Abbie Budden as Annette Hargrove in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith
ABBIE Budden is surrounded by an entirely new cast as she reprises her role of Annette Hargrove in the 2025 tour of Cruel Intentions: The ’90s Musical, playing the Grand Opera House, York, from tonight to Saturday.
Last year, Abbie made her professional bow aged 20 in the London premiere of Jordan Ross, Lindsey Rosin and Roger Kumble’s New York musical, based on Kumble’s too-cool-for-school 1999 film.
“I’m the only returning cast member from that show at The Other Palace Theatre in Victoria, and it’s been really lovely to revisit it, bringing new elements to it,” says Abbie, who is working again with director Jonathan O’Boyle and choreographer Gary Lloyd.
“The London run flew by and I just didn’t feel I’d finished with it after those five months, so it’s been liberating to come back for three weeks of rehearsals before we opened at Windsor Theatre Royal last Thursday. “
Why was it ‘unfinished business’, Abbie? “It’s always on reflection that you think ‘there is so much more I could have done’, and I’m now finding so many new moments for Annette, bouncing off new members of the cast.
“But I had an amazing time in London, and as last year was my professional debut, it felt so special to me, and I now come back to the show having had more experiences since then. I did Title Of Show, at Phoenix Arts Theatre and Southwark Playhouse, which was a very different show: a musical about two people writing a musical.
“It was a very meta piece of theatre with a cast of four, the writers and two friends, based on a real story. That was a lot of fun to do, as was playing Jill in my first pantomime in Jack And The Beanstalk at Ipswich Regent Theatre, and now Cruel Intentions feels like a new challenge again.”
Inspired by Pierre Choderlos de Laclos’s French novel Les Liaisons Dangereuses, Cruel Intentions is rooted in a cruel bet where Kathryn Merteuil (Nic Myers) goads step-brother Sebastian Valmont (Will Callan) into attempting to seduce Annette Hargrove, the headmaster’s virtuous daughter at their exclusive Manhattan high school.
Weaving a web of secrets and temptation, their crusade wreaks havoc but soon the co-conspirators become entangled in their own web of deception and unexpected romance with explosive results.
Abbie Budden in her debut professional role as Annette Hargrove in last year’s London production of Cruel Intentions: The ’90s Musical. Picture: Pamela Raith
What a debut role and debut show for Abbie. “I didn’t train at drama college,” she reveals. “I jumped straight into the industry last year at the age of 20. Now I’m 21, and I feel they have really nurtured me. It was exciting but terrifying last year, but now I can be playful with the role with full confidence.
“Last year I learnt so much about myself, just how capable I am – and eight shows a week is tough for anyone.”
After landing such a role on the London stage when so young, Abbie found imposter syndrome kicking in. “But I think that is something that never goes away in this industry: that constant need to prove yourself,” she says. “It’s a feeling that you really have to try to switch off. Be confident that you’re meant to be here. You just have to remind yourself that you were chosen for a reason.”
Although Abbie has not studied for a drama degree, “as soon as I could, I was wearing dancing shows, from the age of three, growing up in Horsham in West Sussex” she says. “I loved the drama department at my school, Tanbridge House School, and did sessions twice a week and lots of productions at Showdown Theatre Arts, where I found my passion for the arts.
“I did an exchange programme to Baltimore, going to New York too, and that felt like a step into performing that couldn’t have come at a better time before jumping into professional theatre last year.”
Abbie confesses that she had not seen the film until the audition. “The moment I watched it, I loved it. I remember gasping and squealing at how outrageous it was – and chaotic too! The plot really keeps you guessing and Roger Kumble’s script is so cutting. I instantly connected with Annette, knowing it was so right for me as a role,” she says
“Though it’s strongly a 1990s’ film – and placing it in Upper East Side, New York, makes it even more iconic – its themes are still almost painfully relevant.
“Our version plays it slightly different to the film, still taking inspiration from those iconic characters, but I’ve really found my own Annette, where she matches Sebastian at his game. There’s no time where she’s weak or is a victim of Sebastian.
“The Gwen Stefani song that Annette sings, Just A Girl, is telling the world that she yearns to be more than innocent, to be rebellious. She definitely does have a lot of control throughout, and doesn’t lose that; it’s her self-control that she struggles with, showing vulnerability with that.”
The show poster for Cruel Intentions: The ’90s Musical, playing Grand Opera House, York, Leeds Grand Theatre and Hull New Theatre
As the show title indicates, Cruel Intentions is packed with 1990s’ pop gold dust, from Stefani, Britney Spears, Boyz II Men and Christina Aguilera to TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.
“I almost wish all the songs were in the film because they suit the story so well, and what separates this show from other jukebox musicals is that it doesn’t take itself too seriously,” says Abbie.
What is her favourite number? “Torn. The Natalie Imbruglia song. It’s an absolute banger. If I ever went out to a karaoke night, that would be my number one choice – and it’s a real turning point in the show, where she doesn’t know where she will go from there,” she says.
Abbie also sings Lovefool, the one from the swimming pool scene; Counting Crows’ Colorblind – “a gorgeous moment in the film that’s so honest and sincere on stage that you really feel the audience go quiet” – and Foolish Games.
“That’s my big ‘belty’ solo in the show, where I do songs that give me lots of contrast, from ‘thrashy’ to beautiful, so Annette really gets to go on an emotional rollercoaster.”
What is the ultimate moral of Cruel Intentions, Abbie? “It’s weird because the characters are pretty devious and do some devious things, but because they’re teenagers and playing games, audiences fall in love with them,” she says.
“But the moral behind it is that there’s a dark side behind privilege, where they’re able to brush everything off with their wealth, which doesn’t just apply to the 1990s. A lot of people will connect with that thing of making questionable decisions as a teenager, but there’s a playful energy to the show as well darkness.”
On the road until the end of June, Abbie is visiting York for the first time this week. “I’ve never been there, so it’ll be lovely to see places on this tour that I’ve never been before,” she says. The further Yorkshire delights of Leeds and Hull await in May.
Bill Kenwright Ltd presents Cruel Intentions: The ’90s Musical, Grand Opera House, York, tonight, 7.30pm; tomorrow, 2.30pm and 7.30pm; Thursday, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Age guidance: 15 plus. Box office: atgtickets.com/york.
Also playing: Leeds Grand Theatre, May 6 to 10, 0113 243 0808 or leedsheritagetheatres.com; Hull New Theatre, May 13 to 17, 01482 300306 or hulltheatres.co.uk.
