Category: Festivals

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More Things To Do in York at Christmastide and beyond the New Year. Hutch’s List No. 111, courtesy of The Press, York

Hold on, is that Noddy Holder? No, it’s a nod to Noddy Holder as tribute band Slade UK invite you to Cum On Feel The Noize at the Victoria Vaults

SLEIGHS and that Slade song, pantomime mayhem and New Year parties signify the changing of the diary for Charles Hutchinson, with one eye on 2023.

Merry Xmas Everybody: Slade UK, Victoria Vaults, Nunnery Lane, York, Christmas Eve, 7pm

SO here it is, Merry Xmas, everybody’s having fun as Slade UK, tribute act to the Wolverhampton wonders, roll out that 1973 festive chart topper and a whole heap of misspelt Slade smashes, from Gudbuy T’ Jane to Cum On Feel The Noise, Coz I Luv You to Mama Weer All Crazee Now.

“We’re really looking forward to having Slade UK at the Vaults,” says owner/manager Chris White. “It’s going to be a great evening and a lot of fun.” DJ Garry Hornby will be on the decks. Box office: theyorkvaults.com.

Mayhem, mischief and nautical naughtiness: Jonny Weldon’s Starkey, left, and Paul Hawkyard’s Captain Hook in York Theatre Royal’s The All New Adventures Of Peter Pan

Still time for pantomime, part one: The All New Adventures Of Peter Pan, York Theatre Theatre Royal, until January 2 2023

CBEEBIES’ science ace Maddie Moate and three stars of last year’s Cinderella – Faye Campbell, Paul Hawkyard and Robin Simpson – head to Neverland in York Theatre Royal’s third collaboration with Evolution Productions.

Moate plays naughty fairy Tinkerbell, Campbell, plucky Elizabeth Sweet, Hawkyard, histrionic Captain Hook and Simpson, dame Mrs Smee, joined by Jason Battersby’s Peter Pan and Jonny Weldon’s madcap pirate Starkey in creative director Juliet Forster’s production, scripted by Evolution’s pun-loving Paul Hendy. Look out for acrobats Mohammed Iddi, Karina Ngade and Mbaraka Omari too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Goose in the Grand Opera Hoose: Dame Berwick Kaler’s Mrs Plum-Duff in The Adventures Of Old Granny Goose. Picture: David Harrison

Still time for pantomime, part two: The Adventures Of Old Granny Goose, Grand Opera House, York, until January 8 2023

PETER Pan is not alone in flying across a York pantomime stage this winter. Dowager Dame Berwick Kaler does likewise at 76 in his second season at his adopted home, presented with the Grand Opera House’s new partners in panto, UK Productions.

Joining his ad-libbing granny, Mrs Plum-Duff, are sidekick Martin Barrass’s Jessie, villain David Leonard’s Lucifer Nauseus, principal gal Suzy Cooper’s Cissie, AJ Powell’s Brum Stoker and ever-game dancer Jake Lindsay’s Jakey Lad. Look out for Boris Johnson’s cameo as a dummy, me babbies, me bairns. Box office: 0844 871 7615 or atgtickets.com/York.

New Year Gala Concert, Harrogate-meets-Vienna style

Viennese waltzing into 2023:  International Gilbert and Sullivan Festival’s New Year Gala Concert, Harrogate Royal Hall, January 7 2023, 7.30pm 

CELEBRATE the dawning of the New Year in the company of the National Festival Orchestra on a whirlwind tour of bygone opulence, taking in the cafés of Vienna, the bars of Paris and the drawing rooms of London.

Enjoy waltzes, ballads and Gilbert and Sullivan favourites in a gala concert conducted by Christopher Milton and featuring international opera stars. Box office: gsfestivals-tickets.gsfestivals.org.

New Year Party, Ukrainian style: The Ukrainians mark Malanka at The Crescent, York

New Year on a different calendar: The Ukrainians: Malanka, The Crescent, York, January 14 2023, 7.30pm

ON the eastern calendar, New Year falls on January 13 and is marked in Ukraine with a variety of festivities known as Malanka.

The Ukrainians have been playing their brand of Ukrainian music for three decades on folk and roots stages, clocking up eight albums and 1,000 gigs. High-energy party songs and a few surprises are promised. Box office: thecrescentyork.com.

Heavy Spring Showers, by John David Petty, on show at Kentmere House Gallery from February 3

Exhibition on the horizon: Lost and Found, East Riding paintings by John David Petty, Kentmere House Gallery, Scarcroft Hill, York, February 3 to April 2 2023

WHERE does Kentmere House Gallery owner Ann Petherick find her artists, she is often asked. “The best ones always have to be searched out, and I think I first found John David Petty in Beverley Minster, showing a collection of wonderful paintings of doors and windows of Holderness churches,” she says.

Petty is more often to be spotted outdoors, among the flatlands of the East Riding, where this former graphic artist relishes the solitude and wide landscapes.

Favouring oils, acrylics and charcoal, his church work uses the same techniques of deeply etched lines, with the addition of paper collage to capture the texture of ancient stonework. For opening hours, go to: kentmerehouse.co.uk.

Matt Goss: Bros hits, new songs and a celebration of Cole Porter at York Barbican

What’s Matt doing next after Strictly? The Matt Goss Experience, with the MG Big Band and Royal Philharmonic, York Barbican, March 4 2023, 8pm

STRICTLY Come Dancing 2022 contestant and former Bros frontman Matt Goss, 54, performs his biggest hits, new original material and a tribute to songwriter Cole Porter in an evening of swing, glitz and swagger.

Having headlined Las Vegas for 11 years, Goss is back doing what he loves, singing with a big band and a philharmonic orchestra. Box office: yorkbarbican.co.uk.

Jimmy Carr: Still Terribly Funny in 2023

Repeat offender…or not?! Jimmy Carr, Terribly Funny 2.0, York Barbican, September 12 2023

AFTER completing a hattrick of York performances on his Terribly Funny tour – November 4 and 9 2021 and April 15 this year – provocative comedian and television panel show host Jimmy Carr is to return to the city on his Terribly Funny 2.0 itinerary.

Carr, 50, says his show “contains jokes about all kinds of terrible things. Terrible things that might have affected you or people you know and love. But they’re just jokes – they are not the terrible things”. New material is promised. Box office: yorkbarbican.co.uk or ticketmaster.co.uk.

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More Things To Do in York and beyond for Christmas joys, but Armageddon is coming. Hutch’s List No. 110, courtesy of The Press

A mouse on skis at the Fairfax House exhibition A Townmouse Christmas

A MOUSE house invasion, Christmas concerts galore, a much-loved musical and a cracking ballet are Charles Hutchinson’s festive fancies.

Exhibition of the week: A Townmouse Christmas, Fairfax House, York, until December 23, 11am to 4pm, last entry, 3.30pm

‘TWAS the night before Christmas, when all through the house, not a creature was stirring. Not true! In among the Georgian festive decor, hundreds of decorative town-mice have descended on Fairfax House.  

Stealing the cheese and biscuits, running up and down the clocks, even skiing down the banisters, the charming magical mousey scenes complement the 18th-century-style festive foliage that evoke a Fairfax family Christmas of a bygone era in York. Tickets: fairfaxhouse.co.uk.

Chapter House Choir: Candle-lit carol singing in the nave of York Minster

Christmas institution of the week in York: Chapter House Choir’s Carols By Candlelight, York Minster, tonight, 7.30pm; doors, 6.45pm

DIRECTED by Benjamin Morris, the Chapter House Choir will be joined in the central nave by the Chapter House Youth Choir, the choir’s Handbell Ringers and York organist William Campbell for a feast of festive music, combining familiar carols with new and exciting compositions.

Jesus Christ The Apple Tree, a carol composed for the choir by founder Andrew Carter, will be premiered. The 90-minute concert with no interval will be dedicated to the memory of Dr Alvan White, the choir’s Candlelighter-in-Chief for these concerts from 2003 to 2018, who died in August. Tickets: “Selling very well” at yorkminster.org.

Sanna Jeppsson’s Maria Rainer sings to the von Trapp children in Pick Me Up Theatre’s The Sound Of Music

Musical of the week: Pick Me Up Theatre in The Sound Of Music, Theatre@41, Monkgate, York, until December 30.

COMMONWEALTH Games squash gold medallist and Harrogate man of the musicals James Willstrop plays Captain von Tropp opposite Swedish-born Sanna Jeppsson’s trainee nun turned free-spirited nanny, Maria Rainer, in Robert Readman’s production of Rodgers & Hammerstein’s final collaboration.

Three teams of von Trapp children, Team Vienna, Team Graz and Team Linz, will share out the performances at 7.30pm tonight, then December 19, 21, 23, 27, 28 and 29, and at 2.30pm, today, tomorrow, then December 20, 22, 27, 29 and 30. Box office: tickets.41monkgate.co.uk.

Holly head: Kate Rusby crowned in festive foliage for her Christmas celebrations

Festive folk concert of the week: Kate Rusby At Christmas, York Barbican, tomorrow, 7.30pm

AFTER marking her 30th anniversary in the folk fold with 30: Happy Returns, an album of collaborations with Ladysmith Black Mambazo, Richard Hawley and KT Tunstall, Barnsley folk nightingale Kate Rusby ends the year with her customary Christmas tour.

Joined by her regular folk band, led by husband Damien O’Kane, and her Brass Boys quintet, Rusby draws on South Yorkshire’s Sunday lunchtime pub tradition of singing carols once frowned on by Victorian churches for being too jolly, complemented by festive favourites and her own winter songs. Box office: yorkbarbican.co.uk.

Merry Christmas from The Howl & The Hum

Christmas fancy dress of the week: Please Please You presents The Howl & The Hum, The Crescent, York, Monday and Tuesday, 7.30pm, both sold out

DEMAND was so high for York band The Howl & The Hum’s now traditional Yuletide celebration at The Crescent that a Monday show was added to the fully booked Tuesday gig. All tickets have gone for that night too.

What will frontman Sam Griffiths wear after raiding the Nativity Play dressing-up box for angel wings in 2019 and bedecking himself as a lit-up Christmas tree in 2021? And which Christmas classic will they reinvent in the wake of The Pogues’ Fairytale Of New York last time when joined by fellow York combo Bull?

The New York Brass Band’s two Xmas Party gigs on December 22 and 23 at 7.30pm have sold out too.  

Christmas revival of the week: Northern Ballet in The Nutcracker, Leeds Grand Theatre, Tuesday to January 7 2023

The Nutcracker: Northern Ballet’s festive delight returns to Leeds Grand Theatre. Picture: Emily Nuttall

LEEDS company Northern Ballet’s touring revival of former artistic director David Nixon’s festive favourite heads home for a three-week finale at the Grand, replete with gorgeous Regency-style sets by Charles Cusick Smith.

“The Nutcracker is not just a ballet, it is a tradition for many families and generations, a way of having shared memories at a time of year when togetherness turns to the fore,” says Nixon. “I believe that The Nutcracker offers the perfect festive escapism for every generation, a chance to revel in the child-like magic of Christmas.” Box office: 0113 243 0808 or leedsheritagetheatres.com.

The York Waits: Christmas music on shawms, sackbuts, curtals, crumhorns, bagpipes and more

The wait is almost over for…The York Waits’ Christmas concert: The Waits’ Wassail: Music for Advent and Christmas, National Centre for Early Music, York, Tuesday, 7.30pm

THE York Waits, now in their 45th year of re-creating the historic city band, present Mirth & Melody Of Angels, music for Christmas and the festive season from medieval and renaissance Europe, performed by Tim Bayley, Lizzie Gutteridge, Anna Marshall, Susan Marshall and William Marshall with singer Deborah Catterall.

Angels abound, from the 1350’s Angelus ad Virginem to Orlando Gibbons’ Thus Angels Sung from the late-Elizabethan era. Familiar German chorales are followed by French Noels and Mediterranean folk songs, played on shawms, sackbuts, curtals, crumhorns, bagpipes, recorders, flutes, fiddles, rebec, guitar, hurdy gurdy and portative organ. Box office: 01904 658338 or ncem.co.uk.

Baaaaaarrrrgggghhhhhhbican frustration! Ricky Gervais’s brace of Armageddon dates at York Barbican sold out in 27 minutes

Apocalypse next month: Ricky Gervais, Armageddon, York Barbican, January 10 and 11 2023, 7.30pm precisely

ARMAGEDDON is not the end of the world as we know it but the name of grouchy comedian, actor, screenwriter, director, singer, podcaster and awards ceremony host Ricky Gervais’s new tour show.

Gervais, 61, will be torching “woke over-earnestness and the contradictions of modern political correctness while imagining how it all might end for our ‘one species of narcissistic ape’,” according to the Guardian review of his Manchester Apollo gig. Box office? Oh dear, you’re too late for Armageddon; both nights have sold out.

Also recommended but selling out fast: The Shepherd Group Brass Band Christmas Concert, Joseph Rowntree Theatre, York, tonight, 7.30pm

ONLY the last few tickets remain for this Christmas concert featuring all the bands that make up the Shepherd Group Brass Band, from their Brass Roots absolute beginners to the championship section Senior Band, playing a variety of Christmas and seasonal music with plenty of audience participation. Box office: josephrowntreetheatre.co.uk.

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REVIEW: Martin Dreyer’s verdict on Bojan Čičić, J S Bach Sonatas, NCEM, York, 10/12

Bojan Čičić: “Magical sounds”

York Early Music Christmas Festival: Bojan Čičić, JS Bach’s Sonatas for solo violin, National Centre for Early Music, York, December 10

SEEING is believing. The magical sounds that Bojan Čičić coaxes from his baroque violin have not only to be heard, they need to be seen.

In 1720, while part of Prince Leopold’s court at Cöthen, Bach wrote six sonatas and partitas (effectively suites) for the unaccompanied violin, three of each, in response to the violin’s newly developed capability to play chords. This meant the possibility of adding a bass line to a melody.

They represent the Everest of the solo violin repertoire (not forgetting the Paganini caprices) and are fiendishly demanding. But they hold no terrors for this supremo. He is playing all six at this festival on consecutive Saturday lunchtimes and began here with the three sonatas. All fall into four movements.

The first is invariably slow, giving the player time to find their feet. The second, believe it or not, is a fugue, allowing the possibility of two or even three lines to overlap or seem to do so. The third is slower, often with origins in the dance, and the fourth is (very) fast.

Bach demonstrates throughout his intimate understanding of violin techniques at what was the cutting edge in his own day. The first two sonatas are in minor keys – G and A – and their opening movements have an elegiac quality. The third sonata, in C major, has a positively chordal opening, almost like a chorale.

All three are deceptive, because the succeeding fugues sound unplayable by a single instrument. In all, but especially the first, Čičić delivered incredible clarity, even playing down the countersubjects so that they did not overshadow the main subjects. There was also a touch of sheer bravura at the end of the second fugue.

The stately siciliana of No 1 demanded intense multiple-stopping – two or three notes at once – and the Andante of No 2, also a third movement, was so dense that you could have sworn that you were hearing several instruments.

All three finales took the breath away. The first was a high-speed moto perpetuo, allowing the player no respite. The Allegro of No 2 began innocently enough, but turned fierce, even including echo effects. The dazzling virtuosity of No 3’s finale brought the house down.

Čičić’s bow is a magic wand, but he does not brandish it at all pompously. On the contrary, his approach is almost self-effacing. The result is all the more sensational.

I cannot recommend his recital of Bach’s three partitas on Saturday (17/12/2022), at 1pm, highly enough. On this evidence, it is a totally mouth-watering prospect. Box office: 01904 658338 or ncem.co.uk

Review by Martin Dreyer

The Marion Consort. Picture: Nick Rutter

REVIEW: Spiritato with The Marian Consort, Inspiring Bach, National Centre for Early Music, York, December 11

THIS was almost two concerts in one, combining two groups – instrumental and vocal – who normally lead quite independent existences.

Spiritato, led from the violin by Kinga Ujszászi, is a chamber orchestra of some 18 players, dedicated to rekindling the unique sounds of the mid-17th century.

Joining them in this exploration is the 12-voice Marian Consort under its director and countertenor Rory McCleery.

Their programme, entitled Inspiring Bach, dealt with some of the bigger names that preceded the great man. The most notable of these was Johann Christoph Bach (1642-1703), who is widely regarded as the most important member of the Bach family before Johann Sebastian himself (and not to be confused with a later JCB, Johann Christian, the ‘English’ Bach). He was a composer and organist, who spent virtually all his career as harpsichordist at the Duke of Eisenach’s court.

The first of JC’s two contributions here was an elegiac cantata featuring McCleery’s countertenor (though he sang it on ground level more or less behind a pillar). More compelling was Es Erhub Sich Ein Streit, (‘There Arose A War’, a Picander text which JSB used for his Cantata 19) in which a bass duet was accompanied by two trumpets, before the brilliant tutti of the final chorus.

Given that there were no less than four trumpets on hand, all valveless and without finger holes, they were bound to capture the spotlight – and thrilling they were.

Possibly Sebastian Knüpfer’s last work, written just before he died in 1676, was Die Turteltaube Lässt Sich Hören(‘The Voice Of The Turtle Dove Is Heard’). It made clever use of soloists across the choir, building towards a final chorus in which the trumpets truly blazed.

On either side of this, we heard both Pachelbel’s and Bach’s settings of Christ Lag In Todesbanden (‘Christ Lay In Death’s Bonds’), based on a Lutheran Easter hymn – not especially seasonal, but good pieces anyway.

Pachelbel omits trumpets and timpani from his version, but contrasts vigorous, optimistic choruses with lighter episodes. Bach’s more familiar setting was distinguished here by an exciting acceleration into and through the Alleluia of the opening chorus and a brisk fugal finale.

A Buxtehude sonata, spotlighting violin and viola da gamba, allowed a brief excursion northwards into Denmark. It all amounted to a delightful concoction                                               characterised as “music of healing in a time of catastrophe”.

Best of all, there was never a feeling, from either trumpets or strings, that the use of authentic instruments was in any way detracting from our enjoyment. On the contrary, these on-the-sleeve sounds enhanced our pleasure.

Review by Martin Dreyer

Orlando Consort: Bidding farewell after 35 years

REVIEW: Orlando Consort, National Centre for Early Music, York, December 15

ORCHESTRAS may go on forever, but smaller groups tend to have a more limited life-span. The Orlando Consort has existed for no less than 35 years.

Astonishingly, two of its members have lasted the full course since 1988, tenor Angus Smith and baritone Donald Greig. Its other current members are countertenor Matthew Venner and tenor Mark Dobell, who took over from Robert Harre-Jones and
Charles Daniels respectively.

Between them, these six have established the Orlando as a world-class ensemble. Now the group has decided to call it a day and will give its last performance in June. So this final
appearance in York, where it has become a familiar visitor, was tinged with sadness.

A touch of nostalgia was in order and each of the singers in turn reminisced between groups about their experiences touring the world.

A seasonal start took us back to a Christmas trio from the Winchester Troper, whose earliest scribe began work around 1000 A.D. It included some fascinating stresses. A Machaut group from around 300 years later was more melismatic – multiple notes to a single syllable of text. A countertenor solo here was wonderfully expressive.

Before we embarked on a continental tour, two English composers gave a good account of
themselves. An anonymous Credo from Fountains Abbey dating to the early 15th century was positively bouncy, especially in its upper two voices. John Plummer’s Anna Mater Matris Christi was delightfully studded with imitation between the parts, highlighting the two tenors.

The three lower voices delivered a nicely tongue-in-cheek farewell to the wines of Lannoy, while the three upper ones made the complications of Vergine Bella, also by Dufay, sound ridiculously easy.

The quartet was more full-throated in Hortus Conclusus by the Spaniard Rodrigo de Ceballos, but without endangering its smooth ensemble. Italy yielded the incredibly busy Plaude Decus Mundi by Cristoforo de Monte (early 15th century), again dispatched with cool panache.

The Flemish masters were kept back for the finale. Josquin’s imitative techniques depend on singers alive to where the shifting spotlight should fall among them. The Orlando did not disappoint: in two motets, one with refrain, the tension ebbed and flowed beautifully.

Nicolas Gombert’s Quam Pulchra Es, sung last, was the most intricate and varied piece of the evening. It was stunningly fresh, with interest revolving between the voices, no mean feat after a full programme sung without vibrato.

These singers have flown the flag for Britain with distinction in all corners of the globe. They deserve our wholehearted thanks. Any just society would deck them with medals. In the King’s next birthday honours perhaps? Let’s hope so.

Review by Martin Dreyer

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REVIEW: Martin Dreyer’s verdict on La Palatine and Ensemble Augelletti, NCEM, York Early Music Christmas Festival

La Palatine: “Building a happy hour around two important Italian visitors to Baroque Spain”

York Early Music Christmas Festival: La Palatine and Ensemble Augelletti, National Centre for Early Music, York, December 8 and 9

JUST as the nights turned chill, Early Music’s Christmas celebration in York blazed into life with two young groups determined to bring warmth. In their different ways, they succeeded.

La Palatine’s Fiesta Galante built a happy hour around two important Italian visitors to Baroque Spain, Domenico Scarlatti and Luigi Boccherini, framing them with lesser-known but equally talented locals.

Directed from the harpsichord by Guillaume Haldenwang, La Palatine’s complement includes soprano Marie Théoleyre, backed up by violin, cello and theorbo or guitar.

José de Nebra (1702-1768) is a name not as well known in this country as it should be, but he staged more than 50 zarzuela-style works in Madrid, while holding down a church job. His punchy rhythms reinforced by strumming were right up Théoleyre’s street, playing to the mezzo side of her voice.

In Nebra’s Que Contrario, Señor, which involved two arias, one song-like, one cheerful, Théoleyre delivered some tricky coloratura as she ornamented repeats, and her colleagues backed her to the hilt, especially violinist Murielle Pfister, who sometimes doubled her line.

Her style was less idiomatic, although equally fiery, in two higher-lying arias by Scarlatti, where she tended to fly off onto top notes without covering the tone.

More restrained was a trio sonata by Jose Herrando, although sunshine quickly re-emerged with Jeremy Nastasi’s account of Santiago de Murcia’s rhapsodic Marizapalos for solo guitar, which bordered on flamenco by the end. In such solo pieces, Nastasi would do well to face his audience so that his sound projects better into the audience.

A Boccherini cello sonata elicited much tricky double-stopping, which Cyril Poulet despatched briskly, especially in its central military allegro. A keyboard sonata by Scarlatti, K.144 in G (of no less than 555 that he wrote), enjoyed a smooth line at the hands of Haldenwang amid numerous deceptive cadences. A Spanish encore brought the full ensemble back into joyous life. More of that, please: it suits you perfectly.

Ensemble Augelletti: “A group whose enthusiasm is infectious”

The following evening saw Ensemble Augelletti, another quintet although all instrumental, take the stage in Pick A Card!, which highlighted some historical playing cards in the British Museum collection.

These were shown on a back-screen. They were amusing enough, although the link with the group’s Baroque programme was sometimes tenuous.

Olwen Foulkes, who is a dab hand on a variety of recorders, is the prime mover and most dominant voice among the Augellettis. But equally important to the ensemble’s success is the highly intelligent cello of Carina Drury, whose every note is attuned to what is going on around her. Her phrasing is exemplary.

She was largely responsible for the success of Bach’s Trio Sonata in G major, BWV 1039, especially in the incredibly active bass line of the concluding Presto. Its earlier Allegro had also generated terrific momentum. It was the group’s crowning glory.

Two dances from Purcell semi-operas were beautifully shaped and there was special entertainment in hearing Geminiani base his Third Trio Sonata on the folk-tune The Last Time I Came O’er The Moor.

After Handel at his most effervescent in part of a trio sonata, it was good to hear the dancing shepherds’ Piva from Messiah. It was immediately followed by Corelli’s Christmas’ Concerto Grosso, Op 6 No 8, moving gracefully from its dark opening through excitement into its closing lullaby. This was exactly what the festival needed.

Along the way we had appreciated Ellen Bundy’s lithe violin and Johan Lofving’s deft theorbo, but we had not heard quite enough from the harpsichord of Benedict Williams. Even so, this is a group whose enthusiasm is infectious.

Review by Martin Dreyer

York Early Music Christmas Festival runs until December 16. Full details at: ncem.co.uk. Box office: 01904 658338 or ncem.co.uk.

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More Things To Do In York and beyond to warm the art as temperatures plummet. Hutch’s List No. 109, from The Press

Into The Lights, digital photomontage by Adele Karmazyn, from her Hidden Spaces exhibition at City Screen Picturehouse, York

IT’S beginning to look a lot like Christmas will be the be all and end all of Charles Hutchinson’s list. Except for a bite of comedy, a Scotsman and hidden digital artworks, that is.

Exhibition launch of the week: Adele Karmazyn, Hidden Spaces, City Screen Picturehouse café, York, from Monday to January 14 2023

INSPIRED by this year’s York Unlocked event, York Open Studios regular Adele Karmazyn has embraced the opportunity to visit this historic city’s hidden spaces, taking photographs on the way.

These photos create the backdrop for her new body of work, each piece evolving into an individual story when she brings in her 19th century characters, taken from old cabinet photographs, and combines these with other photographs of objects, landscapes and creatures in her digital photomontages. By merging multiple layers and concentrating on light and depth, Adele creates “realistic, believable scenarios, which at the same time could never possibly be”.

Promenade light for dark nights: Quinn Richards leads the way as Charles Dickens in Be Amazing Arts’ A Christmas Carol in Malton Market Place

Promenade event of the week: Be Amazing Arts in A Christmas Carol, Malton Market Place, until December 24, 7pm nightly (except December 16 and 22); 5pm on Christmas Eve

AFTER a sell-out debut run in 2021, Be Amazing Arts return to Malton Market Place with Rozanna Klimaszewska’s promenade adaptation of Charles Dickens’s A Christmas Carol in the market town where Dickens himself performed at the long-gone theatre.

Starting out at Kemps General Store, this immersive theatre and dining experience invites you to follow Dickens (Quinn Richards, who also plays Ebenezer Scrooge) as he tells the story and brings to life Dickens’s characters alongside fellow professionals James Rotchell and Kirsty Wolff and Be Amazing’s Young Company. Festive canapes and a warming winter drink are provided by The Cook’s Place. Box office: 01653 917271 or beamazingarts.co.uk.

Mari Christmas: Mari Wilson in festive mood at Selby Town Hall tonight

Have yourself a Mari little Christmas: Mari Wilson, Selby Town Hall, tonight, 8pm

JUST what you always wanted: A Mari Christmas from Neasden’s “Nymphette of Nail Varnish and High Priestess of Hair Spray”, Miss Beehive, songstress Mari Wilson, who will be combining her Eighties’ hits with tunes of Yuletide yesterdays, a Singalong-a-Christmas and seasonal surprises. Dressing up is a must for the complete Wilsational night. Box office: 01757 708449 or selbytownhall.co.uk.

Fresh from Squeeze’s Food For Thought autumn tour, Chris Difford is doing the solo rounds, returning to Selby on Friday. Sold out, alas.

Mostly Autumn: Winter songs at The Crescent

Entirely winter from… Mostly Autumn Christmas Show!, The Crescent, York, Sunday, 8pm (doors 7pm)

YORK prog-rockers Mostly Autumn celebrate Christmas with a standing show at The Crescent, sure to feature For Everyone At Christmastime. Expect hard rock, Celtic themes, traces of trad folk and more contemporary influences too in a set of festive fireworks from Bryan Josh, Olivia Sparnenn-Josh, Angela Gordon and co for devotes of Seventies’ Genesis, Pink Floyd, Camel, Renaissance and Jethro Tull, before they head off to Belgium next week. Box office: thecrescentyork.com.

O little voices of Barbican: York’s community carol concert

Christmas institution of the week: York Community Carol Concert, York Barbican, Sunday, 2pm

AFTER 64 years, York’s community carol concert draws in all ages and still plays to full houses. Taking part this time will be York Railway Institute Band; Osbaldwick Primary Academy Choir; St Oswald’s CE Primary School; Stamford Bridge Community Choir and York singer, songwriter and guitarist Steve Cassidy. 

Mike Pratt is the musical director, with the Reverend Andrew Foster and BBC Radio York presenter Adam Tomlinson as the co-hosts, for an afternoon of Christmas carols and songs in aid of the Lord Mayor and Sheriff of York’s Christmas Cheer Fund and Martin House Children’s Hospice. Box office: yorkbarbican.co.uk.

Rick Wakeman: Re-awakening songs with a Christmas twist and festive flair at York Barbican

More Christmas events at York Barbican: Disney’s The Muppet Christmas Carol: Live In Concert, Monday, 7pm; Rick Wakeman’s Grumpy Christmas Stocking, Tuesday, 7.30pm; Emma Bunton: The Christmas Show 2022, December 16, 8pm

DISNEY’S The Muppet Christmas Carol, the one with Kermit the Frog as Bob Cratchit, Michael Caine as stingy Ebenezer Scrooge, Gonzo as Charles Dickens and Miss Piggy as Emily Cratchit, will be accompanied by a live performance of the musical score.

Yes organist Rick Wakeman gives a Yuletide twist to his grand piano and electric keyboard arrangements of songs from his own career and others, plus a few surprises, punctuated by stories.

Emma Bunton spices up her Christmas Party with solo career hits, Spice Girls staples and festive favourites. Box office: yorkbarbican.co.uk.

No More, vows Steve Mason, in his tour show at The Crescent, York

Most welcome Scottish visitor of the week: Steve Mason, No More Tour, The Crescent, York, Thursday, 7.30pm

SCOTSMAN Steve Mason is joined by keyboardist Darren Morris on his No More Tour, named after his new single. Melodious material from his Beta Band days and solo catalogue are promised, along with a showcase of songs from Brothers And Sisters, his first album since January 2019’s About The Light, ready for release in 2023. Cobain Jones is the support act. Box office: thecrescentyork.com.

Russell Kane: His strain of comedy will keep on running in 2022

Comedy gigs of the week: Russell Kane Live!: The Essex Variant, York Barbican, Wednesday, 8pm; Dara OBriain: So…Where Were We?, York Barbican, Thursday, 8pm

MAN Baggage and Evil Genius podcaster, comedian, actor, writer and presenter Russell Kane discusses “the two years we’ve just gone through” in his Essex variant of Covid comedy.

By way of contrast, in his sold-out return, Irishman Dara OBriain will “hardly mention the last year and a half, because, Jesus, who wants to hear about that but will instead fire out the usual mix of stories, one-liners and audience messing”.  Box office: for Kane tickets only, yorkbarbican.co.uk.

So…where are you on Tuesday, Dara? At a sold out York Barbican for “the usual mix of stories, one-liners and audience messing”
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More Things To Do in York and beyond, from an Old Granny Goose to Grayson. Hutch’s List No. 108, courtesy of The Press

Goose by the Ouse: Dame Berwick Kaler, centre, with Martin Barrass, left, AJ Powell, Suzy Cooper and David Leonard, gathering again at the Grand Opera House, York, for The Adventures Of Old Mother Goose. Picture: David Harrison

KALER on the loose, Christmas music, art and crafts and a stellar trio on the horizon have Charles Hutchinson hopping between diaries

Berwick’s back: The Adventures Of Old Granny Goose, Grand Opera House, York, December 10 to January 8

THE script is complete, as of 6am on Thursday morning, for writer, director and perennial York dame Berwick Kaler’s second year at his adopted panto home, presented in tandem with the Grand Opera House’s new partners in pantomime, UK Productions.

At 76, expect a greater emphasis on the verbal jousting from Dame Berwick, but still with slapstick aplenty in the familiar company of sidekick Martin Barrass, villain David Leonard, principal gal Suzy Cooper, luverly Brummie AJ Powell and ever-game dancer Jake Lindsay in his tenth Kaler panto, me babbies, me bairns. Box office: 0844 871 7615 or atgtickets.com/York.

Angel With Gift, linocut print by Anita Klein, part of The Christmas Collection at Pyramid Gallery, York

Exhibition launch of the week: The Christmas Collection at Pyramid Gallery, Stonegate, York, today until January 12, open daily

YORK ceramicist Ben Arnup opens The Christmas Collection, the last exhibition of Pyramid Gallery’s 40th anniversary celebrations, at midday today.  He will be exhibiting 12 new trompe l’oeil ceramic sculptures too.

Gallery curator Terry Brett has invited London printmaker Anita Kelin to fill the walls with 15 large linocut original prints and two paintings in her 28th year of showing her depictions of family life at Pyramid. Exhibiting too will be printmaker Mychael Barratt, sculptors Christine Pike and Jennie McCall, ceramicist Katie Braida and glassmakers Rachel Elliott, Alison Vincent, Keith Cummings and David Reekie, plus 50 jewellery makers.

Sara Davies: Crafty ideas for Christmas at York Barbican

Return to York of the week: Craft Your Christmas with Sara Davies, York Barbican, tonight, 7.30pm

DRAGONS’ Den entrepreneur Sara Davies, who founded her Crafter’s Companion company in 2005 while studying at the University of York, offers practical demonstrations, creative ideas and a healthy slice of down-to-earth know-how.

Taking you from gifts to garlands, cards to crackers, via a peek into the Den and a sprinkling of Strictly Come Dancing sparkle, Sara will help you to create your own unique handmade Christmas. Box office: yorkbarbican.co.uk.

The Ebor Singers: Christmas music from America and Britain at St Lawrence Parish Church

Christmas concert of the week: The Ebor Singers, A Christmas Celebration By Candlelight, St Lawrence Parish Church, Lawrence Street, York, tonight, 7.30pm

PAUL Gameson directs The Ebor Singers in an evening of beautiful choral arrangements for Christmastide that also marks the launch of the York choir’s CD recording of Christmas music by contemporary American composers, Wishes And Candles.

Pieces from the disc, featuring works by Morten Lauridsen, Eric Whitacre,  Dan Forrest, Abbie Bettinis and Matthew Culloton, will be complemented by festive compositions by John Rutter and Bob Chilcott. Expect audience participation in carol singing too. Tickets: eventbrite.co.uk and on the door.

Russell Watson and Aled Jones

Festive musical duo of the week: Aled Jones and Russell Watson, Christmas With Aled & Russell York Barbican, Tuesday, 8pm

ALED Jones and Russell Watson are reuniting for Christmas 2022, combining a new album and tour. Performing together again after a three-year hiatus, the classical singers will be promoting their November 4 release of Christmas With Aled And Russell. 

The album features new recordings of traditional carols such as O Holy Night, O Little Town Of Bethlehem and In The Bleak Midwinter, alongside festive favourites White Christmas, It’s Beginning To Look A Lot Like Christmas, Little Drummer Boy and Mistletoe And Wine, complemented by a duet rendition of Walking In The Air. Box office: yorkbarbican.co.uk

York Mystery Plays Supporters Trust cast members in rehearsal for A Nativity for York. Picture: John Saunders

Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity for York, Spurriergate Centre, Spurriergate, York, Thursday, Friday, 7.30pm; Saturday, Sunday, 3pm, 5pm and 7.30pm

A NATIVITY for York returns to the Spurriergate Centre following a two-year enforced break, staged by York Mystery Plays Supporters Trust (YMPST). After directing the Last Judgement plays  on the city streets in 2018 and 2022, Alan Heaven has created a fresh, vibrant and magical retelling of the Nativity, combining “music, dance, sorrows and joys and some audience participation”.

Heaven’s company of actors, dancers and musicians is drawn from a wide range of community volunteers, in keeping with the YMPST productions of A Nativity for York in 2019 and A Resurrection for York in 2021. Tickets: 01904 623568, at yorktheatreroyal.co.uk or in person from the Theatre Royal box office.

Solomon’s Knot: Christmas Cantatas at Sir Jack Lyons Concert Hall, University of York, in York Early Music Christmas Festival 2022’s concluding concert

Festival of the week: York Early Music Christmas Festival, mainly at NCEM, Walmgate, December 8 to 16; online box set, December 19 to January 31

MUSIC, minstrels, merriment, mulled wine and mince pies combine in York Early Music Christmas Festival 2022, to be complemented by an online box set of festival highlights post-festival.

Taking part will be La Palatine (Fiesta Galante); Ensemble Augelletti (Pick A Card!); Solomon’s Knot (Johann Kuhnau’s Christmas Cantatas); Spiritato and The Marion Consort (Inspiring Bach); Ensemble Moliere (Good Soup);  Bojan Čičić (Bach’s Sonatas and Partitas); The Orlando Consort (Adieu) and Yorkshire Bach Choir & Yorkshire Baroque Soloists (Handel’s Brockes Passion). Box office: 01904 658338 or ncem.co.uk.

Guitarist Tom Bennett and baritone Sam Hird, outside their training ground, the Royal College of Music. On Friday, they perform a Christmas recital in York

Homecoming of the week: Sam Hird and Tom Bennett, A Winter Night’s Recital, All Saints’ Church, North Street, York, Friday, 7pm to 9pm

YORK baritone Sam Hird and his fellow Royal College of Music graduate, guitarist Tom Bennett, perfrom classical songs from around the world, by Schubert, Faure and Britten, complemented by festive favourites such as Adeste Fideles, O Holy Night and A Cradle In Bethlehem to stir the Christmas spirit.

The 15th century All Saints’ Church will be the “perfect backdrop” to this candlelit concert, Hird’s professional solo debut. A glass of mulled wine and a mince pie is included in the ticket price of £10 plus booking fee, available from samhirdmusic.co.uk and on the door.

Big jumpers, big songs: Alistair Griffin presents The Big Christmas Concert, St Michael le Belfrey Church, York, December 9, 10 and 17, 8pm; doors, 7.30pm

Alistair Griffin: Christmas hits

BILLED as “the biggest Christmas concert in York”, singer-songwriter Alistair Griffin’s winter warmer returns with classic Christmas tunes, carols and bags of festive cheer, heralded by a brass band.

The Big Christmas Concert takes a festive musical journey from acoustic versions of traditional carols to Wizzard, Slade and The Pogues, as audiences sing along and sip mulled wine while enjoying the fairytale of old York. Christmas jumpers and Christmas attire are encouraged; a prize will be given for the best costume. Box office: www.alistairgriffin.com.

One way or another, you’re gonna get ya ticket for Blondie at Scarborough Open Air Theatre next summer

Booking ahead: Blondie, Scarborough Open Air Theatre, June 22 2023

LOWER East Side New York trailblazers Blondie are off to the East Coast next summer to play Britain’s largest outdoor concert arena.

The Rock and Roll Hall of Fame icons will be led as ever by pioneering frontwoman/songwriter Debbie Harry, 77, guitarist/conceptual mastermind Chris Stein and powerhouse drummer Clem Burke, joined by former Sex Pistols bassist Glen Matlock, guitarist Tommy Kessler and keyboardist Matt Katz-Bohen.

Blondie join Sting, Pulp, rock supergroup Hollywood Vampires, N-Dubz, Olly Murs and Mamma Mia! among Scarborough OAT’s 2023 headliners, with plenty more to be added. Box office: scarboroughopenairtheatre.com.

The Waterboys: 40th anniversary celebrations in 2023, taking in York Barbican

Booking ahead too: The Waterboys, York Barbican, October 12 2023, 7.30pm

GREAT, Scott will be back for yet another evening with The Waterboys at York Barbican, this time to mark the Scottish-founded folk, rock, soul and blues band’s 40th anniversary.

Mike Scott, 63, has made a habit of playing the Barbican, laying on the “Big Music” in 2012, 2013, 2014, 2015,  2018 and October 2021, since when The Waterboys have released 15th studio album All Souls Hill in May. Box office: yorkbarbican.co.uk.

Grayson Perry: A Show All About You…and surely about him too at Harrogate Convention Centre?

A brush with an artist: Grayson Perry: A Show All About You, Harrogate Convention Centre, October 1 2023, 7.30pm

ARTIST, iconoclast and TV presenter Grayson Perry follows up A Show For Normal People with A Show All About You, wherein he asks, “What makes you, you?”. Is there a part deep inside  that no-one understands? Have you found your tribe or are you a unique human being? Or is it more complicated than that?

Perry, “white, male, heterosexual, able bodied, English, southerner, baby boomer and member of the establishment”, takes a mischievous look at the nature of identity, promising to make you laugh, shudder, and reassess who you really are. Box office: 01423 502116 or harrogatetheatre.co.uk.

Also recommended but sold out: The Cure, The Lost World Tour 2022, Leeds First Direct Arena, Tuesday, doors, 6pm

ROBERT Smith’s ever-changing band play Leeds for the first time since September 21 1985 at the whatever-happened-to-the Queens Hall. Expect a long, long set of all the heavenly, hippy pop hits, the gloomier goth stalwarts and more than a glimpse of the long-promised 14th studio album, Songs Of A Lost World, pencilled in for 2023.

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More Things To Do in York and beyond as ghosts loom and pantomimes bounce back. Hutch’s List No. 107, from The Press

Winter’s chill: Rebecca Vaughan in Dyad Productions’ Christmas Gothic

GHOST stories, pantomimes and Jools’s annual visit top Charles Hutchinson’s list of winter essentials to keep warm and alert.

Ghost stories of the week, part one: Dyad Productions in Christmas Gothic, Theatre@41, Monkgate, tonight (27/11/2022), 7.30pm

FROM the creators of I, Elizabeth, A Room Of One’s Own, Female Gothic and Austen’s Women comes a dark celebration of Christmas, adapted and performed by Rebecca Vaughan.

Come in from the cold and embrace the Christmas spirit as a spectral woman tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the chilling depths of the bleak, wintry gloom at this time of feasts and festivities, visits and visitations, ghosts and more ghosts. Box office: tickets.41monkgate.co.uk.

A Dickens or three of a scary night: James Swanton in his Ghost Stories For Christmas

Ghost Stories For Christmas, part two: James Swanton, York Medical Society, Stonegate, York, select dates from November 29 to December 20, 7pm

YORK’S gothic ghost storyteller supreme, James Swanton, presents his most ambitious Dickensian schedule yet, with 12 shows back home and around 20 more around the country, transferring to London’s Charles Dickens Museum in the run-up to Christmas.

Ghost Stories For Christmas is made up of Swanton’s hour-long solo renditions of A Christmas Carol (eight performances) and the lesser-known The Chimes and The Haunted Man (two nights each). Box office: 01904 623568 or yorktheatreroyal.co.uk/show/ghost-stories-for-christmas/.

The Stylistics: Soul power at York Barbican

Good for the soul show of the week: The Stylistics, York Barbican, tonight (27/11/2022), 7.30pm

SOULFUL Philadelphia harmony veterans The Stylistics “can’t wait to be back in the UK, performing all our hits, bringing back great memories and having a great evening with you all” on their 27-date tour.

In the line-up will be founder members Arrion Love and Herb Murrell, complemented by  ‘Bo’ Henderson and Jason Sharp, as the 2004 inductees into the Vocal Group Hall of Fame sing I’m Stone In Love With You,  You Make Me Feel Brand New, Let’s Put It All Together, You Are Everything et al. Box office: yorkbarbican.co.uk.

Robert Hollingworth: Director for University of York Choir & Baroque Ensemble’s concert at Central Hall. Picture: Frances Marshall

Christmas concert of the week: Long, Long Ago, Messe de Minuit pour Noel, University of York Choir & Baroque Ensemble, Central Hall, University of York, Wednesday, 7.30pm

UNIVERSITY of York Choir & Baroque Ensemble are joined by The 24 for a Christmas concert of Marc-Antoine Charpentier’s Messe de Minuit for voices, strings and flutes, Howells’ four jazz-inflected Carol Anthems and Bo Holten’s First Snow.

Director Robert Hollingworth also will be donning his dressing gown for a reading of Dylan Thomas’s magical A Child’s Christmas In Wales. “All in all, it’s a strange alchemic mix but we know it works!” he says. “Trust us – and come and have your first mince pie of the season.” Box office: yorkconcerts.co.uk.

Bad to the bone: Michael Lambourne’s ABBAnazar in Harrogate Theatre’s Aladdin. Picture: Karl Andre

Yorkshire welcome back of the week: Aladdin, Harrogate Theatre, until January 15 2023

MICHAEL Lambourne, the booming-voiced thespian who needs no introduction to York Theatre Royal audiences, can probably be heard all the way from York when he plays the evil ABBAnazar in his Harrogate Theatre pantomime debut.

Lambourne joins daft lad Tim Stedman’s Wishee Washee and fellow Harrogate panto returnees Christina Harris(Princess Jasmine), Colin Kiyani (Aladdin) and Howard Chadwick, back on spa-town dame duty, as Widow Twankey, for the first time since Snow White in 2019. Ebony Feare’s Genie and Stephanie Costi’s Pandora the Panda are the new faces in Marcus Romer’s cast. Box office: 01423 502116 or harrogatetheatre.co.uk.

From CBeebies to York Theatre Royal: Maddie Moate’s Tinkerbell in All New Adventures Of Peter Pan

Putting the Pan into pantomime: All New Adventures Of Peter Pan, York Theatre Royal, December 2 to January 2 2023

CBEEBIES favourite Maddie Moate and three stars of last year’s Cinderella – Faye Campbell, Paul Hawkyard and Robin Simpson – fly into action for York Theatre Royal’s third collaboration with Evolution Productions.

Moate plays naughty fairy Tinkerbell, Campbell, Elizabeth Darling, Hawkyard, Captain Hook and Simpson, Mrs Smee, joined by Jason Battersby’s Peter Pan and Jonny Weldon’s pirate Starkey in creative director Juliet Forster’s production, scripted by Evolution’s Paul Hendy. Look out for acrobats Mohammed Iddi, Karina Ngade and Mbaraka Omari too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jools Holland: Returning to York Barbican with Vic Reeves as his specual guest

Jools et Jim show: Jools Holland and His Rhythm & Blues Orchestra, with Vic Reeves, York Barbican, Thursday, 7.30pm

ON the back of notching the 30th anniversary of his Later…With Jools Holland shows on BBC Two, the boogie-wooogie piano man joins up with fellow Squeeze alumnus Gilson Lavis, vocalists Ruby Turner and Louise Marshall and his exuberant big band.

The special-guest star turn goes to comedian, artist and chart-topping all-round performer Vic Reeves (aka Jim Moir), Holland’s Leeds-born podcast partner on Jools & Jim’s Joyride, fresh from his Yorkshire Rocks & Dinghy Fights exhibition at RedHouse Originals, Harrogate. Box office: yorkbarbican.co.uk.

Long wait: Diversity bring Supernova to York in…2024

Looking and booking ahead: Diversity: Supernova, York Barbican, March 7 and 8 2024

LONDON street dance troupe Diversity’s 66-date Supernova tour to 40 cities and towns in 2023-2024 will take in a return to York.

Winners of the third series of ITV’s Britain’s Got Talent in 2009, Ashley Banjo’s dancers will be switching to the Grand Opera House from York Barbican, where they presented Connected, a show full of playful, comedic routines with powerful statements on human connectivity, in April this spring. Box office: 0844 871 7615 or atgtickets.com/York.

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Who’s playing at 2022 York Early Music Christmas Festival and on NCEM’s festive online box set? Full programme here

Solomon’s Knot: Premiering Johann Kuhnau’s Christmas Cantatas on December 16. Picture: Dan Joy

YORK Early Music Christmas Festival 2022’s combination of music, minstrels, merriment, mulled wine and mince pies can be savoured from December 8 to 17.

The live festival will be complemented by a festive online box set, comprising highlights of seven concerts available to watch on demand from 12 noon on December 19 to January 31 2023.

Run by the National Centre for Early Music (NCEM), at St Margaret’s Church, Walmgate, the 2022 festival features both Early and folk music performed by an array of artists from Great Britain, Europe and York itself.

“The NCEM welcomes old friends and new faces for this musical celebration of Christmas,” says director Dr Delma Tomlin. “As well as concerts from some of the world’s foremost exponents of Early Music, this year’s Christmas programme brings you festive cheer from The Furrow Collective, Green Matthews and The York Waits, thanks to a special Events and Festivals Grant from Make It York.

“This is the perfect choice for an atmospheric Yuletide evening away from the crowds as the York Early Music Christmas Festival transports you to a magical Christmas past, with mice pies and mulled wine available at most concerts.”

La Palatine: Opening York Early Music Christmas Festival 2022 with Fiesta Galante concert

Returning after their sparkling debut in York last year, French baroque ensemble La Palatine open the festival on December 8 at 7pm at the NCEM with Fiesta Galante, a festive and colourful spread of different musical genres marking the accession of the Bourbons to the Spanish throne in 1700.

These rising stars of Creative Europe’s EEEmerging+ programme – to support the development of young professional ensembles – will be performing acrobatic sonatas, dancing cantatas and guitar pieces, capturing how the new Italianate spirit spread through Spain. Led by soprano Marie Théoleyre, the highlight will be Nebra’s sacred cantatas.

“The relationship with Europe (through EEEmerging) has been fabulous, allowing us to share these wonderful musicians’ skills,” says Delma. “Post-Brexit, the bridges will still be there; they still want to collaborate, and so do I.

“Last December, La Palatine made the audience cry…in a very positive way with the beauty of their music, especially the last song. Marie Théoleyre is such an engaging singer. People were still not getting out to many concerts, and there was such a sense of joy in being there.

“La Palatine will be here for a few days, and as part of their residency, for Restoration, a UK network of Early Music promoters, they will be presenting a private concert to be shared online, giving the promoters the chance to talk to the artists with a view to further engagements.”

Ensemble Augelletti: Invitation to Pick A Card! Picture: Luke Avery

Expect to hear fantasias as they have never been played before when improvising violinist Nina Kumin gives an illustrated concert as part of this University of York PhD student’s doctorate in Telemann’s Fantasy: The Genius Behind The Music (NCEM, December 9, 12.30pm, free admission).  

Looking at how fantasias capture the style and the spirit of the Baroque, this Peter Seymour pupil will open with Telemann’s fantasias for solo violin, then will address two questions: how did baroque musicians create fantasias, and from where did they gain inspiration?

Kumin, by the way, has taken over as the director of the Minster Minstrels, the NCEM’s Early Music ensemble for school-age musicians.

In Pick A Card! (NCEM, December 9, 7pm), London’s Ensemble Augelletti explore playing card designs from the 14th century to the present day, connecting each card to a different piece of music to tell seasonal stories of people, places and animals in winter.

Olwen Foulkes, recorders, Ellen Bundy, violin, Carina Drury, cello, Toby Carr, lutes, and Benedict Willliams, keyboards, play music by Handel, Corelli, Rossi, Purcell and Ucellini to conjure up cosy evenings of playing cards around a fire, an ancient pastime for family celebrations and gatherings.

Clowning around in Ensemble Molière’s Good Soup performance on December 12

Audiences can enjoy a brace of intimate yet extrovert celebrations of JS Bach’s music in solo violin lunchtime concerts over the festival’s two weekends. Festival favourite Bojan Čičić returns to the NCEM to interpret Bach’s Sonatas (December 10, 1pm) and Partitas (December 17, 1pm), ahead of the release of his latest recording with Delphian.

York’s Yorkshire Bach Choir and the Yorkshire Baroque Soloists return to the Sir Jack Lyons Concert Hall, University of York (December 10, 7pm to 10pm), with soprano Bethany Seymour and Hannah Morrison, tenor James Gilchrist and bass Johnny Herford as the soloists for Handel’s Brockes Passion.

After languishing in the margins of musical history, Handel’s only Passion setting – first performed in Hamburg in 1719 – receives its debut performance in the North of England, with its vivid mixture of chorales, choruses and emotive recitatives, under conductor Peter Seymour.

Baroque ensemble Spiritato and York vocal group The Marian Consort join forces at the NCEM (December 11, 5pm) to present Inspiring Bach, an exciting, moving and profound performance featuring music and composers admired by Johann Sebastian Bach: Pachelbel, JC Bach, Knupfer and Buxtehude.

“These large-scale, uplifting works, composed after the trauma of the Thirty Years War, have a remarkable resonance today,” says Delma. “Featuring composers you might surmise were inspired by Bach or inspired the man himself, this is music form the very soul of the 17th century, crowned with soaring melodies and the glorious sound of trumpets and drums.

Ensemble Molière: NCEM’s New Generation Baroque Ensemble

“We’re delighted Spiritato are returning to York; they’re an absolutely smashing young ensemble, working incredibly hard to present unfamiliar repertoire and making a real go of it.”

To celebrate French playwright Molière’s 400th anniversary, Ensemble Molière, the first NCEM/BBC Radio 3/Royal College of Music New Generation Baroque Ensemble, re-create a time of environmental catastrophe, war and pestilence set around the table of the Sun King, Louis XIV, in Good Soup at the NCEM (December 12, 7.30pm).

“Very different from a normal baroque programme”, the evening of music, absurdist theatre, slapstick and puppetry features works by Jean-Baptiste Lully, Couperin, Marais, Dumont, Charpentier and Jean Chardevoine, complemented by clowns and performers James Oldham and Lizzy Shakespeare. Klara Kofen is the dramaturg and puppeteer; Rachel Wise, the movement director and fellow puppeteer.

The NCEM and partners will be seeking a new New Generation ensemble from next September. In the meantime, Ensemble Molière will record their debut album at the NCEM next spring, on top of their work for BBC Radio 3.

The Orlando Consort’s Matthew Venner (countertenor), Mark Dobell (tenor), Angus Smith (tenor) and Donald Greig (baritone) mark their final year of performing and recording together with Adieu, presenting a selection of pieces they have particularly enjoyed singing over the past 35 years, at the NCEM (December 15, 6.30pm, moved from 7.30pm).

The Orlando Consort: Saying goodbye with Adieu, an evening of music and conversation on December 15

The mellifluous sequence of music from across Europe ranges from the hypnotic beauty of 1,000-year-old polyphony, through the Medieval age, and onwards to the early Renaissance.

In addition, Consort members will be sharing reflections on their musical journey in a handful of behind-the-scenes touring anecdotes. That journey included a commission from Gabriel Jackson to mark the opening of the NCEM in 2000.

The main festival concludes with Solomon’s Knot’s focus on Johann Kuhnau’s Christmas Cantatas, directed by Jonathan Sells, now at the NCEM, rather than the Lyons (December 16, 6.30pm).

“Three hundred years after his death, it must be high time to bring Johann Kuhnau – the 16th cantor of the Thomasschule in Leipzig – out of the eclipsing shadow of his well-known successor, JS Bach,” says Delma.

The Furrow Collective: Opening their winter tour at the NCEM on December 2

“Thanks to the pioneering work of scholar and countertenor David Erler, his sparkling works are ever more widely available. Solomon’s Knot return to the festival to give three of them their UK premiere in York, to be followed by a second performance at Wigmore Hall, in London, the next day.

“Featuring full choir and orchestra – 25 performers in all – these cantatas will ‘raise the roof’ of our 2022 Christmas celebrations, with festive trumpets, horns, and drums providing the perfect soundtrack for Christmas and New Year.”

In further festive concerts at the NCEM, English/Scottish band The Furrow Collective present We Know By The Moon, a spine-tingling evening of storytelling and harmony, bringing light into the wintry gloom (December 2, 7.30pm), while modern-day balladeers Green Matthews evoke the spirit of Christmas past, bringing600 years of music to life in a riot of sound and colour (December 17, 7.30pm).

In the NCEM’s last Christmas concert, the stalwart York Waits celebrate the 45th anniversary of their re-creation of York’s historic city band with The Waits’ Wassail in Music for Advent and Christmas, exploring festive music from the 14th to the 17th century (December 20, 7.30pm).

For full programme details, go to ncem.co.uk. Tickets are on sale on 01904 658338, at ncem.co.uk or in person from the NCEM.

El Gran Teatro Del Mundo: Part of the NCEM’s online box set

FOR the festive online box set, the NCEM concerts by La Palatine, Bojan Čičić, Spiritato & The Marian Consort, The Orlando Consort and Solomon’s Knot will be filmed and recorded by Ben Pugh and Tim Archer, formerly of the BBC’s Manchester studios, to enjoy from the comfort of home.

The set will be completed by El Gran Teatro Del Mundo’s concert, The Art Of Conversation, filmed on November 20. A festival pass costs £45 for the seven concerts; individual concerts, £10, at ncem.co.uk, and the concerts may be watched any number of times.

NCEM director Dr Delma Tomlin says: “York Early Music Festival is one of the highlights of the city’s Christmas calendar and the online programme offers the chance for everyone to enjoy these glorious concerts wherever they are in the world, giving access to people unable to go out or attend.

“As always, we’re welcoming old friends and new to the festival, which features an extraordinary wealth of music associated with Advent, Christmas and Epiphany. Our programme is the perfect accompaniment to Yuletide festivities and can be streamed well beyond Twelfth Night, so  if you can’t join us in York this year, you can celebrate with us at home from December 19 to January 31.”

York Early Music Christmas Festival director Dr Delma Tomlin: “Welcoming old friends and new”
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Looking for More Things To Do in York and beyond? Success will be found inside this story. Hutch’s List No. 106, from The Press

What is success, ponders Sara Pascoe, comedian, presenter, actress, writer and mum, at York Barbican

A COMEDIAN’S quest, a musical Nativity, winter storytelling, open studios, folk luminaries and supreme songwriters put a spring in Charles Hutchinson’s step as the season for scarves arrives

Comedy gig of the week: Sara Pascoe: Success Story, York Barbican, Thursday, 7.30pm

EXPECT “name-dropping, personal stories and anecdotes” from comedian Sara Pascoe, who will be mulling over status, celebrities, her new fancy lifestyle versus infertility, her multiple therapists and career failures in Success Story.

“What I want to explore is how do we define success and when do we define it,” she says. “Does it change with age? Do we only want things we can’t have? When we attain our goals, do we move the goal posts and become unsatisfied with what we’ve got and want something else instead?” Box office: yorkbarbican.co.uk.

Mayhem incoming: Pick Me Up Theatre’s cast for Nativity The Musical

Christmas musical of the week: Pick Me Up Theatre in Nativity! The Musical, Grand Opera House, York, November 24 to 26, 29 and 30, December 2, 7.30pm; November 26, 2.30pm; November 27, 3pm; December 1, 2pm, 7pm; December 3, 12pm, 4pm

ROBERT Readman directs York company Pick Me Up Theatre in Debbie Isitt and Nicky Ager’s humorous musical, built around St Bernadette’s School’s calamitous attempt to mountain a musical Nativity play.

Unfortunately, teacher Mr Maddens has promised that a Hollywood producer will attend the show to turn it into a film. 

Join him, his crazy teaching assistant Mr Poppy and the unruly children as they struggle to make everyone’s Christmas wish come true to the songsheet of Sparkle And Shine, Nazareth, One Night One Moment, She’s The Brightest Star and a heap of new Yuletide songs. Box office: 0844 871 7615 or atgtickts.com/york.

Ye Wretched Strangers Storybook: Tales from North America and Britain at York Mansion House

Promenade theatre event of the week: Ye Wretched Strangers Storybook, York Mansion House,  St Helen’s Square, York, tonight, 7.30pm

YE Company of Wretched Strangers, a transatlantic community theatre troupe of performers and storytellers from Yorkshire and Wisconsin, present sometimes comic, sometimes serious, always intimate and often poignant tales from Britain and North America, spanning 1799 to 1942, in the refurbished home to the Lord Mayor of York.

Laughter, smiles and a tear or two will be elicited by A Christmas Eve Ghost Story, the Creation Myth of the Ojibwe Tribe of Native Americans, A York World War Two Tale and other stories of ordinary people often forgotten by history on both sides of the Atlantic. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/ye-wretched-strangers-storybook/

Wizard, photographic collage, by Claire Morris, on show at the Winter Artists Open House

Christmas shopportunity of the week: Winter Artists Open House, South Bank, York, today, 11am to 4pm

FIVE York artists are opening studios today in South Bank with an eye to the Christmas market. At Kay Dower’s Corner Gallery, at 2 Telford Terrace, her acrylic paintings and prints of corners of York, the Yorkshire coast and quirky still-life objects will be complemented by photographic collages by Claire Morris, inspired by vintage books.

Kate Buckley’s “origami meets porcelain” sculptural ceramics and Marie Murphy’s modern, geometric paintings, prints and illustrations of urban landscapes can be found at 31 Wentworth Road. Mixed-media artist Jill Tattersall’s vivid, dreamlike artworks in paints, inks and dyes on handmade paper await at the Wolf At The Door studio, 15 Cygnet Street.

Saxon: Seize a ticket for their Seize The Day date at York Barbican

Heavy metal gig of the week: Saxon, Seize The Day World Tour, Hull City Hall, Tuesday; York Barbican, Wednesday, 7.30pm

BARNSLEY heavy metal veterans Saxon bring their 23rd studio album, February’s Carpe Diem, to stage life, led as ever by Biff Byford. “Can’t wait to get out on a real tour again, it’s gonna be monumental!” he says. “See you all out there. Seize the day!” Special guests will be Diamond Head. Box office: Hull, hulltheatres.co.uk;  York, yorkbarbican.co.uk.

Jane Weaver: Purveyor of an eco-friendly hum and pop for post-new-normal times

Songwriters of the week: Mary Gauthier & Jaimee Harris, Wednesday; Jane Weaver & Jake Mehew, Thursday, both at The Crescent, York, 7.30pm

NEW Orleans roots singer-songwriter Mary Gauthier is backing up June’s release of Dark Enough To See The Stars with a rare UK tour this month. The album mourns the loss of dear friends John Prine, Nanci Griffith and David Olney, but the optimistic side to Gauthier bursts through songs of new love and personal contentment.

Her seated show is followed the next night by Jane Weaver’s standing gig. An unshakable leading light of Britain’s experimental pop music landscape, this Manchester musician released her latest album, Flock, last year with its eco-friendly hum and pop for post-new-normal times. Box office: thecrescentyork.com.

Oysterband: Bound for Pocklington Arts Centre

Rare sighting of the week: Oysterband, Pocklington Arts Centre, Thursday, 8pm

OYSTERBAND play Pocklington as the only northern gig in their 2022 autumn diary. Formed in Canterbury in 1976, the veteran six-piece still perform with the spirit a punk ceilidh band but with depth and sensitivity to their songwriting, coupled with the strength of John Jones’s voice.

Songs from the five-time BBC Folk Award winners’ March album, Read The Sky, are sure to feature. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Bellowhead: Reuniting for first tour in six years

Folk event of the year: Bellowhead’s Broadside Tenth Anniversary Tour, Harrogate Convention Centre, Friday, doors 7pm for 8pm start

FOLK big band Bellowhead are reuniting for a “special one-off” tenth anniversary tour of their fourth album, 2012’s Broadside, their first Top 20 entry in the UK Official Album Charts, fuelled by such favourites as Roll The Woodpile Down and 10,000 Miles Away.

Support comes from Stroud fiddler Sam Sweeney, who served in Bellowhead from 2008 to their last tour in 2016 and is now back on the front line alongside Jon Boden and John Spiers. Tickets update: Sold out; for returns only, contact 01423 502116 or harrogatetheatre.co.uk.

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Looking for More Things To Do in York and beyond? I got you, babe. Time to share Hutch’s List No. 105, courtesy of The Press

Made for Chering: Millie O’Connell’s Babe, left, Debbie Kurup’s Star and Danielle Steers’ Lady in The Cher Show: A New Musical. Picture: Matt Crockett

FROM Cher times three and Charlie and that chocolate factory, to G&S and Oliver!, musical entertainment dominates Charles Hutchinson’s diary.

Cher, Cher and Cher alike: The Cher Show: A New Musical, Grand Opera House, York, Tuesday to Saturday, 7.30pm; 2.30pm, Wednesday and Saturday

TURNING back time, Millie O’Connell’s Babe, Danielle Steers’s Lady and Debbie Kurup’s Star share out the Cher role in The Cher Show, the story of the American singer, actress and television personality’s meteoric rise to fame as she flies in the face of convention at every turn.

This celebration of the “Goddess of Pop” and “Queen of Reinvention” packs in 35 hits, I Got You Babe, If I Could Turn Back Time, Strong Enough, The Shoop Shoop Song, Believe et al. Box office: 0844 871 7615 or atgtickets.com/York.

Oliver at the double: Fin Walker, left, and Zachary Pickersgill will be sharing the title role in NE’s production of Oliver!

Community musical of the fortnight: NE in Oliver!, Joseph Rowntree Theatre, York, November 16 to 19 and 22 to 26, 7.30pm; 2.30pm, Saturday matinees

NE, formerly NE Musicals York and soon to be renamed again, are performing a fortnight’s run for the first time, presenting Lionel Bart’s musical Oliver! in a revised version that complements the familiar songs and characters with added scenes to “bring the story to life in more detail”. 

Two teams of performers will be undertaking alternate performances, led by Zachary Pickersgill and Fin Walker, sharing the role of Oliver Twist, and Henry Barker and Toby Jensen’s Artful Dodger. Director Steve Tearle plays Fagin for the fourth time, joined in the production team by musical director Scott Phillips and choreographer Ellie Roberts. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Exhibition of the week: Lesley Seeger & Katherine Bree, Pigment & Stone, Pyramid Gallery, Stonegate, York, in collaboration until November 27

Jewellery designer Katherine Bree, left, and artist Lesley Seeger in the North Yorkshire countryside

LESLEY Seeger and Katherine Bree form Yorkshire-London collaboration for the painting and gemstone show Pigment & Stone at Pyramid Gallery.

In a celebration of form and colour with an earthy elemental twist, city jewellery designer Katherine has chosen paintings by Huttons Ambo landscape painter Lesley as inspiration for her new collection of gemstone treasures.

Katherine divides her collections into the four elements – earth, air, fire and water – and this provides a perfect complement to Lesley’s elemental paintings, which she describes as “talismans that will reveal themselves over time with their rich histories of place, layers and colour”.

Love-struck at sea: Jack Storey-Hunter’s sailor Ralph and Alexandra Mather’s Josephine, the Captain’s daughter, in York Opera’s HMS Pinafore

Light opera of the week: York Opera in HMS Pinafore, York Theatre Royal, Wednesday to Saturday, 7.30pm; 2.30pm Saturday matinee

YORK Opera sets sail in Gilbert & Sullivan’s operetta HMS Pinafore or The Lass That Loved A Sailor, steered by a new command of stage director Annabel van Griethuysen and conductor Tim Selman.

The story follows Ralph (society newcomer Jack Storey-Hunter), a lovesick sailor, and Josephine (Alexandra Mather), the Captain’s daughter, who are madly in love but kept apart by social hierarchy. All aboard for such G&S favourites as We Sail The Ocean Blue, Never Mind The Why And Wherefore and When I Was A Lad. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Charlie And The Chocolate Factory cast members in the rehearsal room at Leeds Playhouse. Picture: Johan Persson

Yorkshire’s big opening of the week: Charlie And The Chocolate Factory – The Musical, Leeds Playhouse, November 18 to January 28

CHOCK-A-BLOCK! Around 30,000 chocoholics have booked their golden ticket already for Leeds Playhouse’s winter musical spectacular, presented in association with Neal Street Productions and Playful Productions ahead of a British tour.

Songs such as The Candy Man and Pure Imagination from the film versions of Roald Dahl’s sweet-toothed adventure will be bolstered by new songs by Marc Shaiman and Scott Wittman. Gareth Snook’s Willy Wonka, Kazmin Borrer’s Veruca Salt and Robin Simoes Da Silva’s Augustus Gloop lead James Brining’s cast; Amelia Minto, Isaac Sugden, Kayleen Nguema and Noah Walton share the role of Charlie Bucket. Box office: 0113 213 7700 or leedsplayhouse.org.uk.

Chloe Latchmore: York Musical Society’s mezzo-soprano soloist for The Armed Man: A Mass For Peace at York Minster

Classical concert of the week: York Musical Society, The Armed Man: A Mass For Peace, York Minster, November 19, 7.30pm

YORK Musical Society’s dramatic performance of Sir Karl Jenkins’s powerful work The Armed Man: A Mass For Peace features full orchestra and soloists soprano Ella Taylor, mezzo-soprano Chloe Latchmore, tenor Greg Tassell and baritone Thomas Humphreys.

Jenkins’s work will be complemented by Joseph Haydn’s lyrical 1796 Mass In Time Of War – Missa In Tempore Belli, also known as Paukenmesse (Kettle Drum Mass in German), on account of its kettle drum solo. Box office: 01904 623568, at yorktheatreroyal.co.uk and on the door.

The poster for South Bank Studios’ Art & Craft Winter Fair at Southlands Methodist Church

Looking for Christmas presents? South Bank Studios Art & Craft Winter Fair, Southlands Methodist Church, November 19, 10am to 5pm

SOUTH Bank Studios’ winter fair assembles 28 artists and crafters, who will be displaying and selling their original artwork and creations, targeted at the Christmas market.

Browers and buyers alike can tour the 18 studios within the church building’s upper floors with a chance to meet assorted artists in situ. Entry is free and refreshments are available throughout the day.

Julie Madly Deeply: Sarah-Louise Young celebrating the life and songs of Dame Julie Andrews at Theatre@41. Picture: Steve Ullathorne

Truly scrumptious show of the week: Sarah-Louise Young in Julie Madly Deeply, Theatre@41, Monkgate, York, November 20, 7.30pm

AFTER her glorious An Evening Without Kate Bush, Fringe favourite Sarah-Louise Young returns to York with her West End and Off-Broadway smash in celebration of “genuine showbiz icon” Dame Julie Andrews.

Fascinating Aida alumna Young’s charming yet cheeky cabaret takes a look at fame and fandom by intertwining Andrews’ songs from Mary Poppins, The Sound Of Music and My Fair with stories and anecdotes of her life, from her beginnings as a child star to the challenges of losing her singing voice, in a humorous, candid love letter to a showbusiness survivor. Box office: tickets.41monkgate.co.uk.

Strictly between them: Ten – yes ten, count’em – Strictly Come Dancing professionals will be sashaying their way to York Barbican next May

Hot ticket of the week: Get a move on for Strictly Come Dancing – The Professionals, York Barbican, May 12 2023

 HURRY, hurry! The last few tickets are still on sale for a spectacular line-up of ten professional dancers from the hit BBC show: Strictly professionals Dianne Buswell; Vito Coppola; Carlos Gu; Karen Hauer; Neil Jones; Nikita Kuzmin; Gorka Marquez; Luba Mushtuk; Jowita Przystal and Nancy Xu.

“Don’t miss your chance to see these much-loved dancers coming together to perform in a theatrical ensemble that will simply take your breath away,” says the Barbican blurb. Box office: ticketmaster.co.uk/strictly-come-dancing-the-professionals-2023-york.