Kacy & Clayton: cosmic alt-country on the North York Moors at The Band Room on Friday
KACY
& Clayton are the first act to be confirmed for The Band Room’s 2020
concert programme at Low Mill, Farndale, near Kirkbymoorside, on the North York
Moors.
Promoter Nigel Burnham has announced a 7.30pm shows for Friday,
when the Canadian duo will be supported by Arborist. Given the capacity of only
100, he recommends booking at thebandroom.co.uk/gigs or on 01751 432900.
“I think our gig on January 31 – Brexit night!
– could be the alternative double bill of the year,” says Nigel. “Kacy &
Clayton brought the house down when they played here last March and we’ll be
rolling out the red carpet for their return, this time with a full band line-up.
“Support act Arborist, from Belfast, are
getting fantastic reviews for their debut album, Home Burial, too.”
Kacy & Clayton, from Wood Mountain, Saskatchewan, are returning to Low Mill after releasing
their fifth album, Carrying On, last October. “In the band are Kacy Anderson –
alias the missing link between Sandy Denny and Emmylou Harris – and her second
cousin Clayton Linthicum, a multi-talented guitarist who could have played on
The Byrds’ Sweethearts Of The Rodeo album if he’d been around at the time,”
says Nigel.
“Some call them ‘folk
roots’, others ‘psychedelic folk’ or ‘cosmic alt-country’. Honestly! They’re
destined for great things. Their fourth album, 2017’s The Siren’s Song, was
produced by Americana icon Jeff Tweedy; they’ve toured with Wilco and The
Decemberists and been mentioned in the same hallowed breath as Grievous
Angel-era Gram Parsons and country rock pioneers Buffalo Springfield.”
Singer-songwriter Benjamin Francis Leftwich,outside York MInster. Picture: Esme Mai
The next date in the Band Room diary is York troubadour Benjamin Francis Leftwich on March 6: his first North Yorkshire gig since the very contrasting York Minster nave on March 29 last year.
“We’re delighted that Ben, such a peerless super-cool singer-songwriter, will be making his long-awaited debut here,” says Nigel, who will welcome Wounded Bear as the support act.
Leftwich, who lives in North London these days, released his third album, Gratitude, on March 15 last year with a launch gig that night at an even more intimate solo show, playing to 50 at FortyFive Vinyl Café, in Micklegate, York.
The Band Room will kick
off a new year buoyed by the Lonely Planet travel guide placing the moorland hall
at number seven in its survey of Britain’s Quirkiest Music Venues. To discover
where else made the list, go to lonelyplanet.com/articles/quirkiest-music-venues-uk.
“People travel from
across the world to see gigs in this picture-perfect Yorkshire hut,” writes Lonely
Planet’s Lucy Lovell. “The wood-panelled Band Room was originally built as a
brass band practice room in the 1920s, and aside from new management and a well-curated
line-up of bands, little has changed since then.
“There’s still no bar,
so don’t forget to bring your own drinks, and enjoy chatting with others who
made the journey across the North York Moors.” All very true, except that the pedant
police would point out the Band Room used to house silver band practice sessions,
not brass band ones.
The tour poster for Viva La Divas starring Katya Jones, Nadiya Bychkova and Janette Manrara. Picture: Colin Thomas
STRICTLY Come Dancing professional trio Janette Manrara, Katya
Jones and Nadiya Bychkova will be on tour this summer, making a
song and dance of Viva La Divas at the Grand Opera House, York, on June 16.
Collaborating with the original producers of Viva La Diva, first
performed in 2007 with dancer Darcey Bussell and singer Katherine Jenkins, this
glamorous show will pay tribute to stars from the Golden Age of Hollywood,
Broadway and West End musical theatre, modern pop divas and female icons with
the greatest impact on the Strictly dancers.
In this all-singing, all-dancing musical extravaganza, Katya, Nadiya and
Janette will star with a cast of dancers and singers as they celebrate Marilyn
Monroe, Madonna, Beyonce, Judy Garland, Celine Dion, Jennifer Lopez and many
more.
Running from June 14 to July 16, the tour has further Yorkshire dates at
Halifax Victoria Hall on June 23 and Bridlington Spa on the last night.
Miami-born Janette Manrara became a Strictly professional in 2013 after performing at the 2009 Academy Awards, appearing in season five of the American version of So You Think You Can Dance, being a principal dancer on Glee and starring in the stage show Burn The Floor for three years.
Among her Strictly highlights was lifting the Christmas Glitter Ball trophy twice with celebrity partners Aston Merrygold and Melvin Odoom. Looking ahead to the summer tour, Janette says: “I’m so excited to be touring the UK with two of my best friends, Katya and Nadiya – and what a show it’s going to be.
“We’ll be celebrating the glitz, the glamour and style of the greatest
divas in showbiz. We’re going to have so much fun bringing this show to
audiences across the UK and I can’t wait. It’s going to be a blast.”
Before making her Strictly debut in 2016 , Russian dancer Katya Jones and her dance partner Neil Jones won the WDC World Show Dance Championships and three titles at the World Amateur Latin Championship.
After her Strictly partnership with politician Ed Balls in 2016, for her second series Katya was partnered with actor Joe McMadden, the pair duly lifting the Glitterball Ball trophy as 2017 champions.
“To tour Viva La Divas across this beautiful country this summer with two incredible dancers, who happen to be my very close friends, is a dream come true,” says Katya.
“How the three of us managed to keep everything a secret for
so long I’ll never know. Finally, we can shout it from the roof tops:
girls on tour! It’s going to be epic.”
Ukrainian-born Nadiya Bychkova made her Strictly debut in 2017 as a
two-time world champion and European champion in ballroom and Latin ‘10’ Dance,
partnering former England goalkeeper David James in the 2019 series.
“I’m thrilled to be part of the Viva La Divas tour this summer,” she
says. “We have an incredible team working on what will be a dazzling show that
I can’t wait for audiences everywhere to see.
“It’s going to be a stunning spectacle full of the elegance, style and
attitude, befitting of the greatest divas’ legacies. And to be touring with two
incredible friends in Janette and Katya is simply the dream team.”
Tickets for the tour go on general sale at 10am on Friday at ticketmaster.co.uk and vivaladivasshow.com; York tickets on 0844 871 3024 or at atgtickets.com/york.
Keaner than ever: Keane are back after a six-year hiatus
KEANE, the rejuvenated East Sussex
chart toppers, are off to the East Coast for a Friday night out at Scarborough Open Air
Theatre this summer.
Tickets for their July 17 gig go on general
sale on Friday at 9am at scarboroughopenairtheatre.com.
Singer Tom Chaplin, sparring partner Tim
Rice-Oxley, bassist Jesse Quin and drummer Richard Hughes returned from a
six-year hiatus last September with the album Cause And Effect.
The birth of their fifth studio album
came as a surprise even to the band from Battle. Chaplin had released two solo
albums, 2016’s The Wave and 2017’s Twelve Tales Of Christmas, but nevertheless missed
working with Rice-Oxley.
So, when Chaplin, Quin and Hughes heard
the songs Rice-Oxley had been composing, they were immediately drawn to them,
both sonically and lyrically, and Keane were reborn. “We’re not some heritage
act,” says Rice-Oxley. “We’ve got a lot of great music in us.”
Ahead of Cause And Effect’s release,
Keane returned to the stage last summer with a string of live shows, not least two
nights at London’s Royal Albert Hall.
The comeback album peaked at number two
last autumn, adding to the success of a career that had chalked up 13 million
album sales, four number one albums, two BRIT awards and one Ivor Novello award
before coming to a halt in 2013 with The Best Of Keane compilation.
Their 2004 debut, Hopes And Fears, elicited
the hits Somewhere Only We Know, Everybody’s Changing, This Is The Last Time and
Bedshaped en route to being ranked among Britain’s 40 best-selling albums of
all time. Next came
Under The Iron Sea in 2006, Perfect Symmetry in 2008 and Strangeland in 2012.
Promoters
Cuffe and Taylor are delighted to have added Keane to this summer’s Scarborough
OAT programme. “As soon
as Keane announced last year they were back and ready to take to the stage
again, we knew we had to bring them to Scarborough,” says director Peter
Taylor.
“This special arena was created for
artists like Keane. Their songs are beautiful, anthemic, the soundtrack to many
people’s lives over the last 20 years, and I’m sure their army of fans cannot
wait to see these songs played live here. I know I certainly can’t.
“Keane are an incredible live band and
this is unquestionably going to be one of the gigs of the summer.”
Tickets for this summer’s shows can be
booked in person from the Scarborough Open Air Theatre box office, Burniston
Road, and the Discover Yorkshire Coast Tourism Bureau, Scarborough Town Hall,
St Nicholas Street; on 01723 818111 and 01723 383636, as well as at scarboroughopenairtheatre.com.
SCARBOROUGH
OPEN AIR THEATRE: 2020 LINE-UP
Tuesday
June 9 – Lionel Richie
Wednesday
June 17 – Westlife
Saturday
June 20 – Supergrass
Saturday
July 4 – Snow Patrol
Friday
July 10 – Mixtape (starring Marc Almond, Heaven 17 and Living in a Box
featuring Kenny Thomas)
LIVERPOOL singer-songwriter Robert Vincent will
showcase his new album In This Town You’re Owned at Pocklington Arts Centre on
February 7, one week before its release on Thirty Tigers.
For this return visit, he will be accompanied on
stage by PAC favourites The Buffalo Skinners in his 8pm set.
“My last visit to Pocklington Arts Centre, supporting
Beth Nielsen Chapman, was such a great night with a lovely music-loving crowd.
So, I’m looking forward to being back and playing for the lovely folk of
Pocklington,” he says.
Vincent has been hailed by veteran BBC presenter “Whispering”
Bob Harris as “the real deal” for his Americana music. On seeing him play in
the Bluebird Café at the Bluecoat, Liverpool’s centre
for the contemporary arts, the legendary broadcaster immediately invited him,
to record an Under The Apple Tree Session in his home studio for his BBC
Radio 2 country show, describing his performance as “absolutely magnetic”.
Vincent
duly received the inaugural Emerging Artist Award from Harris in
2016 and the UK Americana Music Association’s UK Album of The Year in
2018 for 2017’s sophomore work I’ll Make The Most Of My Sins, recorded in his
hometown and mixed in Nashville by Grammy Award-winning producer Ray
Kennedy.
The Buffalo Skinners: playing with Robert Vincent at Pocklington Arts Centre
His 2013
debut, Life In Easy Steps, drew BBC airplay for its title track on Janice Long
and Radcliffe & Maconie’s shows.
He has
since toured the UK supporting Paul Carrack, James Blunt and Squeeze and The
Pretenders at the Royal Albert Hall. Last spring, he opened for Beth Nielsen Chapman
on her Hearts Of Glass tour, including the aforementioned Pocklington show.
Last
summer, Vincent was on the supporting bill for his hero, Pink Floyd’s Roger
Waters, in Hyde Park at British Summer Time and joined
“the Titan of Twang”, guitarist Duane Eddy, across the UK on his
80th birthday tour.
Now comes third album In This Town You’re
Owned, produced by BRIT Award-winning Ethan Johns.
Tickets for Vincent’s Pock gig are on sale at £13.50 on 01759 301547 or at pocklingtonartscentre.co.uk. Vincent has further Yorkshire gigs coming up at The Greystones, Sheffield, on March 25, and Leeds Lending Room the next night.
The Felice Brothers: two brothers, Ian and James Felice, and two friends, Will Lawrence and Jesske Hume
POCKLINGTON Arts Centre
has snapped up The Felice Brothers for a summer gig after director Janet Farmer
saw the Americana band at Willie Nelson’s ranch.
Brothers Ian and James Felice
and their friends, drummer Will Lawrence and bass player Jesske Hume, have crossed the Big Pond this month for a winter tour that visits
Leeds Brudenell Social Club on Monday.
They will return to these
shores for more dates in a summer of American and European gigs, among them
Pocklington Arts Centre on June 23.
A delighted Janet Farmer
says: “I was privileged to see them at Luck Reunion, held at Willie Nelson’s
ranch, and can highly recommend their unique brand of American folk rock. Expect
a raucous and energetic performance that will be something to truly treasure.
“Tickets for this show will sell fast, so I would encourage you to
get yours soon or risk missing out on what will be a sublime show.”
Ian and James Felice
grew up in the Hudson valley of upstate New York. Self-taught musicians,
inspired as much by Hart Crane and Slim Whitman as by Woody Guthrie and Chuck
Berry, they began in 2006 by playing subway platforms and sidewalks in New York
City.
They have gone on to release nine albums of original songs,
drawing comparison with Neil Young and Bob Dylan for their song-writing and
lawless sound. Last year they returned from a three-year hiatus with Undress,
whose songs will be complemented by a selection from their back catalogue on June
23.
Tickets for their 8pm Pock gig cost £20 on 01759 301547 or at pocklingtonartscentre.co.uk.
Did you know?
The Felice Brothers served
as the backing band for Conor Oberst’s 2017 album Salutations and subsequent tour.
Storyteller John Osborne performing You’re In A Bad Way
STORYTELLER, poet and BBC Radio 4 regular John
Osborne returns to Pocklington Arts Centre on February 13 to present his
beautiful, funny and uplifting new show about music and dementia.
Last March, he performed a double bill of John Peel’s
Shed and Circled In The Radio Times in Pocklington. Now, inspired by seeing a
friend’s father face a dementia diagnosis and the warmth, positivity and
unexpected twists and turns the family went through, he has put together You’re
In A Bad Way.
“This is the fifth theatre show I’ve made and it’s
definitely my favourite,” says Osborne. “I loved performing it every day
at the Edinburgh Fringe last summer, and I’m really excited to be taking it on
tour.
“For the past few years, I’ve made storytelling
theatre shows that are funny, true stories of things that I feel are important
to people. This one is a story about what happened to my friend’s dad when
he was diagnosed with dementia a couple of years ago.”
Osborne continues: “It was a really interesting
thing to observe, because although it was horrific and terrifying and sad,
there was so much warmth and positivity and unexpected twists and turns.
“As soon as I started writing the show, it came
together so beautifully and audience members who have had their own personal
experiences of caring for people with dementia have been incredibly positive
about the show having been to see it.”
The poster for John Osborne’s show You’re In A Bad Way
Osborne spent time at a dementia care centre in
Edinburgh to ensure he was fully informed about the experience of caring for
someone with dementia.
“I never
planned to write about something as personal as dementia, and have never
written about a big topic before, but this felt like such a beautiful story
that I wanted to tell,” he explains. “Just because you’ve been diagnosed with something, it doesn’t mean it’s
the end.
“The things we know about dementia
are so sad, but within that there are some special moments. Every time I
perform the show, I feel like I learn new things about dementia.”
Describing the tone of You’re In A Bad Way, Osborne
says: “As it’s such a big topic, I’ve tried to make the show funny and life
affirming and relatable.
“I don’t want it to be sad or serious; I think it’s
important for it to be a good story to someone who has no association with
dementia, as well as being sensitive to those who live surrounded by the
illness.”
Pocklington Arts Centre director Janet Farmer says:
“I was fortunate to see this show at the Edinburgh Fringe last August and
thought it was just so beautifully written and truly uplifting, I knew we had
to bring it to Pocklington. It tackles a tough topic with such humour and
warmth, it really is a must-see.”
Tickets cost £10 on 01759 301547 or at pocklingtonartscentre.co.uk or £12 on the door, with a special price of £9 for a carer of someone with dementia.
Mamma Mia! is on its way to Leeds Grand Theatre on its 20th anniversary tour
MAMMA Mia! will return to Leeds Grand Theatre from November 24 to December 5 on the tour to mark 20 years since the Abba musical’s London premiere.
Tickets will go on
general sale on January 29 on 0844 848 2700 or at leedsgrandtheatre.com.
Built around the music
and lyrics of Benny Andersson and Björn Ulvaeus,Mamma Mia!revels
in Judy Craymer’s vision of staging the story-telling magic of Abba’s songs
with a sunny, funny tale of a mother, a daughter and three possible dads
unfolding on a Greek island idyll.
To date, Mamma Mia! has been seen by more than 65 million people in 50
productions in 16 languages. In 2011, it became the first Western musical
to be staged in Mandarin in China.
Mamma Mia!became the eighth longest-running show on Broadway,
where it played a record-breaking run for 14 years and it continues to play in
London’s West End at the Novello Theatre, where the 20th anniversary
fell on April 6 2019.
The first British tour of Mamma Mia! visited Leeds Grand
Theatre from May 30 to July 8 in 2017.
CULTURE vulture artist Jonny Hannah is teaming up with Lotte Inch Gallery and FortyFive Vinyl Café to bring “a unique Valentine” bond of music and love to York.
Songs For Darktown Lovers, his
exhibition of Double A-sides, will be split between the two independent York
businesses, on show from February 8 to March 7.
Having exhibited with Lotte Inch Gallery, in Bootham, over the years, one-of-a-kind Scottish artist, designer, illustrator and all-round creative spark Hannah is returning to York for his music-inspired collaboration with gallery curator Lotte Inch and her friends Dan Kentley and Dom White at FortyFive Vinyl Café in Micklegate.
Shoe by Jonny Hannah
“Songs For Darktown Lovers roots
itself in all things music, and of course, love,” says Lotte. “With Sinatra’s Songs
For Swinging Lovers playing in the background, this exhibition is an
alternative Valentine for the creatively minded.
“It’s also a love letter to
‘Darktown’, a fictional place that Jonny refers to when modern life becomes too
much, a place with countless retreats, all revealed in his book Greetings From
Darktown, published by Merrell Publishers in 2014.”
The exhibition in two places will
combine newly reinterpreted vinyl sleeves on display at FortyFive Vinyl Café with
prints and hand-painted wooden cut-outs at both venues.
Harmonium by Jonny Hannah
“This will be a rich double-exhibition
of work by a highly respected and totally unique artist,” says Lotte, curator
of both displays. “It will definitely not be your usual Valentine’s cliché,”
she promises.
BAFTA award-winning Jonny Hannah was
born and raised in Dunfermline, Scotland, and studied at the Cowdenbeath
College of Knowledge, Liverpool Art School and then the Royal College of Art in
London.
Pepe Le Moko by Jonny Hannah
Since graduation in 1998, he has
worked both as a commercial designer and an illustrator and printmaker. He lives
by the sea in Southampton, where he is a senior lecturer in illustration at
Southampton Solent University.
Hannah boasts an impressive list of
exhibitions, advertising projects and clients, such as Royal Mail, the New York
Times, the Guardian and Conde Nast, and he has published a series of “undeniably
Hannah-esque” books with Merrell Publishers, Mainstone Press and Design For
Today.
“Many local visitors to next month’s
York shows will recall Jonny’s Darktown Turbo Taxi solo exhibition at the
Yorkshire Sculpture Park, near Wakefield, in 2018,” says Lotte.
Shoe by Jonny Hannah
“For those curious to find out more,
we recommend looking out for the Darktown Turbo Taxi – a must see, even if only in retrospect, through
the website for his London and New York illustration agency, Heart Agency.”
A preview evening to launch Songs For Darktown Lovers will be held from 6pm to 9pm on February 7 at FortyFive Vinyl Café. “You can join Jonny, who will perform an acoustic set with friend, artist and illustrator Jonathan Gibbs before taking to the decks to celebrate our exciting collaboration,” says Lotte.
“It’s a
chance to get lost
in a world filled with art, music and just plain lovely people, with tickets
available at jonnyhannahpreview.eventbrite.com.”
Confederacy Of Dunces by Jonny Hannah
The exhibition’s Double A-side opens on February 8 at Lotte Inch Gallery, now moved to the first floor at 14 Bootham. “With coffee for those with sore heads, and art to further soothe the soul, the gallery will be offering up a selection of new and recently produced work from Jonny’s abounding studio in Southampton,” says Lotte.
“Coffee by FortyFive will be available that morning from 10am at
the gallery for those needing some solace from the previous night’s escapades!
Jonny Hannah will be in residence for the morning too, so be sure to drop by.”
Lotte Inch Gallery is open Thursday to Saturday, 10am to 5pm, or by appointment on 01904 848660. FortyFive Vinyl Café’s opening hours are Monday to Friday, 9am to 6pm; Saturday, 10am to 6pm; Sunday, 10am to 5pm.
Emma Lucia’s Girl and Daniel Healy’s Guy performing Falling Slowly in Once The Musical. Pictures: Mark Senior
DANIEL Healy and Emma Lucia are playing the lead roles together in Once The Musical not once, but twice.
They first did so in the regional premiere in Autumn 2018 at the New Wolsey Theatre, Ipswich, and Queen’s Theatre, Hornchurch.
Now, that production’s director and musical director, the regular team of Peter Rowe and Ben Goddard, have reunited the duo for the first British tour that opened this month (January) and will play the Grand Opera House, York, from February 3 to 8.
First a cult, micro-budget Irish film written and directed by John Carney in 2007, then a Broadway, West End and Dublin show, Once The Musical tells the uplifting yet yearning story of the hopes and dreams of two lost souls, a jilted Dublin street busker and a more positive Czech musician, who unexpectedly fall in love across five short days in the Southern Irish capital city.
“I’ve managed to fool a few people with my Irish accent, thinking I really must be from Dublin,” says Scotsman Daniel Healy:
The touring cast of 16 will be led by Scotsman Healy as Guy and Lucia, from Durham, as Girl, whose chemistry was apparent immediately when press and media were invited to meet the company three weeks into rehearsal at Toynbee Hall in London’s East End: a question-and-answer session introduced with rousing renditions of Irish pub and ceilidh songs and the show’s opening scene.
This peaked with Healy and Lucia’s performance of Glen Hansard and Markéta Irglová’s Oscar-winning signature song Falling Slowly, with all the actor-musician cast playing their part around them, “leaning into the story” in the pub setting.
Daniel’s relationship with Once goes back to “a long time ago”. “My first run-in with the show was when I was doing a show in LA [Los Angeles] called Backbeat and I had an audition for the Broadway version of Once but couldn’t do it because of various reasons,” he recalls.
“But then I understudied the lead and played one of the main characters, Eamon [the music studio manager where Guy and Girl record their album] in the London production, when I understudied Ronan Keating.”
Daniel Healy’s Guy, Emma Lucia’s Girl and Samuel Martin’s Bank Manager in Once The Musical
Daniel is a singer-songwriter in his own right, and friendship with the Boyzone singer turned into a co-writing partnership that elicited Keating’s single Breathe. “After he heard one of my songs, Ronan said, ‘I’d really like to write with you’, so I ended up writing six songs with him and touring with him in his band,” he says.
Emma saw Daniel in Once in the London production. “I was still at Mountview drama school, and doing Beautiful, the Carole King musical, on tour at the time [making her professional debut as Marilyn and understudying the lead role],” she says.
“Then I heard there was going to be a production of Once in Ipswich, and I know the musical director, Ben Goddard, from doing a couple of classes led by him at Mountview.
“You’d do all the songs you’d thought of doing for auditions and he’d give you tips and advice.”
Emma landed the role of Girl after two auditions, and it was only then that she met Daniel for the first time for rehearsals.
” I’ve always loved theatre,” says Emma Lucia. “My dad used to do a lot of am-dram and I knew it was something in my life I always wanted to do”
“Peter and Ben auditioned us separately and they must have felt we would have chemistry once we were put together,” she says. The partnership worked a treat – “we get on really well” – and there was immediate talk of a tour.
“But we needed a producer,” says Emma. “I didn’t think it was going to happen, so it was a quite a surprise when it did, but we’re so pleased,” says Daniel.
“The producers have given Peter and Ben complete control as they loved the show as it was in Ipswich.”
Hearing Emma’s Czech accent on stage in the rehearsal room and then her North Eastern one in the interview reveals how much work she put into preparing for the role. “I’d only met one person from the Czech Republic in my life, and briefly at that, so I contacted the Czech Embassy and they put me in touch with two Czech girls who were here for six months and loved the show!” she says.
It’s not like I’m playing Titus Andronicus, but I do empathise more with the human struggle than the musical one,” says Daniel Healy
“So, we met for a cup of coffee and talked about the show, and I recorded their voices and asked any questions that I felt I needed answering.”
Likewise, Daniel’s Dublin accent sounds spot on. “I think, without being big-headed, I’ve got an ear for accents,” he says. “I’d ask Irish friends too, and it’s all about not being afraid to ask.
“Though being Scottish doesn’t make it easier to learn because, when accents are close to each other, like these two, they’re actually more difficult to separate…but I’ve managed to fool a few people with my Irish accent, thinking I really must be from Dublin!”
Daniel and Emma’s instrumental skills are as important to their roles as their singing and acting. “My dad’s a guitarist, and I did musical theatre from the age of five, and TV dramas and films too, and I’ve now got a parallel career as a singer-songwriter,” says Daniel.
Emma Lucia as Girl in Once The Musical, playing the Grand Opera House, York, in early February
“I could never call myself a busker, but I have busked in the past, but I sympathise more with Guy’s struggle with not having the courage to follow through with his dreams when you hope you can make it as a singer-songwriter.
“It’s not like I’m playing Titus Andronicus, but I do empathise more with the human struggle than the musical one.”
Emma’s path to Once began with an itch to dance from the age of three. “I just couldn’t stand still,” she recalls. “Then I picked up on playing the piano [the instrument she plays in Once] at five years old.
“I’ve always loved theatre. My dad used to do a lot of am-dram [amateur dramatics] and I knew it was something in my life I always wanted to do.”
Exuding an air of positivity, she feels a strong connection with her role as Girl. “She sees it as her mission to help other people, and I empathise with that as I love to do that myself,” says Emma.
Once The Musical runs at Grand Opera House, York, from February 3 to 8. Box office: 0844 871 3024, at atgtickets.com/York or in person from the Cumberland Street theatre.
ANYTHING but plain John Smith, “the
future of folk music”, will play Pocklington Arts Centre on May 21, fresh from a
string of Australian dates.
Raised by the Devon seaside, guitarist,
singer and songwriter Smith cut his folk teeth in the bars and clubs of
Liverpool and has since released six albums, attracted 23 million Spotify
streams and played to audiences in living rooms, festival tents and concert
halls the world over.
Steeped in the lineage of British folk, taking his
cue from Richard Thompson and John Martyn in particular, Smith has evolved an
innovative transatlantic blend of fingerstyle and slide guitar techniques to
frame his songs of love, loss and the journeys we make.
On stage, Smith has opened for Iron and Wine,
Tinariwen and Ben Howard and guested with Jackson Browne, Martin Carthy,
Richard Hawley, Jarvis Cocker, Jerry Douglas, Glen Hansard and Rodney Crowell.
In his occasional role as sideman, he
has played guitar for David Gray, Lisa Hannigan, Lianne La Havas, Joe Henry and
Joan Baez.
Welcoming Smith to Pocklington Arts
Centre, director Janet Farmer says: “With his honey-on-gravel voice and mesmerising
blend of fingerstyle and slide guitar techniques, John is without doubt the
perfect addition to our live music programme for 2020.
“He has quickly amassed a huge following
of loyal fans and has opened for folk greats John Martyn, Davy Graham and John
Renbourn, who described him as ‘the future of folk music’, and now we have the
privilege of welcoming him to our stage.”
Smith has made six albums across 12
years: The Fox And The Monk in 2006; Map Or Direction in 2009; Eavesdropping in
2011; Great Lakes in 2013; Headlong in 2017 and Hummingbird in 2018. Last year came two
October singles, Burden Of The Road and Killing The Blues.
Tickets for his 8pm Pocklington gig are on sale at £15 on 01759 301547 or at pocklingtonartscentre.co.uk.