THE first ever in-the-round production of Michael Frayn’s farce Noises Off opens at Scarborough’s Stephen Joseph Theatre on Saturday, fully 43 years since its Lyric Theatre, London premiere.
“I’ve wanted to direct this play for years,” says SJT artistic director Paul Robinson. “The assumption was that doing it this way was impossible. When I told Michael about our plans, his response was an amused ‘good luck’.” The director has since printed off Frayn’s message to hang on a rehearsal room wall.
“Our designer, Kevin Jenkins, and I have spent months meticulously planning and he has come up with an ingenious set, which has really been worth the wait.”
A precursor to Mischief Theatre’s canon of theatrical catastrophes kick-started by The Play That Goes Wrong, Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On.
“One of the greatest British comedies ever written, Noises Off is a hilarious and heartfelt tribute to the world of theatre but also about how futile it is to try to impose our ideas on the world around us, as things will always go wrong,” says Paul. “It’s how you respond to them when they do!”
Alex Phelps in the role of the Ringmaster in Tilted Wig and York Theatre Royal’s production of Around The World In 80 Days in 2023
Among Robinson’s cast that includes Alan Ayckbourn stalwart Christopher Godwin, northern theatre luminary Andy Cryer and Brookside, Coronation Street and Doctor Who alumna Susan Twist will be Alex Phelps, a dapper chap whose adroit, graceful comedic theatre skills will be familiar to York audiences.
After the dandy buffoonery of his Sir Andrew Aguecheek in Joyce Branagh’s Jazz Age take on Twelfth Night for Shakespeare’s Rose Theatre at the Eye of York in Summer 2019, he appeared in the dual roles of Ringmaster and unscrupulous globe-trotting Phileas Fog in Tilted Wig’s touring collaboration with York Theatre Royal in the circus-themed Around The World In 80 Days in February 2023.
Next came the “selfish, hypocritical, vain, manipulative, deceptively charming” Joseph Surface in Tilted Wig’s account of Sheridan’s Georgian comedy of manners The School For Scandal at the Theatre Royal in April 2024.
From Saturday, in Noises Off, he will be playing Garry Lejeune, whose character profile on Wikipedia describes him as: “The play’s leading man, a solid actor who is completely incapable of finishing a sentence unless it is dialogue. Constantly stutters and ends sentences with ‘you know’. Dating Dotty and prone to jealousy.”
“He’s the young one, as his name suggests, which is very telling,” says Alex. “Michael Frayn’s biography for him says Gary has ‘not done much theatre’. He’s one of those actors we might all recognise from theatre companies, who feels the need to speak up for the company without thinking about what he’s going to say .
Alex Phelps’s Joseph Surface in Tilted Wig’s The School For Scandal, on tour at York Theatre Royal in 2024
“He feels things very deeply but through his great inarticulacy he lacks the capacity to express that feeling. He doesn’t know how to make his point…but you will still be able to work it out!”
Alex is delighted to be part of a cast taking on the challenge of staging Noises Off in the round, where actors have to perform to an audience seated all around them. “We’re going for it! We really are. We’ve got a lot of pride in the SJT deciding to do it.
“Given the history of the SJT, and Alan Ayckbourn’s plays here, it’s all about connecting with the audience. For this production, Paul and Kevin have been thinking about it and working on it for ages, going back and forth with Michael Frayn. If we come a cropper in rehearsals, we’ll contact Michael for advice.”
Across three acts, Noises Off charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage, and the calamitous final performance.
“It’s a masterpiece,” says Alex. “The beauty of the writing: it’s so well observed; what actors are like; what it’s like in the rehearsal room and backstage at a performance and on a long tour.”
And now, not only must Robinson’s actors present the play within the play, but the set design has to accommodate showing the stage from backstage before staging the disastrous final show.
“The stage has to be back to front but inside out too,” says Alex. “So if you have to think about it, it’s madness to get your head around!”
There will, of course, be a profusion of doors. “Doors and farce are synonymous with each other because the rhythm of the banging of doors is so important to farce,” says Alex. “The more we do it, the more I think it’s like a musical, with the rhythm building to what I hope is laughter, and then it all takes flight.
“Michael Blakemore [director of the 1982 premiere], in his introduction, has said how some of the best performances of Noises Off are the first ones, where the pressures are so high to get it right, but the actors don’t know what will happen, so there’ll be that sense of danger.”
Can’t wait!
Noises Off runs amok at Stephen Joseph Theatre, Scarborough, from August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.