Category: Theatre

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What’s On in Ryedale, York and beyond. Hutch’s List No. 39, from Gazette & Herald

Grainne O’Hare: Discussing her debut novel, Thirst Trap, a study of friendship in Belfast, with York theatre-maker and university tutor Bridget Foreman at Helmsley Literature Festival

HELMSLEY’s book festival, musical premieres, Ayckbourn’s 91st comedy and the Yellow Brick Road are beckoning Charles Hutchinson. 

Festival of the week: Helmsley Literature Festival, Helmsley Arts Centre, Friday to Sunday.

HELMSLEY Literature Festival presents an entertaining weekend of writers, theatre and music, opening with Joanne Harris & The Storytime Band’s musical storytelling show on Friday at 7.30pm and concluding with the Studio Bar literary quiz on Sunday at 8.30pm.

Saturday presents retired clinical oncologist Grahame Howard at 2pm; Belfast-born debutant novelist Grainne O’Hare (Thirst Trap), 4.30pm; Debbie Cannon’s play The Remarkable Deliverances Of Alice Thornton, 7pm, and Poets’ Corner, hosted by Steve Harvey in the Studio Bar, 8.30pm. Sunday features Cliff Hague’s Cup Finals: Football Stories Of Great Games, Heroes And Villains, 2pm; northern authors Jenn Ashworth (The Parallel Path: Love, Grit And Walking The North) and Wendy Pratt  (The Ghost Lake), and Saltburn bookshop owner and The Hometown Bookshop novelist Jenna Warren, 7pm. Box office: 01439 771700 or helmsleyarts.co.uk.

Musical world premiere of the week: Military Wives – The Musical, York Theatre Royal, today to September 27, times vary

YORK Theatre Royal stages the world premiere of writer-director Debbie Isitt’s musical based on the 2019 film, rooted in Gareth Malone’s The Choir: Military Wives project.

Faced with husbands and partners being away at war, the women are isolated, bored and desperate to take their minds off feelings of impending doom. Enter Olive to help them form a choir. Cue a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Interdimensional journey of the week: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee

DIRECTOR Helen “Bells” Spencer and musical director Matthew Clare follow up 2023’s Musicals In The Multiverse 2023 with another blend of iconic musical theatre hits reconfigured with surprising twists. 

“Think unexpected style swaps, minor to major key switches, gender reversals, era-bending reinterpretations, genre mash-ups and more,” says Bells. Box office: tickets.41monkgate.co.uk.

York premiere of the week: Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, today to September 19, 7.30pm plus 2.30pm Saturday and Sunday matinees

ROBERT Readman directs the York premiere of Jeanine Tesori and Lisa Krow’s five-time Tony Award winner, based on Alison Bechdel’s graphic novel. 

When her volatile father dies unexpectedly, Alison (Claire Morley) recalls how his temperament and secrets defined her family and her life. Moving between past and present, she relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her sexuality and the looming, unanswerable questions of her father’s hidden desires. Box office: ticketsourse.co.uk/pickmeuptheatrecom.

Exhibition of the week: Paint & Print, Beryl Braddock, Judith Ellis & Pauline Brown, Helmsley Arts Centre, until October 31

SINCE gaining a Fine Art degree at Leeds and Goldsmiths as a mature student, Beryl Braddock has enjoyed more than 40 years of drawing and painting, using watercolours, crayon, inks, charcoal and oils in still life, landscape and life drawing works, often in portraits of family and friends.

Judith Ellis’s paintings and prints utilise the process of mark making – colour, shape, form and texture – developed with elements of order and chance. Her work evolves with or without a pre-conceived idea; sometimes fragments of diaries are used to develop texture and form or a poem might provoke a colour. Artist, art therapist and theatre designer Pauline Brown paints and draws mostly outdoors in nature, following the changing seasons, using layers of colour and texture to capture the landscape’s moods and atmosphere.

Brass band gig of the week: Stape Silver Band, Brass Across The World, Kirk Theatre, Pickering, Friday, 7.30pm

STAPE Silver Band takes a musical journey around the world in the company of Pickering Musical Society members, performing works associated with myriad genres of brass band music. Box office: 01751 474833 or kirktheatre.co.uk/events/stape-silver-band/.

Tribute show of the week: Abba Sensation, Kirk Theatre, Pickering, Saturday, 7.30pm

KIRK Theatre “simply had to have them back” after Abba Sensation’s sold-out last visit. Combining costume changes, lighting effects and a faithful account of the Abba sound, the band welcomes audience participation, whether singing, clapping or dancing. Anyone “too posh” to join in can rattle jewellery instead. Box office: 01751 474833 or kirktheatre.co.uk/events/stape-silver-band/.

Ruby slippers of the week: York Stage in The Wizard Of Oz, Grand Opera House, York, Friday to September 20

UNDER Nik Briggs’s direction, York Stage skips down the Yellow Brick Road as Erin Childs’ Dorothy, Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson), and Cowardly Lion (Finn East), journey to the Emerald City to meet the Wizard (Ian Giles).

In navigating the enchanting landscape of Oz, Dorothy is watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers. Box office: atgtickets.com/york.

Theatre event of the week: Alan Ayckbourn’s 91st premiere, Earth Angel, Stephen Joseph Theatre, Scarborough, Saturday to October 11, 7.30pm plus 1.30pm, Wednesday and Thursday, and 2.30pm Saturday matinees

GERALD has lost his wife of many years. Amy was the light of his life, almost heaven-sent. Trying his best to put a brave face on things, he accepts help from fussy neighbours. Then a mysterious stranger turns up at Amy’s wake, washing the dishes and offering to do a shop for Gerald, but is he all that he appears?  

Alan Ayckbourn’s 91st play digs deep into one of life’s greatest mysteries: what makes someone a good person – and in this day and age, can you ever be sure? Box office: 01723 370541 or sjt.uk.com.

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Who will be having a ball in Cinderella at the Grand Opera House? Meet the panto cast

Cinderella cast members Luke Attwood, Brandon Nicholson, Lisa George, Tobias Turley, Rachel Grundy and Jimmy Bryant

THE Grand Opera House pantomime cast has assembled for the first time in York to give a flavour of what lies in store in Cinderella this winter.

In attendance for the UK Productions press day were Rachel Grundy (Cinderella); Tobias Turley (Prince Charming); Lisa George (Fairy Godmother); Jimmy Bryant (Buttons); Yorkshireman Bradley Judge (Dandini), and Ugly Sisters double act Luke Attwood (Harmony Hard-Up) and Brandon Nicholson (Melody Hard-Up).

“I was here at the Grand Opera House in The Rocky Horror Show, though I’ve never been in York at Christmas, which I’m looking forward to,” says West End musical actress Rachel Grundy, who has appeared in such shows as Legally Blonde and Starlight Express.

“The first time I worked with UK Productions was the Legally Blonde UK tour. I’ve done pantomimes at Bath Theatre Royal, Blackpool Grand Theatre, New Brighton, Bournemouth and Basingstoke, where I did Cinderella.”

Tobias Turley, who came to fame on ITV’s Mamma Mia! I Have A Dream, has appeared on the York stage previously in the Strictly Come Dancing Tour. “My first job out of drama school [at Doreen Bird College] was in Sleeping Beauty at Mansfield, but I haven’t come back to pantomime since then until now. That was four years ago,” he says.

“I’ve been very lucky working in theatre since being on telly, playing one of the Jets, Diesel, in West Side Story, appearing in Heathers and Mamma Mia! The Musical, then White Rose at the Marylebone Theatre and Hot Mess in the Pleasance Courtyard at the Edinburgh Fringe, which will be going in to the Southwark  Playhouse Elephant for three weeks.”

Traditionally, Cinderella and Prince Charming are this pantomime’s straight roles. “You need that to keep the story flowing, with the story arc being continued throughout,” says Rachel. “You need those strong pillars.”

New addition: Leeds lad Bradley Judge, confirmed for Dandini role in Cinderella

Tobias adds; “The first time I did panto, I was thinking ‘I’m not getting laughs’, but you need both types in panto. They’re the fluff and we’re the plot – and what wonderful fluff they are!”

Neither Rachel or Toby will be heading home for Christmas Day. “My brother lives near Huddersfield,” she says. “I’ll be staying with a good friend of mine,” he says.

Coronation Street star Lisa George, whose sister lives in a village on the outskirts of York, is no stranger to pantomime, especially Cinderella. “This will be my fourth Cinderella,” she says. “I played Dandini with Jimmy Cricket, Suranne Jones and Linda Nolan at Tameside Hippodrome in 1997; Petunia Pumpkin [the Fairy Godmother role] at Oldham Coliseum in 2013; Fairy Godmother in Swindon, at the Wyvern Theatre, last Christmas, and now York.

“I’ve played Fairy Bowbells in Dick Whittington too. I love playing fairy! She’s just a lovely character and she’s ageless – though one day I’d love to see her in a pinny and rubber gloves!”

Actor and comedy performer Jimmy Bryant will be working in York for the first time. “Buttons is especially there for the children, as he’s the closest to them in his character,” he says. “Part of his role is to be their voice on stage; he does the most direct speaking to the audience. He’ll be their best friend.”

Buttons will be a contrasting role to his pantomime appearance last winter. “I usually play the funny chap who’s there to have loads of laughs and bring the audience with me, but last year I was the villain – a very stupid villain – at the Cheltenham Everyman, where I was Herr Kutte, a German villain, which was really fun to do as they wanted someone who wasn’t too scary.”

Bradley Judge, from Leeds, has appeared previously in pantoland in Aladdin in New Brighton and Jack And The Beanstalk in Mansfield and has done musicals aplenty since studying musical theatre at Guildford School of Acting. “The last big show I was in was Sister Act, which came to the Leeds Grand,” he says.  

Lisa George: Cinderella’s Fairy Godmother

“For playing Dandini, I’ve not got the whole script yet, but from what I’ve seen he’s got a little comedy in his role, with a bit of a cheeky wit about him.”

West End drag double act and real-life partners Luke Attwood and Brandon Nicholson will bring Harmony and Melody to Cinderella in their York debut. “This is our seventh year together in pantomime,” says Luke. “I used to be a dancer in pantomime for many years. One year I auditioned for Ugly Sister at Wimborne, on  my own to be paired with someone else, and then Brandon auditioned to be Dandini…

…”I didn’t want to wear women’s clothing!” interjects Brandon. “Then the director, Lee Redwood, said Brandon had auditioned for Dandini, and he suggested we should work together as Ugly Sisters,” says Luke.

“Since then we’ve built up a full set of costumes, stored in Brandon’s old bedroom at his mum and dad’s house.”

After playing such Strictly Come Dancing–rooted double acts as Tess and Claudia and Shirley and Darcey, Luke and Brandon will be adding Harmony and Melody Hard-Up to their repertoire. “It’s our first time with UK Productions,” says Brandon. “We saw their Cinderella in Blackpool and thought, ‘we want to be in that’!

“Anthony Williams [UK Productions’ executive pantomime director] came to see us in pantomime in Blackpool, and now we’re doing Cinderella in York. It’s the number one-selling pantomime, so it’s great to be in it this winter.”

UK Productions presents Cinderella at Grand Opera House, York, from December 6 to January 4 2026. Box office:  atgtickets.com/york.

Cinderella stars Tobias Turley and Rachel Grundy

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REVIEW: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York ****

Emma Burke’s wartime nurse performing Anthem, from Chess

“THE show’s concept is playful, radical too, and has the potential to be rolled out again,” predicted your reviewer, when encountering June 2023’s “out of this world” Musicals In The Multiverse.

Sure enough, here comes the bigger, bolder sequel, still with a “big cast, bags of energy and enthusiasm, and a fun idea for a show”, still with Helen “Bells” Spencer as director and Matthew Clare in charge of the remarkable musical arrangements as songs are freed from the chains of their usual presentation.

The company and venue has changed, from the Joseph Rowntree Theatre Company and art deco Joseph Rowntree Theatre to Spencer and Nick Sephton’s Wetherby-based Wharfemede Productions and black-box Theatre@41, Monkgate.

The show title has replaced ‘In’ with the broader-sounding ‘Across’ to reflect an even more expansive multiverse: alternative worlds where musical favourites and newer works are turned on their head, taking on a new life with a change of gender, era, key or musical style, as musical director James Ball and his band, out of view behind curtains but worthy of a standing ovation in their own right, deliver Matthew Clare’s diverse, dazzling arrangements with such brio.

Nick Sephton and Helen “Bells” Spencer’s tender rendition of I Don’t Need A Roof

Attending Monday night’s dress rehearsal, the technical rough edges with the projection would be ironed out by tonight’s opening  show, and likewise Bells Spencer was keeping herself busy in taking notes, and even adjusting actors’ stage positions mid-number to achieve the right balance. Choreographer Connie Howcroft, when not performing, kept an eye on the big numbers too.

Musicals Across The Universe sits inside an end-on set design, usually bare to enable use of the full stage, even the stairway, with the occasional addition of chairs too, while projections, whether of a blur of Fake News or images of wartime Poland, accompany assorted numbers. Costume changes are frequent, sometimes amusing, often witty, always striking.

Act One opens with the full company finding its voice in Facade, a number from Jekyll And Hyde that is the essence of putting on a front, but with the truth still bursting through. As Long As He Needs Me, Nancy’s troublesome song from Oliver!, becomes more mournful, less desperate, in Jai Rowley’s interpretation.

The Place Where The Lost Things Go, from Mary Poppins Returns, is transformed into a children’s song, all the more moving in Matthew Warry’s performance, supported by Laertes Singhateh and Emelia Charlton-Matthews.

Lauren Charlton-Matthews: Outstanding rendition of Dear Bill from Operation Mincemeat. Picture: Simon Trow

Anthem, from Chess, takes on a Jazz Age air in Emma Burke’s rendition; Lauren Charlton-Matthews chose Dear Bill, from the Grand Opera House-bound Operation Mincement for her solo number, duly delivering the show’s best storytelling singing. 

Go The Distance/Defying Gravity, from Hercules/Wicked, vie for centre stage in a mash-up for David Copley-Martin, Emily Hardy, Naomi Mothersille and Zander Fick; partners Spencer and Sephton bring tender romance to Big Fish’s I Don’t Need A Roof and Tess Ellis revels in the stark solo spotlight in Miss Saigon’s Why God? Why?

Two Act One favourites follow in quick succession, first Rosy Rowley’s lonesome Mr Cellophane, from Chicago, her face marked by a painted tear, accompanied by the Dance Core in white masks with crimson lips and matching dark tears.

Listen, from Dreamgirls, branches out from dialogue to Jai Rowley expressing himself in British Sign Language, learned expressly for this performance, to be interpreted in song by James Ball as Matthew Warry takes over on piano.

Exchanging sign language: James Ball, left, and Jai Rowley in Listen

After the men-in-black smooth chops of When She Loved Me, from Toy Story, you will go potty for Connie Howcroft’s polka-dotty reinvention of Friend Like Me from Aladdin, with her Dance Core in tow.

Mickey Moran, outstanding in the 2023 show, comes to the fore in Act Two’s opening Queen Medley from We Will Rock You, both on lead vocals as bravura as Freddie Mercury and on guitar too. The show must go on, and indeed does with Naomi Mothersille leading Make Them Hear You from Ragtime.

Richard Bayton and James Ball address songs to each other as gay lovers on the path to separation, first in Bayton’s confessional Just Not Now, from I Love You Because, then Ball, wrought with tragedian drama in Abba’s The Winner Takes It All, from Mamma Mia!, the show’s outstanding solo turn.

It’s Never That Easy/I’ve Been Here Before, from Closer Than Ever, find Spencer, Howcroft, Emily Hardy and Naomi Mothersille in harmony; Tess Ellis, in cream, stands out from the crowd in the heartfelt Someone Like You, from Jekyll & Hyde, and Ben Holeyman does likewise in Gypsy’s Don’t Rain On My Parade. Take note of Kirsty Barnes, notebook in hand, in Santa Fe, from Newsies.

Life is a Cabaret for Zander Fick, surrounded by the Dance Core in Musicals Across The Multiverse. Picture: Simon Trow

Zander Fick, fresh from playing drag star Loco Chanel in Everybody’s Talking About Jamie, dons fishnets, shiny red Latex top and matching high heels and lipstick, to darken Sally Bowles’s Cabaret, from Cabaret, into being more in keeping with the Emcee.

Bayton and Ellis, Holeyman and Barnes play two couples in declamatory tandem in the mash-up of Million Dreams and How Far I’ll Go from The Greatest Showman and Moana, and mother and child partnerships, Spencer and Singtaheh, Rowley times two and Charlton-Matthews a deux, express the bond movingly in Mamma Mia’s Slipping Through My Fingers. Abbie Law savours the last solo showcase in Shouldn’t I Be Less In Love With You, from I Love You, You’re Perfect, Now Change.

The full company assembles for Blame It On The Boogie, from MJ The Musical, a celebratory finale led flamboyantly by Rosy Rowley and Mickey Moran that has everyone dancing to the Multiverse max.

Wharfemede Productions present Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

Rosy Rowley. front, left, and Mickey Moran, front, right, lead the outbreak of dancing in Blame It On The Boogie, the finale to Musicals Across The Multiverse

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Childs’ play for Erin as she plays Dorothy in York Stage’s The Wizard Of Oz at Grand Opera House, York, from Friday

Erin Childs’ Dorothy looking out of the farm window

ERIN Childs is feeling at home in the lead role of Dorothy as York Stage skip down the Yellow Brick Road in The Wizard Of Oz at the Grand Opera House, York.

“It’s so iconic,” says the 17-year-old A-level student from Dunnington, sitting in the Cumberland Street theatre’s foyer bar before performing songs from the show at a Networking and Meet The Team evening last Wednesday.

“I’m quite young to be playing Dorothy as it’s a very big role. I’m so grateful for the opportunity with a company that has such professional standards.”

Erin, who is studying Musical Theatre among four A-levels from this term, will take to the stage from Friday buoyed by achieving her LAMDA Grade 8 Award. “I got a distinction!” she says excitedly.

For the past seven years, she has trained under The Wizard Of Oz director Nik Briggs at York Stage School,  making her mark in a series of York Stage shows.

“My first was The Sound Of Music, when I played Brigitta von  Trapp, and I’ve also done Everybody’s Talking  About Jamie, playing Pritti Pasha at the Grand Opera House, and in May I was in A Midsummer Night’s Dream [set on a modern-day northern council state],” says Erin. “I was a chav fairy, Peaseblossom, and it was a very fun show to do.”

Erin Childs’ Dorothy with Toto (Freddie) in a field at York Maze

How is her American accent coming along for farm girl Dorothy? “I would say we’re doing it more generalised American than Kansas, just to save on confusion, because Kansas is a midwestern  American accent, which might be confusing, and we have to make it as accessible as possible,” says Erin.

She is looking forward to “bringing my own twist” to Dorothy in what she describes as “a kind of modernised” take on The Sound Of Music’s heartwarming tale of friendship, courage and the belief that there’s no place like home.

Erin’s Dorothy, her dog Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson) and Cowardly Lion (Finn East), must journey to the Emerald City to meet the Wizard (Ian Giles).

In navigating the enchanting landscape of Oz, Dorothy will be watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers.

“She’s going on this emotional journey, a journey of self-discovery, that everyone goes on with her, as she really embodies that we’re all searching for the same things – especially love – as we all have the same emotions,” says Erin. “She also finds love in herself, accepting who she is.”

She is thrilled by the prospect of singing Over The Rainbow. “It’s so special; a once-in-a-lifetime chance. Everyone knows the song, and the fact that I have this opportunity is incredible,” she says. “The Jitterbug is brilliant to do too because of the fantastic choreography that goes with it.”

Erin Childs’ Dorothy walking through the maze at York Maze in her ruby slippers

Erin will perform with not one but two Totos. “We have a puppet Toto, commissioned from Elanor Kitchen, and ‘real’ Toto, our director Nik’s dog, Freddie,” she says. “Nepotism at its finest,” Nik jokes.

“I’ve worked with Freddie at nearly every rehearsal to get that bond with him. He’s very unpredictable but his cuteness will override everything.”

If Freddie is a new acquaintance, Erin has worked with all her fellow principal cast members previously. “They’re phenomenal. What they bring to life in their characters is just amazing,” she says.

Erin has had a busy summer, combining The Wizard Of Oz rehearsals with working in the entertainments team at York Maze under York actor, entertainer and magician Josh Benson. “It’s involved lots of hosting and dancing,” she says. “Hopefully I’ll be doing the Halloween show there this year too.”

York Maze, by the way, has played its part in York Stage’s publicity campaign for The Wizard Of Oz. Photographs of Erin’s Dorothy, amid the sweetcorn sheaths, in ruby slippers and with Freddie in Toto mode, were taken there, along with the filming of the show’s promotional video, featuring Erin in costume singing Over The Rainbow.

The Yellow Brick Road awaits.

York Stage in The Wizard Of Oz, Grand Opera House, York, September 12 to 20. Performances: 7.30pm, September 12, 13, 19 and 20; 7pm, September 16, 17 and 18; 4pm, September 14; 2.30pm, September 13 and 20. Box office: atgtickets.com/york.

Over the rainbow: Erin Childs’ Dorothy following a path through the maze at York Maze

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Meet the three Alisons in Pick Me Up Theatre’s York premiere of Fun Home

Alison times three: Libby Greenhill, left, Hattie Wells and Claire Morley in the Fulford Social Hall rehearsal room for Pick Me Up Theatre’s Fun Home. Picture: Kevin Greenhill

PICK Me Up Theatre’s York premiere of Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home opens at the York Medical Society, Stonegate, on September 10.

Director-designer Robert Readman was thrilled when the rights became available. “I jumped at the chance to produce this amazing Broadway musical – it’s such a moving and unusual story and I love the score and the book,” he says.

“It’s a remarkable show that won Tony awards for best musical, score, book, leading actor and direction, and we’re very lucky to have such a magnificent, tight cast to bring to life Alison Bechdel’s best-selling graphic novel, based on her own life. And I feel the atmospheric, very intimate venue of the York Medical Society will work so well for our production.” Please note, the seating capacity is only 40, so prompt booking is advised. 

First staged in the UK at the Young Vic in London in 2018, but yet to play the West End, Fun Home now makes its Yorkshire debut  with its story of Alison at three stages of her life as memories of her 1970s’ childhood in a funeral home merge with her college love life and her coming out.

Claire Morley in rehearsal for Fun Home. Picture: Kevin Greenhill

When her father dies unexpectedly, graphic novelist Alison dives deep into her past to recall the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality and the looming, unanswerable questions about her father’s hidden desires.

“Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes as Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew,” says Robert.

Readman’s cast will be led by Claire Morley as adult Alison, aged 43, Libby Greenhill as Medium Alison, aged 19, and Hattie Wells as Young Alison, aged nine, joined by Catherine Foster as Helen, Alison’s mother, Dale Vaughan as Bruce, Alison’s father, Teddy Alexander as John, Oliver Smith as Christian, Britney Brett as Joan and the multi-role-playing Cain Branton as JRoy/Pete/Mark/Bobby.

“Fun Home is one of those cult musicals where if you know it, you rave about it,” says Claire, who is performing in her first musical since playing a Ronette in Little Shop Of Horrors in her All Saints schooldays. “If you don’t know the show but come next week, I’m hoping it will become some people’s favourite musical.

Libby Greenhill’s Medium Alison: “Some of her scenes about self-identity and discovering she’s a lesbian are quite funny,” she says. Picture: Kevin Greenhill

“I’ve known about the show for some time, though I’ve never seen it, but I love the songs. I’ve used Maps for auditions and Changing My Major (Libby’s solo in our show), at drama school, and when I saw Pick Me Up Theatre were doing it, I thought ‘this is my chance’.”

Libby, 16, who is studying for A-levels in Classical Civilisation, Religious Studies and English Language (“my passion”), was the first to be cast by Readman in December. All Saints pupil Hattie followed later that month, picked while starring in Pick Me Up’s Oliver!, when appearing in Fagin’s gang alongside her mother Rhian’s Mrs Sowerberry. 

Looking ahead, Hattie, aged 11, has been cast as one of two Annies in York Light Opera Company’s production of Annie at York Theatre Royal next February.

Claire’s Alison will be omnipresent on stage. “Her memories make these characters emerge from her past. In one song, I sing that she’s 43, a similar age to when her father committed suicide, and so throughout the show she’s looking back on her life, her teenage days and childhood, and her relationship with her father.”

Young Alison actress Hattie Wells singing in the Fulford Social Hall rehearsal room. Picture: Kevin Greenhill

Libby says: “The musical is based on Alison Bechdel’s graphic novel, where she’s looking back over her memories, switching between 19-year-old Alison, in her first year at college in Pennsylvania,  and 11-year-old Alison, and there’s no dragging in this show. It’s very immersive, about one hour 40 minutes long, so there’s no interval.”

Claire says: “The show builds to this dramatic event, so if it had an interval, it would break the momentum, and staging it in the round with the audience on all sides will benefit the show too.”

Hattie has found herself growing into the role. “It felt weird at first because things didn’t all make sense to me, and it seemed quite strange, especially when Bruce [the father] is really angry, when it’s very scary as Dale [Vaughan] is really good at being angry,” she says.  “It’s helped to watch clips on YouTube and to work with Robert in rehearsals.”

Libby stresses that Fun Home is not a dark comedy but has elements of both.  “There are dark things with the father, and then, in some of Medium Alison’s scenes about self-identity and discovering she’s a lesbian, they’re quite funny,” she says.

“Ultimately it’s life-affirming as Alison tries to work out how to move on while reconciling herself with how she was emotionally manipulated,” says Claire. “I think everyone who comes to the show will recognise something from their own lives, although it’s very specifically one person’s memories – and it’s definitely not all doom and gloom. It’s a good musical where people will come up with differing interpretations.”

The three Alisons will be seldom seen on stage together. “There’s only one moment where we acknowledge each other,” says Hattie.

Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees. Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.

Pick Me Up Theatre’s show poster for Fun Home at York Medical Society

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Nativity! writer-director Debbie Isitt launches world premiere of Military Wives – The Musical at York Theatre Royal

Debbie Isitt in the rehearsal room for Military Wives – The Musical. Picture: Danny With A Camera

DEBBIE Isitt, the writer-director behind the Nativity! film and theatre franchise, is at the helm of York Theatre Royal’s world premiere of Military Wives – The Musical.

After beginning preparations at Chalk Farm in London, Debbie and her 12-strong West End cast are in their second week in the Theatre Royal rehearsal room, working towards next Wednesday’s opening preview.

Based on Peter Cattaneo’s 2019 comedy-drama Military Wives, scripted by Rosanne Flynn and Rachel Tunnard, and inspired by the true story of the Military Wives Choir that featured in Gareth Malone’s fourth documentary series of The Choir, BAFTA award winner Isitt has created a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes as the choir changes the world one song at a time.

“It’s my first time directing in York. Very exciting,” says Birmingham-born Debbie, 60. “Everybody’s loving being here in this very beautiful city, where we’ve found everyone to be super-friendly, and it’s a relaxing atmosphere, which is so helpful with a new show with lots of challenges.”

The Military Wives Choirs charity now has a network of 75 choirs in British military bases at home and overseas, bringing women in the military community closer together through singing.

Within that framework Debbie constructs her musical, wherein these women are isolated, bored and desperate to find a focus to take their minds off feelings of impending doom when their husbands and partners are away at war in Afghanistan.

Enter Olive (played by Bobbie Little), who arrives on the ‘patch’ to help them form a choir and learn to sing. Through the power of song, these diverse women find themselves facing their fears and making unexpected friendships along the way.

“I’ve loved this story from the early days of the Gareth Malone TV series in 2011,” says Debbie. “I fell in love with these women’s stories, having known nothing about the challenges they faced; how they lived in fear and isolation, and often didn’t make friends with each other on the camps because they were always being posted at a minute’s notice.

“That meant they didn’t make deep attachments and everything was at surface level, so it could be a lonely life. Singing in the choir gave them a sense of community when they didn’t know if their husbands would come back.

“Funnily enough, I was thinking, ‘I’d like to make a film of this’, but life takes over, not least the Nativity! films, but other things too.”

Debbie loved Cattaneo’s film – “it was really well cast,” she says – and when there were mutterings of making a stage musical, she contacted her agent to see if there would be interest in her writing and directing it. “Luckily there was,” she says.

She vowed to both draw on the film and origin story and to bring her own ingredients to the musical. “I’ve done lots of research of my own, so it’s a combination of my spin on the story and having a wealth of material to use.

“There’s a pressure to make something that people genuinely take to their hearts and really care about the characters,” says Military Wives – The Musical writer-director Debbie Isitt

“Bringing these women together in the choir is a great catalyst for drama and comedy – and for conflict from how they come from different backgrounds.”

Debbie held workshops 18 months ago and six months later, with many of the premiere cast in place from the start. “I’m known for using improvisation, with me wanting to tell the story, but with the actors having the chance to create their characters and me working my way around that,” she says.

“The brilliant thing about the process is that every cast member has made a contribution, so the characters feel bigger, three dimensional, so that has its own power.  It’s also good for comedy in the show as you can see if a joke lands. That makes it a fun way to work, keeping everything light on its feet.”

Debbie’s characters in Military Wives are a hybrid of “some of the women I met in my research, where I thought, ‘you’re going to be in my show’ and for others, they were built from me thinking about ‘if you’re a military wife, what would you focus on when you’re bored or anxious?’.”

To create a successful film, musical or television show, “there’s a pressure to make something that people genuinely take to their hearts and really care about the characters,” suggests Debbie.

“Ultimately, Military Wives has to be a character-driven story as you have to fall in love with these women, learning what it’s like to be a military wife, but it’s a universal story too: the way they use humour to get through the day, as do men when they’re at war.

“Then we have the music too, so we have all the ingredients for the show to be empowering, uplifting, healing. The banter, the comedy, the music, the forging of friendships.

“But in this story it doesn’t come without its sadder moments, and you can’t shy away from that, because that’s the reality, so you take the audience on a rollercoaster ride.”

In 2023, Debbie wrote and directed I Should Be So Lucky, the jukebox stage musical built around the Stock, Aitken and Waterman hit factory. Now she is working with arranger, orchestrator and musical supervisor George Dyer in a show full of pop, rock and power ballads.

“Singing those songs within the context of the story, they have a new meaning that makes them more powerful and moving,” she says.  “It’s very exciting to hear songs by Adele, Coldplay, Cyndi Lauper and Motown in a different context.”

York Theatre Royal, in association with Everyman Theatre, Cheltenham and Buxton Opera House, presents Military Wives – The Musical, September 10 to 27. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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More Things To Do in York & beyond when willow whispers and cinema pops outdoors. Hutch’s List No.39, from The York Press

Willow artist Laura Ellen Bacon in the saloon at her Whispers Of The Wilderness exhibition at Beningbrough Hall. Picture: Anthony Chappel-Ross

WILLOW sculptures, outdoor cinema, musical premieres and the Yellow Brick Road are beckoning Charles Hutchinson. 

Exhibition opening of the week: Laura Ellen Bacon, Whispers Of The Wilderness, Exploring Wilderness Gardens, Beningbrough Hall, near York, until April 12 2026, Tuesday to Sunday, 11am to 4pm

WHISPERS Of The Wilderness brings together contemporary large-scale willow sculptures by Laura Ellen Bacon, historic pieces from across the National Trust collection to showcase Wilderness Gardens through time and a new drawing studio designed by artist Tanya Raabe-Webber.

Complemented by a new soundscape, audio chair, sketches of the developing sculptures and more, the exhibition is a sensory experience across the first-floor Reddihough Galleries and Great Hall. Tickets: nationaltrust.org.uk/visit/yorkshire/beningbrough.  

Heath Ledger and Julia Stiles in 10 Things I Hate About You, Sunday’s screening at Picturehouse Outdoor Cinema at York Museum Gardens

Film event of the week: City Screen Picturehouse presents Picturehouse Outdoor Cinema, York Museum Gardens, York, Stop Making Sense (PG), tonight, 6.30pm; 10 Things I Hate About You (12A), Sunday, 6.30pm

JONATHAN Demme’s Stop Making Sense, capturing David Byrne’s Talking Heads in perpetual motion at Hollywood’s Panatges Theatre in December 1983, re-emerges in a 40th anniversary restoration of “the greatest concert film of all time”.

Joseph Gordon-Levitt, Allison Janney, Julia Stiles and Heath Ledger star in 10 Things I Hate About You, wherein Cameron falls for Bianca on the first day of school, but not only his uncool status stops him from asking her out. Blankets, cushions and small camping chairs are allowed. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.

Hal Cruttenden: Reflecting on the insanity of modern politics at Burning Duck Comedy Club. Picture: Matt Crockett

“Take no prisoners” gig of the week: Hal Cruttenden Can Dish It Out But Can’t Take It, Theatre@41, Monkgate, York, tonight, 8pm

HAL Cruttenden promises to stick it to ‘The Man’, as long as ‘The Man’ does not stick it back to him. Expect hard-hitting pontificating on middle-aged dating, social media, the insanity of modern politics and his daughters loving him but not respecting him. Box office: tickets.41monkgate.co.uk.

Artist Kerry Ann Moffat with her oil painting Sunlight Catching Wooden Sculpture at the Created In York pop-up gallery in High Petergate, York

Pop-up art space of the week: Created In York, hosted by Blank Canvas by Skippko charity, 22 High Petergate, York, 10.30am to 5pm, Thursdays to Saturdays; 11am to 4pm, Sundays

CHAMPIONING change through creativity, York art charity Skippko’s rolling programme of three-week Created In York shows is running in High Petergate until December 2025 in tandem with York Conservation Trust. On show until September 14 are oil paintings by Kerry Ann Moffat and linocuts and woodblock prints by Rachel Holborow.

York RI Golden Rail Band: Performing Sounding Brass and Voices with York RI Golden Railway Band. Picture: Keith Meadley

Musical partnership of the week: Sounding Brass and Voices, York Philharmonic Male Voice Choir and York RI Golden Rail Band, Joseph Rowntree Theatre, York, tonight, 7.30pm

YORK Philharmonic Male Voice Choir and York RI Golden Rail Band reunite for a fourth joint concert in a tender and thrilling pairing of brass and voices, celebrating 100 years of music.

“From romantic film music to toe-tapping hits, there will be something for everyone,” says Golden Rail Band conductor Nick Eastwood.  Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Musicals Across The Multiverse choreographer Connie Howcroft, right, working on moves with Zander Fick, Ben Holeyman, Abbie Law and Lauren Charlton-Matthews

Interdimensional journey of the week: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm and 2.30pm Saturday matinee

DIRECTOR Helen “Bells” Spencer and musical director Matthew Clare follow up 2023’s Musicals In The Multiverse 2023 with another blend of iconic musical theatre hits reconfigured with surprising twists. 

“Think unexpected style swaps, minor to major key switches, gender reversals, era-bending reinterpretations, genre mash-ups and more,” says Bells.” Box office: tickets.41monkgate.co.uk.

Debbie Isitt’s cast in rehearsal for the world premiere of Military Wives – The Musical at York Theatre Royal. Picture: Danny With A Camera

World premiere of the week: Military Wives – The Musical, York Theatre Royal, September 10 to 27, times vary

YORK Theatre Royal stages the world premiere of writer-director Debbie Isitt’s musical based on the 2019 film, rooted in Gareth Malone’s The Choir: Military Wives project.

Faced with husbands and partners being away at war, the women are isolated, bored and desperate to take their minds off feelings of impending doom. Enter Olive to help them form a choir. Cue a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Libby Greenhill’s Medium Alison, left, Hattie Wells’s Young Alison and Claire Morley’s Alison in Pick Me Up Theatre’s Fun Home

York premiere of the week: Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees

ROBERT Readman directs the York premiere of Jeanine Tesori and Lisa Krow’s five-time Tony Award winner, based on Alison Bechdel’s graphic novel. 

When her volatile father dies unexpectedly, Alison (Claire Morley) recalls how his temperament and secrets defined her family and her life. Moving between past and present, she relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her sexuality and the looming, unanswerable questions of her father’s hidden desires. Box office: ticketsourse.co.uk/pickmeuptheatrecom.

Rob Newman: Wondering where we are going in Where The Wild Things Were at The Crescent

The future, now: Burning Duck Comedy Club presents Rob Newman, Where The Wild Things Were, The Crescent, York, September 11, 7.30pm

ROB Newman wants to discuss where we are and where we are going, from future cities and philistine film directors to Dorothy Parker’s Multiverse Diaries. Throw in Pythagorean gangsters, intellectual bingo callers and a crazy character called Arlo for a comedic “tour-de-force utterly unlike anything else you will ever see anywhere else”. Box office: thecrescentyork.com.

Mick Tickner: Headlining the Funny Fridays bill at Patch

Comedy gathering of the week: Funny Fridays, at Patch, Bonding Warehouse, Terry Avenue, York, September 12, 7.30pm

AFTER May and June sell-outs and a summer break, Funny Fridays returns for a third night of stand-up hosted by promoter and comedian Katie Lingo. On the £10 bill are 2023 Hull Comedian of the Year Hannah Margaret, Jamie Clinton, Kerris Gibson, James Earl Marsters and headliner Mick Tickner. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets-1473792325519?aff=oddtdtcreator.

Erin Childs’ Dorothy with Toto (Freddie) in York Stage’s The Wizard Of Oz

Ruby slippers of the week: York Stage in The Wizard Of Oz, Grand Opera House, York, September 12 to 20, times vary

UNDER Nik Briggs’s direction, York Stage skips down the Yellow Brick Road as Erin Childs’ Dorothy, Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson), and Cowardly Lion (Finn East), journey to the Emerald City to meet the Wizard (Ian Giles).

In navigating the enchanting landscape of Oz, Dorothy is watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers. Box office: atgtickets.com/york.

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‘The good is still there if we look for it,’ says Alan Ayckbourn as 91st comedy Earth Angel lands at Stephen Joseph Theatre

Iskander Eaton, left, and Hayden Wood in rehearsal for Alan Ayckbourn’s Earth Angel. Picture: Tony Bartholomew

“WE have to remember there are still good things floating about in the world today, though it’s often hard to see them,” says Alan Ayckbourn. “But the good is still there if we look for it.”

You can do that in the Scarborough knight’s 91st play, Earth Angel, premiering from September 13 to October 11 at his regular seedbed of the Stephen Joseph Theatre, where he directs a cast of Elizabeth Boag, Iskandar Eaton, Stuart Fox, Liza Goddard, Russell Richardson and Hayden Wood.

Ayckbourn’s comedy digs deep into one of life’s greatest mysteries: what makes someone a good person, and in this day and age, can you ever really be sure?

Meet Gerald, who has lost his wife of many years. Amy was the light of his life, almost heaven-sent, and while it can be tricky thinking of life without her, he must put on a brave face, accept help from fussy neighbours and muddle along as best he can.

Elizabeth Boag rehearsing Alan Ayckbourn’s Earth Angel, opening at the SJT on September 13. Picture: Tony Bartholomew

However, a mysterious stranger turns up at Amy’s wake, who seems a nice enough chap, washing the dishes and offering to shop for Gerald, but is he all that he appears? Cue conspiracy theories. Could he be a killer or a man from Mars maybe?

“I invite people to join in the conjecturing in this play because most of us are now conditioned by watching streamed dramas on Netflix and Amazon Prime to look for the bad guys from the start,” says Sir Alan.

“I think that the good sometimes might just fall through the floorboards because it might be mistrusted. No-one is safe now from this intense scrutiny.

“We used to live in a world where we admired someone and thought we could leave the world in their hands because we trusted them, but now, when someone introduces themselves as a politician, we think ‘liar’. It tends to be pillocks that rise to the top and make themselves appallingly visible, though there are still some ‘nice people’ in politics. But we’ve lived through strange times, like Covid, where some people are now saying it was a total con.”

Cup in hand: Liza Goddard in the rehearsal room for Earth Angel. Picture: Tony Bartholomew

Amy, once a folk singer, is depicted in the show poster in stained glass, with a microphone, and is described as an “Earth Angel” in the vicar’s eulogy. “One of the guests at the funeral wake says he thought Gerald’s wife was too nice, but when they’re ‘too nice’, you support them, don’t you?” says Sir Alan.

Now 86, he has completed his next play already and is in the process of writing play number 93. “I have trained as a sprinter, but I’m now presented with a marathon course. I’m now restricted to one production a year, directing one play a year, after a year’s worth of preparation, and at last being allowed to breathe life into it in the rehearsal room, hearing it read for the first time by the cast on August 11. I like to hear it, like hearing a bar of music, and you can’t tell if it works until you hear the whole thing.”

After more than 90 plays, Sir Alan says: “I try not to repeat themes, though I do repeat structures – and the next one is totally different: my first venture into a courtroom drama, but not a conventional courtroom drama as it takes place 100 years hence. It’s one of my futuristic plays with a lot of AI in there.

“The concept that androids are inbuilt with the ability to destroy humanity is built into most science fiction, and here an android is being put on trial for the murder of a 13-year-old girl, and on this case all sorts of legal precedence depends.”

Earth Angel writer-director Alan Ayckbourn in his Scarborough garden. Picture: Tony Bartholomew

These days, Ayckbourn tends to write of the past and the future, less so of the present, but Earth Angel bucks that trend. “I once said that, at the age I am, my view has to be either backwards or forwards, but very rarely do I stare straight out of the window, but that’s what I’ve done for Earth Angel,” he says.

“Last year I was looking back [in Show And Tell, his ‘love letter to theatre’]; in next year’s play, I’m looking forward. I’m fascinated by the fact that we’re within a stone’s throw of creating images of ourselves in artificial form but with a totally different outlook, with no sense of life expectancy.”

As for his cast, three – Iskandar Eaton, Russell Richardson and Haydon Wood – are working with Ayckbourn for the first time. “I still contend that 80 per cent of a successful production is the casting,” he says.

“I always try to keep at least a third of the cast for any play new to me. If you go into the rehearsal room each time with the same old faces time after time, there can be a tendency towards complacency and taking it for granted.”

Alan Ayckbourn’s Earth Angel runs at Stephen Joseph Theatre, Scarborough, from September 13 to October 11, then on tour until November 8. Scarborough box office: 01723 370541 or sjt.uk.com.  

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What’s On in Ryedale, York and beyond. Hutch’s List No. 38, from Gazette & Herald

Willow artist Laura Ellen Bacon at her Whispers Of The Wilderness exhibition at Beningbrough Hall. Picture Anthony Chappel-Ross

WILLOW sculptures, a riotous Shakespeare comedy, outdoor cinema and a festival of practical arts are early September attractions for Charles Hutchinson. 

Exhibition opening of the week; Whispers Of The Wilderness, Exploring Wilderness Gardens, Beningbrough Hall, near York, until April 12 2026, Tuesday to Sunday, 11am to 4pm

WHISPERS Of The Wilderness brings together contemporary large-scale willow sculptures by Laura Ellen Bacon, historic pieces from across the National Trust collection to showcase Wilderness Gardens through time, and a new drawing studio designed by artist  Tanya Raabe-Webber.

Complemented by a new soundscape, audio chair, sketches of the developing sculptures and more, the exhibition is a sensory experience across the first-floor Reddihough Galleries and Great Hall. Its opening coincides with Beningbrough’s own Wilderness Garden being the next to be developed as part of Andy Sturgeon’s long-term garden vision, from autumn this year. Tickets: nationaltrust.org.uk/visit/yorkshire/beningbrough.  

The HandleBards’ poster for Much Ado About Nothing, tonight’s Shakespeare riotous comedy performance at Merchant Adventurers’ Hall, York

Shakespeare performance of the week: The HandleBards in Much Ado About Nothing, Merchant Adventurers’ Hall Great Hall, York, tonight, 7pm

PEDEALLING from venue to venue with set, props and costumes on bikes, the HandleBards’ four-strong troupe of actors is spending the summer touring environmentally sustainable Shakespeare hither and thither in a bicycle-powered indoor production of Much Ado full of riotous energy and comedic chaos.

Soldiers return from the war to a household in Messina, kindling new love interests and re-kindling old rivalries as the parallel love stories of Beatrice, Benedick, Claudio and Hero become entangled with scheming, frivolity and melodrama. Box office for returns only: handlebards.com/show/much-ado-about-nothing-merchant-adventurers-hall.

Scarlett Johansson in Jurassic World Rebirth, Friday’s film at Picturehouse Outdoor Cinema in York Museum Gardens

Film event of the week: City Screen Picturehouse presents Picturehouse Outdoor Cinema, York Museum Gardens, York, Jurassic World Rebirth (12A), Friday, 6.30pm; Stop Making Sense (PG), Saturday, 6.30pm; 10 Things I Hate About You (12A), Sunday, 6.30pm

SCARLETT Johansson, Jonathan Bailey and Mahershala Ali star in Gareth Edwards’ new Jurassic World chapter as an intrepid team races to secure DNA samples from the three most colossal creatures across land, sea and air.

Jonathan Demme’s Stop Making Sense, capturing David Byrne’s Talking Heads in perpetual motion at Hollywood’s Panatges Theatre in December 1983, re-emerges in a 40th anniversary restoration of “the greatest concert film of all time”. Joseph Gordon-Levitt, Allison Janney, Julia Stiles and Heath Ledger star in 10 Things I Hate About You, wherein Cameron falls for Bianca on the first day of school, but not only his uncool status stops him from asking her out. 

Blankets, cushions and small camping chairs are allowed at screenings that will begin at dusk or as soon as darkness descends. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.

Jason Manford is A Manford All Seasons at York Barbican, Scarborough Spa and Hull City Hall

Comedy gigs of the week; Jason Manford in A Manford All Seasons, York Barbican, Friday, 7.30pm and November 15, 7.30pm; Scarborough Spa Grand Hall, Saturday, 7.30pm; Hull City Hall, January 22 2026, 7.30pm

SALFORD comedian, writer, actor, singer and radio and television presenter is on tour in his new stand-up show. He cites Billy Connolly as the first comedian he saw aged nine and as his first inspiration and he cherishes such family friendly entertainers as Eric Morecambe, Tommy Cooper and Les Dawson. Box office: York, yorkbarbican.co.uk; Scarborough, scarboroughspa.co.uk; Hull, hulltheatres.co.uk.

Lino print art demonstration at Fangfest Festival of Practical Arts in Fangfoss

Silver anniversary of the week: Fangfest Festival of Practical Arts, Fangfoss, East Riding, Saturday and Sunday, 10am to 4pm each day

FANGFOSS is celebrating the 25th anniversary of Fangfest with the All Things Silver flower festival; veteran cars; archery; the Stamford Bridge Heritage Society; music on the village green; children’s games; the Teddy Bear Trail and artists aplenty exhibiting and demonstrating their work. 

Opportunities will be provided to try out the potter’s wheel, spoon carving and chocolate making. Some drop-in activities are free; more intensive workshops require booking in advance. Look out too for the circus skills of children’s entertainer John Cossham, alias Professor Fiddlesticks, and the Pocklington and District Heritage Trust mobile museum. Admission is free.

York Philharmonic Male Voice Choir: Performing Sounding Brass and Voices concert with York RI Golden Railway Band at Joseph Rowntree Theatre, York

Musical partnership of the week: Sounding Brass and Voices, York Philharmonic Male Voice Choir and York RI Golden Rail Band, Joseph Rowntree Theatre, York, Saturday,7.30pm

TWO well-loved York ensembles reunite for Sounding Brass and Voices to celebrate 100 years of music. York Philharmonic Male Voice Choir and York RI Golden Rail Band are performing a joint concert for the fourth time in a tender and thrilling pairing of brass and voices.

“From romantic film music to toe-tapping hits, there will be something for everyone,” says Golden Rail Band conductor Nick Eastwood. “And prepare yourselves for the finale, when the choir and the band will take the stage together for a couple of glorious and rousing numbers that will gladden your heart and send you home singing.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Gruff Rhys: Solo gig at The Crescent, York. Picture: Ryan Eddleston

York gig of the week: Gruff Rhys, The Crescent, York, September 10, 7.30pm

SUPER Furry Animals and Neon Neon musician Gruff Rhys plays The Crescent two days ahead of the release of his ninth solo album, Dim Probs, his fourth sung entirely in Welsh, marking his debut on Rock Action Records.

Over the years, Rhys has collaborated with Gorillaz, Africa Express, Mogwai, Sparklehorse, Danger Mouse, Sabrina Salerno and Imarhan and written two books, multiple cinema and video game soundtracks and an opera, created music for three stage shows and devised two feature documentaries. Box office for returns only: thecrescentyork.com/events/gruff-rhys.

Suede: Returning to York Barbican on 2026 Antidepressants tour. Picture: Dean Chalkley

Show announcement of the week: Suede, Antidepressants UK Tour 2026, York Barbican, February 7 2026

AFTER playing York Barbican for the first time in more than 25 years in March 2023, Suede will make a rather hastier return on their 17-date January and February tour. Brett Anderson’s London band will be promoting tenth studio album Antidepressants, out on September 5 on BMG.

“If [2022’s] Autofiction was our punk record, Antidepressants is our post-punk record,” says Anderson. “It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. This is broken music for broken people.” Box office: yorkbarbican.co.uk/whats-on/suede26.

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Theatre@41, Monkgate, lines up autumn of Edinburgh Fringe comedy and theatre hits

Hal Cruttenden: Dishing it out at Theatre@41, Monkgate, but can he take it?

THE best of the Edinburgh Fringe, from stand-up comedy to new theatre, is bound for Theatre@41, Monkgate, York, this autumn.

 Comedy performers will be led off by Have I Got News For You and Would I Lie To You panellist Hal Cruttenden in Hal Cruttenden Can Dish It Out But Can’t Take It on September 6, followed by four-time Edinburgh Award nominee Kieran Hodgson in Voice Of America on September 27, when he explores how a scared world feels about the USA and impersonates a bunch of old prospectors and former Presidents.

Creepy Boys were nominated for this year’s Edinburgh Comedy Award for their show Slugs. Now they bring their original madcap self-titled show to York on October 3. John Robertson Plays With His Audience, on November 16, is the latest show from the cult Dark Room host, packed with unpredictable improv and crowd work.

Kieran Hodgson: Voicing fears prompted by the USA

Innovative theatre comes in the form of a one-man Animal Farm, solo adaptation of Orwell’s prophetic novel, performed by Sam Blythe on September 20.

Theatre@41 chair Alan Park says: “Prior to the Edinburgh Fringe, we welcomed a number of stand-ups previewing their shows in the Halfway To Edinburgh season in July, including eventual Edinburgh Comedy Award winner Sam Nicoresti, and it’s great to see more of these artists having success at the Fringe.

“The ethos of the Edinburgh Fringe resonates with our own belief in supporting new and emerging performers, so we’re really pleased to be welcoming these brilliant shows to our theatre this autumn.”

John Robertson: Playing with his York audience on November 16 Picture: Mark Dawson

Running from July 13 to 19, Halfway To Edinburgh featured Sam Nicoresti, Josie Long, Lulu Popplewell, Molly McGuinness, Phil Ellis, Hayley Ellis, Susan Riddell, Kate Dolan, Barmby Moor surrealist Rob Auton and Chloe Petts, plus Nina Gilligan in her 2024 Fringe show
Goldfish.

“We were absolutely thrilled to bring such a fantastic calibre of comedic talent to York with Halfway To Edinburgh,” says Alan. “The festival was a unique opportunity for York audiences to experience the excitement and innovation of the Edinburgh Fringe without leaving the city. It was the perfect chance to see some incredible shows before they hit the big stage in Scotland.”

Tickets for the autumn season are on sale at tickets.41monkgate.co.uk.