REVOLUTIONARY teens, rabbit cartoon tributes, mischievous theatre as a team game, food stalls, a whodunit comedy and cocktail-bar waitress tales whet Charles Hutchinson’s appetite.
Whodunit, with what and where, of the week: Cluedo 2, York Theatre Royal, March 12 to 16, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
STRICTLY Come Dancing 2023 champion and Coronation Street star Ellie Leach is making her stage acting debut as Miss Scarlett in the world premiere British tour of Cluedo 2, marking the 75th anniversary of the Hasbro boardgame. Next stop, York.
This follow-up to the original play (based on Jonathan Lynn’s 1985 film Clue) is an original comedy whodunit, set in the Swinging Sixties, with a script by Laurence Marks and Maurice Gran (Birds Of A Feather, Goodnight Sweetheart and Dreamboats And Petticoats) and direction by Mark Bell (from Mischief Theatre’s The Play That Goes Wrong and A Comedy About A Bank Robbery). Box office: 01904 623568 or yorktheatreroyal.co.uk.
Young performers of the week: 1812 Youth Theatre in Start Swimming, Helmsley Arts Centre, tomorrow to Saturday, 7.30pm
HELMSLEY’S 1812 Theatre Company presents Start Swimming, a play about occupation, revolution and what the future holds for today’s youth. One step away from disaster, there is only one option left: start swimming.
First staged by the Young Vic Taking Part department, James Fritz’s play was performed at the 2017 Edinburgh Fringe too. Suitable for age 12+. Box office: 01439 771700 or helmsleyarts.co.uk.
Book signing of the week: Terry Brett’s Good Rabbits Gone Volume Three, Pyramid Gallery, Stonegate, York, Friday, 5.30pm to 7pm
YORK gallery curator Terry Brett marks the publication of his third volume of cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at Pyramid Gallery, York. Copies are given away but voluntary donations are encouraged in aid of St Leonard’s Hospice, in memory of Terry’s father, who died of prostate cancer.
Terry, who draws the cartoons under the artist alias of Bertt deBaldock, will be on hand to sign copies outside the gallery, with the books displayed on a table. Inside, visitors can enjoy a glass of wine and buy the original drawings.
Children’s show of the week: Hoglets Theatre in A Midsummer Night’s Mischief, York Theatre Royal Studio, Friday, 4.30pm and Saturday, 10.30am
EVERYTHING is kicking off as the fairies in the forest start a fight, but which side will you be on? Team Titania or Team Oberon? York company Hoglets Theatre presents an interactive, fun, larger-than-life production for young children (ideally aged two to nine, but everyone is welcome), based on Shakespeare’s comedy A Midsummer Night’s Dream.
Expect wild characters, raucous singalong songs, puppets, stunts and some frankly ridiculous disco dancing from director/writer Gemma Curry and fellow cast members Claire Morley and Becky Lennon. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Feelgood event of the week: Malton Food Market, Malton, Saturday, 9am to 3pm
THE monthly Malton Food Market returns for the 2024 season this weekend with specialist stalls, street food, live music and “bags of foodie fun”, set against the backdrop of St Michael’s Church.
Billed as “popular with all those who care about where their food is sourced”, the market will be held on April 3, May 11, June 8, July 13, August 10, September 14 and November 9 with free admission. Malton’s Harvest Food Festival will take place on October 5 and 6; Malton Christmas Festival, December 7 and 8. For two hours of free parking, go to: visitmalton.com/plan-your-visit.
Talent initiative: Lazy Sunday Sessions, Milton Rooms, Malton, March 17 and April 14, 3pm to 6pm
THE Milton Rooms has launched an initiative in the updated bar area to promote upcoming Ryedale musicians and find the next generation of performers. After George Rowell and Maggie Wakeling featured in the first session last month, Patrick Robertson and Friends plus Nick Thompson have been booked for a special Irish jam session on St Patrick’s Day, March 17, followed by Phil Hooley and Abbey Follansbee on April 14. Entry is free; a small fee is paid to musicians and audience members can show their appreciation in a tip bucket.
In addition, on the last Sunday of each month, a 3pm to 6pm Open Mic session has been launched, designed to give anyone a chance to bring their own instrument and show off their musical skills. Entry is free; the PA system and microphones are provided.
Comedy play of the week: Rowntree Players in Shakers, Joseph Rowntree Theatre, York, March 14 to 16, 7.30pm and 2.30pm Saturday matinee
WELCOME to Shakers, the worst bar in town where everyone wants to be seen. Carol, Adele, Niki and Mel are about to work the shift from hell! The lights are neon, the music is loud, and shoes must be smart only. No trainers.
Jane Thornton and John Godber’s 1984 comedy exposes the sticky-floored world behind the bar on a busy Saturday night. Here come the girls, the lads, the yuppies and the luvvies, all played by Sophie Bullivant, Laura Castle, Abi Carter and Holly Smith under the direction of Jamie McKeller, who worked previously with Bullivant and Castle on Godber’s Teechers in 2022. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Gig announcement of the week: Boyzlife, York Barbican, February 1 2025
BOYZLIFE, the supergroup duo of Boyzone’s Keith Duffy and Westlife’s Brian McFadden, will return to York Barbican on their 14-date tour in 2025. The Irishmen will combine hits from both bands, such as Boyzone’s I Love The Way You Love Me, All That I Need and No Matter What and Westlife’s My Love, I Lay My Love On You and Uptown Girl. Tickets go on sale on Friday at 10am at ticketmaster.co.uk.
LITERATURE festivities, psychological bunny puppetry, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.
Festival of the month: York Literature Festival, ends April 4
YORK Literature Festival is under way with events spread between St Peter’s School; York St John University; York Explore Library; Theatre@41; The Mount School; The Basement at City Screen; York Museum Gardens; York Medical Society, Stonegate; The Crescent; the Grand Opera House and The Blue Boar, Castlegate.
Among the highlights are today’s (2/3/2024) Folk Horror Day; food writers Nina Mingya Powles and Ella Risbridger on Thursday and Grace Dent on March 30; Nicholas Royle David Boiwe, Enid Blyton and The Sun Machine, March 12; journalist and broadcaster Steve Richards on Turning Points in modern Britain, March 16; Lush founder and lead singer Mike Berenyi, discussing her memoir Fingers Crossed, March 24, and poet and broadcaster Lemn Sissay’s morning poems, March 30. For the full programme and bookings, visit yorkliteraturefestival.co.uk.
When Tuesday is on a Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, tonight (2/3/2024), 2.30pm, 7.30pm
AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.
Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.
New play of the week: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tonight (2/3/2024), 7.30pm
YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.
Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.
Village gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, tonight (2/3/2024), 7.30pm
YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.
Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.
Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday (3/3/2024), 7.30pm
YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.
In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.
Comedy gig of the week: Phil Ellis’s Excellent Comedy Show, Theatre@41, Monkgate, York, Tuesday, 8pm
DO you like comedy? Do you like shows? What are your thoughts on excellence? “If you like all three, then the award-winning Phil Ellis’s Excellent Comedy Show is the excellent comedy show for you,” advises Ellis, who promises an hour of stand-up and fun from “the North West’s most punctual working-class comedian”. Box office: tickets.41monkgate.co.uk.
Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, March 9, 3.30pm; Hull Connexin Live, April 7, 2.30pm
2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.
Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.
Gig announcement of the week: Suzi Quatro, York Barbican, November 15
SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.
Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Box office: ticketmaster.co.uk/event/360060579D80156E.
In Focus: Two Houses, One Story: York ‘s Forgotten Women at Bar Convent and Fairfax House
TWO Houses, One Story: York’s Forgotten Women, a collaboration between the Bar Convent Living Heritage Centre and Fairfax House, opens today, marking International Women’s Day and Women’s History Month.
Running until April 27, the project explores the long intertwining histories of these illegal Catholic houses with an exhibition at each house that enhances the other.
Two of York’s most iconic historic houses, they share a history of strong Catholic women. One was founded as a secret convent, operating a pioneering school for girls, in Blossom Street; the other was constructed as the winter townhouse of Charles, 9th Viscount Fairfax of Emley, gifted to his daughter, the Hon Anne Fairfax, with its richly decorated interiors and stucco ceilings in a masterpiece of Georgian design and architecture in Castlegate.
Dr Hannah Thomas, the Bar Convent’s special collections manager, says: “The histories of the Bar Convent and Fairfax House are so closely intertwined that a joint exhibition such as this makes perfect sense.
“Not many people are aware of the links between the houses but both Anne and Mary Fairfax attended the school here and Lady Hungate lived here with the sisters for 29 years.
“This exhibition gives us a fantastic opportunity to explore and share this exciting little-known narrative with the public and to work with the incredible team at Fairfax House.”
Sarah Burnage, curator at Fairfax House, says: “We are delighted to be working with our friends at the Bar Convent on this joint venture. The exhibition tells the story of women living in York in the 18th century and offers a fascinating glimpse into the little-known world of Catholicism in York”.
Two Houses: One Story features recently discovered documents, beautiful portraits and intriguing artefacts that give new insight into the day-to-day lives of these exceptional Yorkshire women.
The exhibitions explore how they navigated their faith during an era of persecution and suspicion, and how some were linked to dangerous underground activity that ultimately aided the survival of the Catholic faith in York and beyond.
At the Bar Convent, discover the early years of the Fairfax daughters who attended the school, how and why their grandmother, Lady Hungate, lived at the house for 29 years and the significance and legacy of this alliance.
At Fairfax House, learn more about the limited life choices that woman, like Anne Fairfax, faced in the 18th century. Also discover more about the Catholic networks in the city and how this clandestine community supported each other.
Each exhibition complements the other, and visitors to one house receive a 30 per cent discount on admission to the other with proof of receipt. The Bar Convent is open 10am to 5pm (last entry 4pm), Monday to Saturday; Fairfax House, from 10am to 4pm daily (Fridays: guided tours at 10am, 12pm and 3pm). Tickets: Bar Convent, barconvent.co.uk or 01904 643238; Fairfax House, fairfaxhouse.co.uk or 01904 655543.
BLUES guitars, psychological bunny puppetry, mountain films, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.
Blues gig of the week: Ryedale Blues Club presents Alex Hamilton Band, Milton Rooms, Malton, tomorrow, 8pm
GLASWEGIAN guitarist Alex Hamilton (formerly Lewis Hamilton) has been part of the British blues/rock scene since 2010. Parading a playing style that recalls Robben Ford and Matt Scofield, he released his debut album, Gambling Machine, at 18, winning the Scottish New Music Award for Jazz/Blues album in 2012.
Further albums Empty Roads, Ghost Train, Shipwrecked and On The Radio have followed. Hamilton makes his return to Malton in a trio with his father, Nick Hamilton, on bass and Ian Beestin on drums. Box office: 01653 696240 or themiltonrooms.com.
New play of the week in York: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm
YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.
Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.
When Tuesday is on a Friday and Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, Friday, 7.30pm; Saturday, 2.30pm, 7.30pm
AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.
Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.
Film event of the week: Banff Mountain Film Festival World Tour, Red Film Programme, York Barbican, Friday, 7.30pm
EXPERIENCE a night of thrilling adventure – up on the big screen. The Banff Mountain Film Festival features a new collection of short films filled with extreme journeys, untamed characters and captivating cinematography.
Join the world’s top adventure filmmakers and thrill-seekers as they climb, ski, paddle and ride into the wildest corners of the planet. Prize giveaways are promised too. Box office: yorkbarbican.co.uk.
Ryedale gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, Saturday, 7.30pm
YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.
Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.
Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday, 7.30pm
YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.
In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.
Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, Saturday, 3.30pm; Hull Connexin Live, April 7, 2.30pm
2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.
Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.
Gig announcement of the week: Suzi Quatro, York Barbican, November 15
SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.
Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Tickets will go on sale from 10am on Friday at https://www.ticketmaster.co.uk/event/360060579D80156E.
PANTO dame tales and a comedian’s first-time memories, a classic thriller and a feminist fairytale, a community choir festival and a prog-rock legend make Charles Hutchinson’s list of upcoming cultural highlights.
Play of the week: Wise Children in Emma Rice’s Blue Beard, York Theatre Royal, February 27 to March 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
BLUE Beard meets his match when his young bride discovers his dark and murderous secret. She summons all her rage, all her smarts and all her sisters to bring the curtain down on his tyrannous reign as writer-director Emma Rice brings her own brand of theatrical wonder to this beguiling, disturbing tale.
Applying Rice’s signature sleight of hand, Blue Beard explores curiosity and consent, violence and vengeance, all through an intoxicating lens of music, wit and tender truth. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Catch him while you can: Rick Wakeman, Return Of The Caped Crusader, York Barbican, tonight (24/02/2024), 7.30pm
PROG-ROCK icon and Yes keyboard wizard Rick Wakeman, 76, is to call time on his one-man shows to concentrate on composing, recording and collaborating, but not before playing York. “I always planned to stop touring by my 77th birthday,” he says. “For those of you who wish to send me a card, it’s 18th May!”
Saturday’s show opens with Wakeman’s new arrangements of Yes material for band and vocalists, followed after the interval by his epic work Journey To The Centre Of The Earth. Box office for returns only: yorkbarbican.co.uk.
Pantomime revelations of the week: Robin Simpson: There Ain’t Nothing Like A Dame, Rise, Bluebird Bakery, Acomb Road, Acomb, York, tomorrow, 6.30pm
ALREADY confirmed for his return for Aladdin from December 3 to January 5 2025, York Theatre Royal’s resident dame, Robin Simpson, takes a peak behind the wigs into the glitz and glamour of life as a pantomime dame.
Simpson provides an insight into the origins of the character, backstage antics and classic cheeky panto humour as he reveals “what it’s really like to frock up and tread the boards”. Expect cheesy gags, naughty nonsense and even a silly sing-song.
“I’ve run this event before and it was mostly for slightly older children and adults. Ages 7/8 and above really,” says Robin. “The show includes stories, song-sheet sing-alongs and silly poems. It’s not at all serious!
“It’s fun to approach storytelling from the perspective of the dame. It’s a little more anarchic. I also start with a brief history of the pantomime, from Roman times to the modern day.
“I do this while getting dressed and made up into the dame with the idea that, by the time I’m talking about Dan Leno and the Victorian dame, I’m completely changed. There’s room for questions and chat too about being in a panto and what happens on stage and backstage. Like I say, it’s for KS2 and adults really.”
Earlier in the day, at 4.30pm, in an interactive one-hour event for children aged three to six, Robin and Susanna Meese will be spinning the Storywheel to reveal much-loved nursery tales. “It’s a wheel of fortune-style story generator where random fairytales are told and there’s lots of dressing-up, musical instruments, songs, props, puppets and play,” says Robin.
Afterwards, children can delve into story bags full of goodies and stay and play with the hosts, who will have everything needed for the children to tell the tales, including puppets, props, and costumes. Box office: bluebirdbakery.co.uk/rise
Storyteller of the week: Maura Jackson: More O’ Me, Theatre@41, Monkgate, York, tomorrow, 7.30pm
AT 53 Maura Jackson cannot decide if she is a keynote speaker, charity CEO or comedian. Thanks to “the recklessness of menopause”, she is all three.
After living a life and a half and taking up stand-up in 2022 on a whim, storyteller Jackson takes tomorrow’s audience on a humorous rollercoaster of life-defining moments, good or bad. Despite her professed aversion to drama, she is surrounded by it. Box office: tickets.41monkgate.co.uk.
Thriller of the week: Sleuth, Grand Opera House, York, Monday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday
TODD Boyce, best known for playing Coronation Street’s notorious baddie Stephen Reid, will be joined by EastEnders soap star Neil McDermott in Anthony Shaffer’s dark psychological thriller about thrillers, directed by Rachel Kavanaugh.
What happens? A young man arrives at the impressive home of a famous mystery writer, only to be unwittingly drawn into a tangled web of intrigue and gamesmanship, where nothing is quite as it seems. Box office: atgtickets.com/york.
Comedy gig(s) of the week: Rob Auton, The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28, 7.30pm; Mortimer Suite, Hull City Hall, February 29, 7.30pm; The Wardrobe, Leeds, March 1, 7.30pm
ROB Auton, Pocklington-raised stand-up comedian, writer, podcaster, actor, illustrator and former Glastonbury festival poet-in-residence, returns north from London with his self-titled tenth themed solo show.
After the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds, Auton turns the spotlight on himself, exploring the memories and feelings that create his life on a daily basis. Box office: York, thecrescentyork.seetickets.com; Hull, hulltheatres.co.uk; Leeds, brudenellsocialclub.seetickets.com.
Gig announcement of the week: Skylights, York Barbican, November 2
YORK band Skylights will play their biggest home-city show yet this autumn, with tickets newly on sale at ticketmaster.co.uk in a week when latest release Time To Let Things Go has risen to number two in the Official Vinyl Singles Chart.
Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the biggest venue in our home city of York, the Barbican. It’s always been a dream of ours to play here, so to headline will be the perfect way to finish what’s going to be a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.”
In Focus: York Community Choir Festival 2024
York Community Choir Festival 2024, Joseph Rowntree Theatre, York, February 25, 6pm; February 26 to March 1, 7.30pm; March 2, 2.30pm and 7.30pm
THE 8th York Community Choir Festival spreads 31 choirs across eight concerts over six days at the JoRo. On the opening evening, Easingwold Community Singers will be premiering director Jessa Liversidge’s arrangement of The Secret Of Happiness from the American musical Daddy Long Legs, with permission of composer and lyricist Paul Gordon.
“Festival organiser Graham Mitchell wanted a choir to perform this song,” says Jessa. “I bought the music but couldn’t find a choral arrangement, so I chanced my arm on contacting the composer to ask if there were any arrangements or could I do one, and he said, ‘yes, you can’.
“It’s a lovely gentle song. Hopefully it will go well, and I can then send Paul a recording.”
Choirs range from York Philharmonic Male Voice Choir to The Rolling Tones, Sounds Fun Singers to York Military Wives Choir, Selby Youth Choir to Track 29 Ladies Close Harmony Chorus. Six choirs from Huntington School perform next Friday, taking up all the first-half programme. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
York Community Choir Festival: the programme
Sunday, 6pm
Selby Youth Choir, Bishopthorpe Community Choir, Eboraca, Easingwold Community Singers.
Monday, 7.30pm
Community Chorus, York Celebration Singers, Euphonics, York Philharmonic Male Voice Choir.
Tuesday, 7.30pm
Jubilate, Some Voices York, Sounds Fun Singers, Abbey Belles Chorus.
Wednesday, 7.30pm
Stagecoach Youth Junior Choir, The Garrowby Singers, In Harmony, Stamford Bridge Community Choir.
Thursday, 7.30pm
York Military Wives Choir, Harmonia, Spirit of Harmony Barbershop Chorus, Heworth Community Choir.
Friday, 7.30pm
Huntington School Choirs, Vivace! Aviva York Choir, Main Street Sound Ladies, Barbershop Chorus
BEACH encounters with Orpheus, tandem cyclists divided by Brexit, a joyful mess in art, an Eighties rom-com revisited, Ukrainian opera and big summer concerts brighten Charles Hutchinson’s days ahead.
York play of the week: Pilot Theatre in A Song For Ella Grey, York Theatre Royal, February 20 to 24, 7pm plus 1pm, Thursday and 2pm, Saturday; Hull Truck Theatre, March 5 to 9, 7.30pm plus 2pm, Wednesday and Saturday
IN Zoe Cooper’s stage adaptation of David Almond’s novel for York company Pilot Theatre and Newcastle’s Northern Stage, Claire and her best friend, Ella Grey, are ordinary kids from ordinary families in an ordinary world as modern teenagers meet ancient forces.
They and their friends fall in and out of love, play music and dance, stare at the stars, yearn for excitement, and have parties on Northumbrian beaches. One day, a stranger, a musician called Orpheus, appears on the beach and entrances them all, especially Ella. Where has Orpheuscome from and what path will Ella follow in this contemporary re-telling of the ancient Greek myth. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Hull, 01482 323638 or hulltruck.co.uk.
Coastal exhibition of the season: Displayful, Scarborough Art Gallery until May 7
DISPLAYFUL celebrates happy accidents and joyful mess, aiming to brighten the winter months by inviting visitors to enjoy uplifting contemporary artistic responses to objects from the collections of Scarborough Museums and Galleries.
The show combines new work by five regional artists, Luke Beech, Kate Fox, Wendy Galloway, Liberty Hodes and Angela Knipe, alongside historical artefacts and asks audiences to consider new possibilities for the lives of objects.
Musical of the week: Pretty Woman The Musical, Grand Opera House, York, February 20 to 24, 7.30pm, plus 2.30pm Wednesday and Saturday matinees
BILLED as Hollywood’s ultimate rom-com, live on stage, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Hollywood Boulevard hooker Vivian meets entrepreneur Edward Lewis and her life changes forever.
Amber Davies plays Vivian opposite Oliver Savile’s Edward; 2016 Strictly Come Dancing champion Ore Oduba, last seen at this theatre in fishnets in March 2022 as Brad Majors in The Rocky Horror Show, has two roles as hotel manager Barnard Thompson/Happy Man, and Natalie Paris will be Vivian’s wisecracking roommate Kit De Luca. Box office: atgtickets.com/york.
Opera of the week: Dnipro Opera in Madama Butterfly, York Barbican, February 20, 7pm
DNIPRO Opera, the Ukrainian National Opera, returns to British shores after last year’s visit to perform Puccini’s favourite work, Madama Butterfly, sung in Italian with English surtitles (CORRECT).
Set in Japan in 1904, this torrid tale of innocent love crushed between two contrasting cultures charts the affair between an American naval officer and his young Japanese bride, whose self-sacrifice and defiance of her family leads to tragedy. Box office: yorkbarbican.co.uk.
Thriller of the week: Griffonage Theatre in Rope, Theatre@41, Monkgate, York, February 21 to 24, 7.30pm
HALFWAY through her MA in theatre studies, Katie Leckey directs York company Griffonage Theatre in their Theatre@41 debut in Patrick Hamilton’s thriller Rope, with its invitation to a dinner party like no other.
Set in 1929 against the backdrop of Britain’s flirtation with fascism, this whodunit states exactly who did it, but the mystery is will they be caught? Cue a soiree full of eccentric characters, ticking clocks and hushed arguments. Box office: tickets.41monkgate.co.uk.
Ryedale play of the week: 1812 Theatre Company in Scary Bikers, Helmsley Arts Centre, February 21 to 24, 7.30pm
HELMSLEY’S 1812 Theatre Company stage their first John Godber comedy next week, his 2018 two hander Scary Bikers. Outwardly, redundant miner Don (John Lister) and former private school teacher Carol (Kate Caute) have little in common, but beneath the surface their former spouses are buried next to each other. Soon widowed Don and Carol bump into each other.
An innocent coffee leads to a bike ride through the Yorkshire Dales, then a bike tour across Europe to Florence. All looks promising for a budding romance, but their departure date is June 23 2016 and Don and Carol are on the opposite sides of the Brexit fence. Box office: helmsleyarts.co.uk or in person from the arts centre.
Bring it all back: S Club, York Racecourse Music Showcase Weekend, July 27
JULY 27 will be S Club Party time after the Saturday afternoon race card on the Knavesmire track. Once S Club 7, now the five-piece S Club comprises Jo O’Meara, Rachel Stevens, Jon Lee, Tina Barrett and Bradley McIntosh, following last April’s death of Paul Cattermole from heart complications at 46 and Hannah Spearritt not featuring in 2023’s 25th anniversary tour.
This month finds S Club in the USA playing Boston, New York, Chicago and Los Angeles. Roll on summertime to enjoy chart toppers Bring It All Back, Never Had A Dream Come True, Don’t Stop Movin’ and Have You Ever, plus You’re My Number One, Reach, Two In A Million, S Club Party et al in York. Tickets: yorkracecourse.co.uk.
Yorkshire gig announcement of the week: James, supported by Reverend & The Makers and Girlband!, Scarborough Open Air Theatre, July 26
MANCHESTER band James play Scarborough Open Air Theatre for the fourth time on July 26, the night when Leeds lads Kaiser Chiefs finish off the evening card at York Races.
“If you haven’t been there before, then make sure you come,” says James bassist and founder member Jim Glennie. “It’s a cracking venue and you can even have a paddle in the sea before the show!” New album Yummy arrives on April 12. Box office: James, ticketmaster.co.uk from 9am on Friday; Kaiser Chiefs, yorkracecourse.co.uk.
BIKERS divided by Brexit, beach encounters with Orpheus, a joyful mess in art, an Eighties rom-com revisited, Ukrainian opera and a big summer signing for Scarborough brighten Charles Hutchinson’s days ahead
Ryedale play of the week: 1812 Theatre Company in Scary Bikers, Helmsley Arts Centre, February 21 to 24, 7.30pm
HELMSLEY’S 1812 Theatre Company stage their first John Godber comedy next week, his 2018 two-hander Scary Bikers. Outwardly, redundant miner Don (John Lister) and former private school teacher Carol (Kate Caute) have little in common, but beneath the surface their former spouses are buried next to each other. Soon widowed Don and Carol will bump into each other.
An innocent coffee leads to a bike ride through the Yorkshire Dales, then a bike tour across Europe to Florence. All looks promising for a budding romance, but their departure date is June 23 2016 and Don and Carol are on the opposite sides of the Brexit fence. Box office: helmsleyarts.co.uk or in person from the arts centre.
York play of the week: Pilot Theatre in A Song For Ella Grey, York Theatre Royal; February 20 to 24, Hull Truck Theatre, March 5 to 9
IN Zoe Cooper’s stage adaptation of David Almond’s novel for York company Pilot Theatre, York Theatre Royal and Newcastle’s Northern Stage, Claire and her best friend, Ella Grey, are ordinary kids from ordinary families in an ordinary world where modern teenagers meet ancient forces.
They and their friends fall in and out of love, play music and dance, stare at the stars, yearn for excitement, and have parties on Northumbrian beaches. One day, a stranger, a musician called Orpheus, appears on the beach and entrances them all, especially Ella. Where has Orpheuscome from and what path will Ella follow in this contemporary re-telling of the ancient Greek myth? Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Hull, 01482 323638 or hulltruck.co.uk.
Coastal exhibition of the season: Displayful, Scarborough Art Gallery until May 7
DISPLAYFUL celebrates happy accidents and joyful mess, aiming to brighten the winter months by inviting visitors to enjoy uplifting contemporary artistic responses to objects from the collections of Scarborough Museums and Galleries.
The show combines new work by five regional artists, Luke Beech, Kate Fox, Wendy Galloway, Liberty Hodes and Angela Knipe, alongside historical artefacts, and asks audiences to consider new possibilities for the lives of objects.
Messages from beyond: Grant Harris: Medium, Milton Rooms, Malton, tomorrow (15/2/2024), 7pm
MEDIUM Grant Harris returns to the Milton Rooms to “connect with your loved ones to provide messages of support, reassurance and much needed clarity at times we require it most”.
“There are things we don’t fully understand about life and death but what I do is bring some peace to those who need it,” says Harris, whose shows promise humour too. Tickets: 01709 437700 or 01653 696240.
Musical of the week: Pretty Woman The Musical, Grand Opera House, York, February 20 to 24, 7.30pm, plus 2.30pm Wednesday and Saturday matinees
BILLED as Hollywood’s ultimate rom-com, live on stage, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Hollywood Boulevard hooker Vivian meets entrepreneur Edward Lewis and her life changes forever.
Amber Davies plays Vivian opposite Oliver Savile’s Edward; 2016 Strictly Come Dancing champion Ore Oduba, last seen at this theatre in fishnets in March 2022 as Brad Majors in The Rocky Horror Show, has two roles as hotel manager Barnard Thompson/Happy Man, and Natalie Paris will be Vivian’s wisecracking roommate Kit De Luca. Box office: atgtickets.com/york.
Opera of the week: Dnipro Opera in Madama Butterfly, York Barbican, February 20, 7pm
DNIPRO Opera, the Ukrainian National Opera, returns to British shores after last year’s visit to perform Puccini’s favourite work, Madama Butterfly, sung in Italian with English surtitles.
Set in Japan in 1904, this torrid tale of innocent love crushed between two contrasting cultures charts the affair between an American naval officer and his young Japanese bride, whose self-sacrifice and defiance of her family leads to tragedy. Box office: yorkbarbican.co.uk.
Comedy gig of the week: Burning Duck Comedy Club presents Chloe Petts, The Crescent, York, tomorrow (15/2/2024), 7.30pm
BUOYED by her Edinburgh Fringe run and Soho Theatre sell-out debut in London, Chloe Petts serves up her follow-up hour, If You Can’t Say Anything Nice. Everyone complimented her on how polite she was with big issues in the last show, so now she is cashing in those points and plans on being really rude. “Expect routines on wedding dancefloors, the footie and calling you all a bunch of virgins,” she says. Box office: wegottickets.com/event/588889.
Look out too for Burning Duck’s 8pm show at Theatre@41 Monkgate, York, on Friday: the debut tour of northerner Paddy Young: Hungry, Horny, Scared..and “in the gutter but looking down on all of you”. Box office: tickets.41monkgate.co.uk.
Gig announcement of the week: James, supported by Reverend & The Makers and Girlband!, Scarborough Open Air Theatre, July 26
MANCHESTER band James play Scarborough Open Air Theatre for the fourth time on July 26, the night when Leeds lads Kaiser Chiefs finish off the evening card at York Races.
“If you haven’t been there before, then make sure you come,” says James bassist and founder member Jim Glennie. “It’s a cracking venue and you can even have a paddle in the sea before the show!” New album Yummy arrives on April 12. Box office: James, ticketmaster.co.uk from 9am on Friday; Kaiser Chiefs, yorkracecourse.co.uk.
INVASION? Installation? Theatre innovation? Half-term challenges? Giants and dinosaurs? Yes, yes, yes. Charles Hutchinson signposts what to catch in the days and weeks ahead.
Festival of the week: Jorvik Viking Festival 2024, invading York from February 12 to 18
NOW in its 39th year, Europe’s largest annual Viking festival will be attracting up to 45,000 visitors of all ages over the week ahead. “We’d always advise booking in for some of the activities – including a visit to Jorvik Viking Centre and the Festival Finale – but many have booking slots available on the day too,” advises event manager Abigail Judge.
Family activities include Monday’s smelly, squelchy Poo Day! at DIG, St Saviourgate, from 11am to 3pm; daily Berserker Camp, family crafting and saga story-telling Arena! shows, and a new event, the Best Dressed Viking, Best Beast and Best Beard competitions, on February 18 at 12.30pm in St Sampson’s Square. For tickets and the full programme, visit: jorvikvikingfestival.co.uk
Yorkshire theatre premiere of the week: Frankenstein, Leeds Playhouse Courtyard Theatre, February 15 to 24
PIONEERING Leeds company Imitating The Dog teams up with Leeds Playhouse for a “visually captivating and psychologically thrilling” multi-media exploration of Mary Shelley’s Gothic tale of fear and anxiety, posing the question “what is it to be human?”.
Georgia-Mae Myers and Nedum Okonyia play all the roles across parallel narratives, threading together the late-18th century’ story of Frankenstein with a contemporary conversation between a pregnant young couple, fearful of what it means to bring life into the world. Box office: 0113 213 7700 or leedsplayhouse.org.uk.
Half-term family activity of the week: Nunnington Hall, Nunnington, near Helmsley, February 10 to 18, 10.30am to 4pm, last entry at 3.15pm.
TRAVEL back to 1924 this half-term when families can enjoy being tasked with carrying out activities performed by household servants 100 years ago, from ironing to dusting bannisters, cross stitch to flower arranging.
The National Trust property has created a fun, interactive trail around the manor house in the form of a CV that guides visitors through the various servant skills. Children can find out if they meet the requirements necessary to fulfil the responsibilities of the desired positions, and then decide which roles, if any, they would choose to accept. Tickets: nationaltrust.org.uk/nunnington-hall.
Children’s show of the week: Tiny & Tall Productions and Soap Soup Theatre in The Selfish Giant, Helmsley Arts Centre, February 11, 2.30pm
BRISTOL family theatre companies Tiny & Tall Productions and Soap Soup Theatre head north with their collaborative exploration of Oscar Wilde’s children’s story of an unusual friendship, The Selfish Giant.
In this version, the giantGrinter lives happily alone in her huge icy house, shutting out the world that long ago shut her out. Outside, very little greenery is left. One spring day, the children, tired of playing on hard roads and grey rooftops, climb through a chink in her garden walls, changing the course of their lives forever and Grinter’s too. Box office: 01439 771700 or helmsleyartscentre.co.uk.
York comedy gig(s) of the week: Jonathan Pie: Hero Or Villain?, York Barbican, February 14 and 15, 7.30pm
FOR the record, ranting political correspondent Jonathan Pie is a fictional character portrayed by British comedian Tom Walker, scripted by Walker and Irish comedian Andrew Doyle. In his latest slice of Pie, he hopes to answer the question: hero or villain?
Join him, on a St Valentine’s Day date or the night after, as he “celebrates the UK’s greatest heroes (nurses/Gary Lineker/24-hour off licence proprietors), takes a verbal blowtorch to its villains (the Tories/cyclists), kicks in the Establishment’s back doors and rifles through its kitchen cupboards”. Box office: yorkbarbican.co.uk.
Swimming dinosaur alert: Jurassic Live, York Barbican, February 16, 5pm; February 17, 11am, 3pm; February 18, 1pm
NEW for 2024 in this interactive theatrical dinosaur show is the Tylosaurus, a genus of Mosasaur: the largest predatory marine reptile to ever grace our oceans and now the largest marine puppet ever made as it swims in its gigantic purpose-built Jurassic tank on stage. Be warned: if you sit near the front, you will get wet!
Family show Jurassic Live undertakes a musical journey as little Amber, Ranger Joe and Ranger Nora strive to save the day from an evil man determined to close the Jurassic facility. Box office: yorkbarbican.co.uk.
Regal tour of the north: Barrie Rutter: Shakespeare’s Royals, Stephen Joseph Theatre, Scarborough, March 1, 7.30pm; Arrival Of Spring Gallery, Salts Mill, Saltaire, April 13, 7.30pm; York Theatre Royal Studio, April 26, 7.45pm; Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm
BARRIE Rutter, founder and former director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.
After being told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, took the revolutionary step of creating his own theatre company in 1992 in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools. As he says on X: “Lover of language. Awobopaloobopalopbamboom – everything else is Shakespeare”. Box office: Scarborough, 01723 370541 or sjt.uk.com; Salt’s Mill, https://bit.ly/RutterAtSalts; York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
In Focus: Art installation Colour & Light, York Art Gallery, going full frontal until February 25
YORK BID links up with York Museums Trust for the return of Colour & Light: an innovative project designed to warm up York Art Gallery’s facade in the cold winter with an art-filled light installation by David McConnachie’s Edinburgh company Double Take Projections.
This “high impact and large-scale visual arts project” uses 3D projection mapping to bring York’s iconic buildings to life, first York Minster last year, now York Art Gallery, where the projection will play every ten minutes from 6pm to 9pm daily in a non-ticketed free event.
Highlighting York’s UNESCO Media Arts status, this outdoor projection is the work of Double Take Projections, who architecturally scanned the gallery facade to generate a 3D model.
This model served as the template for content application. From there, they used multiple projections to create one seamless image by projecting from different angles and wrapping content on the irregularly shaped frontage.
Viewers can notice something new at each viewing, such as York’s skyline being hidden in different mediums or artistic elements of the gallery’s façade that they may not have spotted previously.
The William Etty statue in front of the gallery, in Exhibition Square, has been brought to life too. Born in Feasegate and buried just around the corner from the gallery in Marygate, Etty is York’s most iconic artist.
Considered the first significant British painter of nudes and still lifes, Etty’s 19th century paintings were somewhat controversial at the time, but he also played a role in the conservation of the city walls. His work Preparing For AFancy Dress Ball features in the Colour & Light display.
Not only York Art Gallery’s paintings are highlighted. Spot the reference to the extensive Centre of Ceramic Arts (CoCA) and the two tiled panels on the side of the building, Leonardo Expiring In The Arms Of Francis I and Michelangelo Showing His Moses
Viewers can pick up exclusive Colour & Light merchandise from the Sketch Box for £2 or less while watching the show, as well as churros, soft serve and hot drinks.
Carl Alsop, York BID’s operations manager, says: “This event is all about making world-class culture more accessible, and it’s been brilliant watching the show from Exhibition Square, traditionally a quiet and reserved space, with children playing, dancing and laughing, and people from all backgrounds enjoying the show together.
“It’s also been great to see people discovering some of the less obvious aspects of the projection on a second viewing. Audiences have enjoyed various buildings from York’s skyline reimagined in different mediums, as well as seeing elements of York Art Gallery, like the mosaics on each side of the building, brought to life.”
Richard Saward, York Museums Trust’s head of visitor experience and commercial, says: “We are thrilled to be involved with York BID’s Colour & Light show. This event kicks off a fantastic season at York Art Gallery, including The Aesthetica Art Prize 2024 exhibition and Claude Monet’s painting The Waterlily-Pond, which will be on display in York from May 10 to celebrate the 200th birthday of the National Gallery.”
A GLUT of York theatre companies, a nocturnal sky festival, a Yorkshire musical and a colourful installation light up the dark nights of February for culture guide Charles Hutchinson.
Social drama of the week: York Actors Collective in Beyond Caring, Theatre@41, Monkgate, York, Tuesday to Friday, 7.30pm; Saturday, 2.30pm and 5.30pm
DEVISED by Alexander Zeldin and the original Yard Theatre cast in London, this 90-minute play highlighting the social damage inflicted by zero-hours contracts forms York Actors Collective’s second production, directed by founder Angie Millard.
Performed by Victoria Delaney, Clare Halliday, Mick Liversidge, Chris Pomfrett and Neil Vincent, Beyond Caring follows meat-packing factory cleaners Becky, Grace and Sam on the night shift as they confront the reality of low wage employment, never sure whether their ‘job’ will continue. Box office: tickets.41monkgate.co.uk.
Late Music at the double: Steve Bingham, violin and electronics, 1pm today; Robert Rice, baritone, and William Vann, piano, 7.30pm tonight, Unitarian Chapel, St Saviourgate, York
PET Shop Boys’ It’s A Sin chills with Bach’s Allemande in D minor, while a tango from Piazzolla is thrown in for good measure, as Steve Bingham explores four centuries of solo violin music this afternoon. World premieres of David Power’s Miniatures, Wayne Siegel’s Salamander (violin and electronics) and Rowan Alfred’s Cuckoo Phase will be performed too.
York composer David Power has curated Robert Rice and William Vann’s evening recital, featuring the first complete performance of Power’s Three Char Songs (1985 and 2016). Works by Gerald Finzi, Cecil Armstrong Gibbs, Herbert Howells, Robert Walker, William Rhys Meek, Charlotte Marlow, Liz Dilnot Johnson, David Lancaster, Hannah Garton, Ruth Lee, Hayley Jenkins and Phillip Cooke. Power gives a pre-concert talk at 6.45pm with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.
Nautical adventure of the week: York Light Opera Company in Disney’s The Little Mermaid, York Theatre Royal, February 7 to 17, except February 12
BASED on the classic 1989 Disney animated film, The Little Mermaid tells the enchanting story of Ariel, a mermaid who dreams of trading her tail for legs and exploring the human world. Aided by her mischievous sidekick, Flounder, and the cunning Ursula, Ariel strikes a bargain that will change her life forever.
Martyn Knight’s production for York Light features stunning projection, dazzling costumes, unforgettable musical numbers, such as Under The Sea and Kiss The Girl, and choreography by Rachael Whitehead. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Installation launch of the week: Colour & Light, York Art Gallery, February 7 to 25
YORK BID is linking up with York Museums Trust for the return of Colour & Light: an innovative project that will transform the facade of York Art Gallery to counter the cold winter with a vibrant light installation.
This “high impact and large-scale visual arts project” uses 3D projection mapping to bring York’s iconic buildings to life, first York Minster last year, now York Art Gallery, where the projection will play every ten minutes from 6pm to 9pm daily in a non-ticketed free event.
It’s Curtains for…Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee
WHEN the leading lady of a new musical mysteriously dies on stage, a plucky local detective must solve this 1959 case at Boston’s Colonial Theatre, where the entire cast and crew are suspects in Kander & Ebb’s musical with a book by Rupert Holmes.
Cue delightful characters, a witty and charming script and glorious tunes in the Joseph Rowntree Theatre Company’s staging of Curtains. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Touring musical of the week: Calendar Girls The Musical, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
YOU know the story, the one where a husband’s death to leukaemia prompts a group of ordinary women in a small Yorkshire Women’s Institute to do an extraordinary thing, whereupon they set about creating a nude calendarto raise money for charity.
Premiered at Leeds Grand Theatre in 2015, Gary Barlow and Tim Firth’s musical is now touring with a cast of music, stage and television stars. Baring all will be Laurie Brettas Annie;Liz Carneyas Marie; Helen Pearson as Celia; Samantha Seager as Chris; Maureen Nolan as Ruth; Lyn Paul as Jessie and Honeysuckle Weeks as Cora. Once more the tour supports Blood Cancer UK. Box office: atgtickets.com/york.
English manners of the week: York Settlement Community Players in Separate Tables, York Theatre Royal Studio, February 8 to 17, 7.45pm except Sunday and Monday, plus 2pm Saturday matinees
AFTER directing four Russian plays by Chekhov, Helen Wilson turns her attention to Separate Tables, two very English Terence Rattigan tales of love and loss, set in a shabby Bournemouth hotel in the 1950s.
Guests, both permanent and transient, sit on separate tables, a formality that underlines the loneliness of these characters in a play about class, secrets and repressed emotions. Chris Meadley, Paul French, Molly Kay, Jess Murray, Marie-Louise Feeley, Caroline Greenwood and Linda Fletcher are among the Settlement cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Festival of the month: North York Moors and Yorkshire Dales Dark Skies Festival, February 9 to 25
TEAMING up for the ninth time since 2016, the North York Moors and Yorkshire Dales National Park authorities celebrate the jewels of God’s Own Country’s night sky this month.
Discover nocturnal activities to heighten the senses such as the Dark Skies Experience (February 9 to 25) night navigation (February 16); trail run and yoga (February 17, sold out); canoeing; planet trail and constellation trail at Aysgarth Falls (February 9 to 25); astrophotography workshops at Castle Howard (February 22), stargazing safaris, children’s daytime trails, art workshops and mindful experiences. More details: darkskiesnationalparks.org.uk; yorkshiredales.org.uk/things-to-do/whats-on/shows/dark-skies-festival/.
Outdoor gig announcement of the week: Richard Ashcroft, Forest Live, Dalby Forest, near Pickering, June 23
FORESTRY England completes its Forest Live return to Dalby Forest for the first time since 2019 with Richard Ashcroft, the two-time Ivor Novello Award-winning Wigan singer, songwriter and frontman of The Verve.
Canadian rocker Bryan Adams and disco icons Nile Rodgers & CHIC were confirmed already for June 21 and 22 respectively. New addition Ashcroft’s set list will draw on his five solo albums, along with The Verve’s anthems Bittersweet Symphony, The Drugs Don’t Work, Lucky Man and Sonnet. Leeds band Apollo Junction will be supporting. Box office: forestlive.com.
In Focus: York Ice Trail, City of Dreams, York city centre, today and tomorrow, from 10am
THE theme for York Ice Trail 2024 transforms York into the City of Dreams, inviting visitors to dream big.
The last York Ice Trail, in February 2023, drew 40,000 visitors to York to view 36 sculptures. Organised by Make It York, the 2024 event again sees the “coolest” sculptures line the streets of York, each conceived and sponsored by businesses and designed and created by ice specialist Icebox.
Sarah Loftus, Make It York managing director, says: “York Ice Trail is one of the most-loved events in the city for residents and visitors alike, and we’re excited to be bringing it back for another year in 2024.
“It’s a huge celebration of our city and businesses, and the concept will inspire everyone’s inner child, encouraging people to let their imagination run wild.”
Icebox managing director Greg Pittard says: “Returning to York for the 2024 Ice Trail is a true honour for us. The York Ice Trail holds a special place in our hearts, and we are thrilled to bring this year’s theme to life.
“Our talented team of ice carvers pour their passion into crafting magnificent ice sculptures that will transport visitors to a world of wonder and delight.”
The 2024 ice sculptures:
Our City Of Dreams, provided by Make It York, Parliament Street.
A Field Of Dreams, Murton Park, Parliament Street.
A Journey In ice, Grand Central, Parliament Street.
City Of Trees, Dalby Forest, Parliament Street.
Chasing Rainbows, in celebration of York band Shed Seven topping the UK official album chart in January, York Mix Radio, Parliament Street.
I’m Late, I’m Late! For A Very Important Date!, Ate O’Clock, High Ousegate.
Sewing Like A Dream, Gillies Fabrics, Peter Lane.
Mythical Beasts: The Yeti, York BID, Walmgate.
Hop On Your Bike, Spark:York, Piccadilly (Spark:York will be open from 12 noon).
Belle Of The Ball, York Castle Museum, Eye of York.
TWO days of York celebrating all things York lead off Charles Hutchinson’s tips for cultural fulfilment, from Eighties’ nostalgia to a monster musical, a ghost story’s return to a singing French iconoclast.
York Residents’ Festival 2024, today and tomorrow
YORK Residents’ Festival returns this weekend with free entry or offers on more than 50 York attractions, restaurants, bars and retailers.
For the weekend organised by Make It York, historical attractions such as York Minster, Jorvik Viking Centre, Clifford’s Tower, Fairfax House, Barley Hall, Merchant Adventurers’ Hall and Treasurer’s House will be opening their doors for free to residents across the weekend.
Residents can also take advantage of a free river cruise with City Cruises, free wizard golf at The Hole In Wand, in Coppergate Walk, and the first 100 visitors can visit for free at York’s Chocolate Story, King’s Square.
Offers at York eateries and restaurants include The Grand, Rio Brazilian Steakhouse York, Ambiente Tapas and Pearly Cow. Retail offers exclusive to residents are available at Avorium, York Gin, Love Cheese, Potions Cauldron and more besides.
For those preferring to explore by foot, offers and discounts apply to walking tours and outdoor activities. Mountain Goat will be taking residents off the beaten path to explore the beautiful Yorkshire countryside, while the family-friendly Wizard Walk of York promises to be spellbinding. Or why not learn to abseil and climb Brimham Rocks, at Brimham Moor Road, Summerbridge, Harrogate?
To take advantage of York Residents’ Festival offers, you must present a valid York Card, student card or identity card (e.g. driving licence or bus pass) that proves York residency by clearly stating ‘York’.
Make It York managing director Sarah Loftus says: ‘We’re delighted that we have so many York businesses providing fantastic offers for Residents’ Festival weekend. This is a great opportunity for residents to rediscover some of the brilliant attractions, retail and food offers on their doorstop.
“A huge thank-you to our Visit York members for coming together to provide so many brilliant offers; there’s something for everyone during this fun-packed weekend.”
Meanwhile, Ann Petherick is reopening Kentmere House Gallery, in Scarcroft Hill, York, for a new year of exhibitions in time to coincide with the second day of York Residents’ Festival: tomorrow, from 11am to 5pm.
On show are original works of York and Yorkshire by more than 50 professional artists, plus prints, books and cards exclusive to the gallery. The first full weekend opening in 2024 will be on February 3 and 4, 11am to 5pm. Admission is free.
For the full list of offers, and for booking information for York Residents’ Festival, visit visityork.org. Please note, some venues and activities require pre-booking.
Nostalgic gig of the week: The 80’s Movie Mixtape, Joseph Rowntree Theatre, York, tonight, 7.30pm
THE 80’s Movie Mixtape is a truly independent theatre show showcasing West End singers and musicians from around London and Surrey in a new tribute to Eighties’ blockbuster movies and their electrifying soundtracks.
A band of six actor-musicians – Jamie Ross, lead vocals, keyboard; Celia Crwys Finnigan, lead vocals, keyboard, alto saxophone; Laura Sillett, lead vocals, keyboard, baritone saxophone; Dom Gee-Burch, lead guitar; Ed Hole, bass, and Luke Thornton, drums – combine songs from Footloose, Top Gun, The Breakfast Club, Ferris Bueller’s Day Off, Dirty Dancing, Back To The Future, American Gigolo, Ghostbusters, Flashdance, Against All Odds and Electric Dreams with Eighties’ party anthems. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
On the move: Navigators Art & Performance, The Basement Sessions 3, The Basement, City Screen Picturehouse, York, February 23, 7.30pm
YORK creative collective Navigators Art & Performance is moving this weekend’s Basement Sessions 3 bill to next month. “Unfortunately, the Basement is ankle deep in flood water and we’re going to have to postpone the gig this Saturday,” says co-founder Richard Kitchen.
Taking part will be poet and actor Danae, from Mexico via York; “punk/jazz riot” Neo Borgia Trio, from the University of York Big Band; writer, poet, performer and multi-instrumentalist JT Welsch; comedian Will Glitch, from Norwich via Hull; left-field post-punk favourites Percy; acoustic duo The Jammingtons Experience and transatlantic guitar band Fat Spatula. Box office: https://bit.ly/nav-events-all.
Independent Venue Week gig of the week: English Teacher, The Crescent, York, tomorrow, 7.30pm
“LEEDS’ music scene is the best in the world,” proclaims Lily Fontaine, English Teacher’s vocalist, guitarist and synthesiser player, without a blink of hesitation. This weekend she heads to near-neighbour York with bassist Nicholas Eden, drummer Doug Frost and lead guitarist Lewis Whitling, who she first met at house parties while they all studied at Leeds College of Music (now Leeds Conservatoire).
After tinkering with projects of their own, they settled on playing together, developing their fusion of dream pop and post-punk noise. Coming next? Writing new songs “somewhere between Adele, Jockstrap and Fontaines D.C.”. Box office: for returns only, thecrescentyork.seetickets.com.
Haunting return of the week: The Woman In Black, Grand Opera House, York, Tuesday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday matinees
STEPHEN Mallatratt’s stage adaptation of Scarborough author Susan Hill’s spine-chiller returns to York for the umpteenth time, directed as ever by Robin Herford. As he did at York Theatre Royal in November 2014, Malcolm James plays lawyer Arthur Kipps, who engages a sceptical young actor (Mark Hawkins) to help him tell his terrifying story and exorcise the fear that grips his soul. Box office: atgtickets.com/york.
Musical of the week: Pick Me Up Theatre in Young Frankenstein The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
WHEN the infamous Victor Frankenstein’s grandson, Dr Frederick Frankenstein (James Willstrop), inherits the family castle in Transylvania, will he be doomed to repeat the same mistakes in Mel Brooks’s musical adaptation of his 1974 monster horror-movie spoof?
Andrew Isherwood directs York company Pick Me Up Theatre as Frankenstein’s experiment yields both madcap success and monstrous consequences with the help and hindrance of hunchback henchman Igor (Jack Hooper), Scandinavian assistant Inga (Sanna Jeppsson), mysterious housekeeper Frau Blucher (Helen Spencer) and needy fiancee Elizabeth (Jennie Wogan-Wells). Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Comedy gig of the week: Guz Khan Live!, York Theatre Royal, Wednesday, 7.30pm
COVENTRY comedian, impressionist and actor Guz Khan is on his way to selling out York Theatre Royal after his February 25 gig at Leeds City Varieties already did so. Raised on a housing estate in Hillfields, he graduated from Coventry University and taught Humanities at Grace Academy in his home city before focusing on stand-up.
Khan, 38, is best known as the creator and star of the BBC Three comedy drama Man Like Mobeen, wherein he played a former Small Heath drug dealer now trying to live a good life as a Muslim. Box office: “Last tickets” on 01904 623568 or yorktheatreroyal.co.uk.
Most unexpected Yorkshire gig announcement of the week: Eric Cantona, Cantona Sings Eric, Leeds O2 Academy, April 16, doors, 7pm
ERIC Cantona once told Leeds United fans from the balcony of Leeds Town Hall, “why I love you, I don’t know why, but I love you” as the 1992 league champions paraded the Division One trophy. Only 207 days later, he was gone…to bitterest rivals Manchester United. Never to be forgiven.
Now 57, the avant-garde French footballer, sardine philosopher, actor, English advert regular and painter “to the rhythm of jazz” is to return to the city. Not in one of those “An Evening With” shows full of nostalgic football chat but as Eric Cantona, singer and musician, performing solo, with piano and cello for company. Box office: academymusicgroup.com/o2academyleeds/events or ticketmaster.co.uk/eric-cantona-tickets.
Piano recital of the week: Late Music presents David Hammond, St Saviourgate Unitarian Chapel, York, Friday, 1pm
DAVID Hammond performs a crossover of ambient and classical solo piano music centred on work by Erik Satie, Brian Eno, Federico Mompou and Howard Skempton, with new works by David Power and Derek O’Connell in the first Late Music recital of 2024.
The full programme will be: Erik Satie, Gnossiennes 1-3; Harold Budd/Brian Eno, The Plateaux Of Mirror; Derek O’Connell, Je mesure le son (first performance); John White, Sonata 95; David Power, Seven Paces Of Stillness (first performance); Erik Satie, Pièces Froides: No.2 Danses de travers; Federico Mompou, Cants Mágics; Howard Skempton, Well, Well Cornelius; Howard Skempton, Rumba; Howard Skempton, Quavers; Budd/Eno/Power mash-up, Remembered, and Erik Satie, Gnossiennes 4-5. Tickets: £5, latemusic.org/david-hammond-piano-2/ or on the door.
In focus: Exhibition launch of the week: Pyramid Gallery, York, from 11am today
FOUR exhibitions are opening simultaneously today at Pyramid Gallery: Gomery & Braganza, ceramics and painting; Linda Combi’s 52 Postcards; glassmaker Jo Kenny’s What Lies Beneath and Ringleaders’ contemporary handmade rings.
Di Gomery, Loretta Braganza, Linda Combi and Jo Kenny all will be attending the 11am to 2.30pm launch. “Come along to the opening and enjoy a glass of wine or soft drink with the artists,” says gallery owner and curator Terry Brett.
Di’s studio is at South Bank Studios, Southlands Methodist Church, in Bishopthorpe Road, York. Her paintings are lyrical responses to landscape, still life and the human form, painted primarily in oil on canvas or board, often large in scale. Her approach is one of playful energy with an underlying structure and solidity.
Di, who worked in the design industry for Courtaulds (England) and Jakob Schlaepfer couture fabric design (Switzerland), has exhibited previously at Pyramid Gallery, Partisan café, in Micklegate, York, HartLaw Solicitors, in Wetherby, Dean Clough Gallery, Halifax, and the Fronteer Gallery, Sheffield.
Paintings created specifically for this Pyramid exhibition explore edges and volume, make reference to other artists, and generally play with surface and colour combinations. Her artistic influences include the work of British and American women abstract expressionists.
Loretta was born in Mumbai, India, came to Great Britain in 1965 and lives and works in York. She began her practice as a ceramicist in 1990 via a career in dance, graphic arts, textile design and sculpture, as well as teaching drawing and painting at York College.
Her distinctive style comprising taut edges, clean lines and complex mark making swiftly earned her exhibitions and commissions, as well as awards from the Crafts Council and the Arts Council.
Artist and illustrator Linda Combi, raised in a California desert, now settled in York, returns to Pyramid Gallery, this time with 52 Postcards, a series of original collage paintings, print cards and booklets that reflect on migration.
“I was inspired to create 52 postcards around the theme of displacement,” she says. “I decided to create postcards as you’d typically send them when you’re on holiday to family and friends back home, but for refugees, they can have very different connotations. It’s grounded in the concept of refugees being in another place, writing a letter to home or to their former self.
“In many of my postcards I use birds as a symbol for people forced to flee. They’re innocent, and they’re on the move.”
Linda’s postcards are mixed media, primarily hand painted and printed papers, but also incorporating coloured pencil, pen, stickers and crayon.
“Refugees and other displaced people have to endure so much,” she says. “Everyone should support refugees – not only do they enrich society, but more than anything, it’s just basic kindness and human empathy to understand how frightening it must be to be to have to flee.”
Fifty per cent of Linda’s sale proceeds will go to UNHRC, the United Nations High Commissioner for Refugees agency mandated to aid and protect refugees, and the Lemon Tree Trust, an organisation that works alongside displaced people to transform refugee camps through gardening.
Glassmaker Jo Kenny creates pieces at the furnace inspired by exploring the beaches at Whitby, where she now lives. Such a simple childhood pleasure revisited, she finds a contemplative quality in the act of poking around in rock pools. “I feel the joy and excitement of discovery under each pebble,” she says.
Her What Lies Beneath series encourages the viewer to “look a little deeper and maybe feel a little of that childlike excitement making their own discoveries”.
Awarded an Arts Council England grant, Jo was able to develop the series further in collaboration with Scottish master craftsman Gordon Taylor, who completed pieces with his cutting and polishing skills.
Jo splits her time between making and teaching. Her key themes are the effect of the passage of time, erosion, entropy, persistence of image and all things pertaining to the ocean.
Di Gomery and Loretta Braganza’s exhibition runs until March 11; Linda Combi’s 52 Postcards until March 9; Jo Kenny’s glass until March 7, at Pyramid Gallery, Stonegate, York. Gallery opening hours are:Monday to Friday, 10am to 5pm; Saturdays, 10am to 5.30pm. The project can be viewed at Linda’s website, lindacombi.biz, from where purchases can be made too.
THE online campaign to support the cause to have 17th century York-born nun and educational pioneer Mary Ward declared a saint by the Roman Catholic Church will be launched today.
This petition launch heralds the beginning of the global annual celebration of Mary Ward Week 2024, marking her birth on January 23 1585 and death on January 30 1645.
In a nutshell, at a time when Roman Catholicism was illegal in England, Mary Ward strived for the equality and dignity of women in religion and education and paved the way for the first schools for girls to offer an education equal to boys, the second being established at the Bar Convent, Blossom Street, York, in 1686.
Today her vision is thriving in 42 countries at around 200 schools worldwide, and yet she was declared a heretic by the Catholic Church and was subjected to a 1631 Bull of Suppression that destroyed her first institution.
The subject of Ciaran O’Connor’s documentary, Mary Ward: Dangerous Visionary, voiced by Dane Judi Dench, Mary was the foundress of the Congregation of Jesus who reside at the Bar Convent, the oldest surviving Catholic convent in Great Britain.
On show there in the permanent display about Mary and her legacy is the 17th century crucifix that she carried on her multiple walks across the Alps to speak to the Pope, along with a pair of shoes from those walks and much else besides.
Prominent in the step-by-step progression to Mary’s “long overdue” beatification and canonisation by the Church is Sister Elizabeth Cotter, Canon Lawyer and Postulator for the Cause of Venerable Mary Ward, who will be promoting the campaign in York this week, with its centrepiece of an online petition to “take the cause to the next level”.
“As part of our case, we need to provide evidence that Mary Ward remains relevant today,” she says. “Key to this was her passionate belief that ‘women in time to come will do much’, which has always been the driving force of followers who brought her vision to 42 countries from her time and up to the present day.
“This recognition by the Church would provide the women of our time with a fine example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.”
Sister Elizabeth continues: “For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Church would validate the belief that Mary Ward is a saint for the modern world; she is needed as much by our 21st century world as she was in those dark days of opposition to women in the 17th century.
“Support for and belief in Mary Ward has never waned in more than 400 years and her beatification and canonisation by the Church is long overdue.”
Sister Ann Stafford, sister in charge at the Bar Convent Living Heritage Centre, says: “We have been contributing to the ongoing global campaign to have Mary Ward officially recognised by the Church as a saint. As someone who campaigned for the dignity of women all of her life, we truly believe that Mary Ward is a vital role model for our time.
“Please help our cause in any way you can. You can sign the petition; join the conversation across the social media platforms using #MaryWardForSaint; visit us at the Bar Convent to discover more about Mary Ward; help us to raise awareness about this local woman who made international history, or let the Cause Office know if you can help us in other ways by emailing causemaryward@gmail.com.”
Explaining the present state of play, involving theological and historical commissions, Sister Elizabeth says: “The process is in the phase where the Church has to be sure that a person never worked or wrote against the Church or did anything contrary to the faith.
“But why has it taken so long? Mary was interred in a monastery in Anger, Munich, in 1631 when she was declared a heretic. When she was let out, she went to the Pope in Rome to seek her exoneration, but it has taken four centuries to do undo the damage done in what was written about her.
“The year of Veneration came in 2009 under Pope Benedict XVI, who had attended a Mary Ward kindergarten school in Germany as a five-year old.”
Now comes the Beatification stage. “We have to find proof of a miracle,” says Sister Elizabeth. “I was appointed to my role in 2015, and I spent 2015 to 2019 asking if anyone had come across a miracle resulting from a prayer to Mary Ward. We came across plenty.”
One such miracle has been selected, whereupon a tribunal/board enquiry has been set up in the Catholic diocese where it occurred, requiring proof of the person’s medical cure.
“Only when they have brought the enquiry to a conclusion will the authorities in Rome decide if Mary is to be beatified or not.”
The case for Mary Ward was submitted in December 2019, but a combination of the Covid 19 pandemic and the workload of the tribunal priest has kept Sister Elizabeth and Mary’s followers waiting and waiting.
“But what keeps me going is remembering how long it took for Mary to be venerated. I just handle the process on Mary’s behalf and make sure it’s all in order, and we pray for this priest all the time, hoping he will be able to conclude the tribunal because he has so much on his plate.”
In the meantime, special events will be running throughout Mary Ward Week and until February 17 at Bar Convent to highlight the cause. These will be led off by today’s 12.30pm to 1pm talk by special collections manager Dr Hannah Thomas on Mary Ward’s history-making, ground-breaking vision for religious and educational change, against all the odds, and why she should be declared a saint.
At Sunday’s annual ecumenical service at 4pm at St Thomas’s, Osbaldwick, the Anglican church where Mary Ward is buried, the Most Reverend and Right Honourable Archbishop of York Stephen Cottrell will give the homily.
“When Mary Ward died, Catholics were not allowed to be buried in York, but Mary’s followers were so honest in their ‘bribing’ of the Anglican priest at this tiny church in Osbaldwick that he agreed for her to be buried there,” says Sister Elizabeth.
Mary’s tombstone is now placed inside the church, bearing an epitaph with a coded reference to her determination that women might take inspiration from St Ignatius: “To love the poore, persever in the same, live, dy and rise with them was all the ayme of Mary Ward”.
Now the aim is to make Mary Ward a saint.
For more details and the link to the online petition, head to: www.barconvent.co.uk. Bar Convent opening hours: Monday to Saturday, 10am to 4pm.
Mary Ward: the back story
MARY Ward was born into a devout Catholic family after the English Reformation had taken place.
She had a tumultuous childhood; her family was forced to relocate several times to avoid detection and was linked with the Gunpowder Plot.
She witnessed the brutal persecution of her fellow Catholics, including the imprisonment of members of her own family, such as her grandmother, Ursula Wright and the martyrdom of her cousin, Fr. Francis Ingleby, on Knavesmire, York.
Mary felt called to the Catholic religious life that had been banned in England for 70 years and travelled to the continent where many other Catholics had fled.
She and her companions founded the first religious congregation for women modelled directly on the newly founded Society of Jesus (Jesuits), who take a fourth vow of universal mission to go wherever the Pope might send them.
Mary Ward believed that women were spiritually and intellectually equal to men and deserved an education that reflected that equality. Providing a proper education for girls was central to her work, and she travelled widely across Europe, founding schools in ten European cities by 1628.
These views and methods were far ahead of her time and the Catholic Church opposed her at every step and even had her imprisoned.
In 1617 she famously said: “There is no such difference between men and women that women may not do great things – and I hope in God it will be seen that women in time to come will do much.”
To put this into context, this was at a time when philosophers were debating if women even had souls; and her own religious adviser questioned whether women had as much religious fervour as their male counterparts due to the weakness of their sex.
It was a firmly held belief that too much education would be too taxing for the female brain. Even centuries later, in 1895, a manual on child development argued that if a girl overused her brain, it would damage her ability to bear children, noting that ‘this New Woman is only possible in a novel and not in nature’.
Mary Ward died on January 30 1645 during the English Civil War, having never seen her vision fully realised. She is buried in the churchyard at St Thomas’s, Osbaldwick, York, where her tombstone can be seen inside the church.
Across the global network of her religious congregation, the Bar Convent is the focal point and home of the historic legacy of her work.
After her death in 1645, her followers continued her work and opened a secret convent in York. They were the first to open schools for girls in this country that offered the same education as boys.
There is now a global following of thousands of religious sisters, along with around 200 schools worldwide in Mary Ward’s name, lay collaborators and Friends of Mary Ward.
Pope John Paul II singled out Mary Ward as an “extraordinary Yorkshire woman and a pioneer” in 1982 when he celebrated a Mass in York attended by 210,000 people.
In 2009, she was declared Venerable by Pope Benedict XVI, in the first step on the road to canonisation and sainthood. The next step is to have Mary Ward beatified, an ongoing task.
Why does Mary Ward deserve to be a saint? The Bar Convent charts the reasons
1. Mary Ward pioneered a new way to live the consecrated life at a time when the monastic life was the only way acceptable to the Catholic Church. Believing that God’s will was driving her towards this new way, she persevered despite imprisonment and condemnation by the Church she sought to serve.
Exonerated eventually, Mary Ward’s holiness of life was recognised by the Church in 2009 when Pope Benedict declared her “Venerable.” At a time when the worldwide Synod called by Pope Francis is urging stronger roles for women within the Church, Mary Ward is a prime role model for future generations and especially for girls.
2. Mary Ward’s passionate belief that “women in time to come will do much” has been the driving force of those who brought her vision and values to 42 countries in every continent from her time and up to the present day.
She continues to provide inspiration to the women of our time. Recognition by the Church would provide a much-needed example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.
3. Her key values of freedom, justice, sincerity and joy, vital in her 17th context, retain their significance and importance in a world so devoid of these virtues today.
4. Despite the way she was treated by the Church of her time, Mary Ward retained her love for it, urging her followers to “love the Church”. She is a model of critical fidelity at a time when many struggle within the Church.
5.Mary Ward lived and worked for the greater glory of God despite the obstacles in her way. Her life challenges us to do the same.
6. Mary Ward was an Englishwoman who held fast to the Catholic faith in an era of persecution and hostility to the Church. What a role model she is to English Catholics today. By making her a saint, the Church would give recognition to the many faithful women and men who hold fast to the faith despite difficulties.
7. For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Catholic Church would validate the widely held belief that Mary Ward is needed as much by our 21st century world as she was in the dark days of opposition to women in the 17th century.