Category: Festivals

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More Things To Do in York and beyond the endless rain when films turn Dead Northern. Hutch’s List No. 40, from The Press, York

Rievaulx Abbey, mixed media, by Robert Dutton, on show in A Yorkshire Year at Nunnington Hall

YORKSHIRE landscapes, campsite class division, horror movies to the max and a talkative traveller herald the arrival of the arts autumn for Charles Hutchinson.

Exhibition of the week: A Yorkshire Year, Nunnington Hall, near Helmsley, until December 5

THE changing landscape of the Yorkshire countryside and coastline is captured by Yorkshire artists Robert Dutton, from Nunnington, and Andrew Moodie, from Harrogate, in seasonal images.

Dutton presents a dramatic interpretation of the untamed expanses of Yorkshire, from meandering freshwater rivers and hidden woodlands to the stark beauty of the moors. Moodie directs his attention to the undulating valleys of the Yorkshire Dales, as well as coastal villages. Opening hours: Tuesday to Sunday, 10.30am to 5pm, last entry at 4.15pm. Normal admission prices apply at nationaltrust.org.uk/nunnington-hall.

The artwork for the Dead Northern 2024 Horror Film Festival at City Screen Picturehouse, York

Film event of the week: Dead Northern 2024 Horror Film Festival, City Screen, Picturehouse, York, today and tomorrow

IN “the world’s most haunted city”, Dead Northern presents a festival of movies, music and social gatherings. Today opens with Demonic Shorts at 11am, followed by the regional premiere of Scopophobia, 12.30pm; Slasher, Thriller and Creature Shorts, 2.30pm; UK premiere of The Healing, 4.30pm; Dead Talk film-making panel, 7.30pm; regional premiere of Kill Your Lover, 9pm, and VIP Awards Party at Revolution, York,11pm.

Tomorrow features the Mad Props documentary, 11am; mini-feature Strike,12.45pm; feature film The Monster Beneath Us, 1.15pm; music mini-feature The Black Quarry, 3.45pm; Music Videos, 4.30pm; UK premiere of Kill Victoria, 6.30pm, and world premiere of Lake Jesup, 8.30pm. Guests must be aged over 18 to access screenings and live events. Box office: deadnorthern.co.uk/dead-northern-2024-film-festival.

Tom Gallagher, Annie Kirkman and Laura Jennifer Banks in a scene from John Godber’s revival of Perfect Pitch

Touring play of the week: John Godber Company in Perfect Pitch, Harrogate Theatre, today, 2pm and 7.30pm; Pocklington Arts Centre, October 9 and 10, 7.30pm; Stephen Joseph Theatre, Scarborough, November 13 to 16, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

WHEN teacher Matt (Frazer Hammill) borrows his parents’ caravan for a week on the Yorkshire coast with partner Rose (Annie Kirkman), they are expecting four days of hill running and total de-stressing. However, with a Tribfest taking place nearby, Grant (Tom Gallagher) and Steph’s (Laura Jennifer Banks) pop-up tent is an unwelcome addition to their perfect pitch.

The class divide and loo cassettes become an issue as writer-director John Godber reignites his unsettling1998 state-of-the-nation comedy, set on an eroding coastline, as Matt and Rose are inducted into the world of caravanning and karaoke. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Scarborough, 01723 370541 or sjt.uk.com.

The bird man of RedHouse Originals Gallery: artist Jim Moir at his Birdland exhibition in Harrogate

Last chance to see: Jim Moir, Birdland, RedHouse Originals Gallery, Cheltenham Mount, Harrogate, today, 10am, 10am to 5pm

“PEOPLE think that I am a comedian, but art comes first,” says Jim Moir, aka Vic Reeves, as he mounts his second RedHouse show. “This one is Birdland because of my love of birds. I spend most of my days bird watching and painting,” he says.

On show – and for sale – is an exclusive collection of 50 new paintings celebrating his favourite subject ahead of the October 24 release of his second bird book, More Birds, Paintings Of British Birds, published by Unbound. Free entry.

Clare Ferguson-Walker and Robin Ince: Plenty to discuss at Pocklington Arts Centre

Double act of the week: Clare Ferguson-Walker & Robin Ince, Pocklington Arts Centre, tonight, 8pm

TAKE a tour around two marvellous minds via the vehicles of poetry, storytelling, jokes, and general silliness when Clare Ferguson-Walker and Robin Ince link up in Pock. Poet, comedienne, sculptor and singer Clare’s explosive second collection, Chrysalis, lays bare the poet’s soul on a journey laced with humour and humane observation.

Humorist, presenter, poet and author Ince co-hosts the BBC Radio 4 series The Infinite Monkey Cage with Professor Brian Cox. His books include Bibliomaniac, The Importance Of Being Interested, I’m A Joke And So Are You and his next work, Normally Weird And Weirdly Normal: My Adventures In Neurodiversity, will be published next May. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The cover design for Michael Palin’s new diary collection

Globe-trotter of the week: Michael Palin, Grand Opera House, York, October 3, 7.30pm

IN the words of Monty Python alumnus, actor, presenter and Yorkshireman Michael Palin: “In There And Back – The Diary Tour 2024, I’ll bring to life the fourth collection of my diaries and the first to be released for ten years.

“Lots of fun as I go through the Noughties, and some dark times too. I constantly surprise myself with the sheer amount I took on.” Tickets update: still available at atgtickets.com/york.

Barbara Dickson: Acoustic October concerts in Pocklington and Leeds

Folk gigs of the week: Hurricane Promotions present Barbara Dickson & Nick Holland, All Saints Church, Pocklington, October 4 (sold out) and October 16, 7.30pm. Also Leeds City Varieties Music Hall, October 20, 7.30pm

SCOTTISH folk singer Barbara Dickson and her pianist Nick Holland explore her catalogue of songs in these acoustic concerts in intimate settings, where the pair will let the words and melodies take centre stage as they draw on Dickson’s folk roots, contemporary greats and her classic hits, from Another Suitcase In Another Hall to I Know Him So Well. Box office: barbaradickson.net; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

Mundane matters: Josh Widdicombe mulls over really niche observations about silly little things in 2025 and 2026

Gig announcement of the week: Josh Widdicombe, Not My Cup Of Tea Tour, Hull City Hall, October 2 2025, and York Barbican, February 28 2026

PARENTING Hell podcaster and comedian Josh Widdicombe, droll observer of the absurd side of the mundane, will take stock of the little things that niggle him, from motorway hotels to children’s parties, and explain why he has finally decided to embrace middle age, hot drinks and doing the school run in his 58-date tour show, Not My Cup Of Tea.

“That’s my favourite type of stand-up: really niche observations about silly little things that you wouldn’t think about. I’ve got no interest in the big topics.” Box office: joshwiddicombe.com; yorkbarbican.co.uk; hulltheatres.co.uk.

In Focus: Mark Thomas: Gaffa Tapes…Old Title, New Show, The Crescent, York, tomorrow. More Yorkshire shows to follow

This is the modern world: Mark Thomas returns to stand-up venting at The Crescent, York. Picture: Tony Pletts

LAST appearing in York in Ed Edwards’s one-man play England & Son in the Theatre Royal Studio last September, South London’s grouchy “godfather of political comedy”, Mark Thomas, returns to polemical stand-up in Gaffa Tapes…Old Title, New Show at The Crescent tomorrow night.

One of the longest-surviving alternative comics after close to 40 years of stand-up, theatre, journalism, human rights campaigning and the odd bout of performance art, his latest tour’s fusillade of jokes, rants, politics, play and the occasional sing-song adds up to “generally mucking about trying to have fun and upset (shall we say) the right people”.

Gaffa Tapes…Old Title, New Show? Explain the extended tag, Mark. “What happened is I liked the idea of ‘Gaffa Tapes’ as a title and had it last year for my Edinburgh Fringe show, but halfway through the Fringe run I got Covid and had to stop.

“Last year I toured England & Son, written by Ed Edwards, which I was really pleased with. It picked up more awards than I’d ever done before – six awards – and one of them was to perform the play in Australia, taking it out to Adelaide for five weeks – and we might be going to New York …

“But we made no money out of it. I thought, ‘right, how do we make some money?’, so it’s great to be getting back to stand-up. What I love about stand-up is… and this is simple…if you stop doing it, they say you’ll feel rusty, so if you have a hiatus, what you have to learn to do is put your hand on the neck of the beast.

“I thought, ‘I’m going to do all the clubs at the bottom of the eco-system, doing ten minutes here, ten minutes there, doing shows in different places, and the thing about it is, I died on my arse a couple of times, which feels horrible each and every time…

“But if you take a break, you need to get your muscle memory back working again. That’s why I loved doing Edinburgh this summer. I did 26 gigs. It’s just bang, bang, bang, every night. You can muck around, try things out.

Mark Thomas in England & Son, toured to York Theatre Royal Studio in 2023. Picture: Alex Brenner

“The riots were happening around that time, so I wrote about them – and it’s important to be able to talk about that. It’s a living, breathing affecting thing. I love being a warrior in the culture wars, and it’s good to be back on the battlefield.”

The tectonic plates of the political landscape keep shifting: fresh meat to a polemicist comedian’s grist. “Things are always changing,” says Mark. “What I love is that when I started work on the show, there was loads going on, because the Tories were no longer in power, and it’s good to be able to react to that and to suggest what should be happening.

“I was at the Diggers Festival, celebrating Gerrard Winstanley [English Protestant religious reformer, political philosopher, activist and leader and co-founder of the ‘True Levellers’ or ‘Diggers’], doing a talk in a church, where someone said, ‘if you get rid of the oath to the King, that would be the most radical thing you could do’.

“I said, ‘well, actually, I don’ think it is. If you want democracy to work, you should have voting at 16, proportional representation, and you need to abolish the House of Lords’…whereas they’re just tidying up what [Tony] Blair started all those years ago. The most radical thing would be to ban donations to political parties. Make it state-funded, giving money to run parties and campaigns, making it a level playing field.

“Do you know who is the only other country in Europe to have a ‘first past the post’ electoral system? Belarus. So if anyone is out of step, it’s us. I think eventually PR [proportional representation] will come in; it’s just a question of what form it takes.”

How does the change of ruling party in Westminster from the Conservatives to Labour after 14 years have an impact on Thomas’s venting? “It changes the goalposts because it’s a new set of people to attack for a new set of reasons,” says Mark. “It’s the new austerity that they’re proposing that’s not great.

“The fact is that Starmer got some of the things right over the riots. I find it fascinating that there is this a disconnect; the idea that everyone who rioted was a racist, but not everyone was, because riots have a movement of their own, but certainly the organisers were far right.

“I didn’t vote Labour. I’m a Socilaist, why on Earth would I vote Labour?” says Mark Thomas. Picture: Art by Tracey Moberly

“You can be a Zen Buddhist but if you set fire to an asylum seekers’ hotel, then you’re a racist.”

Long associated with spouting anti-Tory sentiment aplenty, Thomas will hold the incoming Labour Party to account too. “I think it’s healthier that way in politics. The honeymoon period is over already,” he says.

“I didn’t vote Labour. I’m a Socialist, why on Earth would I vote Labour? There shouldn’t be a honeymoon period anyway,  but I expect the right-wing press to go at Labour with gusto because they want to shape not only this government, but the next Tory one too.”

Any suggestions for policy change, Mark? “Local government can run the bus companies, but it’s really important that it’s not about making the maximum profit. That’s what used to happen until Thatcher changed it,” he says.

“I’m lucky now – because I’m 61, I get the 60+ London Oyster card for £20 [administration fee] that allows me to travel everywhere in London for free and I use buses a lot. That’s one of the great things about London: wherever you are, there will be a night bus coming along in a moment.”

He is looking forward eagerly to tomorrow’s return to The Crescent. “I love The Crescent,” he enthuses. “What they may lack in technical facilities, it’s a proper community venue. I always say, when talking about what community venues could be, take a look at this place.”

Mark Thomas: Gaffa Tapes, Burning Duck Comedy, The Crescent, York, tomorrow, 7.30pm; Marsdsen Mechanics, November 8, 8pm; Social, Hull, November 16, 8pm; Sheffield Memorial Hall November 10, 8pm; Leeds City Varieties Music Hall, February 5 2025; Wakefield Theatre Royal, February 6 2025, 7.30pm.

Box office: York, thecrescentyork.com; Marsden, 01484 844587 or marsdenmechanics.co.uk; Sheffield, sheffieldcityhall.co.uk; Hull, socialhumberstreet.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com; Wakefield Theatre Royal, 01924 211311 or theatreroyalwakefield.co.uk (on sale soon) Age guidance: 16 plus.

Mark Thomas: the back story

The next step for Mark Thomas: Touring Gaffa Tapes

“IF you don’t know what Mark does, ask your parents. In his time, he has won eight awards for performing, three for human rights work… and one he invented for himself. He has made six series of the Mark Thomas Comedy Product and three Dispatches for Channel 4, made five series of The Manifesto for BBC Radio 4, written five books and four play scripts, curated and authored two art exhibitions with artist Tracey Moberly and was commissioned to write a show for the Royal Opera House.

“He has forced a politician to resign, changed laws on tax and protest, become the Guinness Book of Records world-record holder for the number of protests in 24 hours, taken the police to court three times and won (the fourth is in the pipeline), walked the length of the Israeli Wall in the West Bank (that’s 724km), and generally mucked about trying to have fun and upset (shall we say) the right people.”

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More Things To Do in York and beyond from September 21 onwards. Here’s Hutch’s List No. 39, from The Press, York

Kate Hampson in the matriarchal role of Marmee in York Theatre Royal’s production of Little Women. Picture: Charlie Kirkpatrick

GARDEN ghosts, a coming-of-age classic, a political groundbreaker, astronaut insights and an awful aunt stir Charles Hutchinson into action as autumn makes its entry.  

Play opening of the week: Little Women, York Theatre Royal, September 21 to October 12

CREATIVE director Juliet Forster directs York Theatre Royal’s repertory cast in Louisa May Alcott’s coming-of-age story of headstrong Jo March and her sisters Meg, Beth and Amy as they grow up in New England during the American Civil War.

Adapted by Anne-Marie Casey, the production features Freya Parks, from BBC1’s This Town, as Jo, Ainy Medina as Meg, Helen Chong as Amy and York actress Laura Soper as Beth. Kate Hampson returns to the Theatre Royal to play Marmee after leading the community cast in The Coppergate Woman. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Steve Wynn: A night of stories and songs at Rise@Bluebird Bakery, Acomb. Picture: Guy Kokken

York gig of the week: Steve Wynn, I Wouldn’t Say It If It Wasn’t True: A Night Of Songs And Stories, Rise@Bluebird Bakery, Acomb, York, September 21, 7.30pm

STEVE Wynn, founder and leader of Californian alt. rock band The Dream Syndicate, promotes his first solo album since 2010, Make It Right (Fire Records), and his new memoir, I Wouldn’t Say It If It Wasn’t True (Jawbone Press), both released on August 30.

Touring the UK solo for the first time in more than ten years, his one-man show blends songs from and inspired by the book with a narrative structure of readings and storytelling. Expect evergreens and rarities from The Dream Syndicate’s catalogue, coupled with illuminating covers and reflective numbers from the new record. Box office: bluebirdbakery.co.uk/rise.

Ghosts In The Garden: Returning for fourth season with more locations and more wire-mesh ghosts. Picture: Gareth Buddo/Andy Little

Installation of the week: Ghosts In The Gardens, haunting York until November 5

GHOSTS In The Gardens returns with 45 ghosts, inspired by York’s past, for visitors to discover in the city’s public gardens and green spaces, with the Bar walls, St Olave’s Church and York Railway Station among the new locations.

Organiser York BID has partnered with design agency Unconventional Design for the fourth year to create the semi-translucent 3D sculptures out of narrow-gauge wire mesh, six of them new for 2024. Pick up the map for this free event from the Visitor Information Centre on Parliament Street and head to https://www.theyorkbid.com/ghosts-in-the-gardens/ for full details

Points Of View, stainless steel, by Tony Cragg, at Castle Howard. Picture: Nick Howard

Last chance to see: Tony Cragg’s Sculptures, Castle Howard, near York, ends September 22

TONY Cragg’s sculptures, the first major exhibition by a leading contemporary artist to be held in the grounds and house at Castle Howard, closes on Sunday after a successful run since May 3 that has seen a 12 per cent rise in visitor numbers since the equivalent period last year.

On show are large-scale bronze sculptures in the gardens plus works in wood, glass sculptures and works on paper, some being displayed for the first time in Great Britain. Opening hours: grounds, 10am to 5pm, last entry 4pm; house, 10am to 3pm. Tickets: 01653 648333 or castlehoward.co.uk.

Making her point: Lauren Robinson as politician Jennie Lee in Mikron Theatre’s premiere of Jennie Lee. Picture: Robling Photography

Political drama of the week: Mikron Theatre Company in Jennie Lee, Clements Hall, Nunthorpe Road, York, September 22, 4pm to 6pm

IN Marsden company Mikron Theatre’s premiere of Jennie Lee, Lindsay Rodden charts the extraordinary life of the radical Scottish politician, Westminster’s youngest MP, so young that, as a woman in 1929, she could not even vote for herself.

Tenacious, bold and rebellious, Lee left her coal-mining family in Scotland and fought with her every breath for the betterment of all lives, for wages, health and housing, and for art and education too, as the first Minister for the Arts and founder of the Open University. She was the wife of NHS founder Nye Bevan, but Jennie is no footnote in someone else’s past. Box office: mikron.org.uk/show/jennie-lee-clements-hall.

Crime novelists Ajay Chowdhury, left, and Luca Veste team up for The Big Read in York and Harrogate on Monday

Book event of the week: Theakston Old Peculier Crime Writing Festival presents The Big Read, Acomb Explore Library, York, September 23, 12.30pm to 1.30pm; The Harrogate Inn, Harrogate, September 23, 2.30pm to 3.30pm

THE North’s biggest book club, The Big Read, returns next week with visits to York and Harrogate on the first day, when visitors can meet the festival’s reader-in-residence, Luca Veste, and fellow novelist Ajay Chowdhury, who will discuss Chowdhury’s Sunday Times Crime Book of the Year, The Detective.

More than 1,000 free copies of tech entrepreneur, writer and theatre director Ajay Chowdhury’s 2023 novel from his Detective Kamil Rahman series will be distributed across the participating libraries. Entry is free.

Astronaut Tim Peake: Exploring the evolution of space travel at York Barbican

Travel show of the week: Tim Peake, Astronauts: The Quest To Explore Space, York Barbican, September 25, 7.30pm

BRITISH astronaut Tim Peake is among only 610 people to have travelled beyond Earth’s orbit. After multiple My Journey To Space tours of his own story, he makes a return voyage to share stories of fellow astronauts as he explores the evolution of space travel.

From the first forays into the vast potential of space in the 1950s and beyond, to the first human missions to Mars, Peake will traverse the final frontier with tales of the experience of space flight, living in weightlessness, the dangers and unexpected moments of humour and the years of training and psychological and physical pressures that an astronaut faces. Box office: yorkbarbican.co.uk.

Neal Foster’s Aunt Alberta and Annie Cordoni’s Stella in Birmingham Stage Company’s Awful Auntie at Grand Opera House, York. Picture: Mark Douet

Children’s show of the week: Birmingham Stage Company in Awful Auntie, Grand Opera House, York, September 26 to 29

CHILDREN’S author David Walliams and Birmingham Stage Company team up for the fourth time. Ater adaptations of Gangsta Granny, Billionaire Boy and Demon Dentist, here comes actor-manager Neal Foster’s stage account of Awful Auntie.

As Stella (Annie Cordoni ) sets off to visit London with her parents, she has no idea her life is in danger. When she wakes up three months later, not everything Aunt Alberta (Foster) tells her turns out to be true. She quickly discovers she is in for the fight of her life against her very own awful Auntie! Suitable for age five upwards. Box office: atgtickets.com/york.

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What’s On in Ryedale, York and beyond as poet John Hegley talks potatoes. Here’s Hutch’s List No. 34, from Gazette & Herald

John Hegley: Two poetry peformances at Helmsley Literary Festival. Picture: Jackie di Stefano

HELMSLEY Literary Festival leads off Charles Hutchinson’s recommendations to fill the cultural diary, joined by drag, folk and blues acts and an American coming-of-age classic.

Festival of the week highlight: Helmsley Literary Festival, Helmsley Arts Centre, John Hegley, New & Selected Potatoes, Saturday, 7pm to 8pm; I Am A Poetato, Sunday, 11am to 12 noon

POET, comic, singer, songwriter and spectacles wearer John Hegley heads to Helmsley with two shows, the first being his seriously funny, cleverly comic “best of golden oldies compilation with some new stuff” about love, family, France, art, the sea, dogs, dads, gods, taxidermy, carrots, glasses and…potatoes.

Second gig I Am A Poetato features An A-Z of Poems about People, Pets and other Creatures! Spelling it out for Helmsley, he promises Hedgehogs. Elephants. Laughing. Mandolin. Singing. Luton. Even a cardboard camel with moving parts. Yo!  For full details of two days of talks, signings, readings, open mic and a quiz, with Hegley, Anne Fine, Joanne Harris, Harriet Constable and The Chase’s Paul Sinha, visit helmsleyarts.co.uk. Box office: 01439 771700.

Bianca Del Rio: Discussing politics, pop culture and political correctness at York Barbican

Drag show of the week: Bianca Del Rio, York Barbican, tonight, doors 7pm

COMEDY drag queen and RuPaul’s Drag Race champion Bianca Del Rio heads to York on her 11-date stand-up tour. Up for irreverent discussion will be politics, pop culture, political correctness, current events, cancel culture and everyday life, as observed through the eyes of a “clown in the gown”, who will be “coming out of my crypt and hitting the road again to remind everyone that I’m still dead inside”. Box office: yorkbarbican.co.uk.

Ryan Adams: Heading back to York Barbican on Friday

Return of the week: Ryan Adams, Solo 2024, York Barbican, Friday, doors 7pm

NORTH Carolina singer-songwriter Ryan Adams returns to York Barbican next week after playing a very long, career-spanning set there with no stage lighting – only his own side lamps – in April last year. This time he will be marking the 20th anniversary of 2004’s Love Is Hell and tenth anniversary of 2014’s self-titled album, complemented by Adams classics and favourites. Adams, who visited the Grand Opera House in 2007 and 2011, will be performing on acoustic guitar and piano. Box office: yorkbarbican.co.uk.

Harp & A Monkey: Songs of everyday life, love and remembrance at Kirk Theatre, Pickering

Folk gig of the week: Friday Folk presents Harp & A Monkey, Kirk Theatre, Pickering, Friday, 7.30pm

GREATER Manchester song-and-storytelling trio Harp & A Monkey specialise in poignant, uplifting and melodic short stories, both original and traditional, about everyday life, love and remembrance. In a nutshell, the extraordinary ordinary, from cuckolded molecatchers and a lone English oak tree that grows at Gallipoli to care in the community, medieval pilgrims and Victorian bare-knuckle boxers.

This versatile collective of artists, animators, storytellers and multi-instrumentalists has undertaken bespoke songwriting for soundtrack, film and art projects for the likes of Sky Arts and the Department of Sport, Media and Culture. Fylingdales Folk Choir will perform too. Box office: 01751 474833 or kirktheatre.co.uk.

York actress Kate Hampson in the matriarchal role of Marmee in Little Women at York Theatre Royal. Picture: Charlie Kirkpatrick

Play of the week: Little Women, York Theatre Royal, Saturday to October 12

CREATIVE director Juliet Forster directs York Theatre Royal’s new production of Louisa May Alcott’s coming-of-age story of headstrong Jo March and her sisters Meg, Beth and Amy as they grow up in New England during the American Civil War.

Adapted by Anne-Marie Casey, the production features Freya Parks, from BBC1’s This Town, as Jo, Ainy Medina as Meg, Helen Chong as Amy and York actress Laura Soper as Beth. Kate Hampson returns to the Theatre Royal to play Marmee after leading the community cast in The Coppergate Woman. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Seedling, by Sarah Sharpe, on show in Leeds Fine Artists’ 150th anniversary show at Blossom Street Gallery

Exhibition of the week: Leeds Fine Artists Celebrating 150 Years, Blossom Street Gallery, York, until October 31

LEEDS Fine Artists is celebrating its 150th anniversary with an exhibition at its regular York host, Blossom Street Gallery, featuring an inspirational collection of work demonstrating a wide range of styles and different media.

Taking part are: Sharron Astbury-Petit; Dawn Broughton; Jane Burgess; Mark Butler; Pete Donnelly; Alison Flowers; Roger Gardner; Margarita Godgelf; Dan Harnett; Peter Heaton; Nicholas Jagger; Michael Curgenven; Catherine Morris; Martin Pearson; Clare Phelan; Trevor Pittaway; Neil Pittaway; Annie Robinson; Annie Roche; Sarah Sharpe and John Sherwood. Opening hours: Thursdays, Fridays and Saturdays, 10am to 4pm; Sundays, 10am to 3pm.

Tim Peake: Exploring the evolution of space travel at York Barbican

Travel show of the week: Tim Peake, Astronauts: The Quest To Explore Space, York Barbican, September 25, 7.30pm

BRITISH astronaut Tim Peake is among only 610 people to have travelled beyond Earth’s orbit. After multiple My Journey To Space tours of his own story, he makes a return voyage with his stellar new show, sharing the collected stories of fellow astronauts as he explores the evolution of space travel.

From the first forays into the vast potential of space in the 1950s and beyond, to the first human missions to Mars, Peake will traverse the final frontier with tales of the experience of spaceflight, living in weightlessness, the dangers and unexpected moments of humour and the years of training and psychological and physical pressures that an astronaut faces. Box office: yorkbarbican.co.uk.

Lightning Threads: Showcasing their debut album, Off That Lonely Road, at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club, Lightning Threads, Milton Rooms, Malton, September 26, 8pm

SHEFFIELD blues-rock trio Lightning Threads are influenced by the great rock musicians of another time, drawing comparisons with The Black Keys, Gary Clark Jr, Cream and The Doors.

Tom Jane, guitar and vocals, Sam Burgum, bass and vocals, and Hugh Butler, drums and keyboards, have been nominated for Best Album in the 2024 Blues Awards for their November 2023 debut, Off That Lonely Road, recorded with Andrew Banfield, of Superfly Studios, and graced by Kelly Michaeli’s gospel vocals. Box office: 01653 696240 or themiltonrooms.com.

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The Big Read welcomes crime novelists Ajay Chowdhury and Luca Veste to Acomb, Harrogate and Bradford on Monday

Authors Ajay Chowdhury, left, and Luca Veste, right, at the Theakston Old Peculier Crime Writing Festival in Harrogate. Picture: Andrew Stevens

THE North’s biggest book club, The Big Read, returns from September 23 to 25, travelling to libraries across the North of England. First up will be Acomb Explore Library, Front Street, York, next Monday from 11.30am to 12.30pm.

Produced by Harrogate International Festivals and sponsored by the Inn Collection Group and Vintage Publishing, this free event is part of the Theakston Old Peculier Crime Writing Festival and is designed to celebrate and create awareness of literacy, while paying homage to the legacy of crime fiction’s greatest writers.

Visitors will have the opportunity to meet the festival’s reader-in-residence, Luca Veste, and fellow novelist Ajay Chowdhury, winner of The Sunday Times and The Times Crime Book of the Year, who will travel to seven libraries from Merseyside to Teesside, discussing Chowdhury’s The Detective, as they take the festival on tour. 

More than 1,000 free copies of tech entrepreneur, writer and Rented Space Theatre Company artistic director Ajay Chowdhury’s 2023 novel will be distributed across the participating libraries.

Luca Veste is the author of numerous crime novels, such as You Never Said Goodbye and The Bone Keeper. As well as hosting of the Two Crime Writers And A Microphone podcast and co-founding the Locked In Festival, he plays bass guitar in the band of authors, The Fun Lovin’ Crime Writers.

The cover artwork for Ajay Chowdhury’s novel The Detective

Sharon Canavar, chief executive of Harrogate International Festivals, says: “We know that reading stimulates the brain, reduces stress and helps us relax, and the aim of the Big Read is to bring people together from all walks of life through their shared passion for reading.

“This event is also a brilliant opportunity to raise awareness of local library services, which really are at the heart of our communities.

“The Detective is a cracking read and illustrates the rich variety that can be found in the crime-writing genre, and I’m sure it will encourage readers to explore the rest of Ajay Chowdhury’s books.”

Chowdhury’s latest novel in his Detective Kamil Rahman series, The Spy, was published by Harvill Sacker/Penguin Books in April, preceded by last year’s The Detective, The Cook in 2022 and The Waiter in 2021. First came his children’s novel, Ayesha And The Firefish, in 2016.

“I am both honoured and humbled that The Detective has been selected for this year’s Big Read,” he says. “I’m excited to join Luca on the road and looking forward to meeting readers across the North of England.”

The Harrogate Inn general manager Daniel Marshall, with a copy of The Detective, as staff member Lawrence Rhodes-Ibarra looks on from behind the bar. Picture: Andrew Stevens

Andrew Robson, of The Inn Collection Group, says: “The Big Read is a great way of supporting our libraries and bringing local communities together. Reading is one of life’s great pleasures and books have the ability to inspire us and show the world in a fresh light, which is why it’s a genuine pleasure for us to be involved in such a wonderful and rewarding project.”

Reader-in-residence Luca Veste says: “I’m delighted once again to be able to take the Theakston Old Peculier Crime Writing Festival on tour with the Big Read. Local libraries are a cornerstone of our communities and have been an important part of my own life from an early age. I’m really looking forward to discussing this brilliant book with crime writing fans new and old.”

Crime novel devotees can head to a choice of seven participating libraries in York, Harrogate, Bradford, Formby (Liverpool), Stockport, Hexham and Stockton-on-Tees (Billingham) to collect a free copy of The Detective and sign up for the North’s biggest book club.

The Big Read 2024 schedule in Yorkshire:

Monday, September 23: Acomb Explore Library, Front Street, Acom, York, 1.30am to 12.30pm. The Harrogate Inn, Ripon Rd, Harrogate, 2.30pm to 3.30pm. Bradford City Library, Centenary Square, Aldermanbury, Bradford, 6.30pm to 7.30pm. Entry is free.

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REVIEW: Steve Crowther’s verdict on York Chamber Music Festival, National Centre for Early Music, York, September 13

Tim Lowe: York Chamber Music Festival artistic director and cellist

THERE was much to admire in the performance of the opening Haydn’s String Quartet in C major Op 33, No. 3 (The Bird) and why wouldn’t there be: excellent players and one of Haydn’s finest Quartets.

The nickname, The Bird, is derived from the early first violin chirping calls, acciaccaturas (very short, crisp notes), which convincingly transformed into haunting passages, sequences of very quiet, gently clashing suspensions.

The second movement Scherzo was, for the most part, hymn-like, the playing (on the lower strings) genuinely touching. The bird calling card did make an unexpected appearance in the central Trio section. Humorous and so Haydnesque.

The ‘authentic’ Adagio was effectively and poignantly delivered. The Rondo finale is ever-so-gently bonkers. Folk music, Hungarian gypsy energy, crazy batting of the theme between the violins and viola plus cello with the ending vanishing into a wisp of smoke.

But there were issues too. Intonation was not always dead centre – the high violin passage at the very opening and again in the Trio reappearance (second movement) with the two violins playing on their upper strings.

Sometimes the cello too wasn’t quite on pitch. But these were rare, and this is a technically demanding work with no places to hide. Another issue was balance.

Matters improved with the instrumental changing of the guard. The ever-excellent Tim Lowe’s (cello) insight and technical assurance was immediately self-evident in the following Tchaikovsky (String Quartet No.1 in D major, Op 11), but it was the introduction of Gary Pomeroy (viola) that seemed to be critical.

As the second half Dvořák clearly demonstrated, Simone van der Giessen is an excellent viola player, but in the Haydn the viola contributions were less prominent. Hence the balance issue, but why this was so I couldn’t honestly say.

Viola player Gary Pomeroy. Picture: York Chamber Music Festival

It is perhaps worth noting that Tchaikovsky’s D major Quartet is less technically demanding than the Haydn. It was still a terrific performance though.

The rising and falling chords of the opening Moderato have been likened to the playing of an accordion. For me, it created an image of a gorgeous sunrise. Well, each to their own.

The rich textures and contrapuntal dialogue were very well delivered, contributing to a highly enjoyable, generous (eight-nine minutes?) opening movement. The outstanding movement was the folk-inspired Andante cantabile. It is just so poignant, so beautiful. The balance, the shape and the playing were quite delightful. At times I thought the first violin sounded like a cor anglais or soprano saxophone.

The energetic peasant dance-like Scherzo was rhythmically tight, the accents crisply delivered and confident playing throughout.

Much the same could be said of the closing Allegro finale. The performance was tight, crisp, with a fine viola solo and a razor-sharp signing-off.

The second half belonged to Dvořák’s String Quintet in Eb Major, Op 97. The opening Allegro came across as a generous, giving performance. The reappearance of the main theme – fortissimo and in octaves was decidedly emphatic and the quiet sense of return, of coming full circle, was very effective.

As was the second movement Scherzo. The drumbeat rhythm is tapped out on the second viola whilst the real melodic focus belongs to the first viola (Dvořák was himself a viola player).

The musical soul of the work is in the third movement Larghetto, and that is precisely what came across. There were notably fine contributions from Gary Pomeroy (first viola), Tim Lowe (cello) and Ben Hancox (first violin) – intricate, ornamented pizzicato playing. The Rondo finale was full of zest whilst generating an infectious love for the music itself.

Review by Steve Crowther

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What’s On in Ryedale, York and beyond when musical theatre goes back to school. Hutch’s List No. 33, from Gazette & Herald

Finn East’s Dewey Finn and Eady Mensah’s Tomika in rehearsal for York Stage’s School Of Rock: The Next Generation

FOR those about to rock, or celebrate jazz greats, or glory in Henry V, Charles Hutchinson stacks up reasons to head out and about.

Musical of the week: York Stage in School Of Rock: The Next Generation, Grand Opera House, York, September 13 to 21, 7.30pm, except September 15 and 16; 2.30pm, September 14 and 21; 4pm, September 15

YORK Stage is ready to rock in the riotous musical based on the 2003 Jack Black film, re-booted with a book by Julian Fellowes, lyrics by Glenn Slater and music by Andrew Lloyd Webber.

Failed rock musician Dewey Finn (Finn East), desperate for money, chances his arm by faking it as a substitute teacher at a stuffy American prep school, jettisoning Math(s) in favour of propelling his students to become the most awesome rock band ever. Will he be found out by the parents and headmistress, leaving Dewey to face the music? Box office: atgtickets.com/york.

Artistic director and cellist Tim Lowe: Running his 11th York Chamber Music Festival next week

Festival of the week: York Chamber Music Festival, various venues, September 13 to 15

FOR its 11th season, York Chamber Music Festival artistic director and cellist Tim Lowe is bringing together pianist Andrew Brownell, violinists Ben Hancox and Magnus Johnston, viola players Gary Pomeroy and Simone van der Giessen, cellist Marie Bitlloch and flautist Sam Coles.

The centenary of French composer Gabriel Fauré’s death will be marked prominently in the five concerts. For the full programme and tickets, go to: ycmf.co.uk.

Ronnie Scott’s All Stars: Presenting Ronnie Scott’s Soho Songbook at York Theatre Royal. Picture: Shawn Pearce

Jazz gig of the week: Ronnie Scott’s Jazz Club Presents The Ronnie Scott’s Soho Songbook, York Theatre Royal, September 13, 7.30pm

RONNIE Scott’s Jazz Club returns to York Theatre Royal with a new collection of music, narration and projected archive images and rare footage, celebrating Ronnie Scott’s Soho Songbook.

Hosted and performed by the award-winning Ronnie Scott’s All Stars, led by musical director James Pearson, the show offers a glimpse into the London club’s storied world with its litany of legendary jazz players and vocalists. Box office for returns only: 01904 623568.

Paul Carrack: Celebrating 50 years since his first hit, Ace’s How Long, at York Barbican. Picture: Nico Wills Cornbury

Ace memoir of the week: Paul Carrack, How Long: 50th Anniversary Tour 2024, York Barbican, September 14, 7.30pm

IN 1974, Sheffield musician Paul Carrack was in “fun London band” Ace when he penned How Long, a song that would reach number three in the US Billboard Hot 100 and the Top 20 in the UK Singles Chart. Phil Collins named it among his top ten favourites in a 1981 issue of Smash Hits.

“How Long is probably the first song I wrote,” recalls Carrack, now 73. “I wrote the song about a real situation, a situation that many people could relate to. Little did I know that it would become a classic and touch the hearts of so many.”  His 50th anniversary tour takes a journey through his career, from his days with Ace, Squeeze and Mike + The Mechanics to his solo years. Box office: yorkbarbican.co.uk.

Alchemy Live: In Dire Straits in Helmsley

Tribute gig of the week: Alchemy Live, A Tribute To Mark Knopfler and Dire Straits, Helmsley Arts Centre, September 14, 8pm

FORMED in 2022 by frontman Martin Ledger, Yorkshire band Alchemy Live bring together a group of professional players and friends that shares a common love of the music of Mark Knopfler and Dire Straits.

Alchemy Live are “all about the music, no lookalike competitions here”, re-creating the Dire Straits sound as accurately as possible. Every guitar solo is taken from a specific show and reproduced note for note. “Close your eyes and you’re right there, at the Hammersmith Odeon back in 1983,” says Ledger. Box office: 01439 771700 or helmsleyarts.co.uk.

Historian and author Dan Jones

Book event of the week: Kemps Presents Dan Jones, Henry V: The Astonishing Rise Of England’s Greatest Warrior King, Milton Rooms, Malton, September 17, 7.30pm

HISTORIAN, television presenter, journalist, podcaster and author Dan Jones says he has been waiting to write Henry V’s biography for many years on account of Agincourt victor Henry being considered as the pinnacle and paragon of medieval kingship, both his own time and for centuries thereafter.  

Jones will discuss “one of the most intriguing characters in all medieval history, but one of the hardest to pin down” and sign copies of the book post-discussion. Box office: 01653 696240 or themiltonrooms.com.  

Charlie Parr: Showcasing blues and folk songs of community and communing with nature at Pocklington Arts Centre

Troubadour of the week: Charlie Parr, Pocklington Arts Centre, September 19, 8pm

RAISED in Austin, Texas, and now living in the Lake Superior port town of Duluth, folk troubadour and bluesman poet Charlie Parr has recorded 19 albums since 2002, this year releasing Little Sun, full of stories celebrating music, community and communing with nature.

Taking to the road between shows, this American guitarist, songwriter, and interpreter of traditional music writes and rewrites songs as he plays, drawing on the sights and sounds around him, his lyrical craftsmanship echoing the works of his working-class upbringing, notably Folkways legends Lead Belly and Woody Guthrie. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Iago Banet: Fingerstyle acoustic guitarist plays solo in Helmsley. Picture: Sue Rainbow

Guitarist of the week: Iago Banet, Helmsley Arts Centre, September 20, 8pm

IAGO Banet, “the Galician King of Acoustic Guitar” from northern Spain, visits Helmsley on the back of releasing his third album, the self-explanatory Tres, in 2023.

Featured on BCC Radio 2’s The Blues Show With Cerys Matthews, this solo fingerstyle acoustic guitarist has played such festivals as Brecon Jazz, Hellys International Guitar Festival and Aberjazz, displaying skill, complexity and versatility in his fusion of gypsy jazz, blues, Americana, country, Dixieland, swing, pop and folk. Box office: 01439 771700 or helmsleyarts.co.uk.

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More Things To Do in York and beyond as Monet’s Water Lily-Pond bids farewell. Hutch’s List No. 37, from The Press, York

Anna Hibiscus’ Song: Theatrical story of self-discovery from Nigeria at York Theatre Royal

FROM African storytelling to Milton Jones’s puns, Will Young’s joyous pop to Dewey Finn’s teaching methods, Charles Hutchinson finds reasons to smile.

Children’s show of the week: Utopia Theatre and Sheffield Theatres present Anna Hibiscus’ Song, York Theatre Royal, today, 11am and 2pm

THIS is the story of a young African girl named Anna Hibiscus, who lives in Ibadan, Nigeria, where she is so filled with happiness that she feels like she might float away. The more she talks to her family about it, the more her happiness grows. The only thing to do is…sing!

Told through music, dance, puppetry and traditional African storytelling, this theatrical story of self-discovery is adapted for the stage by director Mojisola Kareem from the book by Atinuke and Lauren Tobia. Suitable for children aged three upwards and their grown-ups. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Water-Lily Pond, oil on canvas, by Claude Monet, 1899, on show at York Art Gallery until tomorrow. Copyright: National Gallery

Last chance to see: National Treasures: Monet In York: The Water-Lily Pond, York Art Gallery, in bloom until tomorrow (8/9/2024), 10am to 5pm

SUNDAY or bust. This weekend brings to an end the National Gallery’s bicentenary celebrations in tandem with York Art Gallery after close to 70,000 people took up the chance to feel the radiance of French Impressionist painter Claude Monet’s 1899 work, The Water-Lily Pond, the centrepiece and trigger point of this special anniversary exhibition. 

On show too are loans from regional and national institutions alongside York Art Gallery collection works and a large-scale commission by contemporary artist Michaela Yearwood-Dan, Una Sinfonia. Monet’s canvas is explored in the context of 19th-century French open-air painting, pictures by his early mentors and the Japanese prints that transformed his practice and beloved gardens in Giverny. Hurry, hurry to book tickets at yorkartgallery.org.uk.

Milton Jones: Not short of shirts for his Ha!Milton tour

Comedy gig of the week: Milton Jones, Ha!Milton, Grand Opera House, York, tonight, 7.30pm

THIS is not a musical. Milton Jones is tone deaf and has no sense of rhythm, he admits, but at least he doesn’t make a song and dance about it. Instead, he has more important things to discuss. Things like giraffes…and there’s a bit about tomatoes.

The shock-haired, loud-shirted master of the one-liner promises a whole new show of daftness. “You know it makes sense,” he says. Box office: atgtickets.com/york.

Will Young: Showcasing Light It Up’s joyous pop at Grand Opera House, York. Picture: Jamie Noise

Pop gig of the week: Will Young, Grand Opera House, York, tomorrow, 7.30pm

MARKING the August 9 release of his Light It Up album, Will Young is embarking on his most intimate tour yet, an up-close-and-personal evening of acoustic performances, stories and conversation across 50 dates.

The ten tracks are a return to embracing joyous unashamed pop music for Young, who has teamed up with Scandinavian pop production/writing duo pHD, as well as reuniting with Groove Armada’s Andy Cato and long-term writing partners Jim and Mima Elliot, for “the go-to pop album for a dance, for a cry and for a celebration”. Box office: atgtickets.com/york.

Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal on Tuesday night

Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm

WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?

In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ruth Berkoff in The Beauty Of Being Herd, her debut show “for anyone who’s ever found it hard to fit in”. Picture: Alex Kenyon

Sheep and cheerful:  Ruth Berkoff: The Beauty Of Being Herd, Theatre@41, Monkgate, York, September 12, and Terrington Village Hall, near Malton, September 28, both 7.30pm

HAVE you ever felt like an outsider? Hannah has. Her solution? She has decided to live as a sheep. “But don’t worry, she’s thought it all through. She’s even got a raincoat. And she’d love to tell you all about it at her Big Goodbye Party. Everyone is invited,” says Leeds writer-performer Ruth Berkoff, introducing her hour of comedy, original songs, heartfelt sharing and even a rave.

“Whether you’re shy, neurodivergent, have accidentally put your foot in it or simply had to spend time with people that weren’t ‘your people’, this is a show for anyone who’s ever found it hard to fit in.” Box office: York, tickets.41monkgate.co.uk; Terrington, terringtonvillagehall.co.uk.

Finn East’s Dewey Finn and Eady Mensah’s Tomika in rehearsal for York Stage’s School Of Rock: The Next Generation

Musical of the week: York Stage in School Of Rock: The Next Generation, Grand Opera House, York, September 13 to 21, 7.30pm, except September 15 and 16; 2.30pm, September 14 and 21; 4pm, September 15

YORK Stage is ready to rock in the riotous musical based on the 2003 Jack Black film, re-booted with a book by Julian Fellowes, lyrics by Glenn Slater and music by Andrew Lloyd Webber.

Failed rock musician Dewey Finn (Finn East), desperate for money, chances his arm by faking it as a substitute teacher at a stuffy American prep school, jettisoning Math(s) in favour of propelling his students to become the most awesome rock band ever. Will he be found out by the parents and headmistress, leaving Dewey to face the music? Box office: atgtickets.com/york.

Artistic director and cellist Tim Lowe: Running his 11th York Chamber Music Festival next week

Festival of the week: York Chamber Music Festival, various venues, September 13 to 15

FOR its 11th season, York Chamber Music Festival artistic director and cellist Tim Lowe is bringing together pianist Andrew Brownell, violinists Ben Hancox and Magnus Johnston, viola players Gary Pomeroy and Simone van der Giessen, cellist Marie Bitlloch and flautist Sam Coles.

The centenary of French composer Gabriel Fauré’s death will be marked prominently in the five concerts. For the full programme and tickets, go to: ycmf.co.uk.

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York Chamber Music Festival 2024: the full programme. Who’s playing, what, where and when from September 13 to 15

Tim Lowe: York Chamber Music Festival artistic director and cellist. Picture: York Chamber Music Festival

THE centenary of the death of French composer Gabriel Fauré will be marked by the York Chamber Music Festival from September 13 to 15.

“For the 2024 festival I have gathered together another crop of the best string players in the country, all playing at the top of their game,” says artistic director and cellist Tim Lowe. “The 2006 Leeds International Piano Competition second prize winner, American pianist Andrew Brownell, returns to us after a long absence too.

Lowe has assembled a festival line-up of pianist Brownell; violinists Ben Hancox and Magnus Johnston; viola players Gary Pomeroy and Simone van der Giessen; cellist Marie Bitlloch and flautist Sam Coles.

“Spotlighting the Fauré centenary, we will play his beautiful Piano Quartet No. 1 Op.15 – a piece that after the French defeat in 1871 at the end of the Franco-Prussian War led the renaissance of French musical culture and defined its distinctive sound-world,” says Tim.

“In his older age, his Second Cello Sonata is an amazingly youthful and life-affirming work for a composer in his late seventies and by then, sharing with Beethoven a composer’s worst nightmare, unable to hear, arguably, their greatest music.”

Lowe and Brownell will open the festival with a French-themed lunchtime cello recital at the Unitarian Chapel, St Saviourgate, on September 13 at 1pm, featuring Nadia Boulanger’s Trois Pièces for ‘Cello and Piano, Claude Debussy’s Sonata for Cello and Piano and Fauré’s Cello Sonata No. 2 in G minor, Op. 117.

Flautist Sam Coles. Picture: York Chamber Music Festival

“As the storm clouds of war gathered over Europe in 1914, Debussy was seriously ill with cancer but feeling it was his patriotic duty to compose,” says Tim. “The sonata is infused with progressive, 20th century harmonic language, which often ventures into exotic modes and the dreamy, time-altering magic of the pentatonic and whole tone scales. Yet under the surface lies a nostalgic classicism.

“Fauré, like Debussy, was physically frail. He was totally deaf when he wrote his last major works. He was 76 but what grips us immediately about this cello sonata is its youthfulness and exuberance. For anyone less spiritually centred than Fauré, these final years would have been a time of frustration but from his silent world he shares with us moments of transcendence.”

Hancox, Johnston, Pomeroy, van der Giessen, Bitlloch and Lowe will gather at the National Centre for Early Music, Walmgate, for the Friday evening concert: a 7.30pm programme of Haydn’s String Quartet in C Major Op. 33 No. 3 (The Bird), Tchaikovsky’s String Quartet No 1 in D Major Op. 11 and Dvořák’s String Quintet in E flat major, Op. 97.

“After a break of ten years, Haydn returned with renewed enthusiasm to writing string quartets,” says Tim.  “The six new Op. 33 quartets toy with convention, surprise and delight us. He uses the title ‘Scherzo’ – Italian word meaning ‘joke’ – and there is indeed a lot of humour in these quartets. Op. 33 No. 3 Is known as ‘The Bird’ for good reasons!

“In 1871 Tchaikovsky decided to supplement his modest income from teaching and journalism by staging a concert of his own works in Moscow including this new String Quartet No.1 in D major; a youthful work and maybe his greatest chamber music. It was an unqualified success, showing the composer’s gift for melodic invention.

​“While in America, Dvořák took his family on summer vacations into the countryside in Iowa. It was here, at Spillville, that he wrote masterpieces, among his finest works, embodying his intense love of chamber music, his mastery of the intricacies of the classical form and above all his revolutionary commitment to folk melody, which gives his music such a passionate emotional impact; joy unbounded.”

Pianist Andrew Brownell. Picture: York Chamber Music Festival

Lowe will team up with Coles and Brownell for From Classical To Romantic, the Saturday lunchtime concert of Carl Maria von Weber’s Overture to Euryanthe (arr. Hummel), Johann Nepomuk Hummel’s Adagio, Variations and Rondo on a Russian Theme, Op 78 and Weber’s Trio in G minor, Op 63, at the Unitarian Chapel at 1pm on September 14.

“The genius composer Hummel was a contemporary of Beethoven and Mozart,” says Tim. “Apart from his own brilliant music, he enjoyed arranging large works for small groups to meet the market for amateur players.

“For the Overture to Weber’s opera Euryanthe, Weber’s original brilliant orchestration is served surprisingly well by this arrangement; full of operatic character and tuneful.

“Writing variations based on a well-known tune has always been a familiar form of composition and Hummel’s facility for improvisation plays to this in the Adagio, Variations and Rondo. Here he uses a folk song and creates a series of wonderfully tuneful composition highlighting each instrument’s singing qualities.”

Tim continues: “The Weber trio sound to me more like an opera; full of arias and drama! The operatic master completed this masterly trio in 1819. In it we sense the Romantic era in the air. There is here a preference for composing display pieces for soloists, like operatic divas singing their hearts out in this wonderfully varied, joyful and above all tuneful piece!”

Hancox, Johnston, Pomeroy, van der Giessen, Bitlloch, Lowe and Brownell will focus on quartets on September 14 at 7.30pm at the Sir Jack Lyons Concert Hall, University of York, once the evening programme has opened with Debussy’s Prélude to the cantata La Damoiselle élue (The Blessed Damozel).

Viola player Gary Pomeroy. Picture: York Chamber Music Festival

“Debussy read Pre-Raphaelite poet and painter Dante Gabriel Rossetti’s poem The Blessed Damozel(1850) and had an idea to compose a short cantata,” says Tim. “The synopsis is simple: ‘From the heights of paradise, leaning on a golden barrier, a young girl laments the absence of her lover. On Earth, the latter believes he feels her presence’. 

“Debussy shows us his wonderful gift for fleeting moments of sensuality. The Prélude to the cantata is brilliant realised in this arrangement for piano and strings by John Lenehan.”

Next comes Fauré’s beautiful early work, the optimistic Piano Quartet No. 1 in C minor Op. 15. “Joining the search for a renaissance of French musical culture, especially after the French defeat in the Franco-Prussian War (1871), Fauré defined some of the core elements of this new distinctively French ‘voice’ in his Piano Quartet,” says Tim.

“The use of piano arpeggios and other broken figures to establish a sort of fluid counterpoint on which the music seems to float; resourcefulness in unexpected harmonic changes and Fauré’s genius for melodic invention – subtle, filigree melodies that seem to grow sinuously out of his harmonic scheme.”

The concert will climax with Brahms’s Piano Quartet in G Minor, Op. 25, noted for its joyous gypsy finale. “The Piano Quartet in G Minor is one of the first works of Brahms’s unique flowering, freed from the shadow of Beethoven,” says Tim. “It is a work of huge proportions and despite its quite congenial surface has an inner story with everything constructed on thematic material that is without precedent in chamber music.

“Schoenberg describes this method of composition as preparing the way for atonality. Brahms’s epic Piano Quintet covers a musical canvas with a clarity and newness that had not been heard before.”

Hancox, Johnston, Pomeroy, van der Giessen, Bitlloch and Lowe will be the players for the festival closing Sunday afternoon concert of Mozart’s String Quintet in C minor, K 406, and Brahms’s String Sextet No. 1 in B-flat major, Op. 18 on September 15 at 3pm at St Olave’s Church, Marygate Lane.

Viola player Simone van der Giessen. Picture: York Chamber Music Festival

“Mozart in the final years of his short life struggled with money,” says Tim. “The String Quintet in C minor, K 406 is the composer’s own arrangement of a Wind Serenade, K. 388, for two oboes, clarinets, horns and bassoon designed to be advertised alongside two original quintets with the aim of repaying some of his debts.

“Such is Mozart’s finesse with the transcription that, without knowing the back story, it would not be apparent that the quintet was not in its original form. It is a somewhat moody piece, but its inner complexity comes to a joyful open-air ending.”

Tim continues: “The dominance of Beethoven in virtually every genre was so complete that no composer could escape comparison to the departed master. The young Johannes Brahms felt this very acutely; he destroyed three quarters of his chamber music until he found this own voice, which he knew lay within.

“One solution was to use instrumental groups Beethoven didn’t touch. When Clara Schumann heard it she remarked, it was even more beautiful than I had anticipated, and my expectations were already high’.

“Spared the burden of Beethoven’s ghost, the new sextet – and its young creator – scored a success. It is one of his most glorious works; tuneful, colourful and inventive. Above all using the six voices with creativeness and melding them into a wonderful ochre acoustic – a wash of sunset sound.”

​Summing up the festival, Tim says: “Come and hear duos, trios, quartets and quintets, finishing up on the Sunday afternoon with the wonderfully life-affirming Brahms String Sextet, Op.18, one of his greatest works and a turning point in his career.”

Visit ycmf.co.uk for the full festival details and to book tickets.

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More Things To Do in York and beyond, from a love letter to theatre to a teatime tiger. Hutch’s List No. 36, from The Press

York actress Frances Marshall in rehearsal for Alan Ayckbourn’s 90th play, Show & Tell at the SJT. Picture: Tony Bartholomew

ALAN Ayckbourn’s 90th play and the Fangfest arts weekend lead Charles Hutchinson’s recommendations for the weeks ahead.

Premiere of the week: Alan Ayckbourn’s Show & Tell, Stephen Joseph Theatre, Scarborough, September 5 to October 5

BILL Champion, Paul Kemp, Frances Marshall, Richard Stacey and Olivia Woolhouse will be the cast for the 90th play by Scarborough writer-director Alan Ayckbourn, a love letter to theatre. 

In a delightfully dark farce that lifts the lid on the performances we act out on a daily basis, Jack is planning a big party for his wife’s birthday. Pulling out all the stops, he has booked a touring theatre company to perform in the main hall of the family home. Unfortunately, Jack is becoming forgetful in his old age, rendering him unable to remember all the details of the booking.

The Homelight Theatre Company is on its knees, desperately needing a well-paid gig – and Jack’s booking is very well paid. Pinning him down on the details has been tricky, however, and something does not feel quite right. Box office: 01723 370541 or sjt.uk.com.

Mealtime mayhem in The Tiger Who Came To Tea at the Grand Opera House, York

Children’s show of the week: Nicoll Entertainment presents The Tiger Who Came To Tea, Grand Opera House, York, today and tomorrow, 11.30am and 2.30pm

JUDITH Kerr’s picture-book story The Tiger Who Came To Tea is celebrating 15 years on stage in writer-director David Wood’s 55-minute production that returns to York this weekend, exactly a year on from its last visit.

The doorbell rings just as Sophie and her mummy are sitting down to tea. Who could it possibly be? What they don’t expect to greet at the door is a big, stripey, tea-guzzling tiger in a family show packed with oodles of magic, sing-a-long songs and clumsy chaos! Age guidance: three upwards. Box office: atgtickets.com/york.

Allied Air Forces Memorial Day at the Yorkshire Air Museum, pictured in 2023

We will remember them: Allied Air Forces Memorial Day, Yorkshire Air Museum, Halifax Way, Elvington, near York, tomorrow (Sunday), from 1.45pm

THE Yorkshire Military Marching Band will lead the 1.45pm parade featuring standard bearers from 16 Royal British Legion and RAF Association branches in one of the biggest events in the museum’s calendar.

Representatives of the RAF will join with counterparts from the United States, Australia, New Zealand, Canada and France in honouring the bravery and sacrifices of the allied air crews who flew from the airfield during the Second World War, many of whom did not survive. The day will climax with a 2.15pm service in the main hangar, under the nose of Halifax Bomber Friday the 13th. Open to museum visitors and invited guests.

Busted: Concluding the 2024 season at Scarborough Open Air Theatre on Saturday

Coastal gig of the week: Busted, Scarborough Open Air Theatre, today, gates open at 6pm

BUSTED close Cuffe & Taylor’s summer of outdoor gigs in Scarborough 22 years after first bouncing into the charts with the pop-punk energy of What I Go To School For and a year on from releasing Greatest Hits 2.0, an album of re-recorded hits with guests to mark the reunion of James Bourne, Matt Willis and Charlie Simpson.

Expect number one smashes Crashed The Wedding, Who’s David, Thunderbirds Are Go and You Said No to feature in Saturday’s set list, along with Year 3000, Air Hostess, Sleeping With The Lights. Support comes from Skinny Living and Soap. Box office: scarboroughopenairtheatre.com/busted.

William Dalrymple: Reflecting on India’s impact on the ancient world in his Grand Opera House talk

History talk of the week: William Dalrymple, How Ancient India Transformed the World, Grand Opera House, York, September 2, 7.30pm

HISTORIAN William Dalrymple, co-host of the Empire podcast, tells the story of how, from 250BC to 1200AD, India transformed the world: exporting religion, art, science, medicine and language along a Golden Road that stretched from the Red Sea to the Pacific, creating a vast and profoundly important empire of ideas.

Dalrymple explores how Indian ideas crossed political borders and influenced everything they touched, from the statues in Roman seaports to the Buddhism of Japan, the poetry of China to the mathematics of Baghdad. Box office: atgtickets.com/york.

Kiri Pritchard-McLean: Tales of a foster parent in her Peacock show at Pocklington Arts Centre

Comedy gig of the week: Kiri Pritchard-McLean: Peacock, Pocklington Arts Centre, September 5, 8pm

KIRI Pritchard-McLean has had a busy few years, hosting Live At The Apollo, fronting the BBC Radio 4 panel show Best Medicine, co-hosting the All Killa No Filla podcast, starting a comedy school and becoming a foster parent. 

After a couple of the eggiest gigs of her career in boardrooms, a show about being a foster carer has been signed off, wherein she lifts the lid on social workers, first aid training and what not to do when a vicar searches for you on YouTube. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Story Craft Theatre’s Cassie Vallance, left, and Janet Bruce: Making their Fangfest debut with  a magical and adventurous story for two to eight-year-olds, featuring music, games and puppetry, on both days at 2.30pm in the Fangfoss Hall orchard

Festival of the week: Fangfest Festival of Practical Arts, Fangfoss, near York, September 7 and 8. 10am to 4pm

THE annual Fangfest returns with its celebration of traditional and contemporary art and craft skills as creatives, businesses and charities gather next weekend.

The event features a flower festival, vintage and veteran cars, archery, Stamford Bridge History Society, music on the green, the Story Craft Theatre Company, a teddy bear trail, produce stalls and free craft activities, as well as 30 working craft exhibitors and workshops in needle felting, wood carving, spinning and embroidery. Entry to Fangfest is free; parking is £2 per vehicle in aid of Friends of St Martin’s School.

Bjorn Again: Thanking Abba for the music at York Barbican and Connexin Live, Hull, on their 2025 tour

Gig announcement of the week: Bjorn Again, York Barbican, September 28 2025, and Connexin Live, Hull, October 29 2025

AFTER festival appearances at Wilderness and Glastonbury this summer, Bjorn Again announce a British and Irish tour from September 26 to November 2 2025, taking in York Barbican on the third night and Connexin Live, Hull, a month later.

Founded in 1988 in Melbourne by Australianmusician/manager Rod Stephen, the tribute show carries the endorsement of Abba’s own Agnetha Fältskog. Designed as a tongue-in-cheek, rocked-up, light-hearted ABBA satire, the show is in its 37th year, having seen more than 100 musicians and vocalists and 400 technical crew/support staff contribute to 5,500 performances in 75 countries. Box office: yorkbarbican.co.uk and connexinlivehull.com.

In Focus: 60 songs, 50 years, four concerts, two nights, add up to Elvis Costello & Steve Nieve at Leeds City Varieties Music Hall

Elvis Costello: 60 songs from 50 years in four shows in two nights at Leeds City Varieties Music Hall in September

ELVIS Costello brings his new career-spanning presentation, 15 Songs From 50 Years, to Leeds City Varieties on September 2 and 3 for four unique performances over two days, all sold out.

Walking in the footsteps of Harry Houdini and beyond the long shadow of Charlie Chaplin, Frank Carson and Leonard Sachs at the Swan Street music hall, Costello will be joined at each 75-minute show by keyboard player Steve Nieve, his long-serving, Royal College of Music-trained  cohort in The Attractions and The Imposters.

Each day, the 7pm soiree will feature an entirely different repertoire to the 9.30pm set list, the songs being selected from each of the five decades of Costello’s songwriting, whether solo or in the company of Flip City; American country rock band Clover; The Attractions; Squeeze’s Chris Difford;  The Coward Brothers, with T-Bone Burnett; the Confederates; Paul McCartney; the Brodsky Quartet; The Imposters; Burt Bacharach, Allen Toussaint or the Roots.

A 15-song programme will be printed in advance of each concert with few, if any repeats anticipated but with the possibility of impromptu choices along the way. Costello. 69, and Nieve, 66, very occasionally take requests but should never be mistaken for a jukebox.

The third and fourth performances, on the second day, will “propose a deuce of delights”: two entirely different 15-song set-lists selected from half a century of popular songwriting craft.

“Leeds City Varieties Music Hall has always been known for magic, melody, mirth and mayhem,” says Elvis Costello

“The four shows are guaranteed to feature 60 different songs, but we suspect this is just the start,” predicts the shows’ publicity machine.

Those who wanted to attend all four contrasting shows in this exclusive engagement were able to obtain a special season ticket to include premium seats for each show in the front rows or boxes with exclusive use of the bar in between shows.

Asked about the involvement of his perennial cohort, Steve Nieve, Costello said: “Well, to paraphrase John Lennon, Steve Nieve will ‘leap over horses, through hoops, up garters and lastly, through a hogshead of real fire’ to bring his particular brand of musical magnificence to these performances.”

Costello added: “The City Varieties Music Hall has always been known for magic, melody, mirth and mayhem. These are all well within our grasp. By the way, had my father not taken a trumpet-playing engagement in London, just before my arrival into this world, I would have been a Chapeltown boy and this would be my hometown gig.“

In the wortds of the City Varieties blurb: “Unsurpassed in variety and voluminosity, Costello’s renowned refrains, romances, broadsides, bulletins and ballads are perfectly matched by Steve Nieve’s pulchritudinous and pulsating piano playing.

“The paragon of the profound and the peculiar, these premier performers present a penetrating pageant for perceptive and perspicacious patrons.”

For ticket updates on late availability, visit leedsheritagetheatres.com/whats-on/costello-and-nieve-2024.

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REVIEW: Martin Dreyer’s verdict on North York Moors Chamber Music Festival, La Belle Époque, Welburn Manor Marquee, August 20

Pianist Katya Apekisheva

IN evocation of La Belle Époque – roughly 1871 to 1914 – the festival focus turned to French composers. A Fauré song cycle followed Debussy’s late violin sonata, with a second half devoted to Chausson: an extended song and what amounts to a double concerto.

Debussy’s Violin Sonata in G minor dates from 1917, the year before he died, so falls technically outside the belle époque. Nevertheless, its nostalgia harks back to an earlier age, more in regret for the ravages of war than self-pity at his terminal illness.

In a piece where you never quite know where the composer is going next, Charlotte Scott’s violin and Katya Apekisheva’s piano were alive to the many moods of the opening Allegro vivo.

There was dizzying staccato and pizzicato in the dry intermezzo, carrying more than a hint of its origins in fantasy. Apekisheva contrived to be both intimate and expansive at the start of the finale, with Scott scouring the lower regions of her instrument before soaring majestically into the concluding Presto. They remained in close harness, however, and revelled in the fireworks at the finish.

Violinist Charlotte Scott. Picture: Matthew Johnson

It is good that this festival remembers that the voice, too, is an instrument and includes vocal music especially when accompanied by more than ‘just’ a piano. Fauré was not the only composer to sense that extra instruments often suited the voice, and he expanded his 1892 song-cycle La Bonne Chanson by adding a string quintet (including double bass) six years later.

Conditions were particularly gusty for this recital. Even though mezzo-soprano Anna Huntley battled bravely, her words were not always easy to discern against the flapping of the tent. It became necessary to treat her voice as just another instrument in a septet – at which point the music became thoroughly satisfying.

Behind Verlaine’s nine poems lie strong undercurrents of romantic love, which suited Fauré’s affaire with Emma Bardac (who was to become Debussy’s wife). Huntley did her very best to explore the many facets of emotional entanglement, from early stirrings to full-blown ecstasy, reserving glorious full tone, for example, for ‘Ô Bien Aimée’ (O My Beloved) but toning it down for a confident C’est l’heure Exquise’ (Exquisite Hour).

The strings masterfully reflected the ebb and flow of excitement, not least in tremolo associated with a whirring flock of quails. Daniel Lebhardt’s piano carried the burden of the argument with subtlety and the instrumental postlude spoke of ultimate contentment, whatever the season.

Mezzo-soprano Anna Huntley: “Battled bravely with the gusty conditions”. Picture: Kaupo Kikkas

The wind had abated during the interval, when Huntley returned with Chausson’s Chanson Perpétuelle, this time with piano quintet in support. She brought fuller tone to Charles Cros’s picture of a woman abandoned in love and with it greater intensity, helped by individual instruments acting as her alter ego. Apekisheva’s agitated piano completed a well-rounded portrait.

Chausson’s Concert, Op 21 is a concertante piece for violin and piano (to all intents a concerto, here with Alena Baeva and Vadym Kholodenko respectively), with accompaniment from a string quartet rather than a full orchestra.

A bold duo-cadenza was the highlight of the portentous opening movement, followed by a pensive Sicilienne that threatened to wind up into a full-blown allegro but never quite managed it.

After a darkly elegiac Grave, which came to an anguished climax, all six players were asked to stretch themselves to the limit in the finale’s variation form. Marked ‘trés animé’, its thrills were much enhanced by the tautness of the ensemble. The soloists had previously predominated, but here they were subsumed into a glorious tutti.

Review by Martin Dreyer

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