Category: Music

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What’s On in Ryedale, York and beyond. Hutch’s List No. 36, from Gazette & Herald

Jared More, left, and Matthew Rutherford in Riding Lights Theatre Company’s The Selfish Giant

A GIANT in a  garden, Wendy turning piratical in a re-imagined Peter Pan,  a slapstick take on The Three Musketeers and an enlightening Helmsley exhibition are among Charles Hutchinson’s highlights in the week ahead.

Inspirational tale of love and generosity of the week: Riding Lights Theatre Company in The Selfish Giant, Friargate Theatre, Lower Friargate, York, until Saturday, 1.30pm and 4.30pm

STEP into the magical world of the Giant’s garden, a place full of music, beauty, bird song and stories in Jon Boustead’s stage adaptation of Oscar Wilde’s The Selfish Giant. The Giant, however, is cross when he returns to find children – children! – playing happily in his beautiful orchard, whereupon he erects a big wall to put a stop to all the fun.

Once winter seizes the garden in its icy fingers, will summer ever return? Through storytelling, interactive games, live music and puppetry, York company Riding Lights presents a 50-minute play for family audiences. Box office: 01904 613000 or friargatetheatre.co.uk. Age recommendation: Three upwards.

York Theatre Royal Youth Theatre’s cast in Wendy & Peter Pan. Picture: James Drury

Neverland revamped: York Theatre Royal Youth Theatre in Wendy & Peter Pan, York Theatre Royal, tomorrow to Saturday, 7pm plus 2pm Saturday matinee

YORK Theatre Royal Youth Theatre returns to the Main House stage for the first time since 2019 for 46 performers, aged eight to 19, to present Ella Hickson’s feminist take on J M Barrie’s Peter Pan in Lydia Crosland and Sophie-Jade Howell’s large-scale production.

A quiet sadness permeates the Darling household, until the unexpected arrival of a mischievous young boy called Peter and a rather sassy fairy, Tink, whereupon Wendy leads the rebellious lost boys, takes on the terrifying Captain Hook, finds the key to her parents’ lost happiness and discovers the power of being brave and strong. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Romantics, Mystics and Revolutionaries

Spoken-word gig of the week: Say Owt presents Romantics, Mystics and Revolutionaries by Pete the Temp, Theatre@41, Monkgate, York, tomorrow, 7.30pm

POET, author and comic Pete the Temp’s Romantics, Mystics and Revolutionaries is a spoken-word show about rebellion, resistance and wild imagination. The 1800s’ Romantic movement began as a rebellion: against empire, industry and the mechanisation of the soul. Yorkshire became the epicentre of its rebellion. ​

Tomorrow’s storytelling stage show fuses scholarship with music, comedy and poetry in a spellbinding history of riot, repression and psychedelic experimentation. As we face this age of despair, find out what we can learn from past dreams of freedom and renewal. Bangladeshi-Geordie spoken-word poet and creative practitioner Tahmina Ali supports with her explorations of identity, belonging, motherhood, mental health and cultural inheritance, viewed through a distinctly northern lens. Box office: tickets.41monkgate.co.uk.

Our Star Theatre Company: Whirlwind of confusion, mayhem and comical mishaps in The Three Musketeers

Slapstick silliness of the week: Our Star Theatre Company in The Three Musketeers, Joseph Rowntree Theatre, York, Friday, 7.30pm  

OUR Star Theatre Company’s re-telling of The Three Musketeers is packed with humour, audience participation and energetically silly turns as a small troupe of performers gears up for its debut performance of Alexandre Dumas’s story.

However, what starts as a simple theatrical endeavour soon unravels into a whirlwind of confusion, mayhem and comical mishaps. From forgotten lines to chaotic set changes, the actors become entangled in a series of blunders. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

York actress Frances Marshall in rehearsal for Alan Ayckbourn’s The Trial Of Romeo Oscar. Picture: Tony Bartholomew

Premiere of the week: Alan Ayckbourn’s The Trial Of Romeo Oscar, Stephen Joseph Theatre, Scarborough, Friday to October 4

ALAN Ayckbourn’s 92nd play is his first courtroom drama, one set in the future, as he explores the question that artists have been asking for centuries: what makes us human?

In 2194, humanity is scattered around the solar system and day-to-day life on Earth looks very different. Preparations are underway for a landmark legal case. Romeo Oscar, a military issue android, is on trial for murder: the first non-human to be tried in a court of law. The evidence is polarising and selecting an impartial jury is proving a challenge. Box office: 01723 370541 or sjt.uk.com.

See the world more curiously in: Be Like Blippi, York Barbican, Saturday, 1pm and 4pm

JOIN Blippi and Meekah for a one-of-a-kind interactive adventure that inspires children to move, play and explore like Blippi in a new show packed with high-energy music and surprises, featuring fan favourites The Excavator Song, Monster Truck, Dino Dance and Curious Like Me.  

Equipped with Blippi’s signature mix of play, learning, and exploration, Be Like Blippi invites you to break out your orange Blippi glasses and ignite your spark of curiosity. Please note, Blippi and Meekah will be played by professional stage performers. Box office: yorkbarbican.co.uk.

The Illegal Eagles: Checking into the Hotel California at York Barbican

Tribute gig of the week: The Illegal Eagles, Hotel California Tour, York Barbican, Sunday, 7.30pm

THE Illegal Eagles mark 30 years on the road in 2026 with their new Hotel California Tour.  Renowned for their vocal and guitar prowess and ability to re-create the legendary sound of the Eagles, the tribute act’s milestone itinerary features a full performance of the iconic Hotel California album, featuring Life In The Fast Lane, New Kid in Town and the unforgettable title track. Expect all the timeless Eagles greatest hits too. Box office: yorkbarbican.co.uk.

Robert Dutton & Andrew Moodie: Launching Into The Light exhibition at Helmsley Arts Centre

Exhibition of the week: Robert Dutton & Andrew Moodie, Into The Light, Helmsley Arts Centre, September 8 to 30

THIS exhibition presents landscapes that evoke a strong affinity for different reasons. Dramatic mountainous terrain, breathtaking moorland landscapes and coastal sea sand and communities all have their place.

“We hope that Into the Light may extend beyond the artwork to suggest a sense of optimism, moving from darkness to light, in a sometimes troubled world,” say artists Robert Dutton and Andrew Moodie. “The paintings are presented both to inspire you and also to bring you that same sense of awe and wonder with nature that we felt as we painted them, enjoying the unique quality of the light that led us to each location.”

Jeanette Hunter’s Pearl, left, Jackie Cox’s Jan, Nicki Clay’s Shelley and Gemma McDonald’s Linda in MARMiTE Theatre’s Ladies Day. Picture: Lucy Baines

Racing romp of the week: MARMiTE Theatre in Ladies Day, Theatre@41, Monkgate, York, September 8 to 12, 7.30pm plus 2.30pm Saturday matinee

LIFE is one long slog for four fish factory packers from Hull, Pearl, Jan, Shelley and Linda, but their fortunes could change when they head to Knavesmire on the day Royal Ascot came to York in 2005.

Factory hairnets make way for fascinators as the friends hit the racecourse for an unforgettable day out. Secrets are spilled, along with copious amounts of champagne, as their friendships are tested to the limits in Martyn Hunter’s s production of Amanda Whittington’s comedy gem. Box office: https://tickets.41monkgate.co.uk/

Louisa Ashdown in the rehearsal room for Hephaestus Theatre’s Richard iii Redux

Introducing: Hephaestus Theatre in Richard iii Redux, The Basement, City Screen Playhouse, York, September 10, 7.30pm

UNIVERSITY of York theatre graduates Eleanor Doig (producer) and Louisa Ashdown (director and performer) introduce new York company Hephaestus Theatre in Kaite O’Reilly and Phillip Zarrilli’s dark comedy Richard iii Redux.

The company’s mission is to tell disabled stories and put disabled and neuro-diverse actors on stage and behind the scenes, this time with Ashdown playing The Actor opposite Georgina Way’s Presenter (on film) in a journey to find who the real Richard iii was while exploring the challenges of being a disabled actor. Box office: eventbrite.co.uk.

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Jazz singer Beverley Beirne to showcase new songs at The Old Paint Shop at York Theatre Royal Studio on October 10

Beverley Beirne

ILKLEY jazz singer Beverley Beirne will play The Old Paint Shop cabaret season on her return to York Theatre Royal Studio on October 10.

“For this performance, I’ll be singing material from both my latest albums, some fantastic jazz standards from the Great American Songbook, jazz arrangements of other genres, original songs by Duncan Lamont and a preview of some of my compositions that I hope to record next year as part of my fourth studio album,” says Beverley, who first brought her trio to the Theatre Royal Studio in February 2025.  

“Alongside me will be London jazz stars in their own right, John Crawford on keys and Andy Hamill on double bass, and Yorkshire drumming star Steve Hanley.”

Beverley, who released debut album Seasons Of Love in January 2012,  has performed at leading clubs throughout the UK and Europe including Ronnie Scott’s, Pizza Express Jazz Club, 606 Club, The Stables (the late Cleo Laine’s Buckinghamshire venue), Gregory’s in Rome and Venice Jazz Club, as well as headlining Marsden Jazz Festival and Limerick Jazz Festival with her band of leading British musicians.

Her most recent album, July 2021’s Dream Dancer, was in the Grammy long-list for Best Jazz Vocal Album and featured Old Brasil, written by saxophone legend Duncan Lamont, originally as the theme to the 1970s’ children’s programme Mr Benn, which lodged at number two on the Roots Charts in the United States for several weeks.  

Released on 33 Jazz Records, the album focuses on Beverley’s takes on songs of hope, passion, living life to the full, day dreaming, regret, love lost and love found and ultimately dancing through the game and rhythm of life. 

Produced by Grammy-winning New York producer Jason Miles, who has worked with Luther Vandross, Miles Davis and Sting, Dream Dancer’s repertoire includes Irving Berlin’s little-known Reaching For The Moon and Bill Withers’ Grandma’s Hands, highlighting Beverley’s comparison to Anita O’Day and Cleo Lane. 

Beverley also interprets two number one hits, David Bowie’s Let’s Dance The Clash’s Should I Stay Or Should I Go in a bluesy version, on that album.

Miles also produced Beverley’s previous album, 2018’s Jazz Just Wants To Have Fun, featuring her interpretations of Come On Feel The Noise (Slade’s Cum On Feel The Noize), Adam Ant’s Prince Charming, Bananarama’s Cruel Summer, The Specials’ Ghost Town, ABC’s When Smokey Sings, M’s Pop Muzik, Right Said Fred’s Deeply Dippy and more 1980s’ hits besides.

“Beverley has one of those voices that you can keep on listening to,” he says. “I just don’t hear many jazz singers today like her.”

In 2020, Beverley recorded The Ilkley Suite, a commission for Ilkley Jazz Festival composed by pianist Jamil Sherif, head of jazz at Leeds Conservatoire, who was joined by a trio of Leeds Conservatoire educators, bassist Gary Jackson,  drummer Dave Walsh and saxophonist Nadim Teimoori.

Looking ahead, Beverley says: “The new album is coming along really well and I can’t tell you how much the process of writing a whole album of originals has taught me, not just about the music, but about myself too.

“There’ll be more about that at the gig, so come along! Be the first to hear my own tunes before we head into the studio to record them. I’m incredibly excited to share what I’ve been working on.”

Tickets for the Beverley Beirne Quartet’s 8pm concert on October 10 are on sale on 01904 623568 or at yorktheatreroyal.co.uk.  

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More Things To Do in York & beyond from Aug 29 as Making Waves waves goodbye. Hutch’s List No. 35, from The York Press

Katsushika Hokusai’s The Great Wave Off Kanagawa, from Making Waves: The Art of Japanese Woodblock Print at York Art Gallery, on loan from Maidstone Museum

FROM Making Waves’ finale to 50 years of Aardman, a comic convention to a slapstick Three Musketeers, Charles Hutchinson highlights a diverse week ahead.

Last chance to see: Making Waves: A Closing Celebration, York Art Gallery, Exhibition Square, York, today and tomorrow, 10am to 5pm

YORK Art Gallery marks the closing of the Making Waves: The Art of Japanese Woodblock Print with a two-day festival of music, workshops, creative activities and food and drink for all the family in the gallery and York Museum Gardens. Making Waves talks take place at 11am and 2pm each day; The Art of Kokedama in the Studio today has sold out  but limited tickets are available for 11am tomorrow.

Highlights in the gardens include the Ippuku Tea Stand today, 10am to 5pm (free); Japanese Gardening Society today and tomorrow, 10am to 5pm (free); face painting, today and tomorrow, 10am to 4.30pm; Paddle in the Surf: Mokuhanga printmkaing, today and tomorrow, 10.30am to 4.30pm; sun ring making, 10.30am to 4.30pm (free); Jiu Jitsu performance, today and tomorrow, 2pm (free); Taiko drumming performance, Sunday, 11am and 3pm, with interactive session at 1.30pm (all free), and Micklegate Choir performance of Sound Waves, tomorrow, 12 noon (free). Koto Japanese harp music performances will be at 10am, 11.20am, 12.40pm, 2pm and 3.15pm in the Foyer tomorrow (free). Exhibition admission tickets: yorkartgallery.co.uk.

York singer-songwriter Beth McCarthy: Opening August 29’s bill on The Grid Stage at Leeds Festival at Bramham Park. Picture: Leeds Festival

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, continuing August 29 and 30

TODAY serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office for day tickets: leedsfestival.com/tickets.

Aardman In Concert: Celebrating 50 years of clay, comedy and creativity with a live orchestra at York Barbican

Film celebration of the week: Aardman In Concert, York Barbican, August 29, 1pm and 3.30pm

FIFTY years of Wallace & Gromit, Shaun the Sheep, Timmy Time, Morph and Creature Comforts are marked in a heart-warming big-screen celebration, clay, comedy and creativity.

Presented in partnership with Aardman, Carrot Productions’ new show takes a joyful journey through five decades of stop-motion clay animation from the Bristol studio with its blend of treasured characters, oh-so British humour and music, climaxing with a screening of Wrong Trousers accompanied by a live orchestra. Box office: yorkbarbican.co.uk.

York Unleashed Comic-Con: Comics galore on the Knavesmire

Convention of the week: York Unleashed Comic-Con, York Racecourse, Knavesmire, York, August 30, 10am to 4pm

YORK Unleashed Comic-Con promises a cosplay-friendly atmosphere, Yorkshire artists and comic creators, traders, collectables and geeky merchandise, gaming and interactive zones, a comic book chill-out zone, family-friendly activities and accessible, inclusive spaces. Media guests include Alex Jordan, Harry McEntire, Alan Fletcher, Richard Price and Jamie Kenna. Tickets: unleashedtickets.co.uk.

The Rocket Man: Playing Elton John’s greatest hits on his Yellow Brick Road Tour at Grand Opera House, York

Tribute gig of the week: The Rocket Man – A Tribute to Sir Elton John, Yellow Brick Road Tour, Grand Opera House, York, August 30, 7.30pm

THE Rocket Man and his band travel down the Yellow Brick Road to perform two hours of Elton John hits, from Saturday Night’s Alright (For Fighting), Crocodile Rock, Daniel and Your Song to Philadelphia Freedom, I Guess That’s Why They Call It The Blues and I’m Still Standing. Box office: atgtickets.com/york.

The Dead South: Progressive bluegrass and alternative Americana at York Barbican

Recommended but sold out already: The Dead South, Europe 2026 The Return, York Barbican, August 31, doors 7pm

WHATEVER you call The Dead South’s music – progressive bluegrass, alternative Americana, country, folk or Western – people from different backgrounds, beliefs, experiences, languages and ages love it, clubbing together as the cosplaying “Good Company” at gigs. 

Formed in 2012 in Regina, Saskatchewan, Canada, the line-up comprises Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford, always attired in bolo ties and custom brims. Carter Family meets Addams Family in songs that address themes of murder, disloyalty and ghosts while going from weepy to weird, wistful to wicked. Rob Heron & The Tea Pad Orchestra support. Box office for returns only: yorkbarbican.co.uk.

Snake Davis: Celebrating the art of the sax solo at Pocklington Arts Centre

Saxophonist of the week: Snake Davis Band, Classic Sax Solos, Pocklington Arts Centre, September 3, 8pm

AN instrumental solo can break hearts, lift spirits, even change lives. Saxophone is the favourite instrument of many folk, and for good reason; so emotional, so passionate; it sings, screams, whispers. Step forward saxophonist to the stars Snake Davis, leading his five-piece band through more than  20 classics, from Baker Street, Careless Whisper, Respect and Yakety Yak  to his own solos from Take That’s Million Love Songs, M People’s Moving On Up and Lisa Stansfield’s Change.

Davis reveals their background and history as well as playing them in context. What is their individual magic ingredient; what makes these solos classic? How did they emerge; how did the players produce that magic? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for Pete the Temp’s Romantics, Mystics and Revolutionaries

Spoken-word gig of the week: Say Owt presents Romantics, Mystics and Revolutionaries by Pete the Temp, Theatre@41, Monkgate, York, tomorrow, 7.30pm

POET, author and comic Pete the Temp’s Romantics, Mystics and Revolutionaries is a spoken-word show about rebellion, resistance and wild imagination. The 1800s’ Romantic movement began as a rebellion: against empire, industry and the mechanisation of the soul. Yorkshire became the epicentre of its rebellion. ​

Tomorrow’s storytelling stage show fuses scholarship with music, comedy and poetry in a spellbinding history of riot, repression and psychedelic experimentation. As we face this age of despair, find out what we can learn from past dreams of freedom and renewal. Bangladeshi-Geordie spoken-word poet and creative practitioner Tahmina Ali supports with her explorations of identity, belonging, motherhood, mental health and cultural inheritance, viewed through a distinctly northern lens. Box office: tickets.41monkgate.co.uk.

Our Star Theatre Company: Turning up the slapstick quotient in The Three Musketeers

Slapstick silliness of the week: Our Star Theatre Company in The Three Musketeers, Joseph Rowntree Theatre, York, September 4, 7.30pm  

OUR Star Theatre Company’s re-telling of The Three Musketeers is packed with humour, audience participation and energetically silly performances as a small troupe of performers gears up for its debut performance of Alexandre Dumas’s story.

However, what starts as a simple theatrical endeavour soon unravels into a whirlwind of confusion, mayhem and comical mishaps. From forgotten lines to chaotic set changes, the actors become entangled in a series of blunders. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Louisa Ashdown in rehearsal for her role as The Actor in Hephaestus Theatre’s Richard iii Redux

Introducing: Hephaestus Theatre in Richard iii Redux, The Basement, City Screen Playhouse, York,  September 10, 7.30pm

UNIVERSITY of York theatre graduates Eleanor Doig (producer) and Louisa Ashdown (director and performer) introduce new York company Hephaestus Theatre in Kaite O’Reilly and Phillip Zarrilli’s dark comedy Richard iii Redux.

The company’s mission is to tell disabled stories and put disabled and neurodiverse actors on stage and behind the scenes, this time with Ashdown playing The Actor opposite Georgina Way’s Presenter (on film) in a journey to find who the real Richard iii was while exploring the challenges of being a disabled actor. Box office: eventbrite.co.uk.

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REVIEW: Sparks and Mr. B The Gentleman Rhymer, York Barbican, August 25 ****

Fresh from releasing their lunar live album, Sparks’ Russell and Ron Mael land in York for their first concert in the city in 52 years, as captured on their Facebook site at 16.38pm. Picture: https://www.facebook.com/sparksofficial)

“YORK! See you tonight at York Barbican!,” posted Ron and Russell Mael at 16.38pm on Sparks’ Facebook site (https://www.facebook.com/sparksofficial), accompanying a snap of the Californian brothers with York Minster looming in the background ahead of their August 25 gig.

The American tourist-style photo had been photobombed: clearly this photo opportunity wasn’t big enough for only the both of them.

In one of two late additions to their 2026 summer tour, Sparks made their return to York on Tuesday for the first time since their University of York Central Hall appearance on November 2 1974 on their Propaganda tour.

“We’re told we played York in the Dark Ages, but our brain cells are too fried to remember it,” Russell, now 77, informed the sold-out York Barbican audience. “But we thank you for your reception.”

That reception was one of delight, gratitude, joy, enchantment, in response to a band that is still squeezing out new Sparks after 54 years.

Outsiders and convention may have expected a greatest hits set on the heritage tour circuit, played to a seated audience. Instead, Russell and “my big brother” Ron, 81, constantly reinvent their wheel, defying age with whimsical imagination and smart, emotionally detached humour.

The majority of the crowd was only too happy to be gathered in the standing area, with a more sedate experience available on the balcony for the likes of your reviewer.

After a jaunty, jocund half-hour of banjo, badinage and rhythmic, witty wordplay from Mr. B The Gentleman Rhymer, a jolly pucker chap in a linen suit and tie, promoting his B-Curious album, the mood was set, as perky as a macchiato, for Sparks to fly.

Three musicians – bass, guitar and drums – bounded on stage, much younger than the Mael brothers, who nevertheless appeared ageless on entry. First Ron, still pencil slim with the trademark moustache to match, hair still slicked back, his suit now baggy and free flowing, oversized like Talking Heads’ David Byrne in Stop Making Sense, as he took up his seat behind his “big synthesiser” on the front line.

Enter Russell in black-and-white polka-dotted suit, hair jet black and curly as ever, his style dandy, his body still bendy. From 8.30pm to 10.15pm, he never stopped moving, parading energy and jumps to rival the latterday Mick Jagger.

“So may we start?”, he asked, as the cue to kick-start the 19-song set with the song of such a perfect title for the opener. As bubbly as Aero, as urgent as a plea, as insistent as a repeated knock on the door, sung with heightened drama, it lay the template for an high-energy, often theatrical Maelstrom of a performance, with Ron’s keyboards ever to the fore, supported by the ballast of a flexible rock structure  underneath.

Like synth duo Pet Shop Boys, Sparks stay unmistakeably Sparks but move with the times too, reflecting on the changing world with wit and style. Rather than the big hits – they played only four of their ten UK Top 40 entries – they favoured an ever-changing roster of big hitters, this time with Running Up A Tab At The Hotel For The Fab, Music That You Can Dance To,  When Do I Get To Sing “My Way” and Devotion, the ballad from 2025’s Mad! album, being among the most impactful.

Not one of Beat The Clock, Number One Song In Heaven or This Town Ain’t Big Enough For The Both Of Us was held back for the encores; indeed ‘This Town’ – number two in 1972 – popped up without ceremony as the 14th song out of 16 before the break, as if it were nothing special. Truth is, it still sparkled above all else, on a night when the lighting was consistently spectacular too.

Further highlights? Ron stepping out from behind the keys to sing Let’s Get Funky, later topped by his brief burst of staccato dancing, followed by fanning his face with his fingers, as if in mock exhaustion.

Humour permeated not only Ron Mael’s lyrics, full of irony, satire and scepticism, but also Russell’s engagement with the audience, asking if we were known as Yorkers, Yorkians or Yorksters, before finally deciphering  “Yorkies” from the responses. Better still, he misheard Fat Rascals as “Pretzels” when enquiring what Bettys’ speciality is.

Come the encores, they wholly justified that status, from the maniacal political clout of (Baby, Baby) Can I Invade Your Country, through the gorgeous The Girl Is Crying In Her Latte, to the closing 2020 single All That: Sparks in rare sombre mood as Ron reflects tenderly and warmly on ageing and enduring partnerships: like the one with their ever-loyal audience.

After 28 albums, another is under way already. “See you next year,” said Russell, promising fresh Sparks will ignite anew.

Set list: Sparks, York Barbican, 25/8/2026

So May We Start; Do Things My Own Way; Reinforcements; Sherlock Holmes; Beat The Clock; Mickey Mouse; Running Up A Tab At The Hotel For The Fab; Let’s Get Funky (Ron Mael, lead vocals); A Walk Down Memory Lane; JanSport Backpack; Music That You Can Dance To; When Do I Get To Sing “My Way”; The Number One Song In Heaven; This Town Ain’t Big Enough For The Both Of Us; Whippings And Apologies; My Devotion. Encores: (Baby, Baby) Can I Invade Your Country; The Girl Is Crying In Her Latte; All That.

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Shed Seven to release A Maximum Lo-Fi exclusive album to complement A Maximum High tour of intimate venues

Shed Seven: new albums and tours at the double. Picture: Tom Oxley

YORK’S most successful band, Shed Seven, are to celebrate the 30th anniversary of their Britpop zenith, A Maximum High, on the road this autumn and next February.

October’s six-date tour comes in the wake of the Sheds’ sold-out open-air show at The Piece Hall, Halifax, on June 6, marking three decades since the April 1 1996 release of their second album, the one featuring five Top 40 hits: Where Have You Been Tonight?, Getting Better, Going For Gold, Bully Boy and On Standby.

Unlike this summer, no Yorkshire date will feature among the itinerary of intimate venues, some having played host to the Sheds during the album’s original promotion, some marking their return for the first time in more than a decade.

Frontman Rick Witter says: “After the incredible response to our A Maximum High 30th Anniversary show in Halifax, and after hearing that so many of you missed out, we’re thrilled to announce a special run of A Maximum High shows this October and in February 2027. 

“This time we’ll be taking things back to where it all began: smaller, more intimate venues, just like the ones we were playing back in 1996. We’ll be performing A Maximum High in full, followed by a second set of Shed classics, along with a few tracks from our forthcoming self-titled album, Shed Seven.”

Tickets are still available for Birmingham O2 Institute on October 15, but shows at Kingston-upon-Thames (October 16), London Scala (October 17), Northampton Roadmender (October 29), Manchester Academy 2 (October 30) and Glasgow Barrowland (October 31) have sold out, as have the Sheds’ Irish shows in Belfast on October 23 and Dublin the following night.

Shed Seven at the finale to June 6’s A Maximum High 30th Anniversary gig at The Piece Hall, Halifax. Picture: Ianthe Photo

Tickets for the 8pm Birmingham gig, promoted by Jacaranda Records, are on sale at https://www.skiddle.com/whats-on/Birmingham/02-Institute-Birmingham/Shed-Seven-Album-Launch-Show/42608885/. The February 2027 tour schedule is yet to be announced.

In conjunction with the 30th anniversary gigs, a new album variant, Shed Seven – A Maximum Lo-Fi, will be created exclusively for these shows as a special edition of the upcoming self-titled Shed Seven album.

Alongside the new album, it includes exclusive bonus tracks featuring re-imagined versions of some of the deeper cuts and B-sides from the A Maximum High era. Think stripped-back performances, acoustic guitars, lo-fi textures and a completely different take on songs such as Magic Streets, Where Have You Been Tonight?, Lies, Out By My Side , Killing Time and more besides.

Looking to notch a hat-trick of chart toppers after A Matter Of Time and Liquid Gold in 2024, Shed Seven’s seventh studio album – hence the title to honour that landmark – will be released on Cooking Vinyl on January 8 2027, preceded by its lead single, Stand Together.  

Rick enthuses: “We have taken great care in making this album what we believe to be our best yet, and we hope these songs are taken to people’s hearts. The comeback single Stand Together shows a statement of intent. It’s a call to arms and a rallying cry for some kind of unity in the world we live in today.”

The cover artwork for Shed Seven’s seventh studio album, aptly named Shed Seven, set for release next January

The Shed Seven diary for 2026 will conclude with the tenth edition of Shedcember, Shedcember X, their biggest winter tour yet, climaxing with two nights at Leeds O2 Academy. December 12 has sold out but tickets are still available for December 13 via ticketmaster.co.uk.

If A Maximum High was the maximum high of Shed Seven 1.0, Rick reckons Shed Seven 2.0 is “our second peak”. “What we’ve realised, in our early to mid-50s, is that not many get a second chance, but after dipping our toes in again in 2017 with Instant Pleasures, we knew we could still do it and we could enjoy it,” he says.

A Matter Of Time’s chart entry at number one in January 2024 and the brace of 30th anniversary concerts that followed at Futuresound’s Live At York Museum Gardens that summer gave impetus for Liquid Gold’s re-imagination of iconic Shed Seven tracks with orchestral arrangements, complemented by new recordings of Waiting For The Catch (featuring Issy Ferris) and All Roads Lead To You.

“We got to decide everything for that record, there was no pressure, and that comes through on the new record too,” says Rick. “We’ve recorded at it VADA Recording Studios, near Coventry, where we made Liquid Gold, working with Michael Rendall again, who’d engineered Instant Pleasures and moved up to producer for Liquid Gold.

“We recorded a song a day for A Matter Of Time, and this time me and Paul [guitarist Paul Banks] wrote the album over seven or eight months at Paul’s studio. Michael came in to whip the songs into shape, discussing how we could do something different out of the essence of what we’d come up with.

“We finished recording at the end of June for the first song, Stand Together, to come out in July, making the video on a boiling hot day in Wakefield, with Mr Paul Banks directing.”

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What’s On in Ryedale, York and beyond. Hutch’s List No 35, from Gazette & Herald

Dave: Headlining The Grid stage at Leeds Festival on Sunday. Picture: Leeds Festival

NOEL Coward at the double, Snake’s sax solos, Aardman model making and Leeds Festival’s summer serenade offer contrasts aplenty in Charles Hutchinson’s choices for the days ahead.

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, tomorrow to Sunday 

KASABIAN headline day one of Leeds Festival on The Grid stage, where The Lathums and Arkayla play tomorrow too. Friday’s line-up on The Grid includes Blossoms, Role Model, Florence + The Machine and headliners Chase & Status Live, while headline-grabbing Belfast hip-hop trio Kneecap play The Gallery that night. Look out too for Westside Cowboy and Paris Paloma in The Ballroom.

Saturday serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office: leedsfestival.com/tickets.

Justin Fletcher: Director of CBeebies House Party Live! featuring Mr Tumble at York Barbican

Children’s show of the week: CBeebies House Party Live!, York Barbican, today, 11am and 2pm

DIRECTED by CBeebies superstar Justin Fletcher, CBeebies House Party Live! is a fun-packed family stage show full of sensational songs, stupendous surprises and mega moments.

Throwing an epic party just for you will be Mr Tumble, Mister Maker, York Theatre Royal pantomime alumni Andy Day and Evie Pickerill, Duggee, Nigel Clarke and George Webster, who promise dancing, singing, streamers, giant jellies, bubbles galore and a CBeebies bedtime story. Box office: yorkbarbican.co.uk.

Seascape artist Carolyn Coles: Hosting workshop for beginners at South Bank Studios, York

Workshop of the week: A Day At The Seaside with Carolyn Coles, South Bank Studios, Southlands Methodist Church, York, Friday, 10am to 5pm

SOUTH Bank Studios seascape painter Carolyn Coles hosts A Day At The Seaside, a workshop for beginners, in the Garden Room at South Bank Studios. “Start the day with the ‘Loosen Up and Feel The Flow’ workshop,” says Carolyn. “Then, in the afternoon, paint a panel and frame it.” Everything is included for £75. For more information and to book a place, email [email protected].

Looking ahead, Carolyn will take part in Staithes Festival of Arts & Heritage 2026 from September 11 to 13, when 113 artists will exhibit at 67 pop-up venues, alongside live music, heritage talks and outdoor screenings. General entry and the Artist Trail are free.

Lee Gemmell’s Egyptology student Edward Bellingham in Baron Productions’ The Mummy Lot No. 249

Thriller of the week: Baron Productions presents Sir Arthur Conan Doyle’s The Mummy Lot No. 249, St Mary’s Church, Bishophill Junior, York, Friday and Saturday, 7.30pm

FOUNDED by Daniel Wilmot in 2015, York company Baron Productions presents Sir Arthur Conan Doyle’s 1892 one-act play The Mummy Lot No. 249 as its 2026 summer show, in which Oxford student Abercrombie Smith discovers his neighbour, Egyptology student Edward Bellingham, has used ancient magic to reanimate a malevolent mummy to terrorise and attack his rivals.

Wilmot’s cast features Jack McAdam as Smith, Lee Gemmell as Bellingham, M. Alder as Peterson, Lauren Hegarty as Hastie and Ellie Guffick as Monkhouse Lee. Box office: https://www.ticketsource.com/baron-productions.

Matt Price: Outrageous stories at York Barbican

Comedy gig of the week: Laugh Out Loud Comedy Club, York Barbican, Friday,doors 7.30pm for 8pm start

CORNISH comedian Matt Price tops Friday’s bill with his  extraordinary and outrageous stories drawn from the wilder side of life, bringing warmth and heart to the stage while finding audacious humour in unexpected places.

Irish storytelling comedian Jack Hester supports, along with force-of-nature surreal humorist Gary Jennison, who promises dance-offs, game shows and magic in his 100 per cent unscripted, unsupervised set, where the audience can try to steer the unbridled chaos with suggestions and participation. Box office: lolcomedyclubs.co.uk.

The poster for Queen Of The Night: Whitney in focus at York Barbican

Tribute gig of the week: Queen Of The Night, A Tribute To Whitney Houston, York Barbican, Friday,7.30pm

THIS touring production honours the music and legacy of Whitney Houston in an electrifying show that combines sensational vocalists with a full live band. Prepare to be captivated by a journey through three decades of hits such as I Wanna Dance With Somebody, One Moment In Time, I Will Always Love You, My Love Is Your Love, So Emotional,  Saving All My Love, How Will I Know, Million Dollar Bill and The Greatest Love Of All. Box office: yorkbarbican.co.uk.  

Noël Coward double bill of the week: UK Foundation For Dance and Pickering Musical Society in Noël & Gertie and Red Peppers, Kirk Theatre, Pickering, Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

TRAVEL back to the 1930s of Noël Coward and Gertrude Lawrence in this first co-production between Scarborough’s UK Foundation For Dance and Pickering Musical Society in a double-bill of Coward’s comedy, wit and music.

The first-half revue, Noël & Gertie, introduces the legendary stage partnership and lifelong friendship of Noël Coward and Gertrude Lawrence, with songs by Coward, Gershwin, Cole Porter, Kurt Weill and Rodgers & Hammerstein. Bill Scott on piano accompanies Tim Tubbs and Rachel Anderson, co-stars of Pickering’s 2025 hit Hello, Dolly!

Then comes Red Peppers, a short play from Coward & Lawrence’s 1936 production Tonight At 8.30. This comic interlude with music, set in a northern town’s palace of varieties, features a feuding husband and wife in a corny song and dance double act, in the dying days of music hall. Pickering actor Paula Cook join five Scarborough actors in this amusing backstage bickering match, bookended by two corny song and dance routines. Box office: 01751 474833 or kirktheatre.co.uk.

Aardman Animation: Model-making workshops at York Barbican

Activity of the week: Aardman In Concert: Model Making Workshops, York Barbican, Saturday, 11.45am, 2.15pm and 4.45pm

MAKE your very own Aardman character at one of three self-led model-making workshops, where you keep your creation to take home. Aardman Animations, creators of Wallace & Gromit, Shaun the Sheep, Chicken Run and Morph, have created special instruction guides to enable you to create clay versions of their much-loved characters.

Choose between Gromit (11.45am), Shaun the Sheep (2.15pm) and Feathers McGraw (4.45pm). All materials will be supplied. The workshops are suitable for all ages from five upwards; children must be accompanied by a participating adult. Tickets: yorkbarbican.co.uk.

The Dead South: Progressive bluegrass and alternative Americana at York Barbican

Recommended but sold out already: The Dead South, Europe 2026 The Return, York Barbican, August 31, doors 7pm

WHATEVER you call The Dead South’s music – progressive bluegrass, alternative Americana, country, folk or Western, people from different backgrounds, beliefs, experiences, languages and ages love it, clubbing together as the cosplaying “Good Company” at gigs. 

Formed in 2012 in Regina, Saskatchewan, Canada, the line-up comprises Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford, always attired in bolo ties and custom brims. Carter Family meets Addams Family in songs that address themes of murder, disloyalty and ghosts while going from weepy to weird, wistful to wicked. Rob Heron & The Tea Pad Orchestra support. Box office for returns only: yorkbarbican.co.uk.

Heather Leech in Gleowit Productions’ Anne Boleyn’s Mother

Play of the week: Gleowit Productions in Anne Boleyn’s Mother, Milton Rooms, Malton, September 3, 7.30pm

WEDNESDAY, October 13, 1537: another ordinary day, except that a new queen, Jane, has given birth to a son, an achievement beyond compare in Henry VIII’s court. Elizabeth, Countess of Wiltshire, feeling the loss of her son George and her daughter Anne, previous queen of England, struggles to find cause for celebration, wholly aware of the treachery within the English court.

On the path to greatness, her losses have been heavy. Were they worth it? She is Anne Boleyn’s mother and grandmother to the motherless future Queen Elizabeth I, her story now told by actor, writer and director Heather Leech. Box office: 01653 696240 or themiltonrooms.com.

Snake Davis: Celebrating the art of the sax solo at Pocklington Arts Centre

Saxophonist of the week:  Snake Davis Band, Classic Sax Solos, Pocklington Arts Centre, September 3, 8pm

AN instrumental solo can break hearts, lift spirits, even change lives. Saxophone is the favourite instrument of many folk, and for good reason; so emotional, so passionate; it sings, screams, whispers. Step forward saxophonist to the stars Snake Davis, leading his five-piece band through more than  20 classics, from Baker Street, Careless Whisper, Respect and Yakety Yak  to his own solos from Take That’s Million Love Songs, M People’s Moving On Up and Lisa Stansfield’s Change.

Davis reveals their background and history as well as playing them in context. What is their individual magic ingredient; what makes these solos classic? How did they emerge; how did the players produce that magic? Box office: 01759 301547 or pocklingtonartscentre.co.uk. 

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Festival launch of the week: York Jazz Fest, Thursday October 1 to Sunday October 4

York Jazz Fest: Four days, six venues, one city

THE inaugural York Jazz Fest will run from October 1 to October 4.

Spanning four days of live performances, discovery and community, the festival will highlight the full spectrum of jazz, ranging from timeless, classic standards to forward-thinking, contemporary sounds.

Designed to celebrate both Yorkshire and national talent and to promote grassroots venues, the new event will take place at five cultural and music spaces: The Phoenix, George Street; The Arts Barge, Foss Basin; Angel On The Green, Bishopthorpe Road; Young Thugs Studio,  Ovington Terrace;  The Winning Post, Bishopthorpe Road, and Pop-Up Festival Site at Bishopthorpe Road Car Park.

The festival will reach its climax on Sunday, October 4 with an all-day grand finale at the specially constructed Pop-Up Festival Site, transforming the car park into an open-air hub of live music on the main stage, complementing headline jazz acts with street food vendors, craft beers and wine and spirits bars.

“Our aim is to bring world-class live music directly into the heart of York’s community while showcasing the incredible heritage and intimate charm of our independent venues,” says festival  promoter Beppe Lombardo. “Whether you are a lifelong jazz enthusiast or just looking to discover something new, York Jazz Fest offers something for everyone.”

The full 2026 festival programme, line-up announcements and ticketing details will be released in the coming days. For updates, early access to tickets and venue information, visit: www.yorkjazzfestival.com or follow @YorkJazzFest on Instagram.

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More Things To Do in York and beyond. Hutch’s List No 34, from The York Press

Mary Anning Rocks at Yorkshire Museum, York. Picture: Antony Chappel Ross

DINOSAUR adventures and the CBeebies house party, Sparks’ York return after 52 years and Leeds Festival’s summer serenade offer contrasts aplenty in Charles Hutchinson’s choices for the days ahead.

Last-chance holiday activities: Yorkshire Museum, Museum Gardens, York, open Tuesdays to Sundays, 10am to 5pm

AS the school summer holidays enter their final fortnight, the Yorkshire Museum invites visitors to “make the most of the interactive activities, craft sessions and amazing exhibits before term starts again”.

Grab a dinosaur backpack to explore the Mary Anning and Jurassic galleries in dino-themed entertainment for younger ones, while spotting fossils and dino bones on their adventures on August 24 or 28. The final Melsonby Hoard treasure trove crafting session will be held on August 26, although Viking beaded jewellery and bug brooch making are available every day through the summer break. Pay once to receive all these free activities and unlimited return visits for a year. Tickets: yorkshiremuseum.org.uk.

Nile Rodgers: Celebrating Good Times with CHIC at Scarborough Open Air Theatre

Coastal gig of the week: Nile Rodgers & CHIC, TK Maxx Presents Scarborough Open Air Theatre, August 22, gates open at 6pm

IN the final Scarborough Open Air Theatre concert of the summer, Rock & Roll Hall of Fame and Songwriters Hall of Fame inductee, Grammy Lifetime Achievement winner and composer, producer, arranger and guitarist Nile Rodgers returns to the Yorkshire coast for the third time with CHIC, the New York City R&B and soul band he co-founded with Bernard Edwards.

Expect such disco dance-floor fillers as Le Freak, Good Times, We Are Family and I’m Coming Out. Acid jazz combo Brand New Heavies support. Box office: scarboroughopenairtheatre.com.

Sparks’ Ron and Russell Mael: Returning to York after 52-year hiatus

York gig of the week: Sparks, York Barbican, August 25, doors open at 7pm  

NEXT Tuesday, cult Californian pop-rock pioneers Sparks play York for the first time since their November 2 1974 gig at the University of York.

Coinciding with their release of latest album Sparks Live On The Moon, the Mael brothers, Ron (keyboards), 81, and Russell (vocals), 77, are lining up a euphoric, career-spanning set, picking from such hits as This Town Ain’t Big Enough For The Both Of Us, Amateur Hour, Something For The Girl With Everything, The Number One Song In Heaven and Beat The Clock. Mr. B  The Gentleman Rhymer supports. Box office for returns only: yorkbarbican.co.uk.

Justin Fletcher: Directing CBeebies House Party Live! at York Barbican, featuring special guest Mr Tumble

Children’s show of the week: CBeebies House Party Live!, York Barbican, August 26, 11am and 2pm

DIRECTED by CBeebies superstar Justin Fletcher, CBeebies House Party Live! is a fun-packed family stage show full of sensational songs, stupendous surprises and mega moments.

Throwing an epic party just for you will be Mr Tumble, Mister Maker, York Theatre Royal pantomime alumni Andy Day and Evie Pickerill, Duggee, Nigel Clarke and George Webster, who promise dancing, singing, streamers, giant jellies, bubbles galore and a CBeebies bedtime story. Box office: yorkbarbican.co.uk.

This Is The Kit: Through the round window at The Crescent, York

Recommended but sold out already: Please Please You & Brudenell Presents: This Is The Kit & Seamus Fogarty, The Crescent, August 27, 7.30pm

IN today’s fast-paced mid-apocalyptic world, it can feel like a waste of time to discuss time, but with This Is The Kit, alias songwriter/banjo strummer/pinhole camera lover/Winchester-born Paris dweller Kate Stables, time deserves a modicum of consideration. Why? Because Stables keeps making albums of cataclysmic honesty and welcoming tonal embraces.

Placing companionship at a premium, This Is The Kit welcomes you into its space, on record and in concert halls with Stables’supporting cast of Rozi Plain (bass), Jamie Whitby-Coles (drums) and Neil Smith (guitar). Irish-born, London-based alt-folk alchemist Seamus Fogarty supports. Box office for returns only: thecrescentyork.com.

Dave: Headlining The Grid stage at Leeds Festival on August 30. Picture: Leeds Festival

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, August 27 to 30

KASABIAN headline day one of Leeds Festival on The Grid stage, where The Lathums and Arkayla play too that day. Next Friday’s line-up on The Grid includes Blossoms, Role Model, Florence +The Machine and headliners Chase & Status Live, while headline-grabbing Belfast hip-hop trio Kneecap play The Gallery that night. Look out too for Westside Cowboy and Paris Paloma in The Ballroom.

Next Saturday serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Next Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office: leedsfestival.com/tickets.

Carolyn Coles: Hosting seascape painting workshop for beginners at South Bank Studios, Bishopthorpe Road, York

Workshop of the week: A Day At The Seaside with Carolyn Coles, South Bank Studios, Southlands Methodist Church, York, August 28, 10am to 5pm

SOUTH Bank Studios seascape painter Carolyn Coles hosts A Day At The Seaside, a workshop for beginners, in the Garden Room at South Bank Studios. “Start the day with the ‘Loosen Up and Feel The Flow’ workshop,” says Carolyn. “Then, in the afternoon, paint a panel and frame it.” Everything is included for £75. For more information and to book a place, email [email protected].

Looking ahead, Carolyn will take part in Staithes Festival of Arts & Heritage 2026 from September 11 to 13, when 113 artists will exhibit at 67 pop-up venues, alongside live music, heritage talks and outdoor screenings. General entry and the Artist Trail are free.

Lee Gemmell’s Egyptology student Edward Bellingham in Baron Productions’ The Mummy Lot No. 249

Thriller of the week: Baron Productions presents Sir Arthur Conan Doyle’s The Mummy Lot No. 249, St Mary’s Church, Bishophill Junior, York, August 28 & 29, 7.30pm

FOUNDED by Daniel Wilmot in 2015, York company Baron Productions presents Sir Arthur Conan Doyle’s 1892 one-act play The Mummy Lot No. 249 as its 2026 summer show, in which Oxford student Abercrombie Smith discovers his neighbour, Egyptology student Edward Bellingham, has used ancient magic to reanimate a malevolent mummy to terrorise and attack his rivals.

Wilmot’s cast features Jack McAdam as Smith, Lee Gemmell as Bellingham, M. Alder as Peterson, Lauren Hegarty as Hastie and Ellie Guffick as Monkhouse Lee. Box office: https://www.ticketsource.com/baron-productions.

The Snake Davis Band: Heading to Helmsley Arts Centre

Return upcoming: The Snake Davis Band, Everlasting Love Tour, Helmsley Arts Centre, September 12, 7.30pm

SAXOPHONIST Snake Davis is “so happy to be back at Helmsley Arts Centre yet again”, this time showcasing new tunes and his new album on the Everlasting Love Tour with his four-piece band featuring guitar, bass guitar and drums. 

The set list spans “floaty to danceable, soul and Northern Soul to pop, jazz to world”, embracing original material and classic sax pieces such as Baker Street and Night Train, as Snake swaps performing arena and stadium gigs with stellar acts for playing intimate venues with his own music choices and favourite musicians. Box office: 01439 771700 or helmsleyarts.co.uk.

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Gin up! Claire Sweeney to star as lush Miss Hannigan in Annie on tour at Grand Opera House. Tickets on sale from September 2

Claire Sweeney’s gin-guzzling Miss Hannigan in Nikolai Foster’s touring production of Annie. Picture: Paul Coltas

CORONATION Street and Brookside star Claire Sweeny will star as bitter, gin-drinking, child-hating New York City orphanage matron Miss Hannigan in Annie at the Grand Opera House, York, from January 12 to 16 2027.

Tickets will go on sale at atgtickets.com/york on Wednesday, September 2 at 10am for ATG members and 12 noon for general sales.

Sweeney last appeared at the Grand Opera House in April 2015, leading the cast as a relationship expert in Sex In Suburbia, an uplifting, revealing and raunchy comedy about dating disasters that she co-wrote with Mandy Muden.

Claire Sweeney, centre, in her last appearance at the Grand Opera House in Sex In Suburbia in 2015

In October 2010, she starred in a re-worked version of Andrew Lloyd Webber and Don Black’s song cycle Tell Me On A Sunday, charting the romantic misadventures of a young English girl newly arrived in New York.

Next January, Claire arrives in old York in Michael Harrison and David Ian’s tour of Charles Strouse, Martin Charnin and Thomas Meehan’s musical, set in 1930s’ New York in the mire of The Great Depression, where brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage.

Her luck changes, however, when she is chosen to spend a fairytale Christmas with famous billionaire Oliver Warbucks. Meanwhile, spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search for her true family.

Claire Sweeney’s Miss Hannigan on the orphanage rampage in Annie. Picture: Paul Coltas

Sweeney, 55, will be joined by Alex Bourne as Oliver Warbucks, Tanisha-Mae Brown as Grace Farrell, Christian Cooper as Rooster and Amber Kennedy as Lily St Regis.

In the company too will be Jack Buchanan, Harrison Burley, Zoë Canham, Sophie Elmes, Belle Kizzy Green, Issy Khogali, Yujin Park, Elliot David Parkes, Carl Sanderson, Michaela Stern, Matthew Sweet and Jessica Wright.

Victoria Alsina, Sophia Saravanan and June Young will share the role of Annie. The orphans will be Chloe Angiama, Freya Beer, Rachelle Bonfield-Bell, Olivia Brooks, Coco Chapman, Maddy Collings, Sienna Culm, Anna Deikalo, Dolly Ismail, Amber Koduah-Hutchison, Thandie Lalji, Jemima Lown, Kennedy-May McLeary, Mollie Moran, Myla Park, Blossom Rolston-Williams, Khit Thakhin and Marnie Rae Warren-Baker.

Amber Kennedy’s Lily St Regis, left, Claire Sweeney’s Miss Hannigan and Christian Cooper’s Rooster in Annie. Picture: Paul Coltas

Best known for It’s The Hard Knock Life, Easy Street, I Don’t Need Anything But You and Tomorrow, the Tony Award-winning Annie combines Strouse’s music with Charnin’s lyrics and Meehan’s book.

The touring production is directed by North Yorkshireman Nikolai Foster, artistic director of Curve, Leicester, with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.

Sweeney, from Walton, Liverpool, is an actress, singer and television presenter. She plays series regular Cassie Plummer in Coronation Street and appeared in Channel 4 soap opera Brookside as Lindsey Corkhill on and off from June 1991 until the final episode, broadcast in November 2003.

Claire Sweeney’s Miss Hannigan making her point to the orphans in Annie. Picture: Paul Coltas

Her TV credits include roles in Clocking Off, Holby City, Merseybeat, Candy Cabs, Scarborough, The Good Ship Murder and Benidorm.

Claire’s many West End roles include Roxie Hart in Chicago at the Adelphi Theatre and Miss Adelaide in Guys and Dolls, playing opposite Patrick Swayze, at the Piccadilly Theatre.

Claire’s further stage credits take in starring roles in national tours of 9 To 5 The Musical, Crazy For You, Chitty Chitty Bang Bang, Legally Blonde, Hairspray and September In The Rain and the title role of lippy Liverpool hairdresser-turned-Open University student Rita in Willy Russell’s Educating Rita, playing opposite Matthew Kelly’s cynical, alcoholic tutor Dr Frank Bryant.

Claire Sweeney in the tour poster for Annie

Sweeney has appeared in Willy Russell’s classic Shirley Valentine, White Christmas, Shout!, a world tour of Fosse and The Play What I Wrote too.

Tanisha-Mae Brown’s theatre credits include Singin’ In The Rain at the Royal Exchange Theatre, Manchester, Brigadoon at Regent’s Park Open Air Theatre, Guys And Dolls at The Bridge Theatre, Evita at Curve, Leicester, UK and Ireland tours of The Lion King and Chicago, A Mother’s Song at the Lowry, Salford, and Pippin at the Garden Theatre.

Christian Cooper played Rolf Gruber in The Sound Of Music at Curve, Leicester, directed by Nikolai Foster. Amber Kennedy’s theatre credits include the UK tour of Sister Act The Musical, UK and international tours of Joseph And tThe Amazing Technicolor Dreamcoat, the international tour of West Side Story and the pantomimes Dick Whittington and Sleeping Beauty, both at Theatre Royal Windsor.

Claire Sweeney in the photoshoot portrait announcing her role as Miss Hannigan in Annie

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Gilbert O’Sullivan to mark 60 years of songwriting on autumn tour. New album On The Record to follow on November 6

Gilbert O’Sullivan: New tour, new album this autumn. Picture: Park Promotions

IN 1972 Gilbert O’Sullivan topped the American Billboard Hot 100 for six weeks with Alone Again (Naturally), a song later covered regularly by Morrissey in concert.

The Smiths frontman also has performed Nothing Rhymed and recorded I Didn’t Know What To Do, the B-side to somewhat obscure May 1971 single Susan Van Heusen, as the flipside to his 2018 single Back On The Chain Gang. “He sent me a recording with a full band – and he told me he liked my image too,” recalls Gilbert.

Dusty Springfield performed Nothing Rhymed on The Marty Feldman Comedy Machine on November 22 1971, while Alone Again (Naturally) has attracted at least 88 cover versions, from Nina Simone to Shirley Bassey, Neil Diamond to Pet Shop Boys & Elton John, Diana Krall & Michael Buble to Donny Osmond, Herb Alpert & The Tijuana Brass to Sarah Vaughan, Johnny Mathis to Andy Williams. No wonder CMAT has called it “the greatest Irish song ever made”.

Born in Waterford, Ireland, and long resident in Jersey, triple Ivor Novello Award winner Gilbert will be turning 80 on December 1, but before then he will celebrate 60 Years Of Music on an autumn tour that will visit four Yorkshire locations: York, Bradford, Doncaster and Harrogate.

It will be a chance to revisit his UK chart toppers, 1972’s Clair and 1973’s Get Down, as well as such O’Sullivan favourites as No Matter How I Try, We Will, Matrimony, Ooh-Wakka-Doo-Wakka-Day, Why, Oh Why, Oh Why  and What’s In A Kiss?, the last of his 16 Top 40 entries from August 1980. 

Gilbert O’Sullivan in his early songwriting days. Picture: Park Promotions

Then add selections from his multiple studio albums that bear witness to his enduring gift for endearing tunefulness, unabashed sentiment and existentialist musings, with his last three reaching the Top Ten, Top 20 and Top 30 respectively.

60 years, Gilbert: where has all that time gone? “I guess I don’t think about it because I always look ahead, with the imminent release of a new album on November 6,” he says. “So we’ve been working on that. All new material, and there’s a duet with the lead singer from The Corrs, Andrea. A song called Is That You?

“On the last studio album [July 2022’s Driven], we had duets with Mick Hucknall [Let Bygones Be Bygones] and K. T. Tunstall [Take Love], which were rock songs, and this time there’s no piano, just acoustic guitar, like a folk song.

“We thought, ‘who could we have singing on this?’, and it was suggested Andrea would be a good choice. So we approached her and she did it in her own way in her own studio because technology is really good for letting you do that now. That will be released as a single, hopefully before the album comes out.”

“Without ever having bothered to look it up, I’m told it will be my 21st studio album,” he says. It will be entitled On The Record (a title shared with a 1976 spoken-word album by controversial British politician Enoch Powell, according to AI Overview). “Between my daughters, my management, my wife and my record company, all my possibilities were rejected,” says Gilbert. “If there were five people arguing about it, this one had three supporting it.

Gilbert O’Sullivan with guitarist Bill Shanley, who will join him for the 60 Years Of Music tour

“We did the album artwork in Nashville, where I was playing the Grand Ole Opry after they got in touch with us and I was asked to go there to perform three songs, What’s In A Kiss, Nothing Rhymed and Alone Again (Naturally), one with a band and two with Bill [guitarist Bill Shanley], who’ll be playing on tour with me.”

After working with producer Ethan Johns on his self-titled 2018 album, Gilbert recorded Driven with Andy Wright, . “I feel that by having a different producer, you get that difference you want. He’d worked with Simply Red and Simple Minds, so this was Simply O’Sullivan!” he says.

O’Sullivan and Wright then made Songbook, a collection of key songs from Gilbert’s expansive catalogue accrued over 55 years, recorded at Lafayette, King’s Cross, London in late 2023 for release in September 2024.

For On The Record, “I decided to go with Andy again, letting him choose the musicians, with some of them having played on the last album,” says Gilbert who recorded the 13 tracks over five days in Eastcote Studios in London. “They know how I work. I play the song to them on the piano, we rehearse it a few times, and then we do a take. No rocket science involved.

“There’s an element of a Sixties feel to a couple of tracks that I really liked, re-mixed with another producer in the USA, Tony Hoffer, who’s well respected in the production field, and it’s worked out really well on the album.”

The poster for Gilbert O’Sullivan’s tour, Celebrating 60 Years Of Music. Picture: Park Promotions

One song in particular addresses the ageing process. “We have a track called Growing Old Disgracefully, which I was anxious to get done before anyone else pinched it!” says Gilbert.

“We also have a song with a choir, made up of studio singers, to sing the chorus to See Us Gone. That song deals with the end of the world, Putin, and what’s going on now. That fear that one day someone is going to press that bl**dy button and we’ll all be gone.

“That’s what I like when writing songs. My songs are like newspapers with the common denominators as headlines, so you can incorporate things that are going on in the world, like on Nothing Rhymed too.”

Heading out on his 22-date tour from September 1 to November 8, pianist Gilbert travels with his own keyboard, rather than relying on each venue to provide him with a piano. “This keyboard allows me to face the audience, and the sound I get is proper sounding, with electric piano for a couple of songs,” he says.

“I have eight versions of one keyboard instrument now, including one in Nashville, one in Ireland and one in Denmark. They’re kept by people I’m working with, who are happy to put them up.

“In the beginning, of course, I used a grand piano – like I do when writing songs – and my voice could sing in concert pitch, then one tuned one below concert pitch, and now I have buttons on my keyboard that allow me to be one tone below concert pitch and a semi-tone below concert pitch.

“Morrissey told me he liked my image,” says Gilbert O’Sullivan, pictured in his trademark Charlie Chaplin-inspired garb when first making his name. Picture: Park Promotions

“It helps me because, as you get older, your voice drops and you have to drop your singing voice. I have a good voice but limited range so I make sure I’m in the right key.”

Gilbert conducts vocal exercises before each concert. “If you don’t have a good voice, forget it,” he says. “I look after my voice. I’ve had no issues, thank goodness.”

He has lived on the island of Jersey for more than 30 years, having moved there with his wife, Aase, to raise their two daughters. “I love it here. It’s just home,” says Gilbert, who has a studio there. “I’m not a social animal. I go on my walks; home life is great.

“My daughters look after the business for me. Tara is on the internet, doing the social media, which is so important for musicians now.”

Summing up 60 years of songwriting, Gilbert concludes: “Why are we able to keep doing it? You do it because of your love of music. You love what you’re hearing. You hear the chords of Burt Bacharach? You want that. I’m a rhythm pianist, I can’t tinkle the ivories, but we have the ability to write music because we love what we hear.”

Gilbert O’Sullivan, 60 Years Of Music 2026 Autumn Tour, Grand Opera House, York, September 22, doors 7.30pm; St George’s Hall, Bradford, September 27, doors 7.30pm; CAST, Doncaster, October 1, 7.30pm (sold out); Harrogate Theatre, October 30. Box office: York, 0333 009 6690 or atgtickets.com/york; Bradford, 01274 432000 or bradford-theatres.co.uk/st-georges-hall; Doncaster, for returns only, 01302 303959 or castindoncaster.com; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

The artwork for Gilbert O’Sullivan’s 21st studio album, On The Record, to be released on November 6 on BMG

What is the track listing for On The Record?

1. It’s Me

2. I Suppose

3. Growing Old Disgracefully

4. Go The Way I Came

5. I Must Be Going

6. Don’t Shout

7. She Never Ceases To Amaze Me

8. Our Love Is Gonna Grow

9. Is That You? (featuring Andrea Corr)

10. Wait

11. Minus Is A Plus With You

12. No Place Like Home

13. See Us Gone

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