A socially distanced audience at the Milton Rooms, Malton, in 2020
THE ambitious programme to transform the Milton Rooms in Malton into a “21st century community and arts venue” is to be boosted by £193,000 funding from Ryedale District Council.
The grant was confirmed at last Thursday’s meeting of the full council, prompting chairman of trustees Ray King to say: “We are grateful for what is the first major investment in the Milton Rooms, probably since it was built in the 1930s, and the money will be focused on key infrastructure areas that our local community and audiences have identified as being issues.”
Welcoming the kick-start funding, King says: “It will allow us to upgrade toilet areas, further address the access challenges that a building of this age presents and look at improving the overall fabric and technical facilities to prepare it for reopening after Covid restrictions are fully lifted.
“But, at the same time, the trustees recognise that this has to be regarded as simply the first in a new phase of investment to transform the building into a 21st century community and arts venue and we are constantly looking for additional funding from a range of sources.
“I believe this funding is also a recognition of the tremendous work that has been put in by the dedicated volunteers past and present, who have kept this iconic building open and available to all.’’
At an earlier meeting, on February 18, Ryedale District Council voted to ring-fence £307,000 in this year’s budget for the Milton Rooms to carry out further improvement work to bring it up to standard as a top-class venue for the 2020s.
The money will be released only for fully costed projects agreed by the Milton Rooms committee and the council and its officers.
King says: “While we are delighted to receive the £193,000, the hard work starts now in developing a business plan to access the further funds and so make the Milton Rooms an even more attractive venue for the community to use and enjoy.’’
Run as a charitable company, mainly by volunteers, the Milton Rooms has just had its Covid-safe accreditation extended for 2021 by British tourism body Visit Britain.
Venue manager Lisa Rich says: “We always welcome new volunteers to the team, particularly any with experience of the technical side of arts production and presentation, so please make contact by emailing info@themiltonrooms.com, should you have a few spare hours.’’
History on the move: Neal Foster and Morgan Philpott will be performing Horrible Histories: Barmy Britain on later spring dates than first planned on the Car Park Tour. Picture: Mark Douet
HORRIBLE blow for Harrogate, as the Government roadmap out of the lockdown has consigned the April 3 performances of Horrible Histories: Barmy Britain at the Yorkshire Event Centre to history.
Other dates on the nationwide Car Park Tour booked originally for before April 12 have been rearranged after the proposed timing of the Government’s four-step plan necessitated a later itinerary.
Seventeen locations will accommodate the tour, ranging from racecourses to sports stadia, showgrounds to an airport, an exhibition centre to country houses, but no new space in the diary could be found for the Great Yorkshire Showground show in Harrogate.
By contrast, the April 5 performance of the live-action version of Barmy Britain at Harewood House, near Leeds, has been switched to Sunday, May 2 at 11am.
Tickets holders have been notified of the changes but tickets are still available via carparkparty.com, priced at £39.50 upwards, plus £2.50 booking fee. Further information can be found there too.
Heads you lose: Horrible Histories’ King Henry VIII will not be heading to Harrogate after all
The Barmy Britain tour will present two actors playing a multitude of classic characters from barmy and horrid British history, taking in Queen Boudica, King Henry VIII, Guy Fawkes, Dick Turpin, Queen Victoria and plenty more besides.
Based on Terry Deary’s broad-humoured historical books of the same name, Horrible Histories have transferred from page to stage for 18 live shows presented by Birmingham Stage Company, as well being made into a musical sketch comedy television series.
In the Covid-safe Car Park Tour show, on tour from April 13 to May 3, families sit in their cars watching the actors on stage and on a large screen while listening live on their radios and, if so inclined, honking their horns in appreciation.
Birmingham Stage Company and “concept creators” Coalition Agency “plugged the pantomime-less gap” with Horrible Christmas and now they are teaming up again for two Horrible Histories tour shows: Barmy Britain and Gorgeous Georgians & Vile Victorians.
Neal Foster, actor-director of Birmingham Stage Company, will be joined on stage by Morgan Philpott. “I’m over the moon to be back on tour with Barmy Britain after its hugely successful tour last summer,” he says. “It’s weird and wonderful to be performing in car parks and to see the audience having fun behind their windshields. We can’t wait to get back out there”.
Harewood House, here we come: Morgan Philpott, left, and Neal Foster , will take a humorous journey through history in Horrible Histories: Barmy Britain on May 2 on the Car Park Tour. Picture: Mark Douet
Penny Whispers: Scarborough duo Harry Bullen and Terri-Ann Prendergast
AN email nudge dropped into the inbox from the intriguingly named Penny Whispers, with its echo of Ian Fleming’s “Bond girls” or a one-hit-wonder Sixties’ pop ingenue.
“You may not remember me but in 2012 you wrote a review for The York Press on York Settlement Players’ version of ‘Black Potatoes’ and quoted me as ‘one to watch’ – a review I’ve held dear to this day,” it began.
Ah yes, Black Potatoes, a musical by Alan Combes and Steve Cassidy, the one with Irish accents, that ran at Upstage Centre Theatre @41 Monkgate, York, in November 2010 (not 2012!).
The “one to watch” – or “definitely one to watch” as the review said even more emphatically of her performance as young wife Peigi – was one Terri-Ann Prendergast, now one half of the Scarborough duo Penny Whispers.
On March 7, Terri-Ann and Harry Bullen release their third single, Upside Down, the follow-up to December’s “ray of hope” lockdown song Wave and their debut, Stay A While.
Penny for your thoughts, Terri-Ann. Here she answers CharlesHutchPress’s questions on her musical past and present, the name Penny Whispers, the impact of Covid lockdowns on musicians, song-writing in 2020/21, album plans and the year ahead.
When did Harry meet Terri-Ann?
“We’re both from sunny Scarborough and we met in 2015, having secured contracts to work on cruise ships, performing to audiences all over the world.
“For the past five years, we’ve been travelling all over the world playing music and have never been in one place for very long. In 2020, we were heading back to the UK to record. We were aiming for London until the pandemic hit and we ended up grounded in Scarborough. It’s been quite nice really as it’s been ages since we were both at home.”
What have you done since your performance theatre student days at York St John? You mention working on cruise ships…
“I’ve done lots of theatre work around Leeds and York, including a stint performing at the York Dungeon! While building up my solo singing career, I performed at some really amazing events including Camp Bestival [at Lulworth Castle, Dorset].
“I worked alongside The Prince’s Trust for a while and had the opportunity to perform at some really wonderful events for them. In 2015, I joined a band – where I met Harry – and we secured some contracts on cruise ships, travelling around the world and playing music.
“I’ve been song-writing the whole time and it was here that Harry and I started to write songs together.”
Terri-Ann Prendergast, middle row, second from right, pictured in the role of Peigi in York Settlement Community Players’ production of Black Potatoes in 2010
When did Penny Whispers form and why are the duo called Penny Whispers?
“One night after a gig on the ship, Harry and I had a writing session in our cabin and we sort of haven’t stopped writing since! It’s so great when you find someone to write with who just hears what you hear in your head and the music just starts to flow.
“Since we met in 2015, we’ve written hundreds of songs and officially launched Penny Whispers in 2020. One of our first gigs was at The Hard Rock Cafe in Manchester, which was great.
“We chose ‘Penny Whispers’ as we loved the idea that it sounds like some quaint Victorian service like ‘penny for your thoughts’ or ‘penny for a secret’. Because it’s not person specific – it could be a solo artist, or a whole band – it’s not a title that immediately paints the whole picture. It makes you think about it for a second and decide what it says to you.
“One night after a gig, someone said to us, ‘Are you called ‘Penny Whispers’ because ‘money doesn’t talk’ but pennies whisper?’. We said, ‘No…but that’s really cool; we should’ve thought of that’.
“Pennies also have personal meaning to me because my Nan used to collect pennies in a jar for me and my brothers. She saved up so many 1p coins and we used to sit and count them all up into money bags.
“My Nan’s not here anymore but I still find pennies in the most bizarre places and at very peculiar times. One time I was having a bit of a panic in the toilet before an audition and right there in the toilet bowl was a penny! I like to think of it as Nan looking out for me a little, though I wish she would leave me £5 notes instead!”
Where did you record your self-produced pandemic song Wave?
“Wave was recorded in Harry’s mum’s basement. They turned the space into a recording studio and we recorded the vocals there.
“It’s a duet of emotionally charged harmony that balances tragedy and hope beautifully on the uplifting orchestration of Jon Pattison, co-founder and musical director of Beach Hut Theatre Company in Scarborough. He’s written loads of great material, including scores for many of Alan Ayckbourn’s plays at the Stephen Joseph Theatre.
“Harry produced the track after consuming hours of reading and watching YouTube videos. 2020 has given us a lot of time to explore new skills, other than just song-writing. We now aspire to do everything ourselves, 100 per cent DIY independent musicians, multi-tasking from writing and recording to marketing.”
The artwork for Penny Whispers’ pandemic single, Wave, released last December
What’s the story behind Wave, a song for these strange, enervating, fearful days?
“2020 has been a tough time for everyone across the globe, especially for creative people, but sometimes out of the darkest places, something good emerges.
“Amid lockdown 2020, we knew we wanted to say something in response to what was happening around us, but we didn’t want it to come solely from our point of view.
“So, we reached out to our followers on social media, asking them how they were coping, and the response was astounding: an influx of words showing shared feelings of loneliness but also, overwhelmingly, a huge undertone of hope.
“We wrote the song as a direct response to the pandemic, taking the messages we received from our followers and turned them into Wave. They truly were the inspiration behind it.
“The reaction has been really positive. Jonathan Cowap, on BBC Radio York, said the song ‘radiated hope’, which is exactly what we wanted it to bring: hope.
“Music has such a powerful way of lifting spirits and this is something everyone can embrace. We received messages telling us that it made people feel less alone when listening to the song and reading the comments we received from our followers.
“It was wonderful to hear that Wave could be a reflection of 2020, not just from our perspective, but from everyone else’s too. After all, we’ve all felt lonely at times throughout this, but we’ve been lonely together and there’s comfort to be taken from that.
“You can see the messages we received by watching the Wave lyric video on our YouTube channel at https://youtu.be/CnqcfeTuqXM, demonstrating the amazing strength of the human spirit to remain positive in these troubling times.”
What have been the challenges of being a musician in Covid times? How has lockdown affected your life as well as your music-making?
“2020 was a really tough year for us. We were only just launching our first single and had a lot of plans mapped out that were completely wiped. We lost all our income and our home too.
“The toughest thing is, not only did we lose our living, but we also lost the very thing that sort of gives us life! Music is everything; it isn’t just our job. We felt like we sort of lost our place in the world a little bit.
“On a positive note, having the time to write and record has been great as we are often so busy. But after a while, inspiration started to dwindle. How can you write about life when it’s just Groundhog Day every day? We did some live-streams too to try keep people’s spirits up but nothing compares to performing live.
“Making Wave really lifted our spirits at a time when we were feeling uninspired.”
Terri-Ann Prendergast and Harry Bullen wrote Wave in Scarborough as a direct response to the pandemic
What are your plans/hopes for Penny Whispers in 2021?
“All being well, we will be back gigging again by the summer! We’ve been waiting for this moment for so long.
“There’s a fantastic organisation for Yorkshire-based musicians, The Sound of Scarborough, who are creating lots of fantastic opportunities and support for local artists, so we’ll hopefully be doing stuff with them.
“No matter what happens with live performances, we’ve got so much new music to release, so keep an eye on our socials for updates. We want to reach as many people as possible and keep writing songs that people enjoy.”
New single Upside Down: what’s the musical style, theme and release format?
“It’s been described as ‘fierce lively indie rock and pop mixed with some triumphant energy and even a bit of a folk twang to it’.
“It draws on a deep pool of genres that swim together with waves of influence to create an adrenaline-fuelling track! There’s a haunting quality to this song that’s comfortably uncomfortable. It highlights an inner battle that runs throughout us all, as we strive for meaning and deny unstoppable second guessing.
“The lyrics highlight a push/pull vibe that’s present throughout the song: ‘Falling highs and climbing lows, grabbing hold to let you go’. It’s the idea of wanting something badly but then getting it and discovering it’s not what you expected, but you know you can’t walk away, because you’re already drawn in too deep.
“Upside Down is out everywhere on March 7. You can download the track directly from our Bandcamp and this is a great platform for musicians to be directly supported by their fans. The track is set at a certain price, but fans can pay more for it if they wish, and unlike streaming services, artists keep a much higher per cent of the royalties.”
Is an album on its way?
“We’ve talked a lot about release strategy and what is the best way to release our songs. The industry has changed so much in the past ten years and with music being so accessible, albums aren’t consumed in the way they once were.
“As a new band, our plan is to release singles initially, to allow people to get to know us more and get to know our sound.
“That being said, we do have plans for an album in the future.”
And finally, Terri-Ann, do you still perform in musical theatre shows?
“I haven’t done any musical theatre for a few years now; I decided to shelve it temporarily to focus on music, my first love. “I do miss it, though! I wouldn’t rule it out for the future but for now it’s all about the music. Harry is keen on writing a musical in the future and is forever writing down ideas, so who knows…”
One sandwich short of a picnic: Cassie Vallance’s Jo clowns around on her Friends Garden park bench at Rowntree Park in a scene from Teddy Bears’ Picnic last summer. Picture: Northedge Photography
PARK Bench Theatre’s hit summertime children’s show, Teddy Bears’ Picnic, will be streamed by producers Engine House Theatre from today (26/2/2021).
Performed by Shakespeare’s Rose Theatre actress and Story Craft Theatre interactive storyteller Cassie Vallance in all weathers last summer, it was one of three solo performances staged in the Friends Garden of Rowntree Park under Covid-safe conditions, with more than 1,000 adults and youngsters seeing the open-air show over 30-plus performances.
Now, director Matt Aston’s company, Engine House Theatre, is to stream the show, suitable for everyone aged three and over, newly bolstered by a Make Your Own Teddy Bear craft workshop video by Cassie, bringing her Story Craft Theatre craft-making skills to the online venture.
Tickets will give access to viewing for the whole event period of February 26 to March 7, priced at £5 at tpetv.com.
Teddy Bears’ Picnic was inspired by the much-loved John Walter Bratton and Jimmy Kennedy song and based on an original idea by Julian Butler, a freelance children’s theatre composer, lyricist and sound designer who has written several musicals with York playwright Mike Kenny and worked regularly with Aston.
Inspired by Butler’s suggestion when musical director for Aston’s production of Benji Davies’s The Storm Whale, starring Cassie at the York Theatre Royal Studio in 2019-2020, the 30-minute show was co-created by performer Vallance and Engine House artistic director Aston over a few weeks last summer.
Cassie Vallance: Craft-making storyteller for Story Craft Theatre’s Crafty Tales
Now, Matt says: “I’m so pleased to be finally joining the 21st century and having Teddy Bears’ Picnic stream online for people to enjoy at home.
“It seems such a long time ago that we all suddenly had to live and work in a very different way to bring live theatre back to York and I’m still extremely proud of the Park Bench Theatre season and of all the wonderful people who worked on it and helped make it happen.
“We didn’t have any plans to stream the shows, but once we’d gone into this third lockdown, we had a look at what footage could be used. We’re still hopeful we can stream the other two shows as well, featuring Chris Hannon in Samuel Beckett’s First Love and Lisa Howard in Every Time A Bell Rings [a play written by Matt in response to the lockdown].”
The director adds: “I’m also thrilled that Cassie has brought her crafting skills from her award-winning company Story Craft Theatre to present a short film so everyone van make a cardboard teddy at home.
“With the announcement of the Government’s roadmap earlier this week, there seems to be light at the end of the Covid tunnel. Hopefully, Teddy Bears’ Picnic will be another of those small treats to help families get through the final days of home schooling.”
In Park Bench Theatre’s Teddy Bears’ Picnic, every year, Jo’s family used to have a big family gathering: a teddy bears’ picnic. It was always brilliant, but then she grew too old and too cool for that sort of thing, so she stopped going. Now she has grown up, however, she wishes she could have those picnic days all over again.
Matt Aston: Park Bench Theatre artistic director and co-creator/director of Teddy Bears’ Picnic on a Friends Garden park bench. Picture: Livy Potter
Recalling the co-writing experience, where technology came in handy, Cassie says: “I’d write a bit, Matt would write a bit, and we’d share thoughts on Zoom. We then started working on the physical aspect of the show from the beginning of August, as I’m much more of an up-and-about physical person, and then we began running it.
“The main thing, when working on it, was to be flexible, with it being for children and an outdoor show. Visually, it had to have lots of big stuff, and our thinking was, ‘if we can say it physically, let’s do that’, but it’s also a play full of memory moments, which we’ve made more intimate.”
Now, Teddy Bears’ Picnic can be enjoyed all over again, online, teddy bear-making craft workshop and all. “Considering how life has changed so dramatically for so many over the past months, I once again find myself feeling very grateful to be able to be part of creating a piece of live theatre for families,” says Cassie.
Did you know?
The song Teddy Bears’ Picnic combines a 1907 melody by American composer John Walter Bratton with lyrics added by Irish songwriter Jimmy Kennedy, a Dublin University graduate, in 1932.
It has been recorded widely since Peckham crooner Henry Hall’s idyllic version that year, being used in television series, commercials and films. Recordings range from Bing Crosby to The Grateful Dead’s Jerry Garcia, while Deep Purple’s Ian Gillan recited the lyrics as a poem at the start of a recording of Bad Attitude.
Any good at the hurdles? Cassie Vallance tries to negotiate the gate to enter the Friends Garden at Rowntree Park. Picture: Northedge Photography
WHAT was the CharlesHutchPress verdict last summer?
REVIEW: Teddy Bears’ Picnic, Park Bench Theatre, Engine House Theatre, Friends Garden, Rowntree Park, York, August 22 to early September 2020. ****
THROUGH stealth and goofy coming timing, Cassie Vallance had stolen Twelfth Night, the Jazz Age hit of last summer’s Shakespeare’s Rose Theatre in York before the rest of Joyce Branagh’s superbcast could do anything about it.
After that Pop-Up Elizabethan theatre season on the Castle car park, Vallance has popped up again at York Theatre Royal’s Pop-Up On The Patio festival, presenting Crafty Tales with her Story Craft Theatre cohort Janet Bruce last Saturday lunchtime.
She would have done so again this Saturday too at 1pm but for the fact she needs to be at Rowntree Park for the 1.30pm performance of Teddy Bears’ Picnic, her solo performance for this summer’s Park Bench Theatre season.
For all her oodles of comic energy, not even Vallance can be in two places at once and so Janet Bruce will be bringing a picture-book story to life on her own on the patio this weekend.
In between Twelfth Night and Teddy Bears’ Picnic came Vallance’s starring role in director Matt Aston’s adaptation of Benji Davies’s The Storm Whale stories for the York Theatre Royal Studio’s Christmas show for children.
Cassie Vallance in The Storm Whale at the York Theatre Royal Studio. It was during this production that musical director and composer Julian Butler first came up with the idea for a production of Teddy Bears’ Picnic, based on the song
Now, Aston, artistic director of Engine House Theatre, resumes his creative partnership with Vallance for this season’s Park Bench Theatre resurrection of outdoor theatre for the post-lockdown age.
Together, they have co-created a new version of the Teddy Bears’ Picnic story spun from the threads of the popular children’s ditty and an original idea by musical director Julian Butler; Aston directing, Vallance performing with all that impish clowning, physical comedy and pathos that has marked the York actor’s performances over the past year.
If you go down in the Covid-secure Friends Garden tomorrow, or on various dates until September 5, you are in for a children’s show to delight three year olds and upwards. Take a picnic, take a child or two, or more, within a family bubble to sit in socially distanced pods marked out by chalk circles, with room to accommodate your favourite teddy bear too.
On arrival, you will pick up the necessary equipment to listen on a head set to the feed of Vallance’s storytelling, sound effects (from lasers to a send-up of The Six Million Dollar Man intro for the adults present) and reprises of the familiar song, complemented by Julian Butler’s incidental music.
Vallance is playing Jo, struggling with her big case as she tries to negotiate her way through the not very high gates to the Friends Garden on a sunny Thursday afternoon.
Who would name a teddy after a beach? Cassie Vallance’s Jo would do exactly that, holding Filey aloft in Teddy Bears’ Picnic. Picture: Northedge Photography
Eventually, she does so, taking up residence on and around the park bench beneath the linden tree in the garden corner, as a squirrel looks on, front paws in that distinctive squirrel position where they look to be on the cusp of bursting into applause.
Vallance’s Jo is in three quarter-length dungarees with yellow buttons and matching head band and anything but matching pumps (purple instead), her bravura attire denoting a funny woman has just entered the garden.
Jo begins to unpack the case, taking out case after smaller case, as if opening up a Russian doll. She puts up bunting, does a spot of juggling. Vallance has said nothing, as much mime artist or silent movie actor to this point, but once she puts on a pair of spectacles, she “realises” she has an audience and starts talking…excitedly.
She seeks to give this re-telling a context for Covid-19 2020, as Jo talks to the children about the experience of coming out to play again, to see friends again, to be outdoors again, to be enjoying a Teddy Bears’ Picnic again, after being stuck inside in lockdown for an eternity.
“It’s a bit weird,” she says, and who would disagree. “There’s been lots of Zooming,” she notes. “For a word that sounds so fast, it seems to take so long!”
A teddy bear in Park Bench Theatre’s production of Teddy Bears’ Picnic last summer. Now, Cassie Vallance will lead a cardboard teddy bear craft-making video session to accompany the streaming of the show. Picture: Northedge Photography
Picking a banana from her picnic, Vallance’s Jo bounces around the audience, revelling in “just being”, “feeling happy”, “enjoying stuff”, but then her thoughts turn to memories. “All memories are important. They may not be happy, but that’s OK, they can help us learn,” she says.
At this juncture, Jo transforms into her younger self, recalling childhood Teddy Bears’ Picnics in Rowntree Park, surrounded by her teddies, all except her favourite, Kelly, who came off worst in an unfortunate encounter with her father’s Flymo mower.
Vallance’s crestfallen pathos at this juncture is a joy, so too are the Scottish and Welsh accents she adopts for Jo’s mum and dad (even though they are from Welwyn Garden and Fulford!).
Aston and Vallance’s charming short story ends on a positive and reassuring note in these strange times for children and adults alike, Jo saying that things can and always will change…and “change can be really, really good”.
Ironically, the only sting in this tale was, well, not a sting but a horsefly bite suffered by director Matt Aston pre-show. Kelly went to hospital in the story, Aston to A&E with his arm swollen. Is ted not dead? Did both have a happy ending? That would be telling!
Sandwich time: Teddy Bears’ Picnic, Cassie Vallance’s hit show from last summer in Rowntree Park, York, can be streamed from tomorrow
THE return of live entertainment is on the horizon at last, hopefully from May 17, prompting a surge in show confirmations, but in the meantime Stay Home activities remain prominent in Charles Hutchinson’s diary too.
Children’s streamed show of the weeks ahead: Park Bench Theatre’s Teddy Bears’ Picnic, February 26 to March 7
ONE of the hits of last summer’s Park Bench Theatre open-air season at Rowntree Park, York, is to be streamed by producers Engine House Theatre from tomorrow.
Children’s show Teddy Bears’ Picnic was performed by Cassie Vallance under Covid-safe conditions with more than 1,000 adults and youngsters seeing the show at 30-plus performances.
Suitable for everyone aged three and over, the streamed show will be bolstered by a Make Your Own Teddy Bear craft video. Tickets cost £5 at tpetv.com.
Hal Cruttenden and Rosie Jones: Your Place Comedy double bill at the weekend
Streamed comedy gig of the weekend: Rosie Jones and Hal Cruttenden, Your Place Comedy, Sunday
ROSIE Jones, Bridlington-born comedian, scriptwriter and actor, will join television comedy mainstay Hal Cruttenden in a virtual double bill on Sunday night, streamed from their living rooms into homes via YouTube and Twitch at 8pm.
Co-ordinator Chris Jones, manager of Selby Town Hall, says: ““I know that times are tough for many people, and so we’re committed to keeping these shows completely free, so please do come and join Hal, Rosie and Tim via yourplacecomedy.co.uk for some top entertainment at an unbeatable price, as for now streaming is the only show in town.”
Thunk-It Theatre’s Becky Lennon and Jules Risingham: Setting up youth theatre classes with Pocklington Arts Centre
Youth theatre project launch: Thunk-It Theatre in tandem with Pocklington Arts Centre, from this weekend
YORK company Thunk-It Theatre are partnering with Pocklington Arts Centre to provide youth theatre for the East Riding and beyond.
Weekly drama classes will be available to children aged six to 11 from February 28, initially on Zoom until it is safe to re-open the Market Place venue, when sessions can be held in person.
The all-levels drama sessions for Years 2 to 6 will take place from 10am to 11am every Sunday during term time, run by Becky Lennon and Jules Risingham. To book a place, visit pocklingtonartscentre.co.uk.
Asterisk tweet: Liam Gallagher found a typically eff-usive way on Wednesday to express his delight at the thumbs-up for Leeds Festival in August
Game-changing festival announcement of the year so far: Leeds Festival, Bramham Park, near Wetherby, to go ahead
LEEDS Festival, Yorkshire’s biggest outdoor musical gathering of the year, is ON. Organiser Melvin Benn, managing director of Festival Reepublic, confirmed the decision yesterday (24/2/2021) in the wake of the Government’s Monday statement on the four-step route out of Covid lockdown strictures.
Already confirmed as headliners are Stormzy, Catfish And The Bottlemen, Post Malone, Disclosure, Liam Gallagher and Queens Of The Stone Age in a new initiative for the August 27 to 29 event that sees the long-running festival introducing a second main stage to enable two bill-toppers per day.
Aljaž Škorjanec and Janette Manrara: New date for Remembering The Oscars dance show at York Barbican. Picture: Colin Thomas
Dance delay: Aljaž Škorjanec and Janette Manrara: Remembering The Oscars, York Barbican, put back to April 2022
STRICTLY Come Dancing regulars Aljaž Škorjanec and Janette Manraraare moving their Remembering The Oscars show at York Barbican for a second time. The persistent pandemic has enforced a switch to April 7 2022 for the only Yorkshire performance of next year’s tour, after an earlier change from Spring 2020 to March 2021. Tickets are still valid.
In the meantime, Aljaž and Janette will star in a streamed one-hour performance of Remembering The Oscars for a limited three-week season from March 27 to April 17. To book, go to: rememberingtheoscars.com.
Just Steve, A Guitar And You: the tour poster for Seasick Steve’s York Barbican return in the autumn
York gig announcement of the week: Seasick Steve, York Barbican, November 11
CALIFORNIAN country blues singer-songwriter Seasick Steve will return to York Barbican on November 11 on his Just Steve, A Guitar And You Tour.
Tickets go on sale tomorrow (26/2/2021) from 9am at yorkbarbican.co.uk for the only Yorkshire gig of the American’s nine-date autumn solo tour in support of his second album of 2020, last November’s Blues In Mono.
“I’m lookin’ forward to coming and playing for y’all,” says Seasick Steve, 69. “Just gonna be me, you and my guitar. A few songs and a few stories, kinda like we just hangin’ out together! Gonna be fun. See ya there.”
Jesse Malin: Pocklington Arts Centre gig in December
East Yorkshire gig announcement of the week: Jesse Malin, Pocklington Arts Centre, December 7
POCKLINGTON Arts Centre has secured a new date for New York City singer-songwriter Jesse Malin. He will play on December 7 2021, fully 18 months after he was originally booked to perform there in June 2020 as part of PAC’s 20th anniversary programme.
Malin, 53, released his seventh studio album, Sunset Kids, in 2019, produced by Lucinda Williams, American roots icon, country music queen and 2016 Platform Festival headliner at the Old Station, Pocklington.
Grayson Perry: Channel 4 return, York Barbican show and York Art Gallery exhibition at CoCA
And what about?
THE return of Grayson’s Art Club for a second series on Channel 4 on Fridays after Grayson Perry’s championing of people’s art was such a spirit-lifting boost to home creativity in the early days of Lockdown 1 last spring.
Perry, by the way, is booked into York Barbican for September 6 on his A Show For Normal People tour and his delayed early pottery exhibition, The Pre-Therapy Years, should open at the Centre of Ceramic Art (CoCA), York Art Gallery, on May 28, if Step 3 re-opening comes into effect from May 17, as planned.
Funny business: Paddy Young will be giving tips on standing up to the challenge of being a comedian. Picture: Lucas Smith
DO you fancy learning how to be funny in Scarborough?
An online course in stand-up comedy will start next month, run on Zoom by the Stephen Joseph Theatre, along with a course on performance poetry.
Both will last five weeks, coordinated by former members of the SJT’s youth theatre group, Rounders.
Led by Paddy Young, Stand-up Comedy for Beginners will take place from 7pm to 8pm each Monday from March 8 to April 5.
Led by Nadia Emam, the Performance Poetry for Beginners sessions will be held on Tuesdays, on March 9, 16 and 30, then April 6 and 13, from 7pm to 8pm.
Paddy Young is a professional comedian and actor who joined the SJT’s Rounders when he was eight and remained there until heading off to drama school. Since then, he has worked in theatre and television, as well as taking two stand-up shows to the Edinburgh Fringe.
“These workshops will provide a crash course into the mad world of stand-up comedy: performing, writing, how to trick yourself into writing and finding your voice,” says Paddy.
“We’ll look at and discuss some of the best stand-ups in the world while developing your act together. Oh, and we’ll be having a laugh too. By the last session, you will have five minutes of killer material ready to take to the clubs – once they open again!”
“Come along with a pen, a brew and your most delicious words,” says Nadia Emam, inviting participants in her online performance poetry workshops. Picture: Michalina Kubiak
Nadia Emam was a member of Rounders before training at Manchester School of Theatre. She now works as an actor, poet and director based in Sheffield, where she is a supported artist at The Crucible.
Nadia was awarded a placement with the SJT by the Regional Theatre Young Director Scheme, enabling her to curate a sell-out poetry evening celebrating female poets, as well as to deliver poetry workshops for the summer school.
Her debut poetry film won the WEX Short Film Competition and was selected for the BFI’s Northern Exposure Short Film Programme.
“This online workshop will give you a crash-course introduction to writing and performing your own poetry,” Nadia says. “It will be a fun and safe space to explore writing techniques to generate new material and eventually give you the tools to perform your own short piece of poetry.
“We’ll look at various types of performance and guide you to feel comfortable enough to develop your own voice and style.
“If you’ve dabbled in verse, yet keep your writing a secret and want to move into sharing it, or haven’t glanced at a page of poetry since your school days, but fancy exploring it in a new way, this course is for you. Come along with a pen, a brew and your most delicious words. Anybody can be a poet, don’t you know it!”
Places on both courses are £35 each, to cover five hour-long online workshops. To book, go to: sjt.uk.com/whatson.
Hands up who wants the Parking Lot Social drive-in festival to find new dates after the Easter shows at York Racecourse had to be postponed under Covid strictures
PARKING Lot Social’s drive-in Easter Festival will not roll into York for two days of socially distanced outdoor entertainment on March 31 and April 1 after all.
Instead, in light of the Government’s four-step route out of pandemic lockdown still precluding outdoor performances on those dates, event organisers XL Event Lab are seeking to rearrange their UK-wide tour, including the York Racecourse shows on Knavesmire.
In an official statement today, chief operating officer John Kinnersley said: “Following yesterday’s lockdown announcement from the UK Government, we are working to reschedule the event and will make an announcement as soon as we have confirmed details with our various suppliers and partners.
“We have successfully adapted to changes in guidance for previous tours, and conversations are already underway to secure new dates which we expect to announce shortly.”
The 2021 Parking Lot Social Easter drive-in was set to feature comedy, drag acts, films, pantomime and the new addition of Harry Potter And The Prisoner Of Azbakan, complete with costume competition and wizard-themed quiz.
The Easter Panto would have built on the debut Parking Lot Social drive-in Cinderella show last Christmas, giving a seasonal makeover to The Wizard Of Oz, with cast members putting on a special performance tailored uniquely to the drive-in format.
Central to the tour show, as and when it does go ahead, will be the stars of RuPaul’s Drag Race UK, entertaining adults with “iconic performances” by season one alumni Baga Chipz, Divina De Campo, Vinegar Strokes and Gothy Kendoll, alongside season two queens Ginny Lemon, Ellie Diamond and Tayce.
A host of drive-in movies for all ages are integral to the show, as is the Social Kids event, where families can safely enjoy an interactive showcase with an afternoon of quizzes, Car-a-oke, games and even a silent disco.
More entertainment from the Parking Lot Social …as and when the York Racecourse shows are rescheduled
For drive-in laughs, the Parking Lot Social presents the Parking LOL Comedy Night with some of the UK’s finest comedians.
Kinnersley says: “Our debut summer and winter tours were a huge success last year, and we’re keen to keep up momentum and continue to deliver first-class events which are not only enjoyable, but also completely Covid-19 friendly.
“Every detail of our drive-in tour – from entering the site to parking up and ordering food – has been designed with customer and staff safety front of mind, with ticket holders able to enjoy the experience with complete piece of mind.”
Whenever the York Racecourse shows take place, once rearranged, attendees will be entertained in their cars from a vast custom-made stage, the entertainment being broadcast across two 40ft screens. Audio will be transmitted from the stage directly to each vehicle through a dedicated FM radio channel.
Safety is at the heart of the event, say the organisers: “Audiences take part in the immersive, interactive shows from their own cars. It’s a completely contactless event ensuring a safe and socially distant experience.”
The Parking Lot Social Easter Festival was to have played York, Liverpool, Birmingham, Coventry, Manchester, Cheltenham, Bristol, Newcastle and Luton.
For updates on new dates and ticket arrangements, go to theparkinglotsocial.co.uk.
What is the Parking Lot Social?
THIS touring entertainment concept blends live music, films, DJs, interactive games, quizzes and comedy into a thrilling day/night out. While guests are required to remain in their car, the focus is on mass participation at all times to bring the audience together, but always keeping everyone a safe distance apart. Take a look at this video: https://vimeo.com/510627930
Emergence Festival: A celebration of emerging talent, presented on Zoom from the University of York
EMERGENCE Festival, a free virtual arts festival showcasing emerging artists creating work in York in the pandemic, will run online from tomorrow (23/2/2021) until Saturday.
Co-ordinated by co-producers Olivia Maltby, Millie Feary and Blyth McPherson at the University of York, the festival on Zoom will feature six plays directed, designed and performed by students: NSFW by Lucy Kirkwood; Mike Bartlett’s Wild by Mike Bartlett; Ross & Rachel by James Fritz; Gary Owen’s killology; Wild Swimming by Marek Horn and Jez Butterworth’s The River.
Solo music by Yorkshire artists James Banks and Rumbi Tauro will book-end the festival, Doncaster pop singer Banks performing new original music and covers on the opening day; Intake R&B/soul artist Tauroplaying a live set at the online closing party.
James Banks: Doncaster musician to play online at Emergence Festival
Doncaster instructor Claire Burns will lead a Hatha yoga class, Sunshine Yoga, and the University of York Comedy Society’s sketch troupe, The Dead Ducks, will perform a sketch first aired at the 2019 Edinburgh Fringe.
Panels and talks with industry professionals, such as Sorcha McCaffrey, The Paper Birds, Rocket Box Theatre, JustOut Theatre and Chris Swain, will offer the chance to discuss how to survive as an artist in a pandemic and how to break into the industry.
These will take place in the form of live Q&As or webinars, where the artists will be to answer any and every questions.
“Celebrating the work of new and upcoming artists in the performing arts industry has never been so important,” says Olivia, introducing a virtual festival where everything will be free to attend from the comfort of home.
The River: Jez Butterworth’s play set on a moonless night in August
“With the effects of the pandemic on the arts sector, anyone in the industry has faced disruption and is challenged with fears of the future. Our festival provides a positively exciting space for emerging artists to showcase their talent far and wide and to remind us of how important art and culture is.”
Originally, Emergence Festival was intended to take place at University of York’s theatre department, but in response to Lockdown 3, the students had to adapt to what was possible, embracing the opportunity to present their work on Zoom.
After overcoming the initial fear of poor wi-fi and glitching, the artists have thrived in their new environment in their rehearsals, culminating in this week’s live performances online.
Sam Armstrong: Director of Ross & Rachel
The full schedule is:
Tuesday, February 23
5.15pm to 5.30pm: Welcome speech.
5.30pm to 6.20pm: Wild Swimming by Marek Horn.
A kaleidoscopic exploration of cultural progress, Marek Horn’s play Wild Swimming is an interrogation of gender and privilege and a wilfully ignorant history of English Literature.
Wild Swimming: Marek Horn’s kaleidoscopic exploration of cultural progress
6.20pm to 6.55pm: James Banks.
Doncaster singer James Banks’s songs are a fusion of pop anthems and the vocal stylings of Sam Smith, Will Heard and Conan Grey. His set will combine originals and covers.
7pm to 8.20pm: NSFW by Lucy Kirkwood.
This sharp comedy addresses power games and privacy in the media and beyond.
Wednesday, February 24.
4pm to 5pm: Q&A with Sorcha McCaffrey.
In this interactive Q&A session, writer and actor Sorcha McCaffrey will take questions from the audience about her career in the theatre industry, writing a solo show and performing as a touring artist.
Sorcha McCaffrey: Live Q&A at Emergence Festival on Wednesday
5pm to 6.20pm: killology by Gary Owen.
In a play where a controversial new gaming experience is inspiring a generation, players are rewarded for torturing victims, scoring points for “creativity”.
7pm to 8.40pm: Wild by Mike Bartlett.
This darkly comic play explores the unexpected, bewildering and life-changing consequences of challenging the status quo at a global level.
Thursday, February 25
4pm to 5pm: In Conversation with The Paper Birds.
The Paper Birds, a devising theatre company with a social and political agenda, specialise in verbatim theatre, inspiring change through the theatre they create. In this session, they will discuss their experience of breaking into the theatre industry, devising theatre inspired by the community around them and their projects in lockdown.
Ross & Rachel: James Fritz’s dark and uncompromising play about romance, expectation and mortality
5pm to 6.15pm: Ross & Rachel by James Fritz.
A dark and uncompromising play about romance, expectation and mortality, Ross & Rachel tells the story of what happens when two friends who were always meant to be together, get together and stay together.
7pm to 8.15pm: The River by Jez Butterworth.
On a moonless night in August when the sea trout are ready to run, a man brings his new girlfriend to the remote family cabin where he has come for the fly-fishing since he was a boy. She is not the only woman he has brought there, however, nor indeed the last.
Friday, February 26
4pm to 5pm: In Conversation with Chris Swain.
Chris Swain, lighting designer for devising physical theatre company Gecko, will answer questions on life as a technical freelancer working in theatre and dance: how to start; how theatre design jobs are structured; the difference between devised and text-led work; how to be an effective collaborator; the tech and software that are used, and the future of the industry.
Zooming in: Maria Cook and Bradley Hodgson in rehearsal for The River
5pm to 6.40pm: Wild by Mike Bartlett.
6.40pm to 7pm: Comedy Sketch by The Dead Ducks.
The University of York Comedy Society sketch troupe The Dead Ducks will stream a humorous performance during the interval.
7pm to 8.20pm: NSFW by Lucy Kirkwood.
Saturday, February 27
10am to 11am: Sunshine Yoga with Claire Burns.
Claire Burns hosts a live yoga session of sun salutations with gentle, energising, breath-led flows, guided meditation and deep relaxation.
In concert: Rumbi Tauro to perform closing online show at Emergence Festival
11am to 12 noon: Rocket Box X JustOut Theatre.
Theatre companies Rocket Box and JustOut Theatre invite questions about their insight into life post-graduation and taking first steps into the theatre industry. Mistakes were made, lessons were learnt, so, sit down, open notebooks and let the demystifying revelations begin.
12 noon to 1.15pm, The River by Jez Butterworth.
2.40pm to 4pm: killology by Gary Owen.
4.05pm to 4.55pm: Wild Swimming by Marek Horn.
5.30pm to 6.50pm: Ross & Rachel by James Fritz.
7pm onwards: Closing party with Rumbi Tauro.
Zimbabwean-born soul and R&B singer-songwriter Rumbi Tauro, from Intake, Doncaster, will close the festival with a set of originals and covers to celebrate the work of Emergence’s emerging artists.
Talking tartan: Helen Wilson performing at York Shakespeare Project’s socially distanced Sit-down Sonnets in the churchyard at Holy Trinity Church, Goodramgate, York, last September
YORK Shakespeare Project is issuing a call-out for a director for this year’s outdoor sonnet performances.
“We would like to hear from people interested in directing Sonnet Walks/Sit-down Sonnets 2021, our annual open-air production incorporating selections from Shakespeare’s sonnets in a devised framework,” says YSP’s Tony Froud.
Masked up: The poster for last September’s graveyard smash, Sit-down Sonnets
“Last September, our Sit-down Sonnets, staged by director Mick Taylor at a socially distanced Holy Trinity Church, Goodramgate, were welcomed by performers and audiences alike. Now, in these continuing uncertain times, we would like to mount a new production of the sonnets.”
When and where that can happen remains to be seen, says Tony. “No dates have been set but we expect this to be later in the summer, and we want to appoint someone with a strong idea for this year’s production so that we can begin work on making it happen.”
The director’s role is not a professional appointment. If you are interested, please contact Tony Froud at yorkshakespeareproject@gmail.com to receive more details.
Picture this: Mick Liversidge performing at York Shakespeare Project’s Sit-down Sonnets in 2020
Strictly between us: Aljaž Škorjanec and Janette Manrara and a model of an Oscar
STRICTLY Come Dancing regulars Aljaž Škorjanec and Janette Manrara are moving their Remembering The Oscars show at York Barbican for a second time.
The persistent pandemic has enforced a switch to April 7 2022, for the only Yorkshire performance of next year’s tour, after an earlier change from Spring 2020 to March 2021.
“Due to the continuing uncertainty regarding the unlocking of mass gatherings for events in the entertainment sector, it has been decided to reschedule the tour to Spring 2022,” the official statement reads, after the 41-date tour was postponed again, this time rescheduled for March 19 to May 7 2022.
All tickets will remain valid for the new dates. As announced earlier, the tour’s producers and Aljaž and Janette will be making ten free VIP tickets available to NHS staff at every venue as a way of showing their gratitude to front-line workers, with a meet & greet with the two dancers as part of the package. Information on how to claim these tickets will be announced “as soon as normal services resume”.
In Remembering The Oscars, husband and wife Aljaž and Janette will give the red-carpet treatment to Oscar-winning songs, dances, movies and stars.
Slovenian-born dancer and choreographer Aljaž, 31, says: “We’re devastated to have to postpone for a second time what we truly believe is our best show to date. However, everybody’s health and safety comes first, so we know it’s absolutely the right decision to make.
“Equally, we’re thrilled audiences across the UK will still get to see our amazing show next year, by which point we all hope the pandemic will finally be behind us.”
Miami-born Cuban-American dancer and choreographer Janette, 37, adds: “Like all performers, we’re very much looking forward to the moment when we can all get back on the stage and put on a real show for everyone.
The poster for Aljaž and Janette’s rearranged Remembering The Oscars tour in 2022
“It will be a memorable and emotional moment for both the cast and audience that’ll be worth waiting for. In the meantime, stay safe everybody.”
Tickets remain valid for the new York Barbican date, but ticket holders unable to attend the April 7 2022 show should contact yorkbarbican.co.uk for refund details.
Meanwhile, in the wake of the latest tour postponement, Aljaž and Janette are to star in a streamed performance of the still-to-be-debuted Remembering The Oscars for a limited three-week season starting on March 27.
In this one-hour special, Aljaž & Janette will celebrate the greatest award-winning songs, films and dance routines from the Golden Ages of Hollywood through to Disney family favourites and beyond.
The Strictly duo will be joined by a cast of singers and dancers on a specially constructed stage, backed by a large LED screen that will show brand-new filmed content, as they dance their way through bespoke and original and musical arrangements of more than 25 songs.
Among the films in the spotlight will be Dirty Dancing, Mary Poppins, Flashdance, Cabaret, The Wizard Of Oz, An American In Paris, The Lion King, La La Land, Toy Story, Singin’ In The Rain, Frozen, A Chorus Line, William Shakespeare’s Romeo + Juliet and Scent Of A Woman, among others.
The performance will be intercut with commentaries from Aljaž and Janette, complemented by backstage behind-the-scenes content; their personal account of how the show and its routines were created; why they picked certain songs; how they devised each of the show’s sections and the influences behind their performances.
Shot using ten high-definition cameras, the pay-per-view event will premiere on Saturday, March 27 at 7.30pm and can be watched on demand via Smart TVs, computers, tablets and phones until April 17.
Up stream: Aljaž and Janette announce “the streaming event of the year!”
All tickets come with a free digital 32-page programme, packed with exclusive photos, interviews, Oscar trivia and much more. Options to upgrade include an after-show pass to an In Conversation with Aljaž and Janette and an exclusive 30-minute behind-the-scenes film, featuring additional footage with access to the dressing rooms, rehearsals and backstage.
Aljaž and Janette say: “We feel awful having to postpone our Remembering The Oscars tour for a second time due to the pandemic, but we’re delighted to have been given the opportunity to film some of the highlights from the show.
“Hopefully this will give our audience and fans a taster of what is to come next year. We love and miss you and hope you enjoy the show.”
Many of the postponed tour’s venues, such as Birmingham Symphony Hall, Newcastle Theatre Royal and Northampton’s Derngate Theatre, have come together to help to promote the stream.
The show’s co-producers, Steven Howard for The TCB Group and David Shepherd, have commented jointly: “The support we have from our friends in the regions is invaluable. While venues remain closed, they are working with us to promote this very special streamed performance of Remembering The Oscars to their respective audiences.
“We all know how important local venues are to the cultural fabric of the UK, so we hope this goes someway to supplement the public’s craving for live performance.”
Aljaž and Janette answer all your questions and talk about the show, their dreams and aspirations for the future. In Conversation is a revealing insight into their Remembering The Oscars journey and the inspirations behind their choice of songs and dance routines. They will be joined by “some very special guests”.
Behind The Scenes with Aljaž and Janette: £5
Exclusive 30-minute film featuring additional footage with access to the dressing rooms, rehearsals and backstage of Remembering The Oscars.
