No York Open Studios in April, but all that art still needs a new home, so look here…DAY FIVE

A cyclone of cyclists rushing by in Tim Pearce’s painting

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Tim Pearce with one of his sculptural ceramics

Tim Pearce, mixed media

AFTER a fulfilling career in art education in South Yorkshire schools, Tim latterly has expanded his own creativity to include ceramics as well as painting, all supported by academic degrees in the history of art and the visual arts at MA level.

His paintings and sculptural ceramics are both informed by a Cubist sensitivity to form, colour and rhythm, displayed in studio, house and garden.

Since moving to York eight years ago he has held four solo shows, in addition to exhibiting regularly across Yorkshire with Leeds Fine Artists. Head to for more info.

Fuselage, by Linda Harvey

Linda Harvey, textiles

INSPIRED by frequent trips to the Yorkshire Air Museum, at Halifax Way, Elvington, York, Linda’s latest work explores rustic textures and pattern in framed textile art pieces, wall hangings and handmade cards.

Linda Harvey: Gaining inspiration from days out at the Yorkshire Air Museum

Linda, who studied textiles and surface design, graduating in 1994, often will work on several pieces at a time and enjoys an expressive and experimental way of working. She layers, rust-dyes, prints and distresses her fabrics and adds embellishments to create abstract one-off pieces.

Linda has taught textiles for more than 20 years and is a member of York Textile Artists. Contact her at or via

Furniture maker John Watts in his workshop

John Watts, furniture

JOHN has been designing and making contemporary furniture since 1996 for both private and corporate clients.

Working from a 3,000 sq.ft workshop on the outskirts of York, he uses a wide range of materials, predominately sustainably forested hardwoods from both England and abroad, while often incorporating glass, metals and resins too.

Garden furniture by John Watts

Undertaking domestic and commercial projects, he hand-builds pieces of furniture of longevity and value. “My main aim is to create interesting, individual and well-crafted furniture that satisfies customer requirements,” says John, who has a bespoke service available.

“My design influences are many, having a history in antiques, fashion design and design education,” he adds. To knock on wood, head to

“Design should be fun,” reckons furniture maker Wilf Williams

Wilf Williams, furniture

DESIGN should be fun , interesting, practical and beautiful, says York furniture maker and designer Wilf Williams.

Bristol-born Wilf studied furniture design after moving to York in 1996, since when he has produced hand-made furniture inspired by traditional cabinet making, Scandinavian furniture, contemporary clean lines, modernist architecture and minimalist sculpture and art.

Walnut sideboard, by Wilf Williams

Wilf has worked on all manner of commissions, designing and crafting distinctive, bespoke free-standing and fitted furniture, using a diverse range of materials, predominantly sustainable forested hardwoods. Visit his website at

Galilee No 3937, collage, by Jerry Scott

Jerry Scott, collage

JERRY constructs small and medium-sized abstract collages from printed paper originated by the artist, then pasted on to cartridge paper, using conservation-grade wheat starch paste. Sometimes, he applies hand-colouring too.

“I started making collages about five years ago, in parallel with painting,” he says. “I’ve always been interested in surface pattern and all sorts of decoration. With the freedom and sophistication of modern digital technology, it is now possible to produce single sheets of high quality, crisp and colour-rich printed papers.” Cue collages.

Collage artist Jerry Scott

Jerry moved to York 33 years ago. Earlier he had studied theology briefly at Cambridge University, then fine art at Norwich School of Art and St Martin’s School of Art, London, where he lived and worked before heading north.

He has a variety of abstract prints for sale too. View his work at

TOMORROW: Claire Cooper; Zoe Catherine Kendal; Cathy Denford; Hacer Ozturk and Chrissie Dell.