York Musical Theatre Company singers Mick and Jessa Liversidge on a lockdown walk
YORK Musical Theatre Company will mark Remembrance Sunday with a sixth and final online concert of Covid-19 2020 on November 8 at 7.30pm.
As with each concert, producer and pianist Paul Laidlaw has put together a themed programme for Sunday evening, this one comprising much-loved songs complemented by poems and readings.
“With so many Remembrance events and services cancelled this year, we felt it only fitting to do an online concert marking Remembrance Sunday,” says YMTC publicist and performer Anna Mitchelson. “It’s our last online concert for 2020 and we hope to be back on live on stage as soon as we can in 2021.”
The York Musical Theatre Company poster for their Remembrance Sunday concert
Sunday’s concert will open with Paul Laidlaw’s piano rendition of Nimrod, followed by Chris Jay performing Bring Him Home; Martin Harvey, A Nightingale Sang In Berkeley Square and The White Cliffs Of Dover (piano) and David Martin, Tomorrow’s Dawn.
Next will be Moira Murphy’s performance of Johnny Head In Air (spoken), Charlotte Wetherell, Lili Marlene; Chris Gibson, The Sunshine Of Your Smile; Matthew Clare, Ode To The Eternal Sleep (piano) and Peter Wookie & Elly-Mai Mawson, Danny Boy.
Mick Liversidge will perform Bless ’Em All; Amy Lacy, Moonlight Serenade (clarinet); Mick & Jessa Liversidge, In Flanders Field; Flo Taylor, I Vow To Thee My Country; Moira Murphy, A Story Of Today (spoken), and Martin Lay, Roses Of Picardy.
After Jessa Liversidge’s Let The Great Big World Keep Turning, John Haigh’s contribution will be It Could Happen To You; Peter Wookie, The Poppy (spoken); Sam Coulson, I’ll Be Seeing You, and Helen Singhaten, We’ll Meet Again, the apt finale for both Remembrance Sunday and Lockdown 2. Off-stage But Online 6 will be live-streamed on York Musical Theatre Company’s YouTube channel: https://www.youtube.com/channel/UCiTrGyeP93_to9uYOsvoS4w?view_as=subscriber
We face the second wave…but somewhere on the horizon….
AFTER the tiers of a clown, now comes the even greater frustration of Lockdown 2 from today, knocking the growing revival of arts, culture and life in general back into hibernation.
Nevertheless, in one chink of light, Culture Secretary Oliver Dowden has decreed that theatre companies can continue rehearsing shows in Covid-secure workspaces, behind closed doors, with a view to lockdown being lifted in early December.
Whether that turns out to be a mere fairytale, only time will tell, so please forgive the unpredictability of what may or may not be happening.
Charles Hutchinson picks through the debris of Lockdown 2 to find signs of artistic life for now and the months ahead.
Films, films and yet more films: Aesthetica Short Film Festival has a feast of film to enjoy while being stuck at home in lockdown
It’s started and it won’t finish until November 30: Aesthetica Short Film Festival online
YORK’S tenth anniversary Aesthetica Short Film Festival opened on Tuesday, switching from a spread of historic and modern locations to a digital and live-streamed festival for home entertainment, enlightenment and education on phones, TV sets, tablets and computers.
Films in competition at ASFF 2020 will span animation, documentary, drama, dance, fashion and thriller. This year they will be released in six strands this week, with no fewer than ten programmes per day under the strand titles of Just Another Day On Earth; Humans And Their Environment; Connections: People, Places and Identity; Breaking Down Barriers; Reclaiming Space: Universal And Personal and Keep On The Sunny Side Of Life.
Masterclasses, guest speakers, panel discussions, guest film programmes and an industry market are further highlights of an online festival unimpeded by the new lockdown. Go to asff.co.uk for tickets and to download the full programme.
Kate Bramley’s latest podcast: “Some strange and wonderful goings on at the allotment”
Fighting off the new lockdown blues: Badapple Theatre’s Theatre On Your Desktop podcast
GREEN Hammerton’s Badapple Theatre Company has added a new Kate Bramley play to its Theatre On Your Desktop series as it extends its lockdown season of free podcasts.
Click on https://badappletheatreonyourdesktop.podbean.com/ for The World Is Still Next Door, artistic director Bramley’s account of some strange and wonderful goings on at the allotment as Mo and her young son search for a place to fight off the lockdown blues.
Set during four sunny days in May in deep lockdown, Bramley’s play seeks to capture the power of soundscapes to inspire imagination. “I got really interested in the idea of creating a new short piece with many voices of varying ages and accents, as well as delving into sound montages that evoke settings from our local Yorkshire all the way to Watamu Beach in Kenya,” says Kate. “With a bit of Badapple signature magic-realism thrown in for good measure.”
All roads lead to…21 York wards for York magician and entertainer Josh Benson in York Theatre Royal’s Travelling Pantomime next month
Travelling Pantomime, not travailing pantomime, as the show must go on…hopefully: York Theatre Royal’s alternative neighbourhood watch
YORK Theatre Royal began rehearsals in the billiards room on Tuesday for associate director Juliet Forster’s Travelling Pantomime production.
It could still be pot luck whether the first collaboration between Evolution Pantomimes and the Theatre Royal will go ahead, everything hanging on Lockdown 2’s fate, but plans are taking rapid shape to cement the itinerary for a tour of 21 York wards from December 3, plus York Theatre Royal performances too.
Just Josh magician and entertainer Josh Benson, Robin Simpson’s Dame Dolly, Anna Soden’s Fairy/Singing Captain, Faye Campbell’s Jack/Dick and Reuben Johnson’s villainous Fleshcreep/Ratticus Flinch will rehearse three pantomimes, Jack And The Beanstalk, Dick Whittington and Snow White, all scripted by Evolution’s Paul Hendy, for each show’s audience to vote for which panto they want to see.
Bean team: top row, from left, Jordan Fox, May Tether, Ian Stroughair and Livvy Evans; bottom row, Alex Weatherhill, Emily Taylor, Matthew Ives and Danielle Mullan
The other Jack And The Beanstalk in York this Christmas: York Stage at Theatre @41 Monkgate, York, December 11 to 30
YORK Stage are going full team ahead with their inaugural pantomime, to be staged in the Covid-secure John Cooper Studio, where Perspex screens will be in place for the first time for the traverse staging.
Writer-director Nik Briggs has added West End choreographer Gary Lloyd to his production team, proclaiming: We’re taking our West End-worthy panto to the next level with the addition of Gary to our company.”
Jordan Fox, May Tether, Livvy Evans, Alex Weatherhill, Ian Stroughair, Danielle Mullan, Emily Taylor and Matthew Ives will be the cast bringing life to Briggs’s debut panto script.
Yorkshire Pudding Song: Martin Barrass will lead the Song Sheet singing at Bev Jones Music Company’s Strictly Xmas In The Park concert
Barrass is back: Bev Jones Music Company in Strictly Xmas In The Park, Rowntree Park, Amphitheatre, York, December 13, 2pm
MARTIN Barrass will be starring in a York pantomime after all this winter. Dame Berwick’s perennial comic stooge may be missing out on the Covid-cancelled Kaler comeback in Dick Turpin Rides Again at the Grand Opera House, but now he will lead the pantomime section of Strictly Xmas Live In The Park.
As part of Bev Jones Music Company’s Covid-secure, socially distanced, open-air performance, Barrass will tell a few jokes and orchestrate the song-sheet rendition of You Can’t Put A Better Bit Of Batter On Your Platter Than A Good Old Yorkshire Pud.
Barrass will wear black and pink to honour the late Bev’s favourite colour combination.
Helen Charlston: Performing at the York Early Music Christmas Festival
Early notice: York Early Music Christmas Festival, National Centre for Early Music, York, December 4 to 13
AS the NCEM website states: “We are planning for these concerts to go ahead and are still selling tickets. If the situation changes, we will of course be in touch.”
Fingers crossed, then, for a socially distanced festival in St Margaret’s Church, Walmgate, featuring Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour.
Among the highlights, on December 9, festival favourites The York Waits will present The Waits’ Wassail: Music for Advent and Christmas: Carols, songs and dance from across medieval and renaissance England and Europe, played on shawms and sackbuts by York’s Renaissance town band.
Duran Duran: Making their Scarborough Open Air Theatre debut next summer
A hat-trick of new shows on the East Coast: Duran Duran, Lewis Capaldi and Snow Patrol at Scarborough Open Air Theatre
IN quick succession, Duran Duran, Lewis Capaldi and Snow Patrol have been confirmed for Cuffe and Taylor’s ever-expanding programme at Britain’s biggest purpose-built outdoor concert arena.
Booked in for July 7, Birmingham glam pop band Duran Duran will introduce their first new material since 2015, alongside such favourites as Save A Prayer, Rio, Girls On Film and The Reflex.
Lewis Capaldi: “Buzzing” to be back at Scarborough Open Air Theatre in 2021
Glaswegian singer-songwriter Lewis Capaldi sold out two nights at Scarborough OAT in 2019 and says he is “buzzing” to be returning on July 25 next summer. “It’s a great venue, the crowds there are always unreal and so here’s to another unforgettable night,” he says.
Snow Patrol’s sold-out 2020 Scarborough show had to be scrapped under Covid restrictions but Gary Lightbody’s band are now booked in for July 3 2021. Tickets for all three shows go on sale tomorrow morning at 9am via scarboroughopenairtheatre.com.
Kate Rusby at Christmas…now online
And what about?
THE Kate Rusby At Christmas tour will not be happening, ruling out her South Yorkshire pub carol concert at York Barbican on December 20.
However, in response to the Covid restrictions, the Barnsley folk nightingale has decided to go online instead, presenting Kate Rusby’s Happy Holly Days on December 12 at 7.30pm (GMT). Expect all the usual Rusby Christmas ingredients: sparkly dress, twinkling lights, her regular folk band, her “brass boys”, Ruby the reindeer and a fancy-dress finale.
Tickets go on sale on Friday (6/11/2020) via https://katerusby.com/happy-holly-day/
Miles And The Chain Gang members, left to right, Billy Hickling, Miles Salter, Tim Bruce and Alan Dawson. Picture: Jim Poyner
YORK band Miles And The Chain Gang release their second song and video, Drag Me To The Light, on November 15.
Available on Spotify, iTunes and Apple Music, with the video on YouTube, this follow-up to February’s When It Comes To You reflects the experience of the pandemic lockdown in Spring 2020.
“I wrote the song during lockdown in April,” says frontman Miles Salter. “I was trying to capture the emotional feeling of what was happening, the sense of hunger for human interaction.
“We are social creatures and I think everybody felt the absence of human connection and warmth.”
Drag Me To The Light was recorded in June and July at Young Thugs Studio, at the South Bank Social Club in York, where the video was then filmed in September. “I had no idea that when it came out, it would be during a second lockdown,”’ says Miles, musician, writer, storyteller and presenter of The Arts Show on Jorvik Radio.
Singer and guitarist Miles is joined in The Chain Gang by Billy Hickling, drums and percussion, Tim Bruce, bass, and Alan Dawson, guitar.
Swelling the gang on Drag Me To The Light are Sean McMullan, guitar, Holly Taymar-Bilton, backing vocals, Sam Pirt, accordion, Thomas Rhodes, trumpet, and Jonny Hooker, organ, most of them drawn from the York area.
Hooker also produced the track. “Jonny’s really good to work with and Young Thugs is a great facility,” says Miles. “They want to champion music in the north of England and have enjoyed success with York band Bull, who signed to EMI Records this year.”
Drag Me To The Light is “a bit more funky than things” Salter would write usually. “I think playing with Billy, Tim and Alan has opened me up to other ways of approaching music. It has something of a Nile Rogers feel to it,” says Miles, who then reflects on a very frustrating year.
“As a result of the pandemic, we haven’t played any public gigs. We were due to play our first gig in late-March, and then the first lockdown happened. We’re trying to focus on video and reach people that way.
“We’ve had more than 2,000 views of various things, so that’s not bad, and we’re also developing our social-media presence. We’ve made a lot of progress since the start of 2019. Nobody knew who we were then! So, things are building, slowly.”
Back on Patrol: Snow Patrol re-book cancelled Scarborough Open Air Theatre gig for July 2021
FIRST Duran Duran, then Lewis Capaldi, now Snow Patrol, as Gary Lightbody’s band completes a hat-trick of new additions in quick succession to next summer’s Scarborough Open Air Theatre programme.
Tickets for Snow Patrol’s July 3 concert will go on general sale at 9am on Friday (6/11/2020) via scarboroughopenairtheatre.com
Snow Patrol were booked to play Scarborough OAT this summer, only for the sold-out July 4 show to be ruled out by the Coronavirus pandemic.
Concert programmer Peter Taylor, of Scarborough OAT promoters Cuffe and Taylor, says:“We were gutted when the 2020 season had to be postponed, so we are delighted to be able to confirm Snow Patrol are heading to Scarborough in 2021.
“They are a hugely successful and influential band who have written and recorded some of the best-loved indie rock anthems of the last 20 years. These special songs are going to sound amazing at this unique venue. It’s going to be an incredible night.”
Gary Lightbody, guitar and vocals, Johnny McDaid, keyboards and guitar, Nathan Connolly, guitar, Paul Wilson, bass and Jonny Quinn, drums, have chalked up 17 million global album sales, one billion global track streams, five UK platinum-selling albums, an Ivor Novello award, and Grammy and Mercury Music Prize nominations.
Formed in Dundee, Snow Patrol broke into the mainstream in 2003 with their Final Straw album, riding high on the top five hit Run.2006’s Eyes Open propelled the Northern Irish-Scottish band to a worldwide audience as Chasing Cars became British radio’s most played song of the 21st century.
After taking time out, Snow Patrol returned in 2018 with Wildness, their first studio album in seven years, followed up with a live tour topped off with a homecoming gig for Lightbody, playing to 35,000 fans in his birthplace of Bangor, Northern Ireland.
During lockdown, Lightbody and co recorded The Fireside Sessions EP with the help of a few thousand friends. The five songs were written by fans during a series of streams on Instagram Live dubbed Saturday Songwrite.
In a nod to this collaboration, the EP was released under the banner of Snow Patrol And The Saturday Songwriters. All proceeds from sales are going to anti-poverty charity The Trussell Trust.
More dates will be added to a Scarborough OAT 2021 concert programme running to ten shows already. Watch this space.
“I can’t wait to return next summer,” says Lewis Capaldi as he announces his 2021 Scarborough show
LEWIS Capaldi is “buzzing” to be returning to Scarborough Open Air Theatre next summer.
The 24-year-old Glaswegian singer-songwriter will head to the Yorkshire coast on Sunday, July 25 2021 after selling out two nights – July 20 and August 30 – at Britain’s largest purpose-built outdoor arena in record time in 2019.
“Buzzing to be back playing in Yorkshire again,” says the chart-topping, two-time BRIT Award winner. “Scarborough 2019 was absolutely class, so I can’t wait to return next summer. It’s a great venue, the crowds there are always unreal and so here’s to another unforgettable night.”
Capaldi was nominated for the Critics’ Choice Award at the 2019 BRITs before his breakthrough single, Someone You Loved, topped the UK chart for seven weeks and hit the top spot the US Billboard Hot 100 too.
A nomination for a Grammy Award for Song of the Year ensued, along with a place in UK pop history as the longest-running top ten single of all time by a British artist.
Capaldi’s debut album, Divinely Uninspired To A Hellish Extent, was not only the top-seller of 2019 but is on track to match that feat in 2020. Boasting the singles Before You Go, Grace, Hollywood and Bruises, it is yet to vacate the UK top ten more than 18 months after its release.
His 2021 diary is filling up with headline shows at arenas and festivals across Europe, Scarborough et al.
Scarborough Open Air Theatre programmer Peter Taylor, of promoters Cuffe and Taylor, says: “Lewis Capaldi is quite simply a music phenomenon – a brilliant live performer, a great guy and someone we are beyond delighted to see return.
“When we booked his two Scarborough OAT shows in 2019, they were the biggest headline gigs Lewis had ever announced and they sold out in record time.
“Those shows will live long in the memory as brilliant, magical nights, and so to welcome Lewis back in 2021 – for what will undoubtedly be his third sell-out show here – is really special.”
Forget Rio! Duran Duran are heading to Scarborio next summer
HER name is Scarborio and she dances on the sand…
Oh yes, Duran Duran are to play on the Yorkshire coast next summer, signing up for a July 7 outdoor show at Scarborough Open Air Theatre, when Rio, Girls On Film, Save A Prayer, The Reflex and the rest will be paraded alongside their first new material since 2015.
Tickets go on general sale via scarboroughopenairtheatre.com at 9am on Friday, November 6. Duran Duran VIP Fan Community members will have first access with a pre-sale from 9am on Tuesday, November 3 via www.duranduranmusic.com
Named after Milo O’Shea’s character, Durand Durand, in Roger Vadim’s cult 1968 sci-fi film Barbarella, Duran Duran formed in 1978, joining Culture Club and Spandau Ballet at the paint and frills front of a new wave of glam pop in the early Eighties.
In all, singer Simon Le Bon, 62, keyboardist Nick Rhodes, 58, bassist John Taylor, 60, and drummer Roger Taylor, 60, have sold more than 100 million records worldwide and scored 21 UK Top 20 smashes and 18 American hit singles.
In the freshly minted words of their Scarborough OAT press release: “Consistently fusing art, technology, fashion and a signature sense of style with their unique and infectious brand of music, Duran Duran have proven themselves timeless, always innovating and reinventing, to remain ahead of the curve.”
The Birmingham band last released a studio album in 2015 when Paper Gods peaked at number five. Produced by Mark Ronson and Chic leader Nile Rodgers, alongside Mr Hudson and Josh Blair, it featured collaborations with Janelle Monáe, Red Hot Chili Peppers’ John Frusciante, Kiesza and Jonas Bjerre of Mew.
A global, three-year, sold-out arena tour followed, and now the two-time Grammy, BRIT Award and Ivor Novello winners are working on their 15th studio album, set for release next year when their continuing 40th anniversary celebrations will take in the Scarborough OAT show and headline spots at the Isle of White Festival and Lytham Festival.
Until 1986 Duran Duran had a third Taylor, lead guitarist Andy, in their line-up. Now a fourth Taylor, promoter Peter of Scarborough OAT programmers Cuffe and Taylor, says: “Duran Duran are global superstars and we are so excited to be bringing them here to Scarborough next summer.
“Their live shows are simply epic and fans have been asking us for some time now to bring them here to the Yorkshire coast. It is another massive headline show for Scarborough OAT 2021!”
Next summer’s line-up so far comprises: June 12, Lionel Richie; June 19, UB40 featuring Ali Campbell and Astro; June 20, Ru Paul’s Drag Race: Werq The World; July 7, Duran Duran; July 9, Keane; July 10, Olly Murs; August 17, Westlife, and August 20, Nile Rodgers & Chic. More dates are to be added very soon. Watch this space.
Steven Isserlis: “Infinitely elegiac encore that seemed to crystallize these sad times”
THE floodgates are beginning to open and performers of stature are returning to our concert halls – those that remain open, that is.
Steven Isserlis brought his cello and his regular pianist, Canadian-born Connie Shih, to become the latest in LeedsTown Hall’s Artists’ Choice chamber music series. Their programme was French or French-inspired, the thrilling exception being Adès’s Lieux retrouvés (Rediscovered Places) of 2009.
The original last movement of Saint-Saëns’s First Cello Sonata of 1872 is not the one normally heard today. He replaced it at the instigation of his mother, who possibly found its themes hard to discern. It still made an energetic opener. A page-turning error near the end (by Isserlis) brought it to a brief halt, but he resumed with redoubled fury. No-one could have minded.
The four Adès sketches contrast aspects of nature – water, mountain, fields – in the first three, with a frantic cityscape at the close. The smoothly flowing waters gradually took on more challenging currents, with heightened cross-rhythms. The mountain proved an arduous ascent to an oxygen-free summit, followed by what sounded like a sudden, disastrous return to base (denied by the composer).
The sweet repose and gently leaping lyricism evoking open fields disappeared into the stratosphere. It was only in the finale – described by the composer as a “cancan macabre” – that we had a moto perpetuo of energetic turbulence, taking both players to their limits. These paintings are not pastels, but brilliantly vivid in their detail. The duo took up the challenge with riveting conviction.
Lullabies by Chaminade and Fauré provided a welcome antidote; they were tenderly delivered. Fireworks returned with Franck’s sonata, originally written (1886) for the violin but here in an authorised transcription by cellist Jules Delsart, published two years later.
Since the piano part remains unchanged, it needs to be handled with care since the lower-voiced cello can easily be swamped. Shih pushed Isserlis hard in the finale, where he tossed his tousled mane without great effect on the balance between the two.
No matter: there was plenty to savour elsewhere, notably in his rich, yearning tone in the second movement and the rambling Fantasia that followed.
Duparc’s only foray into chamber music was a cello sonata, written at the age of 19. Its Lento movement made an infinitely elegiac encore that seemed to crystallize these sad times.
Martin Barrass: Back in pantoland for Strictly Xmas Live In The Park
MARTIN Barrass will be starring in a York pantomime after all this winter.
Dame Berwick’s perennial comic stooge may be missing out on the Covid-cancelled Kaler comeback in Dick Turpin Rides Again at the Grand Opera House, but now he will lead the pantomime section of Strictly Xmas Live In The Park.
Presented by the Bev Jones Music Company in a Covid-secure, socially distanced, open-air performance at the Rowntree Park Amphitheatre, the show will be a one-off on Sunday, December 13 at 2pm.
Martin Barrass as Queen Ariadne in his last York Theatre Royal pantomime, Sleeping Beauty, last winter
“I met Lesley Jones, widow of the formidable York producer and director Bev Jones, five or six weeks ago about doing a Christmas show to get people out and about on a crisp winter’s day,” says Martin.
“I’m thrilled to be taking part, and if you’re wondering why I’m wearing black and pink in the publicity picture, they were Bev’s favourite colours.”
Producer Lesley says: “We are delighted to welcome Martin into our company for this special guest appearance and he fits in so well to the company personality. He will lead the audience in the Christmas song with a drop-down song sheet.”
Martin Barrass, right, with AJ Powell, Berwick Kaler, Suzy Cooper and David Leonard at the February 14 launch of their debut Grand Opera House pantomime, now put back to 2021. PIcture: David Harrison
“I’ve chosen the first song-sheet I ever did at the Theatre Royal…about Yorkshire Puddings!” reveals Martin, as he breaks into song from memory: “‘You can’t beat a better bit of batter on your platter than a good old Yorkshire Pud!’
“I did that with Berwick in Sinbad The Sailor in 1984, and I always remember thinking, ‘Are they going to respond?’, but of course they did!” Nobody does it batter, Martin!
Expect a few seasonal jokes too from Barrass, who will be joined in the festive concert’s panto sequence by Melissa Boyd’s Princess, Terry Ford’s villain and Charlotte Wood’s Silly Billy.
“In addition, we’ll have the Dame, the Fairy Godmother, Prince Charming, Jack Ass and other characters,” says Lesley.
Charlotte Wood as Silly Billy for Strictly Xmas In The Park
“The concert will include all the favourite Christmas songs, such as Santa Baby, Jingle Bell Rock and Band Aid’s Do They Know It’s Christmas?, as well as the fun panto section for all the family.
“There’ll be a visit from Santa Claus for all the children, followed by a moving Carols By Candlelight finale, encouraging a sing-along for everyone.”
Rowntree Park Amphitheatre will play host to a non-alcoholic Festive Mulled Wine Van, selling hot drinks for all the family, whether tea, coffee, hot apple juice or children’s drinks, served with light complimentary snacks.
Melissa Boyd’s Princess and Terry Ford’s villain for the Bev Jones Music Company’s Strictly Xmas In The Park
Rehearsals will be held at Rufforth Institute Hall , socially distanced and under a full Covid risk assessment.
All audience members will be temperature tested on arrival and placed into family private bubble areas.
REVIEW: Royal Philharmonic Orchestra Brass (and other thoughts), Leeds Town Hall, October 24
TWELVE heroes from the Royal Philharmonic Orchestra – ten brass players and two percussionists – travelled to Leeds on Saturday to play before an audience of around five dozen.
Simon Wright conducted them in a stimulating mixed bag of music from the last 130 years, plus an early interjection from Giovanni Gabrieli.
Harmless though this may sound, the event was hugely significant. Locally based groups, notably from Opera North, have been appearing at the Town Hall since late August. But this was the first time that a professional ensemble from further afield had appeared there since lockdown.
Later this week, there will be two lunchtime events and three evening lieder recitals, all given by musicians of international standing. And that’s just on the classical side. So, it can be done, all within the regulations: distanced seating, masks worn by the audience, no interval or refreshments. But these are small privations compared to the thrill of live music returning. Leeds Playhouse has been equally adventurous.
In other cities, the silence continues to be deafening. Take York, for example, normally a bastion of classical performance. The Minster, the Barbican, University of York’s Central Hall, all are large venues well suited to music and easily adaptable to the new conditions.
Smaller but equally adaptable is the National Centre for Early Music and the university’s Lyons Concert Hall. All remain resolutely shut. Why? Hasn’t government (our) money been made available to keep such venues open?
Back to the brass. They opened with an ingenious arrangement of Elgar’s Cockaigne (In London Town) by one of their own, trombonist Matthew Knight. Given its complexity, it was a surprising choice as opener and took a while to settle.
But the main theme emerged triumphant on the trombones just in time for the accelerando towards the close. With the Town Hall so empty, and therefore even more resonant than usual, Gabrieli’s Canzon on the seventh tone had a regal clarity, comparable surely to St Mark’s Venice itself, as the two quartets bounced off another; it might have made a better curtain-raiser.
Imogen Holst’s Leiston Suite (1967) delivered five neatly concentrated miniatures, including a sparkling fanfare, a balletic jig and several flashes of her father’s spare harmony, all tastefully interwoven.
Eric Crees’ skilful arrangements of three Spanish dances by Granados were enchantingly idiomatic, rays of mediterranean sunshine. The colours in Duke Ellington’s bluesy Chelsea Bridge were more muted.
Hartlepool-born Jim Parker’s name may not be on everyone’s lips, but most of us have heard his music through his soundtracks for Midsomer Murders, Foyle’s War, Moll Flanders and any number of films. Why he has four BAFTAS to his name became clear in A Londoner In New York (1987), five attractive cameos of the city’s buzz, including steam engines at Grand Central, a romantic walk in Central Park, and the can-can chorus line at Radio City.
London came to Leeds here and we may all be grateful for the glimpse of normality.
“We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York,” says NCEM director Delma Tomlin
THE winners of the Young Composers Award 2020 will be revealed by the National Centre for Early Music, York, in a live-streamed performance on November 11.
At 7pm, Ex Corde Vocal Ensemble, the consort of the Ebor Singers, will perform each of the shortlisted pieces for a panel of judges.
The Coronavirus pandemic enforced the postponement of the 2020 awards, but next month online audience can watch the re-scheduled finals free of charge, tuning in to hear music from the composers of the future performed by artists of the highest calibre.
This national annual award is open to young composers up to the age of 25 and resident in the UK in two age categories: 18 years and under and 19 to 25 . For the 2020 award, composers were invited to create a new polyphonic work for unaccompanied choir, setting either the Our Father (Pater Noster) prayer from St Matthew’s Gospel or the first and last verses of George Herbert’s poem The Flower.
Competing for the 18 years and under award will be Ethan Lieber’s composition The Flower, Eilidh Owen’s As If There Were No Such Cold Thing and Emily Pedersen’s Pater Noster.
Seeking the prize in the 18 to 25 final will be Noah Bray’s Our Father, Sam Gooderham’s Late-Past, Caitlin Harrison’s The Flower, James Mitchell’s The Lord’s Prayer and Fintan O’Hare’s Come Passing Rain.
The live-streamed performance will follow a day-long workshop when the young composers will join composer Christopher Fox, Professor of Music at Brunel University, and Ex Corde Vocal Ensemble.
Judging the finals will be The Tallis Scholars’ director, Peter Phillips; BBC Radio 3 producer Les Pratt and NCEM director Delma Tomlin. The winners, one from each age category, will be announced after the concert.
The Young Composers Award is deemed an important landmark in the careers of aspiring composers. Every year, the winning compositions are performed in public and recorded for broadcast on BBC Radio 3’s Early Music Show. This year’s winning works will be premiered by The Tallis Scholars in a public performance at the Cadogan Hall, London, on March 24 2021.
Delma Tomlin says: “Once again, the NCEM Young Composers Award has attracted attention from all over the UK. This year, we will be live-streaming the excitement and inviting audiences, friends and aspiring young composers and musicians to join us for this highly regarded annual event.
“For everyone working in the arts and entertainment, the last few months have not been easy. We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York. We hope to be able to celebrate in style next year with the public performance at the Cadogan Hall.”
Alan Davey, controller of BBC Radio 3 and classical music, says: “Nurturing young composers is one of our key missions here at BBC Radio 3: we are keen on discovering new voices and supporting emerging talent.
“In the current circumstances, our commitment is more urgent than ever, as we need to make sure creativity survives and thrives in these unprecedented times. We can’t wait to delight our audiences broadcasting the winning compositions by some of the most promising young composers in the UK.”
The NCEM was among the first arts organisations to live-stream performances and festivals as a response to the lockdown. The first concert, broadcast on March 21, attracted more than 60,000 viewers from all over the world, from as far afield as Australia and Japan.
For full details on how to watch the Young Composers Award 2020 performance, go to ncem.co.uk.
