Wool Britannia: This Golden Fleece author Esther Rutter weaves her way through Britain’ s knitting history this evening at the York Festival of Ideas
WOOLLY thinking will be encouraged at the online York Festival of Ideas this evening.
At 6pm, author Esther Rutter will weave a journey through Britain’s long history of knitting in her talk This Golden Fleece.
Esther grew up on a sheep farm in Suffolk, learning to spin, weave and knit as a child. On re-engaging with that past, over the breadth of a year, she travelled the length of the British Isles to discover the fascinating stories of communities whose lives were shaped by wool, knitting them together in her book This Golden Fleece (Granta Books).
Esther unearthed tales of mill workers of the Border countries, English market towns built on profits of the wool trade and the Highland communities cleared for sheep farming. She also found tradition and innovation intermingling in 21st century knitwear industries.
Esther, who read English at Magdalen College, Oxford, is writer-in-residence at the University of St Andrews (2017-2020) in the School of Geography and Sustainable Development.
She also works as a freelance project manager for UNESCO, developing cultural engagement projects in collaboration with Edinburgh’s City of Literature Trust.
Join Esther this evening, albeit remotely, for her discussion of the craft and history of knitting, exploring wool’s influence on our landscape, history and culture. Admission is free but booking is required at eventbrite.co.uk/e/this-golden-fleece-tickets-105237367800.
Brought to you remotely by the University of York, York Festival of Ideas is brimful of ideas until June 14, gathered under the new umbrella of Virtual Horizons. For full details, visit yorkfestivalofideas.com/2020-online/.
Iestyn Davies: York countertenor switches from Bach arias on July 8 to John Dowland and The Art Of Melancholy on June 9
THE cancelled 2020 York Early Music Festival is back on…online, headlined by York international countertenor Iestyn Davies.
The virtual version of the summer festival will be streamed from the National Centre for Early Music from July 9 to 11, replacing the original live event from July 3 to 11.
Concerts will be recorded at the NCEM’s home, St Margaret’s Church, in Walmgate, with social-distancing measures in place and no live audience.
Booking will open on Friday, June 19 at tickets.ncem.co.uk and boxoffice@ncem.co.uk, with a festival package at £30, individual concert tickets at £10 each and illustrated talks at £3.50 each.
The artwork for the 2020 York Early Music Festival , now replaced by a streamlined, streamed version of the festival next month
Iestyn Davies would have been performing Bach: Countertenor Arias with Scottish instrumentalists the Dunedin Consort on July 8 at the Sir Jack Lyons Concert Hall, University of York. “We figured we couldn’t get the whole of the Dunedin Consort down from Scotland under the lockdown rules,” says festival administrative director Dr Delma Tomlin.
Instead, Davies will present The Art Of Melancholy, joined by lutenist Elizabeth Kenny, a former artistic adviser to the York Early Music Festival and frequent performer at the NCEM, for a concert streamed on July 9 at 7.30pm.
The music of Elizabethan lutenist John Dowland will be complemented by Davies’s renditions and readings of poetry by Robert Burton, Michael Drayton, Rose Tremain, Leo Tolstoy and Dowland himself.
“Iestyn lives in York but he’s a countertenor of truly international prowess and we’re delighted he can join us for the revised festival,” says Delma.
Dr Delma Tomlin: Administrative director of the York Early Music Festival
“Dowland is known for his music of extraordinary misery but utter beauty. He knew that in love, the only thing sweeter than happiness was sorrow. Few living interpreters understand his music more profoundly than Iestyn, who has devised this evening of poetry, music and drama for voice and lute to explore a composer for whom a single teardrop can hold a universe of emotion.”
On July 10, festival artistic advisor John Bryan will provide an illustrated introduction to the day’s online festivities at 10.30am, with each concert linked by a theme of fantasy. Lute and theorbo player Matthew Wadsworth will perform Echoes In Air, a 1pm programme of works by Kapsperger and Piccinini, Dowland and Francesco da Milano, alongside a new piece written specially for him by Laura Snowden, Echoes In Air.
At 3.30pm, harpsichordist Steve Devine will continue his NCEM series of Preludes and Fugues from Book 1 of J S Bach’s The Well-tempered Clavier, here performing Nos 13 to 24. The day will end with Richard Boothby’s 7.30pm concert on lyra viol, with his programme yet to be announced.
Pianist and professor David Owen Norris will give an illustrated introduction to the July 11 online concerts at 10.30am.
Stile Antico back in the days when you could stand together on a staircase. Social distancing will prevail at their July 11 concert. Picture: Marco Borggreve
BBC New Generation artists Consone Quartet, comprising Agata Daraskaite and Magdalena Loth-Hill, on violins, Elitsa Bogdanova, on viola, and George Ross, on cello, will play Beethoven’s String Quartet in G Major Op 18, No 2 and String Quartet in D Major Op 18, No 3 at 1pm.
York Early Music Festival luminary Peter Seymour, a leviathan of the York classical music world, will introduce the story behind his recording of Bach’s St Matthew Passion at 3.30pm.
Stile Antico will present Breaking The Habit: Bringing to life the music of the Renaissance through song at 7.30pm.
“The 16th century saw an unprecedented number of female rulers,” says Delma, setting up the concert’s premise. “From the powerful Medici women of Italy to the great Tudor queens of England, women across Europe held more power than ever before.
Steven Devine: Bach to the future as he works his way through Preludes and Fugues
“Many of these monarchs used their patronage to facilitate the production of music of exquisite beauty by the finest composers of the day, extravagant showcases of their power contrasting with intimate and personal compositions.
“The century also saw the first publication of music by female composers, often Italian nuns, whose convents supported musical groups of astonishing ability.”
To bring the online festival together, the NCEM is working with digital producer Ben Pugh.” We’ve purchased more video and sound equipment, so it’s more like a TV studio environment now,” says Delma.
“It’s fortunate that the NCEM is a big space, being a church building, which will help with social distancing. The opening and closing concert will be streamed as live, and the other concerts will be pre-recorded over a ten-day period.
Elizabeth Kenny: Joining Iestyn Davies for July 9 concert
“After their concert, Stile Antico will stay on at the NCEM for three days of recordings for their Mayflower project, now put back to 2021.
“We’ll also be putting the remainder of Steven Devine’s Bach’s Preludes and Fugues series online in the autumn as his Bach concerts streamed from the NCEM during lockdown have been received really well.”
The 2020 festival was to have run from July 3 to 11 with a theme of “the Method & Madness of musical styles, from the wild excesses of the Italian Renaissance, through the soothing virtuosity of Bach, to the towering genius of Beethoven”.
Among the artists would have been Davies; Devine and Consone Quartet; The Sixteen, singing The Call Of Rome at York Minster, and Barokksolistene, from Norway, with their vivacious festival opener, Alehouse.
Violinist Rachel Podger: Scheduled to play 2021 York Early Music Festival
Lined up to take part too were Rose Consort of Viols; Voces Suaves; Prisma; Profeti della Quinta; L’Apothéose; Hubert Hazebroucq & Julien Martin; The Society of Strange & Ancient Instruments; the University Baroque Ensemble and Peter Seymour directing Handel’s opera Orlando.
Already Delma has confirmed the 2021 festival will run from Friday, July 9 to Saturday, July 17. “Guest artists scheduled to join us next summer include The Tallis Scholars, The Sixteen, Brecon Baroque, led by violinist Rachel Podger, and gamba specialist Paolo Pandolfo,” she says.
The 2020 York Early Music Christmas Festival will go ahead, “but it may all be online,” reveals Delma. “That should be a little bit easier to arrange than for this summer’s festival.
“I should be able to work it all out in good time, whereas re-organising the summer event on a big scale became utterly impossible because the majority of performers were from overseas.
Consone Quartet: Performng Beethoven String Quartets on July 10
“So, instead, we’re doing a digital festival of musicians based in England willing to come to the NCEM next month for this very exciting venture that’s turned out to be brilliant, but for different reasons than the festival we first envisaged.”
The NCEM’s spring series of streamed concerts in lockdown has gone well. “They’ve been free with the option to donate to the NCEM afterwards, and we’ve even had people tuning in from Ecuador, Australia and Southern India, which has been fascinating for us,” says Delma.
“It gives us a chance to connect with a much broader audience and we may well re-share these concerts in the future, but we’re now going to have to find a way of earning money from streamed concerts, setting up a paywall to pay for watching them, in order to help us still be here in a year’s time. The free model can’t continue; we will have to get people into the habit of paying for streaming.”
The hand of friendship: nature’s “little helper”, according to author and professor Robin Dunbar, who needs to talk tonight. Image: Symbolon from Noun Project
AT this pandemic-enforced time of alienation, disconnection, lockdown, social distancing, shielding and virtual gatherings when everyone’s gone to the Zoom, how topical for the York Festival of Ideas to host a talk on Friendship: Nature’s medicine. Online, of course.
At 8pm tonight, psychology professor and author Robin Dunbar, from the University of Oxford, will explore the psychological and neurobiological mechanisms involved in friendships and how they produce these remarkable effects as nature’s “little helper”.
“Like all monkeys and apes, humans are intensely social,” says the festival website. “Close relationships, whether family or friend, are our way of buffering ourselves against the stresses that life puts us under.
“In fact, loneliness has turned out to be the biggest killer. It turns out that friendships have a bigger effect on our quality of life, as well as our ability to resist and recover from illness, than almost anything conventional medicine can throw at us.”
The cover to Robin Dunbar’s 2010 book of evolutionary quirks, How Many Friends Does One Person Need?
Robin Dunbar is professor of evolutionary psychology at the University of Oxford, an Emeritus Fellow of Magdalen College and an elected Fellow of the British Academy.
His principal research interests focus on the evolution of sociality with particular reference to primates and humans. He is best known for the social brain hypothesis, the gossip theory of language evolution and Dunbar’s Number (the limit on the number of relationships that we can manage).
Among his science books are: Grooming, Gossip And The Evolution Of Language (1996); The Human Story (2004); How Many Friends Does One Person Need? (2010); The Science Of Love And Betrayal (2012); Human Evolution: A Pelican Introduction (2014); Human Evolution: Our Brains And Behaviour (2016), and Evolution: What Everyone Needs To Know (2018).
Online admission tonight is free but booking is required at eventbrite.co.uk/e/friendship-natures-medicine-tickets-105701357606.
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathered under the new umbrella of Virtual Horizons. For full details, visit yorkfestivalofideas.com/2020-online/.
Let’s dance…let’s talk about dance: Lottie Adcock, of Dance The Past, seeks to achieve a quick feat this evening in her History Of Dance talk
LOTTIE Adcock, of Dance The Past, sets herself the challenge of taking a whistle-stop tour through the history of dance in only 40 minutes in her online Festival of Ideas event this evening.
To do so, Lottie must cram more than 10,000 years of footwork, choreography and social etiquette into her terpsichorean talk: quick steps indeed.
The festival website invites you to “experience the history of dance spanning the periods from the 10th century to present day at this fun and informative talk.
“Perfect for anyone who’s ever wondered how the medieval peasantry let off steam; which moves Mr Darcy was busting out on the dance floor; or what on earth a Black Bottom Shuffle is.”
Lottie Adcock has been performing in historic dance groups for more than ten years. She formed the group Eboracum Early Dance and runs the YouTube channel Dance The Past.
Lottie covers Medieval, Tudor, Renaissance, Baroque, Regency (Jane Austen), Victorian and 1940s’ dances, highlighting dance from both court and country.
She provides teaching, public workshops, private events, private tutoring and bespoke workshops. For more information, visit the Dance The Past website, lottieadcock.co.uk/home; follow Lottie on Twitter, @DancetheP; Facebook, @dancethepast.
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathered under the new umbrella of Virtual Horizons. For full details, visit yorkfestivalofideas.com/2020-online/.
Will anything be Off Limits when online censorship of art is under discussion tonight?
TONIGHT, the online York Festival of Ideas holds a panel discussion on art censorship in the age of social media.
Taking part, under the chairmanship of Michael White, will be art historians Amy Werbel and Kyveli Lignou-Tsamantani, from the University of York, and contemporary artists Joanne Leah and belit sağ.
“While on the surface we live in a culture that appears to be ever more permissive, restrictions on the circulation of images is increasing at a very fast rate,” contends the Festival of Ideas website.
“In particular, demands for social media companies to show responsibility is leading to many images being removed.
“But what are the implications of this for artists who increasingly need to use social media to build their audiences and careers? Many are now faced with navigating algorithms designed not just to remove unwanted photographs, but even drawings and cartoons.
“In addition, a huge amount of historical art represents acts that would be considered objectionable and reprehensible. Can they be circulated online?”
As artists and museums move increasingly into the space of the internet, tonight’s expert panel will discuss where we should place the boundaries between freedom of expression and social responsibility.
After the 8pm discussion, Michael White, head of the University of York’s history of art department, will host a question-and-answer session.
Joanne Leah’s image-based work explores themes of sexuality, isolation and identity from her base in New York City. She focuses on live models who exist on the fringe of society: sex workers, people from the BDSM and LGBTQA+ communities, as well as non-traditional body types.
Exhibitions include Acid Mass at the Not For Them gallery in Queens; NSFW: Female Gaze at the Museum of Sex and the performance/installation project, Fletish.
She founded ArtistsAgainstCensorship.com to provide a liaison between artists and social-media policy makers. Examples of her work can be found on her Instagram page @twofacedkitten and at joanneleah.com.
Kyveli Lignou-Tsamantani is a postgraduate student in the University of York’s history of art department, researching the politics and ethics of spectatorship of atrocity images in contemporary art.
Her main focus addresses issues of visibility and invisibility in the same context. Her broader research interests cover the ethics of photography/photojournalism, contemporary art and issues of spectatorship, artistic “genealogies” in art history and arts and politics in general.
belit sağ is a video-maker and visual artist who lives in Amsterdam. Her moving-image background is rooted in her work within video-activist groups (VideA, karahaber, and bak.ma) in Ankara and İstanbul.
She was a resident artist at the International Studio and Curatorial Program in New York, and Rijksakademie van Beeldende Kunsten in Amsterdam.
Her practice focuses on the role of visual representations of violence in the experience and perception of political conficts in Turkey, Germany, Netherlands.
Amy Werbel is professor of history of art at the Fashion Institute of Technology (SUNY) in New York. She is now researching art censorship as a Fulbright Fellow at the University of York.
Amy joined SUNY in 2013 as a specialist in the art of the United States and is the author of numerous works on the subject of American visual culture and sexuality.
Her book Lust On Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock (Columbia University Press, 2018) won the 2019 Peter C. Rollins Book Prize of the Northeast Popular and American Culture Association.
Michael White is head of the University of York’s history of art department, working chiefly on the inter-war avant-gardes. He wrote his doctoral thesis on Theo van Doesburg and has a special interest in De Stijl and modernism in the Netherlands.
He was the external curator of the Tate Liverpool exhibition Mondrian And His Studios in 2014. His books include Generation Dada: The Berlin Avant-Garde and the First World War (Yale University Press, 2013).
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathered under the new umbrella of Virtual Horizons. For full details, visit yorkfestivalofideas.com/2020-online/.
Philip Alston: Former United Nations Special Rapporteur on extreme poverty and human rights
“WESTERN governments have loudly proclaimed the need for radical responses to the pandemic, but for the most part their lavish spending has doubled down on existing policies while paving the way for a whole new round of austerity policies.”
So says Philip Alston, United Nations Special Rapporteur on extreme poverty and human rights from June 2014 to April 20 and a New York University School of Law professor to boot.
In this evening’s online talk, Australian-born Alston will examine responses to Covid-19 and the impact on those already experiencing poverty and inequality.
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathered under the new umbrella of Virtual Horizons. Visit yorkfestivalofideas.com/2020-online/.
How To Grow A Human: Adventures In How We Are Made And Who We Are: Dr Philip Ball’s talk at the 2020 York Festival of Ideas this evening
SCIENCE writer Dr Philip Ball asks: “What does it mean to be human and to have a ‘self’ in the face of new scientific developments in genetic editing, cloning and the growth of tissues and organs outside the body?”
His question, posited at the online York Festival of Ideas this evening, was prompted by seeing his own skin cells used to grow clumps of new neurons that organise themselves into ‘mini-brains’.
Pondering the concepts of identity and biological individuality in his 6pm talk, he delves into cell biology, embryology and humanity’s deep evolutionary past when complex creatures like us emerged from single-celled life, as he offers a new perspective on how humans think about ourselves.
“In an age when we are increasingly encouraged to regard the ‘self’ as an abstract sequence of genetic information, or as a pattern of neural activity that might be ‘downloaded’ to a computer, he returns us to the body – to flesh and blood – and anchors a conception of personhood in this unique and ephemeral mortal coil,” says the York Festival of Ideas website.
“Ball, author of How To Build A Human, brings us back to ourselves, but in doing so, challenges old preconceptions and values about life and humanity. Prepare to rethink how we exist in the world.”
After his talk, subtitled Adventures In How We Are Made And Who We Are, online festival-goers are invited to join Ball on Twitter for a live question-and-answer session at 7pm @philipcball.
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathering under the new umbrella of Virtual Horizons. For more details, visit yorkfestivalofideas.com/2020-online/
Did you know?
Dr Philip Ball is a Fellow of the Royal Society of Chemistry.
Technologies for the future: under discussion by Alice Courvoisier. Drawing by:: Jess Wallace
SCIENTIST Alice Courvoisier takes a hard look at technologies we surround ourselves with, discussing their impact on our lives, the environment and the lives of others, in this afternoon’s audio podcast.
Most importantly, in Technologies for the Future – A Response from the Heart, she asks: what would form a sound basis for ethical and responsible technological innovation?
“In a context where technologies are often imposed from the top down or by for-profit corporations without proper public scrutiny, I believe this question is relevant to everyone and should be reclaimed by the public sphere,” says Alice, who taught mathematics in the electronic engineering department at the University of York and is a keen storyteller too.
“At this time of extreme uncertainty and misinformation, I will argue that meaningful answers can only come from reconnecting with our hearts.”
Alice, who has taken part in every York Festival of Ideas since 2013, adds: “Please be aware that some of the content can be emotionally challenging as we address issues such as environmental justice, cultural and unconscious bias, and work to dismantle the Western narrative of linear progress.”
“I love the freedom of thought offered by the Festival Of Ideas: to approach a theme from the viewpoints of different disciplines,” says Alice.
Brought to you remotely by the University of York, York Festival of Ideas is full of ideas until June 14, gathering under the new umbrella of Virtual Horizons. For the full programme, visit yorkfestivalofideas.com/2020-online/.
Did you know? Alice in numberland
Dr Alice Courvoisier taught a Lifelong Learning course on the History of Numbers at the University of York.
Foot Work: A shoe-in for the York Festival of Ideas idea of the day
DO you ever think about what your shoes are doing to the world?
Let author Tansy E Hoskins do the thinking Foot Work for you at the 2020 stay-at-home York Festival of Ideas, now running online under the Virtual Horizons umbrella.
From 1pm to 2pm this afternoon (June 6), Hoskins asks: Do you know where your shoes come from? Do you know where they go when you’re done with them?
These are the facts: in 2018, 66.3 million pairs of shoes were manufactured across the world every single day. “They have never been cheaper to buy, and we have never been more convinced that we need to buy them. Yet their cost to the planet has never been greater,” says the festival website.
“Find out why, if we don’t act fast, this humble household object will take us to the point of no return.”
Hoskins, author of Foot Work: What Your Shoes Are Doing To The World, will take online festival-goers deep into the heart of the industry, revealing how it is exploiting workers and deceiving consumers.
Nothing happening full stop. Now, with time on your frequently washed hands, home is where the art is and plenty else besides
EXIT 10 Things To See Next Week in York and beyond for the unforeseeable future in Stay Alert, but still sort-of-inert, Baby-Step Britannia. Make do with home entertainment, wherever you may be, in whatever configuration that you interpret the Government’s green-for-go rules now permits in the shadow of the Covid-19 pandemic. From behind his door ajar, CHARLES HUTCHINSON makes these suggestions.
Alan Ayckbourn and Heather Stoney in their Scarborough garden. Picture: Tony Bartholomew
Arts event of the week ahead and beyond: Alan Ayckbourn’s Anno Domino, online from May 25 to June 25
WHEN the Coronavirus pandemic meant Truth Will Out would not be out this summer at Scarborough’s Stephen Joseph Theatre, Alan Ayckbourn responded by writing a new play in lockdown, Anno Domino.
And not only write and direct it, but perform in the audio recording too, marking his return to acting, 58 years after his last appearance on a professional stage.
What’s more, former radio producer Ayckbourn, 81, has teamed up with his wife, actress Heather Stoney, his co-star in that 1964 production, to record the new show.
His 84th play takes the form of an audio account of the break-up of a long-established marriage and the domino effect that has on family and friends, Ayckbourn and Stoney playing four characters each, aged 18 to 75. “We were just mucking about in our sitting room,” says Ayckbourn, who also supplied the sound effects.
The world premiere of Anno Domino will be available for free exclusively on the SJT’s website, sjt.uk.com, from noon on Monday, May 25 to noon on June 25.
York Musical Theatre Company in Off-Stage But Online 2, Sunday, 7.30pm
AFTER the success of the inaugural Off-Stage But Online! concert on April 26, York Musical Theatre Company return with a second digital performance on Sunday, live on the company’s YouTube channel from 7.30pm.
This weekend’s programme is compiled by musical director Paul Laidlaw again and features 25 numbers performed at home by Matthew Ainsworth, Jessa & Mick Liversidge, John Haigh, Eleanor Leaper, Chris Hagyard and Florence Taylor, among others.
Expect video recordings of numbers from Rent, Les Miserables, Heathers, A Chorus Line, Follies, Seven Brides For Seven Brothers, Company and Showboat.
Fieri Consort: Online concert from the National Centre for Early Music archives
National Centre for Early Music streamed concerts, May 30 and June 13
THE NCEM, in Walmgate, York, continues to share concerts from its archive on Facebook and online. The next will be on Saturday, May 30, featuring one of the last concerts by the European Union Baroque Orchestra, captured in March 2017.
On June 13 comes the chance to enjoy music by past winners of the York Early Music International Young Artists Competition, a double bill featuring Fieri Consort from 2017 and last year’s winners L’Apothéose.
Barbara Marten in the role of Heworth housewife and suffragette Annie Seymour Pearson in York Theatre Royal and Pilot Theatre’s community production Everything Is Possible: The York Suffragettes
Still streaming: Everything Is Possible: The York Suffragettes, York Theatre Royal Collective Arts programme
YORK Theatre Royal is streaming the 2017 community play Everything Is Possible: The York Suffragettes for free on its YouTube channel until May 31.
Co-produced with Pilot Theatre, this outdoor and indoor production was performed by a community cast of 150 and a choir of 80, taking the form of a protest play that recalled how women in York ran safe houses, organised meetings, smashed windows and fire-bombed pillar boxes as part of the early 20th century Suffragette movement.
“Now the stage is dark and the streets are empty, but looking back to the way in which that show brought people together, inspiring them in so many ways, is a wonderful reminder of the power of theatre and community,” says playwright Bridget Foreman.
York artist Sue Clayton’s stairs, newly painted in rainbow-coloured trim
Activity of the week: Decorating your house in the bright spring light
BE inspired by York portrait artist Sue Clayton, whose painting of Sainsbury’s trolley attendant Andrew Fair, from her York Heroes series in 2018, appeared on the first episode of Grayson Perry’s Channel 4 show Grayson’s Art Club.
“The urge to paint left me temporarily, which frightened me, but home decorating began instead and my creativity was encouraged this way, from ripping up the stairs carpet and painting the stairs in rainbow colours to remember this period, through to painting a cupboard with a Chinese heron/crane,” she says.
Maybe a Chinese heron would be too ambitious as a starting point, but painting the stairs in rainbow colours…?
Jeff Beck: New date for York Barbican show in 2021
Still keep trying to find good news
LEEDS Festival in late-August, cancelled. York Early Music Festival’s summer of Method & Madness in July, off. Jeff Beck at York Barbican this week, not now. The list of cancellations shows no sign of coming to an end, but always look on the bright side of strife by seeking out updates on websites.
Leeds Festival at Bramham Park will return in 2021; so too will York Early Music Festival. As for Jeff Beck: there is a hi-ho silver lining there too. The legendary Wallington guitarist and two-time Rock & Roll Hall of Fame inductee, now 75, has re-arranged his gig for April 22 2021.
Jonathan Williams’s stained-glass artwork for our Corona crisis times
Clap for Carers
STAND by your doors, bang a gong, at 8pm every Thursday, no excuses. Theatre-goers, concert-goers, save your hand-clapping for our NHS doctors, hospital staff, carers, volunteers and key workers.
If one work of art encapsulates a city in gratitude, and in prayer, step forward Jonathan Williams’s stained glass window of York Minster and York Hospital in rainbow union.
Lips/ink: A pensive Simon Armitage, Yorkshireman of words, both spoken and written
And what about…
NEW albums by Badly Drawn Boy, The 1975 and The Dears. Poet Laureate Simon Armitage’s new series of interviews on BBC Sounds and his appearance and musical choices on BBC Radio 4’s Desert Island Discs. Channel 4’s Gogglebox for weekly political insight. Going to a garden centre, where plant salvation awaits.
