Category: Music

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Who will be playing at York Early Music Festival from July 3 to 11? Find out here


I Fagiolini, with director Robert Hollingworth, centre, with sparkler: Performing opening concert of 2026 York Early Music Festival

THE 50th anniversary York Early Music Festival will run from July 3 to 11 with the theme of Beyond Borders.

More than 30 concerts will take place in York’s medieval churches, historic buildings and York Minster over nine days.

The festival was created in 1977 by a small group of Early Music enthusiasts and is long established as the premier British Early Music festival, attracting artists and visitors from far and wide.

Anacronia: Making York Early Music Festival on July 4

The festival will open with Monteverdi’s Vespers of 1610, presented by I Fagiolini with the English Cornett & Sackbut Ensemble, under Robert Hollingworth’s direction, on July 3 at 7pm at the sold-out Sir Jack Lyons Concert Hall, University of York. This concert will be broadcast on BBC Radio 3 on July 8.

Last in York for the 2025 York Early Music Christmas Festival, Solomon’s Knot will provide a spectacular summer festival finale at The Quire, York Minster, on July 10 at 7.30pm, when Jonathan Sells will direct singers and musicians performing Friedrich Nicolaus Bruhns’ St Mark Passion by heart.  

The festival will mark the 400th anniversary of the death of the great English composer and lutenist John Dowland by dedicating a whole day to his works on A Day Of Dowland on July 6.

Organist Ben Horden: To Lubeck and Bach concert at Sir Jack Lyons Concert Hall on July 7

Katherine Butler, associate professor at Northumbria University, will open the day with her sold-out 10.30am talk at Bedern Hall entitled Dowland’s Dolour: Music, Melancholy and Self-Fashioning in Elizabethan England.

Lutenist Thomas Dunford will present a selection of Dowland’s 90-plus compositions in The Rarest Musician at the sold-out St Olave’s Church, Marygate, at 1pm, and the Rose Consort of Viols, featuring lutenist Jamie Akers, will perform Dowland’s Teares Of Sorrowe And Gladnesse in the Undercroft, Merchant Adventurers’ Hall (again sold out,) at 6pm. Music by Orlande de Lassus and Alfonso Ferrabosco will complement works both sorrowful and joyful by Dowland.

Dowland’s day will end with Tears Into Light: A Contemporary Reimagining of John Dowland’s Lachrimae, performed by Imago Mundi, directed by Sofie Vanden Eynde, at the National Centre for Early Music, St Margaret’s Church, Walmgate, at 8.30pm.

Top: Lutenist Thomas Dunford. Bottom: Imago Mundi director and lutenist Sofie Vanden Eynde. Both taking part in A Day of Dowland on July 6

Drawing on the insights of scholar-philosophers and the concept of inspired melancholy, Tears Into Light explores how melancholy has been understood through history and how it offers a lens for viewing the present. Dowland’s Lachrimae will be interwoven with American traditional music in a reminder that light can always emerge from darkness.

The opening of the 50th festival will be heralded by the York Fanfare, a specially commissioned piece by Wakefield-born Sam Meredith for the 2026 ensemble-in-residence, the historical wind band [hanse] Pfeyfferey, comprising Lilli Patzold, cornetto, Alexandra Mikheeva, slide trumpet and trombone, and Laura Dumpelmann, shawm.

York Fanfare will herald the festival opening, ahead of July 3’s first concert, on the grass outside the Sir Jack Lyons Concert Hall, and then be performed around the city during the opening weekend, including outside the West Door of York Minster before The Sixteen’s 7.30pm concert there on July 4.

The Sixteen: Presenting Siglo de Oro, Music from the Spanish Renaissance, at York Minster on July 4. Picture: Johnny Millar

Directed as ever by Harry Christophers, The Sixteen will present Siglo de Oro, Music from the Spanish Renaissance, featuring works by Sebastian de Vivanc and Cristobal de Morales, Sir James MacMillan’s Nothing In Vain and the world premiere of NCEM Composers Award alumna Kerensa Briggs’s Lead, Kindly Light. BBC Radio 3 will air this concert on July 9.

The Great Noyze, organised by the International Guild of Town Pipers, has moved from College Green, York Minster, to St Sampson’s Square on July at 4pm.

Further highlights will be Minster Minstrels, From Holborne To Handel, at the NCEM on July 5, 11am; University of York Baroque Ensemble, with Ensemble Hesperi (in-house band at University of York), in The Music Party, NCEM, July 7, 12.30pm; organist Ben Horden, To Lubeck and Bach, Sir Jack Lyons Concert Hall, July 7, 6pm, and Ghent’s B’Rock Orchestra & Vocal Consort, Da Pacem: Sacred Music by Heinrich Schutz and Contemporaries, Sir Jack Lyons Concert Hall, July 7, 7.30pm.

Mezzo-soprano Helen Charlston: Teaming up with tenor Paul Agnew and lutenist Sergio Buchel for A Gentle Air at Merchant Taylors’ Hall on July 9

Clavichord player Steven Devine’s Preludes, Fugues and Fantasies, at All Saints Church, North Street, on July 8 at 12.30pm, has sold out; Yorkshire Baroque Soloists will perform Amphion Anglicus, Chapter House, York Minster, July 8, 7.30pm, and Early Music will meet jazz and modernity in Duo Gambelin’s All’Improviso, Undercroft, Merchant Adventurers’ Hall, July 8, 9.30pm.

On July 9 at 7pm, mezzo-soprano Helen Charlston, tenor Paul Agnew and lutenist Sergio Buchel will feature French songs by Michel Lambert and Sebastien Le Camus in A Gentle Air at the Merchant Taylors’ Hall. In July 10’s Concert by Candlelight at Holy Trinity Church, Goodramgate, soprano Hannah Ely, alto Rebekah Jones and tenor Paul Bentley-Angell will perform songs from the courts of 12th-century France in Love From Afar.

Contre le temps: Le Baiser de la Rose programme at NCEM on July 5

At the heart of the festival is the NCEM’s year-round commitment to supporting emerging talent, this year represented by two young European ensembles, NCEM Platform Artists Anacronía, from Spain, in their festival debut at the NCEM on July 4 at 1.30pm, and the Franco/American medievalists Contre le temps, whose Le Baiser de la Rose programme at the NCEM on July 5 at 8.30pm will be recorded for BBC Radio 3’s Early Music Show for broadcast on a date yet to be confirmed.

Held every two years, the prestigious York Early Music International Young Artists Competition will feature 40 musicians in nine ensembles competing for a series of prizes in a day of thrilling concerts at the NCEM on July 11 from 10am to 5pm.

Duo Gambelin: Early Music meets jazz and modernity in All’Improviso concert at Undercroft, Merchant Adventurers’ Hall, on July 8

This year’s finalists are: I Mastricelli; Il Parrasio; La Mandorle; Lagrime; Nari Baroque Ensemble; Ossian’s Dream; Quarterino; Tra Noi and The Lyons Mouth (formed at the University of York).  

The full programme can be found at ncem.co.uk/whats-on/yemf. Box office: 01904 658338; email at boxoffice@ncem.co.uk; ncem.co.uk or in person from the NCEM.

Festival director Dr Delma Tomlin says: “We’re very excited to be staging our 50th festival, which is brimming with musical delights. The very first festival took place in 1977 and has gone from strength to strength, inspiring the restoration of St Margaret’s Church and the creation of the National Centre for Early Music in 2000.”

York Early Music Festival director Delma Tomlin

“Our 50th edition features world-class ensembles and emerging artists; celebrates the genius of John Dowland; hosts the prestigious York Early Music International Young Artists Competitionand has commissioned the York Fanfare to open the proceedings, making sure the festival gets off to a flying start.

“Last but not least, our media partners, BBC Radio 3 will be back, broadcasting the hugely popular Early Music Show live from the NCEM, presented by Hannah French on July 5 at 5pm with a line-up of guest artists from the festival. We hope you can join us in York for this very special celebration.”

The full programme can be found at ncem.co.uk/whats-on/yemf. Box office: 01904 658338; email at boxoffice@ncem.co.uk; ncem.co.uk or in person from the NCEM.

Solomon’s Knot: Festival finale at York Minster on July 10

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What’s On in Ryedale, York and beyond. Hutch’s List No. 24, from Gazette & Herald

Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson

COLD War espionage, artist open studios on moor and coast, Wright & Grainger in short form and Elvis Costello’s early years revisited make their mark on culture guide Charles Hutchinson.

Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today, tomorrow and Saturday

FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a typically taut tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.

Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.

Rich Hall: Delivering comedy’s version of Chin Music at Pocklington Arts Centre

American comedian of the week: Rich Hall: Chin Music, Pocklington Arts Centre, tonight, 8pm

THE expression “chin music” has two meanings. One is idle talk; the other is a ‘brushback’ throw in baseball or cricket to intimidate the batter. Both describe North Carolina-born Rich Hall’s comedy: idle but intimidating, sharp, quick, splenetic and improvisational. Don’t duck out of seeing him in action in Pocklington tonight. Box office: 017589 301547 or pocklingtonartscentre.co.uk.

Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita at Theatre@41, Monkgate, York

Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, until Saturday, 7.30pm

YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded. 

Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.

The Bluffs’ poster for Unwritten: The Literary Improv Show at Rise@Bluebird Bakery

Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, tomorrow, 8.30pm, doors 7.30pm

YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.

The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.

Easingwold creative duo Wright & Grainger: Presenting Say It & Play It at The Old Paint Shop

The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, tomorrow, 8pm

FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.

Hence Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Paul Weller: Heading back to the East Coast to play Scarborough Open Air Theatre

Seaside excursion of the week: Paul Weller, TK Maxx presents Scarborough Open Air Theatre, Friday, gates 6pm

PAUL Weller follows up April’s release of Weller At The BBC Vol 2 with his return to Scarborough Open Air Theatre for the first time since July 7 2024. The Modfather, 68, will be expected to draw on material from his days in The Jam and Style Council, as well as his solo years, from 1992’s self-titled debut to July 2025’s Find El Dorado. Box office: scarboroughopenairtheatre.com.

Mark Butler: Taking part in North Yorkshire Open Studios 2026

North Yorkshire Open Studios 2026, Moors and Coast, Saturday and Sunday, 10am to 5pm

MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios, including 73 representing the Moors and Coast. Among them will be Boo Barwick-Ward; Iona May Stock; Jo Naden; Sarah Sharpe, Alison Spaven; Anna Matyus; Pam Edwards; Deborah Wilkinson; Iona Harrison; Jonathan Pomroy and Stephen Bird.

So too will Rory Menage; Sue Slack; Mike Nowill; Studio Milena; Clare Belbin; Elizabeth Bailey; Lyn Bailey; Pauline Brown; Sally Parkin; Nettle Cottage Prints; Slab and Slip; Rebecca Callis; Kate Brown; Jess Shaw; Martin Gittins; Alice O’Neil and Gillies Jones. Full details can be found at nyos.org.uk.

Elvis Costello: Revisiting his early years in his Radio Soul! show at York Barbican. Picture: Ray Di Pietro

York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17, 7.45pm

ELVIS Costello plays York Barbican for the first time since May 2013, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.

“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.

Dominic Goodwin: Performing Twice Nightly over two nights at Helmsley Arts Centre

Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm

DOMINIC Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, written and performed by Goodwin and directed by York director Thomas Frere.

Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over  variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.

York printmaker Michelle Hughes holding a copy of her debut book, Printing Birds and Wildlife in Linocut

In Focus

Book event of the week: An Evening with Michelle Hughes, Printing Birds and Wildlife in Linocut, Kemps Books, Malton, tonight, 7.30pm

YORK linocut printmaker discusses her debut book, Printing Birds and Wildlife in Linocut, her creative story and upcoming tenth anniversary in business at Kemps Books. “Liz Kemp has been a huge supporter of my printmaking journey, selling my original prints in the early days, greeting cards over the years, and now stocking my book,” says Michelle. “Do come along and support a fabulous indie gift shop and bookshop.”

Published in February 2026, Michelle’s beautifully illustrated book shares how to design, carve and print birds and wildlife using traditional linocut techniques, guiding  readers from simple one-colour prints through to more advanced multi-colour methods, including jigsaw, reduction and multi-block printing.

“Whether you are completely new to linocut or already exploring printmaking, the book offers clear step-by-step guidance, practical tips and creative inspiration for capturing birds and wildlife in this rewarding craft,” says Michelle.

“During the evening you’ll enjoy my short talk about my journey to becoming a professional printmaker; behind-the-scenes insights into how the book was created, with a chance to see original prints and lino blocks featured in the book and a Q&A session about linocut printmaking, followed by a book signing.

Come and celebrate wildlife, printmaking and the joy of carving and printing by hand.” Tickets must be booked in advance in person in store or at kempsgeneralstore.co.uk/pages/events.

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Fisherman’s Friends to play York Barbican on April 2 2027. Sheffield, Halifax and Bridlington dates announced too

Fisherman’s Friends: In harmony at York Barbican next spring

FISHERMAN’S Friends will make York Barbican a port of call on April 2 on their 34-date 2027 British tour.

The Cornish folk harmony group will play further Yorkshire concerts at Sheffield City Hall on March 19, Victoria Theatre, Halifax, April 23, and Bridlington Spa, November 7 2027.

Fresh from their sold-out 2026 UK dates and an Australia tour earlier this year, Fisherman’s Friends ran their inaugural Fisherman’s Friends Festival at Stithians Showground, Cornwall, in a landmark three-day celebration of music, maritime heritage and Cornish culture from May 28 to 30.

At a time when rising costs and industry pressures have seen many UK festivals forced to scale back, postpone or close altogether, the launch of a new independent festival marked a significant achievement, underlining both the enduring appeal of Fisherman’s Friends and their commitment to championing Cornwall’s culture, community and live music scene.

For a group whose remarkable story has inspired two hit feature films, 2019’s Fisherman’s Friends and 2022’s Fisherman’s Friends: One And All,  and the touring stage musical Fisherman’s Friends The Musical, the 2027 tour marks yet another chapter in an extraordinary journey that began with friends singing on the harbour in Port Isaac to raise money for local causes.

The tour will see Fisherman’s Friends perform across the UK from February through to November 2027, returning to theatres and concert halls nationwide with the humour, camaraderie and stirring harmonies that have made them one of Britain’s best-loved live acts.

Fisherman’s Friends said: “To be announcing another UK tour while opening our very first festival in Cornwall feels incredibly special. We never imagined when we started singing on The Platt in Port Isaac that it would lead us here.

“Launching a festival in Cornwall and seeing audiences continue to support live music means a great deal to us. We’re looking forward to getting back out on the road and seeing audiences around the country once again.”

York Barbican tickets are on sale at https://www.yorkbarbican.co.uk/whats-on/fisherman-s-friends/.

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A temporary inconvenience…

Out of touch: Phone woes for CharlesHutchPress

PLEASE note, phone calls are not being ignored. Alas, the CharlesHutchPress mobile has breathed its last, without warning, necessitating a replacement selection process that is under way.

In the meantime, contact is more than welcome by email at charles.hutchinson104@gmail.com.  Hutch is very happy to arrange interviews on Zoom too.

Normal lines of communication will be resumed pronto and the website will function as normal.

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REVIEW: Paul Rhodes’s verdict on Teddy Thompson, supported by Blair Dunlop, All Saints Church, Pocklington, June 6

Teddy Thompson: Showcasing new album Never Be The Same at All Saints Church, Pocklington. Picture: Paul Rhodes

BOOKING a lover of period touches like Teddy Thompson into Pocklington’s beautiful All Saints Church was a good move.

This wonderful Hurricane Promotions concert was further helped by the fact that Thompson has happy memories of Pocklington, at least the fish and chips, and he was in good form. He has a well-spoken, dry and ironic sense of humour that provided the warmth between songs.

There was plenty of affection too for fan favourite Blair Dunlop. Dunlop sounds fully committed to his Americana sound and showed off new songs in his brisk opening set. Trilobite might be 500 million years out factually but was musically on the money, while Sweet On You could almost be a Teddy Thompson song with its charming surface and darker interior.

Blair Dunlop performing at All Saints Church, Pocklington. Picture: Paul Rhodes

Some singers close their eyes as they sing; Dunlop smiled often. Thompson, on the other hand, stared unnervingly straight ahead, which gave him and his material an edge.

On a casual introduction, Thompson’s new record, Never Be The Same, seems a fairly slight thing, full of short lovelorn songs that sound straight out of the 1960s’ gold era of country pop.

Listen more than once and you’ll be hooked by the clever lyrics, wonderful period production and some gorgeous melodies.

Teddy Thompson’s set list for June 6’s concert at All Saints Church, Pocklington. Picture: Paul Rhodes

As Thompson talked about in his interview with Miles Salter for York Calling, restraint is a key part of his songwriting approach, so each tune is a finely chiselled thing. In concert too, the songs were played straight by a three-piece band (with Mike Robinson on guitars and Chris Jones on drums).

By some sleight of hand, the drummer also was able to add in extra keys, strings and to this reviewer’s ears something at the bottom end.

The Pocklington crowd was treated to ten numbers off that record over the course of the 17-song set, which also revisited some older material. While the first three songs were taken at a clip and sounded a bit too bright, it grew much better.

Teddy Thompson, centre, and his band, guitarist Mike Robinson and drummer Chris Jones, on stage at All Saints Church, Pocklington. Picture: Paul Rhodes

The older songs revealed that Thompson hasn’t wandered too far stylistically in the intervening 26 years. Step Behind, from his first record, showed his style was essentially there from the get-go.

As the sun set and lit up the old stone columns that framed the band, Thompson was by this point fully warmed up, and the wonder that is his singing voice really shone.

I Remember, which sounds like it could have been a country hit for Skeeter Davis, was wonderful and what could have been a Buck Owens riff, while Same Old Song (ironic, but true in a set list that did rather sound the same and stick in the same tempos) was full of lovely period references.

All Saints Church lit up at Teddy Thompson’s concert. Picture: Paul Rhodes

The encore deserved to bring the house down, with a clever solo version of So This Is Heartache. The best song on the new record by a country mile, where it sounds like a lost Stax country classic, Pocklington saw it in naked, devastating form.

The band returned and the anthemic In My Arms rounded off the set. That this song only made it to number 107 tells you everything that is wrong with music charts. Like any number from his catalogue, you wonder when someone else will make it a hit. Until then Thompson remains a well-preserved cult figure ripe for a larger audience.

Review by Paul Rhodes

BLAIR Dunlop will be on the main stage at The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, on August 15. Full festival details can be found at https://www.themagpiesfestival.co.uk/.

The instruments set up for Teddy Thompson’s set at All Saints Church, Pocklington. Picture: Paul Rhodes

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REVIEW: Tim Robinson’s verdict on York Musical Society, Philharmonischer Chor Münster & The Ebor Singers, Elgar’s The Dream Of Gerontius, York Minster, June 6

Conductor David Pipe

IN its 150th year, York Musical Society joined with Philharmonischer Chor Münster and The Ebor Singers to perform Elgar’s The Dream Of Gerontius.

Intensely passionate, strangely driven, deeply spiritual: just three ways to describe this wonderful performance delivered by David Pipe and his choir and orchestra of more than 250.

The passion is right there with the conductor. He embodies the music, every part of him leading this dance, almost balletic in his own movements. Whilst the three choirs have been rehearsing separately, David Pipe’s ability to bring them together on the day is remarkable witness to his outstanding musical leadership.

Sam Furness’s first line, a prayer, after the orchestral introduction, “Jesus Maria – I am near to death and thou art calling me”, was delivered sotto voce and with gorgeous restraint. This was both deeply felt and perhaps a little operatic – hardly surprising that Elgar drew inspiration from Wagner.

Furness handled the many facets of Gerontius’s emotional and spiritual journey with ease, delivering closely knit contrasting lines with consummate skill.

The orchestra accompanied choirs and soloists with great sensitivity. Towards the end of the piece, the Angel sings pianissimo, Softly and gently, dearly ransomed soul. The soloist and orchestra almost melted into each other with the tenderness and assurance of these words.

Kate Symonds-Joy’s Angel gave an exquisite performance throughout, almost still in the quieter moments, yet she gave spell-binding fortissimos, for example in the preamble to the great chorus, “Praise to the holiest”.

James Cleverton, as the Priest and Angel of the Agony, sang with great power throughout, deliberately contrasting with the voices of Gerontius and the Angel.

The three choirs were brought together to produce a great sound. Imitations of laughing (Ha! ha!) were vigorously proclaimed, whilst the great crescendo in “To Praise to the holiest” was delivered with warmth and accuracy. The orchestral accompaniment was always steadfast, flexible and sensitive to the singers.

Such events as these belong to amateur singers who are part of Great Britain and Germany’s great choral societies. This is difficult music both in its technical reach and emotional charge. Their dedicated work over a period of months comes to fruition on this one night. It was good to see both Dr Martin Henning, director of Philharmonischer Chor Münster, alongside David Pipe taking a bow.

Thank you for a terrific evening. Our great choral tradition remains in confident hands.

Review by Tim Robinson, musician, choral and chamber concert reviewer and former Church of England vicar at All Saints’ Church, Helmsley, serving Helmsley and Upper Ryedale Benefice for 11 years until retirement in 2021; also as Area Dean of Northern Ryedale.

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National Brass Band Championships of GB to be held at York Barbican for first time

National Brass Band Championships: Heading for York Barbican

THE National Brass Band Championships of Great Britain will bring 73 of the country’s finest brass bands to York Barbican for the first time on September 19 and 20 for the Sections 1–4 National Finals.

York Barbican has been chosen on account of its top-class concert hall facilities, central location and reputation for hosting major live events, helping attract thousands of visitors to the city across the weekend.

Local interest will be strong, with Yorkshire bands including York Railway Institute Band, Wetherby Silver Band and Swinton & District Excelsior Band qualifying to compete for national honours.

A spokesperson for the championships says: “York Barbican provides an outstanding stage for one of the biggest weekends in the brass band calendar. Audiences can expect incredible live music, thrilling competition and a fantastic atmosphere throughout the weekend.”

Tickets will be available on the day on both days only from York Barbican at £24 for adults, £16, concessions, and £8, children aged 11 to 17.

 The poster for the National Brass Band Championships of Great Britain 2026

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REVIEW: Shed Seven, A Maximum High, 30th Anniversary Show, The Piece Hall, Halifax, June 6 ****

Shed Seven lighting up the Halifax night sky when opening The Piece Hall’s summer season with a celebration of A Maximum High’s 30th anniversary

THIRTY years on, Shed Seven revisited their Britpop magnum opus A Maximum High in full for one night only to launch Cuffe & Taylor’s remarkable summer of no fewer than 41 concerts at The Piece Hall, Halifax.

A Yorkshire start to an international season was a canny choice, and better still, the typically Yorkshire weather forecast of rain at 6pm and 7pm to greet support acts Seb Lowe and The Guest List turned out to be wrong. There was no need to go chasing rainbows; that could wait until the end under the darkening Halifax skies.

Built as a cloth hall for handloom weavers to sell woollen cloth, the 18th century architectural splendour of the Grade I listed Piece Hall makes a natural amphitheatre for outdoor concerts – hence the busier-than-ever 2026 programme – and Shed Seven supporters turned out in full number, 6,500 filling the courtyard and the tiers above that transform as if by magic from two to three tiers. This is Yorkshire’s answer to summer opera at Arena di Verona, no less!

Guitarist Paul Banks on stage against the backdrop of The Piece Hall

The York band had last played here in their first gig out of Covid lockdowns on September 25 2021: strange circumstances, where proximity was gradually being reintroduced; circumstances too where drummer Alan Leach and guitarist Joe Johnson were in their last days before taking an “indefinite  break” from the line-up.

The Sheds returned on the crest of their second wave: two number one albums in 2024, a new album and biggest ever ShedCember tour on the way, and drummer Rob Maxfield’s gold drum kit  and guitarist and keyboards player Tim Wills settled into their groove alongside the familiar axis of bassist Tom Gladwin, guitarist Paul Banks and frontman Rick Witter.

Saturday’s focus, however, was on the past. Advance notice had suggested the set would open with 1996’s A Maximum High in track order, but Witter had promised surprises in his CharlesHutchPress interview. Wasn’t that Dirty Soul, the opening track to 1994 debut album Change Giver, cutting through the Halifax air after the band entered to Elmer Bernstein’s The Magnificent [Shed] Seven theme tune? Indeed so, to be followed by early favourites Mark and Dolphin.

Going for red: Rick Witter in that dazzling shirt, fit to burn any disco down

The grimy Shed Seven graffiti that formed the backdrop in black and white should have been a clue. Then Witter, as alert as ever to audience vibes, chipped in: “We know why you bought your tickets. We’re not stupid! It’s coming but not quite yet.” Cue Speakeasy, Witter’s first mention of his mum being in the audience, and Ocean Pie.

By now, the brass band, such a swell innovation at the Sheds’ brace of York Museum Gardens shows in 2024, and five-part Shed Seven Choir, as featured at Scarborough Open Air Theatre and Glastonbury last summer, had made their entry.

The Shed Seven scrawl made way for A Maximum High’s album cover – matched by trombonist Tim Hurst, saxophonist Andy Cox and trumpet player Jamie Brownfield’s T-shirts – and Witter jettisoned his black shirt in favour of a sparkling red number. He could have gone for gold, but maybe that was in the glitter.

A maximum high hat: Shed Seven drummer Rob Maxfield

Like any album, A Maximum High has its highs and lows, but those highs a very high – Getting Better, Where Have You Been Tonight?, Going For Gold and On Standby, all from Side 1, where track two, Magic Streets, held its own too, preceded  by Witter’s story of the song referring to “a house of ill repute above the Early Learning Centre”. “It’s about prostitutes. No-one knew!” he revealed.

After the audience sang its lusty version of On Standby before Witter joined in, there followed the lesser lights of Out By My Side, Lies This Day Was Ours, Ladyman and Falling From The Sky, some brought out of the vaults for the first time in two decades.

The Sheds gave them their all, Banks’s guitar parts especially so, but it was a lull, nonetheless, saved by the knowledge of what was coming next: schooldays’ crowd favourite Bully Boy, as belligerent and cocksure as ever, and Parallel Lines, the one helluva party album closer, with a light show to boot. No imagery from 30 years ago was shown, Witter painting the picture instead in anecdotes between songs.

The swanky Shed Seven logo, familiar from the past few years, returned for the rushing thrill of encores: High Hopes, latter-day landmarks Talk Of The Town and Let’s Go Dancing and the swaggering finale of Disco Down and Chasing Rainbows, sung by one and all as always as they exited.

Another night, another town, once more Shed Seven had burned this disco down.

Crowd shot: Shed Seven at the finale to Saturday’s A Maximum High 30th Anniversary Show at The Piece Hall

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More Things To Do in York and beyond. Hutch’s List No. 22, from The York Press

Holly Taymar: Playing City of York Roland Walls Folk Weekend

A FEAST of folk music and Shed Seven’s anniversary celebration, a le Carré  thriller and a Willy Russell classic send Charles Hutchinson out and about.

Festival of the week: City of York Roland Walls Folk Weekend 2026, Black Swan Folk Club, Black Swan Inn, Peasholme Green York, today and tomorrow

CITY of York Roland Walls Folk Weekend’s three-day programme of 50 acts continues today and tomorrow with bands, soloists and sessions throughout the pub and in the car park from 1pm each day after last night’s Irish-themed bill in the club room.

Among the performers will be King Courgette, in the return of the original line-up, Leather’O, White Sail, Janglebuddies, Graham Hodge, Monkey’s Fist, Chechelele, Caramba, Holly Taymar, Duncan McFarlane Band, Mary Molloy, Susie Coyle, Soundsphere and Jon Palmer Band. Admission is free, with collections for the Motor Neurone Disease Association.

Stuart O’Hara: York Late Music concert this afternoon

Lunchtime concert of the week: York Late Music, Stuart O’Hara (bass) and Rob Hao piano), Unitarian Chapel, St Saviourgate, York, today, 1pm

MARRYING words and music, bass Stuart O’Hara and pianist Rob Hao’s performance is based around new settings of Yorkshire poets by local composers: James Else &Alan Gillott, Retratos (world premiere, complete song cycle); Tim Brooks & Lizzi Linklater, New Student In The University Cafe (world premiere); Jenny Jackson & Richard Kitchen, Vessels (world premiere) and Nick Carter & Hugh Bernays: The Water Will Not Remember from Requiem for the Arctic (world premiere)

This afternoon’s recital also includes David Power’s Six Songs, based on the poetry of E.H. Visiak, and two new settings by York St John University student composers Robyn Hughes-Maclean and Matthew Jarvis. Tickets: latemusic.org or on the door.

The Elysian Singers: Musical settings of poetry at Unitarian Chapel, St Saviourgate, York. Picture: Linda Dawson

Poetry and music in motion: The Elysian Singers, York Late Music, Unitarian Chapel, St Saviourgate, York, tonight, 7.30pm

DIRECTED by Sam Laughton, The Elysian Singers’ insightful programme celebrates the musical settings of the poet Gerard Manley Hopkins. Benjamin Britten’s A.M.D.G. will be complemented by works by Samuel Barber (Heaven-Haven), Alan Bullard (The Windhover and Spring Morning), Bob Chilcott (The Bethlehem Star) and Ian Stephens (Pied Beauty).

The première of David Lancaster’s new work, Henry Purcell, featuring Hopkins’ tribute to his own favourite composer, provides an opportunity to revisit Purcell’s Remember Not, Lord, Our Offences and O Lord God Of Hosts. David Power’s quirky and imaginative settings of four E.H. Visiak poems completes the line-up, preceded by Lancaster and Power’s 6.45pm pre-concert talk. Tickets: latemusic.org or on the door.

Shed Seven: Marking 30th anniversary of A Maximum High with one-off concert at The Piece Hall, Halifax, tonight

Recommended but sold out already: Shed Seven, A Maximum High 30th Anniversary Show, The Piece Hall, Halifax, today, 6.30pm

YORK band Shed Seven are marking the 30th anniversary of their hit-laden second album, April 1996’s A Maximum High, with a one-off concert at The Piece Hall, featuring the magnum opus in full plus further Sheds’ hits and fan favourites. Expect a few surprises too. The Guest List (6.30pm) and Seb Lowe (7.20pm) support.

Utter Madness: The Nutty Boys stride out at Scarborough Open Air Theatre for the fourth time tonight

Seaside trip of the week: Madness, Scarborough Open Air Theatre, tonight, doors 6pm

IN their 50th year since forming in Camden, Nutty Boys Madness make their fourth appearance at Scarborough Open Air Theatre after previous seaside visits in 2017, 2019 and 2024.

Drawing on 31 Top 40 hits and 11 Top Ten albums, their timeless blend of ska, pop, punk and music hall will be on show as ever in Our House, It Must be Love, Baggy Trousers, House Of Fun et al. The Beat featuring Ranking Jnr and reggae vocalist Hollie Cook support. Box office: scarboroughopenairtheatre.com.

Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold, on tour at Grand Opera House, York. Picture: Johan Persson

Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, June 9 to 13, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees 

FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.

Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.

An open book or something more complex than that? Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita

Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, June 9 to 13, 7.30pm

YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded. 

Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.

Director Courtney Brown in Pickering Musical Society’s Let’s Do It!, The Cole Porter Songbook

Musical kicks of the week: Pickering Musical Society in Let’s Do It!r, The Cole Porter Songbook, Kirk Theatre, Pickering, June 9 to 13, 7.30pm plus 2.30pm Saturday matinee

IN a sparkling showcase of wit, romance, sophisticated melodies and clever lyrics, Pickering Musical Society celebrates the joyous Cole Porter Songbook, performing beloved songs from Anything Goes, Kiss Me, Kate and High Society and such hits as You’re The Top and I Get A Kick Out Of You under the direction of Courtney Brown.

The Sarah Louise Ashworth School of Dance’s vibrant tap, jazz and contemporary routines combine stylish choreography, glamorous costumes and a tribute to the Great American Songbook. Box office: 01751 474833 or kirktheatre.co.uk.

The Bluffs: Short-form improv games infused with storytelling flair at Rise@Bluebird Bakery

Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, June 11, 8.30pm, doors 7.30pm

YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.

The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.

Wright & Grainger: Say It & Play: “Gorgeous weave of our home-grown stuff” at The Old Paint Shop on Thursday. Picture: Afternoon Film

The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, June 11, 8pm

FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.

Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Lincoln Lightfoot: Participating in North Yorkshire Open Studios

In Focus: North Yorkshire Open Studios, Summer edition, June 6 & 7 and June 13 & 14, 10am to 5pm

MORE than 200 artists and makers are taking part in the summer edition of North Yorkshire Open Studios 2026.

Covering three areas of God’s Own Country, from the remote Upper Dales to the Central locations of Harrogate and York and the Moors & Coast, this annual event enables creative talents to open their studios to promote and sell their work directly to the public.

Taking part in and around York will be jewellery designer Helen Drye  (Fountains Close, Riccall); oil painter Pennie Lordan (Moor Lane, Copmanthorpe); artist Emma James (Copmanthorpe Lane, Bishopthorpe); oil painter Lucie Wake (Slingsby Grove); abstract seascape painter Alex Ash (Heslington Lane, Fulford); B-movie poster art pastiche surrealist Lincoln Lighfoot (Brunswick Street) and northern landscape linocut printmaker Jon Haste (South Bank Social Club, Ovington Terrace).

So too are eco jewellery designer Rebecca Mihill (Nunthorpe Grove); mixed-media artist Ali Hunter (Alma Terrace); environment and plant-inspired printmaker Rachel Jones (Richardson Street); stained glass artist, ceramicist and printmaker Veronica Ongaro (Richardson Street); oil painter Di Gomery (Southlands Methodist Church, Bishopthorpe Road) and experimental artist Jill Tattersall (Mount Parade).

Further York artists will be geometric jewellery designer Evie Leach (PICA Studios, Unit 4, Enterprise Complex, Walmgate); animal artist Katrina Mansfield (PICA Studios); figurative artist Lesley Shaw (PICA Studios); Irish landscape artist Lisa Power (PICA Studios); rag rug maker Lu Mason (PICA Studios) and cityscape and architecture artist Ric Liptrot (PICA Studios).

In the line-up too will be abstract rust and gold metal-leaf artist Jo Walton (Rogues Atelier, Franklin’s Yard, Fossgate); illustrator and screen-print gig poster artist Kai West (Rogues Atelier); mixed-media figurative artist Mo Nisbet (Acomb Road); nature and animal acrylic artist Nicola Glover (Beech Grove); stoneware potter Hannah Arnup (Arnup Studios, Panman Lane, Holtby); natural world artist Kate Pettitt (Arnup Studios); fine art photographer Lesley Peatfield and enigmatic, ethereal artist Michelle Galloway (Arnup Studios).

Look out too for pattern-led tropical botanical artist Emily Littler (Sugar Hill Farm Stockton Lane); stone and wood sculptor Janie Stevens (Greenthwaite, Chantry Green, Upper Poppleton); Japanese-inspired British plant, flower and animal artist Toby Staunton (The Cottage, Main Street, Shipton by Benuingbrough); landscape artist Gonzalo Blanco (Rose Dene, Moor Lane, Strensall) and multi-media figurative and abstract artist Andrew Bloodworth (Stonelands Close, Sheriff Hutton).

The names keep coming: mixed-media landscape artist Justine Warner (Laburnum Cottage, West End, Sheriff Hutton); “happy accidents” land, sky and water artist Graham Jones (Harland House, Main Street, Huby); nature artist Nora Gaston (Moat House, Boroughbridge Road, Green Hammerton); experimental landscape artist Freya Horsley (Corner Cottage, The Green, Tollerton) and Bee-spoke Quilts’ hand-made quilt, jackets and waistcoats (Apple Croft, Gale Road, Alne),

Completing the list for York & beyond will be milliner Jane de Carteret’s woodland-type creatures (Apple Croft, Alne); Gina Bean’s semi-abstract North Yorkshire landscapes (The Bentleys, Lower Dunsforth); beach, dale and vale artist Richard Gray (Burnside, Spring Street, Easingwold); landscape artist Jeff Parker (Roedeer House, Raskelf Road, Raskelf) and Anya Manfield’s abstract textile wall hangings, mixed media artworks and layered collage pieces (Amber Cottage, Kilburn).

The full list of artists and makers can be found at nyos.org.uk. The Winter North Yorkshire Open Studios 2026, featuring the same names, is in the diary for November 7 and 8, 11am to 4pm.

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York Festival of Ideas 2026 event of the day: National Centre for Early Music presents Olivia Chaney, Sons Of Art: Purcell Revisited, NCEM, York, June 5, 7.30pm

Olivia Chaney

OLIVIA Chaney, York musician, Grammy nominee and haunting voice of Emerald Fennell’s “Wuthering Heights”, plays a sold-out concert for York Festival of Ideas tonight.

Olivia’s deep connection to the music of Henry Purcell runs throughout her life. Now comes Sons Of Art, her latest performance and album project highlighting the deep affinities between the Baroque composer and the modern singer-songwriter: a shared immediacy, a delight in word-setting and a fearless mix of high art and street culture.

For Olivia, this is not classical crossover but a radical reclamation – a conversation across centuries that feels startlingly fresh. Tonight’s show is part of a tour heralding the upcoming Purcell album, as this modern English songwriter, now 44, reimagines Purcell’s works in a refreshingly natural and contemporary way, alongside original compositions and a chamber ensemble.

“It’s kind of a home show, as I’ve lived in York for seven years,” says Olivia. “My now husband [George Younge] was a lecturer in medieval history at the university, but he’s quit to be a furniture designer and maker, with his workshop in Escrick, though we may be moving from York.

“For this concert, I’ve been corresponding with Delma (NCEM director Delma Tomlin] and thought how nice it would be to combine with the York Festival of Ideas.

“I’ve played a few shows in York before, but usually at the Sir Jack Lyons Concert Hall [at the University of York].”

Olivia, however, also took part in a poignant concert on February 28 at the NCEM, where Eliza Carthy and Special Guests performed The Songs of Martin Carthy in celebration of the Robin Hood’s Bay folk titan’s 60-year legacy.

“It was a really emotional night, and I did something – I wept,” she recalls. “We’d just done The Life & Songs of Martin Carthy, a huge event at EartH Theatre, in Hackney, in September put on with Jon Wilks, with all the great and good of the folk world, Maddy Prior, Billy Bragg, Peggy Seeger, Martin Simpson, Eliza, Martin, and video contributions by Paul Weller, Van Dyke Parks and Bob Dylan. That one was particularly moving, Dylan saying Martin was a huge influence on him.”

Since then, Olivia had been to America to record her next album. “I came home, jumped in the shower and headed to the NCEM to pay tribute to Martin. I hadn’t expected him to be there [given his health], but then I saw him shuffling out of the green room to watch the concert. It was such a moving night.”

Now, Sons Of Art finds Olivia renewing her creative partnership with New York producer-pianist Thomas Bartlett. “The first album I made with him was called Shelter,” she says. “I’d written it on the North York Moors at Hawnby – before I lived in Yorkshire – when I’d been touring heavily in America and wanted to get away from everything. I had a Bechstein piano that my friends helped me transport there, then I had this surreal experience of writing songs in this bucolic setting and then recording them in mid-Manhattan!”

The release of next album Circus Of Desire, was delayed by Covid’s intervention, being held back until 2024. In the hiatus, her Six French Songs EP emerged in 2023.

“My third album with Thomas [the aforementioned Sons Of Art] will come out next year, and this season’s shows are a signposting of the start of the project: one that I’ve wanted to do for more than a decade, revisiting Purcell.”

Meanwhile, Olivia’s profile has been heightened by the presence of her stark, haunting rendition of the 19th century traditional folk ballad Dark Eyed Sailor in a pivotal scene in Emerald Fennell’s outre film “Wuthering Heights”.

“In a sense, I can’t answer completely how it came about in that the director ‘stumbled across the song’, like how after I made Six French Songs, French director Andre Techine – who had Catherine DeNeuve in all his films – found my song Auprès de ma Blonde, one of the first things I put on YouTube, which I then re-recorded for him.” she says. “The film was premiered at Cannes but never got taken up, so I’ve never seen it.”

Back to Emerald… “Having seen other movies by both Andre and Emerald, I think they were each looking for music to drive their narrative, so maybe that’s why Emerld settled on Dark Eyed Sailor, which she decided would be in “Wuthering Heights” right from the beginning.”

What’s more, Emerald was insistent on using the version she had first heard, rather than a new recording. Namely, Olivia’s recording to harmonium accompaniment for BBC Radio 2’s The Folk Show, made on May 22 2013. “There’s something about the rawness of radio sessions, and that was my first ever live session for Mark Radcliffe’s show,” she says.

“I remember painting my nails on the way to the studio, and I guess that session was the beginning of me finding my sound, delving back into folk music.

“In a way it’s a surprise that Emerald hasn’t chosen something from my albums, but she ended up using the song twice, once when  Cathy realises she has married the wrong man, and then later an instrumental version, orchestrating out my harmonium.”

How did Olivia react when she attended the premiere. “What was a big surprise was that I thought it might be a little bit imperceptible, or be swamped  by all the other music [by Charli xcx], but I was struck by how spare it was, so that you could hardly hear my harmonium,” she says.

“Emily Brontë’s novel is in my top ten, and I thought, ‘how can they use this happy song?’, but Emerald uses it so cleverly, where it’s seven years since Heathcliff went away and has now returned, so the theme is fidelity, as so many songs about sailors and soldiers are.”

Olivia reckons Fennel’s previous work, Saltburn, is superior. ““Wuthering Heights” is so ambitious, so hard to pull off, but where it maybe fails is in its humour,” she says. “But then there is no humour in my work. I’m not into humour in my art. I like humour but I want to be moved by art.”

Olivia Chaney, Sons Of Art: Purcell Revisited, National Centre for Early Music, Walmgate, York, tonight, 7.30pm. SOLD OUT.

Olivia Chaney: back story

BORN in Florence to a writer and painter-turned-academic, Olivia  grew up listening to everything from Prince to Joni Mitchell to Henry Purcell.

This eclectic mix of influences sparked a passion for song-writing that she nurtured at Chetham’s School of Music and The Royal Academy.

After showcasing at SXSW and a stint as lead singer for electronica outfit Zero 7, she signed with Nonesuch, leading to collaborations with Kronos Quartet and a Grammy nomination for Offa Rex, The Queen Of Hearts, a collection of Fairport Convention-era classics made with Portland, Oregon band The Decemberists in 2017.

Olivia’s first solo album, 2015’s The Longest River, produced by Leo Abrahams, was followed by 2018’s Shelter,  recorded in New York City with producer-pianist Thomas Bartlett. Both explored inherited trauma, the clash of tradition and modernity and the paradoxes of love. 

In 2023 came Six French Songs, her spontaneous set of French chanson, from medieval ballad to 1960s’ pop, made over two summer evenings at Reservoir Studios with Bartlett and violinist Sam Amidon.