Category: Film

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More Things To Do indoors in and around York in Stay Home Lockdown 3. List No 24, courtesy of The Press, York

A Long night: Josie Long will be performing for the Your Place Comedy live-stream from her living room on January 24

AS LOCKDOWN 3 urges everyone to “stay home”, Charles Hutchinson takes that advice in selecting entertainment for the dark days and nights ahead.

Somewhere over the pandemic horizon, he highlights a couple of shows in the diary for the autumn.

Ahir Shah: Joining Josie Long in a remote double bill for Your Place Comedy

Live-stream lockdown humour from living room to living room: Josie Long and Ahir Shah, Your Place Comedy, January 24

LOCKDOWN 3 has brought another round of Your Place Comedy home entertainment. “As before, we’ll be broadcasting from comedians’ living rooms, kitchens and attics or, as was the case with Lucy Beaumont, her homemade pub,” says virtual comedy club organiser Chris Jones, Selby Town Council’s arts officer.

The format remains the same: two headline comedians, some stand-up and some chat, all juggled by regular compere Tim FitzHigham. First up will be Josie Long and Ahir Shah on January 24; line-ups are yet to be confirmed for February 28 and March 28.

The live-stream shows will be free to watch but with donations keenly encouraged at yourplacecomedy.co.uk.

Pea’s home; green: Story Craft Theatre storyteller Cassie Vallance looks forward to next week’s Crafty Tales session

Interactive stories for children: Story Craft Theatre’s Crafty Tales

CASSIE Vallance and Janet Bruce cannot hold their Crafty Tales sessions in person during Lockdown 3 but will continue to deliver sessions “directly to you via the power of Zoom”.

“Each 50-minute session is packed full of crafting, storytelling and educational fun with lots of activities to keep your little folk’s imagination alight,” says Cassie. “There are still a few spaces left for next week’s 10am sessions based around Julia Donaldson’s The Runaway Pea on January 20, 22 and 23.”

Coming up on January 27, 29 and 30 will be Elaine Wickson’s Super Stan. For more details and to book, go to storycrafttheatre.co.uk.

Parasols aplenty: A scene from the National Gilbert and Sullivan Opera Company production of The Pirates Of Penzance at the 2019 International Gilbert and Sullivan Festival, now available online. Picture: Jane Stokes

Operetta on screen: International Gilbert and Sullivan Festival, G&S Opera TV On-Line Streaming Service

WHEN the Coronavirus pandemic put paid to the 2020 International Gilbert and Sullivan Festival at Harrogate Royal Hall, the festival launched its online streaming subscription service at gsoperatv.

“New content is being continually added,” says festival stalwart Bernard Lockett. “It features the very best of more than 26 years of the National Gilbert and Sullivan Opera Company, along with top amateur productions performed at our festival, G&S films and fascinating documentaries and interviews, and is the only place to experience so many outstanding Savoy operas.”

The subscription rates for general viewers is £9.99 per month or £99 annuallyThe 2021 festival is in the diary for August 8 to 22 in Harrogate, preceded by Buxton Opera House the week before.

Chelsey Gillard: Stephen Joseph Theatre associate director, hosting online script-reading sessions

Play for the day appraisal: Online script-reading sessions, Stephen Joseph Theatre, Scarborough, from January 20

RUNNING online on Wednesdays from 11.30am to 1.30pm for five weeks, the fun sessions will dive into five classic comedies: Aristophanes’s Lysistrata on January 20; Shakespeare’s A Midsummer Night’s Dream, January 27; Moliere’s Tartuffe, February 3; Sheridan’s The Rivals, February 10, and Feydeau’s A Flea In Her Ear, February 17.

Participants will read sections of the plays aloud and work with SJT associate director Chelsey Gillard to consider their themes, stories, writing styles and historical context in a relaxed discussion. Session bookings can be made at sjt.uk.com.

Clowning around: Jon Marshall’s Ringmaster with Steve Collison’s Clown in Magic Carpet Theatre’s Magic Circus

Online children’s show of the month: Magic Carpet Theatre in Magic Carpet, Pocklington Arts Centre YouTube channel

HULL company Magic Carpet Theatre filmed their fun family-friendly show, Magic Carpet, behind closed doors at Pocklington Arts Centre last October. By public demand, its free streaming run is being extended to January 21 at: youtu.be/CNrUixTMWdQ.

Performed by director Jon Marshall and Steve Collison with magical illusions, comedy, circus skills and puppets, it tells the humorous tale of what happens to the ringmaster’s extravaganza plans after the artistes and elephants fail to arrive and everything has to be left in the calamitous hands of the clowns. Disaster!

His master’s voices: Alan Ayckbourn recorded his audio version of Haunting Julia at home. Picture: Tony Bartholomew

Online ghost play of the season: Alan Ayckbourn’s Haunting Julia, Stephen Joseph Theatre, Scarborough

ALAN Ayckbourn’s 2020 audio version of his ghost play Haunting Julia is being given an afterlife. Originally available at sjt.uk.com/event/1078/haunting_julia until January 5, the winter chiller now will be online until January 31.

Revisiting his 1994 play, Ayckbourn’s audio recording features the voice of the Stephen Joseph Theatre’s 81-year-old director emeritus. Or, rather, the three voices of Ayckbourn, who plays all three parts.

Rufus Wainwright: Songs inspired by middle age, married life, fatherhood, friends, loss, London and Laurel Canyon

Baroque’n’roll gig of the autumn: Rufus Wainwright, York Barbican, October 13

LAUREL Canyon singer-songwriter Rufus Wainwright’s October 27 2020 tour date at York Barbican has moved to October 13 2021. Tickets remain valid for the rearranged date with his new band.

Last July, Wainwright, 47, released his ninth studio album, Unfollow The Rules, his first since 2012. “I consider it my first fully mature album; it is like a bookend to the beginning of my career,” says Rufus, whose fearless, mischievous songs were inspired by middle age, married life, fatherhood, friends, loss, London and Laurel Canyon.

Taking the mic: Omid Djalili looks forward to letting the Good Times roll again

Ready for a laugh: Omid Djalili, The Good Times Tour, Grand Opera House, York, November 10

OMID Djalili cannot wait to be back where he belongs, on stage, after experimenting with a Zoom gig where he was muted by no fewer than 639 people and a drive-in gig when he witnessed one audience member leave his car, attach a hose pipe to his exhaust and feed it through the window.

The British-Iranian stand-up’s 2021 excursions could not have a more positive title: The Good Times Tour. Let’s hope he is right, although who can predict if his shows at Harrogate Theatre on May 6 and Hull City Hall on May 26 will be given the go-ahead.

In his diary too are: Platform Festival, The Old Station, Pocklington, July 22, and Masham Town Hall, September 18 and 19. Oh, and Leeds Town Hall on October 28 in faraway 2022.

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The Snow Queen’s deep freeze stretches to the end of January for SJT film streaming

Polly Lister as the “silly Sorceress” in Nick Lane’s The Snow Queen, the SJT production available for streaming throughout January. Picture: Tony Bartholomew

LOCKDOWN 3 is enforcing a Stay Home policy that consigns theatres to hibernation through the winter chill and maybe beyond.

Until whenever, the arts must be a remote prospect for entertainment, and where better to start than the film version of the Stephen Joseph Theatre’s five-star Christmas show, The Snow Queen.

A sell-out success in the Covid-secure, socially distanced Round auditorium last month, Nick Lane’s one-woman show for Polly Lister lost only its last day (December 31) to Scarborough’s move to Tier 3 status.

If you missed the live performances or want to re-live Lane’s magical, mischievous, moving show, The Snow Queen is available to rent until midnight on January 31. Tickets cost £12 at sjt.uk.com/SJTathome and allow online access for a week.

Lane, audacious inventor of winter wonderlands at the SJT since 2016, had been writing a five-hander version in the manner of past hits Pinocchio, A (Scarborough) Christmas Carol and Alice In Wonderland.

“Nick, could you change it to a one-hander,” asked SJT artistic director Paul Robinson, his regular partner in “sublime not-pantomime” shows for the child in all of us. Yes, he said.

Paul Robinson: Stephen Joseph Theatre artistic director, who directed Polly Lister in Nick Lane’s The Snow Queen. Picture: Tony Bartholomew

“Polly, could you do it as a solo show,” Robinson asked Polly Lister, so memorably “hyper, needy, overbearing, but funny and vulnerable” as Mari Hoff in The Rise And Fall Of Little Voice and “sporty and no-nonsense” as lesbian Di in Di And Viv And Rose in the SJT’s 2017 summer season.

“Yes,” said Polly, who now would be playing multitudinous characters – a Goth raven poet and a grumpy Brummie reindeer among them – rather than merely the icy blast of the Snow Queen.

On board once more too were SJT artistic associate Simon Slater, Scarborough-born composer, lyricist and sound designer; video and lighting wizard Paul Steer; movement and puppetry director Gemma Fairlie and Helen Coyston, the designer for A (Scarborough) Christmas Carol, who decided everything should go with a swing in The Snow Queen.

Nick recalls the Covid-enforced change of tack from a cast of five to a solo show. “I got the call from Paul, when I’d done two drafts of the five-hander, full bells and whistles,” he says.

“He’d already cut it to a cast of four. ‘No problem at all’, I said, but then he said, ‘I’ve had a re-think, we’re going to make it a one-woman show’.

“And while he was explaining his reasoning, having first thought he was joking, I thought, ‘I’ve done two or three one-man shows before; this can work’. But having now done a two-hander Snow Queen at Hull Truck and started on the five-hander for the SJT and now written this solo show version, I don’t want to do another Snow Queen for ten years!”

“You know the story of The Snow Queen. It’s bonkers,” says playwright Nick Lane

Nick revelled in his new task. “You know the story of The Snow Queen: it’s bonkers!” he says. “In order to make it a one-woman show, give it a strong narrative and make it locally relevant, I followed a plot that wasn’t in the play originally, as you don’t just adapt a five-hander into a one-hander, as that would be really lazy.

“It’s ended up being my furthest removed play from the source material. That’s not to say it doesn’t follow Hans Christian Andersen’s story beats, but one of the things about The Snow Queen story is that she’s not in it apart from the beginning and the end, and there’s no explanation about why she did what she did and why she isn’t in the story more, so I’ve found a way to do that.

“At Hull Truck, the two-hander show was all about following the narrative beat and being silly, whereas this version does follow the narrative path but it does meander too.”

A child’s imagination was the key to Nick’s structure. “What a child enjoys is storytelling, which is the first avenue that opens up in a child, but it has to be more imaginative to fill the stage when it’s only one performer,” he says. “It has to be high energy and it must keep pushing the narrative to make the show work.”

Nick recalled meeting up with Polly Lister in 2017 after a Theatre Mill performance of his play Frankenstein Revelations at the York Medical Society premises in Stonegate. “She was with Richard Keightley, who was playing Victor Frankenstein, and we all went to the pub down the street, when she told me she was working on a one-woman play, more serious than mine, about having been a wife.”

Polly says: “Yes, I have form with solo shows. I wrote that one in 2017 for The Dukes theatre in Lancaster. It was called I Was A Wife and was autobiographical – I was a wife but then got ‘sacked’ from that role. By the time I wrote it, I was getting divorced: I got told the locks had been changed.

Viktoria Kay and Zach Lee in Nick Lane’s Frankenstein Revelations, presented at York Medical Society by Theatre Mill in February and March 2017. Picture: Tom Jackson

“It was set in a dressing room and it interrogated my idea of roles, being cast in different roles, with the different characters I’d played taking on the roles in the play.”

Polly, from Didsbury, Manchester, was familiar with Nick’s work. “I’ve been a fan from seeing two of his Christmas shows at Scarborough and that three-hander version of Frankenstein with all his lightness of touch, but a darkness too,” she says.

“So, I’ve wanted to work with him for ages and I was thrilled to be given the chance with The Snow Queen. I love every word of his script!”

A script that takes in not only the Snow Queen and Kai and Gerda from the Hans Christian Andersen story, but the aforementioned Brummie reindeer, the poetic raven and the Snow Queen’s sister, a “silly Sorceress” with Steampunk glasses, in a transformative journey to “the Other Scarborough” that can end only in glory or grief.

“I was allowed to be involved in the show’s creation, workshopping the play with Nick, looking to bring the characters alive, seeing which ones landed and which ones would need to grow,” says Polly.

“Nick never goes for the obvious, and I love the way he creates moods. You will feel sympathy for a character, but he doesn’t spoon-feed you, so nothing is overdone and there’s real pathos.”

In the bleak midwinter: Polly Lister as the Snow Queen in the SJT’s The Snow Queen. Picture: Tony Bartholomew

Once Paul Robinson had made his “brave, cavalier but sensible” decision to go with a solo show, Polly knew she would relish performing in The Round. “I’m familiar with that stage design from the New Vic and the Theatre by the Lake at Keswick, and it’s my favourite way to perform,” she says.

“It feels much more intimate; you are all going on the journey together, and as a performer every angle is on show. You have to live it, breathe it and embody it.

“The ethos goes that once you’ve performed in the round, you’ll never want to perform again in an end-on theatre. The ‘Round’ sets you free.”

One revelation came as a surprise. “Every bit of why I love what I do is because I love being part of a team, so I really don’t like being the centre of attention this much!” says Polly, whose stage career runs to 24 years.

“Having it all rest on me, I’ve not enjoyed previously. On your own on stage, it’s harder work, whereas I love that thrill of uncertainty of sharing a stage, where I know I’m one of those people who knows I can help someone fix it when something goes wrong, bridging the broken dam.

“I feel much freer when I can be the saviour for someone else, but, for The Snow Queen, I just have to save myself.”

You would never sense any such loneliness of the socially distanced actor in Polly’s performance, maybe because she moves so fast between so many characters.

Explosive impact: Polly Lister’s Brummie reindeer in The Snow Queen. Picture: Tony Bartholomew

Polly had a couple of major roles lined up for 2020, in Theresa Hawkins’s adaptation of Angela Carter’s The Company Of Wolves at the New Vic Theatre and Richard Bean’s One Man, Two Guvnors at the Bolton Octagon. “Hopefully, they’ve just been postponed,” she says.

“Once we got over the ‘fear’, I went into a bubble with my parents and started painting, doing a lot of shelves and making wine racks in my flat in Didsbury. I did some little videos of what I’d been doing, and it was really nice to do some work on my flat, with it becoming a nest for the first time.”

2020 still elicited artistic output from Polly, such as an audiobook of The Snow Queen for Hello Out There Productions and playing Beatrice in a Zoom production of Much Ado About Nothing.

“We are the kings and queens of creation, and it’s just in our nature to be creative, whatever the circumstances” says Polly.

Those pandemic circumstances led to the SJT’s one-woman version of The Snow Queen, and you have until January 31 to enjoy actor Lister, director Robinson and writer Lane’s outstanding creativity in the home quiet of Lockdown 3.

Lister act: Polly Lister’s “silly Sorceress”, armed with her Flying Monkey Powder…and the magic dust of Nick Lane’s script for The Snow Queen. Picture: Tony Bartholomew
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Out go Peter Pan and panto play, in comes Luke Adamson, digital stream filmmaker

Luke in the mirror: Luke Adamson as Fanny Wood in his film Five Minutes With Fanny

NORTH Yorkshire actor Luke Adamson is responding to theatre’s lockdown mothballing by setting up a subscription streaming service for his work.

“As the theatres are closed, I’m taking my creativity online to try and earn a living by creating Luke Adamson TV, featuring all-new content written and created by myself.

“In December alone, I’ve created three short films and live-streamed my panto play, Oh No It Isn’t!, and there’ll be at least two new films coming in January.”

Subscriptions to Luke’s streaming service start from only £5 per month and you can sign up at https://www.patreon.com/lukeadamson.

Luke had been playing Tootles in OVO and Maltings Theatre’s Peter Pan – the play, not the pantomime – at the Alban Arena, St Albans, when Hertfordshire’s move into Tier 3 status put paid to that show on December 19 after eight out of 38 performances.

A London production of the award-winning Oh No It Isn’t! had to be called off too. “It was going to have a short run at The Library Theatre in Crystal Palace, a new venue that my friend Joe [co-producer Joseph Lindoe] and I have instigated at the Upper Norwood Library Hub,” says Luke.

“We were supposed to launch the venue in March last year but… well, you know, we’re hopeful to get a full theatre programme up and running there as soon as Covid allows.

“But with the Oh No It Isn’t! run cut off by Covid, we worked our little Christmas socks off to live-stream the piece to YouTube instead.”

Luke Adamson as Tootles, fourth from left, in Peter Pan at the Alban Arena, St Albans, curtailed by Covid Tier 3 restrictions after eight performances in December. Picture copyright: Elliott Franks

Luke’s prior commitment to playing Tootles in St Albans had necessitated employing John Gregor and Sh*t-Faced Shakespeare’s Robbie Capaldi – Luke’s co-star in performances at York Theatre Royal Studio in April 2019 – for the Crystal Palace show.

“I directed the live-stream performance, which we shot there using the library’s live-streaming capability and some equipment hired in at great personal expense,” he says.

Based in London since his drama-school days at the Academy of Live and Recorded Arts in Wandsworth, Selby-born Luke had returned north to play villainous David Leonard’s daft sidekick Useless Eustace in York Theatre Royal’s Jack And The Beanstalk in 2017/2018: a performance that brought him a Great British Pantomime Award nomination no less.

Earlier, he had first appeared in Dame Berwick Kaler’s Theatre Royal pantomimes as a bairn during his Selby childhood, as well as in amateur pantos in Thorpe Willoughby.

Luke drew on those panto experiences, on stage and backstage, to write Oh No It Isn’t!, his humorous and moving account of “the best of [Ugly] sisters on stage but the worst of friends off it”.

“The play is set at the final performance of Cinderella in a moth-eaten regional theatre, where backstage tensions threaten to boil over on stage,” he says. “Will the egotism, one-upmanship and sexual politics remain confined to the dressing room?

“Will the ugly sisters keep the professional professional and the personal personal?
Will we ever find out what happened during Babes In The Wood?”

Oh No It Isn’t! explores the highs and lows of life in the theatre. “Using real anecdotes and stories, it’s an impassioned yet tender love letter to the world of performance,” says Luke.

Slapstick: Luke Adamson, standing, and Robbie Capaldi as the two warring Ugly Sisters in Adamson’s play Oh No It Isn’t at York Theatre Royal Studio in April 201

“It’s something that had been in my head for a while: writing a play set on and off stage, with the dynamic of the calm, graceful swan on stage and the feet paddling frantically off stage to keep everything afloat.

“I wanted to show the effect of the trials and tribulations that go into creating a show. Within three weeks, I wrote it, we rehearsed it and put it on stage, and we ended up getting five-star reviews.”

Oh No It Isn’t! is complemented by three shorter films so far: Five Minutes With Fanny (in reality 15 minutes!); Thoughts From Waterloo Bridge (15 minutes) and Radio Lifebuoy FM (30 minutes).

“I did them pretty much single-handedly,” says Luke. “Having done a diploma in media production at Selby College, I had all the required technical abilities. I’ve been writing scripts since 2010 and acting since, well, forever! So, it was just a case of putting it all together.

“I used my girlfriend’s Canon DSLR to shoot the video; a Zoom H1N recording device to record the audio, and edited it all together on Final Cut Pro. So far, I’ve shot most of them in or around my flat due to lockdown but did manage to shoot Thoughts From Waterloo Bridge on Waterloo Bridge one night before Christmas.”

Luke was able to call on assistance from friends. “Joe was my cameraman and security on Waterloo Bridge and I’ve used music written by my friend and actor Dan Bottomley,” he says. “I’ve also featured small performances from other friends, such as Florence Poskitt and Adam Sowter [York musical double act Fladam] in Radio Lifebuoy FM.”


Five Minutes With Fanny introduces the unsuspecting world to Fanny Wood and her world of Wetherspoons, gender politics and Only Fans. “You discover how she came to be, in this adults-only piece inspired by stories from real Only Fans models,” says Luke, who plays Fanny.

“This 15-minute monologue inspired by Alan Bennett’s Talking Heads gives you a funny, sometimes dark peek into the life of a very unique person.”

Luke Adamson as high-flying city boy Lee in a still from his film Thoughts From Waterloo Bridge

In Thoughts From Waterloo Bridge, high-flying city boy Lee takes up his annual vigil on Waterloo Bridge on Christmas Eve, having escaped the office Christmas party.

“Overlooking the late-night lights of London, he ruminates on the emptiness of his success and wonders when it was that Christmas lost its sparkle,” says Luke.

Radio Lifebuoy FM charts how a local radio DJ’s Christmas goes from bad to worse after his wife kicks him out and he is forced to host the station’s amateur singer call-in competition, We’ve Got The X(Mas) Factor. Will he manage to keep it together until he is off air?

“Inspired by shock-jock Eric Bogosian’s Talk Radio and featuring a host of my talented friends and a sprinkling of favourite festive songs, this is guaranteed to put a smile on your face,” promises Luke.

Explaining how he created his film characters and revealing whether they were based on people he knew, Luke says: “In a way they’re all versions of me, but with licence to be more outrageous, more hilarious, more dark than I would be as myself.

“Fanny, in Five Minutes With Fanny, is a character I’ve been developing for a while. I remember Paul O’Grady once saying he felt much more confident and brave as Lily Savage than he ever did as himself, and that stuck with me, so I was developing Fanny with the plan of taking her on the stand-up circuit but…well, you know.”

Luke continues: “The styles of the pieces vary and are inspired by people I’ve long admired: Victoria Wood, Alan Bennett, (Steve Coogan’s) Alan Partridge, Joe Orton and Harold Pinter.

“I suppose there may be aspects of other people. I’ve always been quite observant and perceptive and I love to poke fun at very human foibles, inspired I suppose by the comedies of Anton Chekhov.”

TV star: Luke Adamson has set up Luke Adamson TV as a way of diversifying his creativity

In one of the pandemic’s more contentious statements, Chancellor Rishi Sunak suggested those working in the arts should look at pursuing alternative careers, but are there ways to diversify within the profession? Like Luke making films, for example?

“I think most jobbing actors have a massively diverse set of skills already, so it isn’t a case of having to restart and diversifying, it’s more refocussing your energies,” he suggests.

“Whereas before I would be writing most days, skimming through the Spotlight Jobs board or Backstage looking for opportunities, I’m now focussing on things that were small-time earners for me in the past: showreel editing (and script/scene writing for them); graphic design (show posters, programmes, flyers, etc); and acting or directing tuition.

“I created Luke Adamson TV as I started creating video content in the first lockdown and people were enjoying it and I thought, ‘well, this is what I’m trained to do and I’ve spent all my life honing this craft; why don’t I try and earn from it while the theatres are closed?’

“So, I upped the production values: writing proper scripts; spending money on new equipment; no more ‘one-take, it’ll do’ improvised stuff. And if only ten people subscribe, that’s £50 a month and it goes towards my food bill at least.”

New year, same Covid stranglehold, how is Luke approaching 2021 after the draining year that has gone before? “Semi-full of gin, my eyes closed, my arms outstretched and my fingers crossed,” he says.

As for his hopes for the year ahead: “To avoid bankruptcy without having to leave the industry.” A sobering final thought indeed.

Luke Adamson: Actor, director, writer, theatre programmer and Academy of Live and Recorded Arts board member

Should you be wondering, “Who is Tootles”, Luke Adamson’s role in Peter Pan?

“Tootles is the humblest of the Lost Boys!” says Luke. “Often described as Peter’s favourite, he’s the one that shoots Wendy with the arrow; defends her when she decides to leave Neverland and return home; becomes the boatswain when Peter takes over the Jolly Roger, and ultimately marries Wendy when they all go back to London and grow up. He’s the most important character, in my opinion.”

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More Things To Do in and around York and at home in 2021, whatever barriers may yet lie ahead. List No 23, courtesy of The Press

Grayson Perry: Two shows in York in 2021; one an exhibition of “Lost Pots” at York Art Gallery, the other, his existentialist gig, A Show For Normal People, at York Barbican

AFTER a year where killjoy Covid-19 re-wrote the arts and events diary over and over again, here comes 2021, when the pandemic will still have a Red Pen influence.

Armed with a pantomime fairy’s magic wand rather than Madame Arcati’s crystal ball from Blithe Spirit, when what we need is a jab in the arm pronto, Charles Hutchinson picks out potential highlights from the New Year ahead that York will start in Tier 3.

Velma Celli: Had planned to present A Brief History Of Drag at Theatre @41 Monkgate in January; now heading online at home instead

Back on screen: Velma Celli, Large & Lit In Lockdown Again, streaming on January 8

AFTER his “Fleshius Creepius” panto villain in York Stage’s Jack And The Beanstalk, Ian Stroughair was planning to pull on his drag rags for a live Velma Celli show in January, and maybe more shows to follow, at his adopted winter home of Theatre @41 Monkgate.

Instead, he writes: “Darlings, as we head back into a lockdown in York, I am back on the streaming! My first show is next Friday at 8pm. I would love you to join me for an hour of camp cabaret fun! Get those requests and shout-outs in!” Tickets for Virtual Velma start at £10 via http://bit.ly/3nVaa4N; expect an online show every Friday from Ian’s new riverside abode.

Shed Seven: Headlining all-Yorkshire bill at The Piece Hall, Halifax, in the summer

Open-air one-off event of the summer: Shed Seven, The Piece Hall, Halifax, June 26

FRESH from releasing live album Another Night, Another Town as a reminder of what everyone has had to miss in 2020, Shed Seven have confirmed their Piece Hall headliner in Halifax has been rearranged for next summer.

The Sheds have picked an all-Yorkshire support bill of Leeds bands The Wedding Present and The Pigeon Detectives and fast-rising fellow York act Skylights. For tickets, go to lunatickets.co.uk or seetickets.com.

Cocktail Party 1989, copyright of Grayson Perry/Victoria Miro, from the Grayson Perry: The Pre-Therapy Years exhibition, opening at CoCA, York Art Gallery, in May

Most anticipated York exhibition of 2021: Grayson Perry: The Pre-Therapy Years, York Art Gallery, May 28 to September 5

CHANNEL 4’s  champion of people’s art in lockdown, Grayson Perry, will present his Covid-crocked 2020 exhibition of “lost pots” at the Centre of Ceramic Art (CoCA) next spring and summer instead.

The Pre-Therapy Years reassembles Perry’s earliest forays into ceramics; 70 “explosive and creative works” he made between 1982 and 1994. Look out too for the potter, painter, TV presenter and social commentator’s existentialist September 6 gig at York Barbican: Grayson Perry: A Show For Normal People, wherein he will “distract you from the very meaninglessness of life in the way only a man in a dress can”.

Chris Moreno: No festive cheer at Christmas, but now he looks forward to presenting The Great Yorkshire Easter Pantomime, Aladdin, on Knavesmire, York, in spring 2021

A pantomime in the spring? Yes, The Great Yorkshire Easter Pantomime in a tent on Knavesmire, York, March 19 to April 11

CHRIS Moreno, director of Three Bears’ Productions four pantomimes at the Grand Opera House from 2016 to 2019, will direct York’s first ever “tentomime”, Aladdin, this spring with a cast of “21 colourful characters”.

The Great Yorkshire Easter Pantomime will be presented in the luxurious, heated Tented Palace, Knavesmire, in a socially distanced configuration compliant with Covid-19 guidance.

The big top will have a capacity of 976 in tiered, cushioned seating, while the stage will span 50 metres, comprising a palace façade, projected scenery and magical special effects. Look out for the flying carpets.

Going solo: Julie Hesmondhalgh in The Greatest Play In The History Of The World at York Theatre Royal from February 16

Falling in love again with theatre: The Love Season at York Theatre Royal, February 14 to April 21

ON December 15, York Theatre Royal announced plans to reopen on St Valentine’s Day for The Love Season, with the audience capacity reduced from 750 to a socially distanced 345.

Full details will be confirmed in the New Year with tickets going on sale on January 8, and that remains the case, says chief executive Tom Bird, after hearing yesterday afternoon’s statement to the House of Commons by Health Secretary Matt Hancock.

“We’re carrying on with our plans, including presenting Coronation Street and Broadchurch actor Julie Hesmondhalgh in husband Ian Kershaw’s one-woman play, The Greatest Play In The History Of The World, from February 16 to 20,” he confirmed.

Van Morrison: A brace of bracing nights at York Barbican in May

Six of the best at York Barbican in 2021

YORK Barbican has remained closed since the March lockdown, foregoing even the UK Snooker Championships in November and December.

A reopening date is yet to be announced but mark these shows in your diary, if only in pencil: Rob Brydon, A Night Of Songs & Laughter, April 14; Jimmy Carr, Terribly Funny, May 2; country duo The Shires, May 23; Van Morrison, May 25 and 26; Paul Weller, June 29, and Rufus Wainwright, Unfollow The Rules Tour, October 13.

Ceramicist Beccy Ridsdel: Looking forward to the 20th anniversary of York Open Studios

Anniversary celebration of the year: York Open Studios, April 17 and 18; 24 and 25, 10am to 5pm

2020 turned into a virtual Open Studios with displays online and in windows, but already 140 artists and makers are confirmed for the 20th anniversary event in the spring when they will show and sell their work within their homes and workspaces.

Many of 2020’s selected artists have deferred their space to 2021, but new additions will be announced soon, the website teases. “We’re channelling the optimism and enthusiasm from all our artists to ensure this year’s 20th show is one of the best,” says event co-founder and ceramicist Beccy Ridsdel.

Dr Delma Tomlin: Administrative director of the 2021 York Early Music Festival, running from July 9 to 17

And what about?

Festivals galore, as always, in the self-anointed “City of Festivals”. Coming up are the Jorvik Viking Festival; York Fashion Week; York Literature Festival; York Early Music Festival; York Festival of Ideas, the Aesthetica Short Film Festival and more besides. 

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A Christmas message from CharlesHutchPress, dear reader

HERE’S to more going out and less staying in in 2021, once the jabs go to work at large.

In the meantime, thank you to all those in the world of arts and culture who have still made it worth running this site by finding ways to entertain, enlighten and excite in 2020 by thinking and acting outside the box, against the odds and the tide of the killjoy pandemic.

Merry Yorkshire Christmas, in whatever minimalist form you will be gathering.

Charles H

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More Things To Do in and around Tier 2 York at little merry Christmas time and beyond. List No. 22, from The Press, York

Blending into the scenery: Alex Weatherhill’s Dame Nanna Trott in an anything-but-smoothie moment in York Stage’s Jack And The Beanstalk. Picture: Kirkpatrick Photography

CHRISTMAS is on the way, in whatever form the Government allows you to wrap it up, but tiers will not be shed in the world of entertainment.

Charles Hutchinson picks his way through what’s on in the days ahead and in 2021 too.

Jessa Liversidge: Celebrating her favourite musical icons of the 1960s, 1970s and 1980s at Sunday’s concert

Nostalgic concert of the week: Jessa Liversidge, Songbirds, Joseph Rowntree Theatre, York, Sunday, 7.30pm

YORK’S unstoppable force for the joy of singing, Jessa Liversidge, will present her celebration of female icons at the reopened JoRo this weekend, accompanied by pianist Malcolm Maddock.

Expect an eclectic mix of vintage pop, musical theatre and comedy from the 1960s, ’70s and ’80s. “One minute I may be in full, high-energy Victoria Wood flow,” she says. “Moments later, I could be totally still, lost in a Kate Bush or Karen Carpenter song, and then I’ll go straight into theatrical mode for Sondheim’s Send In The Clowns.”

Have yourself a medley little Christmas: York Guildhall Orchestra musicians box up their musical gift for you

Home comfort and joy: York Guildhall Orchestra’s Lockdown Christmas Medley, on YouTube

PERFORMED by more than 50 amateur York musicians, all playing in their own home, then seamlessly stitched together for YouTube by John Guy’s technical wizardry, here comes York Guildhall Orchestra’s Christmas Medley.

Arranged by conductor Simon Wright, they keep to the Wright time as they “play together” for the first time since February’s York Barbican concert, medleying their way through Hark!, The Herald Angels Sing, Ding Dong!, Silent Night And We Wish You A Merry Christmas. View their four-minute smile at https://www.youtube.com/watch?v=WuoW6gvkGxk.

Elf and safety: Daisy Dukes Winter Wonderland, the Covid-secure drive-in cinema, parks up at Elvington Airfield tomorrow

Drive-in home for Christmas: Daisy Dukes Winter Wonderland, Elvington Airfield, near York, December 18 to 20

NOT only have Vue York at Clifton Moor and Everyman York, in Blossom Street, reopened but 2020’s socially distanced, car-contained drive-in boom hits the Christmas movie market from tomorrow too.

The apostrophe-shy Daisy Dukes Drive-in Cinema takes over Elvington Airfield for three days to show: December 18, from 12 noon, Frozen 2, Home Alone, Edward Scissorhands and Die Hard; December 19, from 12 noon, Elf, How The Grinch Stole Christmas, Gremlins and Bad Santa; December 20, from 11am, The Polar Express, Home Alone 2, Batman Returns and Love Actually.

Clowning around: Magic Carpet Theatre in Magic Circus

Children’s virtual show of the week outside York: Pocklington Arts Centre presents Magic Carpet Theatre in Magic Circus, from Saturday

POCKLINGTON Arts Centre is to stream Magic Carpet Theatre’s show Magic Circus from 2.30pm on December 19, available on YouTube for up to seven days.

Directed by Jon Marshall with music by Geoff Hardisty and effects by Theatrical Pyrotechnics, this fast-moving hour-long show, full of magical illusions, comedy, circus skills and puppets, tells the humorous tale of what happens to the ringmaster’s extravaganza after the artistes and elephants fail to arrive and everything has to be left in the hands of the clowns. Disaster!

What a Carr-y on: Alan Carr rearranges York Barbican gigs for 2021…and 2022

Who should have been in York this week? Alan Carr: Not Again, Alan!, York Barbican, now re-scheduled

ALAN Carr, comic son of former York City footballer Graham Carr, had been booked in to perform Not Again, Alan! at York Barbican again and again this week, four nights in fact, from Wednesday to Saturday, on his first tour in four years.

Covid kicked all that into touch, but all tickets remain valid for the new dates. December 16 2020 is now in the diary for January 14 2022; December 17 for January 15 2022; December 18 for December 18 2021, and December 19 for the same day next year.

TV and radio presenter Carr will muse on the things that make his life weird and wonderful, from his star-studded wedding day to becoming an accidental anarchist; from fearing for his life at border control to becoming a reluctant farmer. “Three words spring to mind,” he says. “Not again, Alan!”

Crystal clear: Fairfax House raises a glass to a Georgian Christmas in A Season For Giving

Exhibition for the winter: A Season For Giving, Fairfax House, York, running until February 7

THE Christmas installation at the Georgian home of the Terry family, Fairfax House, ironically will not be open from December 21 to January 5, so catch it before then or afterwards (Tuesdays to Sundays, 11am to 4pm).

On a festive journey through the townhouse collections, room by room, magical scene by magical scene, meet Noel Terry for a 1940s’ family Christmas, join a raucous Georgian Christmas dinner party, and much more besides. Visits must be pre-booked.

Having a ball: Amy J Payne, Julia Mariko Smith and Marie Claire Breen in Whistle Stop Opera: Cinderella for Opera North

Opera North at Christmas:  Whistle Stop Opera: Cinderella, ONDemand from today

OPERA North’s Whistle Stop Opera version of Cinderella was booked into the NCEM in York and Pocklington Arts Centre but Covid ruled No Show. Instead, parents and children aged five upwards can enjoy it online at home over the school holidays.

Filmed at Leeds City Varieties Music Hall, John Savournin’s magical musical production stars Marie Claire Breen as Cinderella, Amy J Payne as Prince/Stepmother and Julia Mariko Smith as Fairy Godmother, drawing on various versions of the rags-to-riches tale, such as Rossini’s La Cenerentola, Massenet’s Cendrillon, Pauline Viardot’s operetta Cendrillon and Rodgers and Hammerstein’s musical Cinderella. For more details on how to watch, go to operanorth.co.uk

Braced for it: Van Morrison will play two nights at York Barbican next May

Big-name Irish signings for York Barbican in 2021: Van Morrison, May 25 and 26, and Chris De Burgh and Band, October 15

NORTHERN Irishman Van Morrison, 75, has booked a brace of Barbican gigs for the spring; Southern Irishman Chris De Burgh, will follow him to York next autumn.

In September, Morrison launched three protest songs, one every two weeks, railing against safety measures to prevent the spread of Covid-19: Born To Be Free, As I Walked Out and No More Lockdown. Will he unmask any of them next May? Wait and see.

De Burgh & Band’s only Yorkshire date of The Legend Of Robin Hood & Other Hits tour will support his upcoming album of the same name (except for the Other Hits part, obviously).

Arrowing experience: Chris De Burgh & Band will perform his 2021 tour show, The Legend Of Robin Hood & Other Hits, at York Barbican

And what about?

JUST a reminder, York has two pantomimes on the go: York Theatre Royal’s newly extended Travelling Pantomime tour of the city and York Stage’s “musical with pantomime braces on”, Jack And The Beanstalk, at Theatre @41 Monkgate.

You’ve got to fight for your right to panto: Faye Campbell’s hero takes on Reuben Johnson’s villain in York Theatre Royal’s Travelling Pantomime. Picture: Ant Robling
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Post-Lockdown 2, lights on for More Things To Do in and around York and at home. List No 20, courtesy of The Press, York

Travelling players: York Theatre Royal pantomime stars Robin Simpson’s dame, Faye Williams’ hero, Reuben Johnson’s villain, Anna Soden’s fairy and Josh Benson’s comic. Picture: Ant Robling

EXIT LOCKDOWN 2, enter Tier 2 for York and North Yorkshire, Tier 3 for next-door neighbours The Humber and West Yorkshire.

That means plenty of openings and re-openings for Charles Hutchinson to highlight, but no roads leading to Leeds, Hull or…Pocklington.

The pantomime season in York

NO Dame Berwick Kaler comeback in Dick Turpin Rides Again at the still-closed Grand Opera House, alas, but after two nights at the Theatre Royal this week, York Theatre Royal’s Travelling Pantomime will be making its way around York’s wards until December 23.

Dame for a laugh: Alex Weatherhill’s Dame Trott in York Stage’s Jack And The Beanstalk at Theatre @41 Monkgate, York. Picture: Charlie Kirkpatrick

Audience members will vote for whether they want to see Jack And The Beanstalk, Dick Whittington or Snow White. All performances have sold out but more may yet be added.

Tickets are still available for York Stage’s Jack And The Beanstalk, directed by Nik Briggs and choreographed by West End hotshot Gary Lloyd at Theatre @41 Monkgate from December 11 to January 3. Fans of York drag diva Velma Celli should look out for creator Ian Stroughair’s transformation into baddie Flesh Creep.

The Marian Consort: Live at the NCEM for the York Early Music Christmas Festival and online for York Christmas At Home

Festival at the double for 2020: York Early Christmas Music Festival, National Centre for Early Music, York, December 4 to 12 and York Christmas At Home, December 11 to 13

THE 2020 York Early Music Christmas Festival will be not one, but two festivals, one at the NCEM, the other online. Festive concerts will be performed with Covid-secure safety measures and cabaret-style seating at St Margaret’s Church, Walmgate, York, complemented by a new digital weekend festival.

York Christmas At Home will be streamed from December 11 to 13, with the Yuletide music concerts available on demand throughout the Christmas period until January 6 2021.

Performing live will be Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour. Add The Chiaroscuro Quartet, Matthew Wadsworth and Kate Bennett Wadsworth, Spiritato!, Steven Devine and Stile Antico to that list for the At Home programme.

On your mask, get set, go: Susan Bower’s Christmas Party 2020, newly on show at Kentmere House Gallery, York

Post-Lockdown 2 gallery re-opening: Kentmere House Gallery, Scarcroft Hill, York, from this evening (3/12/2020)

NEW work by Susan Bower, John Thornton and Rosie Dean has arrived at Kentmere House Gallery in good time for Christmas. Ann Petherick will re-open her home art-space tomorrow evening from 6pm to 9pm, followed by weekend opening each Saturday and Sunday until December 20 from 11am to 5pm.

Oils, watercolours, pastels and original prints by 70 British artists are on display, along with books, greetings cards and Christmas cards exclusive to the gallery.

Visits arranged by appointment will be resuming too, on 01904 656507 or 07801 810825 or by emailing ann@kentmerehouse.co.uk.

Climate change: Danny Mellor and Anastasia Benham in Badapple Theatre Company’s The Snow Dancer

Christmas snow: Badapple Theatre Company, in The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm

GREEN Hammerton’s Badapple Theatre revive their 2019 Christmas hit, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.

Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.

Welcome back: Stu Freestone wants a word with you at Say Owt’s December 11 return to live performance

Owt and about again: Say Owt word weavers at The Crescent, York, December 11, 7pm

SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent, re-opening that night with Covid-secure measures and a seated capacity of 60.

Stepping up to the mic will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola.

“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Raby. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves.”

A guided quest with Potions Professor, magical spells and afternoon tea add up to A Very Magical Christmas on the streets of York

New children’s attraction of the week in York: A Very Magical Christmas, York city centre, until January 5

FROM the creators of A Very Magical Adventure comes A Very Magical Christmas: a live interactive theatrical quest with magical spell-casting and a fun, festive afternoon tea with special effects to knock your socks off. Even a visit from old St Nicholas is promised.

The quest will begin at St Michael le Belfrey, where you will meet your guide, the Potions Professor from Old Jacob’s School of Magic, who will teach you how to cast spells and find clues that will lead you to the secret location of the wizard school. For more details, go to averymagicaladventure.co.uk.

A Peter Rabbit Winter Adventure Activity Trail: Solve clues at Beningbrough Hall on various dates in December

Children’s attraction of the week outside York: A Peter Rabbit Winter Adventure Activity Trail, Beninbrough Hall, Beningbrough, near York, December 5 and eight other open days, 10am to 3pm

GRAB a £2 goody bag per child while stocks last, complete with an activity sheet, pencil, certificate, badge and play pack, to embark on a family-friendly Peter Rabbit Winter Adventure Trail in the Beningbrough Hall gardens and grounds.

The task is to solve the clues to help Peter and his friends prepare for the winter ahead, while spotting nature in all its seasonal glory. Expect to find Mrs Tiggy-Winkle, Mr Jeremy Fisher, Flopsy, Mopsy and Cotton-tail before having your photograph taken beside the Peter Rabbit board.

Do check availability of the goody bags before setting off at nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens

Ghost story for Christmas: Alan Ayckbourn has voiced all the roles for the Stephen Joseph Theatre’s audio version of his 1994 play Haunting Julia. Picture: Tony Bartholomew

And what about?

TUNE into Alan Ayckbourn’s ghost story for a winter chill, his 1994 play Haunting Julia, in an audio version for the Stephen Joseph Theatre, Scarborough, with all three roles voiced by Ayckbourn, at  sjt.uk.com/event/1078/haunting_julia until January 5.

Don’t miss the SJT’s Christmas show, Nick Lane’s one-woman version of The Snow Queen, starring Polly Lister at some shows, Jacoba Williams at others, from December 7 to 31.

York Barbican has been busy booking shows for 2021: artist and TV presenter Grayson Perry’s existentialist distraction from the very meaningless of life, A Show For Normal People, September 6;  London indie-pop trio Scouting For Girls, October 10; astronaut Tim Peake’s Journey Into The Unknown, November 2, and comedian Sarah Millican’s Bobby Dazzler, November 12 and 13.

“You’ll leave safe and warm in the knowledge that nothing really matters anyway,” promises Grayson Perry
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Stephen Joseph Theatre ready to open Christmas Selection Box of festive films

The Stephen Joseph Theatre’s artwork for the Christmas Selection Box film season

THE Stephen Joseph Theatre, Scarborough, will unwrap a Christmas Selection Box of festive screen favourites from December 15 to 24.

The mini-festival of films and show recordings for all ages will feature the Royal Opera House’s The Nutcracker; It’s A Wonderful Life; Die Hard; Love Actually; Home Alone and The Muppet Christmas Carol.  

Presented on the McCarthy screen at the former Odeon cinema, the screenings will be OC (open captioned), where stated.

The Christmas Selection Box comprises:

The Royal Opera House’s 2016 production of The Nutcracker

The Nutcracker, Royal Opera House, recorded in 2016, December 15, 6.30pm; December 17, 1.30pm

PETER Wright’s interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by the Royal Ballet in 1984.

Filmed in 2016, this charming and magical production of Lev Ivanov’s 1892 ballet, combined with Tchaikovsky’s sumptuous, iconic score, are presented in a festive period setting with vivid designs.

James Stewart and Donna Reed in It’s A Wonderful Life

It’s A Wonderful Life (1946), December 16, 6.30pm, and December 18, 1.30pm

JAMES Stewart, Donna Reed, Lionel Barrymore and Henry Travers, as Clarence the angel, star in Frank Capra’s classic festive fantasy, considered by many to be the greatest Christmas film ever.

Bruce Willis lighting up Die Hard

Die Hard (1988), December 17 at 6.30pm; December 18 at 6.30pm; December 19 at 1.30pm (OC)

JOHN McTiernan’s action thriller is the ultimate “Is it or isn’t it a Christmas movie?”. Definitely it transformed Alan Rickman from a British stage actor into a top-notch international screen villain, starring alongside Bruce Willis, Alexander Godunov and Bonnie Bedelia in a wild romp around Los Angeles’s Nakatomi Plaza on Christmas Eve.

Bill Nighy in Love Actually

Love Actually (2003), December 19, 6.30pm; December 21, 6.30pm

THERE are stellar casts…and there are stellar casts. Love Actually finds room for Bill Nighy; Colin Firth; Liam Neeson; Emma Thompson; Martin Freeman; Joanna Page; Chiwetel Ejiofor…

…Hugh Grant; Martine McCutcheon; Andrew Lincoln; Nina Sosanya; Julia Davis, Alan Rickman and Adam Godley. Even Ant and Dec sneak in there.

Then accommodate cameos from Billy Bob Thornton, January Jones and Jeanne Moreau, and it must be one of the starriest movies ever.

Macaulay Culkin in Home Alone

Home Alone (1990), 30th anniversary screenings, December 21, 1.30pm; December 22, 6.30pm; December 23, 1.30pm

SCHITT’S Creek fans will enjoy seeing a young Catherine O’Hara as Kate, trying desperately to return home to her eight-year-old son Kevin (Macaulay Culkin), who has been left – yes – home alone and apparently at the mercy of two ruthless burglars, played by Joe Pesci and Daniel Stern. Guess who comes out on top!

Michael Caine as Scrooge with Kermit and co in The Muppet Christmas Carol

The Muppet Christmas Carol (1992), December 22, 1.30pm; December 23, 6.30pm; December 24, 1.30pm

IT should not work, but it does: the Muppets’ take on the Dickens Christmas story sees Michael Caine’s Scrooge meet his match in Kermit and Robin the Frogs’ Bob Cratchit and Tiny Tim, alongside all the familiar Muppet characters. It all adds up to the perfect introduction to a perennial favourite for younger members of the family.

Tickets can be booked at sjt.uk.com/whatson or on 01723 370541 (Tuesday to Saturday, 12 noon to 5pm, or to 8pm on days with live performances, for both phone calls and in-person bookings).  

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In a nutshell…

YORK, Scarborough, Harrogate and North Yorkshire will be in Tier 2 from the end of Lockdown 2.

South and West Yorkshire and the Humber are doomed to Tier 3.

CharlesHutchPress will keep an eye on the impact on the arts: what’s on, what’s off, what’s what, in York and beyond.

As for London, the most densely populated city in the UK? Tier 2. What a surprise. The North-South divide rolls on…

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Scarborough Museums Trust’s lockdown digital commissions stay at home online

Estabrak’s Homecoming: A Placeless Place

SCARBOROUGH Museums Trust’s lockdown-launched series of New Digital Commissions from leading British artists is complete and available online.

The project was introduced by the trust in response to the first lockdown in March as a “dynamic new approach to its collections, learning and exhibition programming during the Coronavirus crisis”.

Key to the series was a commitment to diversity, inclusion and equality of access and innovative ways to promote this message. A diverse range of artists – Lucy Carruthers, Estabrak, Kirsty Harris, Wanja Kimani, Jade Montserrat, Jane Poulton and Feral Practice’s Fiona MacDonald – created digital artworks for release online over the spring and summer across social-media platforms.

Lucy Carruthers’ Animal Archives. Copyright: Scarborough Museums Trust

Trust chief executive Andrew Clay says: “It’s been so important this year for people to have access to the arts and culture: for many people, they’re a thought-provoking lifeline and have a proven positive effect on our mental health.”

Curator Dorcas Taylor says: “Museums and galleries have a social responsibility to support communities, now more than ever before. We can provide a platform for creative expression that enables artists to share their messages to communities in lockdown. Their artworks can support personal wellbeing or become an opportunity to consider some of these wider issues.”

Scarborough Museums Trust has provided a range of access tools to accompany the digital content to support as many people as possible to connect. Among them have been visual guides, in the form of “social stories”, by Scarborough illustrator Savannah Storm that give audiences downloadable information on what to expect before accessing digital content. Subtitles and audio descriptions have been used wherever possible.

Kirsty Harris’s Whispers From The Museum. Copyright: Scarborough Museums Trust

The New Digital Commissions all can be found on YouTube at http://bit.ly/SMTrustNDC, other than Jane Poulton and Kirsty Harris’s projects at https://www.scarboroughmuseumstrust.com/stardust/ and www.scarboroughmuseumstrust.com/learning/family-resources/ respectively.

Lucy Carruthers’ film, Animal Archives: Rewilding The Museum explores how we forge connections at a time of distancing. Interested in the relationship between inside and outside, all the more pertinent during lockdown, she asks how social isolation affects museum objects.

Estabrak’s Homecoming: A Placeless Place is a multi-layered touring and participatory project that uses community engagement, film, sound and paint for cross-cultural exchanges around home, identity, and displacement.

Jade Montserrat made a film with filmmakers Webb-Ellis for the New Digital Commissions project

It started in 2019 in Brighton and Hull and saw the social experiment, which invites honest expression and participation through ultraviolet light, invisible ink and dark spaces, introduced digitally to communities in Scarborough. 

Kirsty Harris created Whispers From The Museum, a six-part online and immersive adventure for children and families, inviting them to read George’s logbook, discover amazing museum objects and take part in art and craft activities. 

Wanja Kimani made a film, Butterfly, that follows a walk from a child’s eye view as she spent more time noticing the world around her and sensory experiences became amplified.

A still from Wanja Kimani’s film Butterfly

Jade Montserrat produced a film with filmmakers Webb-Ellis that explores the impact of lockdown and chronicles the process of making, and new ways of being, that encourage mutual support and acts of care.

Jane Poulton produced a series of photographs and text called From Stardust To Stardust, focusing on personal objects she owns as she considers whether those that mean the most to us are often acquired at times of crisis and what comfort they may bring. 

Feral Practice’s film, The Unseesables, explores themes of extinction by focusing on three “unseeable” birds: the great bustard, the corncrake and the great auk. Examples of all three can be found in the trust’s taxidermy collection.

A still from Feral Practice’s film The Unseeables

What next?

Some of the New Digital Commissions artists will be participating in What If? at Scarborough Art Gallery and the Rotunda from April 24 to August 30 2021.

Next year’s exhibition will explore “the civic responsibility of museums and their collections and how we could introduce wider narratives into our spaces to make our institutions relevant to both the world and our local community”. 

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