The cast for An Officer And A Gentleman The Musical gathering for rehearsals
AN Officer And A Gentleman The Musical will play the Grand Opera House, York, from June 4 to 8 in in the Curve, Leicester touring production.
Directed by North Yorkshire-raised Curve artistic director Nikolai Foster, with choreography by Joanna Goodwin, the show is on tour from February 23 to November 16, visiting the Alhambra, Bradford, from tonight to Saturday.
Based on Taylor Hackford’s 1982 film starring Richard Gere and Debra Winger, An Officer And A Gentleman’s story of love, courage, and redemption follows the emotional journey of fearless young pilot officer candidate Zack Mayo and the captivating Paula Pokrifki, whose fiery spirit matches his own.
A book by screenplay writer Douglas Day Stewart and Sharleen Cooper Cohen will be accompanied by the songs of Madonna, Bon Jovi, Cyndi Lauper and Blondie, topped off by the award-winning (Love Lift Us) Up Where We Belong, the Joe Cocker and Jennifer Warnes hit from the film.
Georgia Lennon as Marie Osmond in her previous Grand Opera House appearance in The Osmonds: A New Musical in August 2022. Picture: Pamela Raith
Luke Baker leads Foster’s cast as Zack Mayo, joined by Georgia Lennon – last seen on the Grand Opera House stage as Marie Osmond in the world premiere tour of The Osmonds: A New Musical in August 2022 – in the role of Paula Pokrifki.
Further principal roles go to Jamal Crawford asGunnery Sergeant Emil Foley, Paul French as Sid Worley, Sinead Long as Lynette Pomeroy, Melanie Masson as Esther Pokrifki, Tim Rogers as Byron Mayo, Olivia Foster-Browne as Casey Seegar and Lucas Piquero as Eduardo Cortez.
Set and costume design are by Michael Taylor; musical supervision and orchestration by George Dyer; lighting design by Ben Cracknell; sound design by Tom Marshall; wig, hair and make-up design by Sam Cox and casting by Debbie O’Brien.
Tickets for the 7.30pm evening performances and 2.30pm Wednesday and Saturday matinees in York are on sale at atgtickets.com/york.Also Alhambra Theatre, Bradford, tonight until Saturday, 7.30pm, plus 2pm Wednesday and 2.30pm Saturday matinees; box office, 01274 432000 or bradford-theatres.co.uk
Nikolai Foster’s touring cast for An Officer And A Gentleman
Hairspray’s 2024-2025 touring cast: Heading to the Grand Opera House, York, this autumn
BLOSSOMING North Yorkshire talent Alexandra Emerson-Kirby will make her professional stage debut in the lead role of Tracy Turnblad on the 2024/2025 UK and Ireland tour of Hairspray. The Grand Opera House, York, awaits her from October 28 to November 2.
Alexandra’s passion for musical theatre was nurtured at Scarborough’s YMCA Theatre. From there, she trained professionally at the Italia Conti Academy of Theatre Arts, Woking, graduating recently in musical theatre and dance.
Alongside her will be fellow professional theatre debutante Michelle Ndegwa, playing Motormouth Maybelle after her selection from last November’s 3,000 open auditions hopefuls for the tour’s run from July 16 to next April.
Soul and gospel singer Nedgwa is best known for her vocals for the Gorillaz and has recorded with Billy Porter, Gregory Porter, Shapeshifters, Leeds band Yard Act, Becky Hill, Rita Ora, and Deseri too.
She has performed at Coachella, Glastonbury and BBC Radio 1’s Big Weekend and her touring, festival and concert work includes backing vocals for Lizzo, Jorja Smith, Emeli Sande, Becky Hill, Nubya Garcia, Wizkid, TLC, Liam Gallagher, Ray BLK, Nina Nesbit, Shakka, Tom Odell and Trevor Nelson’s Soul Christmas at the Royal Albert Hall.
Brenda Edwards, who played Motormouth Maybelle in three productions under Paul Kerryson’s direction, now joins him to co-direct the latest tour. Choreography will be by Olivier Award winner Drew McOnie, artistic director of Regent’s Park Open Air Theatre, London.
Based on John Waters’ cult 1988 film that starred Divine and Ricki Lake, Hairspray The Musical features music by Marc Shaiman, lyrics by Scott Wittman and Shaiman and book by Mark O’Donnell and Thomas Meehan.
The 2002 Broadway premiere won eight Tony Awards; the 2007 West End premiere at the Shaftesbury Theatre picked up four Olivier Awards including Best New Musical.
Revelling in such songs as Welcome To The 60s, You Can’t Stop The Beat and Good Morning Baltimore, Hairspray traces the progress of ambitious heroine Tracy Turnblad, who has big hair, a big heart and big dreams to dance her way onto national American television and into the heart of teen idol Link Larkin.
When Tracy becomes a local star, she decides to use her newfound fame to fight for liberation, tolerance and interracial unity in Baltimore, but can she win equality – and Link’s heart – without denting her hairdo?
Kerryson and Edwards’s touring cast will include Neil Hurst, who played big lad Dave in The Full Monty on tour at the Grand Opera House last October, now cross-dressing as Tracy’s mum, Edna Turnblad.
Returning to the York stage too will be Joanne Clifton, this time as former beauty queen, TV show producer, devious taskmaster and racist snob Velma Von Tussle.
The 2016 Strictly Come Dancing champion appeared previously at the Grand Opera House as Princess Fiona in Shrek, Janet Weiss in The Rocky Horror Show, welder Alex Owens in Flashdance and Millie Dillmount in Thoroughly Modern Millie.
Further roles will go to Solomon Davy as Link Larkin; Declan Egan as show host Corny Collins, Katlo as Little Inez, Reece Richards as Seaweed and Allana Taylor as Amber Von Tussle.
Adam Kay: If laughter is the best medicine, head to the Grand Opera House
SHORT plays, doctor’s tales, pop memories, life 11,000 years ago, women in word and song, egg hunts and a Sondheim celebration put the spring into Charles Hutchinson’s step as a new season arrives.
Doctor in the House: Adam Kay: Undoctored, Grand Opera House, York, March 23, 7.30pm
BILLING himself as “the nation’s twelfth-favourite doctor”, This Is Going To Hurt author Adam Kay follows a record-breaking Edinburgh Fringe run and West End season with a tour of tales from his life on and off the wards.
Expect Kay’s ‘degloving’ story to feature “because people ask for refunds if they don’t hear it”. Post-show, he will be signing books. Last few tickets: atgtickets.com/york.
Navigators Art & Performance’s poster for GUNA: Views and Voices of Women at The Basement
Navigators Art & Performance presents: GUNA: Live!, Views and Voices of Women, The Basement, City Screen Picturehouse, York, March 23, 7pm
TO complement Navigators Art & Performance’s City Screen exhibition for International Women’s Week, the York arts collective hosts an inspiring evening of music, spoken word and comedy that explores, celebrates and promotes the creativity of women and non-binary artists.
The line-up of mostly York-based performers features poets Danae, Olivia Mulligan and Rose Drew; performance artist Carrieanne Vivianette; global songs and percussion from Soundsphere; original music from Suzy Bradley; comedy from Aimee Moon and a rousing appearance by multi-faceted York musician and artist Heather Findlay. Box office: bit.ly/nav-guna.
Lush stories: Miki Berenyi’s book, Fingers Crossed, under discussion at York Literature Festival
Book of the week: Miki Berenyi In Conversation: Fingers Crossed, York Literature Festival, The Crescent, York, March 24, 3pm
MIKI Berenyi, former lead singer, rhythm guitarist and founder member of London shoegaze/dream pop band Lush discusses her memoir, Fingers Crossed, and her career, recounting her experiences as a trailblazing woman fronting a seminal late-1980s group. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Livy Potter: Performing in Paul Birch’s Running Up That Hill in Yorkshire Trios at York Theatre Royal
York theatre event of the week: Yorkshire Trios, York Theatre Royal Studio, Tuesday and Wednesday, 7.45pm, both sold out
YORK company Next Door But One brings together York actors, writers and directors to produce original, short pieces of theatre, five to 15 minutes in length, on the theme of Top Of The Hill. Cue tales of motherhood, grief, love, war and even Kate Bush.
Badapple Theatre’s Kate Bramley and Connie Peel direct Nicola Holliday in Sarah Rumfitt’s Toast; Livy Potter performs Paul Birch’s Running Up That Hill under Harri Marshall’s direction; Jacob Ward directs Claire Morley in Yixia Jiang’s Outliving and Bailey Dowler appears in Jules Risingham’s Anorak, directed by Tempest Wisdom. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.
Curators Andrew Woods, left, Adam Parker and Emily North with Mesolithic remains of a wooden platform and materials used for fire-making in the Yorkshire Museum’s Star Carr exhibition. Picture: Anthony Chappel-Ross
Exhibition opening of the week: Star Carr: Life After The Ice, Yorkshire Museum, York; open Tuesday to Sunday, 10am to 5pm
EXCAVATED in the Vale of Pickering, the Star Carr archaeological site provides the first evidence in Great Britain of the beginnings of home, a place where people settled and built places to live.
The Yorkshire Museum’s interactive exhibition brings together artefacts from “the Mesolithic equivalent of Stonehenge” to give an insight into human life 11,000 years ago, a few hundred years after the last Ice Age, such as how they made fires. On display are objects from the Yorkshire Museum Collection, from antler headdresses and a decorated stone pendant to the world’s oldest complete hunting bow and the earliest evidence of carpentry from Europe. To book tickets, go to: yorkshiremuseum.org.uk.
Sam Hird: Singing Sondheim with Pick Me Up Theatre
Musical revue of the week: Pick Me Up Theatre in Sondheim We Remember, Theatre@41, Monkgate, York, March 27 to 30, 7.30pm plus 2.30pm Saturday matinee
ROYAL College of Music student Sam Hird returns home to York to join his father Mark Hird in the Pick Me Up Theatre company for Sondheim We Remember’s selection of music from Stephen Sondheim’s Broadway shows, film scores and television specials.
Taking part too in this celebration of the New York composer and lyricist will be show director Helen ‘Bells’ Spencer, Susannah Baines, Emma Louise Dickinson, Alexandra Mather, Florence Poskitt, Andrew Roberts, Nick Sephton, Catherine Foster and Matthew Warry. Box office: tickets.41monkgate.co.uk.
The National Trust’s guide to Easter activties, egg hunts et al, at Nunnington Hall
Easter Egg Hunt of the fortnight: Nunnington Hall, Nunnington, near Helmsley, today until April 7, 10.30am to 5pm; last entry, 4.15pm.
FAMILIES can enjoy a fun-packed visit to the National Trust property of Nunnington Hall throughout the Easter school holiday, when children can take part in an Easter egg hunt trail around the freshly mown garden, with activities to be completed such as an egg and spoon race, archery and boules, before receiving their egg.
Children can enjoy drawing and painting in the creative hub; take part in seed planting in the cutting garden; explore the Lion’s Den play area, with its obstacle course, rope bridge and climbing frame; learn about composting and spend time in the bird-watching area. On March 31 and April 1, additional garden activities include races on the main lawn and bird-feeder making. Tickets: nationaltrust.org.uk/nunnington-hall.
Wet Wet Wet and special guest Heather Small: Teaming up at York Barbican in 2025
York gig announcement of the week: Wet Wet Wet & Heather Small, York Barbican, October 13 2025
WHEN Wet Wet Wet headlined a festival in Dubai, who should they bump into but Heather Small, the big voice of M People. She duly accepted their invitation to be the special guest at all dates on their 2025 tour.
Wet Wet Wet will be returning to York Barbican after their January 31 2024 double bill with Go West on the Best Of Both Worlds Tour. In the line-up will be founding member and bassist Graeme Clark, long-standing guitarist Graeme Duffin and singer Kevin Simm, The Voice UK winner and former Liberty X member, who joined the Scottish group in 2018. Tickets: axs.com.york.
In Focus: Children’s show, Millennium Entertainment International in There’s A Monster In Your Show, York Theatre Royal, March 26 to 28, 1.30pm and 4pm
There’s A Monster In Your Show composerTom Fletcher with his children, Buzz, Buddy and Max, and a monster puppet
THE Easter holiday festivities at York Theatre Royal kick off with Tom Fletcher’s new family musical There’s A Monster In Your Show.
Based on Fletcher and Greg Abbot’s Who’s In Your Book? picture-book series for Puffin, the 50-minute performance for three-year-olds and upwards is billed as an “interactive, high-energy adventure for big imaginations” that leaps from page to stage with the aid of lively original music
Adapted for the stage by Zoe Bourn and directed by Miranda Larson, the show features new music by McFly band member Fletcher and Barry Bignold. Expect playful fun aplenty for your littlest ones as their favourite characters come to life in a performance packed with interactive moments to enjoy together.
In the story, performers are preparing to start their show but quickly discover they are not alone on stage. Little Monster wants to be part of the fun too, promptly extending an invitation to his friends Dragon, Alien and Unicorn to join him. Cue comedy and chaos as they help to create a magical show, learning about the joy of books and friendship along the way.
Fletcher says: “I’m so excited to see There’s A Monster In Your Book come to life on stage. The whole journey is incredibly exciting. Theatre is such an important way to introduce children to the arts and There’s A Monster In Your Show is the perfect first theatre trip for pre-schoolers and their families. I’m so looking forward to seeing their reactions first hand.”
The 1.30pm show on March 28 will be a Relaxed Performance that aims to reduce anxiety around theatre visits to help everyone have an enjoyable time. All are welcome, but especially people with sensory or communication difficulties or a learning disability. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Ben Murrell and Gil Sidaway in There’s A Monster In Your Show. Picture: Pamela Raith
FOLK renovator and innovator Sam Lee showcases his fourth studio album, songdreaming, at The Old Woollen, Farsley, Leeds, tonight, on his 17-date tour.
Released on March 15 on Cooking Vinyl, songdreaming represents the latest stage in the development of Londoner Lee’s music, from its roots in curating ancient song to a new way of imagining and performing reworked old songs, making them relevant anew.
The follow-up to 2020’s Old Wow was recorded throughout 2023, when Sam continued his work with producer Bernard Butler and long-term collaborator, arranger, and composer James Keay in creating an album rich in musicality and invention.
In taking songs directly related to the nature of the British Isles, he reinvents and contemporises a tradition of communion with the land through song. “songdreaming is a mosaic of the emotions felt in my time outdoors, that artistically emerge in reflective moments when I’m permitted to recount and articulate the complexity of all I witness and thus feel responsible for,” he says.
Explaining the album title, Sam says: “’songdreaming is a neogilism [a newly coined word or expression], that came out of the work that I do rooted in nature, through the idea of how we can connect with the land, and our relationship with nature through music. It goes back to the Aboriginal idea of songlines…”
…Songlines, Sam? “The short answer is I will never truly understand it, as you have to live in that culture, but from my time spent with Aborogines and from reading [English travel writer] Bruce Chatin’s book [Songlines], it’s to do with map orientation to our sense of not just place but ancestry, identity, sovereignty, all wrapped in feelings of adoration and commitment,” he says.
“That’s something we’ve had in this country, working with the landscape to chart who we are, but our experiences have severed that relationship. The concept of this album is to reinvigorate that idea, hence I’ve borrowed old folk songs, our ancient narratives, reworking them to tell of our beautiful relationship, our enchantment, our illicit joy, in nature.”
Illicit joy, Sam? “I’m so involved with the Right To Roam movement, but I didn’t want to make a protest album. I wanted to create a vision,” he says.
“Music can be such a bridge builder into a new sense of possibilities. I don’t think what we have in this age, unlike what we had for thousands of years, is an adoration of nature. Music was inspired by nature for so many years, and yet we’ve now become like a barren land in our attitude.
“How have we ended up with poisoned rivers, barren lands that are so depleted? Most important to that is the severance of connection to nature in our children, who find it more difficult to make that connection because of the urban lives we live.”
Sam regrets the loss of stewardship, grandparents no longer passing on knowledge of nature to grandchildren. “We don’t know the names of our rivers, our fungi, our flowers, anymore,” he says. “Nature has become an exiled realm. What we see is a war of attrition and nature is not winning that war.”
What role can music play to change that? “Where we are completely cut off, music can conjure the emotion of what it’s like to walk in a field, to be in a canoe, and that’s always been the purpose of music: to connect with the visceral sense of place. In my case, to distil all my work in nature to be something that is shared.”
Across songdreaming’s ten tracks, Sam delivers an album that ranges from acoustic songs to drone soundscapes through to the electric guitar and gospel choir-propelled lead single Meeting Is A Pleasant Place, featuring the recording debut of transgender London choir Trans Voices.
songdreaming incorporates the balladry of Sweet Girl McRee alongside the gospel tinges of Leaves Of Life, while also housing the whiteout noise of Bushes And Briars, a song that details Sam’s rage at the treatment and condition of the natural world.
Summing up his bond with nature in song, Sam says: “Those people who are and were singing the old songs here at home were also looking after the land. When we stop singing to the land, the land stops singing back.”
Sam Lee’s songdreaming tour visits plays The Old Woollen, Sunny Bank Mills, Town Street, Farsley, Leeds, tonight (24/3/2024), 8pm; doors, 7pm. Box office: samleesong.co.uk or oldwoollen.co.uk. songdreaming is available on Cooking Vinyl on vinyl, CD and digital download.
Consone Quartet: Participating in York Early Music Festival’s chamber music programme
THIS summer’s York Early Music Festival 2024 will be an eight-day celebration of music from medieval to the baroque under the title of Metamorfosi.
“The festival will focus on the human voice and song, a combination prized for its power to communicate most directly, and through metamorphosis, the inspiration behind the creation, reimagination and reconstruction of music across time,” says festival director Delma Tomlin.
“This is a very prestigious early music festival that everyone wants to play. We’re looking forward to bringing to York an outstanding line-up of artists, celebrating the power, magnificence and influence of the human voice over the centuries. This year’s exciting line-up will see the return of many festival favourites and a host of new ensembles.
“As ever, the festival will take place in an array of York’s most beautiful churches and historic buildings, and this year’s programme includes four performances in the iconic York Minster.”
Presented by the National Centre for Early Music (NCEM), York, from July 6 to 13, festival will feature a line-up of vocal specialists such as French festival debutants Concerto Soave (NCEM, St Margaret’s Church, Walmgate, July 6, 12 noon); The Gesualdo Six (Chapter House, York Minster, July 9, 7.30pm); festival newcomers Vox Luminis (York Minster Quire, July 11, 7.45pm) and Cappella Pratensis & I Fedeli (York Minster Quire, July 12, 9pm).
Highlighting the theme of reimagination, guest artists including The Sixteen (York Minster, July 6, 7.30pm), the Orchestra of the Age of Enlightenment (NCEM, July 8, 7pm), Rose Consort of Viols, with mezzo-soprano Martha McLorian (NCEM, July 9, 9.30pm), and Gawain Glenton’s Ensemble In Echo (St Lawrence Church, Hull Road, July 10, 7.30pm) will reveal how much composers have borrowed from each other and themselves.
As well as performing herself, mezzo-soprano, BBC New Generation Artist and YEMF artistic adviser Helen Charlston is curating a series of chamber concerts, where the Consone Quartet, harpsichordist John Butt and mezzo-soprano Rebecca Leggett will be her guests.
Leggett, Butt and basse de viole player Jonathan Manson will join Charlston for Couperin: Lecons de Tenebres at the Merchant Taylors’ Hall, Aldwark, on July 8 at 9.15pm, and later she will perform William Thorp’s arrangement of Schumann’s song-cycle Frauenlieben und leben with the Consone Quartet through a new lens of string quartet and voice at the NCEM on July 9 at 12 noon.
Cubaroque, a new combination of tenor Nicolas Mulroy and lutenists Elizabeth Kenny and Toby Carr, will bring together an unusual programme of music by Purcell and Monteverdi, plus more modern songs from South America, at the NCEM on July 7 at 7.30pm.
Making a return to York for two concerts in a residency will be Apotropaïk, winners of the Friends Prize, the EEEmerging+ Prize (CORRECT) and the Cambridge Early Music Prize at the 2022 York International Young Artists Competition. First up, Holy Trinity, Micklegate, on July 10 at 12 noon, followed by the Undercroft, Merchant Adventurers Hall, on July 11 at 9.45pm.
Against the tide of the Brexit divorce from Europe, the NCEM and YEMF have been “especially thrilled” to be working on a new collaboration with artists and colleagues based in Flanders, Belgium, with support from the Alamire Foundation, AMUZ in Antwerp and the Flanders government.
“This partnership enables us to bring Flemish vocal ensemble Utopia to the festival [at the NCEM, July 12, 6pm,] to perform Salve Susato: Treasures from Antwerp’s Golden Age, as well as the Cappella Pratensis & I Fedeli’s celebration of Renaissance polyphony in the Franco-Flemish music of Jacob Obrecht and Jacobus Barbireau later that day,” says Delma. “Both concerts will mark Flanders Day.”
Once more, the festival will play host to ensembles from across Europe in the prestigious biennial York International Young Artists Competition, a ground-breaking initiative that attracts young artists from all over the world.
Looking to follow such past winners as the Protean Quartet, L’Apotheose, Barroco Tout and Sollazzo Ensemble, finalists will spend time in York performing informal concerts and learning from experts before the final concerts on Saturday, July 13, from 10am to 5pm.
“We end the festival with one of the most important dates on the NCEM’s calendar, the York International Young Artists Competition York Early Music Festival,” says Delma. “The NCEM is internationally renowned for promoting and mentoring aspiring young musicians through its extensive work and we can’t wait to host this year’s competition.”
The full festival programme can be found at:https://www.ncem.co.uk/whats-on/yemf/.
In Focus: Who will be the eight ensembles taking part in the 2024 York Early Music International Young Artists Competition?
Rubens Ros, from Switzerland
MEDIEVAL music ensemble based in Basel, co-directed by Aliénor Wolteche (fiddles) and Matthieu Romanens (tenor), graduates of the Schola Cantorum Basiliensis. Repertoire ranges from 13th century accompanied monody to late-medieval vocal and instrumental polyphony. Rubens Rosa made its debut in 2022 at the Basel festival Erasmus klingt.
[hanse]Pfeyfferey, from Germany
RENAISSANCE wind band specialising in improvised and rediscovered music from circa 1500. Their goal is to reproduce authentic and refined Renaissance wind band sound that can be heard from high church towers and serves as the soundtrack for grand processions and balls.
Ayres Extemporae, based in Belgium
TRIO comprising Moldovan-Spanish violinist Xenia Gogu, Spanish cellist Víctor García García, playing on a five-string cello piccolo, and Portuguese cellist Teresa Madeira. Awarded first prize and audience prize at 2022 Semana de Música Antigua de Estella-Lizarra, leading to them being programmed in 2023 festival too. Also received second prize at Biagio Marini International Early Music Competition in Germany.
Brezza, from Switzerland
CREATED in the Schola Cantorum Basiliensis, this versatile ensemble’s research, rehearsal and concert activities explore 17th and 18th century music in the core instrumentation of traverso, viola da gamba, and harpsichord.
Apollo’s Cabinet, from Great Britain
MURDERS, drinking songs, Cinderella stories, virtuosic cantatas, European tours, serene polyphony and candlelit rituals all feature in the evocative and story-driven programmes of these Göttingen Händel Competition and 2022 Maurizio Pratola competition winners. Signature mix of acting, dancing, poetry and silliness brings historical performance to modern audiences, while educational outreach for children and adults alike is at the core of the ensemble’s work.
Pseudonym, based in Switzerland
SCHOLA Cantorum Basiliensis graduates Gabriel Smallwood, Maya Webne-Behrman, Stephen Moran and Liane Sadler perform adventurous interpretations of 17th and 18th century music. Finalists and prize winners at MA Competition Bruges, Van Wassenaer Concours, international harpsichord competition Wanda Landowska in Memoriam, Bach-Abel Wettbebwerb, the International Telemann Wettberwerb and International Biagio Marini Competition.
Trio Pellegrino, from the Netherlands
FORMED after playing in larger ensemble at 2023 La Risonanza Early Music Festival in Bertinoro, Italy. Focusing on Classical and early Romantic repertoire, ranging from Haydn to Schubert, they plan to perform in Germany and England later this year.
Friedrichs Nebelmeer Ensemble,from Switzerland
DYNAMIC woodwind ensemble of Pablo Gigosos (flute), Mei Kamikawa (oboe), Claudia Reyes (clarinet), Andrés Sánchez (horn), and Angel Alvarez (bassoon) formed in 2022 out of shared passion for chamber music and commitment to artistic excellence.
The 2024 competition final will be presented by a panel of judges: Bart Demuyt, director of AMUZ/Alamire; lutenist Elizabeth Kenny; Philip Hobbs, from Linn Records; Lionel Meunier, director of Vox Luminis, and clarinettist/University of York lecturer Emily Worthington. .
The main prize includes a professional CD recording contract from Linn Records; a cheque for £1,000 and opportunities to work with BBC Radio 3 and the National Centre for Early Music, York.
Other prizes are supported by Cambridge Early Music Festival, the European Union Baroque Orchestra Development Trust and Friends of the York Early Music Festival.
Bull: Two nights and a jamboree day at The Crescent to mark the release of Engines Of Honey
BULL, York’s “finest purveyors of jangling indie joy”, launch second album Engines Of Honey with a brace of home-city shows at The Crescent this weekend.
Their tour booker has sent the guitar-powered slacker pop quintet on a frankly bonkers itinerary, beginning in Brighton on March 14, where frontman Tom Beer slept on a bean bag – “a comfy, long bean bag,” he says – at his cousin’s house, followed by Bristol.
Next came Manchester on Saturday; Edinburgh on Sunday, where Tom took a restorative run up Arthur’s Seat first thing on Monday morning; Newcastle last night (20/3/2024); Glasgow tonight; then, back home to York after all that mileage, tomorrow and Saturday, before a London finale at the Windmill, Brixton, on March 28.
“Ex-tour booker,” jokes Tom in a Wednesday morning chat in the Explore York library hush of The Centre @ Burnholme.
“Rather than music, I’d been doing a lot of painting, some little doodles – one we used for the artwork for the Red Rooves single – now some bigger ones as well, though I’ve got no plans to exhibit them, but this tour has reinvigorated me massively, making me realise I do want to do more music.
“I’m now realising that life is a round thing, where you can do lots of different things. So I can do some music, some law, some painting, some gardening, some swimming pool construction.”
Playing plenty of squash and tennis too, sometimes against fellow York singer and songwriter Sam Griffiths of The Howl & The Hum. “I beat him at squash; he beats me at tennis,” says Tom.
Kai West’s cover artwork for Bull’s Engines Of Honey
We shall return to “some law” and “some swimming pool construction” later, but first the new album, Engines Of Honey, the title taken from a lyric (from Stranger), not a song title, in the tradition of the Pixies.
“Sam [Griffiths] says that when you bring something out it reminds you that you exist,” says Tom. “You can take it way too seriously, but it’s just some songs for people to listen to, and if people have like them, that’s great. The reaction to the album has been really good.”
Released on March 1, with distribution by AWAL, who did likewise for The Howl & The Hum’s Human Contact in 2020, Engines Of Honey is available via Bandcamp on CD and vinyl, and digitally too, but not at record shops.
Billed on Facebook as “our second greatest hits”, the album’s arrival has not been accompanied by the fanfare that met the alt-rock dandies’ March 2021 debut, Discover Effortless Living, after Bull became the first York band since Shed Seven to sign for a major label, fully ten years after their formation. £20,000 from EMI came their way, along with a further £5,000 backing for 2022 EP Stuck.
“Signing to EMI opened up a lot of doors in terms of the record being sold in places like HMV, which was a big deal for us, and brought us headlines. It’s a self-fulfilling prophecy where people start taking you seriously,” says Tom.
Not everything went swimmingly, however. “We were going to put out another album with EMI and went down to London to meet them, but I had a bit of a burn-out after their 2022-23 tour, when I kind of realised I didn’t want to be focusing on music as much as I’d done before…so I started a new job.”
Tom had studied for a law degree at Newcastle University in earlier days. “I’m now working as a planning consultant for the gypsy and traveller community nationally, and I’m a trustee for the York Travellers Trust too. It’s about giving them stable private homes, but where they can live their traditional lifestyle,” he says.
“I’m working with lawyer Marc Willers, a leading King’s Counsellor on gypsy and traveller issues, who’s been such an inspiration to me. We met up last week when Bull were playing Brighton, and I’m considering doing a pupillage down there.”
Bull on the March tour trail: Brighton, Bristol, Manchester, Edinburgh, Newcastle, Glasgow, York, last stop London
Tom decided that Bull should not push for the second album with EMI. “It wasn’t the right fit, to be honest,” he reflects. “We’re a cult independent band from York, That’s what we are. We’re not going to be the next Wet Leg. We have cult appeal, a catalogue of 35 songs, and a small group of people around the world that like us, and that’s all we want.”
Twelve of those songs form Engines Of Honey, recorded by singer, guitarist and principal songwriter Tom, keyboard-playing sister Holly Beer, guitarist Dan Lucas, drummer Tom Gabbatiss and bassist Kai West with producer Remko Schouten in his Amsterdam studio, as was the case for Discover Effortless Living, with further recordings at Tom’s parents’ house in York. “Adding endless harmonies, shakers, timpani and saxophone,” as Tom puts it.
Bull are in a good place, says Tom. “It doesn’t matter that we didn’t do a second album with EMI. We’re happy where we are because you can’t make money from music unless you’re huge, and we were broke,” he says.
“I wasn’t making ends meet, so I needed to get a job. We’re not exactly business people. We tried but it kills it. I started taking things too seriously, but it’s only music. Though I feel very conflicted about it. I don’t feel I’ve quit, but I was working way too hard at it, to the point where I can’t do that any more.
“Music is much more personal than other careers; you feel it too deeply, where it would activate my ‘fight or flight’, so I had to stop doing it, but thankfully Holly and Dan and the rest of the band took over finishing the album, with Dan doing the lion’s share of the mixing.””
Bull: Playing a different set each night at The Crescent on Friday and Saturday
Bull have signed to new management; a further York live event is upcoming at the York Explore library on May 17, and recording plans are afoot already for two more albums, one with Renko Schouten at his new studio in rural Spain, the other, “super-lo-fi” in York.
“We’re trying to strike a deal with Renko to build him a guitar-shaped swimming pool on his land to cover making the next album,” says Tom. Polymath Kai is a builder among his multiple skills, should you be wondering.
Turning 30, Tom finds himself becoming more of a home bird. “I’m engaged; I want to have kids, make normal money from a job,” he says. “I had to give up on my rock’n’roll dream, which is unreal. Only Bob Dylan pulls off the never-ending tour, and I’m not sure how happy he is. I just want to be have friends around me. Be a good citizen for York.”
First up, Bull play two entirely different sets tomorrow and on Saturday with no repeats and DJ sets afterwards by Victor Alvarez, the Mexican-masked host of the Golden Ball’s Latin nights, Sophisticated Boom Boom DJs, from the Micklegate Social, DJ Dr Vic, DJ Georgie, probably Joe Coates and maybe Tom Beer too, picked from his record collection.
In between comes Saturdays’ free daytime jamboree, kicking off at 2pm with an art fair featuring Jade Blood, Harry Clowes, Kai West and Izzy Williamson and more. Ben Crosthwaite’s music quiz at 5pm will be followed by Jade Blood’s Art Bingo with prizes at 6pm.
Look out too for Bull’s homemade curry, cooked up by Kai West, and a memoraBullia exhibition with 20 Bull T-shirts down the years, posters, promotional artwork and record sleeve designs. MemoraBullia, Tom? “I came up with that!” he says.
Please Please You and Brudenell Presents presentBull at The Crescent, York, tomorrow, supported by FEET, from London, and Vehicle, from Leeds, 7.30pm. Tickets still available at thecrescentyork.com. Saturday, supported by Eugene Glorious and Fat Spatula, 7.30pm, sold out.
Le Collectif de Blues: Making their Ryedale Blues Club debut
BLUES and the yellow brick road, New Orleans jazz and Sondheim, egg hunts and art workshops, an album launch and a pop double bill make Charles Hutchinson’s latest list.
Blues gig of the week: Le Collectif de Blues, Milton Rooms, Malton, tonight (21/3/2024), 8pm
FOR the first time, Ryedale Blues Club presents the straight-up, no-nonsense Chicago blues of Le Collectif de Blues at the Milton Rooms. Expect a “killer harp, low key, small amps, no effects” brand of blues. “Just as it should be,” they say. Hull blues and rock musician Steve Fulsham is on the bill too. Box office: 01653 696240 or themiltonrooms.com.
Alligator Gumbo: New Orleans jazz from Leeds in Helmsley
Jazz gig of the week: Alligator Gumbo, Helmsley Arts Centre, Saturday, 7.30pm
PERFORMING everywhere from rowdy bars to prestigious jazz festivals since 2011, Leeds combo Alligator Gumbo play jazz from the hey-day of the New Orleans swing/jazz era, in particular the “Roaring Twenties”, when music was raw and largely improvised with melodies and solos happening simultaneously.
Striving to keep the New Orleans sound alive, Alligator Gumbo play the popular songs that defined this time and place. Box office: 01439 771700 or helmsleyarts.co.uk.
Baby boom: Ryedale Youth Theatre choreographer Lauren Hood, front left, producer/director Chloe Shipley and musical director Rachael Clarke with their babies and The Wizard Of Oz cast members
Ryedale musical of the week: Ryedale Youth Theatre in The Wizard Of Oz, Milton Rooms, Malton, March 27 to 30, 7.15pm plus 2pm Thursday and Saturday matinees
REHEARSALS were paused for several weeks when three key members of Ryedale Youth Theatre’s production team took time out to be with their new arrivals. Choreographer Lauren Hood had a baby son, musical director Rachael Clarke, a daughter, and producer/director Chloe Shipley, a son. Choreographer Rachel Morris is having a baby too, due after the show’s run.
Rehearsals resumed in February for L Frank Baum’s musical story of Dorothy, the Tin Man, the Cowardly Lion and the Scarecrow and their journey along the yellow brick road to meet the Wizard of Oz. Box office: yourboxoffice.co.uk.
Sam Hird: Heading home to York to sing Sondheim with Pick Me Up Theatre
Musical revue of the week: Pick Me Up Theatre in Sondheim We Remember, Theatre@41, Monkgate, York, March 27 to 30, 7.30pm plus 2.30pm Saturday matinee
ROYAL College of Music student Sam Hird returns home to York to join his father Mark Hird in the Pick Me Up Theatre company for Sondheim We Remember’s selection of music from Stephen Sondheim’s Broadway shows, film scores and television specials.
Taking part too in this celebration of the New York composer and lyricist will be show director Helen ‘Bells’ Spencer, Susannah Baines, Emma Louise Dickinson, Alexandra Mather, Florence Poskitt, Catherine Foster, Andrew Roberts, Nick Sephton and Matthew Warry. Box office: tickets.41monkgate.co.uk.
Bassist Kai West’s poster for Bull’s two-day album launch at The Crescent
York album launch of the week: Bull at The Crescent, Friday and Saturday, 7.30pm
BULL, York’s “finest purveyors of jangling indie joy”, launch second album Engines Of Honey with a brace of home-city shows, supported by FEET and Vehicle on Friday, then Fat Spatula and Eugene Gorgeous on Saturday.
Vocalist/songwriter Tom Beer, guitarist Dan Lucas, drummer Tom Gabbatiss, keyboard player Holly Beer and bassist Kai West promise entirely different sets for each night with no repeats. What’s more, they are making a day of it on the Saturday with a free daytime jamboree from 2pm, featuring an art fair, Ben Crosthwaite’s music quiz, bingo with Jade Blood, Bull’s homemade curry and a memoraBullia exhibition, plus post-gig DJs. Box office: thecrescentyork.com.
The National Trust guide to Easter activties
Easter egg hunt of the fortnight: Nunnington Hall, Nunnington, near Helmsley, Saturday to April 7, 10.30am to 5pm; last entry, 4.15pm.
FAMILIES can enjoy a fun-packed visit to the National Trust property of Nunnington Hall throughout the Easter school holiday, when children can take part in an Easter egg hunt trail around the freshly mown garden, with activities to be completed such as an egg and spoon race, archery and boules, before receiving their egg.
Children can enjoy drawing and painting in the creative hub; take part in seed planting in the cutting garden; explore the Lion’s Den play area, with its obstacle course, rope bridge and climbing frame; learn about composting and spend time in the bird-watching area. On March 31 and April 1, additional garden activities include races on the main lawn and bird-feeder making. Tickets: nationaltrust.org.uk/nunnington-hall.
Artist Nicola Hutchinson: Hosting two days of workshops at Helmsley Arts Centre
Workshop of the week: A Creative Art Adventure, Helmsley Arts Centre, Monday and Tuesday, 10am to 3pm
ARTIST Nicola Hutchinson embarks on an enchanting journey through a world of creativity this Easter holiday in a two-day workshop for children aged eight to 11, focusing on exploration and discovery.
These sessions offer the chance to learn new skills and techniques in a relaxed setting, with a variety of art materials provided to experiment with drawing, painting, and collage skills. All levels and abilities are welcome; snacks and drinks are provided; please dress to get messy. Tickets: 01439 771700 or helmsleyarts.co.uk.
York gig announcement of the week: Wet Wet Wet & Heather Small, York Barbican, October 13 2025
Wet Wet Wet with special guest Heather Small: Playing York Barbican in October 2025
WHEN Wet Wet Wet headlined a festival in Dubai, who should they bump into but Heather Small, the big voice of M People. She duly accepted their invitation to be the special guest at all dates on their 2025 tour.
Wet Wet Wet will be returning to York Barbican after their January 31 2024 double bill with Go West on the Best Of Both Worlds Tour. In the line-up will be founding member and bassist Graeme Clark, long-standing guitarist Graeme Duffin and singer Kevin Simm, The Voice UK winner and former Liberty X member, who joined the Scottish group in 2018. Tickets go on sale on Friday at 10am at axs.com.york.
BC Camplight: “This will be one of the top five nights of your life,” he proclaims. All pictures: Paul Rhodes
BRIAN ‘BC Camplight’ Christinzio may have some imperfections, but false modesty is not one of them. Walking on stage with his crack five-piece band, he said: “This will be one of the top five nights of your life.” Luckily, he had the songs and the humour to (almost) pull that off. Top five BC Camplight gigs? Most certainly.
Camplight appears like someone always in transition; seemingly always in a weird place. His songs morph and mutate, and as a performer he now finds himself on the cusp to the next level of stardom that everyone present, not least the man himself, seems to expect.
That he’s been burned so many times before on the brink of greater things would only increase the much-delayed gratification of musical justice prevailing.
BC Camplight: “Mordant lyrics are both laugh-out-loud funny and startling in their depiction of his mental illness,” says reviewer Paul Rhodes
This was the last gasp of the Last Rotation On Earth tour (a top 40 record) and the stage was packed with musicians to bring out the many nuances in his music. Particularly credit should go to Francesca Pidgeon, Camplight’s primary foil and multi-instrumentalist. A still presence on stage, she was actually perpetually moving, switching across instruments and singing.
For the uninitiated, Camplight is a BBC 6Music staple. Someone with an outsize talent and a knack of controlling a stage. He’s a man who has drunk deeply from the well of 1970s’ AOR and Eighties’ pop and funk – but whose mordant lyrics are both laugh-out-loud funny and startling in their depiction of his mental illness.
This dark prince has the fills, if not the moves, of his more petite Princely predecessor. While you could almost imagine Prince performing Cemetery Lifestyle at one of his famous after-show parties, he might have played it as an instrumental.
BC Camplight: “An outsize talent and a knack of controlling a stage”
The 15 songs drew on the best parts of his latest record and the previous three. All of his recorded albums are scattered with the most glorious tunes, but each is uneven. In concert, he more successfully levelled out the melodic highs – such as the I’m Ugly (fast becoming a signature song) with the introspective tunes.
The capacity crowd was quiet for one song only, and that was I Want To Be In The Mafia, just Brian, metaphorically naked behind the piano. Life In A Dozen Years contained both the best and the worst; glorious melodic sections jagged by noisy, dark interludes that, while unique, may never sit comfortably with an expanded audience.
For his favourite song, She’s Gone Cold, Camplight stepped away from the clever touches and played it as a straight-up power ballad. I’m Desperate was a frenetic and amazing final song where the roof, quaking but intact previously, finally lifted off. He may not be an overnight sensation but was sensational on this night.
Elvis Costello: 60 songs from 50 years in four shows in two nights at Leeds City Varieties Music Hall in September
ELVIS Costello will bring his new career-spanning presentation, 15 Songs From 50 Years, to Leeds City Varieties on September 2 and 3 for four unique performances over two days.
Walking in the footsteps of Harry Houdini and beyond the long shadow of Charlie Chaplin, Frank Carson and Leonard Sachs at the Swan Street music hall, Costello will be joined at each 75-minute show by keyboard player Steve Nieve, his long-serving, Royal College of Music-trained cohort in The Attractions and The Imposters.
Each day, the 7pm soiree will feature an entirely different repertoire to the 9.30pm set list, the songs being selected from each of the five decades of Costello’s songwriting, whether solo or in the company of Flip City; American country rock band Clover; The Attractions; Squeeze’s Chris Difford; The Coward Brothers, with T-Bone Burnett; the Confederates; Paul McCartney; the Brodsky Quartet; The Imposters; Burt Bacharach, Allen Toussaint or the Roots.
A 15-song programme will be printed in advance of each concert with few, if any repeats anticipated but with the possibility of impromptu choices along the way. Costello. 69, and Nieve, 66, very occasionally take requests but should never be mistaken for a jukebox.
The third and fourth performances, on the second day, will “propose a deuce of delights”: two entirely different 15-song set-lists selected from half a century of popular songwriting craft.
“The four shows are guaranteed to feature 60 different songs, but we suspect this is just the start,” predicts the shows’ publicity machine.
Those who want to attend all four contrasting shows in this exclusive engagement can obtain a special season ticket to include premium seats for each show in the front rows or boxes with exclusive use of the bar in between shows.
Tickets go on sale on Friday (22/3/2024) at 10am at ElvisCostello.com. Don’t dilly dally, advises the press release, lifting a lyric from Costello’s anti-war single Pills And Soap, released under the pseudonym of The Imposter in the run-up to the 1983 General Election.
Sam Hird: Singing Sondheim with Pick Me Up Theatre
ROYAL College of Music student Sam Hird returns home to York to join his father Mark Hird in the Pick Me Up Theatre company for Sondheim We Remember at Theatre@41, Monkgate, York, from March 27 to 30.
Taking part too in this celebration of New York composer and lyricist Stephen Sondheim will be director Helen ‘Bells’ Spencer, Susannah Baines, Emma Louise Dickinson, Alexandra Mather, Florence Poskitt, Andrew Roberts, Catherine Foster, Nick Sephton and Matthew Warry.
Planned originally for 2020 before Covid intervened – and Sondheim’s death on November 26 2021 at the age of 91 – Pick Me Up’s show features music from his Broadway shows, film scores and TV specials. Tickets for the 7.30pm evening shows and 2.30pm Saturday matinee are on sale at tickets.41monkgate.co.uk.
Pick Me Up Theatre’s company of singers for Sondheim We Remember
Pick Me Up will make a swift return to Theatre@41 with a second Sondheim show, his 1984 musical collaboration with playwright and director James Lapine, Sunday In The Park With George, from April 5 to 13.
Inspired by Georges Seurat’s pointillist painting Sunday Afternoon On The Island Of La Grande Jatte, the musical follows Seurat (played by Adam Price) in the months leading up to the completion of that famous work.
Seurat alienates the French bourgeoisie, spurns his fellow artists and neglects his lover Dot (Natalie Walker), not realising that his actions will reverberate over the next 100 years.
Performances will start at 7.30pm on April 5, 6 and 9 to 13, plus 2.30pm on April 6, 7 and 13. Box office: tickets.41monkgate.co.uk.
Picture pose: Pick Me Up Theatre’s Emma-Louise Dickinson, as Celeste, adds to the scene in Georges Seurat’s painting Sunday Afternoon On The Island Of La Grande Jatte, the inspiration for Stephen Sondheim and James Lapine’s musical Sunday In The Park With George
