Thready Pulse and J.See set bench mark with tranquil and mindful city-centre installation amid York’s shopping bustle

Bench mark: Jeff “J.See” Clark and Brenna “Thready Pulse” Allsuch stand by Art Of Protest Projects’ mural and photography installation in Parliament Street, York

TRANQUILITY through mindfulness is the aim of Art Of Protest Projects’ public street art collaboration with Thor’s Tipi Bar in York.

Project director Jeff Clark and communications  and support manager Brenna Allsuch are wearing different hats this time, bringing their own vibrant, uplifting mural and photography installation to Parliament Street at the epicentre of the city’s re-opened shopping streets.

Working under the monikers of Thready Pulse and J.See, respectively, muralist Brenna and photographer Jeff have created eight works for display on four benches to make their mark on the urban landscape.

Jeff Clark taking a photograph by York Minster

Focused on mindfulness and finding a quiet moment of peace in bustling and energetic surroundings, this series of installations – with large board canvases as backrests – features Brenna’s painted mountain range on one side and Jeff’s series of black-and-white cityscape photographs on the other.

“The aim of this collaborative project is to invite people to take a quiet rest as they soak in the city landscape,” says Jeff, whose latest project comes on the heels of the ongoing Guardians Of York, the AOP Projects and York BID collaboration with Brighton street artist collective The Postman to “honour and elevate” pandemic key workers from York.

“Placing art within an urban setting has the power to stop passers-by and encourage them to reflect on something they wouldn’t normally expect to see. It also draws people into the space and allows for conversation and engagement with friends and strangers alike.

Take a seat: Jeff Clark sits on one of his “Tranquility through Mindfulness” benches on Parliament Street, York

“This specific project uses various mediums in the form of paint, photography and construction to allow a multifaceted approach to urban seating and art.” 

Thready Pulse and J. See’s bench installation is dedicated to their beloved friend, Michael Feather, who passed away in April. “Michael was the father of our production manager and close friend, Craig Feather,” says Brenna.

“He sadly lost his battle with cancer just four weeks ago and we’ve all been feeling his loss. He was not an artist himself, but an amazing master joiner and carpenter who helped rebuild Chatsworth House [in Derbyshire].

In memory of Michael Feather: Brenna Allsuch and Jeff Clark pay tribute to their late friend’s love of nature and stillness with their bench installation for the public to enjoy tranquility amid the Parliament Street bustle

“Michael was a big part of our lives and his love of nature and stillness served as the inspiration for this piece. His continuous smile and curiosity with the world around him will be sorely missed, but our hope is that this project will serve as a reminder of his impact on his family and our community.”

Brenna and Jeff are grateful to City of York Council for funding and Make It York and York BID for their support. “We’re so excited for this installation to bring smiles and hopefully a feeling of peaceful mindedness to the city of York,” she says.

“Working on these murals and knowing they will be so prominently placed within the city allowed me to step outside of my usual practice and create a series of works that wants to invite people in, stop them in their tracks and allow them to just take a deep breath and refocus their busy mind.”

“Walking through a busy city centre, you don’t expect to come around the corner and see a large mountain landscape,” says Jeff Clark, as he applies his brush to Brenna Allsuch’s mural

Jeff adds: “Walking through a busy city centre, you don’t expect to come around the corner and see a large mountain landscape. Even better, as you walk away and reflect back on the installation, the other side features high-impact iconic black and white imagery of the city of York.”

Under his nom de l’art of J.See, multi-media artist and photographer Jeff Clark works with multi- layered images but predominantly 35mm black-and-white negative film that he then hand processes in a dark room, as well as digital images from various cameras.

Brenna Allsuch, alias Thready Pulse, is a hand-embroidery artist, mural designer and painter from her home studio in York. Trained as an ICU nurse, she is also AOP Projects as head of communications and project support manager. 

“I first painted a mountain mural on a wall in my home and fell in love with mixing colours and creating a sense of depth just by adding lights and darks together,” says muralist Brenna Allsuch

Born in Phoenix, Arizona, Brenna moved around Australia and Europe – Norway, Germany and Ireland – and ended up in Austin, Texas, where she spent 15 years. “I moved to the UK almost four years ago and came to York because I wanted to leave the USA and settle in a city where I could raise my kids in a safer environment,” she says.

“Between the political landscape in the USA and having the ability to move abroad, thanks to having English citizen children, York seemed like a great place to settle, and I’m so glad I moved here; I absolutely love it.” 

If her mountain artwork looks familiar to you from another York locale, you are correct: she designed the glass-frontage display at Skosh, Neil Bentinck’s restaurant of the gods in Micklegate.

Mountainous task: Brenna Allsuch, alias Thready Pulse, at work on her bench mural in Parliament Street, York

“I’ve always loved the mountains and have always had an interest in murals,” says Brenna, who also uses mountains as a reference in her modern hand embroidery.

“I first painted a mountain mural on a wall in my home and fell in love with mixing colours and creating a sense of depth just by adding lights and darks together.

“Having painted the mountain mural for Skosh, it seemed like an easy choice when we were approached by Thor’s Tipis to create a backdrop on interesting urban benches. I’m excited to continue to explore mountain ranges as a form of murals, as well as other landscapes, both realistic and abstract.”

Brenna Allsuch, ICU nurse, embroiderer, mural artist and Art Of Protest Projects project manager, poses beside street art collective The Postman’s mural of her in Bishopthorpe Road for their Guardians Of York installation. Picture: Dave J Hogan

Explaining the moniker Thready Pulse, Brenna says: “It comes from the medical term defined as ‘a scarcely perceptible and commonly rapid pulse that feels like a fine mobile thread under a palpating finger’.

“I’ve practised as a registered nurse for eight years, most recently working in the intensive care unit at York District Hospital, and when I first delved into the world of embroidery art about three years ago, I thought this was a fitting name for me, suggesting my love for both medicine and fibre arts.”

Her work as an ICU nurse in pandemic times has seen Brenna feature in The Postman’s series of Guardians Of York street art murals. Look out for her, shock of pink hair and all, on the end wall of Millie’s, the grocery store on Bishopthorpe Road.

Writing on the wall: Note the cacophony of words emanating from The Postman’s mural of Brenna Allsuch for the Guardians Of York installation series

More Things To Do in York and beyond and on the home front in loosened lockdown. List No. 32, courtesy of The Press, York

Love letters straight to your art from York Theatre Royal’s reopening show, Love Bites

THE Downing Street briefing on Step 3 of the roadmap rollout is just around the tantalising corner. Charles Hutchinson highlights the rising tide of upcoming shows, ongoing festivals and exhibitions and online options.

Love story of the month: The Love Season: Love Bites, York Theatre Royal, May 17 and 18

YORK Theatre Royal reopens with two nights of Love Bites, both a love letter to live performance by York artists and a celebration of the creative talent across the city.

More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day theatres can reopen under Step 3 of the Government’s lockdown loosening – and May 18. The 22 short pieces will be performed each socially distanced night, introduced by broadcaster Harry Gration.

“We hope Love Bites will turn out to be ‘a many-splendored thing’!” says director Juliet Forster. Prompt booking is advised at yorktheatreroyal.co.uk or on 01904 623568.

Ruth Rogers: Violinist performing at Ryedale Festival’s online Spring Festival on RyeStream

Online festival of the week: Ryedale Festival’s Spring Festival, running until May 8

TOMORROW night will see the fast-rising combo The Immy Churchill Trio toast the arrival of spring with Spring Will Be A Little Late This Year, a late-night session of jazz standards from the Great American Songbook online from Helmsley Arts Centre at 9pm.

Finishing the festival at Castle Howard with The Lark Ascending on May 8 at 3pm, the virtuosic London Mozart Players and violinist Ruth Rogers will perform Grieg’s Holberg Suite, Vaughan Williams’s The Lark Ascending and Vivaldi’s Spring from The Four Seasons.

The Spring Festival season will be available to view on RyeStream until the end of May.

Are you going for Scarborough air? York artist Malcolm Ludvigsen painting on the bracing seafront at the East Coast resort

Exhibition launch of the week in York: Malcolm Ludvigsen’s Art, Village Gallery, York

PROLIFIC York plein-air artist Malcolm Ludvigsen is the focus of Village Gallery’s first new exhibition of 2021 in Colliergate, York.

Erstwhile maths professor Ludvigsen spends much of his time on the beaches and headlands of Yorkshire, fascinated endlessly by the sea and sky.

The show of Ludvigsen oil paintings will run until Saturday, June 19 with Covid-secure, socially distanced measures in place. Opening hours are Tuesday to Saturday, 10am to 4pm.

Not a spoiler alert: Irish humorist Ed Byrne will play York for the first time since his Spoiler Alert tour in 2018

Comedy gig announcement of the week in York: Live At The Theatre Royal Comedy Night, York Theatre Royal, July 1

THIS will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill.

Joining headliner Ed will be Mock The Week’s whip-smart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, hosted by “compere-beyond-compare” Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.

Tickets are on sale at yorktheatreroyal.co.uk and on 01904 62356.

Cuppa and a couple of gigs at Pocklington Arts Centre for Omid Djalili in July

Comedy gig announcement of the week outside York: Omid Djalili, Pocklington Arts Centre, July 22, at the double

POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.

British-Iranian comedian Omid Djalili will perform twice on Thursday, July 22. Significantly too, those 7pm and 9pm performances will be without social-distancing measures, but full of provocative, intelligent cultural observations.

Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.

Dancing Dan: Dancing On Ice star Dan Whiston glides into Rawcliffe Country Park in August

Get your skates on: Cinderella On Ice, Rawcliffe Country Park, York, August 17 to 22

DANCING On Ice three-time champion Dan Whiston will lead the company for Cinderella On Ice, a show fuelled by high-speed ice-skating and aerial feats.

“I cannot wait to get back on the ice and for the crowds to witness this amazing show after such a troubled past 12 months of lockdowns,” says Whiston. “We hope to both wow and amaze.”

Fairytale On Ice’s ice-palace production will be performed by “some of the world’s most elite entertainers and skilled skaters after thousands of auditions”. Tickets for the 4.30pm matinees and 7.30pm evening performances are on sale at fairytaleonice.com.

Seven UP: Shed Seven’s Shedcember tour to climax with two nights at Leeds O2 Academy

The return of the York heroes: Shed Seven, Shedcember tour

SHED Seven will close their 2021 Shedcember tour with two nights at Leeds O2 Academy on December 20 and 21.

The York band’s 18-date itinerary will take in further Yorkshire shows at Sheffield O2 Academy on November 30 and Hull City Hall on December 1, but not a home-city gig, alas.

The Sheds’ concerts are billed as Another Night, Another Town – The Greatest Hits Live – a nod of acknowledgement in the direction of last December’s 21-track live double album. Tickets are selling very fast at shedseven.com, gigsandtours.com and ticketmaster.co.uk.

Senegal and Wales combine in the Pocklington-bound music-making of Seckou Keita and Catrin Finch

On the move: Catrin Finch & Seckou Keita, Pocklington Arts Centre

WELSH harpist Catrin Finch and Sengalese kora player Seckou Keita will now play Pocklington on May 21 2022.

The 7.30pm concert has been rescheduled from June 10 2021 for the usual Covid reasons. All original tickets remain valid; further tickets go on sale from 10am tomorrow (7/5/2021) at pocklingtonartscentre.co.uk.

Finch and Keita will be showcasing songs from their next album, as yet untitled and set for release next year. 

Rapper and beatboxer Testament testifying in Orpheus In The Record Shop

And what about?

AS lockdown’s gradual, grinding release continues to make an impact on live performance, Leeds company Opera North will seek to entertain viewers at home. Check out Orpheus In The Record Shop, available for free at: bbc.co.uk/iplayer/episode/m000vbtx/lights-up-orpheus-in-the-record-shop.

Inspired by the ancient Greek myth, rapper and playwright Testament fuses spoken word and beatboxing with a cinematic score performed by the Orchestra and Chorus of Opera North.

Originally performed during Connecting Voices at Leeds Playhouse, it has been reworked for film by Alex Ramseyer-Bache and Playhouse artistic director James Brining as part of the BBC Lights Up season.

Malcolm Ludvigsen captures spirit of John Ruskin in Village Gallery’s breath of fresh air

Scarborough, by Malcolm Ludvigsen, at Village Gallery, York

PROLIFIC plein-air artist Malcolm Ludvigsen is the focus of Village Gallery’s new exhibition from tomorrow in Colliergate, York.

“The last year has been extremely hard for everyone, not least of all for artists, with many exhibitions and events being cancelled,” says gallery owner Simon Main. “So, we’re thrilled to announce our first show of 2021.”

Erstwhile maths professor Ludvigsen spends much of his time on the beaches and headlands of his Yorkshire homeland, fascinated endlessly by the sea and sky.

“I think the thing that first attracted me to painting was John Ruskin’s exhortation that all men, as part of their morning salutations, should go out and paint a picture of the sky,” he says.

Malcolm Ludvigsen painting in the bracing air of Scarborough

“This sounded like a very nice thing to do, so I decided to give it a go, and I’ve not really stopped painting since.” 

In 2013, Ludvigsen won the Oldie British Artists Award – a major competition for British artists aged 60 or over – for his landscape entitled Filey.

“Ironically this accolade came in the same year that my work was rejected by the Royal Academy for their summer exhibition,” he recalls. 

Malcolm Ludvigsen’s Art, a show of familiar Yorkshire landscapes and seascapes in oils, will run from tomorrow until Saturday, June 19, with Covid-secure, socially distanced measures in place. Opening hours are Tuesday to Saturday, 10am to 4pm.

Cayton Bay, oil painting, by Malcolm Ludvigsen

Andy Goldsorthy takes part in Ryedale Folk Museum project on pandemic’s art impact

Artists Andy Goldsworthy (left) and Kane Cunningham at Southfield House for their collaboration with Ryedale Folk Museum. All pictures: Tony Bartholomew

SCULPTOR Andy Goldsworthy will be among six artists collaborating with Ryedale Folk Museum, Hutton-le-Hole, to explore the impact of the pandemic on artists and their creative practice.

Goldsworthy will feature in a series of videos, created by Scarborough landscape painter Kane Cunningham for sharing in May and June, that will include photographer Joe Cornish, landscape painter Peter Hicks, photographer Tessa Bunney, sculptor Peter Coates and painter Francesca Simon too.

The collaboration will culminate in an open exhibition in September, bringing together professionals, amateurs and hobby artists in response to the northern landscape.

Cheshire-born sculptor and land artist Goldsworthy specialises in site-specific installations involving nature and the passage of time.

His latest work, Southfield House, has been developed on the North York Moors from conditions created by the pandemic and forms part of Goldsworthy’s quest to explore the environment through natural materials.

“It was conceived during lockdown and made between lockdowns,” says Goldsworthy, 64. “I wanted to make something during that period that has that sense of being uplifting,” he says. “The work is now connected to that moment in time.”

Kane Cunningham, left, and Andy Goldsworthy on the North York Moors

Funded by Arts Council England, the Ryedale Folk Museum project “grew out of a strong awareness of the lack of access to the natural environment in adherence to the Government’s Stay Home message at the height of the pandemic”.

Like everyone else, artists have found their travel restricted during the series of three lockdowns, hence museum director Jennifer Smith says: “At its heart, the project is an opportunity for artists to share their experiences and to encourage others who may have seen significant changes to their output because of Covid-19.

“Through Kane Cunningham’s films, we are seeing honest and open discussions about the challenges – and, sometimes, the opportunities – faced by the artistic community.

“Situated within the North York Moors National Park, we needed only to look outside the museum window to realise that there was nobody here during lockdown. One question that interested us was what impact that was having on artists who respond directly to the landscape and who make their living from that inspiration.”

The partnership between the museum and Cunningham, founder and co-director of Scarborough’s Festival of Big Ideas By The Sea, was a natural one.

“For 20 years, I’ve travelled from Scarborough to St Bees, coast to coast,” says Cunningham, whose studio is in the Old Parcels Office at Scarborough railway station. “In a normal year, my art takes me over hill and dale and across mountain pathways to find the perfect view.”

Andy Goldsworthy at Southfield House for the Ryedale Folk Museum project exploring the impact of the pandemic on artists and their creative practice

The sense of loss during lockdown led to Cunningham’s desire to reach out to others on this theme: “I felt the need to discover more about the landscape and what it means to me and other artists in these challenging times,” he says. “Has it changed the way they think about their work? Has it changed the way they think about the landscape?”

Ryedale Folk Museum hopes that sharing the contemplations of assorted artists will inspire people to create new work or to reflect on a piece created since the start of the pandemic, to feature in the open exhibition of 2D and 3D work from September.

The submissions window will be open from this week to June 30, whereupon works for the exhibition will be selected by a panel that will include Cunningham, Joe Cornish and ceramic artist Layla Khoo.

In addition, artists and other creative practitioners, of any art form, are invited to send their own brief film clips – less than a minute long – to be shared on social media, responding to the question: “How has your creative practice changed in the past 12 months?”.

Full details can be found on the museum’s website: ryedalefolkmuseum.co.uk/art-gallery/

Bedern Hall to introduce new heritage interpretation project when reopening

Roger Lee: Overseeing new heritage interpretation programme at Bedern Hall, York

BEDERN Hall, in York, will reopen on May 19 with a new heritage interpretation programme.

Visitors will see how the historic hall, in Bartle Garth, St Andrewgate, was restored and how it operated as the refectory for the Vicars Choral of York Minster, learning about their lifestyle and how they built the hall and discovering some of the things they left behind.

The hall’s later periods, and its many different uses over the centuries as tenemented accommodation, a bakery and a pork-pie maker’s curing hall, will be featured too.

Located a two-minute walk from York Minster, Bedern Hall has been seeking ways to open to new users and has received a Culture Recovery Fund grant to support its development plans.

The grant has begun to assist a new volunteer programme too that will bring additional opportunities for people to take part in the new opening arrangements.

Roger Lee, of the Bedern Hall Company, says: “Bedern Hall is one of York’s small but important historic venues and as we seek new ways for visitors to experience and learn about the hall, this is a timely change of direction for the business as we emerge from Covid-19 restrictions.

“It’s also a new opportunity for people to volunteer to help us with this vision to retell the Vicars Choral Story and the hall’s restoration.”

Bedern Hall will be open to visitors four days a week, from Wednesday to Saturday, 10.30am to 4.30pm. New signs, interpretation information boards, a children’s trail and tours of the Bedern area are planned with guides.

A new Bedern Hall Tour App that visitors can access via QR codes on their smartphone or tablet device will provide information in text, audio, and video in up to ten languages and will doubles as a self-guide tour. 

The hall will continue to offer facilities for wedding ceremonies and receptions, craft events, social events, community groups and business meetings. Its clientele include corporate organisations, private companies, social services and community groups. 

“The aim is to bring the history of hall to the attention of visitors and local people and its continuing benefit to the city as one of York’s most important medieval meeting halls that’s often overlooked due to its location,” says Roger, who operates Bedern Hall, runs Time and Place Caterers from there and is a Freeman of the City.

Anyone interested in volunteering opportunities should contact Roger on 01904 646030 or by emailing roger@bedernhall.co.uk.

The Bedern Hall heritage interpretation project is funded by the Culture Recovery Fund for Heritage. The Culture Recovery Fund is being delivered by the National Lottery Heritage Fund and Historic England, using funds provided by the Department for Digital, Culture, Media, and Sport.

Something fishy will haunt Scarborough Art Gallery visitors on reopening from May 18

Scarborough Museums Trust documentation assistant Ela Bochenek with an item from the Animal Hauntings exhibition at Scarborough Art Gallery from May 18. Picture: Tony Bartholomew

ANIMAL Hauntings will take over Scarborough Art Gallery from May 18 to September 22, led by a tunny fish.

The exhibition combines film and objects from the Scarborough Museums Trust collection to ask what, in times of environmental uncertainty, we can learn from the ghosts of animals past in order to create more solid future relationships with the natural world.

Among those objects will be a tunny fish that was a favourite exhibit for many in a former life when the gallery’s neighbour, Woodend, was a natural history museum, together with examples of taxidermy, such as a pair of the now-extinct passenger pigeon, and equipment used by the “climmers” that once abseiled down Yorkshire’s East Coast cliffs in search of seabird eggs.

Tunny fishing and climming are the subject of two films from the Yorkshire Film Archive that form part of the exhibition, alongside moving images by artist Fiona Tan and exhibition curator and artist Martha Cattell.

Martha says: “The exhibition is inspired by Woodend’s past as a natural history museum, and by the book Arts Of Living On a Damaged Planet: Ghosts And Monsters Of The Anthropocene, an anthology of work by 20 eminent writers.

“Humans have long been fascinated with and reliant on non-human animals for food, transport, clothing and as pets. We are haunted by past connections to animals and many of the objects within the collection reflect this.

The full-size model of a tunny fish, cast from the original, that will be a star of the Scarborough Museums Trust collection on show in Animal Hauntings at Scarborough Art Gallery. Picture: Tony Bartholomew

“With more than 35,500 species threatened with extinction, this exhibition uses objects and moving image to highlight the entangled relationships between animals and humans, and offers ways of looking with animals, and not just at them.”

Scarborough Museums Trust will run a series of events inspired by the exhibition, to be announced on its website and social media channels in the coming weeks.

Animal Hauntings will run alongside two more exhibitions at Scarborough Art Gallery over the same dates: Scarborough: Our Seaside Town and Laughton’s Legacies.

The venue has been awarded VisitEngland ‘s We’re Good To Go industry standard mark, signifying adherence to government and public health guidance on Covid-19. All three exhibitions are on the ground floor and are fully wheelchair-accessible.

Entry to Scarborough Art Gallery is by annual pass, whose £3 cost gives unlimited entry to both the gallery and the Rotunda Museum for a year.

Opening hours at Scarborough Art Gallery are 10am to 5pm, Tuesday to Sundays, plus Bank Holidays.

Masham artist Ian Scott Massie captures truthful north’s incomparable beauty in Ryedale Folk Museum show from May 17

Masham artist Ian Scott Massie: Capturing “the character of the north” in his Northern Soul show at Ryedale Folk Museum, Hutton-le-Hole, from May 17. Picture: Steve Christian

IAN Scott Massie revels in the “incomparable beauty” of the north in his uplifting exhibition of watercolours and screenprints at Ryedale Folk Museum, Hutton-le-Hole, an apt location at the heart of the North York Moors National Park.

Running from Monday, May 17 to Sunday, July 11, the Masham artist’s Northern Soul show represents his personal journey of living in the north for the past 45 years since the call to leave the south.

Depicting “the character of the north”, the 50 paintings and prints portray northern views as diverse as Bamburgh Castle in Northumberland and Barnsley in South Yorkshire, and landmarks ranging from the monastic ruin of Fountains Abbey, near Ripon, to the Tees Transporter Bridge in Middlesbrough, the longest-working bridge of this ilk in the world. The images reach right across the country from Liverpool to Newcastle.

Born in London in 1952 and raised in Langley, near Slough, from the age of six, Massie first headed north, to Durham University in 1973, to study to be a music teacher. Although he returned to Berkshire in 1982, five years later this folk musician and artist settled in Masham, Lower Wensleydale, with his artist wife, Josie Beszant.

Another Place, by Ian Scott Massie, from Northern Soul

He began working in watercolours “to paint quickly” when his children were small, citing JMW Turner as an influence.

“The depth of colour, the freedom of the expression and the speed at which a picture could come together captivated me,” he says.

The north, he posits, is “the truth of England, where all things are seen clearly”. “Both the pictures for Northern Souland the accompanying book of the same title take a very long view of the north, reaching back into my personal history and the history of the region,” he says.

“The exhibition also refers to my time working as a music researcher for Beamish Museum (which I loved), from which experience grew an interest in the industrial, social and folk culture of the north, which Ryedale Folk Museum reflects so beautifully.”

White Horse, Kilburn, by Ian Scott Massie

Jennifer Smith, director of Ryedale Folk Museum, says: “I’m delighted that we will open Ian’s exhibition on the same day as Ryedale Folk Museum will reopen, following a six-month period of closure. 

“Northern Soul is a stunning and atmospheric journey across northern England. Ian captures the beauty, wildness and culture of The North, transporting the viewer to the places featured in his magical paintings and prints.

“The fact that we can share these works online, as well as in the art gallery, means that even if people can’t or don’t want to travel, they can feel nostalgic about their favourite northern places and maybe discover some new ones too.”

Massie’s Northern Soul project has undergone a long journey to this point, he says in his latest blog. “In 2016, I had the idea of creating an exhibition about my life in the North of England. The idea grew into a series of paintings and prints and then into a book. I found that delving into my past, trying to see how I first saw the places I discovered in the north, was an amazing source of inspiration.”

Moonlight, Whitby, by Ian Scott Massie


The exhibition’s grand tour of the north began in 2019 at Cannon Hall near Barnsley, followed by Masham Gallery, and should have come to Ryedale Folk Museum in 2020 until the pandemic put paid to that plan…until now.

Massie’s first northern encounter had left him “deeply unhappy” in Durham, and yet: “Little did I know that the north would make me. I would grow up there, discover talents for teaching and making art that I never suspected, discover places and music and stories that I would love for the rest of my life, and find happiness,” his blog recalls.

“Along the way, one question would occasionally surface: What makes the north the north? It isn’t simply that old cliche: a hard-working alternative to a soft and lazy south, and yet it’s a hard question to answer.

“It is an alternative of sorts – an alternative to the dreamy chocolate-box portrayal of England that exists only in the imagination. Perhaps, if we’re honest, its the truth of England, where all things are seen clearly: the incomparable beauty of the landscape; the harsh ugliness left by industry; the great wealth of the aristocracy; the miserable housing of the poor; the civic pride of the mill towns and a people as likely to be mobilised by political oratory as by a comedian with a ukulele.”

The Three Peaks, by Ian Scott Massie

Massie continues: “The north is a place made up of a multitude of races, each with their own deep pool of stories which combine to make a shared way of life. Mining, the Potato Famine, the textile industry, persecution, war and politics all brought different people to the north. The list goes on.

“So I’ve approached the Northern Soul as though it were a jigsaw puzzle: examining the pieces I’ve come across over the years for what they can tell me. I’ve got some bits of the edge and some promising parts of the middle, but I’d be lying if I said I was close to completing it.

“There are parts of the north I know only slightly and others I know like the back of my hand, and I’ll plead guilty now to favouring some places over others because that’s just the way it is.”

The accompanying Northern Soul book is available both from the publishers, Masham Gallery, at mashamgallery.co.uk/store/p379/Northern_Soul.html, and from the Ryedale Folk Museum shop and online at ryedalefolkmuseum.co.uk (for £26 plus postage and packaging if bought from the museum website).

Brimham Rocks, watercolour, by Ian Scott Massie

“This book is at once the log of a long, as yet unfinished, journey and a love letter to the North of England. It’s about the places I’ve known and painted, and what part they play in this complex, careworn, mountainous, multi-faceted, wave-tossed, warm-welcoming, wind-blown, freezing, friendly, tough-spirited, tender-hearted, rusty, rebellious, ruinous, green, golden, chilled-out, challenging, deep-rooted, dale-scattered, subtle, smoky, special land,” concludes Massie.

Ian Scott Massie: Northern Soul, Ryedale Folk Museum art gallery, May 17 to July 11 2021; open daily from 10am to 5pm. Entry to the gallery is free.

The exhibition also can be viewed on the Ryedale Folk Museum website during the same period at: ryedalefolkmuseum.co.uk/art-gallery/ 

Roseberry Topping, by Ian Scott Massie


Did you know?

IAN Scott Massie continues a parallel career as a musician, teaching guitar and coaching rock bands at Queen Mary’s School, Baldersby Park, near Thirsk, and performing on stage occasionally. He has been a member of several bands over the years.

He collects and plays unusual musical instruments from around the world and is a founder and events coordinator of the Masham Arts Festival and a founder of the ArtisOn arts and crafts teaching studios at High Burton House, Masham.

 In 2010, he was a semi-finalist on BBC1’s Mastermind, answering questions on artist Paul Nash, one of his greatest influences.

Ian Scott Massie at work in his Masham studio. Picture: Steve Christian

More Things To Do in York and beyond, and not still bedded down in the home bunker. List No. 31, courtesy of The Press, York

Let Ian Massie take you to Another Place in his Northern Soul show at Ryedale Folk Museum, Hutton-le-Hole from May 17

NO mention of home entertainment here, as Charles Hutchinson decides to cast fears aside – albeit while acting responsibly – as he looks forward to theatres, bars, galleries, museums and music venues opening their doors once more.

Cupid, draw back your bow and let the beer flow, straight to the York Theatre Royal patio

LOVE is in the Step 2 air, and soon on the York Theatre Royal stage too for The Love Season from May 17.

Cupid’s Bar: Follow the arrow to the York Theatre Royal patio. Picture: Livy Potter

Perfect timing to launch Cupid’s Bar for five weeks on the Theatre Royal patio, where the bar will run from midday to 9.30pm every Thursday to Sunday, providing an outdoor space in the heart of the city for residents and visitors to socialise safely.

Working with regional suppliers, Cupid’s Bar will offer a range of drink options, such as draught beer from Black Sheep Brewery, Masham, and York Gin from, er, York.

Ian Scott Massie: Finding Northern Soul in his landscape watercolours and screenprints. Picture: Steve Christian

Exhibition of the month ahead outside York: Ian Scott Massie, Northern Soul, Ryedale Folk Museum, Hutton-le-Hole, North York Moors National Park, May 17 to July 11

MASHAM artist Ian Scott Massie’s Northern Soul show of 50 watercolours and screenprints represents his personal journey of living in the north for 45 years.

“The north is the truth of England, where all things are seen clearly,” he says. “The incomparable beauty of the landscape; the harsh ugliness left by industry; the great wealth of the aristocracy; the miserable housing of the poor; the civic pride of the mill towns and a people as likely to be mobilised by political oratory as by a comedian with a ukulele.”

The Waterfall Of Nikko-Zan In Shimotsuke Province, by Utagawa Hiroshige, 1853, from York Art Gallery’s show of rarely seen Japanese prints, Pictures Of The Floating World. Image courtesy of York Museums Trust

Reopening exhibition of the month ahead in York: Pictures Of The Floating World: Japanese Ukiyo-e Prints, York Art Gallery, from May 28

YORK Art Gallery’s display of rarely seen Japanese Ukiyo-e prints, complemented by much-loved paintings from the gallery collection, will go on show in a new Spotlight Series.

Marking next month’s gallery reopening with Covid-secure measures, Pictures Of The Floating World will feature prints by prominent Ukiyo-e artists such as Utagawa Hiroshige, along with works by those influenced by Japanese art, York artist Albert Moore and Walter Greaves among them.

This free-to-visit exhibition will highlight the significant impact of Japanese art on the western world and the consequential rise of the artistic movements of Aestheticism and Art Nouveau.”

Van the manoeuvre: Morrison’s York Barbican gigs put back to July

On the move: Van Morrison’s York Barbican shows

NO reopening date has yet been announced for York Barbican, but Irish veteran Van Morrison’s shows are being moved from May 25 and 26 to July 20 and 21.

“Please keep hold of your tickets as they will be valid for the new date,” says the Barbican website, where seats for Van The Man are on sale without social distancing, in line with Step 4 of the Government’s pandemic Roadmap to Recovery, whereby all legal limits on social contact are potentially to be removed from June 21.

Morrison, 75, will release his 42nd album, Latest Record Project: Volume 1, a 28-track delve into his ongoing love of blues, R&B, jazz and soul, on May 7 on Exile/BMG.

Lockdown love story: The taster poster for Alan Ayckbourn’s new play at the Stephen Joseph Theatre

New play of the summer: Alan Ayckbourn’s The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3

AFTER the 2020 world premiere of his virus play Truth Will Out lost out to the Covid pandemic restrictions, director emeritus Alan Ayckbourn returns to the Stephen Joseph Theatre to direct his 85th play, The Girl Next Door, in the summer season.

“I wrote it back in Spring 2020. I like to think of it as a lockdown love story,” says Ayckbourn, introducing his touching, tender and funny reflection on the ability of love to rise above adversity and reach across the years.

Influenced by his own experiences in two “lockdowns”, one in wartime London in childhood, the other in the on-going pandemic in Scarborough, Ayckbourn will play with time in a plot moving back and forth between 2021 and 1941. Box office: sjt.uk.com.

May and April in tandem: York Barbican date for Imelda next spring on her first tour in five years

Gig announcement of the week in York: Imelda May, York Barbican, April 6 2022

IRISH singer-songwriter Imelda May will play York Barbican next April in the only Yorkshire show of her Made To Love tour, her first in more than five years.

“I cannot wait to see you all again, to dance and sing together, to connect and feel the sparkle in a room where music makes us feel alive and elevated for a while,” says May. “Let’s go!”

Last Friday, the 46-year-old Dubliner released her sixth studio album, 11 Past The Hour. The box office opens tomorrow at 10am at yorkbarbican.co.uk.

Dance like Fred Astaire…or more likely like Tim Booth as James end the summer at Scarborough Open Air Theatre

Gig announcement of the week outside York: James, Scarborough Open Air Theatre, September 9

WHERE better for James to announce a summer show in the week they release new single Beautiful Beaches than at Scarborough Open Air Theatre?

The Manchester legends will play on the East Coast in the wake of launching their new album, All The Colours Of You, on June 4. Tickets go on sale tomorrow (23/4/2021) at 9am at scarboroughopenairtheatre.com.

This will be the third that James, led by Clifford-born Tim Booth, have played Scarborough OAT after shows in 2015 and 2018.

The writers, actors, directors and organisers in a Zoom gathering for Next Door But One’s Yorkshire Trios at The Gillygate pub, York

And what about?

GOOD news: Live theatre bursts into life in York for the first time since December 30 when York community arts collective Next Door But One presents Yorkshire Trios in The Gillygate pub’s new outdoor seating area tomorrow and on Saturday.

Themed around Moments Yet To Happen, trios of actors, directors and writers will bring to theatre-starved York a quintet of short stories of laughter, strength, dreams and everything in between: a neighbour with a secret; a delivery driver full of wanderlust; an optimistic carousel operator; a poet inviting us into her world and a Jane McDonald fan on a soapbox.

Bad news for tardy readers? The 7.30pm shows have sold out.

York Art Gallery to mark reopening in May with rarely seen Japanese prints show

Cat On Windowsill, The Festival Of The Cock, Asakus Ricefields, by Utagawa Hiroshige, 1857. Image courtesy of York Museums Trust.

YORK Art Gallery’s display of rarely seen Japanese Ukiyo-e prints, complemented by much-loved paintings from the gallery collection, will go on show in a new Spotlight Series from May 28.

Marking next month’s reopening of the Exhibition Square gallery with Covid-secure measures and social distancing, Pictures Of The Floating World: Japanese Ukiyo-e Prints will feature prints by prominent Ukiyo-e artists such as Utagawa Hiroshige, along with works by those influenced by Japanese art, York artist Albert Moore and Walter Greaves among them.

York Art Gallery’s display will highlight the significant impact of Japanese art on the western world and the consequential rise of artistic movements such as Aestheticism and Art Nouveau.

View Of Mount Hatana In Kozuke Province, by Utagawa Hiroshige, 1853. Image courtesy of York Museums Trust

Jenny Alexander, associate collections curator at York Art Gallery, says: “We’re thrilled to introduce this new Spotlight Series at York Art Gallery. The designated space will allow us to share a variety of works from our collection, starting with a selection of beautiful Japanese Ukiyo-e prints.

“Ukiyo-e translates as “pictures of the floating world”, referring to the transitory nature of life. Visitors will see delicate prints depicting scenes celebrating everyday life, through themes such as landscape and travel, actors and courtesans and folk tales.”

Jenny continues: “Some of these works have not been displayed in more than 15 years, so we’re thrilled that many visitors will be able to enjoy them for the first time.

Evening View Of Takanawa, by Utagawa Hiroshige, 1832-1838. Image courtesy of York Museums Trust

“Featuring these exceptional prints alongside firm favourites from our collection will enable visitors to reconnect with the works and view them from a different perspective, which is really exciting.”

The free-to-visit display in the Upper North Gallery will be the first of the new Spotlight Series that will change periodically to show highlights from the gallery’s permanent collections.

Pictures Of The Floating World will delve into the history of the works, explaining why Japanese art became increasingly influential during the 18th and 19th centuries. Through the variety of artwork on display, visitors will see how western artists were inspired, in particular, by the use of line and colour, and simultaneously how Japanese artists were influenced by western artists’ use of shading and perspective.

The Waterfall Of Nikko-Zan In Shimotsuke Province, by Utagawa Hiroshige, 1853. Image courtesy of York Museums Trust

Leeds Fine Artists relish chance to start exhibiting again at Blossom Street Gallery

Crucifixion, in tropical hardwood, by George Hainsworth, is the undoubted conversation piece of Leeds Fine Artists’ LFA In York exhibition at Blossom Street Gallery. The price? On application only.

BLOSSOM Street Gallery, York, welcomes 24 artists from Leeds Fine Artists in its reopening exhibition under Step 2 of lockdown relaxation.

LFA member and exhibition co-organiser Tim Pearce is delighted at the chance to show work on gallery walls and floors at last, and likewise for gallery visitors to experience art close up once more.

“With so many art galleries having been closed for so much of the past 12 months, and with exhibitions largely appearing as virtual online sets of reproductions, most of us have inevitably been starved of access to original works of art for what seems like an eternity,” he says.


The poster for Leeds Fine Artists’ LFA In York exhibition

“So, it is with genuine excitement that Blossom Street Gallery, next to Micklegate Bar, is exhibiting a splendid mixed collection of work by 24 of our members.

“Such was the success of our 2019 show that Kim Oldfield, the gallery owner, invited us back to launch the reopening as we emerge from lockdown.”

Representing one of Yorkshire’s longest established art groups, the 24 artists are showing a diverse range of subject matter and media: paintings, etchings, montages, woodcarving and ceramics now shown to best effect beneath the Blossom Street gallery’s newly installed lighting.

It’s Pop Art! It’s Pop Art!, by Roger Gardner

Taking part in LFA In York are: Sharron Astbury-Petit, mixed media on wood panel; Malcolm Barton, oil on board; Julia Borodina, acrylic paintings; Jane Burgess, oils; Terry Chipp, acrylics on canvas; Michael Curvgenven, ink, carbon pencil and oil pastels; Alison Flowers, mixed media, and Roger Gardner, mixed media and oil on panel.

So too are: George Hainsworth, tropical hardwood; Lucy Hainsworth, oils; Keith Harris, oils; Inger Huddleston, screened watercolour monoprints; Nicholas Jagger, collagraph and woodblock print; Miriam Laville, acrylic and collage on canvas; Mark Murphy, pencil on paper, and Tim Pearce, glazed ceramic stoneware.

Contributing works too are: Neil Pittaway, watercolours; Trevor Pittaway, acrylics; Annie Robinson, acrylics; Liz Salter, mixed media on paper; Geraldine Thompson, oils on wood; Catherine Warburton, gelli-printed cotton with hand and machine and gelli-printed acrylic with watercolour and pastel, and Emma Whitelock, watercolour, graphite and wax resist.

Ponton de Peche – Moonlit, acrylic on canvas, by Terry Chipp

LFA IN York runs until June 21; gallery opening hours are Friday to Monday, 10am to 4pm. Covid-secure, socially distanced measures are in place under Government guidance.

What is Leeds Fine Artists?

LEEDS Fine Artists (LFA) is an association drawn from across Yorkshire, not only Leeds. Founded in Leeds in 1874, it has more than 50 exhibiting members, working in 2D and 3D, and typically the LFA holds four shows a year, including the annual exhibition at the Crossley Gallery, Dean Clough, Halifax.

The website, at leedsfineartists.co.uk, provides extensive information and gallery pages on each artist’s work and wider activities. Applications to join LFA can be made via this website.

Artworks from the LFA In York exhibition at Blossom Street Gallery, York. At the front are two glazed ceramic stoneware forms by Tim Pearce