National Centre for Early Music reaps autumn harvest of jazz, world and folk concerts… and a classic icy silent film

Arm in arm: Wife-and-husband duo Kathryn Roberts & Sean Lakeman celebrate 25+ years together in On Reflection at the National Centre for Early Music, York, on October 20

THE autumn and Christmas season of jazz, world, folk, film and classical music at the still socially distanced National Centre for Early Music, York, is under way

Saxophonist Jean Toussaint, who came to prominence with Art Blakey’s Jazz Messengers, returned to St Margaret’s Church, Walmgate, last Friday to launch the NCEM programme in the company of pianist Andrew McCormack and bass player Orlando le Fleming.

Tonight, the Black Swan Folk Club presents Devonian folk singer-songwriter John Smith, supported by Hannah Reed at 7.30pm.

Known for his intimate song-writing, honey-on-gravel voice and pioneering guitar playing, Smith has toured internationally for 15 years, and his session-musician guitar skills have been in demand from Joan Baez and Tom Jones.

Saxophone returns tomorrow at 7.30pm when Tim Garland (saxophone, bass clarinet), Malcolm Creese (double bass) and Gwilym Simcock (piano) celebrate 20 years together as the highly adventurous, ground-breaking British jazz ensemble Acoustic Triangle.

Olcay Bayir: Turkish singer makes her NCEM debut on October 10

Noted for their site-specific work, particularly in sacred buildings, such as St Margaret’s Church, they draw on wide-ranging influences, from ancient themes and folk styles, through impressionism and the jazz era, to the avant-garde, in Garland and Simcock’s compositions, complemented by works by Henry Purcell, John Taylor, Olivier Messiaen, Cole Porter and Maurice Ravel.

A third jazz highlight will be Byron Wallen’s Four Corners showcasing London trumpet player Wallen’s new album, Portrait, on November 10, with guitarist Rob Luft, bass player Paul Michael and drummer Rod Youngs.

Conceived when sitting in the central square in Woolwich, the album’s nucleus is Anthem For Woolwich, composed in response to Wallen being struck by the community around him with its mixture of ages and nationalities.

Taking inspiration from “the timeless sound of the human soul from all corners of the Earth”, Wallen explores and reinvents blues, mode and groove landmarks, while also drawing on early Renaissance music, Central and East African rhythms and polyphony and the works of Miles Davis, Wayne Shorter and Thelonious Monk.

“I’m hoping that York Music Forum’s Ian Chalk will be able to organise for young York jazz players to play with Byron and take part in the concert,” says Delma.

Out of the woods: Fiddle player Sam Sweeney re-emerges with his Unearth Repeat album and concert on November 19. Picture: Elly Lucas

The autumn season presents three world-class guitarists, demonstrating their contrasting styles: Brit Martin Taylor, Spaniard Juan Martin and Italian Antonio Forcione.

First up, on October 15, Grammy-nominated Harlow jazz guitarist Martin Taylor shows why he is widely regarded as the world’s foremost exponent of solo jazz and finger-style playing.

Next, in his solo concert Melodic Beauty And Rhythmic Passion on October 29, Andalusian flamenco master Juan Martin performs pieces from his latest album Guitar Maestro.

Intense, artistic, passionate, unpredictable and formidably inventive jazz guitarist Antonio Forcione, from Molise, Italy, returns to the NCEM on November 26, blessed with “the hands of a tarantula and the heart of a lion”, as one reviewer put it.

Twenty albums to his name, Forcione has toured extensively, to Australia, Hong Kong, Russia and the Caribbean, as well as Europe.

Martin Taylor: Finger-style guitar playing on October 15

“The wonderful acoustics of the NCEM’s beautiful home of St Margaret’s Church provide the perfect setting for the acoustic guitar, adding a special touch of magic to the experience,” says director and programmer Delma Tomlin.

World music is represented by not only Juan Martin but also Olcay Bayir, from Gaziantep, Turkey, and the welcome return of Making Tracks.

Making her NCEM debut on October 10 – and appearing on the cover of the NCEM’s September to December brochure to boot – Olcay Bayir focuses on ancient poems and original songs in Turkish, Kurdish and Armenian in Dream For Anatolia: an evening of music and words that reflect her Anatolian heritage. Note the earlier starting time of 6.30pm.

Set up in 2010 and relaunched with an ambitious new model in 2019, followed by a digital edition in 2020, Making Tracks brings together young artists from the UK and around the world to showcase unique musical traditions, initiate collaborations and contribute towards a global community of environmentally engaged musicians.

Full details of November 1’s NCEM concert are yet to be confirmed but the eight diverse musicians from Britain and Europe have been chosen.

Antonio Forcione: Returning to the NCEM on November 26

Scottish folk multi-instrumentalist, producer and composer John McCusker has cancelled his John McCusker Band 30th Anniversary Tour date on October 3, although The Wishing Tree Tour gig by John Doyle, John McCusker & Michael McGoldrick is still in the diary for The Cresent, York, on November 3.

The enduring folk partnership of wife and husband Kathryn Roberts & Seth Lakeman marks 25+ years of making music with On Reflection at a rearranged NCEM concert on October 20.

Co-promoted by the Black Swan Folk Club, this celebratory night takes a whistle-stop tour through their artistic journey from the early days of folk supergroup Equation to latest album Personae, via a nod or two to their extracurricular musical adventures.

After his Unfinished Violin Project, former Bellowhead fiddle player Sam Sweeney returns the NCEM on November 19 to promote his latest album, Unearth Repeat, wherein he embraces the groove and swagger of traditional English folk and the huge sound, flair, energy and festival spirit of bands from the Celtic and Scandinavian music scenes.

Sweeney first played the NCEM when director of the National Youth Folk Ensemble. This time he will be joined by Jack Rutter on acoustic guitar, Louis Campbell on electric guitar and Ben Nicholls on double bass.

Nanook Of The North: Robert J Flaherty’s 1922 film will be accompanied by an improvised live score by Frame Ensemble at a Yorkshire Silent Film Festival screening on October 14

The Yorkshire Silent Film Festival plays host to Nanook Of The North (certificate U, 79 minutes) on October 14, when the pioneering 1922 documentary film will be accompanied by a live score by Frame Ensemble, a quartet of improvising musicians that specialises in creating spontaneous soundtracks for silent film.

“Pianist Jonny Best, who runs the film festival [as well as being a musician, researcher, producer, educator and writer], will be doing the accompaniment with his ensemble,” says Delma. “I find it so enthralling that they create such musical magic out of nowhere.”

Filmed by director Robert J Flaherty in the vast Canadian Arctic, where Nanook and his family live under an endless sky and in conditions of unimaginable cold, Nanook Of The North is a mix of recorded reality and staged drama, depicting the everyday struggle of the Innuit (Eskimo) people to stay alive.

From the bitter chill of the northern reaches of Arctic Quebec to Christmas at the NCEM in the form of the York Early Music Christmas Festival 2021, running from December 3 to 11.

Guest musicians include The Gesualdo Six; Joglaresa; Pocket Sinfonia; Prisma; tenor James Gilchrist and lutenist Matthew Wadsworth, plus the Yorkshire Baroque Soloists, presenting JS Bach’s B Minor Mass, with more details to follow in a separate preview shortly. 

Green Matthews: Midwinter Revels in the mood for Christmas on December 16

.Christmas revelry continues with modern-day folk balladeers Green Matthews on December 16. That night, Chris Green and Sophie Matthews perform Midwinter Revels: A Celebration Of Christmas Past, a seasonal selection of stories, carols, winter folk songs and tunes played on a plethora of weird and wonderful instruments.

Delma says: “We’re so pleased to be able to bring you this wonderful season of music for all tastes and to welcome friends old and new back to our home in York. We decided: let’s get dates in the diary and enjoy music-making again and try to get back to a sense of normality.

“We’ve put together a programme of world-class musicians, and we’re also looking forward to the return of our community singing group, Cuppa And A Chorus, as well as the latest in our not-to-be-missed series of silent films with live music. We hope to see you at the NCEM very soon.”

Nevertheless, in light of these pandemic times, a reduced capacity will be in operation. “The NCEM realises that audiences are returning to live events with caution, and for added safety and comfort, we are reducing our capacity so that social distancing is possible,” explains Delma.

“We’ve put together a programme of world-class musicians,” says NCEM director Delma Tomlin

“We are continuing to operate with many safety precautions in place and recommend mask wearing and hand sanitising.”

Tickets for the autumn season are on sale on 01904 658338 and at ncem.co.uk, joined by the York Early Music Christmas Festival from October 4. “Tickets for all concerts are selling quickly, so early booking is advisable,” recommends Delma.

“So far, there’s definitely a substantial core audience who do want to return, and we’re so fortunate that there’s no fixed seating, so we can give people more space, and hopefully they will feel more comfortable with that and will gain confidence as we come into the winter.

“That’s why we’re retaining social distancing while ensuring there’s still a three-pronged energy between the venue, the artist and the audience.”

Performances start at 7.30pm unless stated otherwise.

As Billie Marten plays a not-so-secret gig, podcasters Chalmers and Hutch discuss the rise of the Ripon singer-songwriter…

Billie Marten: Ripon singer-songwriter in full bloom on third album Flora Fauna and at secret Harrogate gig with a full band. PIcture: Katie Silvester

WHAT else do culture vultures Graham Chalmers and Charles Hutchinson cram into Episode 57 of Two Big Egis In A Small Car?

How about Blade Runner and where next for billionaires in space?

What’s going on with Covid passports and arts venues?

What can the arts expect from novel Tory Culture supremo Nadine Dorries?

What is the future for album covers?

What was CH’s verdict on Tonderai Munyevu’s Mugabe, My Dad And Me at York Theatre Royal, The Woman In Black at the reopened Grand Opera House, York, and the pie-laden Waitress at Leeds Grand Theatre?

How does it feel to face up to the questions for the revived People We Love exhibition, soon to return to York Minster.

To find the answers, listen to: https://www.buzzsprout.com/1187561/9226087

More Things To Do in and around York as creative night market launched. List No. 49, courtesy of The Press, York

Big news! York artist Freya Horsley, right, and gallery co-director Ails McGee with Freya’s paintings Turning Tide and Liquid Light at According To McGee, York

BIG paintings, a night market, thrillers at the double, cookery chat, an anniversary celebration, a long-awaited Scottish return and a brace of comedians are the diverse focus of Charles Hutchinson’s attention.

Exhibition of the week: Freya Horsley, Contemporary Seascapes, According To McGee, York, running until October 11

ACCORDING To McGee is playing host to the biggest paintings the Tower Street gallery has ever exhibited: Liquid Light and Turning Tide, two mixed-media works on canvas by Freya Horsley.

The York artist is displaying a new series of seascape paintings depicting the Cornish, Scottish and north east coastlines.

“Her art makes you look twice because it has a calming quality and, like a good sunrise, it makes you go ‘wow!’,” says co-director Greg McGee.

York Creatives Night Market: Debut night of arts, crafts, music, food and drink at Shambles Market tomorrow

York Creatives Night Market, Shambles Market, York, tomorrow, 7pm to 10.30pm

POSTPONED at short notice on August 20, the debut York Creatives Night Market goes ahead tomorrow in a chance to browse art and products by independent traders.

Street food, drinks and music all evening are on the menu too for this free event, open to all.

The Rusty Pegs: Tenth anniversary concert at Theatre@41, Monkgate, York

Celebrating ten years on: The Rusty Pegs, Theatre@41, Monkgate, York, Saturday, 8pm

TEN years ago, York country band The Rusty Pegs formed, drawn from volunteers at the Monkgate theatre, who were asked to perform their debut gig there at a Raising The Roof fundraiser.

To mark a decade of making music together, the Pegs have decided to come full circle by performing an anniversary gig in the same place where it all started, this time launching the autumn season. Box office: tickets.41monkgate.co.uk.

No mistaking Justin Currie: Del Amitri return with Fatal Mistakes album for first York gig since 2002

Long time coming: Del Amitri, York Barbican, Saturday, 7.45pm

DEL Amitri follow up the May 28 release of their seventh studio album, Fatal Mistakes, with a return to York Barbican after a 19-year hiatus.

Justin Currie’s Glaswegian band last played there in May 2002, the year they released their last album, Can You Do Me Good?.

“It’s been nearly 20 years since we toured with a new album, lord knows what took us so long,” says Currie. “The prospect of sprinkling our set with a few choices from Fatal Mistakes fills us with the sort of excitement that, for some men of our age, might call for light medication. We think the adrenaline will see us through.” Box office: yorkbarbican.co.uk.

No smoke without ire: Scottish comedian Daniel Sloss blows his top at York Barbican

Comedy gig of the week: Daniel Sloss: Hubris, York Barbican, Sunday, 7.30pm

SUNDAY’S gig is third time lucky for Scotsman Daniel Sloss, whose October 3 2020 and May 8 2021 visits were ruled out by the accursed Covid.

Sloss, 30, has sold out six New York solo off-Broadway seasons, appeared on American television’s Conan show ten times and toured to more than 50 countries. Now, at last, comes his new show, with special guest Kai Humphries.

Look out for Sloss’s book, Everyone You Hate Is Going To Die (And Other Comforting Thoughts On Family, Friends, Sex, Love, And More Things That Ruin Your Life), from October 12. For tickets for Sunday, go to: yorkbarbican.co.uk.

What’s cooking? Cookbook writer Yotam Ottolenghi finds flavour at York Theatre Royal on Tuesday

Flavour of the month: Yotam Ottolenghi, A Life In Flavour, York Theatre Royal, Tuesday, 7.30pm

CHEF, restaurateur and food writer Yotam Ottolenghi reflects on A Life In Flavour, provides cooking inspiration and signs copies of his “flavour-forward, vegetable-based” cookbook, Ottolenghi Flavour, after the show on Tuesday.

West Jerusalem-born Ottolenghi will be discussing the tastes, ingredients and flavours that excite him and how he has created a career from cooking.

Expect “unique insights into how flavour is dialled up and why it works, from basic pairings fundamental to taste, to cooking methods that elevate ingredients to great heights”. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Dane Baptiste: Comedian with a chip on his shoulder at Burning Duck Comedy Club

The other comedy gig of the week: Burning Duck Comedy Club presents Dane Baptiste: The Chocolate Chip, The Crescent, York, September 23, 7.30pm

IN his own words, Dane Baptiste is now a “grown ass black man, too old to be concerned with chicken or trainers, too young to be considered a peer of Trevor McDonald”.

Has he got a chip on his shoulder? “Yes. A chocolate one,” says Baptiste, a south east London stand-up who once worked in media sales.

Noted for his boldly provocative material, he hosts the podcasts Dane Baptiste Questions Everything and Quotas Full. Box office: thecrescentyork.com/events.

The Rowntree Players’ poster for next week’s production of Agatha Christie’s Spider’s Web

Web of the week: Rowntree Players in Agatha Christie’s Spider’s Web, Joseph Rowntree Theatre, York, September 23 to 25, 7.30pm and 2.30pm Saturday matinee

DIPLOMAT’S wife Clarissa is adept at spinning tales of adventure, but when a murder takes place in her drawing room, she finds live drama much harder to cope with in Rowntree Players’ autumn return, directed by Howard Ella.

Desperate to dispose of the body before her husband arrives with an important politician, she enlists the help of her guests. 

In a conscious parody of the detective thriller, Christie’s Spider’s Web delivers suspense and humour in equal measure in an intricate plot of murder, police detection, hidden doorways and secret drawers. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.

In the chair: Just Some Theatre in rehearsal for The Killer Question, heading to Theatre@41, Monkgate, York

Mystery of the week ahead: Just Some Theatre in The Killer Question, Theatre@41 Monkgate, York, September 25, 7.30pm

THE Silence Of The Lambs meets Last Of The Summer Wine in Dave Payne’s dark comedy thriller The Killer Question, marking the York debut of Manchester company Just Some Theatre.

Did The Chair game show champion Walter Crump’s obsession with death ultimately lead to his own? Inspector Black believes so, and now Crump’s dopey widow, Margaret, finds herself accused of her husband’s murder. 

Faced by more than one deadly twist in the tale, can Inspector Black solve the mystery? Will Margaret be home in time for Countryfile? Just as important, which actor – Peter Stone, Jake Urry or Jordan Moore – will play which character? The audience decides. Box office: tickets.41monkgate.co.uk.

Are The Rolling Stones out of time?

TWO Big Egos In A Small Car arts podcasters Chalmers & Hutch ponder the impact of Charlie Watts RIP.

What else pops up in Episode 56? Sonic Youth’s Kim Gordon on dealing with sexism in the music industry; serious Britishness in Benedict Cumberbatch’s Cold War chiller-thriller The Courier and Sparks’ new music in Leos Carax’s Annette.

Covid passports and ABBAtars at Olympic Park: is this the future for gigs?

To listen, head to: https://www.buzzsprout.com/1187561/9165828

More Things To Do in and around York with fishermen, Irishmen and a Scotsman. List No. 48, courtesy of The Press, York

Getting Away With Murder(s) documentary filmmaker David Wilkinson at the gate of Auschwitz 1

AS the Grand Opera House reopens, diaries are starting to fill to pre-pandemic levels, much to the delight of a post self-isolating Charles Hutchinson.

Film world premiere of the week: Getting Away With Murder(s); Everyman York, Blossom Street, York, tonight, 6.30pm to 10.30pm

IT has taken 18 years for Yorkshire filmmaker David Wilkinson to bring his documentary, Getting Away With Murder(s), to the big screen.

Exploring an overlooked aspect of the Holocaust, he reveals that “almost one million people in 22 countries willingly carried out the unprovoked murder of 11 million innocent men, women and children but 99 per cent of those responsible were never prosecuted”.

Wilkinson, who examines the reasons behind the disregard for justice, will take part in a post-screening Q&A. Box office: everymancinema.com.

Fisherman’s Friends: Hooked on sea songs at York Barbican

They inspired a film and now they are back: Fisherman’s Friends: Unlocked & Unleashed, York Barbican, tomorrow, 7pm

CORNISH “buoy band” Fisherman’s Friends – combined aged 401 – re-emerge from lockdown for their Unlocked & Unleashed tour.

As celebrated in the film that shares their name, for 40 years they have met on the Platt of Port Isaac’s harbour to sing the songs of the sea.

In the line-up are lobster fisherman Jeremy Brown; writer, shopkeeper and master of ceremonies Jon Cleave; smallholder and engineer John ‘Lefty’ Lethbridge; Yorkshire-born builder John McDonnell; Padstow fisherman Jason Nicholas; filmmaker Toby Lobb and the new boy, former ambulance driver Pete Hicks. Box office: yorkbarbican.co.uk.

One Night In Dublin: One night in York for Irish songs aplenty at the Joseph Rowntree Theatre

Irish gig/jig of the week: One Night In Dublin, Joseph Rowntree Theatre, York, Saturday, 7.30pm

SATURDAY night is the chance to spend One Night In Dublin – in York – when “Murphy’s Irish Pub” opens its doors at the Joseph Rowntree Theatre.

Join in the craic as the lively Irish tribute band covers such Irish staples as Galway Girl, Tell Me Ma, Dirty Old Town, Irish Rover, Seven Drunken Nights and Whiskey In The Jar. Box office: josephrowntreetheatre.co.uk.

Gary Meikle: Scottish comedian in Surreal mode at York Barbican

This experience really is “Surreal”: Gary Meikle: Surreal, York Barbican, Sunday, 8pm

DELAYED from April 8 to this weekend, playfully dark cheeky-chappie Scottish comedian and “viral sensation” Gary Meikel presents his second tour show in York.

Looking to “get away with talking about anything that will have you laughing at things you probably shouldn’t be”, punchy storyteller Meikle draws material from his own experiences, not least his unique family dynamic.

New show Surreal covers such topics as evolution, social media, how to deal with burglars, single mums, bee sex and small-man syndrome. Box office: yorkbarbican.co.uk.

Exploration of family, myth and memory loss: Second Body’s Max Barton and Jethro Cooke in Styx at Theatre At The Mill

Residency of the week: Second Body in Styx, Theatre At The Mill, Stillington, near York, Sunday and Tuesday, 8pm

SECOND Body duo Max Barton and Jethro Cooke present their theatre-concert exploration of family, myth, memory loss and Max’s grandma, now with remixed music and bearing wounds wrought by 18 months of disrupted human connectivity.

“What does it mean to lose the memories that make us who we are?” they ask. “How can we continue to be ourselves when we are separated from our loved ones.” Box office: tickettailor.com/events/atthemill.

Back in Black: Robert Goodale and Antony Eden in the ghost story The Woman In Black, haunting the Grand Opera House, York, from Monday. Picture: Tristram Kenton

Re-opening of the week: Grand Opera House, York, for The Woman In Black, Monday to Saturday

AFTER 547 days, the Grand Opera House, York, steps out of the darkness and into The Woman In Black from Monday.

In PW Productions’ latest tour of Stephen Mallatratt’s adaptation of Susan Hill’s ghost story, Robert Goodale plays Arthur Kipps, an elderly lawyer obsessed with a curse that he believes has been cast over his family by the spectre of a “Woman in Black” for 50 years now.

Antony Eden is the young Actor he engages to help him tell that story and exorcise his fears, but soon reality begins to blur and the flesh begins to creep. Box office: atgtickets.com/york

Bird song: Henry Bird, pictured in his Vampires Rock days, will be the special guest for You Can’t Stop The Beat

Community concert of the week: You Can’t Stop The Beat, Joseph Rowntree Theatre, York, Tuesday, 7.30pm

GENERATION Groove and Community Chorus are joined by special guest Henry Bird, the well-travelled York singer and guitarist for Tuesday’s fundraiser.

“Concerts and performances have been on hold for well over a year and we’re all delighted to be back getting you singing and even dancing and raising money to help the wonderful Joseph Rowntree Theatre go from strength to strength,” say the organisers. Box office: josephrowntreetheatre.co.uk.

Waitress: Serving up a slice of musical pie at Leeds Grand Theatre from Tuesday

Musical of the week outside York: Waitress, Leeds Grand Theatre, September 14 to 18

MEET Jenna, a waitress and expert pie-maker who dreams of some joy in her life. When a hot new doctor arrives in town, life turns more complicated and challenging, but with the support of her workmates Becky and Dawn, she finds that laughter, love and friendship can provide the perfect recipe for happiness.

Sara Bareilles and Jessie Nelson’s comedy musical stars Lucie Jones as Jenna, Emmerdale’s Sandra Marvin as Becky, Evelyn Hoskins  as Dawn and Busted’s Matt Willis as Dr Pomatter. For tickets:  0113 243 0808 or at leedsheritagetheatres.com.

Destiny calling: Kirk Brandon’s Spear Of Destiny are heading to The Crescent in York

Cult band you really should see: Spear Of Destiny, The Crescent, York, September 19

LEADING Spear Of Destiny for 38 years now, Kirk Brandon heads out on their Worldservice@35 tour on the back of releasing last November’s lockdown album.

Brandon’s post-punk band – featuring Adrian Portas (New Model Army/Sex Gang Children), Craig Adams (Sisters Of Mercy/The Cult /The Mission), Phil Martini (Jim Jones And The Righteous Mind) and saxophonist Clive Osborne – re-recorded 1985’s WorldService album during 2020.

The WorldService@35 tour features the album and B-sides in full plus an extended career-spanning encore at three Yorkshire shows: York, then Leeds Brudenell Social Club on September 21 and The Welly, Hull, September 25.

Pie thrower: Jonathan Pie will vent his anger at the truth vacuum at the Grand Opera House, York

Angriest man of the month award: Jonathan Pie, Fake News (The Corona Remix), Grand Opera House, York, September 19, 7.30pm

JONATHAN Pie, the no-holds-barred fictitious political broadcaster alter-ego of Tom Walker, is resuming his Fake News tour that began in 2019 and had to twiddle its agitated thumbs through lockdown.

In that hiatus, Walker continued to post Jonathan Pie content to his social-media channels, whether commenting on the global reaction to the 2020 pandemic, the Black Lives Matter movement or woke culture.

Now he unleashes his righteous rage once more on stage. Tickets for the York slice of Pie are on sale at atgtickets.com/york.

David Wilkinson launches Holocaust documentary Getting Away With Murder(s) with premiere screening at Everyman York

Getting Away With Murder(s) director David Wilkinson at Clifford’s Tower, the site of the former Castle in York, where in 1190 the city’s entire Jewish population were massacred

YORKSHIRE filmmaker David Wilkinson’s Holocaust documentary, Getting Away With Murder(s), has taken 18 years to reach the big screen.

Tonight, Everyman York, in Blossom Street, York, will host the world premiere at 6.30pm, concluding with a post-screening question-and-answer session with Wilkinson, chaired by Dave Taylor, the Independent city councillor for the Fishergate ward.

Exploring an overlooked aspect of the Holocaust, Wilkinson’s feature-length film reveals that “almost one million people in 22 countries willingly carried out the unprovoked murder of 11 million innocent men, women and children but 99 per cent of those responsible were never prosecuted”.

Examining the reasons behind the disregard for justice, Wilkinson says: “I filmed in ten countries, including the UK, where I question our turning a blind eye that allowed 400 alleged Nazi war criminals to live in this country, completely untroubled by justice.

“The only prosecution that ever occurred went ahead 53 years after the perpetrator’s arrival in London. He was sent to prison for murdering 18 Jews, although in reality, he was responsible for a great many more deaths.”

Director David Wilkinson at the train entrance to Auschwitz – Birkenau during the film-making for Getting Away With Murder(s)

Wilkinson’s studies brought him to York. “In 1190, Britain inflicted its own Holocaust when York’s Jewish population were massacred while under the King’s protection. 

“At a time of increasing attacks on Jews throughout England, they fled to the Castle – now the site of Clifford’s Tower – to be besieged by an incited angry mob, and then committed mass suicide rather than wait to be killed or be forcibly baptised. Those who did choose to be baptised and came out were slaughtered by the mob.” 

York in the 21st century is a different place, notes Wilkinson, who is chairman of film-makers Guerilla Films. The city now commemorates the massacre at Clifford’s Tower annually, along with Holocaust Memorial Day, as it acknowledges these atrocities and works to ensure that they never happen again.

York was one of the first British cities to receive City of Human Rights status, while York City of Sanctuary seeks to promote an environment of compassion and understanding in the city and provides support and assistance to refugees and asylum seekers.

York Interfaith Group meets regularly to promote mutual understanding between all of York’s faith groups and helps promote mixed-faith events hosted by its members.  

Alex Fischer showing director David Wilkinson around Court 600 at Nuremberg

Wilkinson says York is an example of how a city can turn itself around and learn from events that happened within its walls almost 900 years ago, as well as from more recent history. 

For many years, Jews thought that because of what happened at the Clifford’s Tower site, there was a ‘herem’ (ban) on Jews living in York. This was never the case and the relatively ‘new’ York Liberal Jewish Community (YLJC) is flourishing.

Celebrating its seventh birthday this year, and with around 100 members of all ages, YLJC is an active member in the York Interfaith Group and works regularly with other community and civic organisations.

YLJC is partnering with English Heritage and My Castle Gateway (for City of York Council) to achieve a new lasting legacy for the city’s history by seeking to influence the redevelopment plans of the car park at the base of Clifford’s Tower into a new public park.

The consultation plans include a small public plaza with a new memorial space to the 1190 massacre victims, yet to be detailed or funded.

“It seemed appropriate and particularly fitting to me that the city of York should be where I launch this film,” says documentarian David Wilkinson

Wilkinson explains how this influenced his choice when deciding where Getting Away With Murder(s) should be launched: “Normally with the films I make, the world premieres are either in London or at one of the prestigious film festivals such as Sundance or Edinburgh.

“I have thought long and hard about where to hold the important first screening of this film. As a Yorkshireman I have always felt singularly uneasy that my own county city was the setting for such a horrific crime.

“Therefore, it seemed appropriate and particularly fitting to me that the city of York should be where I launch this film.  It is an example of how a city and a Jewish community has and continues to move forward together.

“I am, therefore, delighted that the Everyman Cinema in York is supporting this important screening and that the York Liberal Jewish Communityhas agreed to co-host the event.” 

Wilkinson ponders the possibility of York erecting a “deferential memorial” to what many consider to be the darkest day in the city’s history. “In the documentary, I filmed numerous reverential memorials to the murdered Jews, in Berlin, Vilnius, Kaunas, Liepaja, Günzburg, Dachau, Vienna and Auschwitz,” he says.

Auschwitz survivor Arek Hersh, who features in Getting Away With Murder(s)

“The more locations I visited, the more I became convinced that York too should have its own deferential memorial to those Jews murdered in the city, no matter how long ago it took place.”

Lilian Coulson, chair of York Liberal Jewish Community, reflects on Wilkinson’s documentary: “When David approached us to discuss his film, we were amazed to be told about the extent of this ‘hidden’ part of all our history. 

“On a personal level, coming from a Jewish family who had to flee Nazi Germany to survive and whose grandfather was one of many lawyers working at the Nuremburg Trials, I have always wondered why nothing was done earlier by the outside world to stop the genocide of 11 million people, including six million Jews.

“Or what happened subsequently to those people who implemented this genocide. I look forward to viewing David’s film at its world premiere in York to learn more about what has happened (or not) since the Nuremburg Trials finished 75 years ago.”  

Lilian continues: “YLJC, as York’s only formal Jewish community, is delighted to welcome David and his film to this city and to help open doors to our friends here to promote his film to those who also wish to learn more about our more recent past.

Benjamin Ferencz, 101, the last living prosecutor at the Nuremberg Trials to give an eye-witness account, watches a 27-year-old Benjamin Ferencz prosecuting, as director David Wilkinson looks on

“We are lucky to live in a city that positively tries to encourage good interfaith relationships and tolerance and actively stretches out a hand to those in need. The continued dialogue of the proposed redevelopment of the Clifford’s Tower and Eye of York area provides a unique opportunity for us all to work together to commemorate its history and, at the same time, look positively to the city’s future.”  

Wilkinson has great hopes that tonight’s screening could launch a campaign to raise money for an improved memorial for the 1190 victims, to be sited within a wider contemplative space, as being proposed for the English Heritage site under the My Castle Gateway plans.

“This could be undertaken in conjunction with York Liberal Jewish Community, who are already fundraising to employ the first resident rabbi in York since the Middle Ages, to help grow and develop their community,” he suggests. 

“We hope that this will help in bringing about a successful outcome and that, after 831 years, the memory of those 150 people massacred inYork will be respectfully and informatively remembered.”  

 For tickets for tonight’s world premiere, go to: everymancinema.com.

Getting Away With Murder(s) director David Wilkinson at the gate to Auschwitz 1

Director’s statement by David Wilkinson

I HAVE been trying to make Getting Away With Murder(s), either as a film or a TV series, since 2003.

I was baffled as to why it has taken so long to find the funding as, to me, it was essential to know why so very few of the murderers of the Holocaust were ever prosecuted.

I had hoped that others would also wish to know this answer. 

When I was distributing his film Talking Sides in 2003, I discussed this in great detail with Sir Ronald Harwood as we drove around the country promoting his movie in key cities.

Ronnie wrote over a dozen plays, films, books and articles dealing with the Holocaust and told me that it “informed him”. When I mentioned to him that I was considering making the film, he instructed me to get on with it as he too wanted to know the answer.

The numbered arm of Auschwitz survivor Arek Hersh

It was intended that he be in the film (he later appeared in another documentary of mine), but his contribution in this was sadly not to be.

The film is dedicated to him. 

My sole motivation for making Getting Away With Murder(s) was simply to find that answer as to why so many got away with their crime – the crime of mass murder on an industrial scale.  

A simple question, you might think.

I knew long before I began filming that the answer(s) would be far from simple. 

The film is almost 200 minutes long. The subject is so complex that I found it impossible to fit the answers into a neat 90 or 110 minutes. One of the advantages of not having any funding from a broadcaster means that I was free to explore the subject as I felt in detail.” 

The poster for Getting Away With Murder(s), the Holocaust documentary set for British release on October 1, the 75th anniversary to the very day of the end of the International Military Tribunal at Nuremberg. David Nicholas Wilkinson’s film covers what happened after the trial was over



Back in that small car, big egos running rampant, podcasters Chalmers and Hutch set off to the Edinburgh Film Festival

Sign of the festival times in Edinburgh

GOOD to be back, good to be back. After a summer break, Graham Chalmers and Charles Hutchinson resume their arts chat with reflections on their return to the Edinburgh International Film Festival.

Did Graham’s day out among the 90,000 throng at Leeds Festival pass the test after all that Covid testing?

Verdicts too on Harrogate Theatre’s immersive play, Our Gate, and on British Sea Power’s name change in woke times can be heard in Episode 55 at: https://www.buzzsprout.com/1187561/9127399 .

More Things To Do in and around York for Grayson Perry’s ‘normal people’. List No. 47, courtesy of The Press, York

What’s up Duck? The Dead Ducks sketch comedy troupe head for Theatre@41 Monkgate, York

CLOWNS, ominous things, Grayson, James, tango, chamber music, horrible British history and watercolours in teamwork add up to shows aplenty for Charles Hutchinson and normal people alike to check out.

Sketch comedy show of the week: The Dead Ducks: Ducks Out Of Water, Theatre@41 Monkgate, York, tomorrow (3/9/2021), 8pm

UNIVERSITY of York Comedy Society sketch troupe The Dead Ducks make their Theatre@41 debut with Ducks Out Of Water as a cast of five serves up fun scenes that range from the relatable to the ridiculous.

Be prepared for completely original content in a humorous mix of parody and farce with a delectable side order of top-notch acting.

Look out for pirates, cowboys, clowns and assorted animals, alongside Winnie the Pooh, Sherlock Holmes and Mickey Mouse “like you have never seen them before”. Box office: tickets.41monkgate.co.uk/events/.

Sunset Gazing, by Suzanne McQuade, on show at Village Gallery, Colliergate, York

Exhibition of the week: Suzanne McQuade, Touch Of Tranquillity, Village Gallery, Colliergate, York, until Octoger 23; open Tuesday to Saturday, 10am to 4pm

LEEDS watercolourist Suzanne McQuade quit her long-standing customer service job five years ago to take the plunge and become a full-time artist.

“Using watercolours is like teamwork; I have to allow the watercolour to move and merge, and utilise the patterns it creates,” says Suzanne, who loves how this medium’s translucency enables light to flood into her landscapes and seascapes.

Drawing inspiration from the British countryside and coastline, she paints what she finds captivating, from a dramatic sky to underwater rocks. “I try to make the scene in front of me to be as beautiful as possible,” she says.

Alexander Wright: Performing Small, Small Ominous Things with Megan Drury at Theatre At The Mill, Stillington

Open-air theatre show of the week: Small Small Ominous Things, Theatre At The Mill, Stillington Mill, near York, Saturday, 8pm

LOOK out for a tiny red gun hidden in the grass; a picture of a puppy eating a toy dinosaur; a dull feeling in the pit of your stomach; a bug burrowing into your skin.

Welcome to a late-night mix of stories, tales and unsettling considerations from partners Megan Drury and Alexander Wright, Australian actor, writer and creative artist and North Yorkshire writer, theatre-maker and visionary facilitator respectively.

Gather around the fire as they collaborate for the first time live At The Mill, bringing small, small ominous things out into late-summer’s fading light. Box office: tickettailor.com/events/atthemill/

Making a splash: The new Normal for artist Grayson Perry, performing on tour at York Barbican

Who-knows-what-to-expect gig of the week: Grayson Perry: A Show For Normal People, York Barbican, Monday, 7.30pm

IN his own words, despite being an award-winning artist, Bafta-winning TV presenter, Reith lecturer and best-selling author, Grayson Perry is a normal person – and just like other normal people, he is “marginally aware that we’re all going to die”.

Cue Grayson Perry: A Show For Normal People, where Grayson takes you through an enlightening, eye-watering evening wherein this kind of existentialism descends from worthiness to silliness. “You’ll leave safe and warm in the knowledge that nothing really matters anyway,” his show patter promises.

Grayson asks, and possibly answers, these big questions in a show “sure to distract you from the very meaninglessness of life in the way only a man in a dress can.” Box office: yorkbarbican.co.uk.

Home, James? Briefly, yes, when rehearsing at Broughton Hall, near Skipton. Scarborough Open Air Theatre awaits. Picture: Lewis Knaggs

Gig of the week outside York: James, Scarborough Open Air Theatre, September 9, gates open at 6pm

WHERE better for James to play a summer show in the wake of releasing their 2021 single Beautiful Beaches than at Scarborough Open Air Theatre.

The Manchester legends will be combining myriad anthemic favourites with selections from their “sweet 16th” album, All The Colours Of You, released in June.

Fronted by Clifford-born Tim Booth, James are completing a hattrick of Scarborough OAT visits after shows in May 2015 and August 18. Box office: scarboroughopenairtheatre.com

Prima Vocal Ensemble artistic director Ewa Salecka with Misatango composer Martin Palmeri

Well worth the wait: Misatango: Prima’s Tenth Anniversary Celebration, Temple Hall, York St John University, Lord Mayor’s Walk, York, September 11, 7.30pm

AFTER a year’s delay, Prima Vocal Ensemble director Ewa Salecka is thrilled to be holding the York choir’s tenth anniversary concert at last at a socially distanced Temple Hall.

At the concert’s core will be “the fabulous Misa a Buenos Aires, Misatango, an exhilarating fusion of Tango and Latin Mass”, by Argentinian composer Martín Palmeri, performed with the Mowbray Orchestra string quartet, bandoneon virtuoso Julian Rowlands, pianist Greg Birch and mezzo-soprano soloist Lucy Jubb. Box office: primavocalensemble.com.

Tim Lowe: York Chamber Music Festival director and cellist

Festival of the month: York Chamber Music Festival, September 16 to 18

CANADIAN pianist Angela Hewitt plays YCMF’s opening recital on September 16 and joins fellow festival artists Anthony Marwood and Pablo Hernan, violins, Lilli Maijala, viola, and Tim Lowe, cellist, for the closing gala concert on September 18, both at the Sir Jack Lyons Concert Hall, University of York.

Marwood, Hernan, Maijala and Lowe play string quartets by Haydn, Mendelssohn and Schumann at the NCEM on September 17.

Festival director Lowe joins pianist John Paul Ekins for the first 1pm concert at the Unitarian Chapel, St Saviourgate, on September 17; on the next lunchtime, Ekins plays works that connect Beethoven and Liszt. Box office: tickets@ncem.co.uk.

The Horrible Histories poke fun at Barmy Britain at the Grand Opera House, York, in October

History in the re-making: The Horrible Histories in Barmy Britain, Grand Opera House, York, October 21 to 24

CAN you beat battling Boudicca? What if a Viking moved in next door? Would you lose your heart or head to horrible Henry VIII? Can evil Elizabeth entertain England?

Will Parliament survive gunpowder Guy? Dare you stand and deliver to dastardly Dick Turpin? Escape the clutches of Burke and Hare and move to the groove with party Queen Victoria?

So many questions for The Horrible Histories’ Live On Stage team to answer with the aid of the 3D illusions of Bogglevision as skulls hover, dams burst and missiles fly into the family audience. For tickets for Birmingham Stage Company’s eye-popping, gruesome, scary and unbelievable trip through British history, go to atgtickets.com/york.

FortyFive Vinyl Café has 30 free tickets for John & Yoko’s Imagine film screening

The poster for the remastered Imagine, John Lennon and Yoko Ono’s film

IMAGINE there are free tickets to see the 50th anniversary screening of John Lennon and Yoko Ono’s Imagine film.

You may say I’m a dreamer, but I’m not the only one, I hope someday you’ll join us for an exclusive show at FortyFive Vinyl Café, the Micklegate café bar, record store and music venue in York.

That day will be Thursday, September 9, but hurry, hurry, because only 30 tickets for the 7.30pm event are available to reserve via fortyfive.uk.com/events/imagine-50th-anniversary-screening.

FortyFive Vinyl Café will present this in-person screening of the remastered 1972 film in surround sound in collaboration with the Music Venue Trust, in celebration of the song, album and film.

Meanwhile, Charlatans’ frontman Tim Burgess’s Tim’s Twitter Listening Party will host a simultaneous online Listening Party event, where the experience of watching and listening to the music of John & Yoko’s film will be enhanced by a second-screen Twitter experience.