Paul Winn: Co-director of York Blues Festival, blues radio presenter, promoter of Ryedale Blues Club and York Blues Club and manager and member of York band DC Blues
THE 2nd York Blues Festival will be held on Saturday, July 24 at The Crescent community venue, York.
This event was planned originally for April 4 last year and then rescheduled several times as the pandemic ground on. “All being well, fourth time lucky we can go ahead and bring you a day of fantastic blues in the great city of York,” say festival organisers Paul Winn and Ben Darwin.
No strangers to the British blues scene, they present Blues From The Ouse on Jorvik Radio and are members of York band DC Blues.
Winn-Darwin situation: Paul Winn and Ben Darwin confirm the line up for their 2nd York Blues Festival
Winn and Darwin have booked a festival bill of Robbie Reay; The Swamp Hoppers; Dori & The Outlaws; John Carroll; Dr Bob & The Bluesmakers; DC Blues and Nick Steed Five.
Doors will open at 12.30pm; Robbie Reay will kick-start the live music at 1pm and the festival day will close at 11pm. Tickets cost £12.50 in advance (£15 on the door), available from yorkbluesfestival.co.uk and thecrescentyork.com or from Earworm Records, Powells Yard, Goodramgate, York, earwormrecords.co.uk.
“The first event in 2019 was a huge success and was completely sold out,” say Winn and Darwin. “So, if you fancy a full day of blues, we strongly recommend getting your tickets in advance to avoid disappointment.”
Eboracum Baroque: Not only here for the beer on Saturday
YORK ensemble Eboracum Baroque are teaming up with Calverley’s Brewery for a rowdy YouTube and Facebook concert on Saturday (20/3/2021) at 7pm.
“It’s called Purcell And A Pint and is a virtual 17th century pub gig with catches, folk tunes and broadside ballads with a bit of beer tasting in the interval too,” says director and trumpet player Chris Parsons.
“It should be good fun and we hope audiences will be able to sing along at home for some of the programme.”
Eboracum Baroque’s collaboration with the Cambridge brewers will transport Saturday’s audience back to the alehouses of 17th century England for a night of rowdy drinking songs, popular fiddle tunes and folk songs that would have been performed in taverns across the British Isles.
“Have your drinks at the ready and join us for a good sing-song,” says Chris. “We’re delighted to be joined by Calverley’s Brewery, who will present a beer-tasting interval, readying us for the pubs re-opening later this year.”
Among the highlights of the The Purcell And A Pint programme will be I Gave Her Cakes And Ale, Your Hay It Is Mow’d from King Arthur and The Jovial Broom Man and other classic folk tunes of the 17th Century.
“Henry Purcell (1659-1695)was notorious for liking a trip to the pub,” says Chris. “One story about Purcell’s death goes that he was late home from a rather heavy night and his wife locked him out and he succumbed to the cold.
“His bawdy catches and well-known broadside ballads would have been popular tunes to sing when having a pint. The raucous surroundings overflowed with music, alcohol, sex, gossip, fights, fumes, shouting, singing, laughing, dancing…our performance won’t have all of those!”
Eboracum Baroque’s poster for Saturday’s virtual concert
Taking part in Saturday’s concert alongside Chris will be baritone John Holland Avery; tenors Nils Greenhow and Gareth Edmunds; violinist Kirsty Main; recorder player Miriam Monaghan; cellist Miri Nohl and harpsichordist Seb Gillot, with audio and video editing by David Sims.
Looking ahead, Eboracum Baroque are to host Story Orchestra: Four Seasons In One Day, an online project for primary schools launched by the National Centre for Early Music, York, with funding from East Riding Music Hub.
“We’re really excited to be collaborating with the NCEM,” says Chris of a project that is suitable both for pupils who are in school or those learning from home.
This specially created work, based on the book The Story Orchestra: Four Seasons In One Day, illustrated by Jessica Courtney-Tickle, revolves around a live-streamed performance broadcast from the NCEM’s home, at St Margaret’s Church, Walmgate, on Tuesday, March 23 at 2pm.
The performance will be available to download from ncem.co.uk and can be accessed to watch again until Friday, May 28, and it will be accompanied by a raft of resources and activities, such as arts, crafts, drawing and painting.
Purcell And A Pint will be premiered on youtube.com/eboracumbaroque and facebook.com/eboracumbaroque on March 20 from 7pm to 8.30pm. For online tickets, go to:http://eboracumbaroque.co.uk/event/purcell-and-a-pint/
Tickets for the March 23 livestream cost £15 for a standard ticket for the whole school, £10 for East Riding schools, and can be booked at: http://www.ncem.co.uk/story-orchestra-project/
Field work: Actor Mick Liversidge and singer Jessa Liversidge take the country air
EASINGWOLD singer Jessa Liversidge and husband actor Mick Liversidge will present the Fields & Lanes Livestream show from Helmsley Arts Centre tomorrow night (13/3/2021).
“Mick and I have been working on a collaborative project with the arts centre all about engaging communities creatively,” says community singing leader and music tutor Jessa. “Now, we’ve recruited some more field singers and outdoor performers to join us virtually for our performance at 7.30pm.”
Since the first Coronavirus pandemic lockdown in March 2020, Jessa and Mick have taken to performing outside to lift spirits and cheer those stuck inside. While Jessa sings in fields, Mick recites poetry down country lanes, and together they have devised Fields & Lanes, a celebration of poetry and song as well a celebration of the great outdoors.
Mick and Jessa perform with no accompaniment, their sincere and heartfelt delivery letting the poems and songs speak for themselves.
Last Saturday, Jessa notched her 50th “field sing”: a Saturday morning routine for the past 50 weeks wherein she “gets up and performs a song outdoors”.
“I might delay the field sing a bit if it’s snowing or raining, or I’ll shelter under a tree, but I find doing these songs really beneficial for me; doing it every week, having that fixed in my diary, knowing I need to do it on a Saturday morning,” Jessa says.
Mick, a professional actor on stage and screen for six years, and Jessa also performed a socially distanced Fields & Lanes Under The Willow Tree at Easingwold Community Library on a September Sunday afternoon and for Joseph Rowntree Theatre volunteers when testing the York theatre’s Covid-safety regime last October.
Mick LIversidge recording one of his Fields & Lanes poems in lockdown
Buoyed by the response to their outdoor pursuits, Jessa and Mick teamed up with Helmsley Arts Centre (HAC) to offer the Ryedale and wider community the chance to join the Fields & Lanes family in remote workshops.
“You will have the chance to develop singing or recitation skills and work towards your own pre-recorded performance, which will be featured in the livestream Fields & Lanes show on March 13,” read the invitation to recruits on the HAC website.
Places were strictly limited, enabling Jessa and Mick to work with both small groups and individuals on February 27 and March 6. Participants also received support, feedback and guidance from Jessa or Mick in between sessions and they are entitled to a gratis ticket for tomorrow’s livestream.
“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa. “We’ve enjoyed everything that comes with performing in the open air: the bird song, the fields, the winds, and we wanted to help others take part and feel the benefits.
“We’re thrilled to be working with Helmsley Arts Centre, who have provided the funding for a project to demonstrate how music and poetry can connect the community through creativity, and we’re delighted with the wide range of performers who have joined us, from seasoned professional performers to hobby singers and poets.
“In the workshops and individual sessions over the two weekends, we’ve worked on field singing and outdoor recitation techniques and created some collaborative performances. As a result, members of these groups will be appearing with us in the livestream via pre-recorded video.”
Tomorrow’s livestream viewers can expect a wide-ranging show featuring poetry from William Wordsworth to Spike Milligan, Lord Byron to D H Lawrence, and songs from folk standards to pop favourites and gospel classics, The Beatles to Bill Withers, Cilla Black to Carole King.
Poetry collaborators in tomorrow’s livestream are Bill Laverick, Helen Wilson and Maurice Crichton, from York Shakespeare Project and York Settlement Community Players, and Ted Naisbitt, from Sowerby, near Thirsk, performing one of his own poems, My Lakes, inspired by Wordsworth.
Helen Wilson, performing at last summer’s Sitdown Sonnets, presented by York Shakespeare Project at Holy Trinity Church, Goodramgate, York. Tomorrow she is taking part in the Fields & Lanes livestream
Mick worked with Bill, Helen, Maurice and Ted, each taking a verse from Wordsworth’s Daffodils and Sir John Betjeman’s Business Girls, reciting both on Zoom and in the open air.
New field singers taking part are Sinead Livingston, Mary Bourne, Madeleine Cordes, Gary Cordes, Cat Ellis, Caitlin Ellis, Sarah Boyle and Bill Laverick.
“They’re spread across the country from Essex to the North East,” says Jessa. “One of the positives of these times has been being able to work with people from all over the place!
“Sinead, Mary and Madeleine are all singing leaders, who I’ve been liaising with over the past year, all liking the idea of singing outside, and it’s been really great to have such high-quality people to work with.
“Mary runs choirs in Kingston and writes songs, and she’s been a friend for a couple of years. We’ve recorded a duet called My Call, where I recorded my part outside and as she’s ‘Choir Leader In A Kayak’, she’s done her part from a kayak.”
Introducing more of tomorrow’s remote singers, Jessa says: “Cat and Caitlin are a mother and daughter from Easingwold; Cat is in one of my choirs and I teach Caitlin. Sarah Boyle is a ‘hobby singer’ from York who’s joined one of my choirs, and Madeleine and Gary Cordes run a talent agency in Essex.
“In the first workshop, we did Stand By Me and The Water Is Wide, with me editing the virtual performances together and then last Saturday we worked on individual song choices.”
For tomorrow’s livestream, “bubble couple” Mick and Jessa will be performing live and alone in Helmsley Arts Centre, where the pre-recorded songs and poems will be projected on a screen.
“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa
The 7.30pm show marks a return to Helmsley Arts Centre for Jessa, after performing three of her one-woman shows there: ’Til The Boys Come Home, Some Enchanted Sondheim and Songbirds.
She has been a freelance singer and singing leader for the past 12 years, completing high-level training on performance, singing teaching and musical direction with Vocal Process and qualifying as a Vocal Health First Aider.
“From youth choirs and dementia-friendly groups to community choirs and private lessons, my sessions all have an encouraging atmosphere and a positive, inclusive ethos,” she says.
“I’m continuing to run my singing groups online – Singing For All and Community Singers Online, as well as the live YMHSing sessions for the York Music Hub – and I’m always looking for more singers of all abilities to join in.
“One new singer recently said, ‘you fill the screen with fun and enjoyment’ and I’d love to reach a few more of these people.”
As testament to her teaching skills, Jessa has been nominated for two 2021 Music and Drama Education awards on March 24 for her inspiring work with singers of all ages in the Covid-19 pandemic.
“Quite an honour and a big surprise!” she says. “I’ve no expectations of winning but will glam up and tune into the ceremony on the 24th anyway!”
Jessa is shortlisted for the #goldstars Award, for any teacher who has shown particular flair, creativity or compassion during this past year, and the Francesca Honley Inspiration Award, which honours an individual who has had a hugely inspirational impact on students of any age in their music-making.
Outdoor pursuits: Mick Liversidge and Jessa Liversidge head out for a song and a poem in the Yorkshire air
“The person who nominated me mentioned the wide range of ways I have adapted and created different ways of inspiring people of all ages through singing, including the live sings and Zoom choirs for York Music Hub, song and music videos, live singing for all and field sings,” says Jessa, as she looks forward to listening to the 6pm online ceremony at https://www.musicdramaedawards.com/.
Looking ahead, Jessa says: “I’m definitely going to continue with the choirs online. I even have participants from Milton Keynes, Rochdale, Bedfordshire, and I’ve been able to engage in various ways, along with continuing my ‘real’ groups.
“I feel loyal to them all, so when lockdown eases under the Government ‘roadmap’, I’ll do hybrid ‘Room and Zoom’ sessions. I did one in October, which I enjoyed, though it is quite exhausting trying to do two things at once!”
Reflecting on 12 months under the pandemic cloud, Jessa says: “I’m really happy with the way I’ve managed to grow and create this past year despite everything, or actually out of necessity due to everything.
“I’ve developed a lot of skills, like a lot of people like me have. I’ve really enjoyed it, picking up technical skills, such as learning how to synch up people singing separately for streaming. It’s quite time consuming but I think it’s worth it, recording people standing alone in a field but then seeing themselves in a group online.”
Jessa is proof positive that singing is good for the soul, for physical health, for mental wellbeing. “Singing just lifts you and takes you somewhere else,” she says in her break from her online “three hat day” for this interview.
“Singing keeps me going. Today [8/3/2021] I’m running a Singing For All session; teaching a couple of pupils and doing a York Music Hub session at four o’clock, so I’ll be buoyant all day!”
All the Fields & Lanes poems and songs performed by Mick and Jessa outdoors can be found at the Fields & Lanes Facebook page, https://www.facebook.com/fieldsandlanes/.
On song: Phil Grainger in a recording session for Half Man//Half Bull
THE Flanagan Collective and Gobbledigook Theatre had to cut short their 18-month international tour last March, the pandemic forcing Alexander Wright and Phil Grainger to fly back to North Yorkshire from Australasia.
A year later, however, a brand-new work, created in tandem with fellow theatre-maker Oliver Tilney, arrives in the form of Half Man//Half Bull, a narrative-led double album of two ancient myths and 20 original tracks to be “experienced at home”.
Fusing spoken word, electronica and soul, Half Man//Half Bull retells the interlinking myths of Theseus & The Minotaur and Daedalus & Icarus, presented in a listening pack designed by Lydia Denno that will be sent out in the post.
“We wanted people to be able to hold a beautiful piece of art in their hand, like holding an album cover, so Lydia’s artwork is part of the whole experience,” says Alex. “We also want people to carve out a bit of proper time to really listen to the work, rather than listening to it for the first time when you’re doing the washing-up or while you’re cooking.
“We’re also asking you to reach out to connect with other people by sending out postcards, and there are four cards from the listening pack to hide around your community too. You could even give someone a call, knock on someone’s door and say hello.
“The two stories say a lot about isolation, so it feels good to do something that’s an antidote to that. We didn’t set out to tell a story about this time of Covid lockdowns, but it just seems to have seeped into it.”
Lydia Denno’s artwork for Half Man//Half Bull
Over the past few years, Alex and Phil, friends since Easingwold schooldays, have taken their international award-winning shows Orpheus, Eurydice and The Gods The Gods The Gods to packed rooms across Britain, Australia, New Zealand, Bali and New York, performing an enthralling, electrifying brand of spoken word and live music.
Once back home, they teamed up with long-time collaborator Oliver Tilney – he played Jay Gatsby in Wright’s adaptation of The Great Gatsby for the Guild Of Misrule at 41 Monkgate, York, in 2016 – to create Half Man//Half Bull.
“From the get-go, we wanted to make a new piece of work that wasn’t contingent on being performed live,” says Oliver, who first brought the idea to Alex and Phil last June. “We didn’t want a watered-down version of something to give to audiences; we wanted to create a new piece of work in its correct form. For us, that form is a double narrative-led album.”
Oliver set about reading various Greek myths, seeking a way to connect two together. “The ones we’ve chosen are about becoming a parent; one is about a father loving a son, the other about a son loving a father,” he says.
“Most people don’t carry any sympathy for Icarus, thinking he’s rather brash, but I thought, ‘no, let’s make these characters human’.”
Alex, Phil and Oliver began work on Half Man//Half Bull on Zoom, but lockdown easement then enabled work to develop in Covid-safe conditions, both in Stillington in Alex’s studio at The Mill last October and at Crooked Room Studio in Strensall, York.
Oliver Tilney at work on Half Man//Half Bull
“There was a moment I recall where Ollie’s daughter was in a push chair and I was writing these ditties, and Ollie’s lyrics were so clearly coming from his experience of being a dad,” says Phil.
“More than before, the writing was a mixture of all three of us. With Orpheus, it was very clear that I wrote the music and Alex, the lyrics, but for The Gods The Gods The Gods, there were a couple of songs where Alex came up with the melody.
“Whereas with this project, we’ve all stuck our noses into all of it. Ollie and Alex were writing the first drafts of ideas, while I was building some benches at Alex’s mill. Then I came up with a few bits of guitar, but once that had been done and they’d come up with the skeleton of the stories, we fleshed everything out, with everyone coming up with lyrics and me writing tunes. We all pushed ourselves more than ever.”
Alex rejoins: “We’re lucky that we’ve all known each other and worked together for so long, so it never felt like we needed to define who was doing what, or who was in charge. It just felt organic.”
The trio have partnered up with 15 organisations to bring the idea to life, among them the Stephen Joseph Theatre, Scarborough, Theatr Clwyd, Leeds company Slung Low, Rural Arts, Thirsk, and The Barn Theatre, their involvement affirming the appetite for this type of work.
Alex says: “We started talking with our brilliant pals at Streatham Space Project [a project that Oliver was involved in setting up], where we managed to bring a socially distanced version of Eurydice in September. It quickly became clear there would be an appetite for a theatre, or an organisation, to be able to deliver content to their audience while people couldn’t gather in a more traditional setting.”
Oliver adds: “Those 15 theatres and organisations around the country are helping us by each agreeing to distribute 100 copies, so that means we’ve pre-sold 1,500 copies, either to be given away to pockets of the community they want to contact through outreach work, or for some to be put on sale through the venues.”
Alexander Flanagan Wright and Phil Grainger on their travels, cut short by the need to head home last March
An Arts Council Project Grant allowed the Half Man//Half Bull team to grow: the trio have collaborated with producers, designers and host of musicians to realise this project, alongside the family of theatres, venues and partner organisations.
After years of touring, lockdown has provided a longer opportunity to create and develop, says Phil. “Alex and I have been writing and touring shows for a while, with an ambition to grow our sound. This felt like a great opportunity to work with more people, collaborate with more artists and, crucially, create some work for as many freelancers as we could afford,” he explains.
That team includes Aminita Francis, from BAC BeatBox Collective, as Theseus; Zimbabwean-born musician Tendaii Sitima, as Daedalus; designer Lydia Denno; music producer Isaac McInnis and project producer Charlotte Bath.
“We were also able to spend a lot of time at Crooked Room Studio working with Isaac McInnis, which really helped grow the sound,” says Phil. “It’s crucial that as this is an audio project, that it sounds flipping great.”
Lockdown 3 was imposed just as Alex, Phil and Oliver were part-way through the last recording session. “But because we were already ‘bubbled up, we were already in the right place to allows us to continue,” says Alex.
“It was lucky that we could continue unimpeded,” says Phil. “Pretty much everyone else, apart from our producer Isaac, was able to send us their parts, recording in their own homes or on Zoom.”
Phil Grainger and Alexander Flanagan Wright last August when The Flanagan Collective and Gobbledigook Theatre presented a week of socially distanced shows in Alex’s back garden at The Mill, Stillington, including Orpheus and Eurydice
Billed as “an epic storytelling adventure for our time”, Half Man//Half Bull is designed expressly as an At-Home experience. “For a project that is an album, a listening experience, something you do with your ears, we were really clear we didn’t want to make a cast recording of something that already existed; it had to be something that stood in its own right,” says Alex.
“For the vast majority of musicians and creative people, they are hard-wired to connect with other people, preferably gathered in one room, but this had to be different – though it does feel odd that we can’t all be together to launch it!”
Instead, Half Man//Half Bull is a form of home service. “If you buy it, you’ll get a physical pack through your door with artwork, listening instructions and an invitation to step back out into the real world,” says Alex.
“Normally we would be thinking about the physical space we’re performing a show in, but this time it’s a listening experience designed for people’s homes.”
Yet might Half Man//Half Bull be turned into a live performance? “While we were writing the album, we had a catchphrase that we banned each other from saying: ‘When we do the live show’,” recalls Oliver. “Instead, we concentrated on the album, but having worked together for so many years, we all have ambitions to do it live.
“We haven’t had many conversations yet, just touched on a few ideas so far, because our focus has been on the album.”
For further information and to buy the albums, go to: halfmanhalfbull.com.
Alexander Flanagan Wright during the making of Half Man//Half Bull
Bethany, from York artist Sue Clayton’s exhibition for World Down Syndrome Day, on show outside All Saints Church, Pocklington
THE diary is beginning to turn from blank to much more promising, even if online and home entertainment is still the order of the day, but Charles Hutchinson is feeling positive and so are event organisers.
Outdoor exhibition for World Down Syndrome Day: Sue Clayton, 21, All Saints Church, Pocklington, March 19 to April 19
YORK portrait artist Sue Clayton will celebrate World Down Syndrome Day (WDSD) on March 21 with a month-long open-air exhibition on the railings of All Saints Church in Pocklington.
Self Portrait, by York artist Sue Clayton
Her collection of 21 portraits is inspired by children and adults with Down Syndrome, especially Sue’s energetic son James. She has chosen the theme of 21 both to mark the date of WDSD and to symbolise the extra 21st chromosome that people with Down Syndrome have.
This is the second outdoor display to be staged by Pocklington Arts Centre (PAC) in lockdown at this location after fellow York artist Karen Winship’s NHS Heroes exhibition from late November to early January.
Iestyn Davies: York countertenor will perform at the NCEM’s Awaken online concert series
Springtime celebration of music online: Awaken, National Centre for Early Music, York, March 27 and 28
THE NCEM’s Awaken weekend will feature York countertenor Iestyn Davies and Fretwork, the all-male vocal group The Gesualdo Six, I Fagiolini and the English Cornett & Sackbut Ensemble, Ensemble Augelletti and The Consone Quartet.
The online festivities will celebrate the sublime sounds of spring in a range of historic venues to mark “the unique association between the City of York and the exquisite beauty of the music of the past”. Among the architectural gems will be Holy Trinity Church, Goodramgate, St Olave’s Church, Marygate, the Merchant Adventurers’ Hall and the NCEM. Full details can be found at ncem.co.uk/awaken.
The Minster men: The Howl & The Hum promote their livestreamed concert at York Minster in the ultimate publicity shot for any York band
“Unique” livestreamed concert: The Howl & The Hum, York Minster, May 25
YORK alternative rock band The Howl & The Hum will perform a “unique set to compliment the unique venue” of the Nave of York Minster in a one-off 8.15pm concert livestreamed via ticket.co.
Singer, songwriter and guitarist Sam Griffiths, bassist Brad Blackwell, guitarist Conor Hirons and drummer Jack Williams will combine selections from last May’s prescient album Human Contact with fan favourites and new material recorded in lockdown.
The Howl & The Hum will be the first rock act to play York Minster since York singer-songwriter Benjamin Francis Leftwich on March 29 2019. Tickets are on sale via thehowlandthehum.com/.
Wynne win situation: Castle Howard Proms will go ahead this summer with tenor soloist Wynne Evans
Confirmed for the summertime: Castle Howard Concerts Weekend, August 20 to 22
CASTLE Howard has announced this summer’s concerts weekend will go ahead, in light of the Government’s roadmap rollout.
First up, in the open air at the North Yorkshire country house, will be house music brand Café Mambo Ibiza on August 20, presenting Roger Sanchez, Judge Jules, Julie McKnight (live PA), Ridney and Robin S (live PA), with more big names still to be announced for the Ibiza Classics at the Castle celebration.
Welsh tenor Wynne Evans, from the Go Compare adverts, will be joined by soprano Victoria Joyce and the London Gala Orchestra for the al fresco Castle Howard Proms on August 21.
Four vocalists from We Will Rock You, a five-piece rock band and The Elysium Orchestra will combine for Queen Symphonic on August 22. Box office: castlehoward.co.uk.
Piece in our time at last: Shed Seven move all-Yorkshire bill at The Piece Hall yet again, now in the diary for August 28
Sheds on the move: Shed Seven, The Piece Hall, Halifax, August 28
YORK heroes Shed Seven’s all-Yorkshire bill at The Piece Hall, Halifax, is being rescheduled for a third time, now booked in for August 28.
Joining the Sheds that West Yorkshire day will be Leeds bands The Pigeon Detectives and The Wedding Present and Leeds United-supporting York group Skylights, plus the Brighton Beach DJs.
August 28? Doesn’t that clash with Leeds Festival, co-headlined that day by Stormzy and Catfish And The Bottlemen? Indeed so, but “let’s just say our fans are not their demographic,” quips lead singer Rick Witter.
Shoe-in: Julie Hesmondhalgh in The Greatest Play In The History Of The World…, playing the SJT this spring
The Greatest News In The History Of The World…The Greatest Play In The History Of The World…tour to open in Scarborough from May 18 to 22
THE Stephen Joseph Theatre’s Covid-safe reopening show will be the first tour dates of The Greatest Play In The History Of The World…, the hit one-woman play that Ian Kershaw wrote for his wife, Coronation Street alumnus Julie Hesmondhalgh.
Directed by Raz Shaw, it heads out on a heartfelt journey that starts and ends in a small, unassuming house on a quiet suburban road, as Hesmondhalgh narrates the story of two neighbours and the people on their street, navigating the audience through the nuances of life, the possibilities of science and the meaning of love.
Hesmondhalgh says: “It’s a beautiful play, a love story, but a universal one about learning in time what matters in the end, about leaving a mark on the world – and maybe beyond – that shows us, the human race, in all its glorious messiness, confusion and joy.”
The Shires: Crissie Rhodes and Ben Earle move York Barbican gig from 2021 to 2022
York-Shires: The Shires, York Barbican, put back by 12 months
BRITAIN’S biggest-selling country act, The Shires, are rescheduling their May 23 show at York Barbican for May 6 2022.
York is the only Yorkshire venue of their rearranged 25-date tour, when Crissie Rhodes and Ben Earle are billed to be joined by Texan country singer and songwriter Eric Paslay.
“The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life,” say The Shires. “It’s truly a very special thing”.
And what about?
STILL stuck at home, check out Mindhunter on Netflix, Unforgotten on ITV and Sophia Loren’s Desert Island Discs on BBC Sounds. Seek out Nick Cave & Warren Ellis’s new lockdown album, Carnage.
Cave in: Nick Cave & Warren Ellis create Carnage, available digitally now and on CD and vinyl from May 28
Scott Garnham, the new Milton Rooms patron, pictured when playing the lead in Nativity in the West End, alongside the show’s “secret Santa”, Queen guitarist Brian May, no less
THE Milton Rooms is counting down the days until it can reopen its Malton doors with four events lined up to kick-start the May reawakening.
First up, Yorkshire singer and guitarist Martin Goughreturns with his One Man Rock Show on May 21; next, the Dickens Society presents Dickens And The Language Of Flowers, a fascinating talk looking at the meaning of flowers and how the Victorians loved sending secret messages in a well-chosen bouquet, on May 23.
Ryedale Blues Club resumes blues service with District Blues, a mix of Americana and rockabilly, on May 27, and 2018 Britain’s Got Talent star Mandy Muden brings her magic, cabaret and stand-up comedy to Malton on May 29.
The Market Place arts and community venue has a new patron, the award-winning Ryedale actor, singer and theatrical producer Scott Garnham, a local lad who first appeared at the Milton Rooms in 1995 in a Ryedale Youth Theatre production of The Boyfriend, aged ten.
As well as many annual Ryedale Youth Theatre productions, Scott appeared in multiple pantomimes at the Milton Rooms. He started in Little Red Riding Hood, then played Baby Bear in Goldilocks and the Three Bears. In his teens, he was either the comedy double act or village idiot in Dick Whittington, Aladdin, Goody Two Shoes and Jack And The Beanstalk and shined as Buttons in Cinderella.
After graduating from the Royal Conservatoire of Scotland, in Glasgow, he has carved out a career in the West End, notching up credits in Billy Elliot The Musical, Les Miserables and Made In Dagenham, as well as in Matt Lucas’s Pompidou for the BBC. He has created the international vocal group The Barricade Boys too, playing the Grand Opera House in York in March 2018.
“I will forever owe a huge debt to the Milton Rooms and the people who work so tirelessly to ensure this wonderful community building is still a key part of Malton and the surrounding area,” says Scott.
‘’It was my first experience of ‘theatre’, being lucky enough to perform with a diverse group of ages, cultures and life experiences. I enjoyed dancing with friends at their many discos and found gifts attending art and craft fairs.
‘’I feel lucky to have grown up where a community building, such as the Milton Rooms, played such a vital and important role in mine and many other people’s lives. Long may it continue.’’
The Milton Rooms’ Covid-safe accreditation has been extended for 2021 by UK tourism body Visit Britain. Under the Government’s roadmap out of Coronavirus lockdown, indoor entertainment venues are expected to be allowed to reopen after May 17 with Covid-secure restrictions in place.
Venue manager Lisa Rich says: “We’re delighted to have someone like Scott on board and we’re really excited at the prospect of being able to open again in a limited way in May and hopefully fully reopening if all restrictions are removed in June.’’
Tickets for all four events can be booked at: themiltonrooms.com/events/
Phil Grainger in the studio, recording Half Man//Half Bull
THE Flanagan Collective and Gobbledigook Theatre had to cut short their 18-month international tour last March, the pandemic forcing Alexander Flanagan Wright and Phil Grainger to fly back to North Yorkshire from Australasia.
A year later, however, a brand-new work, created in tandem with fellow theatre-maker Oliver Tilney, will drop today in the global digital form of Half Man//Half Bull, a narrative-led double album of two ancient myths and 20 original songs to be “experienced at home”.
Fusing spoken word, electronica and soul, Half Man//Half Bull retells the interlinking myths of Theseus & The Minotaur and Daedalus & Icarus, presented in a listening pack designed by Lydia Denno that will be sent out in the post.
Over the past few years, Alex and Phil, friends since Easingwold schooldays, have taken their international award-winning shows Orpheus, Eurydice and The Gods The Gods The Gods to packed rooms across Britain, Australia, New Zealand, Bali and New York, performing an enthralling, electrifying brand of spoken word and live music.
Artwork for Half Man//Half Bull
Once back home, they teamed up with long-time collaborator Oliver Tilney – he played Jay Gatsby in Wright’s adaptation of The Great Gatsby for the Guild Of Misrule at 41 Monkgate, York, in 2016 – to create Half Man//Half Bull.
“From the get-go, we wanted to make a new piece of work that wasn’t contingent on being performed live,” says Oliver, who first brought the idea to Alex and Phil last June. “We didn’t want a watered-down version of something to give to audiences; we wanted to create a new piece of work in its correct form. For us, that form is a double narrative-led album.”
The trio have partnered up with 15 organisations to bring the idea to life, among them the Stephen Joseph Theatre, Scarborough, Theatr Clwyd, Leeds company Slung Low, Rural Arts, Thirsk, and The Barn Theatre, their involvement affirming the appetite for this type of work.
Alex says: “We started talking with our brilliant pals at Streatham Space Project, where we managed to bring a socially distanced version of Eurydice in September. It quickly became clear there would be an appetite for a theatre, or an organisation, to be able to deliver content to their audience while people couldn’t gather in a more traditional setting.”
Alex Wright at a recording session for Half Man//Half Bull
An Arts Council Project Grant allowed the team to grow: the trio have collaborated with producers, designers and host of musicians to realise this project, alongside the family of theatres, venues and partner organisations.
After years of touring, lockdown has provided an opportunity to create and develop, says Phil. “Alex and I have been writing and touring shows for a while, with an ambition to grow our sound. This felt like a great opportunity to work with more people, collaborate with more artists and, crucially, create some work for as many freelancers as we could afford,” he explains.
That team includes Aminita Francis, from BAC BeatBox Collective; Zimbabwean-born musician Tendaii Sitima; designer Lydia Denno and project producer Charlotte Bath. “We were also able to spend a lot of time at Crooked Room studios working with Isaac McInnis, which really helped grow the sound,” says Phil. “It’s crucial that as this is an audio project, that it sounds flipping great.”
Billed as “an epic storytelling adventure for our time”, Half Man//Half Bull is designed expressly as an At-Home experience. “If you buy, you’ll get a physical pack through your door with artwork, listening instructions and an invitation to step back out into the real world,” says Alex.
For further information and to buy the albums, go to: HalfManHalfBull.com.
Half Man//Half Bull: A double narrative-led album to be experienced at home
The credits:
Created by Phil Grainger, Oliver Tilney and Alexander Wright.
Guest artists: Aminita Francis as Theseus; Tendaii Sitima as Daedalus. Project producer: Charlie Bath; music producer, Isaac McInnis; designer, Lydia Denno.
Recorded and mixed by Isaac McInnis at Crooked Room Studios; mastering by David Lawrie.
Additional music: Frances Bolley, Tom Figgins, Isaac McInnis, Emil Ryjoch and Gavin Whitworth.
Additional voices: Angie Alle, Hille Auvenin, Joanna Bongowska, David Calvitto, Laura Darling, Megan Drury, Inês Sampaio Figueiredo, Peter Groom, Lucas Jones, James Lawrence, MJ Lee, Serena Manteghi, Iona McInnis, Marnie Silver and Jess Zilleson.
With thanks to: Angie Alle, Anikdote, Darren Lee Cole, James Dale, Megan Drury, Luke Langley, Helen Simpson, Michael Slater, Simon Victor and Paul & Maggi Wright.
Made with: At The Mill, Stillington; Birmingham Hippodrome; NEAT; November Club; Rural Arts, Slung Low; SoHo Playhouse; Stephen Joseph Theatre; Storyhouse; Streatham Space Project; The Barn Theatre; Theatr Clwyd; Theatre Deli; The Place and The Roses Theatre.
Oliver Tilney: First brought the idea for Half Man//Half Bull to Alex Wright and Phil Grainger last June
Shed Seven: Yorkshire day out at The Piece Hall, Halifax, on the move again
YORK band Shed Seven’s all-Yorkshire bill at The Piece Hall, Halifax, is being rescheduled for a third time.
The Coronavirus lockdown put paid to the original date of June 26 2020, first moved to September 19 2020, then to June 26 this summer.
Now, fourth time lucky, the Sheds’ show will take place on August 28. All the support acts first signed up for last June have confirmed their participation on the new date.
Joining the Sheds that West Yorkshire day will be Leeds bands The Pigeon Detectives and The Wedding Present and Leeds United-supporting York group Skylights, plus the Brighton Beach DJs.
Tickets for this Futuresounds Events open-air concert are on sale at £42.50, premium seats £55, at lunatickets.co.uk, seetickets.com and gigantic.com.
August 28? Doesn’t that clash with Leeds Festival, co-headlined that day by Stormzy and Catfish And The Bottlemen? Indeed so, but “let’s just say our fans are not their demographic,” quips lead singer Rick Witter, aware of the predominance of teens at the post-exam-results gathering at Bramham Park.
This is the second outdoor Shed Seven show in 2021 to be in need of a new date. They should have been chasing winners as well as Chasing Rainbows at Doncaster Racecourse on May 15, but that Don 2021 Music Live debut is now a non-runner under the Government’s lockdown restrictions.
Witter confirms an announcement on when the Sheds’ show will finally come under starter’s orders will be made tomorrow. Expect a delay until 2022.
When first setting up the Halifax headline gig, Witter said: “We’re doing this Piece Hall show partly because our 2018 gig at Manchester’s Castlefield Bowl went so well.”
The revived Britpoppers drew 8,000 that June day; the maximum capacity is 5,500 for the Piece Hall, a renovated 18th-century Halifax cloth hall that now houses history exhibits and independent shops, bars and restaurants.
Skylights: York band will support Shed Seven on August 28 at The Piece Hall
In 2019, the Sheds mounted their biggest ever Shedcember winter tour, chalking up their record run of 23 shows between November 21 and December 21, with Leeds First Direct Arena on December 7 at the epicentre.
“After we did those Shedcember gigs, we just fancied doing something similar to Castlefield Bowl, but this time a Yorkshire gig,” said the Stockport-born Witter.
Stockport, Mr Witter?! “I know, but I consider myself a Yorkie now,” said Rick, who attended Huntington School in York. “To do an outdoor Yorkshire show in such a salubrious setting will be a great buzz.”
The Sheds are making provisional plans for a 2021 series of Shedcember shows. Watch this space for updates.
Meanwhile, The Piece Hall Trust and Futuresound have confirmed their rescheduled programme of live music events for 2021 and 2022, in the wake of the Government roadmap rollout.
The partners have worked hard to keep as many acts as possible in 2021, with the vast majority rescheduled for August and September. “But due to the complex nature of artist touring schedules, we have had to move some of the gigs, including Nile Rodgers featuring Chic and Doves, to 2022,” says the trust.
“We have managed to secure a second date for Nile Rodgers & Chic following strong sales demand seen this year. Tickets for the new show will go on general sale at 10am on Friday [12/3/2021], with a 24-hour Piece Hall Trust member pre-sale starting on Thursday.
“We hope that the return of live music to the venue will help bring some joy and a sense of normality back to music lovers.”
The dates now confirmed for The Piece Hall:
2021
Shed Seven, August 28; The Specials, August 29; The Cribs, September 3; Richard Hawley, September 4; Manic Street Preachers, September 10; Kaiser Chiefs, September 11 and 12.
Kaiser Chiefs: Two nights in Halifax in September
2022
Doves, June 18; Nile Rodgers featuring Chic, June 24 and 25.
All tickets purchased for deferred events remain valid, and ticket holders do not need to do anything to secure their spot for the new date.
Those unable to make the new dates should contact their booking platform to discuss making alternative arrangements. Refunds will be available from the point of purchase if they cannot make the rescheduled dates.
Visitor safety continues to be the number one priority for The Piece Hall Trust, and so the team has been working closely with partners to determine the safest way to reinstate live music events.
Essential maintenance and a significant deep clean have been undertaken during the Lockdown 3 and the logistics of the large-scale events are being planned meticulously.
Nicky Chance-Thompson, the trust’s chief executive officer, says: “We’re thrilled that we have been able to reschedule our planned Summer 2021 artists to the autumn in what has been a turbulent year for all of us.
“By moving the events to the later dates, we hope we’re providing peace of mind for ticket holders not just around the certainty of the gigs going ahead, but around individuals’ safety and wellbeing, which remains our main priority.
“There is light at the end of the tunnel, and for the first time in a long while, we can re-imagine a thriving and vibrant live music scene returning to Halifax once again. Live music events have always been the jewel in the crown of The Piece Hall, and we sincerely look forward to welcoming these world-renowned artists to our venue.”
For tickets, go to: lunatickets.co.uk, seetickets.com and gigantic.com.
York-Shires: Crissie Rhodes and Ben Earle move their Barbican concert again
COUNTRY duo The Shires are rescheduling their May 23 show at York Barbican for May 6 2022.
All tickets remain valid for the new date, but ticket holders are advised to contact their point of purchase if they have any questions.
Ben Earle and Crissie Rhodes, Britain’s best-selling country act, had first moved their York show from May 20 2020 to November 1 2020, but the pandemic continues to play havoc with the best-laid plans of Crissie and Ben.
York Barbican is the only Yorkshire venue of their rearranged 25-date tour, when they are billed to be joined by Texan country singer and songwriter Eric Paslay.
The first Brits to win Best International Act in the American Country Music Association awards, Earle and Rhodes released their fourth album, Good Years, in this anything but good times on March 13 2020, reaching number three in the charts.
As with their past albums, 2015’s Brave, 2016’s My Universe and 2018’s Accidentally On Purpose, the recording sessions took place in Nashville, Tennessee.
“We are so excited to be releasing Good Years,” said Earle and Rhodes last spring. “Honesty and storytelling have always been such an important part of our song-writing. We’ve poured some of the incredible experiences and life we’ve lived into these songs.
“We can’t wait to play these live across the country. The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life. It’s truly a very special thing”.
The Shires last played York Barbican in May 2018 and performed a headline set at Pocklington’s Platform Festival at The Old Station in July 2019 .
For an update on ticket availability for May 6 2022, go to: yorkbarbican.co.uk.
THE Lovely Eggs will play The Crescent, York, on May 29 next year after reorganising the gig for a second time.
The Lancaster lo-fi psychedelic punk rock band had rescheduled their York date already from February to summer 2021.
Married couple Holly Ross and David Blackwell last released an album in April 2020 when I Am Moron went straight to number one in the UK Independent Album Chart.
“The response to I Am Moron blew us away and we couldn’t wait to get on tour and play the songs live”, said Holly last year.
“We just can’t wait to play live again,” echoed David. “We’re really looking forward to playing all the songs off I am Moron. This is a way of life for us.”
The duo run a Lovely Eggs WhatsApp Lockdown group for supporters to offer support and a friendly ear to anyone struggling during the pandemic. “We’ve just got to try and get through this together” said Holly.
“We set up one What’sApp Group and it was oversubscribed, so we had to set up another. Our fans have always been there for us and it’s important at this time that we are there for them.”
The Lovely Eggs’ York concert is promoted by Please Please You and The Brudenell; tickets cost £15 online via seetickets.com.
