Stripped back: The Full Monty to return in 2027 tour
THE 30th anniversary of Peter Cattaneo’s Sheffield stripping film The Full Monty will be marked by the 2027 tour of screenplay writer Simon Beaufoy’s spin-off play that will visit the Grand Opera House, York, from July 12 to 17.
The tour will be mounted by the Everyman Theatre, Cheltenham, and Buxton Opera House in association with Mark Goucher and David Pugh.
Tickets will go on sale to ATG+ members on Wednesday, March 11 at 10am, followed by general sales from Thursday, March 12 at 10am. Star casting will be announced in due course.
Beaufoy’s heartfelt play tells the story of an ordinary group of men in South Yorkshire’s Steel City striving to reclaim their dignity and pride. Fast paced and irresistibly humorous, it remains strikingly relevant today, resonating powerfully in an era marked once again by a cost-of-living crisis.
What happens in The Full Monty? Gaz and his mates find themselves down on their luck, cast aside and underestimated, but determined to fight back, even if it means revealing more than they ever imagined.
Beaufoy says: “A lot has changed in Britain since The Full Monty appeared 30 years ago. What hasn’t changed is our need for laughter, compassion and dignity. I’m so delighted the ‘Monty Men’ are back on the road with all their flaws, jokes and wobbly bits, bringing a bit of much-needed joy to audiences once again.”
Echoing the 1997 smash-hit film, next year’s touring production will deliver a rollercoaster of humour and heartbreak as audiences are invited to relive the iconic music of the 1990s, cheering on the unforgettable group of lads as they prepare to put on the show of their lives.
Beaufoy received an Academy Award nomination for Best Original Screenplay for The Full Monty, later winning an Oscar for Best Adapted Screenplay for Slumdog Millionaire.
The Full Monty tour production will be directed by Michael Gyngell, with choreography and intimacy direction by Ian West, set and costume design by Jasmine Swann, lighting design by Andrew Exeter and sound design by Chris Whybrow. The casting director is Marc Frankum.
Child’s play: Andrew Renn, Jon Cook and Jess Murray, back row, with Mark Simmonds and Victoria Delaney in York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders
FROM Dennis Potter to Stephen Sondheim, showman P.T. Barnum to Selby Abbey’s light installation, Charles Hutchinson is spoilt for cultural choice.
Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, until February 28, 7.45pm nightly, except Sunday and Monday, plus 2pm Saturday matinees
FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.
Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them, but their innocence is short lived as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cole Stacey’s social media posting for his Rise@Bluebird Bakery gig
Folk gig of the week: Cole Stacey, Rise@Bluebird Bakery, Acomb, York tonight, doors 7.30pm
VISCERAL singer-songwriter Cole Stacey weaves together British folk, 1980s’ pop, spoken word and ambient electronics, as heard on last February’s debut album with its symbiosis of “lost” places and forgotten words, stretching back to the 13th century, paired with his lyrical songwriting and field recordings.
“I’d like to invite you to come along with me on the next chapter as I head out to share Postcards From Lost Places in some unique and inspiring settings, beginning in York tonight,” says Stacey. “I loved my time and bread last year playing at Bluebird Bakery, so I’m very delighted to be invited back for an intimate gig in their fully working bakery. It’s a special setting and one I’m thoroughly looking forward to!” Box office: bluebirdbakery.co.uk.
Dnipro Opera in Carmen, on tour at York Barbican
Opera of the week: Dnipro Opera (Ukrainian National Opera) in Carmen, York Barbican, Sunday, 7.30pm
THE Dnipro Opera, from Ukraine, performs Georges Bizet’s Carmen in French with English surtitles, accompanied by an orchestra numbering more than 30 musicians.
Feel the thrill of fiery passion, jealousy, and violence of 19th century Seville in Carmen’s story of the downfall of naive soldier Don José, who falls head over heels in love with seductive, free-spirited femme fatale Carmen. Whereupon he abandons his childhood sweetheart and neglects his military duties, only to lose the fickle Carmen to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk.
Showman extraordinaire: Lee Mead’s P. T. Barnum in Barnum: The Circus Musical at Grand Opera House, York. Picture: Pamela Raith
Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.
Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.
Alexandra Mather’s Anne Egerman and Jason Weightman’s Fredrick Egerman in rehearsal for Wharfemede Productions’ A Little Night Music
Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee
SET in turn-of-the-20th century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.
Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the North Yorkshire company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.
Disney In Concert: The Sound Of Magic, celebrating music from Walt Disney’s animated films at York Barbican
Movie music of the week: Disney In Concert: The Sound Of Magic, York Barbican, February 25, 7.30pm
THE Novello Orchestra’s Disney In Concert: The Sound Of Magic performance is a symphonic celebration of Disney music, animation and memories, a century in the making, under the direction of creative director Amy Tinkham, music director Giles Martin and arranger and orchestrator Ben Foster.
Favourite characters and music from across the Walt Disney Animation Studios catalogue come to life on the concert hall stage and screen in new medleys and suites on a magic carpet ride through Snow White And The Seven Dwarfs, Moana, Alice In Wonderland, Aladdin, The Jungle Book, Frozen, The Lion King, Fantasia, Encanto, Beauty And The Beast and more. Box office: yorkbarbican.co.uk.
Homeward bound for Selby Abbey: Imitating The Dog’s large-scale installation
Installation of the week: Selby Light 2026, Selby Abbey, February 26 to 28, 6pm to 9pm
SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?
Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.
Phoenix Dance Theatre in Interplay: World premiere opens at York Theatre Royal next Friday and Saturday. Picture: Drew Forsyth
Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, February 27, 7.30pm; February 28, 2pm, 7.30pm
LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal next Friday and Saturday, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!), Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin.
Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Levellers: Levelling The Land anew at York Barbican this autumn
Gig announcement of the week: Levellers, York Barbican, October 29
BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success in part built on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.
To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Box office: https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.
Victoria Delaney in rehearsal for York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders
FROM Dennis Potter to Stephen Sondheim, showman P.T. Barnum to a Phil Collins tribute, Charles Hutchinson is spoilt for cultural choice amid the incessant rainfall.
Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, tonight to February 28, 7.45pm, except Sunday and Monday; February 21 and 28, 2pm matinees
FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.
Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Blue Remembered Hills director Fleur Hebditch
Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7pm plus 2pm Saturday matinee
YORK company Flying Ducks Youth Theatre undertake a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.
When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Kathryn Williams: Opening Mystery Park Tour at Pocklington Arts Centre
Time’s shifting tides of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, Friday, 8pm
KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.
Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Megson’s Debs Hanna and Stu Hanna: Performing at Helmsley Arts Centre on Friday
Folk gig of the week: Megson, Helmsley Arts Centre, Friday, 7.30pm
FOUR-TIME BBC Radio 2 Folk Awards nominees and double Spiral Earth Awards winners Megson combine heavenly vocals, lush harmonies and driving rhythmic guitars, topped off with northern humour.
Hailing from Teesside and now based in Cambridgeshire, husband-and-wife folk roots duo Debs Hanna (vocals, whistle, piano accordion) and Stu Hanna (guitar, mandola, banjo) followed up 2023 studio album What Are We Trying To Say with Megson – Live In Teesside, recorded at Stockton-on-Tees Arc in 2025. Box office: 01439 771700 or helmsleyarts.co.uk.
Ryedale film event of the week: Summit Stories, Kirk Theatre, Pickering, Friday, 7.30pm
THIS evening of adventure films to raise funds for the Scarborough & Ryedale branch of Mountain Rescue England & Wales features a variety of exciting off-piste adventures, such as ski mountaineering, mountain climbing and mountain biking.
Created by elite athletes from around the world, the Faction Collective’s 150 Hours From Home, Blair Aitken of British Backcountry’s 10 In A Weekend, Commencal’s Dolomites and Jessie Leong’s The Last Forgotten Art contain scenes to take the breath away. The mountain rescue team, by the way, supports adventurers when things go wrong and conducts day-to-day searches and rescues off the beaten track. Box office: 01751 474833 or kirktheatre.co.uk.
Seriously Collins: Taking Phil Collins at Face Value in tribute to solo and Genesis years at Milton Rooms, Malton
Tribute gig of the week: Seriously Collins – A Tribute To Phil Collins & Genesis, Milton Rooms, Malton, Saturday, 8pm
RETURNING by popular demand, Seriously Collins relive the hits of Phil Collins and Genesis, taking a musical journey through the songs that defined an era, echoing Collins’s soulful solo sound and re-creating the energy, intricacy and intensity of his more expansive original band. Expect “no gimmicks, just a genuine tribute to one of the greatest artists of our time”. Box office: 01653 696240 or themiltonrooms.com.
Lee Mead, centre, as showman P. T. Barnum, surrounded by actor musicians and circus acts in Barnum: The Circus Musical, on tour at Grand Opera House, York. Picture: Pamela Raith
Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.
Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.
Maggie Smales’s Madame Armfeldt and Libby Greenhill’s Fredrika rehearsing for Wharfemede Productions’ A Little Night Music
Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee
SET in turn-of-the-century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.
Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the York company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.
Levellers: Revisiting Levelling The Land at York Barbican this autumn. Picture: Steve Gullick
Gig announcement of the week: Levellers, Levelling The Land 35th Anniversary Tour, York Barbican, October 29
BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success built in part on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.
To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Tickets go on sale on Friday at 10am from https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.
Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop
AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s cultural picks for early February and beyond.
World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday
SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.
Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.
Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison
Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm
YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.
Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.
Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane
Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee
HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.
Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York
Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm
EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.
In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.
Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio
Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees
ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.
Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre
Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm
LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.
Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.
Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner
Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm
IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.
Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.
Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre
Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm
PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.
In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.
The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre
In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm
HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend.
Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities.
Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.
Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.
The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.
The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.
Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.
An equine photograph from Valerie Mather’s 2025 trip to the USA
AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.
“After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.
“That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “
Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday
Did you know?
RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying outpractical work such as bridleway clearances and surveys.
Steve Pratt on duty at the York Theatre Royal pantomime press night in December 2018. Picture: York Theatre Royal
THE funeral of York journalist, columnist and theatre, film and television critic and press officer Steve Pratt will be held tomorrow (28/1/2025) at York Crematorium, Bishopthorpe Road, York.
Steve, 77, of Monk Avenue, York, passed away at York Hospital on January 15.
Born Stephen William Pratt in Watford on April 22 1948 in Watford, he was educated at Garston Primary School and Bushey Grammar School, where he met Lesley when she was 16, Steve two years older.
The childhood sweethearts were married on June 24 1972 at Christ Church, Watford, by the same vicar that tied the knot for Lesley’s parents.
Steve went straight from A-level studies to taking out indentures at the Watford Post, where, as a junior, he was tasked with collecting death notices from undertakers.
He went on to work for the Herts Advertiser, Watford Observer, Northern Echo, in Darlington and Portsmouth News, before returning to the Northern Echo from 1999 to 2014, winning two Tom Corder awards for best arts writer.
“His passion for writing goes back to his early years and he used to cut up magazines and create his own version,” recalled Lesley, who “bounced up and down the country with Stephen before we finally landed in York, where we felt at home”.
“There were so many famous people he interviewed as he covered lots of press junkets for films and television.”
Steve Pratt in his treasured picture with film actress Angelina Jolie, from his journalism files at home, where box upon box of theatre programmes are in need of a new home, says widowLesley
Among those celluloid star interviewees were Tom Cruise, Arnold Scharzenegger, Leslie Nielsen, Leslie Phillips and Angelina Jolie. “He always went on about his photo with her,” recalled Lesley.
One knight of the realm eluded him, however. “Stephen was refused twice by Sir Alec Guinness for an interview, once in 1997 and again in 1999,” said Lesley. “I have the original handwritten cards Sir Alec sent him: very polite but a ‘No’ nevertheless.”
Nigel Burton, editor of York Press, who worked with Steve on The Northern Echo, said: “He was a superb features writer, someone who would always tackle any job – no matter how outlandish – with a smile and good humour.
“He was an internationally respected critic and his reviews were eagerly awaited by film distributors and theatres alike. Most of all, I will remember him as a much-missed colleague and a lovely human being.”
Peter Barron, former editor of The Northern Echo, said: “I was so sorry to hear of Steve’s passing. He was a gifted writer of a national standard and I always considered The Northern Echo to be very lucky to have him.
“He brought great quality to the paper, with a wry, humorous style and his passion for the arts always shone through. It is also telling that the arts community knew him and respected his opinion.
“A positive review from Steve Pratt in The Northern Echo really meant something, while a scathing review was to be feared. He was prolific, loved his craft, and the many awards he won were testament to his talent.”
Chris Lloyd, features editor at the Northern Echo, who was Steve’s manager for many years, said: “When I worked with Steve, he was so passionate and knowledgeable about all forms of visual entertainment, but especially about his great loves of television and theatre. He knew the stars, he interviewed them all, usually cheekily, and they remembered and respected him.
Steve Pratt in his Northern Echo days. Picture: Northern Echo
“He was, I think, a great ally of the region’s theatre community, forever supporting and promoting it, and I was in awe of the way he wrote so quickly, so cleanly, and always with a humorous glint in his words.”
Wise Eye Films/ITV Studios creative director and The Yorkshire Shepherdess producer Mark Robinson, who started his career at the Echo with Steve, said: “He was exceptionally kind to me when I moved over from the newsroom to the features desk in the late 1980s, and he became my boss.
“Steve was unbelievably patient and encouraging and gave me the space to grow as a journalist finding his own voice for the first time. It was impossible not to be inspired by his love and passion for TV and the arts in general – and he sent me on many glamorous jobs interviewing celebrities across the UK.
“His impact on my career was so significant that we remained friends long after I left the Echo and I enjoyed our get-togethers in York.”
Viv Hardwick, fellow former Echo television and entertainment editor, said: “Steve always seemed to know the best way of doing things work-wise. His awesome ability and in-depth entertainments knowledge made him one of the most memorable men in journalism.”
On leaving The Northern Echo in 2014, Steve switched to the other side of the Press desk as press officer at Leeds Playhouse and later York Theatre Royal.
Theatre Royal creative director Juliet Forster said: “The whole team here are incredibly saddened by the news of Steve’s death. His relationship with YTR goes back such a long time, both as a reviewer and staff member and then as a freelancer.
“His dedication and passion to unearthing the stories of this theatre and championing the arts in Yorkshire was truly outstanding. Press nights will not be the same without his sparkly shoes and fabulous sense of humour. We will miss him very much.”
Nun better: Steve Pratt in sisterhood habit on a press night for Sister Act
Chief executive officer Paul Crewes added: “Steve’s death is such a terrible loss to York’s theatre community and his YTR family are all devastated by this news. He was a much-loved friend and colleague and we will miss him.
“Steve was a first-class journalist and press officer who cared deeply about, and was very successful at, shining a light on the arts in York and beyond.”
Latterly, Steve took up the publicity officer’s post for York company NE Theatre York, whose chair and creative director, Steve Tearle, said: “Steve became involved with us over the past several years by supporting the publicity of our shows. He crafted and created press releases for the company perfectly, like only Steve could do.
“He was a wonderfully gifted, talented man, with time for everyone, and had such a fantastic personality. He was such an asset to the team and totally believed in what we stood for.
“I really valued Steve as a person and his passion for theatre. It’s with such a heavy heart I say this. We spoke last November at length about 2026 and as usual he was so excited to be supporting us. He will be sadly missed by the NE Theatre York team.”
From his days at Leeds Playhouse, Steve’s brighter-than-Hawaiian shirts became his trademark. “As a child he was dressed very soberly, but when he found his feet at Leeds, the flamboyant side came out, but he did need guidance, so I have to admit it was my fault,” said Lesley, recalling his collection of 30 such shirts. “Please feel free to come to the funeral in bright colours.”
One last memory from Lesley defined his role as a critic. “Getting Stephen to give you a verbal opinion was not easy,” she said. “He would always say ‘read the review’.” We did, line after line, time after time.
Copyright of The York Press and The Northern Echo
DONATIONS at tomorrow’s funeral can be made in aid of York Theatre Royal, where Steve’s contribution to theatre and arts journalism will be marked with a commemorative seat plaque and a bench in his honour on the terrace. A memorial celebration of Steve’s life will held at the theatre on a date yet to be announced.
Wanderful: Coronation Street star Lisa George’s Fairy Godmother in Cinderella at the Grand Opera House, York
CHRISTMAS music and pantomimes aplenty dominate Charles Hutchinson’s recommendations for December fun-filled fulfilment.
Having a ball: Cinderella, Grand Opera House, York, today until January 4 2026
LEEDS lad Bradley Judge’s Dandini joins the star-studded cast of Lisa George (Coronation Street) as Fairy Godmother, Tobias Turley (ITV’s Mamma Mia I Have A Dream) as Prince Charming and West End star Rachel Grundy (Rocky Horror Picture Show, Legally Blonde) as Cinderella in UK Productions’ Cinderella, scripted by Jon Monie.
Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson bring the mayhem in Ugly Sisters mode as Harmony and Melody Hard-Up, joined in the comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.
The Marian Consort: Performing with English Cornett & Sackbut Ensemble at York Early Music Christmas Festival on December 8
Festival of the week: York Early Music Christmas Festival, mainly at National Centre for Early Music, York, until December 14
HIGHLIGHTS at this Yuletide feast of music spanning the centuries, complemented by contemporary tunes, include Yorkshire Bach Choir & Yorkshire Baroque Soloists performing Hayden’s The Creation tonight and The Chiaroscuro Quartet and Consone String Quartet uniting tomorrow for Mendelssohn’s Octet in E flat major Op 20.
The Marian Consort teams up with the English Cornett & Sackbut Ensemble in Looking Bach To Palestrina on December 8 and Fieri Consort Singers and Camerata Øresund present Christmas Cantatas by Christopher Graupner and English Tavern Songs on December 12. Among further festival performers will be mezzo-soprano Helen Charlston, Dowland’s Foundry, Apollo5, Lowe Ensemble, Irish folk singer Cara Dillon and Joglaresa. For the full programme and tickets, go to: ncem.co.uk. Box office: 01904 658338.
York Theatre Royal’s pantomime cast in rehearsal for Sleeping Beauty. Picture: SR Taylor Photography
No sleep till January 4: Sleeping Beauty, York Theatre Royal
YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.
Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Hannah King’s Peter Pan in The Pantomime Adventures Of Peter Pan, Rowntree Players’ festive visit to Neverland
Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, today, 2pm and 7.30pm, Sunday, 2pm and 6pm; December 9 to 12, 7.30pm; December 13, 2pm and 7.30pm
JOIN Wendy, John and Michael as they fly with Peter Pan to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Peter and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates. Fear not as Nanny McFlea and her ever eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Bec Silk’s Robin Hood and writer Martin Vander Weyer’s Dame Daphne in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure
Ryedale pantomime opening of the week: 1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, today, 2.30pm and 7.30pm; Sunday, 2.30pm; December 9 to 12, 7.30pm; December 13, 2.30pm and 7.30pm; December 14, 2.30pm
HELMSLEY Arts Centre artistic director Natasha Jones directs company-in-residence 1812 Theatre Company in this traditional panto with a Knock Knock Joke Contest, scripted by dame Martin Vander Weyer.
Robin Hood will be rescuing the lovely Maid Marian from the wicked Sheriff of Pickering, while Black Swan landlady Dame Daphne will lead the merriment and mayhem. Knock Knock! Who’s there? Daphne! Daphne who? Daph-nitely book early to avoid disappointment on 01439 771700 or at helmsleyarts.co.uk.
Singer Dene Michael, dressed as a pineapple, in the finale to Kim Hopkins’s documentary film Still Pushing Pineapples, showing at City Screen Picturehouse on Sunday
Documentary film screening of the week; Still Pushing Pineapples (12A), City Screen Picturehouse, York, Sunday, 5pm
BLACK Lace’s Agadoo has been voted the most infuriating song of all time. What happens when you are forever associated with such a Marmite hit; what comes after fleeting fame, and what does it mean to grow old still chasing a dream?
Perennial pineapple pusher and former Yorkshire band member Dene Michael is still singing the derided party anthem across fading clubland UK: a story now told in Selby-raised filmmaker Kim Hopkins’s humorous, moving, warts’n’all documentary, a pineapple slice of working-class social realism wrapped inside a road movie and abiding love story. Dene Michael, Hopkins and producer Margareta Szabo will hold a post-show Q&A. Box office: picturehouses.com/cinema/city-screen-picturehouse.
A Nativity For York director Paul Toy
Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity For York, All Saints Church, North Street, York, December 10, 7.30pm
USING medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, Paul Toy’s community cast tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred, where candlelight emphasises the constant struggle of the light against the darkness.
The performance lasts one hour with no interval. Refreshments will be available. Box office: 033 666 3366, ympst.co.uk/york-nativity or on the door.
Christmas will be merry for Kate Rusby at York Barbican on December 11
Carol concert of the week: Kate Rusby, Christmas Is Merry, York Barbican, December 11, 7pm
BARNSLEY folk nightingale Kate Rusby plays her regular festive fixture at York Barbican, returning with her folk band and the Brass Boys for two sets of jolly carols from South Yorkshire’s pubs, Christmas chart chestnuts and original winter songs.
Christmas Is Merry marks her 20th anniversary of these winter warmers, drawing on her six Christmas studio albums: 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head and 2023’s Light Years. Box office: yorkbarbican.co.uk.
Hyde Family Jam’s poster for their brace of Christmas jamborees at The Crescent, York on December 11 and 12
Christmas knees-up of the week: Hyde Family Jam, The Crescent, York, December 11, 7.30pm
FRIENDS! Come celebrate another Christmas with a right thorough knees-up at The Crescent with York buskers supreme Hyde Family Jam, a traditional-looking folk band that couldn’t be less traditional. They perform the songs they love from any decade, any genre, in any way they fancy, played as fast and loud as possible. “We call it ‘folk gone wrong’,” they say. “Expect a few special festive bonuses too!” Box office: thecrescentyork.com.
Recommended but sold out already: Hyde Family Jam’s December 12 gig and The Howl & The Hum’s traditional special Crescent Christmas gig, led as ever by Sam Griffiths after leaving York and Leeds for London.
Setting sail in Pick Me Up Theatre’s Anything Goes: Reno Sweeney (Alexandra Mather, front centre) and her Angels, Sophie Curry, left, Chloe Branton and Sophie Kemp. Picture: Felix Wahlberg
Getting a kick out of you musical of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, December 12 to 30
DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes!, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Michael Ball’s poster for his Glow UK Tour 2026, taking in Yorkshire gigs at Bradford Live (September 2), Sheffield City Hall (September 5) and Hull Connexin Live (September 6), as well as York Barbican (September 12)
Concert announcement of the week: Michael Ball, Glow UK Tour, York Barbican, September 12 2026
MUSICAL star and radio and TV presenter Michael Ball will promote his 23rd solo album, Glow, on next year’s 25-date tour. “There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs as well as all the old favourites to the audiences I love,” he says. “It’s going to be an exciting year, and I can’t wait to see you all.’’ Box office: https://www.yorkbarbican.co.uk/whats-on/michael-ball-2026/.
In Focus: The Christmas Collection at Pyramid Gallery, York, until January 12 2025
Bowl Of Apricots, acrylic painting, by Anita Klein
PYRAMID Gallery’s Christmas Collection, in Stonegate, York, features works by London artist and printmaker Anita Klein, York ceramicist Ben Arnup, Peak District sculptor Paul Smith, South Staffordshire mosaic artist Amanda Anderson and York floral artist Lesley Birch.
Exhibiting too will be Canadian-born painter, printmaker and cartographer Mychael Barratt, Oswestry ceramicist Jacqui Atkin and Perthshire oil painter artist and printmaker Ian MacIntyre, complemented by bird and fish blown glass by Bruce Parks, bronzes by David Meredith, Nerikromi vessels by York ceramist Patricia Qua and studio jewellery for the Christmas season by 50 British makers.
Curator Terry Brett, who has owned the gallery for 31 years, has invited Anita Klein to fill the walls with 15 linocut original prints, new aquatint etchings and two paintings.
Bee Eater, ceramic vase, by Jacqui Atkin
“The gallery has enjoyed a long, unbroken relationship with Anita as a supplier of her extensive catalogue of prints that form a diary of her family life,” he says.
“Over the 28 years in which she has shown more than 800 different pictures at Pyramid Gallery, we have watched her career progress to the point where Anita has become one of the most collectable printmakers in the UK. It seems very fitting that she is the main focus of the Christmas Collection.”
As well as showing new linocut prints, Anita is selling copies of her book Out Of The Ordinary – 40 Years Of Print Making, featuring illustrations of 550 of her best-loved prints, published by Eames Fine Art.
The Christmas Collection at Pyramid Gallery is open 10am to 5pm, Monday to Saturday, 11am to 4pm, Sundays, until January 12 2026. Closed on Christmas Day, Boxing Day and New Year’s Day.
IN a 2003 poll conducted by Q magazine, a panel of music writers voted Black Lace party anthem Agadoo as the worst song of all time. “Magnificently dreadful,” was the verdict.
What happens when you are forever associated with such a derided hit; what comes after fleeting fame, and what does it mean to grow old still chasing a dream?
Former member Dene Michael, originally from the Bradford suburb of Tong, is still singing the Yorkshire band’s 1984 number two – kept off top spot by George Michael’s Careless Whisper – across clubland UK. A story now told in Yorkshire filmmaker Kim Hopkins’s documentary Still Pushing Pineapples, her “elegy for a lost time, a lost culture, a lost Britain”, as the Telegraph deemed it.
On tour from November 28, Hopkins’s humorous, moving, warts’n’all 123-minute film for TullStories and her film company Labour Of Love will play City Screen Picturehouse on Sunday, when Hopkins, Dene Michael and producer Margareta Szabo will hold a post-screening Q&A.
Dene Michael and girlfriend Hayley, sporting her Dene tattoo, in Still Pushing Pineapples
Still Pushing Pineapples, a title taken from Agadoo’s shall-we-say-banal lyrics, is Selby-raised Hopkins’s follow-up to her award-wining portrait of a Bradford film club, A Bunch Of Amateurs, part one of a trilogy to be completed next year.
In her frank and fearless piece of affectionate social realism, Hopkins’s camera follows “former pop star” Dene Michael over two and half years as he clings to the remnants of fame he once had as a member of 1980s’ novelty pop group Black Lace, a band he joined after Alan Barton and Colin Gibb (or Routh as he was first known) had their biggest hit with Agadoo, “the high or low point of any party”.
Now, performing for a dwindling, ageing audience in some of the UK’s most deprived seaside towns and cities, Dene is keen to press on with his music career and free himself from the legacy of the Black Lace songbook to “do something a bit more credible and clever”. A decision enhanced by the management jettisoning him and his Hawaiian wardrobe for a younger Black Lace (featuring Phil Temple and 2008 Britain’s Got Talent contestant Craig Harper since 2023).
Who needs a 1980s’ throwback in a loud pineapple shirt and oversized red specs, singing a tired earworm? Apparently, many do (doo doo). Hence Still Pushing Pineapples traces the path of Dene, his spirited 89-year-old mum Anne and his sassy new girlfriend Hayley (freshly inked Dene tattoo on her arm et al) on their travels across Britain and to Benidorm in a pineapple-decorated camper van.
The poster for TullStories and Labor Of Love Films’ documentary Still Pushing Pineapples
Outwardly, they may look like three unlikely amigos to share such a trip, but those travels are suffused with love, humour and no little drama in Hopkins’s Yorkshire variation on Jonathan Dayton and Valerie Faris’s 2006 tragicomic American road movie Little Miss Sunshine.
En route, they navigate love, family duty and the relentless pursuit of one last chart success, as entertainment, working-class culture, human connection and the power of pop align in this idiosyncratic documentary that opened this year’s Sheffield DocFest and received a special preview screening at Bradford’s Pictureville cinema on November 14 as part of Bradford 2025 UK City of Culture.
Kim Hopkins describes herself as a “working-class, queer British filmmaker” and is one of the most distinctive voices in contemporary UK documentary film-making. A highly skilled self-shooting director, she brings a distinctive visual world and deep intimacy to her films.
She is a graduate of the National Film and Television School and co-founder of Labor Of Love Films with Margareta Szabo, producer of A Bunch Of Amateurs and Still Pushing Pineapples.
Yorkshire documentary filmmaker Kim Hopkins, Selby-educated director of Still Pushing Pineapples
“Still Pushing Pineapples is the second film in a trilogy I’m making about working-class communities, self-expression, the power of solidarity and escapism,” says Kim. “When Black Lace exploded onto Top Of The Pops with their Agadoo hit in the 1980’s I, like many, dismissed it as a junk novelty song. But every summer since, on every beach holiday, Agadoo has proved inescapable.
“Returning to my Yorkshire roots later in life, I’ve come to understand the power of escapist popular culture. Working-class people need to escape. I decided to ask my family what they thought about me making a film, this time about Black Lace and Agadoo?
“They approved of the idea. Nostalgia gleamed in their eyes. Alexa lit up with party tunes of yesteryear. They wanted to know the whole Black Lace story. Who were they, where did they end up, would it be ‘real’?”
Still Pushing Pineapples, City Screen Picturehouse, York, Sunday, December 7, 5pm. Box office: picturehouses.com/cinema/city-screen-picturehouse. To view the trailer, go to: https://www.youtube.com/watch?v=xZFfsJmGMQU.
Dene Michael dressed as a pineapple for the finale to Still Pushing Pineapples
Celeste: Promoting new album Woman Of Faces at Leeds Brudenell Social Club tomorrow. Picture: Erika Kamano
CELESTE will showcase her second album, Woman Of Faces, at Leeds Brudenell Social Club tomorrow (18/11/2024) as part of her eight-date outstore promotional tour.
Released on Polydor Records on November 14, the album was produced by multi-Grammy award winner Jeff Bhasker and Beach Noise and features the singles On With The Show, This Is Who I Am and the orchestral title track, whose original demo was accompanied by a French version entitled A Femme aux Mille Visages.
The full track listing is: On With The Show; Keep Smiling; Woman Of Faces; Happening Again; Time Will Tell; People Always Change; Sometimes; Could Be Machine and This Is Who I Am.
Stemming from the slow unravelling of a romantic relationship, and her determination to emerge from the other side triumphant, Woman Of Faces is a body of work born out of pain, but also the steadfast resilience to keep moving forward, even when everything else felt like it was falling apart for the Brighton-raised soul and jazz singer-songwriter.
From the orchestral highs to the gut-wrenching lows, this unflinching, unfiltered chronicle of heartbreak, recovery and reclaiming control is the sound of an artist learning to trust herself.
The artwork for Celeste’s Woman Of Faces
On the title song, Celeste burrows into her own complexities as she learns to accept the unknowable sides of herself. The production could be plucked from an old Hollywood score, with sweeping string arrangements contrasting against a modern meditation on multifaceted womanhood.
“Initially, the song was about realising I have shades of complexity within my mind and not being able to pinpoint what or why they were there,” says Celeste, 31. “It gave me a sort of diagnosis. Like, yes, I find it hard to navigate, but at least I can begin to adapt.”
She hopes other women will see themselves in the song, particularly the unsung heroes of daily life, who are always there to lean on and expect nothing in return. “I want it to speak for people who don’t feel seen,” she says. “There are some women who are like constant caregivers that just go unnoticed, they’re always waiting in the wings. People don’t thank them, but they’re always there. I want that song to be for those people.”
Earlier single On With The Show is an expansive, cinematic ballad that reckons with the battle to put on a brave face and push through anguish. Written with frequent collaborator Matt Maltese in 2022, it was the first song Celeste made specifically for the album.
“I was very much in the moment of experiencing feelings of loss and needing to carry on, almost like an exaggerated hero’s journey,” she says. “This feeling of needing to trudge on through heavier feelings, knowing you have another purpose that’s attached to something bigger than yourself, so you willingly go towards it and sacrifice your sense of wellbeing.”
“This Is Who I Am is an important song for me that identified the world in which I wanted to inhabit sonically and thematically,” says Celeste
This Is Who I Am wraps Celeste’s old-world voice wraps around melancholic piano chords and cinematic strings. “The song aligns with all of my being. It allows me to channel all of my influences, things that I’ve taken in over the years, since being a child,” she says, referencing a range of creative touchstones that span Édith Piaf, Oscar Lavant, Eartha Kitt and, from her contemporaries, the song-writing of Anohni.
Produced by Kendrick collaborators Beach Noise and written during the final stages of putting Not Your Muse together in 2020, Celeste has held the song close for almost four years. “This Is Who I Am is an important song for me, which I wrote in collaboration, that identified the world In which I wanted to inhabit sonically and thematically,” she says.
That song leads the soundtrack for Sky’s television series The Day Of The Jackal, selected for the opening credits by lead actor Eddie Redmayne and co-star Lashana Lynch.
Celeste has been been undertaking her outstore itinerary since November 3 after summer appearances at London’s KOKO and LIDO Festival, Glastonbury (on the Pyramid stage), Werchter Boutique, Belgium, Montreux Jazz Festival, Switzerland, and North Sea Jazz Festival, Netherlands.
Celeste’s spell-binding performance of her breakout song Strange at the 2020 BRIT Awards placed her firmly in the global spotlight. The English-Jamaican singer landed the double win of the BRITs Rising Star Award and BBC Music’s Sound of 2020 and that year her song A Little Love featured in the John Lewis Christmas advertisement, written expressly by Celeste for the advert.
Celeste’s artwork for This Is Who I Am
In 2021, she topped the UK charts with her debut album Not Your Muse, a year when she received Mercury Prize, Academy Award and Golden Globe nominations for Hear My Voice, her lead single from Aaron Sorkin’s 2020’s film The Trial Of The Chicago 7, for which she wrote three songs.
Since then, Celeste has taken a step back from the glare of mainstage spotlights to recalibrate and reconnect with herself, figuring out how to stay true to her vision and sense of authenticity in her work. “I felt like I had to start making decisions really carefully [in terms of] what to be associated with and what pieces of music I would put out, just trying to regain some agency over maintaining authenticity in my work,” she says.
This mentality led Celeste to collaborate with the Tate Modern for the launch of her 2022 single To Love A Man. “What has been most important to me in the last couple of years has been navigating [the industry] gently, bit by bit.”
She made a striking return in November 2024, releasing This Is Who I Am, followed by Everyday’s release on vinylfor Record Store Day 2024, when she performed at Rough Trade in London.
That year too she made her acting debut in Steve McQueen’s Second World War film Blitz, playing the jazz singer who performed at the Café de Paris in London just before it was bombed. McQueen’s re-enactment of the performance is not exactly true to life: in reality, swing band leader Ken “Snakehips” Johnson sang for the last time that night.
Celeste’s artwork for On With The Show
Celeste’s rendition of Oh Johnny, Johnson’s signature song that closed his last performance, is a poignant tribute, one that contrasts the hedonism of high society during the raids with the stark, brutal reality of war. “Meeting Steve McQueen was one of the most inspiring and significant moments of my life in the last two years,” she says.
Witnessing the director’s uncompromising attention to detail on set, she explains, helped reaffirm Celeste’s belief in artistic intuition, aligning with the core statement of This Is Who I Am and her subsequent approach to writing music; a conviction that comes from within, unaffected by external voices.
“When I saw someone [like McQueen] working in that way, it reinstalled that confidence and sense of navigation within myself. It was like, yeah, don’t let that thing slip, don’t let that core alignment get interfered with.”
An Evening With Celeste, Album Launch Show, Leeds Brudenell Social Club, November 18; presented in tandem with Crash Records, Leeds. Doors open at 7pm. SOLD OUT.
Did you know?
CELESTE Epiphany Waite was born in Culver City, California, on May 5 1994 to a Jamaican father and English mother. She moved to the United Kingdom with her mother at the age three, after her parents separated, settling initially in Dagenham, then moving to Saltdean, Brighton, at five.
Celeste’s poster for her Woman Of Faces album shows
DILETTANTE is the real thing! She has won the inaugural New Music Stage showcase for the UK’s most exciting emerging musical talent at York’s Aesthetica Short Film Festival 2025.
At last Saturday’s event, part of the festival’s debut Beyond the Frame strand at York Theatre Royal, Dilettante delivered a set that captivated audience and jury alike with emotive vocals, layered textures and commanding stage presence.
Reflecting on her victory, she said: “What a massive honour to win this inaugural award. I’m a massive film nerd and I’m really excited to see both film and music festivals starting to work together to support artists across forms. Especially great to win in my home county of Yorkshire and in such a beautiful theatre!”
Signed to EMI North, praised by Mojo and Uncut magazines and featured at SXSW(South By Southwest) and The Great Escape, Dilettante – the inventive art-pop project of Francesca Pidgeon – has risen from Manchester basements to now embarking on festival appearances and cross-disciplinary collaborations across music, film and XR (Extended Reality).
Daisy Gill: From The Voice UK to New Music Stage at Aesthetica Short Film Festival
Last Saturday’s 2pm to 11pm curated line-up of breakthrough talent featured acts championed by tastemakers such as BBC Radio 1, BBC 6Music, RTÉ Radio 1 and Mojo and Rolling Stone magazines.
Taking part were winner Dilettante; BLÁNID, an Irish singer-songwriter with one million Spotify streams; Crazy James, lauded by BBC Introducing for his high-energy rap; Daisy Gill, alumna of The Voice UK with Glastonbury and Royal Albert Hall appearances to her name, and Ewan Sim, featured on Spotify Fresh Finds.
Participating too were Isabel Maria, BBC Introducing One-to-Watch and North East Culture Award winner; Emma Johnson, an alt-pop artist featured on BBC Radio 1 and Radio X; Kengo, BBC Introducing-supported hip-hop talent; Messy Eater, immersive art-rock innovator, and Tarian, a Welsh artist who blends hip-hop with emotive pop and classical roots.
The New Music Stage jury brought together leading industry representatives including James Matthew, from Universal Music Group; Rachel Hill, of Futuresound Group, Leeds; Pablo Ettinger, Caffè Nero co-founder; Emma Stakes, of Production Park; Rob Clark, head of media at Imagesound, plus plus musical artists such as Jack Savoretti, The Dunwells, Fauzia Habib, Kat Day (The KVB) and singer-songwriter Rachel Croft, formerly of York, now based in London.
Messy Eater: Replaced Scarborough’s Pleasure Centre in the New Music Stage line-up at York Theatre Royal
The New Music Stage aims to be about “more than performance”, connecting artists with the broader cultural ecosystem being built through such festivals as ASFF.
The showcase combines collaborations with Universal Music A&R and Imagesound with opportunities for national airplay across Caffè Nero as the festival creates a pipeline to connect grassroots talent with national and international audiences.
“Dilettante’s win demonstrates the extraordinary potential of the next generation of musicians,” said festival director Cherie Federico.
Caffe Nero founder Pablo Ettinger highlighted the industry opportunities for emerging talent: “Supporting emerging talent at this level is vital,” he said. “These stages give artists the chance to reach audiences and figures they might not meet otherwise.”
“The New Music Stage promises to grow into a landmark event for UK and global music, reaffirming the vital role of live discovery in the cultural ecosystem,” says ASFF director Cherie Federico
The New Music Stage was set up against the backdrop of the culture of discovering new music live being in decline. Between 2022 and 2023, the UK lost roughly 13 per cent of grassroots music venues, compounded by more than 15 per cent closing or ceasing live music activity last year alone, while audience numbers for live shows have fallen by nearly 17 cent since 2019.
“The New Music Stage addresses this gap, giving audiences the thrill of experiencing music at its moment of emergence, just as grassroots venues once did,” said Cherie.
“By integrating the New Music Stage with film, games and XR, Aesthetica fosters a multidisciplinary creative community. Audiences can witness performances in context with broader creative innovation, and artists gain exposure to delegates from more than 60 countries, industry leaders and tastemakers, helping to launch careers on a global scale.
Rachel Croft: York singer-songwriter on the New Music Stage jury
Running from November 5 to 9, the 15th BAFTA-qualifying ASFF brought together together 300 films, music, games, podcasting, the UNESCO City Of Media Arts EXPO, masterclasses, workshops, the VR Lab, the first Aesthetica Fringe and Beyond the Frame in one immersive environment in York, providing a platform for collaboration, discovery and cultural exchange.
Across five days, York became a hub for creativity, where tomorrow’s stars in film, music, VR, games, and podcasts were discovered first. The festival’s international reach and multidisciplinary programming ensure it is not only a British event but also a meeting point for the most exciting voices in global screen and creative media.
Summarising the festival’s vision, Cherie said: “We’re building a festival where creativity meets opportunity. It’s not just about performances; it’s about creating connections, sparking collaborations and nurturing the next generation of artists across multiple disciplines.
“With this international scale, the New Music Stage promises to grow into a landmark event for UK and global music, reaffirming the vital role of live discovery in the cultural ecosystem.”
Aesthetica Short Film Festival 2025 Best Documentary and Best of Fest winner: JD Donnelly’s The Hold
YORK’S Aesthetica Short Film Festival has concluded its landmark 15th anniversary edition by announcing 2025’s award-winning filmmakers: a new generation of talent poised to shape the future of screen culture.
For 15 years, Aesthetica has been the home of new voices in film, where tomorrow’s BAFTA and Oscar nominees and winners are first discovered.
Across five transformative days, fromNovember 5 to 9, York welcomed filmmakers, delegates and industry professionals from more than 60 countries worldwide, underscoring the BAFTA-qualifying festival’s significance as an international platform for storytelling and creative exchange.
This year’s winners, selected from more than 300 films spanning 15 categories, represent the best in innovation, creativity and emotional storytelling. Audiences were reminded that the filmmakers, writers and artists celebrated here are the stars of tomorrow, destined to become household names on the international stage.
Aesthetica Short Film Festival 2025 Best Director: Reiff Gaskell for Cuerpos
2025 Award Winners
Genre awards:
Best Advertising: Swimming With Butterflies – Karl Stelter
Best Animation: Wild Animal – Tianyun Lyu
Best Artists’ Film: Mother Company – Alexandros Raptotasios; Konstantinos Thomaidis
Best Comedy: Dating In Your 20s – Lily Rutterford; Lucy Minderides
Best Dance: Spoken Movement Family Honour – Daniel Gurton
Best Documentary: The Hold – JD Donnelly
Best Drama: El Corazón – Oscar Simmons
Best Experimental: We Will Be Who We Are – Priscillia Kounkou Hoveyda
Best Fashion: Fugue – Nastassia Nikè Swan Yin Winge
Best Family Friendly: Girls Together – Christie Arnold
Best Music Video: Tank – Garath Whyte
Best Thriller: Scope – Emma Moffat
Best VR & Immersive: Xian’er (Chinese Immortals) – Fang Zhou
Best Game: Blue Prince – Dogubomb
Best Feature (Documentary): Torn – Kullar Viimne
Best Feature (Narrative): Disremember – Matthew Simpson
Best Podcast: Reality Looks Back – Anne Jeppesen
Craft & special awards:
Best Director: Cuerpos – Reiff Gaskell
Best Cinematography: Baby – Simisolaoluwa Akande
Best Editing: No One Really Knows Me Well – Gaia
Best Screenplay: Giants – Alex Oates, Andy Berriman
Best of Fest: The Hold – JD Donnelly
Mark Kermode: Busy festival, playing with his band The Dodge Brothers twice, first at Silent Cinema with Live Score screening of 1928’s Beggars Of Life, starring Louise Brooks, at York Theatre Royal on November 6, then at The Basement, City Screen Picturehouse, on November 7, after his In Conversation with Mark Kermode book discussion with Surround Sound co-author Jenny Nelson at York Theatre Royal. Picture: Julie Edwards
Festival Highlights: Five days of creativity, performance and innovation
A Global Programme of Film
Aesthetica 2025 screened more than 300 films across multiple venues, representing genres from drama and documentary to experimental work and immersive VR projects. Filmmakers from around the world attended in person, sparking conversations and collaborations that extended beyond the cinemas into York’s streets and cafés. The festival’s international scale reinforces its role as a launchpad for talent on a global stage.
Masterclasses and industry insight
THE festival’s Masterclass series offered audiences unparalleled access to industry leaders, including:
Peter Straughan (Tinker, Tailor, Soldier, Spy)
Jasmin John(Adolescence, Boiling Point)
Mick Audsley (Harry Potter And The Goblet Of Fire)
Industry organisations such as Aardman, BBC, Film4, Framestore, The New York Times, ITV, Industrial Light & Magic and Ridley Scott Associates shared insights into directing, screenwriting, post-production and the creative use of emerging technologies.
Beyond the Frame: Live performance, comedy & music
York Theatre Royal played host to live events and performances:
Comedy Night with Sophie Duker & Friends, featuring Eleanor Tiernan and Bella Hull.
Silent Cinema with Live Score, featuring Louise Brooks in 1928’s Beggars Of Life accompanied by bass player Mark Kermode’s band The Dodge Brothers and Neil Brand.
Mark Kermode in Conversation with Surround Sound co-author Jenny Nelson, exploring the role of music in film storytelling.
The New Music Stage, showcasing ten emerging acts, with Universal Music A&R and singer-songwriter Jack Savoretti attending.
The poster for Aesthetica Short Film Festival 2025
Immersive & Interactive: The EXPO, VR & Games Lab
THE VR & Games Lab pushed the boundaries of storytelling through interactive and immersive media. The Podcasting Lounge celebrated excellence in audio storytelling, while the York UNESCO City of Media Arts EXPO highlighted cutting-edge innovation across digital media, visual effects and design. Workshops for children and teens in filmmaking, animation, and coding nurtured the next generation of creative talent.
UK Film Production Summit
THE UK Film Production Summit, held at The Grand, York, brought together more than 150 leading production companies, development executives and commissioners. Chaired by Ridley Scott Associates, discussions explored The Future of Production: Scripted, Unscripted, Film, TV & Streaming, with sessions on AI, virtual production, global streaming and investment models.
Mark Herbert, CEO of Warp Films, delivered a keynote speech on independent storytelling and the future of British production, joined by representatives from BBC Films, Film4, Working Title, Paramount, Clerkenwell (Baby Reindeer), Scott Free and many more.
Festival director Cherie Federicosaid: “Aesthetica is about discovery, ambition, and possibility. Over five days, York becomes a place where the next generation of talent is seen first, where ideas collide, and where creativity thrives across every discipline – from film and music to VR, games and podcasts.
“This festival is the beating heartbeat of the UK’s creative sector, a space where innovation, culture and storytelling converge, shaping the future of our industry.”
Continuing online
AESTHETICA 2025 continues online until November 30, offering audiences the chance to catch up on all the films, see the winners and discover the brightest and boldest talent in screen from around the world. This digital extension ensures the festival’s creativity, innovation and international spirit can reach audiences across the UK and globally. Visit: www.asff.co.uk.
