No York Open Studios in April, but all that art still needs a new home, so look here…DAY EIGHT

York Minster, by Russell Bailey

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Toffee Tin, Elephant And Blue Glass, by Ruth Beloe

Ruth Beloe, painting

RUTH Beloe finds equal fulfilment in figurative sculpture and still life paintings in oil.

She trained for three years at Charles H Cecil Studios in Florence, Italy, a fine art school modelled on the ateliers of 19th-century Paris, where she studied portrait and figurative drawing, painting and sculpting, using the “sight-size” technique.

On opening her studio in Ely, she began accepting portrait commissions in both charcoal and clay and was appointed artist-in-residence at the King’s School, Ely. She then worked in an artists’ foundry to better understand the processes and practicalities of lost wax casting for bronze to inform her own work in bronze.

Ruth Beloe at work by the window in her studio

She returned to Florence in 2009 and 2010 to develop her oil-painting technique at Studio Santo Spirito. Now she works from a studio in York, taking inspiration from Chardin and William Nicholson as she explores the inherent beauty of everyday items and objects from nature. 

Note the reflective qualities of surfaces, the use of directed light to form appealing shadows and the play of refracted light in her paintings. Discover more at beloe.biz.

“My aim is to awaken the feeling of wonder and awe,” says printmaker Milena Dragic

Milena Dragic, printmaking

BORN in Zagreb, Croatia, and now living in York, polymath Milena is a printmaker, animator and performing artist.

She studied printmaking at Zagreb’s Academy of Fine Arts, from 1971 to 1973, and combined arts at Brighton Polytechnic’s faculty of art and design, from 1973 to 1976. Residencies and placements ensued, along with more than 20 solo shows in Britain, Croatia, Germany and Switzerland and participation in print exhibitions in Britain, Poland, Brazil, Spain and South Korea.

“I perceive my work as a dynamic representation of forces underlying physical reality and their manifestations within everyday life,” says Milena, who prints on hand-made paper. “My aim is to awaken the feeling of wonder and awe that I have experienced during the process of gathering ideas and executing them in the prints.

“My colour prints are all relief prints: woodcuts, wood-engravings and linocuts. I like the simplicity of the process. I print without a conventional press. My colour prints are done by a reduction method, which means that all the colours are printed from the same block. At the end of this process there is no lino left, so the edition is truly limited.”

Her contemporary, colourful abstract work combines relief prints, animation and mixed media. Wearing her other hats, she has worked as an art director and animator at Leeds Animation Workshop, now works for Artlink West Yorkshire and is part of the York Dance Collective. Paint the full picture at milena-dragic.co.uk.

Expressionist interpretation of York Minster, by Russell Bailey

Russell Bailey, mixed media

RUSSELL invited putative York Open Studios 2020 visitors to expect “a range of expressionistic interpretations of York Minster in mixed media”.

“The main work results from over 12 months’ work on cathedrals – York Minster in particular – involving many site visits, plein air and studio-based work,” he says.

Favouring charcoal and mixed media, Russell embraces experimental ways of working and gestural mark-making. “Working expressively with freedom of marks with more considered drawn elements is key to how I process my experiences artistically,” he says.

“The work I do is often experimental, often part destroyed and then re-created,” says Russell Bailey

“The work I do is often experimental, often part destroyed and then re-created to produce a very personal interpretation. In that respect, the work tends to reside in the hinterland between the literal and pure abstraction. Mixing media seems to have become a natural way through which I express myself.”

Russell has exhibited previously at York Open Studios, the Great North Art Show, Kunsthuis Gallery at The Dutch House, Crayke, and Blossom Street Gallery, York. His latest artwork also embraces small abstract pieces based on beliefs and others from art retreat locations. Take a look at russellbaileyfineart.co.uk.

Barcelona skyline, by Anthony Chappel-Ross

Anthony Chappel-Ross, photography

ANTHONY is a familiar face behind the camera around York and beyond for his photojournalism for The Press, York, where he was an outstanding staff photographer, and other print media outlets too.

Since leaving journalism college in Sheffield in 2002, he has been shortlisted for more than 20 regional and national press awards: testament to his truly eye-catching talent.

Anthony Chappel-Ross: A face more often to be found looking through a camera lens

For the past few years, he has started to work for himself, choosing his clients and commissions. “This freedom has allowed time for my own personal photographic interests to be explored,” says Anthony.

For his second York Open Studios exhibition, he had selected photographic images, predominantly in black and white, that explore the contrast, form and pattern of Barcelona, Antoni Gaudi’s Catalan Modernist architecture et al.

Check out anthonychappelross.co.uk…and snap to it.

Silver stone, by Helen Drye

Helen Rye, jewellery

JEWELLERY designer and maker Helen Drye works full time from her studio south of York, her designs inspired by nearby Skipwith Common National Nature Reserve.

Establishing her Silver and Stone Jewellery Design business in 2012, Yorkshire-born Helen’s collections have their roots in this woodland, especially the birds and hares, her favourite mushrooms and the moonlight.

While much of her work is made in sterling silver, some is designed and carved in silver clay, adding unusual features to the jewellery.

“My imagination is sparked by the woodland and common beyond my studio, wondering what the ancient Bronze Age people did, or the farmers grazing their sheep on the common land, or the Second World War pilots who trained here before going off to fight their battles in the sky,” says Helen. 

“My imagination is sparked by the woodland and common beyond my studio,” says Helen Drye

“I try to imagine those people walking between the trees, through that same mist, in the morning light or the moonlight many years ago. I reflect this as though looking through my windows; ‘windows’ that look through the woodland, the trees and the birds and make you wonder what else is through there.”

Helen, by the way, also runs jewellery-making workshops and wedding ring workshops. More info can be found at info@silver-stonejewellery.co.uk.

TOMORROW: Jill Ford; Danny Knight; Carrie Lyall; Alison Spaven and Kevin McNulty.

Easter activities stay at home as Scarborough museums put fun online

Easter activities organised by Scarborough Museums Trust are going online. Picture: Tony Bartholomew.

SCARBOROUGH Museums Trust is taking its fun Easter activities online.

Amid the Covid-19 lockdown, the trust has had to suspend its usual drop-in activities at the Rotunda Museum, Scarborough Art Gallery and Woodend, instead making them available via its website, scarboroughmuseumstrust.com, and on social media.

From Thursday, April 9, you can have a go at making your own “Roarsome” Easter bonnet to wear with pride.

The Rotunda Museum, Scarborough. Picture: Tony Bartholomew

From Wednesday, April 15, you can gain inspiration from the trust’s springtime artworks and make a flowery print to decorate your home.  

Scarborough Museums Trust’s learning officer, Christine Rostron, says: “All the activities are inspired by our collections and use everyday art materials. 

Scarborough Art Gallery. Picture: Tony Batholomew

“We hope you have fun making things at home and would love to find out how you’re getting on. Please share your creations with us on social media: @Scarboroughmuseums (Facebook), @scarboroughmuseums (Instagram) and @SMTrust (Twitter), using the hashtags #MuseumFromHome #loveScarborough.

“We’re really going to miss seeing all the families and children who normally visit our venues over the holidays. Sending us pictures is great way for us to keep in touch.”

No York Open Studios in April, but all that art still needs a new home, so look here…DAY SEVEN

Fox in the box, by Anna Cook

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Academia, by Zosia Olenska

Zosia Olenska, painting

ZOSIA finds inspiration in everyday landscapes, looking to find beauty in our daily surroundings. This translates into “optimistic representational art” across the mediums of pen and ink and acrylic painting.

“Most of all, I would like people to come away from looking at my work feeling in some way uplifted,” says this self-taught artist. “Painting, for me, is a self-reinforcing cycle of noticing the beauty around us, then looking more to find it.”

Zosia Olenska: Likes her art to be uplifting

The daughter of two artists, Zosia came to work as an artist gradually through illustration, developing her practice by experimenting in different media. She has exhibited at the New Light Prize exhibition in North Yorkshire and with the Society of Women Artists at the Mall Galleries, London, in 2018 and 2019. Last year too, she was a heat artist in the Sky Arts Landscape Artist of the Year 2019 competition.

In another string to her bow, Zosia designs hand-drawn pen-and-ink illustrations for the eco-friendly Niche Snowboards. Head this way for more info: zosiaolenska.com

Anna Cook: paper cut artist

Anna Cook, paper cuts

ANNA is a self-taught paper cutter with a background in design and printmaking, whose work captures the personalities of the natural world’s inhabitants.

Layering intricately cut sheets of paper that she folds and sculpts and presents in deep box frames, she continually challenges herself to achieve more detail with each piece.

When creating a new design, Anna seeks inspiration from contemporary surface and pattern design and old botanical illustrations, as well as “the magical world of nature”. Contact her via a.cook77@yahoo.co.uk.

Cloisonne enamel lotus bud earrings, by Leesa Rayton Design Plus

Leesa Rayton Design Plus, jewellery

AFTER many years of working in health research, Leesa has made the leap into becoming a full-time jewellery designer. Now a member of the Guild of Enamellers and British Society of Enamellers, she would have been participating in York Open Studios for the first time this month.

“I use time-honoured techniques to design and create unique pieces of jewellery from precious metals, vitreous enamels, gemstones and beads,” she says. “My designs are inspired by architecture and the natural world.”

Leesa Rayton: Inspired by architecture and the natural world

Leesa is always seeking to expand her knowledge and to learn new techniques at York School of Jewellery, where she has studied over the past 12 years.

She is also a director of the Beautiful Splint Company CIC, a Tadcaster business that makes orthotic splints for fingers. Check out leesaraytondesignplus.co.uk.

Blue topaz necklace, by Karen J Ward

Karen J Ward, jewellery

LOOKING to escape the world of finance and return to her passion for creating art, Karen finally found her calling six years ago, re-training with Nik Stanbury and Julie Moss at York School of Jewellery, where she is now based.

Jewellery designer Karen J Ward

Working with precious metals and gemstones and using traditional skills, she first takes elements from her drawings to then transform flat sheets of metal into “beautiful wearable art” inspired by nature’s textures, shapes and curves.

Like Leesa Rayton (see above), she produces orthotic splints for hands, wrists and fingers in her work as co-director of the Beautiful Splint Company.  Head to karenjward.co.uk to discover more.

Mark Azopardi at work in his studio space

Mark Azopardi, painting

MARK works mainly in pure watercolour, on occasion incorporating other media to produce highly detailed paintings and drawings.

His main inspiration comes from the colours and textures of all elements of the natural world, sometimes finding beauty in the simplest of things. Discover him via markazopardi@gmail.com.

A fleet of feathers, by Mark Azopardi

TOMORROW: Ruth Beloe; Milena Dragic; Russell Bailey; Anthony Chappel-Ross and Helen Drye.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY SIX

Emma, photographic portrait, by Claire Cooper

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Analogue photographer Claire Cooper

Claire Cooper, photography

CLAIRE’S work explores women represented through the medium of analogue photography, screen print and intaglio printmaking techniques.

“Portraits are special because, by definition, there are at least two people involved in their making: the artist and the sitter,” says Claire.

“Neither has complete control over the other; portraiture becomes a negotiation between parties, a dance of wills that results in a collaboration of sorts.”

Trudy, Hove, 2012, photographed by Claire Cooper

Claire, who completed an BA in Photography in 2000 and an MA in 2013, uses sitters both known and unknown in her experiments with different formats of photographic portraiture.

She has shown work in group shows across the country, and away from photography, she has a background in the community arts sector, predominantly with  DARTS in Doncaster. Find out more via missccooper@gmail.com.

Portrait Of A Friend, by Zoe Catherine Kendal

Zoe Catherine Kendal, painting

ZOE is a multi-disciplinary artist and jewellery maker from a family steeped in artistic pursuits.

Great-granddaughter of Bernard Leach, “the father of British studio pottery”, she  attained a BA in jewellery design from Central Saint Martins, in London, the city where she was raised before moving to York.

Her York Open Studios show would have focused on her paintings: works that combine experimental, abstract approaches with colourful, contemporary representations of portraiture, seascapes and cultural heritage, capturing feeling, narrative and identity across varied material and media. 

Zoe Catherine Kendal: Capturing feeling, narrative and identity

Overall, her experimental practice is material-led, combining pastel and paint on canvas, paper and wood; precious and non-precious metals, ceramics and beads with leather and yarns.

Zoe’s paintings have been exhibited at According To McGee, York, and Bils & Rye, Kirkbymoorside; her jewellery at CoCA at York Art Gallery, Lottie Inch Gallery, York, and Kabiri, Marylebone, London. Cast an eye over her work at zoekendall.com.

Flying Low, by Cathy Denford

Cathy Denford, painting

BROUGHT up with wild nature in New Zealand, Cathy trained and worked as a director in theatre and television in England.

Since settling in York in 1998, fine art has been her strong focus, shaped by initial study in printmaking with Peter Wray and painting with Jane Charlton at York St John University and later at Chelsea College of Arts and the Slade.

First exhibiting at York Open Studios in 2006, she creates oil and mixed-media paintings suggestive of movement, set against stillness, often of birds in landscape.

Cathy Denford: “Movement, set against stillness”

Combining figurative and abstract styles, with elements of Cubism, her work explores space and time passing.

Cathy’s paintings have been shown at galleries in Leeds, Scarborough and Leeds, Zillah Bell in Thirsk and the Norman Rea Gallery and music department at the University of York. More info at cathydenford.info.

Milet plate, by Hacer Ozturk

Hacer Ozturk, ceramics

HACER is a Turkish ceramics and iznik tiles artist from Istanbul, now settled in York, where 2020 would have marked her York Open Studios debut.

Her work combines traditional and contemporary free-style Turkish ceramics, both formed with the same techniques that were first applied thousands of years ago.

Hacer Ozturk: artist and researcher

Latterly, she has started painting, drawing on traditional iznik tile motifs. Aside from her ceramic creativity, she works as a researcher in Istanbul. Seek out hacer.yldiz@gmail.com.

Yorkshire, by Chrissie Dell

Chrissie Dell, printmaking

CHRISSIE is a printmaker inspired by the environment, making multi-layered monoprints, monotypes, collagraphs and Moku-Hanga (Japanese woodcuts).

She uses such techniques as collage, chine collé, viscosity, stencils, natural pigments and materials to create textural prints that interpret the forms, colours and textures of the natural world.  

Chrissie Dell at work in her studio

Growing up in Edinburgh and on the west coast of Scotland, Chrissie first studied printmaking in the early 1970s at the Froebel Institute, London, but only set up her studio in 2013 after further study at Leith School of Art and Edinburgh Printmakers, her studies taking in painting, drawing, artists’ books, printmaking and creative textiles.

Chrissie has exhibited in Edinburgh, as well as at Blossom Street Gallery and Pyramid Gallery in York, and she is a member of York Printmakers and York Art Workers’ Association.

2020 would have been her third participation in York Open Studios. Still in the diary, however, is the York Printmakers Autumn Print Fair at York Cemetery Chapel on September 26 and 27.

TOMORROW: Zosia Olenska; Anna Cook; Leesa Rayton Design; Karen J Ward and Mark Azopardi

No York Open Studios in April, but all that art still needs a new home, so look here…DAY FIVE

A cyclone of cyclists rushing by in Tim Pearce’s painting

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Tim Pearce with one of his sculptural ceramics

Tim Pearce, mixed media

AFTER a fulfilling career in art education in South Yorkshire schools, Tim latterly has expanded his own creativity to include ceramics as well as painting, all supported by academic degrees in the history of art and the visual arts at MA level.

His paintings and sculptural ceramics are both informed by a Cubist sensitivity to form, colour and rhythm, displayed in studio, house and garden.

Since moving to York eight years ago he has held four solo shows, in addition to exhibiting regularly across Yorkshire with Leeds Fine Artists. Head to timp360@btinternet.com for more info.

Fuselage, by Linda Harvey

Linda Harvey, textiles

INSPIRED by frequent trips to the Yorkshire Air Museum, at Halifax Way, Elvington, York, Linda’s latest work explores rustic textures and pattern in framed textile art pieces, wall hangings and handmade cards.

Linda Harvey: Gaining inspiration from days out at the Yorkshire Air Museum

Linda, who studied textiles and surface design, graduating in 1994, often will work on several pieces at a time and enjoys an expressive and experimental way of working. She layers, rust-dyes, prints and distresses her fabrics and adds embellishments to create abstract one-off pieces.

Linda has taught textiles for more than 20 years and is a member of York Textile Artists. Contact her at lindaharvey18@sky.com or via facebook.com/LindaHarveyTextileArtist.

Furniture maker John Watts in his workshop

John Watts, furniture

JOHN has been designing and making contemporary furniture since 1996 for both private and corporate clients.

Working from a 3,000 sq.ft workshop on the outskirts of York, he uses a wide range of materials, predominately sustainably forested hardwoods from both England and abroad, while often incorporating glass, metals and resins too.

Garden furniture by John Watts

Undertaking domestic and commercial projects, he hand-builds pieces of furniture of longevity and value. “My main aim is to create interesting, individual and well-crafted furniture that satisfies customer requirements,” says John, who has a bespoke service available.

“My design influences are many, having a history in antiques, fashion design and design education,” he adds. To knock on wood, head to johnwattsfurniture.co.uk.

“Design should be fun,” reckons furniture maker Wilf Williams

Wilf Williams, furniture

DESIGN should be fun , interesting, practical and beautiful, says York furniture maker and designer Wilf Williams.

Bristol-born Wilf studied furniture design after moving to York in 1996, since when he has produced hand-made furniture inspired by traditional cabinet making, Scandinavian furniture, contemporary clean lines, modernist architecture and minimalist sculpture and art.

Walnut sideboard, by Wilf Williams

Wilf has worked on all manner of commissions, designing and crafting distinctive, bespoke free-standing and fitted furniture, using a diverse range of materials, predominantly sustainable forested hardwoods. Visit his website at wilfwilliams.co.uk.

Galilee No 3937, collage, by Jerry Scott

Jerry Scott, collage

JERRY constructs small and medium-sized abstract collages from printed paper originated by the artist, then pasted on to cartridge paper, using conservation-grade wheat starch paste. Sometimes, he applies hand-colouring too.

“I started making collages about five years ago, in parallel with painting,” he says. “I’ve always been interested in surface pattern and all sorts of decoration. With the freedom and sophistication of modern digital technology, it is now possible to produce single sheets of high quality, crisp and colour-rich printed papers.” Cue collages.

Collage artist Jerry Scott

Jerry moved to York 33 years ago. Earlier he had studied theology briefly at Cambridge University, then fine art at Norwich School of Art and St Martin’s School of Art, London, where he lived and worked before heading north.

He has a variety of abstract prints for sale too. View his work at jerryscottpaintings.co.uk.

TOMORROW: Claire Cooper; Zoe Catherine Kendal; Cathy Denford; Hacer Ozturk and Chrissie Dell.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY FOUR

Vasilisa the Wise, by Sarah K Jackson

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art will have been created for the event and still needs a new home. Home addresses will not be included at this time.

Sarah K Jackson: Love of Russian design

Sarah K Jackson, textiles

SARAH specialises in transforming aged fabrics and precious items into original “keepsake” artworks. For York Open Studios 2020, she assembled Headstrong, a series of new pieces inspired by old photographs of Russian women in national dress.

Why Russian women? Sarah has a special affinity for Russian design from studying the language and literature at undergraduate and postgraduate level, and she both lived and travelled there extensively during the 1990s.

After completing a City & Guilds’ qualification in creative techniques in 2013, she set up her vintage and handmade textile art business, Winifred Taylor, named after her grandmother, who taught her to sew.

Sarah presents workshops and is a member of York Art Workers’ Association and two textile and mixed media groups, exhibiting with them regularly. Find out more at winifredtaylor.com.

Kate Pettitt: Painting en plein air. Picture: Olivia Brabbs

Kate Pettitt, painting

KATE’S paintings and drawings on paper explore the natural environment and the human form and are often elemental, instinctive and textural.

She works from life and en plein air, then referencing her sketches, studies, notes and collected objects when back in the studio, where she uses oils, graphite, acrylic and watercolour.

Inspired by movement, emotion, shifting light and changing weather conditions, her work aims to capture the character and uniqueness of people and place.

Rain Over Littendale, by Kate Pettitt

Kate’s background and training is in graphic design and illustration, and she has worked as a designer for more than 20 years, running her design practice, Bivouac, for 12 years.

This year’s York Open Studios would have been Kate’s chance to introduce visitors to her new studio in Holtby. Instead, in the Coronavirus lockdown, she is now working from home. Take a look at her work at katepettitt.co.uk.

Reg Walker: Yorkshire Sculpture Park played its part in his artistic development

Reg Walker, sculpture

REG crafts abstract sculptures, sometimes contemplative, sometimes playful, mostly in Corten steel, together with small pieces for the hand in bamboo and distinctive collages in natural materials.

He took up sculpture when inspired by volunteering at the Yorkshire Sculpture Park, near Wakefield, where he then took part in hot and cold metal courses.

Originally from Ireland, Reg settled in Yorkshire in 1988, working in social research and organisation development. He had a studio at Kildale on the North York Moors before moving last year to a studio in Holtby, where he would have been making his York Open Studios debut. Seek him out at reg@elliottwalker.co.uk.

Connie Howarth, Constance Isobel jewellery maker

Constance Isobel, jewellery

CONNIE Howarth, of Constance Isobel, uses gold, silver and high-quality gemstones, sourced from ethical UK retailers, in her handmade jewellery. Traditional techniques are applied to create her exclusive precious metal work, also informed by her interest in ancient adornments and artefacts. 

Connie had formal, workshop-based training in traditional jewellery-making techniques. Earlier she studied fine art, which now seeps into her metalwork with use of colour drawing on her love of the natural world. Delicate pattern work and organic shapes decorate her jewellery throughout each collection. Her jewel of a website is at constanceisobel.com

Chris Utley, ceramics

CHRIS creates hand-built pots, carved, scraped and polished, then painted with slips and underglaze colours. The finished work is fired several times to achieve a strong depth of colour.

One of Chris Utley’s ceramics

She studied ceramics for three years in college and has been making pots in her stable workshop for many years. She has taught adults, been artist-in-residence in primary schools and run many workshops, as well as exhibiting widely in both Britain and Norway.

Look at chrisutleyceramics.portfoliobox.me for more details.

TOMORROW’S FIVE: Tim Pearce; Linda Harvey; John Watts; Wilf Williams and Jerry Scott.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY THREE

Insect art by Anna Vialle

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art will have been created for the event and still needs a new home. Addresses will not be included at this time.

Dee Thwaite: painting with hands, not brushes

Dee Thwaite, painting

YORK Open Studios newcomer Dee uses acrylic paint, inks, graphite and charcoal in her sea and landscape paintings and drawings, marked by expressive skies, storms and the changing seasons.

Mainly self-taught, this contemporary abstract artist expresses her love of the North Yorkshire coastline on canvas, board and paper in works that combine both a physical and emotional response when she paints, predominantly with her hands, as opposed to brushes. Contact Dee via deethwaite@hotmail.com.

Anna Vialle at work with a pen

Anna Vialle, drawing

INSPIRED by the style and colours of both Japanese woodblock and Victorian prints, Anna limits herself to drawing insects, birds, landscapes, anatomy and trees.

Anna had trained in art education in 1997. Twenty-two years later, when trying
to relax after working difficult shifts as a mental-health nurse, she started a pen and watercolour illustration of 24 individually drawn moths.

Exploring the connection between repetition and focus, she began using dots to create her artwork, whereupon a stress-free style of art emerged. Cue a “more relaxed” mental-health nurse! Visit annavialle.co.uk for more info.

Rosie Bramley surrounded by her art

Rosie Bramley, painting

ROSIE’S colourful paintings explore her devotion and connection to the land and sea.  Gestural marks dance around the surface of each painting as she creates abstract works inspired by nature.

Rosie studied fine art painting and printmaking, graduating from Bretton Hall College, University of Leeds, in 1996.  Now head of art at Driffield Secondary School and Sixth Form in East Yorkshire, where she teaches both fine art and photography, she has exhibited regularly in York, latterly at Fossgate Social, City Screen and Angel on the Green.

Her first Open Studios show since 2011 would have featured new works inspired by the landscape. Her website, rosiebramley.com, divides her work into Abstracts, The Cruel Sea and Mountains.

A nude by Tabitha Grove

Tabitha Grove, painting

SELECTED for York Open Studios for the first time, Tabitha uses bold colour, contrast, ink, watercolour, gold leaf and collage on handmade paper to explore perceptions of the body and how they can be challenged and celebrated. 

Her career as an actor and costume designer for film and theatre has informed Tabitha’s passion for storytelling and her fascination with the way our bodies interact with our environments.

Tabitha Grove: actor, costume designer, piano restorer….and artist

Tabitha’s career portfolio career extends to having co-managed Look Gallery, in Helmsley, and now working in piano restoration, where she learns rare skills that influence her art.

Each experience has informed Tabitha’s style, she says, leading to her “bringing diverse technique to a new perspective”. Find her work via tabithamayg@gmail.com.

Peter Heaton: “images that need careful time and observation”

Peter Heaton, photography

PETER specialises in black and white limited-edition photographic prints of woodlands and dark landscapes: images that need careful time and observation as the space they inhabit is full of visual surprises, he says.

Before the camera lens and digital imaging took precedence, Peter studied fine art at Nottingham Trent University and later gained an MA in fine art from Leeds Metropolitan University.

A dark woodland, by Peter Heaton

Over the past few years, Peter’s work has revolved around the complexities of layering visual information and our interpretations of the resulting images. In 2010, he set up Vale of York Darkrooms, where he teaches courses in both traditional chemical-based black-and-white photography and digital imaging. Take a look at his photographs at peterheaton.co.uk.

Tomorrow: Sarah K Jackson; Kate Pettitt; Reg Walker; Constance Isobel and Chris Utley.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY TWO

Earthbound, by Sally Clarke

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Helen Whitehead at work in her studio

Helen Whitehead, glass

HELEN’S glass jewellery and sculpture is inspired by her deep connection with wild plants, herbs, the moon and the planets. In her intuitive work, glass is layered with precious metals, paint and images, then fired to produce colourful abstract compositions.

Helen loves experimenting with alchemic reactions in her glass kiln and layering different mediums within small pieces. “My pieces are little worlds, reflecting the inner and outer world,” she says.

As well as working in her York studio, Helen provides fun and friendly fused-glass workshops in the community. Follow her at facebook.com/HelenWhiteheadGlassArtist.

Printmaker Sally Clarke

Sally Clarke, printmaking

SALLY specialises in collagraph printmaking, using the human figure and composition to express atmospheric imagery.

Sally studied for a Fine Arts degree at Gloucestershire College of Arts as a mature student. She worked in various media before discovering printmaking more than 20 years ago, finding herself attracted particularly to its limitless opportunities for experimentation.

Sally is a founder member of York Printmakers, has exhibited in many Yorkshire venues and is a regular exhibitor in York Open Studios. Contact her via sallyclarkeprintmaker@yahoo.co.uk.

Adrienne French: interpreting colour and texture in her landscape paintings

Adrienne French, painting

IN her evocative paintings, collographs and monoprints, Adrienne interprets colour and texture of both local and foreign landscapes.

She pursued her love of art by completing an art and design degree at Leeds University in 2000 while continuing her work as a nurse. Until 2015, she was artist in residence at a hospice, alongside continuing to develop her own artwork, a process that is ongoing.

She has shown her work in northern galleries and takes part regularly in many annual arts events in Yorkshire. All roads lead to Adrienne at adifrench@gmail.com.

Caroline Lord: recycling pottery, wood and metal in mosaics and sculptures

Caroline Lord, mixed media

CAROLINE combines found items of pottery, wood and metal, recycling them into mosaics and quirky ceramic sculptures. 

She studied stained glass and tapestry weaving in the 1960s at Edinburgh College of Art, where she was awarded a scholarship for a further year’s study, specialising in tapestry weaving.

One of Caroline Lord’s quirky sculptures

Ten years ago, after completing a mosaics workshop led by Emma Biggs, Caroline changed artistic direction, starting to work with re-cycled ceramics. 

She has exhibited in York Open Studios, at the Zillah Bell Gallery, Thirsk, with the York Art Workers Association and in the Great North Art Show. Contact her at carolinelord42@hotmail.com. 

Peter Park: textile designer turned painter

Peter Park, painting

PETER would have been making his York Open Studios debut with his expressive and gestural abstract paintings of the Yorkshire landscape and coast in acrylic paint on canvas.

After a foundation course at York School of Art, he studied printed textile design in Manchester (BA) and Birmingham (MA), then worked as a textile designer and lecturer in design in Manchester.

One of Peter Park’s abstract paintings of a Yorkshire landscape

Returning to York in 2013, he began painting, predominantly landscapes that he has exhibited at fellow York Open Studios exhibitor Kay Dower’s Corner Gallery and with Little Van Gogh in London. Seek him out via peter.park500@virginmedia.com.

Tomorrow: Dee Thwaite; Anna Vialle; Rosie Bramley; Tabitha Grove and Peter Heaton.

Squid’s in as Scarborough Museums Trust’s magic lantern slides prove popular online

Washed up: a giant squad on Scarborough’s North Bay beach on January 14 1933, pictured in a magic lantern slide. Picture: Scarborough Museums Trust

HISTORIC magic lantern slides from the Scarborough Collections are an online hit in these dark days. 

As part of Scarborough Museums Trust’s response to the Coronavirus shutdown,  collections manager Jim Middleton is posting regular images from the stock of slides and glass-plate negatives on Twitter, using the hashtag #lockdownlanternslides.

The North Bay Pier, after the storm damage in 1905

The response has been “remarkable”, he says: “We’re getting comments and queries from other museums, historians and the public nationwide. This includes an interaction the other day with the Natural History Museum in London, who contacted us during a series of posts themed around cephalopods, the family of marine animals that includes octopus and squid.”

Middleton had posted an image of a 5.3m-long giant squid that had been washed up on the North Bay beach on January 14 1933, pictured surrounded by curious Scarborough locals.

Pier-less: The North Bay Pier destroyed by the 1905 storm

“We’d always known that they had the beak of the squid, but they got in touch to say they had the whole animal preserved in their archive,” says Middleton. “We’ll be hoping to get a better look at it when we can.”

Among other themes being explored are historic local buildings, some of them no longer in existence, such as the North Bay pleasure pier, destroyed in a storm in 1905, and vintage seaside scenes of children rock pooling and bathing-beauty contests.

The North Bay Pier, pictured from the other side, in one of the magic lantern slides

Magic lanterns were early image projectors that applied a light source to magnify and project images on glass and they were used for both education and entertainment, particularly during the 19th and early 20th centuries.

The Scarborough Collections – the name given to all the museum objects owned by the Borough of Scarborough – contains more than 7,000 slides and glass plates, in the care of Scarborough Museums Trust.

Storm damage: the collapsed North Bay Pier in Scarborough in 1905

The images posted daily by Middleton can be seen by following @SMT_Collections on Twitter. To view existing posts, search #lockdownlanternslides.

The Rotunda Museum, Scarborough Art Gallery and Woodend, all run by Scarborugh Museums Trust, are closed until further notice.

All quiet in the library but Explore York encourages Libraries from Home online opportunities. Here’s what you can do…

York Explore Library and Archive, the York hub of Explore York in Museum Street, York

THIS is the time to explore Explore York online, providing the Libraries from Home service during the Coronavirus lockdown.

“If you are confused or overwhelmed by the huge amount of information on offer, Explore can help,” says executive assistant Gillian Holmes, encouraging visits to the website, exploreyork.org.uk, “where it is simple to find what you need”.

This encouragement comes after all Explore York library buildings, reading cafes and the City Archives were closed to the public from 12 noon on March 21, in response to Government strictures.

“We are making it easy for people to find information and advice, as well as inspiration, as we all deal with the Coronavirus crisis.”

The Explore website has assorted useful links to help people cope during the coming weeks. “Some sites have always been part of our online offer and some are brand new,” says Gillian.

“We are also working with City of York Council and our many partners in York, so that our communities can join together and we continue to support their initiatives, just as we will when our buildings open again. 

“Organisations across the country are developing their online services in this challenging time. We are using our expertise to gather together the best offers and add them to the lists of sites we recommend.” 

Explore York will be developing online activities of its own, such as a Virtual Book Group. “We will be updating the website regularly as these new things come on stream and sharing on social media using #LibrariesFromHome,” says Gillian.

The York Explore building: Quiet in the library but still seeking to be busy online

What’s available online from Explore York:

Updates on how Explore is responding during the pandemic and updates about what’s new at https://www.exploreyork.org.uk/coronavirus/ 

Information and support during the Coronavirus crisis from official sources at exploreyork.org.uk/recommended-websites/coronavirus-resources/ 

5000 Ebooks and audio books for adults and children free to borrow from the online library at exploreyork.org.uk/digital/e-books/ 

The chance to visit the new York Images site to explore the history of the city through photographs, illustrations, maps and archival documents at exploreyork.org.uk/digital/york-images/ 

The opportunity to start your family tree using Ancestry and Find My Past. The library editions are both free to use from home at exploreyork.org.uk/digital/online-reference/

Reliable information about everything can be found on the Online Reference pages at exploreyork.org.uk/digital/online-reference/ 

“Everything is free to access,” says Gillian. “All you need is a library card. You can get a card online and start using it immediately at exploreyork.org.uk/getting-a-library-card-or-yorkcard/.”