.

Come February 29, Five Minutes will be back in action for rather more than five minutes, preceded by a DJ set by Rocky from Sweatbox, but why were/are they called Five Minutes?

“I’ve absolutely no idea why, as it started off as a four-piece and ended up as a six-piece!” says Matthew. “When Paul joined, the Evening Press photographer took a photo of us in the courtyard of Ye Olde Starre Inn, on Stonegate, and the paper did a write-up under the headline ‘Six appeal for Five Minutes’.”

What’s in a name?

Five Minutes start their set or encore with the instrumental B Derdela, so named after saxophonist Mark Pearson asked how singer Chris Turnbull wanted him to play the sax line. Chris gave him the note and the rhythm: B…derdela!

Broadsides founder Barrie Rutter diagnosed with throat cancer. Treatment to start shortly

Barrie Rutter after receiving his OBE on June 25 2015 at Buckingham Palace. Picture: Nobby Clark

BARRIE Rutter, award-winning Yorkshire actor, director and founder of Northern Broadsides, has been diagnosed with throat cancer.

In an official statement, 73-year-old Rutter is “in the good care of the mighty NHS and will begin his treatment very shortly”. 

Born in 1946, the son of a Hull fish worker, Rutter grew up in a two-up, two-down in the fish dock area of Hull.

Barrie Rutter as Lear in King Lear in 2015. Picture: Nobby Clark

At school, an English teacher frogmarched him into the school play because he had “the gob for it”, and feeling at home on stage, Rutter chose his future direction.

There followed many years in the National Youth Theatre, culminating in The Apprentices, with a role written specially for him by Peter Terson: a  practice to be repeated later in his career.

Seasons at the Royal Shakespeare Company in Stratford, London and Europe completed the 1970s. In 1980, he joined the National Theatre, a formative period when he met and worked closely with a poet who was to become his guru, Leeds writer Tony Harrison. 

Rutter performed in three of Harrison’s adaptations, all written for the Northern voice: The Mysteries, The Oresteia, and The Trackers Of Oxyrhynchus, wherein he played Silenus, a part penned for Rutter.

Barrie Rutter as flash banker Fuller in Northern Broadsides’ For Love Or Money in 2017. Picture: Nobby Clark

This experience was the spark for actor-manager Rutter setting up Northern Broadsides in 1992, the Halifax company noted for bringing the northern voice, song and clog dancing to Shakespeare, classical theatre and new works alike.

Frustrated by what he perceived to be inadequate Arts Council funding for Broadsides, he stepped  down from the artistic director’s post in April 2018. By then he had received the OBE for services to drama in 2015.

He last appeared on the York Theatre Royal stage in November 2017, when the quizzically eye-browed Rutter was at his most Rutter in his farewell Broadsides tour, For Love Or Money, a typically anarchic theatrical double act with Blake Morrison.

BERWICK’S BACK! York’s grand old dame to ride again but you won’t believe where!

Berwick’s back: dame for a laugh once more

YORK’S grand old dame, Berwick Kaler, is back in panto. Oh yes, he is.

At York Theatre Royal, his “beloved home” for 41 years? Oh, no he isn’t.

Dame Berwick is switching to the other side, the Grand Opera House, to become the Grand’s old dame. What’s more, he will be bringing the rest of the Not Famous But Famous In York Five along for the ride in Dick Turpin Rides Again: villain David Leonard; sidekick stooge Martin Barrass; ageless principal girl Suzy Cooper and luverly Brummie A J Powell.

Tickets for the December 12 to January 10 run will go on general sale on February 14, Valentine’s Day, when fans can have a love-in with Dame Berwick in the box office, when he sells the first tickets at 10am.

 A delighted Kaler says: “Qdos Entertainment have come to the rescue of the most lauded pantomime in the country, having found us a new home at the Grand Opera House in our beloved City of York.

“To make this a success we need you – the most articulate and loyal audience in the entire country. We can go forth with a management that believes we have enhanced the reputation of a local pantomime that has caught the imagination of young and old, from all walks of life.”

Qdos Entertainment’s managing director Michael Harrison enthuses: “We are absolutely delighted to be embarking on an all-new pantomime partnership with our colleagues at the Ambassador Theatre Group, Grand Opera House and, of course, Berwick and the gang.

“Berwick is an undeniable master in the world of pantomime, with his own inimitable style and approach and we are delighted to be working closely with him and the cast to bring back the magic for which they are best known.”

Kaler, 73, retired from playing the Theatre Royal’s dame after 40 years last February, but has signed a three-year contract with Qdos Entertainment, the pantomime powerhouse of British theatre, who are taking over the Grand Opera House panto from Three Bears Productions from Winter 2020.

Dame Berwick will write and direct the show, as well as pulling on his trademark big boots, unruly wig and spectacular frocks again, after regretting his decision to retire, breaking his run as Britain’s longest-running dame, from the moment he announced it.

Fully recovered from his double heart bypass in the summer of 2018, It was a sentiment he repeated regularly, not least on the last night of The Grand Old Dame Of York on February 2 last year, saying he “would be back like a shot” if asked.

Now the veteran dame does return, but across the city, where he has chosen Dick Turpin Rides Again for his first Grand Opera House pantomime, revisiting a show that brought him his highest ever audience figures at the Theatre Royal: 54,000 for Dick Turpin in 2008-2009.

He last appeared on the Opera House stage as fey drag artist Captain Terri Dennis in Peter Nichols’ Privates On Parade in 1996.

Kaler made an emotional, provocative speech at the finale to last Saturday’s final night of Sleeping Beauty, the troubled Theatre Royal pantomime he had written and co-directed this winter, but whose progress was jolted by executive director Tom Bird’s confirmation, with a fortnight still to run, that Dame Berwick would not be back, as writer or director, let alone as dame.

BERWICKXIT: Berwick Kaler playing the dame in his last York Theatre Royal pantomime, The Grand Old Dame Of York, last winter. Picture: Anthony Robling

Suzy Cooper and Kaler in The Press splash had called for the dame to return, David Leonard later backed that campaign, while Martin Barrass addressed the audience at each show post-announcement to say “this cast and this band” would not be returning. A public petition was launched too.

“I’m b****y furious,” said the dame, back on his old stamping ground, in a highly charged Saturday atmosphere, full of cheers for Kaler and boos for new panto villain Bird.

Kaler could not reveal “the truth”, but said Bird – or “one man” as he called him throughout without naming him once – was “wrong” in his decision to move on to a new creative team when the Theatre Royal pantomime “didn’t need fixing”.

“I’ll give them three days,” he said in a cryptic ultimatum that set tongues wagging that Kaler must have something up his sleeve, while Barrass rubbed his hands when reading out  a letter in the shout-outs that suggested the Panto Five should move to “the Grand”.

Those three days passed, but now Dame Berwick rises again, linking up with Qdos Entertainment, whose production  facilities are based in Scarborough and Beverley, 100,000 costumes et al. Billed as “the world’s biggest pantomime producer”, with 37 years behind them, they present such big-hitting pantos as the London Palladium and Newcastle Theatre Royal shows, as well as, closer to York, Hull New Theatre.

Welcoming the new partnership of Qdos and the Kaler crew, Grand Opera House theatre director Rachel Crocombe-Lane says: “Qdos bring both world-class expertise and also a Yorkshire heart, being based in Scarborough; the perfect combination together with this talented cast.

“As a venue team, pantomime is our favourite time of year because of the friendship with the company and also the joy and devotion of our audience. We are proud of these new partnerships, excited for the future of our pantomime and will be ready altogether to really blow your Christmas socks off!’

Qdos Entertainment chairman, Nick Thomas, from Scarborough, is excited too. “I am thrilled to welcome Berwick, a true Yorkshire theatre legend, to the Qdos family. Qdos Entertainment has had a long association with Yorkshire, it is my home county, and with our production and wardrobe teams based in Scarborough and Beverley, forming this new relationship with Berwick and the Grand Opera House is especially exciting.”

Meanwhile, York Theatre Royal will be launching its 2020-2021 pantomime on Monday at high noon. Rather than declaring a pantomime civil war in York, executive director Bird says: “We wish the Grand Opera House the very best of luck. As we’ve always said, we’ll be announcing our new pantomime on Monday”.

On Tuesday this week, Bird told a City of York Council meeting that no performance of Sleeping Beauty had sold out, save for the traditional last night pandemonium, compounding a decline in attendances that had started 11 years ago.

He said the Theatre Royal would “build a new pantomime for the city that to some extent doesn’t rely on you having been to the pantomime for 30 years in order to get it”.

“I know how much affection there is for our pantomime in the city. What’s prompted us to make this change is that that affection isn’t necessarily translating into popularity,” he added. “It’s with a very heavy heart that we make changes but it’s not something we can leave.”

Tickets for Dick Turpin Rides Again will be on general sale from February 14 on 0844 871 3024, at atgtickets.com/york and in person from the Cumberland Street theatre’s box office. ATG Theatre Card holders can buy from February 11.

From Essex house to Nunnington Hall country pile for Grayson Perry’s tapestries

The Essex Tapestries: The Life of Julie Cope (2015) , by Grayson Perry, on the drawing room wall of Nunnington Hall from February 8

GRAYSON Perry will be Stitching The Past Together with his tapestries at Nunnington Hall, near Helmsley, from February 8.

Out go the National Trust country house’s 17th century Verdure tapestries for conservation work; in come the Essex transvestite artist, potter, broadcaster and writer’s typically colourful and thought-provoking pair of Essex House Tapestries: The Life of Julie Cope (2015).

Hanging in an historic setting for the first time in the drawing room, this brace of large-scale, striking works tells the story of Julie Cope, a fictitious Essex “everywoman” created by the irreverent Chelmsford-born 2003 Turner Prize winner.

The tapestries illustrate the key events in the heroine’s journey from her birth during the Canvey Island floods of 1953 to her untimely death in a tragic accident on a Colchester street.

Rich in cultural and architectural details, the tapestries contain a social history of Essex and modern Britain that “everyone can relate to”. 

These artworks represent, in Perry’s words, ‘the trials, tribulations, celebrations and mistakes of an average life’.

In Its Familiarity Golden: a close-up of one of Grayson Perry’s Essex House Tapestries: The Life of Julie Cope (2015)

Historically, large-scale tapestry provided insulation for grand domestic interiors. Perry, by contrast, however, has juxtaposed its associations of status, wealth and heritage with contemporary concerns of class, social aspiration and taste.

To write Julie’s biography, he looked to the English ballad and folktale tradition, narrating a life that conveys the beauty, vibrancy and contradictions of the ordinary individual. 

Laura Kennedy, Nunnington Hall’s visitor experience manager, says: “It’s extremely exciting to have The Essex House Tapestries: The Life of Julie Cope Tapestries on the walls that would usually display the hall’s Verdure tapestries.

“The tapestries will hang in the drawing room amongst the historic collection, and nearby to the hall’s remaining 17th century Flemish tapestries telling the story of Achilles.”

Laura continues: “The genuine and relatable stories told through Grayson Perry’s artworks are a rich contrast to the demonstration of wealth and status reflected through many historic tapestries, including our own at Nunnington Hall.

“We’ve worked closely with the Crafts Council to bring the hangings to Nunnington and observe how these contrasting sets of tapestries are a beautiful contradiction in design, colour palette, storytelling and manufacture, illustrating the evolution of tapestries over the past four hundred years. It will also be the first time that The Essex House Tapestries have been hung in a historic setting.” 

One of the Essex House Tapestries: The Life of Julie Cope (2015), by Grayson Perry

Nunnington’s three Verdure tapestries were brought to Nunnington Hall more than 350 years ago by the 1st  Viscount Preston, Richard Graham, following his time as Charles II’s ambassador at the Court of Versailles.

Graham was appointed by King James II as the Master of the Royal Wardrobe because of his style and knowledge of Parisian fashions. He would have used these tapestries to demonstrate his good taste, wealth and status in society.

Welcoming Perry’s works to Nunnington Hall, Jonathan Wallis, curator for the National Trust, says: “It’s great to be able to show these wonderful tapestries at Nunnington. It continues our aim of bringing thought-provoking art to rural Yorkshire.

“The Life of Julie Cope is a story that we can all relate to and one which will delight, surprise and engage people. Digital devises accompany the tapestries exploring Julie’s life experiences and the reveal much of Perry’s inspirations.”

This is the first of two opportunities to see work by Grayson Perry in North Yorkshire in 2020. His earliest works and “lost pots” will be showcased in Grayson Perry: The Pre-Therapy Years from June 12 to September 20 at York Art Gallery’s Centre of Ceramic Art (CoCA).

The touring exhibition, developed by the Holburne Museum in Bath, is the first to celebrate Perry’s early forays into the art world and will re-introduce the explosive and creative works he made between 1982 and 1994.

The 70 works have been crowd-sourced through a national public appeal, leading to the “lost pots” being on display together for the first time since they were made.

Cocktail Party, 1989, by Grayson Perry, on show in Grayson Perry: The Pre-Therapy Years at CoCA, York Art Gallery, from June 12

The Pre-Therapy Years exhibition begins with Perry’s early collaged sketchbooks, experimental films and sculptures, capturing his move into using ceramics as his primary medium.

From his first plate, Kinky Sex (1983), to his early vases made in the mid-1980s, Perry riffed on British vernacular traditions to create a language of his own.

The themes of his later work – fetishism, gender, class, his home county of Essex, and the vagaries of the art world – appear in works of kinetic energy.

Although the majority of his output consisted of vases and plates, Perry’s early experiments with form demonstrate the variety of shapes he produced: Toby jugs, perfume bottles, porringers, funeral urns and gargoyle heads.

Perry says: “This show has been such a joy to put together. I am really looking forward to seeing these early works again, many of which I have not seen since the Eighties. It is as near as I will ever get to meeting myself as a young man, an angrier, priapic me with huge energy but a much smaller wardrobe.”

Grayson Perry’s The Essex House Tapestries: Life of Julie Cope (2015) will be on display at Nunnington Hall, Nunnington, Helmsley, from February 8 to December 20. Opening hours: Tuesday to Saturday, 10.30am to 4pm.

Nunnington Hall’s Verdure Tapestries: away for conservation work; back on display from January 2021

What’s happening to the Nunnington Hall Verdure tapestries? 

ALL three tapestries at Nunnington Hall have been taken off the walls. At various times they were sent to Belgium to be cleaned and each is being worked on by a selected conservator.

At each studio, the tapestries have been placed on to a frame with a linen scrim. The conservators are working across each tapestry, undertaking conservation stitching.

This includes closing the gaps that have appeared and replacing worn historic threads and previous conservation repairs. These stiches are placed through both the tapestry and the linen to provide extra support.

One of the conservators has estimated this work will take 740 hours. The work should be completed in the middle of 2020 to be placed back on the drawing room wall in January 2021.

Grayson Perry’s Essex House Tapestries: The Life of Julie Cope (2015) at Nunnington Hall

The story behind Grayson Perry’s Essex House Tapestries

THE Essex House Tapestries were made for A House for Essex, designed by Grayson Perry and FAT Architecture, as featured on the Channel 4 programme Grayson Perry’s Dream House.

The house was conceived as a mausoleum to Julie Cope, a fictitious Essex “everywoman”, who was inspired by the people Perry grew up among.

The tapestries are the only pair in a public collection, acquired by the Craft Council.