CANADIAN comedian, writer, presenter and actress Katherine Ryan is to return to York Barbican on September 29 for a second performance of Missus.
The creator and star of the Netflix series The Duchess and host of All That Glitters first presented her latest tour show in York last December.
Ryan, 38, once denounced partnerships but she has since married her first love, accidentally, in a world where a lot has changed for everyone, prompting her to offer new perspectives on life, love and what it means to be Missus.
London-based Ryan’s debut sitcom, The Duchess, made its debut in September 2020, immediately leaping to the top of the UK Netflix chart in the wake of her Netflix stand-up specials, 2017’s In Trouble and July 2019’s Glitter Room. She remains the only woman to be given a Netflix global special.
Ryan is a stalwart of British panel shows Would I Lie To You?, 8 Out Of 10 Cats and QI and has appeared on the BBC One series Who Do You Think You Are?.
Tickets for Katherine Ryan’s Missus show go on sale on Friday from 10am at yorkbarbican.co.uk.
Fan-tasia : Becky Gee, curator of fine art at York Museums Trust, at the Beyond Bloomsbury: Life, Love & Legacy exhibition at York Art Gallery. Picture: Charlotte Graham
FROM an ice trail to Spring Awakening, a very happy pig in mud to sibling rivalry in a salon, Charles Hutchinson points you in the right direction for days and nights out.
Exhibition opening of the week: Beyond Bloomsbury: Life, Love & Legacy, York Art Gallery, until June 5
YORK Art Gallery’s spring exhibition, in partnership with the National Portrait Gallery and Sheffield Museums, explores the lives and work of the extraordinary Bloomsbury writers, artists and thinkers.
Active in England in the first half of the 20th century, they included the writer and feminist pioneer Virginia Woolf and her sister, the painter Vanessa Bell, as key figures.
On show are more than 60 major loans of oil paintings, sculptures, drawings and photographs by Bell, Dora Carrington, Roger Fry, Duncan Grant, Paul Nash, Gwen Raverat and Ray Strachey, plus four commissions from Sahara Longe, painted in response to the Bloomsbury legacy, and Bloomsbury-inspired murals and fireplaces designed by graphic artist Lydia Caprani.
York Ice Trail: Thrills in chills this weekend
Spectacle of the week: York Ice Trail, today and tomorrow
MAKE IT York and Visit York invite you to “pack your suitcase, grab your passport and embark on a journey around the world” in the return of the York Ice Trail.
Sculptures of solid ice await discovery at 43 locations this weekend, inspired by international cultures and a love of travel. Live carving is promised too.
In response to the Russian invasion of Ukraine, the National Railway Museum has withdrawn its Faberge’s Trans-Siberian Railway Egg in Low Petergate, but a newly added ice sculpture in support of Ukraine will be on display in St Helen’s Square.
Giovanni Pernice: This is him in This Is Me!, on tour at York Barbican on Wednesday
Dance show of the week: Giovanni Pernice: This Is Me!, York Barbican, 7.30pm
AFTER partnering Rose Ayling-Ellis to Glitterball Trophy success in the 2021 series of Strictly Come Dancing, Giovanni Pernice pays homage to the music and dances that inspired his journey from competition dancer to television favourite.
“I just want to try and do something different, something that you haven’t seen before,” says Sicilian stallion Pernice, 31. “I want to challenge myself and show off my hidden talents.” Cue ballroom and Latin dances and more besides. Box office: yorkbarbican.co.uk.
Peppa Pig in her dressing room, awaiting her call for the Best Day Ever
Children’s show of the week: Peppa Pig’s Best Day Ever, Grand Opera House, York, Wednesday, 1pm and 4pm; Thursday, 10am and 1pm
PEPPA Pig is so excited to be heading off on a special day out with George, Mummy Pig and Daddy Pig in a road trip full of adventures, songs, games and laughter.
From castles to caves, dragons to dinosaurs, ice creams to the obligatory muddy puddles, there will be something for all the family to enjoy. Look out for Miss Rabbit, Mr Bull and Gerald Giraffe too on “the best day ever for Peppa Pig fans”. Box office: 0844 871 7615 or at atgtickets.com/York.
Hair-larious: Buglight Theatre turn the Bronte sisters into salon stylists in Jane Hair
Salon appointment of the week : Buglight Theatre in Jane Hair: The Brontes Restyled, York Theatre Royal, Studio, Thursday, 7.45pm
SIBLING rivalry meets literary debate one explosive evening when stylists Anne, Emily and Charlotte Bronte cut, colour and style while sharing their hopes and dreams in Bradford’s most creative beauty salon.
Buglight Theatre writers Kirsty Smith and Kat Rose-Martin offer this chance to meet the modern-day versions of three determined young women from Yorkshire who set the literary world on fire. For returns only, ring 01904 623568.
Josh Liew and Amy Hawtin: Playing the leads, Melchior Gabor and Wendla Bergman, in Central Hall Musical Society’s Spring Awakening at Theatre@41
Musical of the week: Central Hall Musical Society in Spring Awakening, Theatre@41, Monkgate, York, Thursday and Friday, 7.30pm; Saturday, 2.30pm, 7.30pm
CENTRAL Hall Musical Society (also known as CHMS, York), from the University of York, present Duncan Sheik and Steven Slater’s 2006 rock musical revamp of a once-banned Frank Wedekind play, directed by Abena Abban.
A group of teenagers in a small German village in 1891 find the oppressive structures upheld by their parents and teachers to be at odds with their own awakening sexuality.
Spring Awakening explores themes of sex, puberty, coming of age and a yearning for a more progressive future, refracting old-fashioned values through a 21st-century lens. Box office: tickets.41monkgate.co.uk.
Le Navet Bete’s motley crew of pirates in Treasure Island at York Theatre Royal
Family show of the week; Le Navet Bete in Treasure Island, York Theatre Royal, Thursday, Friday, 7.30pm; Saturday, 2.30pm and 7.30pm.
LAST in York last September to reveal a vampire’ secrets in Dracula: The Bloody Truth, physical comedy company Le Navet Bete now go in search of buried treasure in a swashbuckling family adventure, Treasure Island.
Peepolykus artistic director and writer John Nicholson directs a cast of four, playing 26 characters in a fresh take on Robert Louis Stevenson’s tale laced with contemporary comedic twists, tropical islands, an unusual motley crew of pirates, a parrot called Alexa (straight from the Amazon), a white-bearded fish finger tycoon and unforgettable mermaid. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
David Ford: Living in interesting times at Pocklington Arts Centre on Thursday
Gig of the week outside York: David Ford, Pocklington Arts Centre, Thursday, 8pm
WHAT happens when you shut a creative force in a room for two years? The answer is a tornado blast of a new album from Eastbourne singer-songwriter David Ford documenting the tumultuous events of 2020 and 2021, as he charts the rise of Covid and fall of Trump, although both are still stubbornly refusing to go away.
Ford will air songs from the imminent May You Live In Interesting Times, along with compositions written in two days and recorded in one with American support act Annie Dressner. Look out for their six-track EP on sale at the Pock gig. Box office: 01759 301547 or at pocklingtonartscentre.co.uk.
Bagged up: The artwork for Black Country, New Road’s second album, Ants From Up There
AS Black Country, New Road head out of the departing Isaac Wood’s song world, podcasters Graham Chalmers and Charles Hutchinson review sophomore album Ants From Up There and ponder where they might roam next, now they are six.
Under debate too in Episode 79 of Two Big Egos In A Small Car are PJ O’Rourke’s righteous literary legacy; Peter Jackson’s newly revealing Beatles rooftop concert film and American musicians’ love of British indie acts.
Michael McIntyre: Road-testing new gags at the Grand Opera House, York
FROM McIntyre to Macbeth, two Aussies to an English celebration, a Ugandan story to a pioneering Welsh icon, Charles Hutchinson spreads his net wide.
Talking point gig of the week: Michael McIntyre: Work In Progress, Grand Opera House, York, Monday, 8pm
COMEDIAN Michael McIntyre will put new material to the test in a “York In Progress” show hastily arranged mid-month for February 28.
Tickets sold out within two hours of going on sale on February 15 for the 45-year-old Londoner’s latest dollops of observational comedy, wherein he turns everyday situations into outpourings of startled exasperation.
The jovial Big Show and The Wheel host previously played a three-night run of Work In Progress gigs at the Grand Opera House in July 2012. For returns only, 0844 871 7615.
Tachia Newall and Jessica Baglow in a masked rehearsal for their roles as Macbeth and Lady Macbeth in Macbeth at Leeds Playhouse
Play of the week outside York: Macbeth, Leeds Playhouse, tonight until March 19
DIRECTOR Amy Leach and designer Hayley Grindle have created a vibrant, raw and visceral vision of Shakespeare’s thrilling tragedy, Macbeth.
Tachia Newall plays the ambitious northern warrior, who does whatever it takes to gain power and, ultimately, the throne, propelled further into darkness by his wife, Jessica Baglow’s Lady Macbeth, whose hands bear witness to her own greed and corruption. Look out for York actress Ashleigh Wilder as one of the witches. Box office: 0113 213 7700 or at leedsplayhouse.org.uk.
She Drew The Gun: Songs decrying corruption, abuse and division at The Crescent, York
York indie gig of the week: She Drew The Gun, The Crescent, York, tonight, 7.30pm
PASSIONATE, principled, and refreshingly plain-spoken, proud socialist, feminist, bi-sexual mother of one Louisa Roach will not be cowed into silence.
As She Drew The Gun, the Wirral singer-songwriter uses punk-infused psych-pop as a vehicle for exposing injustice and for advocating a fairer and more tolerant society.
Written in lockdown and recorded at McCall Sound Studios in Sheffield, latest album Behave Myself decries corruption, abuse and the continued divisions between rich and poor that have only worsened in the pandemic. Annabel Allum supports. Box office: thecrescentyork.com.
Jason Donovan: So many reasons to celebrate his York Barbican concert
Third time lucky: Jason Donovan, Even More Good Reasons, York Barbican, Monday, 8pm
AFTER postponements in September 2020 and November 2021, Aussie heartthrob Jason Donovan’s 52-date tour to mark the 30th anniversary of his debut album, Ten Good Reasons, is finally happening. That anniversary actually passed as long ago as May 2019 on a faraway pre-pandemic planet!
“Having not done my own live shows for a while, I can’t wait to get out there again among my fans and deliver a new energetic show that is both personal, creative and reflective – something that is both nostalgic and just a good night out,” says the one-time Neighbours soap pin-up turned star of pop, stage musicals and theatre. Box office: yorkbarbican.co.uk.
Writer-performer John Rwothomack in his one-man show Far Gone at York Theatre Royal Studio
Solo show of the week, John Rwothomack in Far Gone, York Theatre Royal Studio, Thursday and Friday, 7.45pm
WRITTEN and performed by John Rwothomack, Far Gone is set in northern Uganda, where Okumu’s village is attacked by the Lord’s Resistance Army (LRA), changing Okumu and his brother’s lives forever.
The story of a young boy’s journey from childhood innocence to child soldier is seen through the eyes of those that love him and those that betray him, as presented by Ugandan-born, London-trained and Sheffield-based Rwothomack in his debut play as writer and performer, prompted by himself nearly being kidnapped by the LRA guerrilla rebel group.
He explores complex issues of war, religion and power, drawing on the contrast between his experiences as a child in Uganda and as a young black man in Britain, and how perceptions of “Africa” have affected his own narrative. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Tommy Emmanuel: Playing his best “Tommysongs” at the Grand Opera House, York
Guitar virtuoso of the week: Tommy Emmanuel, Grand Opera House, York, March 6, 8pm
LAST seen in Britain performing on the Transatlantic Sessions Tour, Australian guitarist Tommy Emmanuel returns for 13 dates in February and March with dobro master Jerry Douglas as his special guest.
Emmanuel, 66, who improvises big chunks of each concert, will be showcasing The Best Of Tommysongs, a double album of re-recordings of his best original songs from the past 30 years with new modern arrangements.
Angelina, Lewis & Clark, It’s Never Too Late, fan favourites Mombasa and Train To Dusseldorf and new compositions Fuel and Song For A Rainy Morning will be aired in York. Box office: 0844 871 7615 or at atgtickets.com/York.
Simon Wright: Conducting York Guildhall Orchestra’s St George’s Day debut at the JoRo
Bring out the flags: York Guildhall Orchestra, St George’s Day Concert, Joseph Rowntree Theatre, York, April 23,7.30pm
YORK Guildhall Orchestra and conductor Simon Wright make their Joseph Rowntree Theatre debut with a celebration of patron saint St George in an evening of light music with the spotlight on English composers.
Expect a variety of favourite pieces alongside some lesser-known gems, but not a dragon in sight in this joyful springtime programme. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Going Underground: Velvet pioneer John Cale to play York Barbican at 80
Gig announcement of the week: John Cale, York Barbican, July 19
VELVET Underground icon John Cale will play York as the only Yorkshire gig of his seven-date summer tour, his first British itinerary in a decade, with tickets going on sale on Wednesday at 10am.
The Welsh multi-instrumentalist, songwriter and producer, who turns 80 on March 9, will perform songs from a career that began in classical and avant-garde music before he formed The Velvet Underground with Lou Reed in New York in 1965.
Over six pioneering decades, Cale has released 16 solo studio albums, most recently M:Fans in 2016, while also collaborating with Brian Eno, Patti Smith, The Stooges, Squeeze, Happy Mondays, Siouxsie And The Banshees, Super Furry Animals and Manic Street Preachers. Box office: yorkbarbican.co.uk.
Stand-up sits down: Ed Gamble takes a breather between shows
MOCK The Week regular panellist Ed Gamble will be in Electric form at the Grand Opera House, York, tonight and Harrogate Royal Hall tomorrow at 7.30pm.
Co-creator of the food and comedy podcast Off Menu with fellow stand-up James Acaster, Taskmaster winner and Great British Menu judge, Gamble says he is “charged up and ready to flick the switch on another round of attention-seeking.”
Gamble, who has appeared on QI, The Russell Howard Hour, Would I Lie To You? and 8 Out Of 10 Cats, presents a Sunday morning show on Radio X with Matthew Crosby and has his own special, Blood Sugar, available on Amazon Prime.
He will play further Yorkshire gigs on his Electric tour at Hull City Hall on March 25; Bradford St George’s Hall on April 7; Sheffield City Hall on April 19 and Leeds City Varieties on April 22.
Box office: York, 0844 871 7615 or at atgtickets.com/York; Harrogate, harrogatetheatre.co.uk; Hull, hulltheatres.co.uk; Bradford, bradford-theatres.co.uk; Sheffield, ticketmaster.co.uk/event/35005AB2E2A62A3A; Leeds, leedsheritagetheatres.com.
Amy Hall, left, Victoria Delaney and Neil Vincent in masked rehearsals at Southlands Methodist Church for York Settlement Community Players’ production of Woman In Mind. Picture: John Saunders
CLASSIC Ayckbourn, club classics, a homecoming songwriter, a Dracula discovery and choirs galore make Charles Hutchinson’s list of recommendations, any way the wind blows.
Play of the week: York Settlement Community Players in Alan Ayckbourn’s Woman In Mind, York Theatre Royal Studio, tonight (19/2/2022) until February 26, 7.45pm and 2.45pm last-day matinee
HOUSEWIFE Susan’s growing disillusionment with everyday life in her humdrum marriage is brought to a head when she steps on a garden rake and is knocked unconscious.
Such is the impact of her minor concussion, suddenly she finds herself surrounded by the ideal fantasy family, handsomely dressed in tennis whites as they sip champagne.
When her real and imaginary worlds collide, however, those fantasies take on a nightmarish life of their own as Alan Ayckbourn applies both humour and pathos to his 1985 portrait of a woman on the verge. Victoria Delaney, on stage throughout as Susan, leads Angie Millard’s cast. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
James Gaddas: Digging deeper into Bram Stoker’s Dracula in his one-man show at the Grand Opera House, York
So much at stake: James Gaddas in Dracula – One Man’s Search For The Truth, Grand Opera House, York, Monday, 7.30pm
WHEN actor James Gaddas comes across Bram Stoker’s original handwritten copy of Dracula while working on a satellite channel television show, he finds it contains pages never published, leading him to a terrifying discovery.
What if everything we thought we knew was only the beginning? What if it is not so much a story as a warning? What if the legend is real?
Gaddas brings the original version to life before sharing his discovery on a night of one actor, 15 characters and one monumental decision: are some things better left buried? Box office: 0844 871 7615 or at atgtickets.com/York.
Babybird’s Stephen Jones: Revisiting his landmark Ugly Beautiful album in full at Leeds Brudenell Social Club
Yorkshire gig of the week: Babybird, Ugly Beautiful 25th Anniversary, Leeds Brudenell Social Club, February 23, doors, 7.30pm
MARKING the silver anniversary of his smart, piercing pop album Ugly Beautiful and its misunderstood ubiquitous single You’re Beautiful – pay attention to its dark criticism of men’s behaviour beyond the shiny chorus – Babybird is taking to the road for four shows built around that pioneering record. The one he said had “songs to annoy, enjoy and employ God with”.
Up front as ever will be Stephen Jones, 59, the songwriter, singer, musician and novelist who first emerged as a purveyor of low-fi recordings made in his Sheffield bedroom over six years for release in 1995-96. Box office: seetickets.com/event/babybird/Brudenell
Benjamin Francis Leftwich: Heading home to York to perform at The Citadel for the first time. Picture: Harvey Pearson
Homecoming of the week: Benjamin Francis Leftwich, The Citadel, Gillygate, York, February 25, 7.30pm
NOW living in Tottenham, North London, singer-songwriter Benjamin Francis Leftwich heads back home to play The Citadel, his second church gig in York after his sold-out Minster concert in 2019.
Last June he released his fourth album, To Carry A Whale, and he has been song-writing as prolifically as ever since then, so maybe a new number will be aired. Support comes from Elanor Moss and Wounded Bear. Box office: thecrescentyork.com.
Soul II Soul: Rolling out the Club Classics at York Barbican
Club night of the week: Soul II Soul, Club Classics, York Barbican, February 25, 7.30pm
SOUL II Soul’s postponed York gig comes back to life on Friday, with tickets still valid from the original October 2020 date.
Jazzie B’s London soul, R&B and rap collective will be reviving the vibe of their 1989 number one Back To Life, top five hit Keep On Movin and their debut album Club Classics Vol. One. Box office: yorkbarbican.co.uk.
That singing feeling at York Community Choir Festival
On song at large: York Community Choir Festival 2022, Joseph Rowntree Theatre, York, February 27 to March 5
EIGHT shows, with a different line-up every time, go into York’s celebration of community choral music.
Taking part will be three primary school choirs (Osbaldwick, Robert Wilkinson and Headlands), Huntington Secondary School gents and ladies’ choirs and 30 adult choirs.
Despite there being close to 200 song choices, in only one concert will the same song be sung by two choirs, in very different styles. Each concert ends with everyone singing I’d Like To Teach The World To Sing. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Madness: Playing York Racecourse Music Showcase Weekend for a second time in July
Under starter’s orders: York Racecourse Music Showcase Weekend, Madness, July 22, evening; Sugababes, July 23, late-afternoon
CAMDEN’S Nutty Boys, Madness, are on course for the Music Showcase Weekend for the second time this summer, having first played the Knavesmire track in July 2010.
Once more, Suggs and co will roll out such ska-flavoured music-hall hits as Our House, One Step Beyond, Baggy Trousers, It Must Be Love, House Of Fun and Michael Caine.
The original Sugababes line-up of Keisha Buchanan, Mutya Buena and Siobhán Donaghy will perform chart toppers as Freak Like Me, Round Round, Hole In The Head and Push The Button and plenty more. The London girl group last played York in a Barbican Centre show in 2003. For race-day tickets, go to: yorkracecourse.co.uk
Guvnor’s rules: Al Murray puts the world to rights through the bottom of an English glass or two in the Pub Landlord’s new tirade, Gig For Victory
Bar-room bawl: Al Murray, The Pub Landlord, Gig For Victory, Grand Opera House, York, September 1, 7.30pm
THE Guvnor, Al Murray, sets off on his 86-date tour on February 24 and will still be having a word on November 13. York will play host to the first show after a summer re-charge for the Pub Landlord, whose Gig for Victory agenda promises answers to questions that the “men and women of this great country never knew existed”.
“Who better to show the way than the people’s man of the people, steeped in the deep and ancient bar-room wisdom of countless slock-ins,” says Murray, ever ready to offer a full pint of the good stuff to a nation thirsty for common sense. Box office: 0844 871 7615 or at atgtickets.com/York.
Bohemians in rhapsody: We Will Rock You weaves its way through 24 Queen songs at the Grand Opera House, York. Picture: Johan Persson
FROM Queen’s “rock theatrical” to Britney fandom, a café’s mug exhibition to folk’s witching hour, outlaw cabaret with gin to confronting digital intrusiveness, Charles Hutchinson finds diversity aplenty to enjoy.
Musical of the week: We Will Rock You, Grand Opera House, York, Monday to Saturday, 7.30pm; 2.30pm, Wednesday and Saturday
WRITER and comedian Ben Elton directs the 20th anniversary of We Will Rock You, the “guaranteed-to-blow-your-mind” Queen musical built around his dystopian futuristic storyline.
In a system that bans rock music, a handful of rebels, the Bohemians, vows to fight against an all-powerful global company and its boss, the Killer Queen.
Musical advisor Brian May says “the world’s first true Rock Theatrical” now has a state-of-the-art new look, with a story of breaking free from conformity more relevant than ever. Box office: 0844 871 7615 or at atgtickets.com/York.
Reiko Kaneko: Taking part in the Cups and Such exhibition at FortyFive Vinyl Cafe. Picture: Cat Garcia
Cracking (or hopefully not) exhibition of the week: Cups and Such…or, A Hug In A Mug, FortyFive Vinyl Café, Micklegate, York, until March 6
“A HUG for you, or for someone else, Cups and Such is an exhibition of beautiful, handmade drinking vessels that promises to offer comfort and solace for all,” says curator Lotte Inch.
Working in tandem with FortyFive Vinyl Café, that welcoming haven of music, coffee and comfort food, Lotte Inch Gallery has selected cups, mugs, beakers, tea bowls and more, made by hand by Rebecca Callis, Reiko Kaneko, Ali Tomlin and the Leach Studios to “offer someone a moment of warmth, a sense of connection and an opportunity to embrace”.
“This can’t be it,” ponders Mark Watson in Pocklington tonight. Picture: Matt Crockett
Topical comedy gig of the outside York: Mark Watson, This Can’t Be It, Pocklington Arts Centre, tonight, 8pm
AMID so much pandemic pondering about the fragility of life recently, don’t worry, comedian Mark Watson has it covered. At 41 – he turns 42 tomorrow – he is halfway through his days on Earth, according to the life expectancy calculator app that cost him all of £1.49.
That life is in the best shape in living memory but one problem remains. A huge one. Spiritual enquiry meets high-octane observational comedy as the No More Jockeys cult leader strives to cram two years of pathological overthinking into an evening of stand-up. “Maybe we’ll even solve the huge problem,” says Watson. “Doubt it, though.” Box office for returns only: 01759 301547 or at pocklingtonartscentre.co.uk.
Shereen Roushbaiani in Saving Britney at Theatre@ 41, Monkgate, York
Noughties’ nostalgia of the week: Saving Britney, John Cooper Studio, Theatre@41 Monkgate, York, tomorrow (13/2/2022) at 8pm
MILLENNIALS such as Jean grew up with Britney Spears. Saving Britney recounts how the Princess of Pop influenced Jean’s life and how the connections shared between them led to an unbelievable moment of self-discovery.
Inspired by the #FreeBritney movement, Shereen Roushbaiani takes a humorous yet heart-breaking look at celebrity obsession, sexuality and growing up in the early Noughties. Box office: tickets.41monkgate.co.uk.
Heal & Harrow’s Rachel Newton and Lauren MacColl
Folk concert of the week: Heal & Harrow, National Centre for Early Music, York, Monday, 7.30pm
HEAL & Harrow are folk musicians Rachel Newton, from The Shee, The Furrow Collective and Spell Songs, and Lauren MacColl, of Rant and Salt House.
Working as duo for the first time, they combine newly composed music and accompanying visuals in a tribute to those persecuted in the 16th and 17th century Scottish Witch Trials, 80 per cent of them women.
The project also explores historical beliefs in the supernatural and modern-day parallels, each piece being based on commissioned works by author Mairi Kidd. Box office: 01904 658338 or at ncem.co.uk.
Reality check: Corinne Kilvington’s Polly in The Girl In The Machine
Premiere of the week: Theatre Space North-East in Girl In The Machine, John Cooper Studio, Theatre@41 Monkgate, York, February 17, 7.30pm
STEF Smith’s ground-breaking play Girl In The Machine explores our unease over digital intrusiveness, then pushes it a step into the future in Jamie Brown’s touring production.
In brief: Owen (Lawrence Neale) and Polly (Corinne Kilvington) are in successful careers and wildly in love, feeling ready to take on the world, but when a mysterious new technology, promising a break from the daily grind, creeps into everyone’s phones, their world is turned upside down.
As the line between physical and digital dissipates, Owen and Polly are forced to question whether their definitions of reality and freedom are the same. Box office: tickets.41monkgate.co.uk.
Back on the Chain Gang: Miles Salter lines up new band members for Black Swan gig
Meet the new Gang: Miles And The Chain Gang, The Black Swan Inn, Peasholme Green, York, February 19, 8pm to 11.30pm
YORK writer, musician and storyteller Miles Salter is back with a new Chain Gang for a headline show at the Black Swan.
“This is the first gig with the new line-up and it’s sounding great,” says Salter, introducing Daniel Bowater on keyboards, Steve Purton on drums, Mat Watt on bass and Mark Hawkins on lead guitar.
Miles And The Chain Gang will be supported by Sarah Louise Boyle, Lee Moore and Monkey Paw. “It’ll be a diverse and fun evening, so do come along,” says Salter. Tickets: at prime4.bandcamp.com/merch/miles or on the door.
Sax Forte: First concert of York Unitarians’ 2022 lunchtime series
Sax to the max: Sax Forte, York Unitarians Friday Lunchtime Concerts, St Saviourgate Unitarian Chapel, March 11, 12.30pm
CELEBRATING their 350th anniversary in 2022, York Unitarians open their 11th season of Friday lunchtime concerts with the return of York saxophone quartet Sax Forte.
Playing together since 2016, Chris Hayes, Keith Schooling, Jane Parkin and David Badcock all have extensive experience with other quartets, bands and orchestras. They are equally at home playing programmes of serious and light classical music or jazz and swing standards. Tickets cost £6 (cash) on the door.
Gin up: Drag diva Velma Celli hosts Outlaw Live cabaret night with a dash of York Gin
Not just the tonic: Velma Celli and York Gin’s Outlaw Live cabaret night, National Centre for Early Music, York, March 25, 8pm to 10.30pm
YORK drag diva Velma Celli invites you to “celebrate your inner outlaw” at York Gin’s cabaret soiree at the NCEM.
For one night only, glamorous Velma and friends will be celebrating all that’s naughty, villainous and defiantly outrageous about York and its outlaws, from Guy Fawkes to Dick Turpin, with a combination of song, laughter and York Gin.
Tickets are on sale at tickettailor.com/events/yorkgin/590817/ and admission includes a gin cocktail on arrival.
TWO Big Egos In A Small Car arts podcasters Graham Chalmers and Charles Hutchinson enthuse over the rise of Yard Act from Leeds novelties to number two in the album charts in Episode 76.
Under discussion too: is Kenneth Branagh’s Oscar-nominated childhood memoir Belfast a masterpiece or a fudge? Plus Graham’s interview hiccup with 10CC’s Graham Gouldman and Charles’s verdict on Ross Noble’s chaotic Humournoid show in York.
COMEDIAN Michael McIntyre will try out brand-new material at the Grand Opera House, York, in a Work In Progress show hastily arranged for February 28.
Tickets for the 8pm warm-up gig go on sale on Tuesday, February 15 at 10am, priced from £25 at atgtickets.com/York. Bookings are limited to four per household and the age guidance is 14 upwards.
The 45-year-old Londoner is noted for his observational comedy, wherein he turns everyday situations into outpourings of startled exasperation.
McIntyre’s big break came when he performed on the televised 2006 Royal Variety Performance. His tours have since sold four million tickets and he holds the record for the highest-selling artist at Britain’s biggest arena, London’s O2, where he sold out 28 shows.
He hosted Michael McIntyre’s Comedy Roadshow on BBC One from 2009, winning the National Television Award for Best Entertainment Programme in 2012.
In 2016, he began fronting Michael McIntyre’s Big Show, now into its sixth series on Saturday nights on BBC One, with a BAFTA for Best Entertainment Performance among its awards. He has chaired two series of BBC One’s Saturday game show The Wheel too. Last year he penned his autobiography, A Funny Life.
McIntyre previously played a three-night run of Work In Progress gigs at the Grand Opera House from July 2 to 4 2012.
UPDATE 17/2/2022
MICHAEL McIntyre’s Work In Progress show at the Grand Opera House, York, on February 28 sold out within two hours of going on sale on Tuesday morning.
Liza Pulman, left, Dillie Keane and Adele Anderson raise a glass to Fascinating Aida returning to the stage. Picture: Johnny Boylan
SATIRICAL cabaret trio Fascinating Aida are heading for their 40th anniversary next year.
How they will celebrate remains under wraps, but the comedy singing group’s founder, Dillie Keane, is delighted to be back on the road for 61 winter and spring dates with key writing partner Adele Anderson, who joined in 1984, and Liza Pulman, who first teamed up in 2004.
Among the shows will be York Barbican on Saturday and Scarborough Spa Theatre on May 13.
“We first toured this new show in the autumn, and it was such a relief. It felt like going home,” says 69-year-old Irish actress, singer, pianist, comedian and columnist Dillie.
“Sometimes, I’m overwhelmed in the wings, thinking ‘’I’m home’. I love being backstage too and all the routine that goes with that.
“After nearly four decades, I’m enjoying it as much as ever, having started the group as something to do when we weren’t acting!”
During lockdown, Dillie penned three songs that she posted on YouTube. “I’m not one for livestreaming,” she says. “There’s something depressing about seeing people performing a ‘show’ from their bedroom.
“Instead, I wrote these rather bitter and angry songs. There was one about Cummings ‘wanting all us old people to die’ [Song For Dominic Cummings], and one about Gavin Williamson ‘stuffing up the education system’ [Song For Gavin Williamson].
“Then, Nothing To Do Blues (‘and all day to do it in’), that came about from the moment when I was queueing in a little farm shop and a chap turned round and said, ‘Sorry, I’m taking ages’, and I said, ‘that’s OK, I’ve got nothing to do’. I got that one properly edited and made a little film of it.”
Those songs will not feature in Fascinating Aida’s set. “No, they were of the moment and they would only have been in my solo show,” says Dillie.
She had anticipated spending her pandemic-enforced hiatus from the stage rather differently. “I always felt in my year off, ‘I’ll write my autobiography’; ‘I’ll write the novel of my dreams’; ‘I’ll read [James Joyce’s] Ulysses and Proust’…
… “Well, I did start Proust – I’m halfway through the first book! – and I listened to 13 Anthony Trollope stories read by Timothy West and enjoyed some audio books, and I grew a lot of vegetables. I’ve now used almost all the courgettes; pounds and pounds of them.”
Experiencing the Nothing To Do Blues, Dillie missed seeing shows as much as she missed playing them. “It broke my heart,” she says. “I will go and see anything. I’m very eclectic. High opera. Low opera. Mongolian throat singers. Anything you can name.
“Not being able to see stuff was a killer – then someone told me it took 18 years to reopen theatres after the plague.”
From 1984’s Sweet FA to 2012’s Cheap Flights and onwards, Fascinating Aida have captured the political and social fixations of our times. For 2022, Fascinating Aida’s cabaret compound will combine “old favourites, songs you haven’t heard before and some you wish you’d never heard in the first place” as Dillie, Adele and Liza are joined by musical director, composer and pianist Michael Roulston, under the direction of Paul Foster (whose credits include Kiss Me, Kate and Annie Get Your Gun at Sheffield Crucible).
“I think there are several reasons for our longevity, and one of them is that we’ve always had a director for our shows, which is incredibly important,” says Dillie. “You should have someone on the outside to say, ‘no, this is better’.
“Working with a director makes it sharper focused, and we now have the wonderful Paul Foster, who I worked with on another project [a solo show off-Broadway and on tour].”
Summing up Fascinating Aida’s chemistry that will be clicking once more from January 29 to June 20, Dillie says: “We’re terribly finickity, driving each other crackers! But when we get a line right, when we’re together in Liza’s kitchen, or mine, it’s wonderful.
“Like when we were writing a song about one thing, and Adele came up with a few lines that were nothing to do that but were all to do with ‘fake news’, I thought, ‘that’s awfully good, we should use that for the opening song’.
“We stopped what we’re doing and wrote the new song in full, writing everything in black and white terms: that’s how True True True Or Fake News came about.”
Further assessing the trio’s bond, Dillie says: “A very silly sense of humour helps too. That’s never changed. People come up after a show and say, ‘have you been hiding in my kitchen? You are singing about my life’.
“We’ve also never been starry. We’ve been relentlessly down to earth; there’s a genuine rootedness about us, and we’ve never been seduced by the idiotic side of showbiz.”
One other factor lies behind Fascinating Aida’s continuing success. “Satirical songs are different to doing stand-up, where the rules of comedy say you’re not allowed to repeat old jokes, but though a song like Cheap Flights is no longer topical, people still sit there in hysterics,” says Dillie.
“Songs are a different discipline altogether. Give us a stand-up script and we wouldn’t be very good at it, so we say, ‘let’s keep the chatter to a minimum; let’s stick to the songs’ as we seem to be rather good at them!”
Fascinating Aida, York Barbican, Saturday (12/2/2022) and Scarborough Spa Theatre, May 13, both at 7.30pm. Box office: York, yorkbarbican.co.uk; Scarborough, 01723 376774 or scarboroughspa.co.uk.
