Category: Comedy

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Mark Thomas isn’t mucking about as he puts the need for change in black and white

No hidden meanings: Everything is in black and white in Mark Thomas’s new show. Picture: Tony Pletts

MARK Thomas, the grouchy godfather of British political comedy, is taking down politicians, mucking about, offering new ideas and finding hope in his new tour show, Black And White.

At Leeds City Varieties Music Hall tomorrow night (3/11/2022) and The Crescent, York, on Tuesday, he asks: How did we get here? What are we going to do about it? Who’s up for a sing-song?

“After lockdowns and isolation, this is a show about the simple act of being in a room together and toppling international capitalism,” says Londoner Mark, veteran alternative comedian, television and radio presenter, satirist, journalist and purveyor of political stunts on Channel 4’s The Mark Thomas Comedy Product.

He is heading out on the road after this summer’s sold-out Edinburgh Fringe run at The Stand Comedy Club elicited such reviews as: “seething, righteous and largely evidenced anger”… “incandescent critique of UK and world politics”… “his ire is something to behold”.

Here comes doubting Thomas, putting everything in Black And White in a turbulent world, but why give the tour that tagline? “Because it matches the tour poster!” he reasons. “A mate of mine took the photo, and then an artist called Tracey Mobley put it through a computer that turned it into a drawing. It looked amazing!

“So, when they said you need a name for the show – where I’m just going to muck about – I thought, let’s call it ‘Black And White’. But if you want to go for an ideological understanding of it, I guess it’s got to the point where it’s all of us against the one per cent, where this economic Ponzi scheme isn’t working for us and it’s got to change.”

Mark is up and running now. “Liz Truss espoused the free market, as a willing supporter of the Tufton Street think tanks, which means big responsibilities for human beings, but no responsibilities for businesses. Now she’s gone, Sunak is in, but it’s not even a U-turn.

“It’s like, ‘how much s**t do you want to take? 100 per cent or 99 per cent?’, then 99 per cent is what it will be. What communities need to do is build up resistance.”

How, Mark? “I wouldn’t want to tell people how to do it because they’re the ones doing it,” he says. “There are loads of people doling stuff. Some are doing food banks. There’s a brilliant centre in Sheffield that helps asylum seekers and refugees, The Sanctuary.

“They do English classes, IT classes, help with legal matters, as well as hot meals and advice. It’s a fantastic place just doing its best to help the community.

The poster image of Mark Thomas that prompted his tour title, Black And White

“Then there are community pubs. They’re the things that’ll keep going. That’s the kind of stuff I love, that really excites me. Like my football club, AFC Wimbledon, winning the community club of the year award, making sure it’s embedded in the club. Trade unions, communities, that’s what we have to support.”

In past shows, Mark has discussed visiting the West Bank and Jenin; lobbying Parliament; walking in the footsteps of the highest NHS officials; playing at the Royal Opera House; “making stuff” for TV, radio and newspapers and going undercover.

Black And White promises “creative fun”, or mucking about, if you prefer. “My favourite playwright is Bertolt Brecht, dear old Bertolt Brecht [the 20th century German theatre practitioner, playwright and poet]. I went to his house…he wasn’t in,” says Mark.

“What was fascinating about him, I remember seeing his play The Caucasian Chalk Circle at 15, and it changed my mind, which is one of the cornerstones of theatre, that you can go to a show and have your mind changed.

“Brecht always talked about creative fun, creative dissent, like those climate protestors throwing soup at Van Gogh’s Sunflowers painting at the National Gallery. The point being that people were really, really shocked by it, and it was only afterwards that they realised nothing was destroyed.

“It led to more thinking about how we need to have discussions about climate change, how we discuss it and how we may bring about change. In 100 years, no-one will remember a petition, but they will remember dangerous and creative acts because that’s the stuff that’s genuinely upsetting.

”Look at the Suffragettes. They burnt buildings, smashed windows, went on hunger strike. It was a mass movement with masses of acts of defiance. Women were being force-fed when they were on hunger strike. They brought about change.”

What new ideas for change is Mark proposing. “Nationalising the banks,” he says off the cuff. Unlikely, surely? “It doesn’t matter if it’s likely now. It’s about starting the conversation and then it might become reality,” Mark asserts.

“We need to have much more devolved power, given to communities. Proportional representation. Voting at 16. Why shouldn’t someone of 16 have the right to vote? Politics and history are the things that give people agency.”

Mark Thomas: Putting forward new ideas and finding hope in his new comedy tour de force. Picture: Tony Pletts

Where might we find hope, Mark? “Hope is a precious commodity, but there’s a difference between optimism and hope. Just don’t give me false optimism,” he says. “Defiance is the bedrock of hope.

“If you destroy a statue, you can get ten years in jail. That means a statue has more rights of protection than women. That’s nuts.”

Mark is on a roll again. “I voted Remain for one reason, and that’s because I thought a vote for Leave would increase racism and I won’t vote for that,” he says. “But once the vote has happened, that’s the vote, that’s it. Now we need to have a conversation about Brexit, how it’s working out , and what we might do about it in the future.

“Now everyone is feeling the pinch of stagnation and austerity, but all Brexiteers will stand up to say is they’re for sovereignty.

“I hope what we’re going through is the high water mark and this is our time for change. It might not be the high water mark, but one thing is for sure: I love that Bob Crow quote: ‘If you fight, you won’t always win, but if you don’t fight, you will always lose’.”

That fighting spirit permeates through Black And White: “The show is about being rude,” says Mark. “Shouting, mucking about, looking at what communities can do, celebrating us and defiance.”

As ever, Mark Thomas promises “I’ll be around, I’ll help” with his political ire, his zeal for change. How will he mark turning 60 on April 11 next year. “I’ll get my London bus pass and go on the longest route I can,” he says.  

Mark Thomas: Black And White, Leeds City Varieties Music Hall, tomorrow, 8pm; The Crescent, York, November 8, 8pm; King’s Hall and Winter Gardens, Ilkley, November 9, 8pm. Box office: Leeds, leedsheritagetheatres.com; York, thecrescentyork.seetickets.com; Ilkley, bradford-theatres.co.uk. Age guidance: 16 plus.

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Hurry up Harry! The wait is almost over for Pedigree Fun!, his first York gig in a decade

“I hadn’t realised how much I missed performing live,” says Harry Hill as he returns to touring after nine years

HARRY Hill, comedian, TV show host, writer, actor, artist and former doctor, is playing his first tour in nine years, promising absurdist Pedigree Fun! at the Grand Opera House, York, tomorrow night.

It was there that he last appeared in York, squeezing everything into Sausage Time in February 2013 after another long lull between tours since Hooves in 2006.

From Harry Hill’s TV Burp to You’ve Been Framed voiceovers and Junior Bake Off, Harry has been a fixture on the TV, but his brand of manic mayhem, slapstick comedy with daft props, pop culture send-ups, pertinent observational satire, daft songs and surrealist wit, always just too quick for the crowd, utterly suits the live arena.

“I hadn’t realised how much I missed performing live until lockdown stopped me from doing it,” says Harry, who turned 58 on October 1. “It’s great to be going back on stage and the good news is I’m planning a very silly show.”

A show with “brand-new amazing jokes in an all-singing, all-dancing one-man spectacular” with regular sidekick Stouffer The Cat, Harry’s new baby elephant, Sarah, and Ian, The Information Worm.

“No,” says Harry, correcting that piece of misinformation. “Not Ian.” What? Is the Information Worm worming his way out of the show? “No, he had to be cut. In the theatre no-one could see him. He’s been sacked!”   

No tours for nine years, but it was not a case of Harry giving up live comedy. “I’ve never stopped doing stand-up; always doing bits here and there when I wasn’t doing anything else,” he says.

“When I worked as a doctor, I was being told what to do, which I reacted against,” says Harry Hill of his journey into comedy

“I would do ten minutes in clubs around town because that’s how you come up with the jokes till you’ve built up an hour, and then more. The new show is two halves of about 50 minutes because I think two hours is too much of anyone’s time!

“What I try to do is more of the stand-up in the first half with some videos, then it goes up a level in the second half with Gary, my son from my first marriage, coming on.”

Gary, inevitably, takes the form of a dummy. “He’s got Covid, so we have to do a Covid test on stage,” reveals Harry. “Then there’s Sarah, the baby elephant. She won’t have been seen outside London, so she’s fresh and new and very nervous. I’ve rescued her from a circus clown who had a fetish for ears.”

How has his 2022 tour contrasted with his Sausage Time travels? “Well, I’m that much older, and my show is very physical, so I’ve been hobbling to the car after the show out of breath and in a pool of sweat,” says Harry.

“I had planned to get fit for the tour but then I hosted Junior Bake Off, so I put on a little weight with all those cakes.”

The pandemic lockdowns and the loss of his friend, fellow comedian Sean Lock, to cancer in August 2021, sparked Harry’s return to stand-up gigs. “I’d sort of forgotten, the thing that I really like about live comedy is being able to do what I want, which is what first attracted me.

“Whereas when I worked as a doctor, I was being told what to do, which I reacted against. It’s the same with TV, with people saying, ‘No, do it like this’. ‘Don’t do that’.

“My view is that people want to escape the everyday and on a good night, I do achieve that,” says Harry Hill

“The other thing is, and I don’t know if it’s nostalgia, but audiences are more up for it, because, (a), they’re pleased to see you’re bothering, and (b), it’s often the first time they’ve been out to a big gig when people are still nervous.”

Did the NHS put out a request to Harry to revive his medical skills during Covid? “I’m still on the register, and yeah, they approached me. I got an email, like all retired doctors, asking if I would help out, right at the start, when everyone thought it was a chance to play their part.

“So I clicked on this email and the next thing I got was another email, from the General Medical Council, saying, could I start working at the Nightingale Hospital [in London]?

“Well, I was available, but fortunately, because everyone washed their hands and stayed indoors, I was never called on.”

Now Harry is focusing once more on that alternative medicine: laughter, or in his case “a very silly show”. “There are trends in comedy, as with all things, and silliness is coming back, particularly now,” he says. “My view is that people want to escape the everyday and on a good night, I do achieve that.

“I take people on this journey where I say, ‘it’s not a dream’ and we re-set what’s normal for people after what we’ve all been through.”

Part of the pleasure for Harry is enjoying his badinage with dummy Gary in his chair and the unruly Stouffer. “It’s like having an alter-ego psychologically,” he says. “As a kid and as a comedian, I’m a big fan of double acts, and sadly there aren’t really acts like that anymore,” he says.

Fight! Harry Hill’s autobiography, published in 2021

“I was once in a double act, The Hall Brothers, with a friend of mine when we were students. We had a few laughs, but we liked the idea of it more than the work, because it’s hard work being a double act – and it’s only half the money!”

Harry’s autobiography, Fight! Thirty Years Not Quite At The Top, was published last November. What did he learn about himself? “I don’t know about that, but I was surprised by how much I’d got done, how single-minded I was,” he says.

“It wasn’t a psychological study but I learned the most important thing is to enjoy the process, not whether something is a success or a failure.

“It was a tongue-in-cheek title because there is no ‘top’, That’s the thing you discover. If that’s your motivation for success, you’ll find there’s always someone more successful than you.”

Savour the enjoyment of being creative, just as Harry did when his artwork featured in Grayson’s Art Club, iconoclastic artist Grayson Perry’s art-of-the-people series on Channel 4 during lockdown. “That was the best thing on the TV to come out of lockdown,” he says. “My wife [Magda Archer] is an artist and we were invited to his house for dinner. He was just as interesting as he is on the TV.

“I’ve always been interested in the visual side of things.” Witness Harry’s tour brochures, or his trademark attire of brothel creepers, slim-fit suit, elongated collars as if designed by Salvador Dali and a pocketful of pens.

Pedigree Fun! in that rata-tat-tat voice is on its way to York. Welcome back, Harry Hill.

Harry Hill: Pedigree Fun, Grand Opera House, York, November 2, Box office: 0844 871 7615 or atgtickets.com/york

Did you know? Harry Hill’s real name is Matthew Keith Hall. 

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More Things To Do in York and beyond as clocks go back for longer nights and festival shorts. Hutch’s List No. 104, from The Press

Filip Fredrik’s Elements: Showing at Aesthetica Short Film Festival 2022

A FILM festival with international pedigree, poetry clashes, comedy aplenty and Constellations shine out for Charles Hutchinson.

Festival of the week: Aesthetica Short Film Festival, across York, Tuesday to Sunday

AESTHETICA Short Film Festival returns for 300 films in 15 venues over six days in York in its 12th edition. The BAFTA-Qualifying event will have a hybrid format, combining the live festival with a selection of screenings, masterclasses and events on the digital platform until November 30.

New for 2022 will be York Days, a discount scheme with the chance to save 50 per cent on prices on the Tuesday, Wednesday and Sunday programmes. Comedies, dramas, thrillers, animation, family-friendly films and documentaries all feature, complemented by workshops, the Virtual Reality Lab, installations and the festival fringe. Box office: asff.co.uk/tickets.

Malaika Kegode: Guest appearance at Say Owt Slam’s birthday party. Picture: Jon Aitken

Birthday party of the week: Say Owt Slam’s 8th Birthday Special, with Malaika Kegode, The Crescent, York, tonight (29/10/2022), 7.30pm

SAY Owt, York’s loveable gang of performance poets, Stu Freestone, Henry Raby, Hannah Davies and David Jarman, welcome special-guest Bristol poet Malaika Kegode to a high-energy night of words and verse, humour and poet-versus-poet fun.

“It started as a one-off gig! I can’t believe we’re still slamming eight years later,” says artistic director and host Raby. “Whether you’re a veteran or looking for something new, everyone is welcome at a Say Owt Slam, where each poet has a maximum of three minutes to wow randomly selected judges with their poetry.” Box office: thecrescentyork.com.

David O’Doherty: Change of date for York gig

On the move: David O’Doherty: Whoa Is Me, Grand Opera House, York, changing from Monday to February 5 2023, 8pm

HERE he comes again, albeit later than first planned, trotting on stage with all of the misplaced confidence of a waiter with no pad.

“There’ll be lots of talking, some apologising and some songs on a glued-together plastic keyboard from 1986,” promises David O’Doherty, comedian, author, musician, actor and playwright, 1990 East Leinster under-14 triple jump bronze medallist and son of jazz pianist Jim Doherty. Box office: 0844 871 7615 or atgtickets.com/York.

Flo & Joan: Musical comedy duo offer thoughts on topics of the day

Musical comedy of the week: Flo & Joan, Sweet Release, Grand Opera House, York, Tuesday, 7.3pm

FLO & Joan, the British musical comedy duo of sisters Nicola and Rosie Dempsey, play York as one of 30 additional dates on their 2022 tour after their return to the Edinburgh Fringe.

Climbing back out of their pits, armed with a piano and percussion, they poke around the  classic topics of the day with their fusion of comedy and song with a dark undertow.

The sisters have penned five numbers for the West End musical Death Drop and have written and performed songs for Horrible Histories (CBBC), Rob Delaney’s Stand Up Central (Comedy Central) and BBC Radio 4’s The Now Show. Box office: 0844 871 7615 or atgtickets.com/York.

Emilio Iannucci: Starring in Nick Payne’s romantic two-hander Constellations at the SJT

Play of the week outside York: Constellations, Stephen Joseph Theatre, Scarborough, running until November 12

WHEN beekeeper Roland meets scientist Marianne, anything could happen in University of York alumnus Nick Payne’s romantic and revealing exploration of the many possibilities that can result from a single meeting. Reminiscent of Sliding Doors and Kate Atkinson’s novel Life After Life, this two-hander starring Carla Harrison-Hodge and Emilio Iannucci ponders “What if?”.

“Constellations plays with time and space in the most brilliant way,” says director Paul Robinson. “Deeply human, deeply moving, it genuinely tilts the world for you. I challenge anyone not to leave the theatre just a bit more aware of what a fragile and remarkable thing life is.” Box office: 01723 370541 or sjt.uk.com.

Bring It On: “The thrill of extreme competition”

Backflip of the week: York Stage in Bring It On: The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm; Saturday matinee, 2.30pm

THE York premiere of Bring It On backflips into the JoRo in a youth theatre production directed by Nik Briggs. Inspired by the film of the same name, this story of the challenges and surprising bonds forged through the thrill of extreme competition is packed with vibrant characters, electrifying contemporary songs and explosive choreography.

This Broadway hit is the energy-fuelled work of Tony Award winners Lin-Manuel Miranda (Hamilton), Jeff Whitty (Avenue Q) and Tom Kitt (Grease: Live). Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Humour on hand: Harry Hill promises Pedigree Fun on his first tour since 2013

Very silly show of the week: Harry Hill, Pedigree Fun!, Grand Opera House, York, Wednesday, 7.30pm

COMEDIAN, writer, actor, artist and former doctor Harry Hill and his big shirt collars take to the stage for an all-singing, all-dancing surrealist spectacular in his long-awaited return to the live arena for the fist time since 2013’s Sausage Time tour.

“I hadn’t realised how much I missed performing live until lockdown stopped me from doing it,” he says. “The good news is I’m planning a very silly show.” Full of pop-culture spoofs, no doubt.

Audiences will meet Harry’s new baby elephant, Sarah, along with regular sidekick Stouffer the Cat. Box office: 0844 871 7615 or atgtickets.com/York.

John McCusker: Fiddler supreme on 30th anniversary tour

Fiddler on the road: The John McCusker Band 30th Anniversary Tour, National Centre for Early Music, York, Wednesday, 7.30pm

SCOTTISH fiddle player John McCusker will be joined by Ian Carr, Sam Kelly, Helen McCabe and Toby Shaer for his concert series in celebration of 30 years as a professional folk musician since cutting his teeth in The Battlefield Band at 17.

To coincide with this landmark, McCusker has released a Best Of album featuring tracks from his solo records and television and film soundtracks, alongside a book of 100 original compositions, John McCusker: The Collection.

“I’m delighted to be able to get this special show on the road and celebrate 30 years as a professional musician,” says McCusker. “I’m looking forward to performing the highlights from my back catalogue and revisiting memories associated with those tracks.

“It’s brilliant that I’ve been able to make music and perform for 30 years and I’ve worked with so many incredible people in that time. I’ve never had a plan; good things have just
happened and, so far, it’s worked out as well as I could possibly have dreamed of. I can’t
wait to play with my friends again.” Box office: 01904 658338 or ncem.co.uk.

York Settlement Community Players’ cast for Vanya And Sonia And Masha And Spike: Mick Liversidge (Vanya), top left, Victoria Delaney (Sonia) and Susannah Baines (Sasha); Andrew Roberts (Spike), bottom left, Sanna Jeppsson (Cassandra) and Livy Potter

York premiere of the week: York Settlement Community Players in Vanya And Sonia And Masha And Spike, Theatre@41, Monkgate, York, Thursday, Friday, 7.30pm; Saturday, 2.30pm, 7.30pm

VANYA and his sister Sonia live a quiet life in the Pennsylvania farmhouse where they grew up, but when their famous film-star sister, Masha, makes an impromptu visit with her dashing, twenty-something boyfriend, Spike, a chaotic weekend ensues.

Resentment, rivalry and revealing premonitions begin to boil over as the three siblings battle to be heard in Christopher Durang’s comedy, winner of the 2013 Tony Award for Best New Play with its blend of Chekhovian ennui, modern-day concerns of celebrity, social networking and the troubling onset of middle age. Jim Paterson directs Settlement Players’ production. Box office: tickets.41monkgate.co.uk.

Plastic Mermaids: “Emotional exploration of the many facets of heartbreak”

Time to discover…Plastic Mermaids, The Crescent, York, November 10; Oporto, Leeds, February 2 2023

AFTER playing Glastonbury and Camp Bestival in the summertime, Isle of Wight five-piece Plastic Mermaids are off on an 11-date tour to promote their second album, It’s Not Comfortable To Grow, out now on Sunday Best.

Led by brothers Douglas and Jamie Richards, who approach life like an art project, they face up to their dark side in an emotional exploration of the many facets of heartbreak on such psych-rock and electronica numbers as Girl Boy Girl, Disposable Love, Something Better and Elastic Time. Box office: thecrescentyork.com.

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More Things To Do in York as Guy Fawkes heads home. Remember, remember, Hutch’s List No. 103, from The Press

Greg Haiste, left, and York-born writer and actor David Reed cross swords in rehearsal for York Theatre Royal’s premiere of Guy Fawkes. Picture: Charlie Kirkpatrick

POLITICAL fireworks, street art indoors, beer and bratwurst, a Velvet Underground pioneer and the history of ghosts spark up Charles Hutchinson’s interest.

Premiere of the week: Guy Fawkes, York Theatre Royal, Friday to November 12

WAR-WEARY, treasonous son of York Guy Fawkes vows to restore a Catholic monarch to the English throne, whatever the cost. In the private room of an upmarket tavern, a clandestine of meeting of misfits takes place between this dark dissident, a Poundshop Machiavelli, a portly boob, a clumsy princess, a preposterous toff and a shoddy ham as they plot the most audacious crime ever attempted on British soil.

David Reed, from comedy trio The Penny Dreadfuls, plays York’s traitorous trigger man in his long-awaited combustible comedy-drama with its devilishly dangerous mix of Blackadder and Upstart Crow. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Torrents (Willow Herald Speak), by Michael Dawson, from Navigators Art’s Coney St Jam art intervention at the StreetLife project hub

Exhibition of the week: Navigators Art, Coney St Jam: An Art Intervention, StreetLife project hub, Coney Street, York, until November 19

YORK collective Navigators Art draw inspiration from the city’s rich heritage and vibrant creative communities to explore ways to revitalise and diversify Coney Street. On show is painting, drawing, collage, textile and 3D work, complemented by photography, projections, music and poetry.

Taking part are: Steve Beadle; Michael Dawson; Alfie Fox; Alan Gillott; Oz Hardwick; Richard Kitchen; Katie Lewis; Tim Morrison; Peter Roman; Amy Elena Thompson; Dylan Thompson and Nick Walters.

Woman To Woman: Julia Fordham, left, Rumer, Judie Tzuke and Beverley Craven will be in harmony at York Barbican

Collaboration of the week: Woman To Woman (Beverley Craven, Judie Tzuke, Julia Fordham & Rumer), York Barbican, tonight, 6.30pm

NOT a rumour, definitely true, Beverley Craven, Judie Tzuke and Julia Fordham have invited Rumer to join them for the latest Woman To Woman tour.

In this collaboration between the four female singer-songwriters, they present hit singles and album tracks, such as Promise Me, Happy Ever After, Welcome To The Cruise, Slow, Holding On, (Love Moves In) Mysterious Ways, Aretha and Stay With Me Till Dawn.

“We cannot wait to share a stage together, create beautiful vocal harmonies with each other and collaborate on some possible new material,” they say. Box office: yorkbarbican.co.uk.

Self aware: Comedian Helen Bauer discusses herself at Theatre@41. Picture: James Deacon

Comedy gig of the week: Helen Bauer, Madam Good Tit, Theatre@41, Monkgate, York, tonight, 8pm

SELF-AWARE stand-up Helen Bauer is on the road with her Edinburgh Fringe show about self-confidence, self-esteem and self-care. “It’s the year of ‘the self’ and I’m trying to be the change I want you to see,” says Helen, who grew up in Hampshire blandness and honed her comedic craft in Berlin. 

Expect adult themes and language, including natural disasters and eating disorders, forewarns Theatre@41, as York awaits the co-host of two podcasts, Trusty Hogs with Catherine Bohart and Daddy Look At Me with Rosie Jones. Box office: tickets.41monkgate.co.uk.

Velma Celli: York drag diva supreme adds sauce to all the bratwurst and beer at Yorktoberfest

Festival of the week: Yorktoberfest Beer Festival, Clocktower Enclosure, York Racecourse, today and next Saturday, 1pm to 5pm, 7pm to 11pm; Friday, 7pm to 11pm. Doors open: evenings, 6.30pm; daytime, 12.30pm.

FOLLOWING up last year’s debut, Yorktoberfest returns in party mood for beer, bratwurst, bumper cars and all things Bavarian. This beer festival mirrors the first Oktoberfest staged in 1810 in Munich, where the citizens were encouraged to eat, drink and be merry at the wedding of Crown Prince Ludwig of Bavaria and his princess bride.

Step inside a giant marquee to discover the rustic Bavarian Bar and Dog Haus, full of bratwurst, currywurst, schnitzel, apple strudel and pretzels; live music by the Bavarian Strollers oompah band and vocal drag queen entertainment by York’s own Velma Celli. Dodgems and a twister add funfair thrills. Box office: yorktoberfest.co.uk.

Underground overground: Velvets legend John Cale to be spotted at York Barbican on Monday

THE gig of the week, John Cale, York Barbican, Monday, 8pm

VELVET Underground icon John Cale’s only Yorkshire gig of his rearranged 2022 tour has moved from July 19 to Monday on his first British itinerary in a decade.

The Welsh multi-instrumentalist, songwriter and producer, who turned 80 in March, will be performing songs from a career that began in classical and avant-garde music before he formed The Velvet Underground with Lou Reed in New York in 1965.

Over six pioneering decades, Cale has released 16 solo studio albums, while also collaborating with Brian Eno, Patti Smith, The Stooges, Squeeze, Happy Mondays, Siouxsie And The Banshees, Super Furry Animals and Manic Street Preachers. Box office: yorkbarbican.co.uk.

Doctor Dorian Deathly: Will his face melt in his horror show at Theatre@41?

From ghost walk to ghost talk: Doctor Dorian Deathly: A Night Of Face Melting Horror (or The Complete History Of Ghosts), Theatre@41, Monkgate, York, Wednesday to October 31, 8.30pm

VISIT York Tourism Awards winner Doctor Dorian Deathly, spookologist and ghost botherer, celebrates Halloween season with six nights of ghost stories, paranormal sciences, theatrical trickery, horror, original music and perhaps the odd unexpected guest (with the emphasis on ‘odd’?).

“Together we will huddle around the stage and explore spine-chilling tales of hauntings, both local and further afield, dissemble horrors captured on film and follow the ghost story through from the origins to the Victorian classics and modern- day frights,” says Deathly, whose face-melting macabre amusements are suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.

Ladysmith Black Mambazo: Black History Month concert at Grand Opera House, York

Harmonies of the week: Ladysmith Black Mambazo, supported by Muntu Valdo, Grand Opera House, York, October 29, 7.30pm

SOUTH African singing group Ladysmith Black Mambazo’s York concert marks Black History Month on their first British tour for many years.

When Paul Simon incorporated their harmonies into his ground-breaking 1986 album Graceland, that landmark recording was seminal in introducing world music to mainstream audiences.

Founded by the late Joseph Shabalala, the Grammy Award winners have since recorded with Stevie Wonder, Dolly Parton, Emmylou Harris and Barnsley folk singer Kate Rusby. Box office: 0844 871  7615 or atgtickets.com/york.

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Normal service resumed as Henry sits down for night of relaxed, thoughtful poetry that’s easier on the legs at Selby Town Hall

In the red chair: Poet, storyteller and comedian Henry Normal

ARMED only with a chair, a microphone, stories, jokes and poems, Henry Normal takes on the world at Selby Town Hall on October 22, looking for a win-win situation.

Writer, poet, TV and film producer, Manchester Literature Festival founder and BAFTA-winning BBC Radio 4 perennial, Normal will be delivering his Sit Down Poetry show at 8pm.

“Henry Normal is a magnificent, idiosyncratic chronicler of the quotidian,” says Selby Town Council arts officer Chris Jones. “He delivers understated, wryly observed yet incredibly powerful poems from the heart with a wonderfully warm and easy style. We’re honoured to be hosting one of just a handful of tour dates he’s undertaking across the country this autumn.”

Labelled “the Alan Bennett of poetry” by the Scotsman newspaper, Normal has written and presented nine of his own comedy, poetry and storytelling shows for BBC Radio 4, the latest being this summer’s series A Normal Community.

For television, he co-wrote and script-edited The Mrs Merton Show and the first series of The Royle Family. Alongside Steve Coogan, he co-wrote the BAFTA-winning Paul And Pauline Calf Video Diaries, Coogan’s Run, Tony Ferrino, Doctor Terrible and all three of Coogan’s live tours.

In 1990, Normal set up comedy production company Baby Cow, executive producing the entire output while at the helm, with highlights including Gavin And Stacey, Alan Partridge, Marion And Geoff, Nighty Night, The Mighty Boosh, Red Dwarf and the Oscar-nominated film Philomena. In 2017, he was honoured with a special BAFTA for services to television.

Born in St Anne’s, Nottingham, Normal now lives in Fairlight, near Hastings, with his wife, screenwriter Angela Pell, and their artist son, Johnny. He performs at literature festivals across the UK and has published 11 poetry collections, while his memoirs, A Normal Family, were an Amazon best seller.

He has been given honorary doctorates by both Nottingham and Nottingham Trent universities and has a beer and a bus named after him in the city, where he founded the Nottingham Poetry Festival.

Praised by the Guardian for work that is “succinct, heartrending and peppered with gentle punchlines”, “stuff of proper substance, marrying the suburban beauty of Beatles ballads with the blunt candour of the kitchen sink”, Normal describes new show Sit Down Poetry as being “like stand-up poetry but more thoughtful and relaxed and easier on the legs”.

“I’ve been looking forward to this one for a good while,” concludes Chris Jones. “It’s definitely a highlight of our autumn programme.”

Tickets cost £15 on 01757 708449 or at selbytownhall.co.uk.

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Jeremy Smith and John Hewer revive warring Albert and Harold in The Steptoe And Son Radio Show at Grand Opera House

John Hewer, as Harold, left, and Jeremy Smith, as Albert, in The Steptoe And Son Radio Show, on tour at Grand Opera House, York

THE Steptoe And Son Radio Show, adapted for the stage by John Hewer, visits the Grand Opera York, on October 18 on its nationwide autumn tour.

Marking 60 years since the first broadcast of the classic BBC television comedy, the show is based on Ray Galton and Alan Simpson’s original TV scripts.

The cast sees the return of Jeremy Smith and Hewer as Albert Steptoe and son Harold respectively, having starred in the UK tours of Steptoe And Son in 2017-2018 and Christmas With Steptoe And Son from 2019 to 2021.

The Steptoe And Son Radio Show cast

Smith trained at the National Youth Theatre, was a member of the Young Vic Company and has toured in productions ranging from farce to Shakespeare. Hewer works as a writer and director but is best known for his portrayal of Tommy Cooper in Just Like That! The Tommy Cooper Show and his performance as Tony Hancock in Hancock’s Half Hour – The Lost Episodes.

Steptoe And Son ran for eight series from 1962 to 1974 and spawned two film spin-offs. Telling the story of two warring rag-and-bone-men in their Shepherd’s Bush scrapyard home, Albert and Harold became household favourites across the generations and continue to entertain audiences today. One proclaims to be “a poor old man” while the other protests that he is “a dirty old man”. Both are right!

This latest adaptation features three classic episodes, transformed into a radio play. “The attraction is that these vintage stories will be presented with the emphasis now squarely on the script and the dynamism between the central characters,” says Hewer.

The tour poster for The Steptoe And Son Radio Show

“It’s a different theatricality. We’re still in costume and ‘in character’, but this time it’s a mock-up of a live studio recording, with its flashing ‘Applause’ lights and direct address from the performers making the audience feel directly involved.

“The three chosen episodes – Is That Your Horse Outside?, A Death In The Family and Upstairs, Downstairs, Upstairs, Downstairs – will easily familiarise and reacquaint audiences with the Steptoe saga, allowing them to explore all the foibles and tropes of this most iconic father-and-son pairing.”

Produced by Hambledon Productions and Apollo Theatre Company, The Steptoe And Son Radio Show is suitable for age 12 upwards. Box office: 0844 871 7615 or atgtickets.com/york.

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More Things To Do and York and beyond when a design week has plans to make it better. Hutch’s List No. 101, from The Press. UPDATED 11/10/2022

Tudor girl power: Jennifer Caldwell’s Anne Boleyn in SIX The Musical. Picture: Pamela Raith

HENRY VIII’s vengeful wives are not the only show in town. Charles Hutchinson finds alternatives aplenty.

Don’t lose your head over this but…SIX The Musical has sold out at Grand Opera House, York, October 11 to 16. 8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 5pm and 8pm, Saturday; 3pm, Sunday

DIVORCED, beheaded, scuppered. Those without a ticket for York’s hottest theatre show of the autumn are too late. Not one seat, even with a restricted view, is still available for Toby Marlow and Lucy Marlow’s irreverent historical musical romp that began as a Cambridge University show at the Edinburgh Fringe.

Welcome to their Queendom where Tudor queens turn into pop princesses as the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of heartbreak into a 75-minute celebration of 21st-century girl power.

Tom Chaplin: Solo songs of midlife musings from the Keane frontman

Take your pick at York Barbican: Uriah Heep, tomorrow, 8pm; Tom Chaplin, Tuesday, 8pm; Will Young: 20 Years Tour, Thursday, 7.30pm; Boyzlife, Friday, 7.30pm

SPOILT for choice at York Barbican in a busy, busy week. British rock titans Uriah Heep’s 50th Anniversary Tour is now taking place in their 52nd year after playing 4,000 shows in 60 countries. Keane frontman Tom Chaplin showcases September’s release of his second solo album, Midpoint, exploring a part of life that everyone goes through: midlife.

On the pop front, singer, radio presenter, actor and writer Will Young marks two decades since his Pop Idol blossoming. No sooner have Boyzlife performed to 20,000 people at the Yorkshire Balloon Fiesta on Knavesmire than their Old School Tour sends the boy band duo of Boyzone’s Keith Duffy and Westlife’s Brian McFadden back to York. Box office: yorkbarbican.co.uk.

Will Young: From Pop Idol young man to the polymath of today

Toasting the trailblazers: A Celebration Of Gilbert & Sullivan, Grand Opera House, York, tonight, 7.30pm  

A 26-piece orchestra and soloists perform favourites from The Mikado, The Pirates Of Penzance and HMS Pinafore, complemented by less familiar gems in a glorious night at the light opera.

Taking part will be singers from Opera North, English National Opera, Scottish Opera, Welsh National Opera, Carl Rosa and D’Oyly Carte, such as Alexander Robin Baker, Rebecca Bottone, Barry Clark, Siân Dicker, Yvonne Howard, Judith Le Breuilly, Timothy Nelson and Matthew Siveter. Box office: 0844 8717615 or atgtickets.com/York.

Bongo’s Bingo: A rave new world for a British classic at York Barbican

House music but not as you know it: Bongo’s Bingo, York Barbican, tonight; doors, 6pm; last entry, 7:30pm; first game of bingo, 8pm

MAKING its York debut only a stone’s throw from the demolished Mecca Bingo, Bongo’s Bingo “rejuvenates a quintessentially quaint British pastime with an immersive live show featuring rave rounds, nostalgia-soaked revelry, dance-offs, audience participation and crazy prizes in a night of pure and unadulterated escapism”.

Looking for a full house, promoter Jonny Bongo promises magic and music, mischief and mayhem in a bingo rave experience. Box office: bongosbingo.co.uk or yorkbarbican.co.uk.


Sayaka Ichikawa in Ballet Black’s Black Sun at York Theatre Royal. Picture: Bill Cooper

Dance pioneers of the week: Ballet Black, Say It Loud & Black Sun, York Theatre Royal, Tuesday, 7.30pm

CELEBRATING their 20th anniversary, Black Ballet present two new works on tour. Choreographed and directed by founder and artistic director Cassa Pancho and company artists, Say It Loud charts this pioneering company’s progress, from the uncomfortable reasons behind its existence to the frenetic, creative energy that makes it such a necessary part of the British ballet industry. 

South African choreographer Gregory Maqoma’s Black Sun, danced to an original score by Michael ‘Mikey J’ Asante, extracts energy from the sun and the moon giving rise to descendants of ancestors. These forces only meet to blacken, allowing us to draw from their powers as we prepare for life after life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Dr Richard Shepherd: Pathologist, professor, lecturer, author, television presenter, apiarist and aviator, whose Unnatural Causes theatre tour will York and Leeds

Bringing death to life: Dr Richard Shepherd, Unnatural Causes theatre tour, York Theatre Royal, Thursday; Leeds City Varieties Music Hall, Friday, both 7.30pm

MEET Dr Richard Shepherd, a forensic pathologist who has solved the mystery of sudden and unexplained deaths aplenty, performed 23,000 autopsies and handled such cases the Hungerford Massacre, the Princess Diana inquiry and 9/11. 

In Unnatural Causes, he not only tells the story of the cases and bodies that have haunted him the most, but also reflects on how to live a life steeped in death. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.co.uk

Make It Better: The theme for Day One of York Design Week

Festival of the week: Kaizen Arts Agency, United by Design and Dogeatcog unite for York Design Week 2022, Make It Work, October 13 to 17

YORK Design Week turns the spotlight on projects, organisations and people who are breaking and bending rules to create a fairer society, inviting you to explore how we can come together to “Make It Work”. “Let’s find creative and practical solutions to complex problems through collaboration, performance, and play,” say the organisers.

“The idea is to positively shift conversation and behaviour around what design means and how it can offer innovative solutions to knotty problems. Our approach is open, accessible, and seeks to provide space for participants to experience unexpected perspectives and express their own voice.” Full details can be found at: yorkdesignweek.com.

Make It Grow: The green theme for Day Four of York Design Week

120 years and still going strong: York Musical Theatre Company in A Musical Celebration, Theatre@41, Monkgate, York, Thursday and Friday, 7,30pm

YORK Musical Theatre Company’s 120th anniversary will be marked with two evenings of songs from past productions such as West Side Story, Oklahoma, Guys & Dolls, Annie, Acorn Antiques, Jekyll & Hyde, Jesus Christ Superstar and The Pirates Of Penzance, the company’s first show in April 1903.

Company members combine with guest solo artists in a celebratory production directed by John Atkin. Founded in 1902 as York Amateur Operatic and Dramatic Society, York’s longest established amateur theatre company changed its name in its centenary year. Box office: tickets.41monkgate.co.uk.

Ellen Carnazza, Andrew Purcell and Zach Atkinson in Badapple Theatre’s revival of The Frozen Roman, on tour this autumn. Picture: Karl Andre

What did the Romans ever do for us? Badapple Theatre in The Frozen Roman, on tour until November 13

GREEN Hammerton’s theatre-on-your-doorstep proponents Badapple Theatre take to the road this autumn with three actors new to the company: Zach Atkinson, Andrew Purcell and Ellen Carnazza.

In this revival of Kate Bramley’s play, they came, they saw, they built a wall, they went away again….or did they? When hapless villagers try to prevent a housing development being built in their midst, could the discovery of a burial site throw them a lifeline?  Expect twists, turns and Latin puns as the situation in the village goes “ballisticus maximus”. For tour details, go to: badappletheatre.co.uk. 

Ocean travel: Billy Ocean heads for Harrogate and Sheffield in 2023

Looking ahead: Billy Ocean, The Very Best Of Billy Ocean Tour, Harrogate Convention Centre, March 31 2023

BILLY Ocean will perform a hand-picked set of greatest hits and fan favourites on his 21-date tour next spring.

The Trinidad and Tobago-born British R&B singer, 72, has notched 30 million worldwide record sales and top ten singles on both sides of the Atlantic, such as Love Really Hurts Without You, Red Light Spells Danger, Caribbean Queen (No More Love On The Run), When The Going Gets Tough, The Tough Get Going, There’ll Be Sad Songs (To Make You Cry) and Get Outta My Dreams, Get Into My Car. The tour also takes in Sheffield City Hall on April 6. Box office: harrogatetheatre.co.uk; sheffieldcityhall.co.uk.

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REVIEW: An Evening With Graham Norton, York Theatre Royal, 3/10/2022

Graham Norton: Forever Home and first ever away day in York

MAKE that An Entire Evening With Graham Norton and part of an evening with Konnie Huq that should have been the first half but became the second at this novel event of the week.

The first clue was the change of start time to 7.45pm and the accompanying note, “We Apologise For Any Inconvenience”.

The inconvenience, it turned out, had been caused to chatterbox Graham, BBC broadcaster, Virgin Radio presenter, own label wine & gin dispenser, agony uncle and novelist, and the late-arriving Konnie, TV and radio presenter, screenwriter and children’s author, once of Blue Peter (1997 to 2008).

Train delays. A problem on the track. Exit Graham from King’s Cross, taking the car to York, for his first ever visit. “What a lovely city,” he said, dashing hopes of a more waspish critique in the manner of his quizzical Eurovision quips.

Konnie would be taking a later train, he explained. From Peterborough. “Not going well,” he stage-whispered. Once a stand-up, always at ease on stage, and if part one should have been Graham in conversation with Konnie about his fourth novel, Forever Home, newly published by Coronet, instead it became Graham in conversation with the full house, roaming back and forth in a suit that tricked the eye at first. Not stains, surely, dapper Graham? No, some far trendier detailing!

Ask away. “Did you get the book we left for you in reception, Graham?”. Come on, York. Ah, here comes the excitable woman in the front row, the one in a group all (bar one) wearing T-shirts emblazoned with cherry-topped buns. Buns, geddit. “Did you get the cakes we left for you, Graham?”. Come on, York, you really can do better than such distractions, handled knowingly by gracious Graham.

York did thankfully do much better than that, mainly asking about his TV shows, the big interviews, one about his wines, another about the beard – should it stay or should it go? – but  not the books, leaving that to Konnie.

Favourite guests? The list kept growing. Worst guest? Very definitely, Harvey Weinstein, accompanied by an anecdote that revealed much about the jailed film producer’s sense of entitlement. Most wanted guests yet to appear? Brad Pitt. Julia Roberts. William & Kate.

Does he ever watch back old episodes? No, he said, the question prompting Graham to imagine himself sitting there thinking, “aren’t I marvellous”. Eurovision popped up too, reflections on Sam Ryder and Ukraine, and no, he couldn’t say where 2023’s jamboree would be held, Liverpool or Glasgow, until Friday. Liverpool, for the record.

Part stand-up, part Q&A, he held back his own excruciating Red Chair revelation to the last, ever the comedian with timing. In a nutshell. Gentleman caller. Departs. Next morning, stretchy item gone missing. Dog. Morning walk in the park. What’s that protruding from pet Bailey’s posterior? Graham stretched the story to the max. Just look at his face.

Time for a break, then Graham reading an excerpt from his new book on the screen, and… here’s Konnie. She’d arrived halfway through act one, watching from the wings, laughing as much as the rest of us. Time to discuss Forever Home, its themes, characters, locations, set in a small Irish town, where divorced teacher Carol’s second chance of love brings her unexpected connection, a shared home and a sense of belonging in a darkly comic story of coping with life’s extraordinary challenges.

Darkly comic. Why darkly comic, Graham? Small rural Irish communities, where they live outside rather than inside the villages, have that darkness to them, that mystery, that something to hide, even if everyone thinks they know everything but everyone else. That side comes out in Graham’s novels, rooted in his experiences of growing up (as Graham William Walker) at 48, St Brigid’s Road, Clondalkin, County Dublin, and leaving at 20, first for America, then London.

Not until three decades later did he reconnect, both physically and in his novels that he began writing as a new challenge on turning 50. His mother’s habits, the butt of his humour, but in affectionate way rather than the mother-in-law jokes of Les Dawson, feed into one of the characters in Forever Home. He has given her a copy, but not told her about the resemblance. No doubt he will delight audiences with an update as and when.

Graham, newly married in West Cork in July, turns 60 next April. A new decade, another new venture? To beard or not to beard? These are the questions. Can’t wait for the answers.  

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Comedian Russell Howard to play Grand Opera House, York, at the double next May

In the good news: Russell Howard announces a brace of York gigs for next spring

COMEDIAN Russell Howard will perform two shows in one day at the Grand Opera House, York, on his Live 2023 UK Tour.

As we reel from one global crisis to the next, the TV host of Russell Howard’s Good News and The Russell Howard Hour will put the world to rights in his observant, questioning way at 3pm and 7.30pm on Saturday, May 23.

Bath-born Howard, 42, who made appearances on the now-departed Mock The Week, cites Lee Evans, Richard Pryor and Frank Skinner as comic influences.

Tickets are on sale at £31.75 on 0844 871 7615 or atgtickets.com/York.

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