Category: Theatre

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More Things To Do in York and beyond in a flurry of festivals and sonnet declarations. Hutch’s List No. 35, from The York Press

Sonnets in Bloom script writer Natalie Roe, left, and director Josie Connor on a churchyard bench at Holy Trinity, Goodramgate, where York Shakespeare Project’s performances will be staged

SHAKESPEARE in poetic full bloom, arguably the best ever British farce and moorland classical music lead off Charles Hutchinson’s case for not going on holiday in August.

Poetic return of the week: York Shakespeare Project presents Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23

REVEREND Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are warmly invited to enjoy a complimentary drink and to see the goings-on. Participants will be arriving with their prized entries, some more competitive than others, but where is the special guest? And who will win the People’s Vote?

Welcome back Sonnets In Bloom as YSP’s 50-minute summer show returns to Holy Trinity’s churchyard with a new director, Josie Connor, new scenario script writer, Natalie Roe, and nine new sonneteers among the dozen presenting a new collection of characters, each finding a way to share one of Shakespeare’s celebrated sonnets. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age recommendation: 14 plus.

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, today and tomorrow, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Mad Alice: History talk and Georgian gin tasting at Impossible York at 4pm tomorrow

York festival of the week: York Georgian Festival 2025, until August 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival is a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be a Promenade through the city; Georgian ice-cream cooking demonstrations; Regency Rejigged dance performances; Georgian Execution Tour with Bloody Tours of York; Mad Alice and York Gin’s history talk and Georgian gin tasting at Impossible York bar; York Georgian Ball at Grand Assembly Rooms; Portraits in Jane Austen; A Byron Letter and A Georgian Kerfuffle at York Mansion House and An Intimate History: The Life and Loves of Anne Lister at Holy Trinity, Goodramgate. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

Seven Wonders: Paying tribute to Fleetwood Mac at the Joseph Rowntree Theatre

Tribute show of the week: Seven Wonders, The Spirit Of Fleetwood Mac, Joseph Rowntree Theatre, York, tonight, 7.30pm

SEVEN Wonders, a seven-piece, 100 per cent live band, cover all eras of Fleetwood Mac, from the Peter Green blues years, through Rumours, to Tango In The Night. Be prepared to dance the night away to Go Your Own Way, Don’t Stop, The Chain, Rhiannon, Dreams, Little Lies, Oh Well, Edge Of Seventeen and many more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew

Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, today until September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Moorland festival of the week: North York Moors Chamber Music Festival, August 10 to 23

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

Mark Radcliffe and Arlo: Dog tales at The Crescent

Shaggy dog stories of the week: Mark Radcliffe (& Arlo): In Conversation, The Crescent, August 11, 7.30pm

MARK Radcliffe, radio broadcaster, musician and writer, is one half of BBC Radio 1′s semi-legendary Mark and Lard and one half of BBC 6Music’s Radcliffe & Maconie. Now he introduces his new double-act partner, his beloved pampered Cavapoo, Arlo, as featured in the book Et Tu, Cavapoo?, published by Corsair on August 14.

In March 2024, Radcliffe and Arlo set off from Cheshire in their VW Beetle convertible for a three-month sojourn in Rome. Join them in conversation for an account of their time amid the sights (and sniffs) of the Italian capital in a show for lovers of travel and history, food and drink, art and architecture, and those seeking an insight into the eccentricities of the canine mind. This event combines a book signing, an interview with a special guest host and a chance to put questions to Mark (and Arlo). Box office: thecrescentyork.com.

Smashing Pumpkins: Heading to Scarborough on Aghori Tour

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums. Box office: ticketmaster.co.uk.

Scarborough band Brightside: Making NCEM debut on August 14

From coast to York: Piano Goes Brightside, National Centre for Early Music, York, August 14, 7.30pm

SCARBOROUGH band Brightside are undergoing a name change to The Waisons but not before playing this Piano Goes Brightside gig in York. In the line-up are Josh Lappao, lead guitar and vocals, Vince Lappao, drums and keyboards,  Mason Marshall, guitar and vocals, and Olly Kershaw, bass guitar.

Formed to compete in a Battle of the Bands school competition, where they were placed runners-up, their two years of gigging has taken in school events, a Nativity entertainment, Christmas parties and a wedding. “We mostly do covers, but plan on making originals soon,” they say. As for the piano, progressive Scarborough pianist Jamie Kershaw will play 45 minutes of Schubert, Debussy, Ludovicio Einaudi, jazz and more. Box office: 01904 658338 or ncem.co.uk.

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REVIEW: York Georgian Festival, The Raree Show or The Fox Trap’t, Merchant Taylors’ Hall, Aldwark, York, tonight, 7.30pm ***

Geoff Turner’s Sir Thomas Graspall in The Raree Show or The Fox Trap’t. Picture: Gareth Buddo

IMAGINE the joy of Sarah Cowling, York tour guide and Churches Conservation Trust volunteer at Holy Trinity, Goodramgate, when research led to the discovery of the writings of Mr Joseph Peterson.

Parish records show that Peterson gave his living as “comedian” in the register at his son Joseph’s baptism in January 1738. Actor, writer and comedian would be more accurate, given that Peterson’s career blossomed at the Norwich Theatre Company from 1746 after working for Thomas Keregan’s company in York.

Yet before his exit stage left to Norfolk, York-born Peterson wrote expressly for his home city, and now Cowling is directing Holy Trinity’s revival of his first theatrical romp in a traverse staging at Merchant Taylors’ Hall, where it is thought the hour-long comedy might have been first performed.

There will be only one performance, tonight at 7.30pm, sold out alas, but last night’s dress rehearsal played to pretty much a full house too, so it had the atmosphere more befitting a first night.

Wood is everywhere: doors, dark panels on the walls, the floor, but thankfully not in the acting, led by Nick Patrick Jones’s Mr Joseph Peterson, introducing his piece of 18th century theatrical shenanigans in couplets, in the manner of Shakespeare’s Puck.

Jones will reappear as Peterson’s most exaggerated character, the coxcomb Sir Fopling Conceit, a narcissist as foppish and vain as his name, surely heading for a fall.

He is not alone in Peterson’s parade of vainglorious peacocks: step forward Geoff Turner’s Sir Thomas Graspall, in his case headed for a pratfall via the Raree Show of the title: a tented peep show that invites him to look inside. The Fox trap’t indeed.

Step forward with even more braggadocio Joe Standerline’s thunderous foxhunting enthusiast Squire Timothy, as quick on the bottom slaps as outrageous boasts.

They will be outwitted in a battle of wits by the womanly wiles of Mad Alice (York tour guide Alicia Stabler) in the guise of Betty, together with Joy Warner’s Corinna and Andrea Mitchell’s Belinda.

Further undermining the pompous posturing are the earnest machinations of Zander Fick’s Belamour and Matt Tapp’s Manly.

Standerline pops up too as Peterson’s answer to Shakespeare’s Fool, the self-explanatory Smart, albeit in a cameo, but one where he has fun with a hammy French accent and moustache.

Peterson crams into his hour all the tropes of Georgian theatre:  the wigs and the topical wit; the daft names and even dafter characters; villainous uncles, astute servants and absurdist foreigners; physical buffoonery, clashing swords and verbal spats; putdowns and comeuppances; unhappy exits and the obligatory happy ending.

Then add Georgian style to compliment the foppery and frippery, further boosted by the perky musicality of Nicky Gladstone’s violin and Chantal Berry’s keyboard.

The last word goes to Jones’s Peterson, who is unnecessarily apologetic about the standard of his debut work. What’s more, it won’t be the last word if Sarah Cowling has her way. “There’s a whole catalogue of these funny little York-grown Georgian shows,” she says. “I really hope we can unearth more.”

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SJT takes on ‘impossible task’ of staging Noises Off in the round for first time in 43-year history of Michael Frayn’s farce

Alex Phelps, centre, in rehearsal for Noises Off with Valerie Antwi and Charlie Ryan. Picture: Tony Bartholomew

THE first ever in-the-round production of Michael Frayn’s farce Noises Off opens at Scarborough’s Stephen Joseph Theatre on Saturday, fully 43 years since its Lyric Theatre, London premiere.

“I’ve wanted to direct this play for years,” says SJT artistic director Paul Robinson. “The assumption was that doing it this way was impossible. When I told Michael about our plans, his response was an amused ‘good luck’.” The director has since printed off Frayn’s message to hang on a rehearsal room wall.  

“Our designer, Kevin Jenkins, and I have spent months meticulously planning and he has come up with an ingenious set, which has really been worth the wait.”

A precursor to Mischief Theatre’s canon of theatrical catastrophes kick-started by The Play That Goes Wrong, Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On.

“One of the greatest British comedies ever written, Noises Off is a hilarious and heartfelt tribute to the world of theatre but also about how futile it is to try to impose our ideas on the world around us, as things will always go wrong,” says Paul. “It’s how you respond to them when they do!”

Alex Phelps in the role of the Ringmaster in Tilted Wig and York Theatre Royal’s production of Around The World In 80 Days in 2023

Among Robinson’s cast that includes Alan Ayckbourn stalwart Christopher Godwin, northern theatre luminary Andy Cryer and Brookside, Coronation Street and Doctor Who alumna Susan Twist will be Alex Phelps, a dapper chap whose adroit, graceful comedic theatre skills will be familiar to York audiences.

After the dandy buffoonery of his Sir Andrew Aguecheek in Joyce Branagh’s Jazz Age take on Twelfth Night for Shakespeare’s Rose Theatre at the Eye of York in Summer 2019, he appeared in the dual roles of Ringmaster and unscrupulous globe-trotting Phileas Fog in Tilted Wig’s touring collaboration with York Theatre Royal in the circus-themed Around The World In 80 Days in February 2023.

Next came the “selfish, hypocritical, vain, manipulative, deceptively charming” Joseph Surface in Tilted Wig’s account of Sheridan’s Georgian comedy of manners The School For Scandal at the Theatre Royal in April 2024.

From Saturday, in Noises Off, he will be playing Gary Lejeune, whose character profile on Wikipedia describes him as: “The play’s leading man, a solid actor who is completely incapable of finishing a sentence unless it is dialogue. Constantly stutters and ends sentences with ‘you know’. Dating Dotty and prone to jealousy.”

“He’s the young one, as his name suggests, which is very telling,” says Alex. “Michael Frayn’s biography for him says Gary has ‘not done much theatre’. He’s one of those actors we might all recognise from theatre companies, who feels the need to speak up for the company without thinking about what he’s going to say .

Alex Phelps’s Joseph Surface in Tilted Wig’s The School For Scandal, on tour at York Theatre Royal in 2024

“He feels things very deeply but through his great inarticulacy he lacks the capacity to express that feeling. He doesn’t know how to make his point…but you will still be able to work it out!”

Alex is delighted to be part of a cast taking on the challenge of staging Noises Off in the round, where actors have to perform to an audience seated all around them. “We’re going for it! We really are. We’ve got a lot of pride in the SJT deciding to do it.

“Given the history of the SJT, and Alan Ayckbourn’s plays here, it’s all about connecting with the audience. For this production, Paul and Kevin have been thinking about it and working on it for ages, going back and forth with Michael Frayn. If we come a cropper in rehearsals, we’ll contact Michael for advice.”

Across three acts, Noises Off charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage, and the calamitous final performance.

“It’s a masterpiece,” says Alex. “The beauty of the writing: it’s so well observed; what actors are like; what it’s like in the rehearsal room and backstage at a performance and on a long tour.”

What’s in the box? Alex Phelps and Valerie Antwi in the Stephen Joseph Theatre rehearsal room, working on Noises Off. Picture: Tony Bartholomew

And now, not only must Robinson’s actors present the play within the play, but the set design has to accommodate showing the stage from backstage before staging the disastrous final show.

“The stage has to be back to front but inside out too,” says Alex. “So if you have to think about it, it’s madness to get your head around!”

There will, of course, be a profusion of doors. “Doors and farce are synonymous with each other because the rhythm of the banging of doors is so important to farce,” says Alex. “The more we do it, the more I think it’s like a musical, with the rhythm building to what I hope is laughter, and then it all takes flight.

“Michael Blakemore [director of the 1982 premiere], in his introduction, has said how some of the best performances of Noises Off are the first ones, where the pressures are so high to get it right, but the actors don’t know what will happen, so there’ll be that sense of danger.”

Can’t wait!

Noises Off runs amok at Stephen Joseph Theatre, Scarborough, from August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.

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Writer Natalie Roe and director Josie Connor team up for Sonnets In Bloom 2025 at Holy Trinity. Who’s new in the cast?

Sonnets In Bloom script writer Natalie Roe, left, and director Josie Connor in the Holy Trinity churchyard, in Goodramgate, York, where the York Shakespeare Project performance will take place

YORK Shakespeare Project’s summer celebration of Shakespeare’s sonnets returns to the churchyard of Holy Trinity, Goodramgate, York, from  August 15 to 23.

Sonnets In Bloom brings together the Bard, director Josie Connor, scriptwriter Natalie Roe and a cast of 12 sonneteers.

“The last two shows have attracted record audiences so we are delighted again to be offering a summer taste of Shakespeare that is both entertaining and accessible,” says producer Maurice Crichton.

“This year we return to Holy Trinity Goodramgate, where site co-ordinator Gemma Murray and her team of volunteers made us so welcome last year.”

The year’s show has been scripted by Natalie Roe in her first involvement with YSP’s Sonnets project. “Natalie has incorporated a record 13 sonnets into her script, including seven that have not featured in previous YSP productions,” says Maurice.

Harry Summers: One of nine new sonneteers taking part in Sonnets In Bloom 2025

“Shakespeare wrote at least 154 sonnets. We have plenty more to go at but the new ones in this show mean we will have featured more than a third of the total across the nine sonnets productions we have so far put on.”

In Natalie’s script, “Reverend Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are all warmly invited to enjoy a complimentary drink and to see the goings on. Participants are arriving with their prized entries, some more competitive than others. But where is the special guest? And who will win the People’s Vote?”

Josie Connor is directing YSP for the first time, having worked with Natalie previously when she directed her script, Boxes, for York Settlement Community Players’ pub theatre initiative, The Direct Approach, in 2023.

As ever, Sonnets In Bloom features a wide variety of colourful characters, who each find an opportunity to give voice to one of Shakespeare’s sonnets.

“It’s a lovely experience,” says YSP chair Tony Froud. “You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notice that the language has become Shakespearean. And you can look forward to the odd surprise or two.”

Sonnets In Bloom 2025 producer Maurice Crichton

This will be the ninth time that YSP has put on a show based on Shakespeare’s sonnets, having first staged Sonnet Walks in 2014 , when audiences divided into groups met colourful characters as they walked around the streets of York, in the run-up to Le Grand Depart of that summer’s Tour de France.

In 2020, in the depths of the pandemic, the format was adapted to become Sit-Down Sonnets, when guiding a socially distanced group around the streets was impracticable. Sit-down shows have prevailed ever since.

This year, the cast of 12 is mostly new to the Sonnet shows and younger too. “Only three performers have been involved previously, and with a new writer and a first-time Sonnets director, this production will take a fresh look at a trusted format,” says Maurice.

The cast in full is: Harry Summers*; James Tyler*; Stuart Lindsay*; Grace Scott; Benjamin Rowley*; Emilie Knight; Oliver Taylor*; Tom Langley*; Xandra Logan; Annie Dunbar*; Lily Geering* and Stuart Green*. (*New to the sonnets.)

York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23. Box office: 01904 623568;  https://www.yorktheatreroyal.co.uk/show/sonnets-in-bloom-2025/; in person from York Theatre Royal box office. Price, including a drink: £10 or £5 for age 14 to 17. Running time: 50 minutes.

York Shakespeare Project’s poster for Sonnets In Bloom 2025

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What’s On in Ryedale, York and beyond. Hutch’s List No.34, from Gazette & Herald

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

AUGUST’S arrival heralds the return of riverside art, Georgian festival frolics and moorland classical music in Charles Hutchinson’s guide to a cornucopia of culture.

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, August 9 and 10, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Scott Bennett: Presenting Blood Sugar Baby at Pocklington Arts Centre

Storyteller of the week: Scott Bennett, Blood Sugar Baby, Pocklington Arts Centre, tonight, 8pm

ONE family, one condition, one hell of a hairy baby: Scott Bennett, from The News Quiz and the Parenting Hell podcast, relates how his daughter fell ill with a rare genetic condition, congenital hyperinsulinism (CHI).

Never heard of it?  Neither have new parents Scott and Jemma as they fight to achieve  the right diagnosis for their daughter and are plunged into months of bewildering treatment, sleepless nights, celebrity encounters and bizarre side effects, but a happy ending ensues. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.

Ryosuke Kiyasu: Drumming prowess on The Arts Barge

Beat that: No Instrument and Arts Barge present Ryosuke Kiyasu, The Arts Barge, Foss Basin Moorings, York, tonight, 7.30pm

PIONEERING snare-drum soloist Ryosuke Kiyasu has redefined percussion since 2003, releasing more than 200 albums, both solo and with his band, drawing 23 million views for his 2018 Berlin live set and featuring on BBC News.

He drums for noise-grind duo Sete Star Sept, the Kiyasu Orchestra and Keiji Haino’s Fushitsusha and co-founded Canada’s cult hardcore unit The Endless Blockade. Box office: artsbarge.com/events.

Iago Banet: Finger-style Spanish guitar playing at The Basement

Guitarist of the week: Iago Banet, The Basement, City Screen Picturehouse, York, tonight, 7.30pm

VIRTUOSO finger-style Spanish guitarist Iago Banet, who moved to London from Galicia in 2014, combines gypsy jazz, blues, country, Dixieland, swing, pop, folk and Americana in his acoustic repertoire, as heard on his third album, 2023’s Tres.

He has performed on BBC Radio 3’s In Tune and Cerys Matthews’ The Blues Show on BBC Radio 2, appeared at Brecon Jazz, Hellys International Guitar Festival and Aberjazz and played with Josh Smith, Mark Flanagan, Jack Broadbent and Clive Carroll. Box office: ticketsource.co.uk.

Four actors, two plays, forty minutes each: 440 Theatre in Much Ado About Nothing and Macbeth at Joseph Rowntree Theatre

Shaking up Shakespeare: 440 Theatre in Much Ado About Nothing and Macbeth, Joseph Rowntree Theatre, York, tomorrow, 7.30pm

FOUR actors perform 40-minute versions of Much Ado About Nothing and Macbeth, transforming the Scottish play  from tragedy into comedy in this raucous, breakneck double bill. “Experience the hilarity of not only one of the Bard’s best comedies but also a side-splitting (literally!) Macbeth,” say director Dom Gee-Burch and producer-composer Laura Sillett. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Terry Deary presents Revolting at York Mansion House tomorrow at 5.30pm at York Georgian Festival

York festival of the week: York Georgian Festival 2025, August 7 to 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival will be a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be Terry Deary Presents Revolting; the Life and Loves of Anne Lister; a Georgian dance lesson at the Guildhall; Men’s Hats; Mad Alice’s history talk and gin tasting; the York Georgian Ball; Sounds of Regency by Candlelight; The World of Georgian Fashion; Portraits in Jane Austen and a revival of York actor-playwright Joseph Peterson’s comic romp The Raree Show or The Fox Trap’t. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew

Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Ryedale festival of the week: North York Moors Chamber Music Festival, August 10 to 23

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

The Smashing Pumpkins: Heading to Scarborough on Aghori Tour next Wednesday

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award. Box office: ticketmaster.co.uk.

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Pick Me Up Theatre to stage York premiere of five-time Tony award winner Fun Home at York Medical Society in September

Libby Greenhill’s Medium Alison, Hattie Wells’s Young Alison and Claire Morley’s Aliso in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen

YORK company Pick Me Up Theatre will stage Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home at the York Medical Society, Stonegate, York, from September 10 to 19.

Please note, the seating capacity is only 40, so prompt booking is advised at ticketsource.co.uk/pickmeuptheatrecom for this electrifying version of Alison Bechdel’s graphic novel.

The winner of five Tony Awards on Broadway, Fun Home opened at the Young Vic, London, in 2018 to sell-out audiences. Now comes its York premiere, directed and designed by Robert Readman.

Dale Vaughan’s Bruce, Alison’s father in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen

Meet Alison at three stages of her life as memories of her 1970s’ childhood in a funeral home merge with her college love life and her coming out.

When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality and the looming, unanswerable questions about her father’s hidden desires.

Director Robert Readman was thrilled when the rights to Fun Home became available.  “I jumped at the chance to produce this amazing musical – it is such a moving and unusual story and I love the score and the book,” he says.

“Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes as Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew.

Pick Me Up Theatre’s poster for next month’s production of Fun Home at York Medical Society

“It’s a remarkable show that won Tony awards for best musical, score, book, leading actor and direction, and we’re very lucky to have such a magnificent, tight cast to bring to life Alison Bechdel’s best-selling book, based on her own life. And I feel the atmospheric, very intimate venue of the York Medical Society will work so well for our production.”

Readman’s cast will be led by Claire Morley as Alison, Libby Greenhill as Medium Alison and Hattie Wells as Young Alison, joined by Catherine Foster as Helen,  Dale Vaughan as Bruce, Alison’s father, Teddy Alexander as John, Oliver Smith as Christian, Britney Brett as Joan and the multi-role-playing Cain Branton as JRoy/Pete/Mark/Bobby. Natalie Walker is the musical director.

Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.

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National tour of James Graham’s Dear England to play Leeds Grand Theatre, Sheffield Lyceum and Bradford Alhambra

The cast on the first day of rehearsals for the 2025-2026 tour of James Graham’s Dear England, visiting Leeds, Sheffield and Bradford. Picture: Justine Matthew

THE National Theatre’s 2025-2026 tour of James Graham’s Dear England – “the Gareth Southgate play” – will visit Leeds Grand Theatre from November 4 to 8.

Further Yorkshire runs are booked into Sheffield Lyceum Theatre from October 21 to 25 and Alhambra Theatre, Bradford, for February 17 to 21 2026.

Heading the cast will be David Sturzaker as England manager – and knighted Harrogate resident – Gareth Southgate, alongside EastEnders and Mount Pleasant actress Samantha Womack in the role of team psychologist Pippa Grange.

Directed by Almeida Theatre artistic director Rupert Goold, the cast also features returnees Jass Beki as Bukayo Saka; Courtney George as Alex Scott; Tom Lane as Eric Dier and Miles Henderson in Ensemble roles.

David Sturzaker: Playing Gareth Southgate in Dear England, on tour in 2025-2026. Picture: Michael Shelford

Joining them will be company newcomers Jake Ashton-Nelson as Jordan Henderson; Luke Azille as Jadon Sancho; Ian Bartholomew as Greg Dyke; Ashley Byam as Raheem Sterling; Steven Dykes as Sam Allardyce; Oscar Gough as Harry Kane; Jayden Hanley as Marcus Rashford; Connor Hawker as Harry Maguire; Ian Kirkby as Gary Lineker; Jack Maddison as Jordan Pickford; Liam Prince-Donnelly as Dele Alli and George Rainsford as Mike Webster. In the squad too are Stuart Ash, Natalie Boakye, Sam Craig and Jonathan Markwood.

Premiered in June 2023, Graham’s inspiring, at times heartbreaking and ultimately uplifting story of Gareth Southgate’s revolutionary tenure as England football manager won the 2024 Olivier Award for Best New Play, en route to breaking box-office records in its West End run.

Dear England charts Southgate’s impact when taking over from Sam Allardyce in 2016. As the play’s synopsis puts it: “It’s time to change the game. The country that gave the world football has since delivered a painful pattern of loss. The England men’s team has the worst track record for penalties in the world, and manager Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take team and country back to the promised land”.

The tour will visit 16 venues from September 15 2025 to March 14 2026 in a co-production with Josh Andrews and Stuart Galbraith for JAS Theatricals. Goold is joined in the production team by set designer Es Devlin, whose credits include Beyonce’s Renaissance world tour and The Lehman Trilogy at the National Theatre, along with costume designer Evie Gurney; lighting designer Jon Clark; co-movement directors Ellen Kane and Hannes Langolf; video designer  Ash J Woodward, and co-sound designers Dan Balfour and Tom Gibbons.

Samantha Womack: Playing team psychologist Pippa Grange in Dear England. Picture: Michelle George

They are joined by tour revival director Connie Treves; revival movement director Tom Herron; casting director Bryony Jarvis-Taylor; associate set designer Alice Hallifax; associate lighting designer Ben Jacobs; associate video designer Libby Ward; associate sound designer Johnny Edwards; casting associate Lilly Mackie and resident director Dan Hutton.

The National Theatre will run a year-long schools engagement programme inspired by Gareth Southgate’s “Dear England” open letter that he wrote to England fans in 2021.

This programme, designed to prompt young people to reflect on their own place in history, just as the footballers in Southgate’s squad were encouraged to do, comes in response to 2025 being the 80th anniversary of the end of the Second World War.

It will be delivered to 10,000 pupils in schools across England at assemblies and workshops, using spoken word and sound design to support students to share the hopes and aspirations they have for themselves, and other young people, 80 years from now.

The cast of Dear England at the National Theatre this spring. Picture: Marc Brenner

The resulting sound archive will form a 2025–2026 time capsule. In addition, students will be invited to attend performances of Dear England during the tour.

Dear England was commissioned by the National Theatre and developed with the theatre’s New Work department for its world premiere on June 20 2023 in the Olivier theatre.  A sold-out run was followed by a transfer to the Prince Edward Theatre, London, from October 9 2023 to January 13 2024, where box-office records were broken.

Dear England was released to cinemas through National Theatre Live on January 24 2024 and has been screened almost 2,500 times across the UK.

In February 2024, the BBC announced its commission of a four-part drama of Dear England, based on the stage production, for BBC One and BBC iPlayer.

Tane Siah’s Bukayo Saka and Gwilym Lee’s Gareth Southgate in Dear England at the National Theatre this spring. Picture: Marc Brennen

Graham’s play returned to the National Theatre in Spring 2025, updated to reflect the UEFA Euro 2024 tournament, Southgate’s final chapter as England manager that ended, spoiler alert, with defeat to Spain in the final. The regional premiere was staged in a four-week run at The Lowry, Salford, that opened on May 29.

The 2025/2026 national tour is supported by Incentivising Touring: Repayable Grants for Theatre and Dance, a pilot scheme developed by Arts Council England to support larger-scale productions to tour to regional venues.

Dear England was among the first to receive a share of more than £2million as part of the first round of the scheme, designed to create the opportunity for more people to see high-quality shows close to where they live.

Tickets for Leeds are on sale on 0113 243 0808 or at leedsheritagetheatres.com; Sheffield, sheffieldtheatres.co.uk/lyceum; Bradford, bradford-theatres.co.uk/alhambra-theatre.  

Did you know?

JAMES Graham’s last play to visit Leeds Grand Theatre was his stage adaptation of Alan Bleasdale’s Boys From The Black Stuff from May 13 to 17 2025.

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More Things To Do in York and beyond as the dandy Georgians take up residence. Hutch’s List No. 34 from The York Press

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary on Dame Judi Dench Walk

AUGUST’S arrival heralds the return of riverside art and Georgian festival frolics in Charles Hutchinson’s guide to a cornucopia of culture.

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, today and tomorrow, August 9 and 10, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls on each of the six days.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

York Stage summer school participants in rehearsal for Disney’s Dare To Dream Jr

Musical revue of the week: York Stage in Disney’s Dare To Dream Jr, Joseph Rowntree Theatre, York, today, 2pm and 4pm

HONOURING 100 years of Disney music, this60-minute revue follows eager trainees on their first day at a fictional Walt Disney Imagineering Studio. As they set out to help each other discover their dreams, they work together to explore the power of those aspirations to unite, inspire and make anything possible.

The show includes songs that appear for the first time in a Disney stage musical, notably fan favourites from The Princess And The Frog, Coco, Enchanto and Frozen II in a showcase of contemporary songs, timeless classics and new medleys. York Stage director Nik Briggs has put this production together in a week with 50 Summer School performers and technical skills trainees. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

James Dowdeswell: Headlining tonight’s Laugh Out Loud Comedy Club bill at The Basement, City Screen Picturehouse

Comedy gig of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, tonight, 8pm

JAMES Dowdeswell, from the BBC’s Russell Howard’s Good News and Ricky Gervais’s Extras, combines deft stand-up with daft stories in his erudite, off-the-cuff headline set this weekend. A comedic authority on beer, wine and pubs, he is the author of The Pub Manifesto: A Comedian Stands Up For Pubs. 

On the bill too are northern humorist Anth Young, Scotland-based Singaporean comic Laura Quinn Goh and regular host Damion Larkin. Box office: lolcomedyclubs.co.uk.

Faithless: Bringing Mass Destruction to Scarborough Open Air Theatre tonight

Coastal gig of the week: Faithless and Orbital, TK Maxx Presents Scarborough Open Air Theatre, today. Gates open at 6pm

RETURNING to the concert platform last year after an eight-year hiatus, Faithless remain one of the most influential, boundary-pushing electronic acts of the 21st century with 17 Top 40 singles and six Top Ten albums to their name. Here come Salva Mea, One Step Too Far, Mass Destruction, Insomnia, God Is A DJ et al.

First up will be Phil and Paul Hartnoll’s electronic duo Orbital, whose music draws on ambient, electro, punk and film scores, spread across ten albums. Box office: scarboroughopenairtheatre.com.

Sasha Elizabeth Parker in Femme Fatale Faerytales, Once Upon A Time, at Brancusi restaurant

Fringe preview of the week: Femme Fatale Faerytales, Once Upon A Time, Fairy Tales For Adults, Brancusi (upstairs), Micklegate, York, August 4, 8pm

FEMME Fatale Faerytales’ Once Upon A Time will be 50 minutes of adult storytelling with a feminist agenda, featuring a “real-life faery” who promises to tell truths that will “make your hair curl and your eyes sparkle”.

“It was the faeries who taught the witches, the wise women, all that they know,” says performer Sasha Elizabeth Parker, who is en route to Scotland for her Edinburgh Fringe debut. “Women spun faerytales on their tongue to spread the word among adult ears. Wise words made infantile by men. Let the faery  whisper her words into your ears. Hear her tale of truth. Faeries cannot lie. This, I promise you. She’ll change you, transport you, introduce you to a whole new world and show you a view brand new.” Box office for returns: wegottickets.com/location/29645.

The poster artwork for Cirque, The Greatest Show Reimagined

Circus show of the week: Cirque, The Greatest Show Reimagined, York Barbican, August 4, 3pm and 7pm

CIRQUE’S new show is “bolder, braver and more breathtaking than ever before” as The Greatest Show Reimagined takes the original Circus meets Musical Theatre spectacle to new heights. Experience West End showstoppers paired with circus acts showcasing breathtaking feats of agility to “transport you on a vibrant, kaleidoscopic journey bursting with colour, energy, and excitement”. Britain’s Got Talent Golden Buzzer winner Max Fox leads the cast of vocalists and circus performers. Box office: yorkbarbican.co.uk.

Ryosuke Kiyasu: Drum pyrotechnics on the Arts Barge

Beat that: No Instrument and Arts Barge present Ryosuke Kiyasu, The Arts Barge, Foss Basin Moorings, York, August 6, 7.30pm

PIONEERING snare-drum soloist Ryosuke Kiyasu has redefined percussion since 2003, releasing more than 200 albums, both solo and with his band, drawing 23 million views for his 2018 Berlin live set and featuring on BBC News.

He drums for noise-grind duo Sete Star Sept, the Kiyasu Orchestra and Keiji Haino’s Fushitsusha and co-founded Canada’s cult hardcore unit The Endless Blockade. Box office: artsbarge.com/events.

Iago Banet: Finger-style Spanish guitar dexterity at The Basement, City Screen Picturehouse

Guitarist of the week: Iago Banet, The Basement, City Screen Picturehouse, York, August 6, 7.30pm

VIRTUOSO finger-style Spanish guitarist Iago Banet, who moved to London from Galicia in 2014, combines gypsy jazz, blues, country, Dixieland, swing, pop, folk and Americana in his acoustic repertoire, as heard on his third album, 2023’s Tres.

He has performed on BBC Radio 3’s In Tune and Cerys Matthews’ The Blues Show on BBC Radio 2, appeared at Brecon Jazz, Hellys International Guitar Festival and Aberjazz and played with Josh Smith, Mark Flanagan, Jack Broadbent and Clive Carroll. Box office: https://www.ticketsource.co.uk/iago-banet/iago-banet-the-galician-king-of-acoustic-guitar/e-dykrpy. 

Joe Standerline in The Raree Show or The Fox Trap’t, Joseph Peterson’s 18th century romp, revived for the York Georgian Festival. Picture: Gareth Buddo

Festival of the week: York Georgian Festival 2025, August 7 to 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival will be a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be Terry Deary Presents Revolting; the Life and Loves of Anne Lister; a Georgian dance lesson at the Guildhall; Men’s Hats through the Georgian period; Mad Alice’s history talk and gin tasting; the York Georgian Ball; Sounds of Regency by Candlelight; The World of Georgian Fashion; Portraits in Jane Austen; The Radical Georgian Women and a revival of 18th century York actor-playwright Joseph Peterson’s comic romp The Raree Show or The Fox Trap’t. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

York Minster: Heritage Fair today

In Focus: Heritage Fair of the week: York Minster Centre of Excellence for Heritage Craft Skills and Estate Management, Deangate, York, today, from 10am

EXPLORE two new buildings – the Heritage Quad and the Works & Technology Hub – that have established York Minster Precinct’s status as a world-class campus facility for research, education and training in traditional craft skills.

Visitors can see the extensive sustainable initiatives delivered through the construction of these two new buildings, including the latest photovoltaic technology and rainwater harvesting techniques.

There will be three areas to explore:

The Heritage Quad: 10am to 4pm

Visitors can speak to York Minster stonemasons and see live carving, whilst touring brand new facilities and meeting other heritage craftspeople such as joiners and guilders. There will be an opportunity to try out some of the applied craft skills needed to care for an ancient estate like York Minster’s. Free, pre-booked tickets required. 

The Works & Technology Hub: 10am to 4pm

Visitors can engage with the cutting-edge technology now operational in the Works & Technology Hub. They will see live demonstrations of saws and digital modelling, as well as speaking to York Minster staff and partners to understand how technology links with heritage crafts. Free, pre-booked tickets required. 

Heritage Pavilion: 10am to 4pm

A heritage pavilion, located in Minster Gardens in front of the York Minster Refectory, will provide an opportunity for people to talk to our heritage partners. This is an ideal opportunity for anyone considering a career in the heritage industry to speak to the many experts in their respective fields. No tickets are required to attend the careers pavilion.

Tickets: https://www.eventbrite.co.uk/e/heritage-fair-tickets-1258143694659?aff=oddtdtcreator

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Blue Light Theatre Company gives green light to new home at New Earswick Folk Hall for 2026 pantomime Owt O’ This World

Blue Light Theatre Company founder members Perri-Ann Barley, left, Devon Wells and Craig Barley

BIG changes lie ahead for The Blue Light Theatre Company as they announce their pantomime for 2026.

Acomb Working Men’s Club has been home to the York company’s panto since Blue Light was formed by York Ambulance Service staff in 2013, but financial constraints have led to the club’s decision to downsize by building a smaller venue on the existing Front Street site.

“Unfortunately this means that there’ll no longer be the space or facilities for such a large production,” says Blue Light stalwart Perri-Ann Barley. “We do have a new venue, though: New Earswick Folk Hall.  We’re very excited about this new chapter, although sad to leave the club behind after 12 years. They have been so good to us.

“The team at Blue Light express our heartfelt gratitude to everyone at the Acomb WMC; the committee past and present, the bar staff and the members for welcoming us into the club back in 2013 and allowing us to use this wonderful space, for rehearsals as well as the shows.

Blue Light Theatre Company’s cast for Owt O’ This World at New Earswick Folk Hall

“Without this kindness, the company wouldn’t have been able to raise so much money for our chosen charities, the Motor Neurone Disease Association York Group and York Against Cancer. The total now stands at £25,000.”

Perri continues: “For anyone who has previously attended the pantomimes, they would have seen that, even though the club concert room was huge, the stage and dressing rooms were tiny. However, that just made the challenge even more exciting, surprising the audience with creative and technical feats such as flying magic carpets, flying superheroes, disappearance tricks, transformation scenes and, best of all, a levitating witch!”

“But it’s onwards and upwards for the increasingly popular Blue Light Theatre as we announce our new venue as New Earswick Folk Hall. With great facilities, larger stage and backstage areas and fantastic support from the staff and management, the Blue Light cast is very excited for this new chapter.”

Blue Light Theatre Company’s poster for Owt O’ This World, next January’s intergalactic pantomime

The first panto at Blue Light’s new location will be Owt O’This World! – An Intergalactic Giant Yorkshire Pudding Filled Family Panto, written by Perri with additional script material by Steven Clark.

“Directed by Craig Barley and choreographed by Devon Wells, this Yorkshire vs Space-themed offering is ready to launch and take our audiences on an exciting new journey from January 28 to 31 2026,” says Perri.

Tickets for the 7.30pm evening shows and 2.30pm Saturday matinee are on sale on 07933 329654 or via ticketsource.co.uk/thebluelighttheatrecompany

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York Georgian Festival revives Joseph Peterson’s 18th century comic romp The Raree Show at Merchant Taylors’ Hall

Geoff Turner’s Sir Thomas Graspall in Mr Joseph Peterson’s The Raree Show or The Fox Trap’t. Picture: Gareth Buddo

IN a celebration of 18th century theatre and the lives of York’s Georgian players and comedians, The Raree Show or The Fox Trap’t will open the York Georgian Festival 2025. 

Presented by Holy Trinity, Goodramgate, at Merchant Taylors’ Hall, Aldwark, on August 7, the hour-long 7.30pm performance promises entertainment, wit and historical intrigue.

Think of all the delightful clichés of 18th century theatre: mannered acting; plays with double titles; characters whose names give away their personalities;wicked uncles, clever servants, comedy foreigners; physical comedy and happy endings.

“Joseph Peterson’s The Raree Show or The Fox Trap’t delivers all of this with a hearty dose of charm,” says director Sarah Cowling, York tour guide and Churches Conservation Trust volunteer at Holy Trinity, Goodramgate, who is fascinated by York’s Georgian theatrical scene.

Andrea Mitchell’s Belinda. Picture: Toni Wainwright

“Joseph Peterson, a parishioner from Goodramgate, described in the parish register as ‘comedian’, wrote this piece specifically to delight and amuse the citizens of York – the city he ‘reveres’. When it was first performed in 1738, it is very likely that it was performed in the very hall we will be performing in on August 7: Merchant Taylors’ Hall.

“Very likely”, Sarah? “The source I had for proof that the piece was performed in York has proven unreliable. It is ‘most likely’ that it was performed here in York – as it was written for the city and the original Dramatic Personae are all from York – but I cannot find the playbill or proof. It is ‘most likely’ that it was performed in Merchant Taylors’. Indeed some of the original actors are known to have performed in there,” she says.

“After success at last year’s Georgian Festival with a read-through of Peterson’s masterpiece, Merchant Taylors’ have been kind enough to offer use of the hall for this year’s ‘off-book’ production.”

Peterson’s theatrical romp is billed as “a tale of a ward trapped into marriage against her late father’s wishes; divided couples reunited; sword fights; terrible French accents; clever tricks and a satisfying ‘happily ever after’”.

 Nick Patrick Jones’s Sir Fopling Conceit. Picture: Gareth Buddo 

“The driving force behind this production is the fascinating figure of Mr Joseph Peterson, an actor, parishioner of Holy Trinity, Goodramgate, and writer,” says Sarah. “Peterson was so dedicated to his craft that he added new meaning to the phrase ‘dying on stage’ – later in life, quite literally dying mid-performance.

“The Raree Show or The Fox Trap’t is very much a vehicle for Mr Peterson. He wrote it, he introduces it, appears in it and wraps up the proceedings.”

Born in 1710, Peterson married Margaret Whare in St Michael le Belfrey at the age of 22. In January 1738, their son Joseph was baptised at Holy Trinity, Goodramgate, hence his listing as a ‘comedian’ in the parish records.

“He was a key member of Thomas Keregan’s company of actors, performing in productions such as Twin Rivals, The Shepherd’s Opera and The Trepan or Virtue Rewarded,” says Sarah.

Joy Warner’s Corinna. Picture: Gareth Buddo

“Before the establishment of York Theatre Royal, one of the venues used for theatre in York was the Merchant Taylors’ Hall, where we will stage our lively production, mirroring where The Raree Show or The Fox Trap’t may have been performed nearly 300 years ago.”

18th century life on stage was often unpredictable. In 1746, Peterson left York theatre for the Norwich Theatre Company, where he continued to thrive. “However, in October 1758, while performing Measure For Measure at Market Cross Theatre in Bury St Edmunds, Suffolk, he collapsed mid-performance. His last words were, ‘reason thus with life if I do lose thee I lose a thing that none but fools would keep a breath thou art…’, says Sarah.

“He died in the arms of fellow actor Mr Moody. Curiously, Mr Moody had previously experienced another actor’s death in his arms on stage in Harrogate!”

What can next Thursday’s audience expect? “It might help to know that A Raree Show is essentially a peep show – images in a box, not necessarily risqué. In our production, the Raree Show refers to various current events (current to the 1730s), adding a satirical edge to the performance.”

The cast for last summer’s York Georgian Festival read-through of The Raree Show or The Fox Trap’t

Funds raised from this charity performance will be used to conserve the First World War Roll of Honour from Bedern National School, displayed at Holy Trinity Church, Goodramgate. “The performance of the work, written by a former more than 100 years ago,” says Sarah.

Summing up next Thursday’s performance, she concludes: “We invite our audience to step into the 18th century and revel in the theatrical artistry of The Raree Show or The Fox Trap’t. With its captivating storyline and historical insights, this production is sure to be an unforgettable highlight of the York Georgian Festival.

“The show has sold out, which is brilliant, but there’s a whole catalogue of these funny little York-grown Georgian shows. I really hope we can unearth more.” 

York Georgian Festival: Holy Trinity, Goodramgate, presents Joseph Peterson’s The Raree Show or The Fox Trap’t, Merchant Taylors’ Hall, Aldwark, York, August 7, 7.30pm; doors 7pm. SOLD OUT. Booking link for returns: tps://bit.ly/3EnRhEY.

Who’s in the cast for The Raree Show of The Fox Trap’t?

York tour guide Mad Alice: Making cameo appearance in The Raree Show or The Fox Trap’t

Sir Thomas Graspall, played by Geoff Turner; Squire Timothy and Smart, Joe Standerline; Manly, Matt Tapp; Belamour, Zander Fick; Sir Fopling Conceit and Mr Joseph Peterson, Nick Patrick Jones; Servant and Mrs Peterson, Aileen Bloomer; Belinda, Andrea Mitchell; Corinna, Joy Warner, and Betty, Mad Alice (in a cameo by The Bloody Tour of York guide Alicia Stabler).