HOW are your VE Day 75th anniversary celebrations going on this beautifully sunny May holiday?
Should you be in need of musical accompaniment, York Musical Theatre Company members are on hand through the day with a rolling programme of 1940s’ songs on the company’s Facebook page.
Familiar Forties’ favourites have been recorded for the occasion by Jessa Liversidge (When The Lights Go On Again); Eleanor Leaper (From The Andrews Sisters…to The Eleanor Sisters! Bei Mir Bist Du Schon!); Flo Taylor (Lili Marlene) ; Marlena Kelli (a Rita Hayworth tribute) and Matthew Ainsworth (the ballad I’ll Be Seeing You, accompanied by Jessica Douglas).
Look out too for a heap of photographic memories from York Musical Theatre Company’s When The Lights Go On Again performances.
Go to facebook.com/yorkmusicaltheatrecompany. Make sure to check out Jessa Liversidge’s Facebook page too; she sang plenty more 1940s’ songs live from midday today as part of the VE Day 1940s Performers Extravaganza series of concerts from living rooms. You can still hear her performance at facebook.com/Jessasongsfromtheheart/.
A night at the light opera: The International Gilbert and Sullivan Festival at the Royal Hall, Harrogate, in a past year
THIS summer’s 27th International Gilbert and Sullivan Festival at the Royal Hall, Harrogate, may have been cancelled, but the show must go on…online.
In response to the Covid-19 strictures, the festival is launching a new streaming service of past productions at www.gsopera.tv.
“We shall be streaming the very best of our National Gilbert and Sullivan Opera Company and G&S Festival productions at home and abroad since 1994, plus many other G&S classics,” says festival trustee Bernard Lockett.
“Unfortunately, there’s no International G&S Festival in 2020 because of Covid-19, but here, as is said in The Mikado, is our ‘substitute’: www.gsopera.tv. Full programme details will be available later.”
What delights lie in store, Bernard? “There’s something for everyone, and our content will be constantly updated with new, exciting films for you to enjoy from the best seat in your house. Sign in now on gsopera.tv and there’s even a ten per cent discount until May 14. There’s free content to watch there too,” he says.
“You can watch gsopera.tv on your tablet, laptop, smart TV, smartphone or PC – anywhere with the internet. It’s easy to use and your purchases can be accessed on all your internet-connected devices forever.”
What else? “Keep an eye out for our new weekly podcasts and webinars starring your festival favourites and Gilbert & Sullivan experts,” says Bernard. “They are coming soon and we can’t wait to share them with you.
“We’re selecting some outstanding films for an eagerly awaited virtual festival in August, so this year you can simply stay safely at home and enjoy being entertained. Our streaming service will let you re-live treasured memories and enjoy those magical performances that have made the Gilbert & Sullivan Festival such an amazing and unique event.”
Bernard also confirmed the G&S Festival will be “back in earnest” in 2021 at two locations: the festival’s original home of Buxton Opera House, from July 31 to August 7, and the Royal Hall, Harrogate, from August 8 to 22.
This summer’s festival run in Harrogate from August 9 to 23 would have featured five new National Gilbert & Sullivan Opera Company productions: The Pirates Of Penzance and The Sorcerer, directed by Richard Gauntlett; rising star Rachel Middle’s HMS Pinafore; Simon Butteriss’s Patience and Alan Borthwick’s The Emerald Isle (or The Caves Of Carrig-Cleena), a work staged only rarely.
Further highlights were to have been Charles Court Opera’s smart, stylish new take on The Mikado, directed by John Savournin, and their new production of Iolanthe, plus Rachel Middle’s production of The Yeomen Of The Guard for Forbear! Theatre.
Nothing happening full stop. Now, with time on your frequently washed hands, home is where the art is and plenty else besides
Exit 10 Things To See Next Week in York and beyond for the unforeseeable future in Lockdown hibernation. Enter home entertainment, wherever you may be, whether together or in self-isolation, in the shadow of the Covid-19 pandemic. From behind his closed door, CHARLES HUTCHINSON makes these suggestions.
Street protest: The Everything Is Possible: The York Suffragettes cast on the march from York Minster Plaza to York Theatre Royal in 2017. Picture: Anthony Robling
Streaming of Everything Is Possible: The York Suffragettes, York Theatre Royal Collective Arts programme
YORK Theatre Royal is streaming the 2017 community play Everything Is Possible: The York Suffragettes for free on its YouTube channel until May 31.
Co-produced with Pilot Theatre, this outdoor and indoor production was performed by a community cast of 150 and a choir of 80, taking the form of a protest play that recalled how women in York ran safe houses, organised meetings, smashed windows and fire-bombed pillar boxes as part of the early 20th century Suffragette movement.
“Now the stage is dark and the streets are empty, but looking back to the way in which that show brought people together, inspiring them in so many ways, is a wonderful reminder of the power of theatre and community,” says playwright Bridget Foreman.
Whispers From The Museum: the new mystery adventure from Scarborough Museums Trust
Whispers From The Museum, online mystery adventures for children
ADVENTUROUS youngsters can solve a new online mystery, Whispers From The Museum, set at Scarborough Art Gallery and Rotunda Museum, from May 12. The buildings may be closed under the Covid-19 pandemic restrictions but strange messages have been appearing inside. Who or what is making them and what are they trying to tell us?
For six weeks, young people – and their grown-ups – can uncover stories about assorted Scarborough Museums Trust objects by completing online missions and challenges from their own home, set by Scarborough artist Kirsty Harris.
The stream team: Your Place Comedy double bill Simon Brodkin and Maisie Adam, performing from their living room to yours
Your Place Comedy, streamed from their living rooms to yours
AT the initiation of Selby Town Hall arts centre manager Chris Jones, here comes gig two of Your Place Comedy, a Sunday night when comedians stream a live show via YouTube and Twitch from their living room into yours from 8pm. There is no charge, but you can make donations to be split between the ten small, independent northern venues that have come together for this Lockdown fundraising scheme.
After Hull humorist Lucy Beaumont and a pyjama-clad Mark Watson in the inaugural online gig, this weekend’s stream team will be Theresa May’s Tory conference P45 prankster Simon Brodkin and Harrogate’s Maisie Adam, as seen from home previously on last Friday’s Have I Got News For You.
Grayson Perry with his teddy bear Alan Measles on a visit to York in May 2014 to open the Meet The Museums Bears event
Inspired by Grayson’s Art Club on Channel 4…
IF you have enjoyed Grayson Perry’s convivial call to art, Grayson’s Art Club, on Channel 4 on Monday nights, with portraits and animals as the two subjects so far, seek out the “Ultimate Artists’ Activity Pack”.
This downloadable artist activity pack is suitable for children and adults alike, with Grayson among the contributing artists. So too are Ampleforth College alumnus Antony Gormley, Mark Wallinger, Michael Landy, Gillian Wearing and Jeremy Deller.
The Art Is Where The Home Is pack is the creation of Sandy Shaw, director of the Firstsite Gallery in Colchester, who says the activities should be fun, done on A4 paper and ideally shared.
Drag diva Velma Celli’s poster for Large & Lit In Lockdown, her next online show
What next for Velma Celli, York’s drag diva?
AFTER last weekend’s concert streamed from a Bishopthorpe kitchen in aid of St Leonard’s Hospice, York’s international drag diva Velma Celli has confirmed another such online extravaganza.
Large & Lit In Lockdown will be large and live at 8pm on May 16. “All you need to do is get your tickets from the link below and a live link will arrive in your email inbox on the day of the show.
Activity of the week: Rearranging your bookshelves
THANKS to Zoom and all manner of online visual services, placing yourself in front of your bookshelves is becoming the new normal, as tracked by the Bookcase Credibility Twitter feed, @BCredibility.
You may not go as far as J K Rowling, who re-arranged her books in colour sequences, but this is the chance to both gut your book collection and to find new ways to categorise those shelves, more imaginatively than merely alphabetically. This is spring cleaning with a new purpose.
Romesh Ranganathan: Rearranged York Barbican date
Still keep trying to find good news
POCKLINGTON’S Platform Festival in July, off. More York Races meetings, a non-runner. Deadpan comedian Romesh Ranganathan on Sunday at York Barbican, off; Whitby Fish & Ships Festival next weekend; the chips are down, alas. The list of cancellations grows like the wisteria adorning York’s houses this month, but you should keep visiting websites for updates.
Platform Festival? Negotiations are underway to move as many acts as possible to next summer. Romesh? His show, The Cynics Mixtape, is in the 2021 diary for May 15, still without an apostrophe in its title. Fish & Ships? Sailing into harbour next May. York Races? Further updates awaited.
Woodland bluebells , Spring 2020
Venturing outdoors…
…FOR your daily exercise, be that a run, a cycle ride or a stroll near home, in a changing environment. If your route allows, check out the bluebells, now a glorious woodland haze, and the rhododendrons, bursting through too. In Rowntree Park, the ducklings are taking to the water, no need for armbands. Thank you, nature and the natural world, for keeping up our spirits.
Clap for Carers
STAND by your doors at 8pm every Thursday, no excuses. Theatre-goers, concert-goers, save your hand-clapping for our NHS doctors, hospital staff, carers, volunteers and key workers. How moving, too, to see familiar buildings bathed in blue light: a glowing tribute growing by the week.
Louis Theroux: New BBC radio series of interviews in lockdown
And what about…
NEW albums by The Strokes (the uncannily titled The New Abnormal); Lucinda Williams, Car Seat Headrest and Damien Jurado. Michael Henderson’s new state-of-the-nation book That Will Be England Gone, The Last Summer Of Cricket. The TV adaptation of Normal People, Sally Rooney’s story of complicated Millennial teenage love, directed by Room filmmaker Lenny Abrahamson on BBC Three, One and iPlayer. Louis Theroux’s lockdown interview series, Grounded, on BBC Radio 4 and BBC Sounds. Parsnips, however you cook them.
Louise Henry: From Liesl and Snow White to the musical theatre diploma at MTA in London
“FINALLYYYY the day has come that I can say this… I got into drama school!!!!!” So read Louise Henry’s ecstatic Facebook announcement that she has been accepted for the fast-track diploma course at the Musical Theatre Academy (MTA), in London, from October.
Louise, you may recall, made her professional debut in December as “York’s very own” Louise Henry – in reality from Knaresborough – playing Snow White in Snow White And The Seven Dwarfs at the Grand Opera House, York. From 30 auditionees, she had landed the part while working at the Hoxton North café bar in Royal Parade, Harrogate,
In the midst of the Covid-19 lockdown, she secured her MTA place through a Zoom audition – “how bizarre,” she says – and now comes the challenge of raising the finance for her two years of musical theatre studies in Tottenham Green.
“Some of the most vivid memories of my childhood are centred around shows and performing, the earliest being chosen to play Whoops A Daisy Angel in Year 1 – a role I played with absolute conviction, I’ll have you know.
Louise Henry as Shelby in York Stage’s Steel Magnolias at Theatre @41 Monkgate, York, her last role before securing her place at MTA
“If I were to ask you what your wildest dream was, beyond all imagination, what would you say? Genuinely, what would it be? Mine would be to perform for a living. My heart is so happy on stage.”
Now, the bad news. “To attend this phenomenal school and receive the training I have long yearned for, I must fund the £32,000 fees with no government funding,” she revealed on Facebook.
“The MTA is not linked with a university and therefore I cannot apply for a student loan in the same way other courses can. Yes. I know. BUT, and humour me here, if every one of my 1,481 Facebook Friends generously donated £20 (or £21.70 to be precise), I would make the amount in full.”
Louise understands that such a proposal is “wishful thinking on my part”, but her Facebook post added: “However, if, by chance of incredible generosity, half, a third, or even a quarter, of said friends donated anything possible, I would be in a much more promising position to be able to attend this school.
“If people kindly donated even £1, I’m £1 closer! If you could share it to reach your friends and family further afield, my chances are immediately increased.”
Louise Henry, back left, in her role as Liesl von Trapp in York Stage Musicals’ The Sound Of Music at the Grand Opera House, York, in 2019
CharlesHutchPress is delighted to spread the word, having enjoyed Louise’s performances in such York Stage Musicals roles as 16-year-old Liesl von Trapp in The Sound Of Music and 40-year-old Jane in Twilight Robbery, as well as a young Australian woman, Gabrielle York, in Rigmarole Theatre Company’s When The Rain Stops Falling last November.
Since then, there have been her dark-wigged Princess Snow White in pantoland and her latest York Stage outing as plucky, resolute but physically fragile Louisiana bride-to-be Shelby in Steel Magnolias in February.
“We are living in such strange, difficult times,” her Facebook open letter continued. “Everything is uncertain for everyone I know and the world is suffering every day. I’m hoping, by this point in the post, that you can appreciate that I simply have to continue as if we aren’t in the middle of a global pandemic.
“Please believe me, I wish I wasn’t asking for help at a time like this. I understand and agree that there are far more worthy and important causes but I feel I have to consider the potential of my future career.
“Of course, I have spent every minute since I received my offer considering how I could logistically, carefully and respectfully raise money under the current circumstances. But making sure I abide by the Government’s restrictions is leaving me with little I can offer by way of help in exchange.
Louise Henry after she learnt she had been picked to make her professional debut as Snow White in Snow White And The Seven Dwarfs, last winter’s Grand Opera House pantomime .Picture: David Harrison.
“Saying this, if there really is anything – walking dogs with my gloves on, helping in the garden, an online singalong or bedtime story for your children – I will help in any way I can! Equally, if you have any suggestions, please send them my way! Once these restrictions are lifted and we are all much less at risk I will, of course, help in any way possible.”
Summing up her situation, Louise says: “I have to be optimistic in that I don’t know who’s hands/Facebook timeline the post might fall into. I’m doing all I can to make this dream a reality, and that means, for me personally, asking kindly for any help I can get.”
To assist Louise, go to gofundme.com/f/mta-musical-theatre-training.
“My first love has always been musical theatre,” says MTA-bound Louise
Charles Hutchinson puts the questions to Louise Henry as she chases her acting dream and the means to secure that future
WHAT attracted you to MTA in particular? How long will you be studying there and what are your hopes and expectations with this course, Louise?
“MTA’s diploma is only a two-year course and so your training is intensified throughout this time.
“The school only accepts 22 students per year and, therefore, you’re in a very elite group of performers, and the contact time, as with many drama schools, is incredibly high at 40 hours per week.
“Equally, the course is split 50/50, 50 per cent focused on stage and 50 per cent on screen acting, which is always something I have wanted to study alongside musical theatre. Everything I read about MTA made me feel as though the course would fully prepare you to be a triple-threat musical theatre performer, but also be trained thoroughly as a screen actor.”
Louise Henry as a young Australian woman, Gabrielle York, in Rigmarole Theatre Company’s When The Rain Stops Falling at Theatre @41 Monkgate, York, last autumn
What steps did you have to go through to land a place at MTA?
“The audition process was obviously very different to that I’m used to: the lockdown implemented by the Government on the outbreak of Covid-19 meant that travelling to the audition would be impossible and potentially very dangerous.
“I soon received an email from Annemarie [Lewis Thomas], the school’s principal, who stated that the auditions would go ahead regardless and instead be held over Zoom, which I was actually very excited about as it would be a totally different experience!
“When the day came, I set up my laptop in my bedroom and had prepared the monologue and song I’d have taken to the audition anyway and from then on it was actually very simple!
“It felt much less daunting than actually being in the room, and I suppose if that translates through people’s auditions it would make the panel’s decision much easier in that it’s based off a very true and honest performance.
“We were even able to do some improv over Zoom with the other auditionees, which was such an interesting experience, led by their head of acting, Tilly Vosburgh, and a group vocal workshop with the head of voice, Josh Mathieson.
“They work very quickly there and so once I had sent in a dance audition – to a song of my choice – I heard back within about 24 hours actually! It was record timing and meant I didn’t spend two anxious weeks refreshing my emails – a feeling I’d grown used to over the past few years’ auditioning.”
Louise Henry playing Liesl von Trapp in York Stage Musicals’ The Sound Of Music
Over the past year, you have done a variety of roles on the York stage – musicals, a pantomime, an Aussie play, an American play – showing an all-round talent. Why pick a musical theatre course?
“My first love has always been musical theatre and was initially what I wanted to study straight out of A-Levels. However, it felt as though my dance ability was always letting me down and so I spent a few years going to dance classes with Lyndsay Wells in Harrogate and instead chose to audition for a few years for straight acting. “That being said, singing and acting have always been my strong point and so musical theatre was always my preference.
“Working with Nik Briggs’s York Stage has been invaluable and being able to perform in a few predominantly acting roles has been a great opportunity to exercise that skill without relying on song and dance.
“Equally, working in the Grand Opera House pantomime over Christmas only intensified my drive to pursue musical theatre and so, on being recommended the MTA, I felt led to audition.”
Louise Henry’s Princess Snow White lies prone after biting the poison-drugged apple in Snow White And The Seven Dwarfs at the Grand Opera House, as the distraught dwarfs and Martin Daniels’ Muddles, right, look on. Picture: David Harrison.
What did you learn from making your professional debut in the 2019-2020 Grand Opera House pantomime?
“Performing in the pantomime was such a brilliant insight to the kind of life I could be working towards. Every day I would try to remind myself that actually soon it would be over and everyday life would assume, and in actual fact you don’t go through every day singing and dancing and dressing up!
“I constantly allowed myself to feel grateful for each performance and despite the intense hard work put into every show, I never tired of performing it. In fact, I really wish we could’ve had more shows somehow crammed into that mad month!
“It taught me that performances can be put together under your very nose and all of a sudden your show is ready and you’re opening. It also taught me that the illusion of a show is one of the most magical and fulfilling experiences for both the performer and the audience member.
“There was no better feeling than getting to the end of the show and being able to see our audiences dancing in the aisles and singing along with us. I’m just really grateful I had that experience and insight to what my life could be like – with a lot of hard work and luck obviously!”
Louise Henry as Princess Snow White, before the dark wig was added, at the press day to launch Snow White And The Seven Dwarfs. Picture: David Harrison
How did it feel playing the title role in your professional debut in Snow White?
“Playing the title role was a little bit of a shellshock experience every day really; everyone else I was working with – even the incredible children playing the dwarves – had worked a panto run previously, so I was a total newbie.
“The cast and crew made me feel so welcome and I learnt so much from the friends I made. There was also something pretty lovely in that, because I wore the black wig, which was in total contrast to my hair at the time, very few people recognised me leaving the stage door. This was nice as it kind of protected the magic of the show for the kids who had come to watch.”
Louise Henry, right, front, with fellow Snow White And The Seven Dwarfs cast members Mark Little, left, Steve Wickenden, Martin Daniels, Jonny Muir and Vicki Michelle at the Grand Opera House, York. Picture by David Harrison.
Did you pick up any good tips from the old pros in the company such as Vicki Michelle, Martin Daniels and Mark Little?
“Working so closely with Vicki, Martin and Mark was incredibly insightful and I got so many opportunities to chat with them about their experiences with performing and acting.
“Mark and I were interviewed by BBC Radio York at the same time and so we had a good chat that morning about his career and I spoke to him about how different things are now, in terms of getting into performing.
“Everyone was so encouraging and supportive, they were always spurring me on to try and keep working for this career. It was incredible watching the show being put together and acting with them was a real joy.”
Louise Henry as Shelby in Steel Magnolias: “Probably my favourite show I’ve ever been involved with,” she says
How had your year gone before lockdown, on stage and off?
“Before lockdown, I was applying to any auditions I could find via the National Youth Theatre member’s board, having been a member since 2015 when I was lucky enough to be invited to attend their intensive summer-school course.
“I sent off applications for a film in which I was cast as an extra, so drove down to London to film for a couple of days in February. That was a fab experience and something I’d never done before.
“I auditioned to attend a workshop with Katie Greenall, a National Youth Theatre associate, and was asked to go down and work for three days on an idea of a performance she is devising.
“I had a couple of auditions and recalls for National Youth Theatre’s REP company, and throughout all the trips to and from London I was working on Steel Magnolias back in York with York Stage.
“This was probably my favourite show I’ve ever been involved with, from the incredible cast I was lucky enough to work with, to the direction and production of the play.
“I just feel so grateful that it came together and we could perform before this lockdown was implemented. So, actually, I had quite a busy few months!”
“I’ve been training my family in ‘bootcamp’ sessions three times a week, then one big workout on a Sunday morning,” says Louise of her lockdown routine
How are you coping with lockdown?
“Lockdown has been a little bizarre and definitely an adjustment. But I really do love a routine, so once I’d established my routine at home, I got comfortable very quickly! “I love exercise and training in different ways, so I’ve been training my family in ‘bootcamp’ sessions three times a week, then one big workout on a Sunday morning.
“I’ve been creating workouts for three friends separately and doing many Zoom dance classes and yoga sessions. It’s probably the most active I’ve ever been! “Alongside this, I’ve been trying to learn a new song each week, focusing on songs that I wouldn’t usually go for. I try and sing these when my family are out walking, so I don’t deafen them with a loud belt!
“Obviously, I had a lot of preparation for my audition and also was asked by Nik [Briggs] at York Stage to get involved with his Songs From The Settee, singing Doctor’s Orders from Catch Me If You Can.
“I’m really glad to have the offer from MTA, so it feels like I have something to work towards once this is all over.”
Louise Henry, top left, in a promotional picture for York Stage’s Steel Magnolias
What would going to MTA mean to you after all the work you have put in already to develop your skills?
“I’m not going to lie… it’s been a long few years, auditioning to train at drama school, and it has always felt really gutting to have not secured a place despite usually getting to final recalls.
“Every time you feel so close and then can’t help but wonder what it is you were lacking? Or if they already have ‘x’ amount of 5’6 females with brunette hair? You hear that it can be down to issues that small, and it becomes really frustrating trying to pinpoint what it was about you that they didn’t want.
“So, this year, to finally secure a place, in the middle of so much uncertainty, I really feel overwhelmed by it! I know it is so clichéd but this is really my one dream to try and achieve making a career of performing, so the place at MTA, I believe, is the first step towards that dream becoming reality.
“I can’t put into words what it was like finally seeing ‘we are delighted to inform you…’ on my acceptance email. I ran downstairs screaming; I feel bad for my neighbours!”
“Your whole chest is just full and you feel like you might just ‘Mary Poppins’ it at any second and take off,” says Louise Henry, describing her love of performing
It may be an obvious question, but what makes you want to be an actor?
“Not at all an obvious question as I have absolutely had moments over the years of ‘oh god, why am I doing this?’. ‘Why am I putting myself through this?’. But quite simply, there’s no better feeling to me than being on stage and performing.
“I don’t know how I can describe this concisely, but there’s a feeling I get when I’m taking my bow or at the end of a run or in the ‘big bit’ of a song and it’s just like you’ve won the marathon or the lottery or you’re reunited with someone, and your whole chest is just full and you feel like you might just ‘Mary Poppins’ it at any second and take off.
“And that feeling to me makes everything else worth it. It’s massive lows but MASSIVE highs and for some peculiar reason the highs make you forget all the lows.
“It’s all I could ever see myself doing, and I would regret it forever if I didn’t throw myself at it and give it everything I have.”
Grim question: If you can’t get the money together, what happens to your plans to go to MTA?
“Interesting. I suppose I can’t really answer this, as that simply isn’t an option for me. I will, and am, doing everything I possibly can, given the current circumstances, and I truly believe I will make this work.
“To me, there is really no alternative: this training is all I have longed for over the past four years. Obviously, so far, I have received some wonderful and incredibly generous help from friends and family, and alongside that I’m saving every penny and plan to work alongside my course.”
No turning back: Louise Henry, pictured in the promotional shots for Steel Magnolias, is determined to take up her place at the Musical Theatre Academy in London in October
“I plan on creating a series of videos, mini-performances of songs or spoken word to post online hopefully for the viewer’s enjoyment – which might encourage people to donate whatever they can.
“The payments are termly and so that breaks down the sum, and I’m incredibly lucky as the MTA are very keen on not letting money be an issue between you attending the course.
“As I said, they choose only 22 students per year and so they have spent a lot of time in selecting who they truly want to train. Not only is this a real honour to have been offered a place, but it also reassures me that the school wants me there. There’s no better feeling after working so hard over the years.”
“All Rise,” urges Gregory Porter…from his seated position
AMERICAN jazz singer and songwriter Gregory Porter will release his new album, All Rise, on August 28 on Decca Records/Blue Note Records.
Porter’s last studio album, 2017’s Nat King Cole & Me, was a dedication to his life-long idol, built around cover versions.
All Rise marks a return to the two-time Grammy Award winner’s original song-writing template: his heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues, gospel, and pop.
“You could say that I went big,” says Porter, 48, of a record produced by Troy Miller that combines the talents of his long-time bandmates, a hand-picked horn section, a ten-strong choir and the London Symphony Orchestra Strings.
“But, quite frankly, the way I write in my head, it all happens with just voice and piano first, and it’s built up from there. It feels good to get back to the rhythms and the styles and the feelings and the way that I like to lay down my own music from start to finish.”
The artwork for Gregory Porter’s August 28 album, All Rise
Sacramento-born Porter has just released his latest single, the suitably soaring Phoenix. “The song is about the undying, irrepressible spirit of love,” he says. “Love can fall, can suffer some great blow, but it can rise from the ashes and keep going.”
Phoenix follows the gospel-infused lead single Revival, the ballad If Love Is Overrated and Gregory’s dedication to his fans, friends and family, Thank You.
As he worked out the album’s direction, he looked inward, upward, and around him, arriving at a raison d’être found in the title, All Rise. “We hear that phrase when presidents or judges come into the room, but I’m thinking ‘all of us rise’, not just one person being exalted,” says Porter, who played York Barbican in October 2014 and Leeds First Direct Arena in April 2018.
“We are all exalted and lifted up by love. This is my political thought and my real truth. It comes from my personality, my mother’s personality, the personality of the blues and of black people. It’s this idea of making do with the scraps, of resurrection and ascension, and of whatever the current situation is, it can get better through love.”
Did you know?
GREGORY Porter won the Grammy Award for Best Jazz Vocal Album for Liquid Spirit in 2014 and Take Me To The Alley in 2017.
Snooping around: The Doggfather announces rearranged dates for 2021
WEST Coast rapper Snoop Dogg is moving his I Wanna Thank Me tour date at Leeds First Direct Arena to February 17 2021.
The Covid-19 restrictions put paid to the 48-year-old American’s six-date 2020 British and Irish tour in support of his 17th album, I Wanna Thank Me, and documentary of the same name.
Released last August, they marked 25 years of the Doggfather, chart-topping rapper, film and television actor and businessman.
Joining Snoop Dogg on the rescheduled tour will be a posse of his key collaborators: West Coast rap luminaries Warren G, Tha Dogg Pound, Obie Trice and D12, plus Irish rap duo Versatile.
AMERICAN chanteuse and songwriter Melody Gardot has marked International Jazz Day with a call-out to musicians to collaborate on her new single, From Paris With Love.
In a case of adding music to Melody, she “wants to contribute something unique to this new movement of “connection despite distance”.
“During this complicated time, we miss essential connections with one other,” she says on Instagram. “We miss hugs, we miss our family, our friends…in short we miss love. So, I want to make a love project to help break the feeling of isolation between us.”
Now living in Paris in lockdown, Gardot is asking musicians confined to their homes across the globe to perform in place of a standard orchestra on her new single on Decca Records to benefit healthcare workers and other musicians via the charity Protégé Ton Soignant.
Amid the constraints of the Coronavirus pandemic, Gardot, 35, has been forced to put the recording of her new studio album on hold, but the situation has inspired her to launch her collaborative initiative.
The principle is simple: bring together an orchestra of string and wind instrument players at present unable to work and pay them as if they were in the studio together.
“There are so many magnificent artists and musicians on the planet who are not able to live their art or exercise their profession right now,” says the New Jersey-born singer and multi-instrumentalist. “I am at home in Paris waiting like everyone else.
“I realised we can try to do something beautiful all together and come out ‘virtually’ from our confines to continue producing. I hope this project will give love and hope.”
Musicians should apply via www.melodygardot.com and will be sent musical charts, backing tracks and instructions on how to record and film themselves performing the piece at home.
From these submissions, individual parts for the final recording will be chosen by Gardot and her long-time collaborators, producer Larry Klein, conductor, arranger and composer Vince Mendoza and engineer Al Schmitt.
Any musician chosen and featured in the final recording will be paid a fee relative to a standard UK union recording wage.
“I hope this project will give love and hope,” says Melody Gardot
The single, once assembled, will be accompanied by a video, featuring all participating musicians, performing from their homes, dotted around the globe. From Paris With Love will be a taster for the direction Gardot is heading on the album, whose further details will be announced soon.
In waiving their profit on the track, Gardot and Decca will pay a minimum of 50p to the charity Protégé Ton Soigant for each download sold in the UK and 20p for each permanent download sold outside Britain or for every 150 streams.
In her Instagram message, Gardot provides a step-by-step guide for musicians to take part in the project.
1. Film a five-second “video-portrait” of yourself. “Film it horizontally, make sure we can see enough of you, chest to head, and with a fixed camera. It’s like taking a picture but five seconds long and in video format.
“Don’t move too much. Just pose and record in some natural light in front of a neutral background, wearing a solid black or white T-shirt.”
2. Handwritten horizontally, using a large black Sharpie or black crayon on a white piece of paper (standard A4 format suggested), say “From (wherever you are) With Love”.
“Scan or photograph the paper (highest quality possible) and send both items (your photo scan and your video) to the email address: frompariswithloveproject@gmail.com,” says Gardot. “In your email, please include your Instagram handle (if you have one), so we can find you later.
“After receiving these things, we’ll put together a surprising collaborative video clip featuring all your submissions alongside a new piece of music called From Paris with Love.
“A large portion my royalties from this song will be donated to a Covid-19 relief charity to help medical workers during this time. This way, we share as much love as we possibly can together.”
Gardot adds: “Please remember, if you send this along, it means you’re OK for me to use your image in this project, so think about breaking the ‘quarantine pyjama’ uniform if you don’t want everybody to see you that way! Your mom and mine will see this.” Full terms and conditions can be found at https://decca.lnk.to/termsandconditions.
“We’re only collecting these over the next few days, so please don’t wait too long,” advises Gardot. “Feel free to pass this message along. This is just the first step of this collaborative journey, so stay tuned…With love, from Paris.”
No Saving Grace: Robert Plant: was to have headlined Platform Festival this summer
POCKLINGTON’S 2020 Platform Festival, headlined by Robert Plant’s new band in July, is off.
Run by Pocklington Arts Centre (PAC) at The Old Station, the annual festival has “very sadly has been cancelled for Covid-19 health and safety reasons”.
The organisers, PAC director Janet Farmer and venue manager James Duffy, are working on transferring all the 2020 programme to July 21 to 27 2021 and will keep festival-goers updated over the coming weeks.
“We will weather this storm and return in 2021 stronger and more vibrant than ever,” they vow.
Omid Djalili: Booked to open Platform Festival on July 8
The 2020 line-up would have opened with comedian Omid Djalili on July 8, followed by Led Zeppelin frontman Robert Plant’s Saving Grace with Suzi Dian on July 10, and a Saturday bill on three stages, featuring Shed Seven Acoustic: Rick Witter & Paul Banks, Red Hot Chilli Pipers, Ward Thomas, Lucy Spraggan and York country singer Twinnie on July 11.
The BBC Big Band on July 14 and folk-rock stalwart Richard Thompson on July 15 would have completed the festival line-up.
In a joint statement, heartbroken Janet and James say: “Following the continuing developments in the COVID-19 pandemic, we have taken the difficult decision to cancel this year’s Platform Festival.
“The safety of our audience members, artists, staff, volunteers and wider community has to come first and we did not want to put additional pressure on the health and emergency services at this time.”
Shed Seven’s Paul Banks and Rick Witter: Topping Platform Festival’s Saturday bill with an acoustic set
Janet and James continue: “Platform is a labour of love, for PAC staff, and being unable to share it with you all in the venue’s 20th anniversary year is heart-breaking. It is, of course, the choice we had hoped we wouldn’t have to make.
“We looked at the possibility of staging the event at a later date in 2020 but the most important thing for us, other than your obvious safety, is to give our customers certainty and so we have made the decision to move this year’s festival to July 2021.”
Praising Platform’s regular festival-goers, they say: “Platform is nothing without our audience, you make it the great festival that it is. We want to thank you for your patience, support and understanding with us, while we have been working to reschedule the festival for you. We will weather this storm and return in 2021 stronger and more vibrant than ever.”
Dealing with housekeeping matters, they confirm: “If you have already booked your tickets, rest assured these are secured. You will be offered the choice of a refund or the chance to hold on to your tickets for the 2021 edition.
Richard Thompson: July 15 gig would have climaxed the 2020 Platform Festival
“We plan to carry as much of the programme as possible forward and, so far, almost all artists have agreed to work with us on this, which is amazing. We will, of course, keep you updated and we hope to have this all finalised in the coming weeks.
“Please be patient and wait to hear from us. Our box office – and external ticket agencies – is extremely busy and we will contact you in due course.”
Janet and James conclude: “Platform 2021 will take place on July 22 to 27 and we would love to see you all there for our biggest party yet. Stay home, stay safe and look after each other. For urgent enquiries, please email info@pocklingtonartscentre.co.uk.
Mary Coughlan: Pocklington concert moved to September 23
Meanwhile, Pocklington Arts Centre has released an updated list of rescheduled shows for 2020/21, with the prospect of more being added in the coming weeks and months.
The Wandering Hearts, winners of the 2018 Bob Harris Emerging Artist Award at the UK Americana Awards, move their sold-out In Harmony, An Intimate Tour show from April 14 to August 27 2020.
Mary Coughlan, “Ireland’s Billie Holiday”, switches her April 21 gig to September 23; inquisitive folk truth seeker John Smith, from May 21 to November 3, and American singer-songwriter Jesse Malin, June 27 to February 2 2021.
Andy Parsons: Comedian re-booked for April 24 2021
BBC Radio 2 and Channel 5 presenter Jeremy Vine now asks “What the hell is going on?” on February 26 2021, rather than May 1 2020.
Billy Bremner & Me, comedian Phil Differ’s comedy-drama recounting his dream of eclipsing the fiery Leeds United and Scotland captain’s footballing deeds, moves from June 5 to March 11 2021; Herman’s Hermits re-emerge on April 22 next spring, and Mock The Week comedian Andy Parsons’ sold-out April 28 gig is re-booked for April 24 2021.
Led as ever by vocalist Maddy Prior, folk favourites Steeleye Span’s 50th anniversary celebrations of debut album Hark The Village Wait will have to wait until its 51st anniversary, their show now moved from May 3 2020 to May 7 2021.
James Felice, left, Will Lawrence, Jesske Hume and Ian Felice of The Felice Brothers, now to play Pocklington on June 22 next summer
BBC Radio 2 Folk Award winners Catrin Finch, from Wales, and Seckou Keita, from Senegal, will be joined by Canadian multi-instrumental trio Vishten on June 10 next summer, rather than June 13 2020 as first planned.
The Felice Brothers, from the Catskill Mountains, New York State, will be playing almost a year to the day later than their original booking. Ian and James Felice, joined by drummer Will Lawrence and bass Jesske Hume, are in the PAC diary for June 22 2021, replacing June 23 this summer.
The spotlight would have been on their 2019 album Undress, as well as their back catalogue from 2006 onwards, but now there should be new material too.
Courtney Marie Andrews: Watch this space for an upcoming new date announcement
A new date for American country singer Courtney Marie Andrews’ now postponed June 17 concert with her full band should be confirmed in the next week. Her new album Old Flowers will be released on Loose/Fat Possum Records on June 5.
All existing tickets holders for the rescheduled shows are being contacted by the PAC box office for ticket transfers or refunds.
The artwork for Badly Drawn Boy’s new album, Banana Skin Shoes
BADLY Drawn Boy, alias woolly-hatted Damon Gough, will release his first studio album in a decade, Banana Skin Shoes, on May 22 on the AWAL label.
Trailered as a “truly personal and heartfelt collection that skips between musical idioms and emotional extremes”, the 14 tracks were completed last year by Gough at Eve Studios, Stockport, with producer Gethin Pearson, who also mixed the recordings.
Earlier, Gough had worked on tracks for the album with legendary producer Youth at his London studio; Keir Stewart (ex-Durutti Column) at Inch Studios and Seadna McPhail at Airtight Studios.
Badly Drawn Boy last released a studio set, It’s What I’m Thinking Pt 1, Photographing Snowflakes, in October 2010, since when he has composed the soundtrack for Being Flynn, Paul Weitz’s 2012 American film starring Robert DeNiro and Julianne Moore.
This month’s album spans the opening blast of forthcoming single Banana Skin Shoes, with its riotous Beck-meets-Beastie Boys “cartoony” hip hop throw-down, to the immaculately tailored closer I’ll Do My Best, a nod to Gough’s failings, a prayer to his partner and a lyrical tip of the hat to his hero Bruce Springsteen. Take a look at the animated video for the single by award-winning film directors Broken Antler at https://badlydrawnboy.lnk.to/bss-vid
Badly Drawn Boy, alias Damon Gough
In between the two bookends are the retro-futurist pop of Fly On The Wall, evoking the Eighties’ pop-soul of Hall & Oates; the lush piano-and-strings ballad Never Change and the Motown-echoing soul stomper Tony Wilson Said, a celebration of the late, great fixer of the Manchester music scene.
I Need Someone To Trust begins with a nod to Chicago’s soft-rock 1976 chart topper If You Leave Me Now, branching intoa spiritual song of salvation-seeking, while the beautiful, loving I Just Wanna Wish You Happiness sees 50-year-old Gough “dig deep to alchemise the trauma of a break-up into a song of salutation to his ex”.
The track listing on Badly Drawn Boy’s eighth studio album will be: Banana Skin Shoes; first single Is This A Dream?; I Just Wanna Wish You Happiness; I’m Not Sure What It is; Tony Wilson Said; You And Me Against The World; I Need Someone To Trust; Note To Self; Colours; Funny Time Of Year; Fly On The Wall; Never Change; Appletree Boulevard and I’ll Do My Best.
After his sold-out London show at The Roundhouse in January, the 2000 Mercury Music Prize winner will announce more live dates over the coming months. He played Yorfest at York Racecourse in September 2017.
THE Milton Rooms, Malton, are launching an urgent crowdfunding appeal to help the community centre through the Coronavirus-enforced shutdown. Otherwise, closure “for good” could be around the corner.
In a stark statement, chairman Paul Andrews forewarns: “We need to raise £10,000 by the end of September to safeguard the future of the venue. Should the Coronavirus crisis extend for a further three months, that figure will rise to £20,000.
“Without these funds, our wonderful arts and community facility may have to close for good.”
The Milton Rooms offer a wide variety of entertainment, play host to theatre companies and Malton groups and provide a central hub for the Malton Food Festival and monthly markets.
Over the past few months, the Milton Rooms team had been “working hard to put together a programme of events and activities for the whole community”. However, the Covid-19 emergency necessitated the building’s closure to the public for as long as required under the Government strictures to beat the virus.
Flashback: The Milton Rooms in concert mode before the Coronavirus shutdown
The Milton Rooms are registered as a charitable limited company, run mostly by volunteers. Now, with no revenue coming in, the need for financial support to pay outstanding bills, such as utilities and insurance, is urgent.
“It has been amazing to see how the community has pulled together to support one another during the crisis,” says Paul. “Many people have great memories of events at the Milton Rooms, whether it be watching family and friends at the pantomime or Ryedale Youth Theatre, attending dances or musical performances, or taking part in community activities such as yoga, Musical Memories or Vintage Dance.
“Please support us at this very difficult time, so that we can maintain the venue and then thrive as a centre when life returns to normal. If 300 people give £30 each, we will have £9,000 and have almost reached our appeal target.’’
