York photographer Ben Porter opens up book of childhood memories and aspirations in Kids Just Wanna Fly

York author Ben Porter with a copy of his latest book, Kids Just Wanna Fly, pictured at York Theatre Royal

YORK author, poet, photographer, filmmaker, publisher and York Creatives founder Ben Porter charts the growing pains and gains of life between age ten and 20 in his new photobook.

Published by his own independent publishing house, Overt Books, Kids Just Wanna Fly takes “a leap into the unknown, captured on disposable cameras, Polaroids, cheap point & shoots and early iPhones”.

“It’s a tale youthful ambition, aspiration and the quest to craft an identity through the tumultuous years of young adulthood,” says Ben. “Unfolding mostly between 2003 and 2013, it’s a raw portrait of youth in the pre-Smartphone era and life growing up in post-industrial northern England.

“The book asks you to consider how much of your ten-year-old self was left in you at 20? How the youthful energy of your teen years shaped the person you became, perhaps in spite of where society tried to direct it.

“It challenges you to think about the value of first-time experiences, of hazy memories that blend fact with fiction, and the advice you ultimately decide to pass on to the next generation.”

Launched at Patch@Bonding Warehouse as part of the Aesthetica Fringe at the 2025 Aesthetica Short Film Festival, Kids Just Wanna Fly complements 73 of Porter’s youthful photographs with “heartfelt” short stories and poems by eight contributing authors.

Seven hail from York: Kitty Greenbrown’s Stand And Face The Wind; Kathryn Tann’s The Sky Inside A Puddle; Atlas Rook’s Four Seconds; Luke Downing’s Snapshots; Bram Jarman’s Stood On Your Own Two Feet; Angel Jones’s Concerto and Jay Ventress’s Canvases, joined by Sheffield writer Oliver Manning’s When I Grow Up.

“Instead of doing the writing myself this time, I wanted to broaden it out to other people’s experiences, to go with my ‘roughly chronological’ photos (more in terms of telling the story, rather than when they were taken,” says Ben.  

“Giving them a very loose brief to reflect on how much of their ten-year-old self was still there when they were 20, I gave them an image of set of images to respond to. Their contributions have beautifully brought to life the many emotions of young adulthood.”

Thanking everyone featured in his photographs for “contributing towards making my journey through life an utter thrill”, he says:  “I took the images on disposable cameras, cheap consumer digitals and first-generation iPhones, before modern camera technology matured. Intimate and imperfect, they embody the raw possibility of a time when everything felt wide open.

Out of the blue: here comes Ben Porter’s book, Kids Just Wanna Fly

“Every picture was carefully selected because it represents an important part of the story – one of a child developing into adulthood, doing their best to navigate their own path in the face of so many conflicting directions,” he says.

Ben’s preface could not better express the vision and mission of a book “charged with youthful movement, capturing the exuberance, confusion and hopefulness of adolescence”. “We are reincarnated many times throughout our teenage years,” he writes. “We try on personas like outfits, switching between social circles that each have different cultures and expectations.

“We have no idea what the world wants from us, nor what we can reasonably offer. Our hopes of who we want to become hang delicately, forever at risk of being crushed before we grow the confidence to stand by them.

“We receive conflicting advice from elders, who we begin to realise have just as many questions as we do, and no convincing answers. All we can do is jump, and hope we fly, for a little while.”

Kids Just Wanna Fly follows Porter’s earlier photobook, Wanderings & Wonderings, his November 2024 exploration of the relationship between humans and nature that was marked by a meditative stillness that contrasts with the new book’s youthful exuberance.

“I’ve been a photographer all my life, but with no exhibitions at that point, but I really enjoyed doing that book, where I picked photos from a folder called ‘Nature, containing 300-400 from over 100,000 pictures I’d taken, spread 200 on the floor, then came up with the theme of our interaction with nature,” says Ben, whose book combined images with his poetic ‘reflections and provocations”.

Wanderings & Wonderings’ release was accompanied by his debut exhibition at Angel on the Green, in Bishopthorpe Road, where Ben’s photos were on show from November 2024 to March 2025.

“When I thought, ‘what should I do next?’, I went through my hard drives, going back to 2003, and just grabbed stuff off there, anything that caught my interest or images that I didn’t think I could capture again, with a theme of memory.

“Looking back, I was pushing boundaries as a child in Sheffield, annoying my parents, trying to see what I could get away with, like spending our time climbing old industrial Sheffield buildings..

“We always took pictures on family holidays, and I really got the bug for photography when watching skateboarding videos. I’d go skateboarding, take the camera with me, do bad videos and then rather better photographs – and those images are now more interesting than they were back then.”

Two photographs from Ben Porter’s stock of images from 2003 to 2013 for Kids Just Wanna Fly

Explaining the choice of book title, Ben says: “The flight image kept coming up. I thought, ‘why was that’, but then I looked back at how you know what you want to be at ten, but at 20, we’re not so sure, when others might have influenced you. It’s about aspiration. At ten you want to project into the future, and it doesn’t come into your head that you might not succeed.

“It’s that lack of fear, and Kids Just Wanna Fly is such a wonderful metaphor for kids to  keep on trying…until parents or teachers convince them not to do so.” How apt that Ben should sign his book for CharlesHutchPress with the message: “It’s never too late to keep trying to fly.”

Ben grew up as the eldest of five brothers, sons of the Right Reverent Matthew Porter. “Our father was the vicar of a small parish church and he was the reason we moved to York from Sheffield in 2008 when he took over as vicar of St Michael le Belfrey,” says Ben. “He’s now the Bishop of Bolton, one of three Bishops for Manchester, looking after Bolton and Salford.

“My dad was working a lot, and my mum had her hands full looking after the children. I remember being frustrated that my parents wouldn’t let me go further than ten minutes from the house until secondary school at Birkdale. That required two bus rides, which took an hour, or 90 minutes to walk, and if it wasn’t raining, I would walk back home.

“From the age of 12-13, I thought of myself as adult, as the leader, with my youngest brother, David, being 11 years younger than me. I’d find that we would sit around not making decisions unless I did, so often I’d make a decision without adults around, but at that age you don’t know what the best option is, so often you make terrible decisions and someone gets hurt.”

Ben’s folder of photographic images from his passage through teenage days was once called “Rebelliousness”. “That was the underlying theme, and the first title I came up with for the book was ‘Once We Were Beautiful’, but some people said that sounded too sad, and it didn’t quite capture what I wanted to get across, whereas Kids Just Wanna Fly does,” says Ben.

“The beauty of being young is trying to do something you might not able to do, and what we do as photographers is pick the ones that resonate the most. They tend to be the ones that are photogenic, which is also why I changed the title as I didn’t want it to be shallow.”

Kids Just Wanna Fly, by Ben Porter, is published by Overt Books at £22 in hardback, £14 in paperback, available from overtbooks.com.

More photographs from Ben Porter’s Kids Just Wanna Fly

Ben Porter on York Creatives

“THE precursor was Plastic Fortune, which we started in 2014 to showcase creativity and alternative culture in York,” says Ben. “In 2016 I renamed it as York Creatives and became managing director and chair. My vision was to assemble 50 people but it grew to 300 – it was at the time when the Arts Barge was being slagged of as a ‘vanity project’.

“People had said, ‘where do you get funding for York Creatives?’, when there was already York Professionals for professionals in the city, but I just thought, ‘I’ll start York Creatives anyway’.”

Founder Ben has stepped back, now that he has a six-month-old son, Jacob. “I can still be involved in the strategy of the group, but now Sarah Williams in the managing director and John Rose-Adams is the chair, ” he says.

York Creatives is a free-to-join network that provides an online forum for arts conversations and sends out a monthly newsletter of upcoming arts events to 3,500 people, with details of upcoming opportunities.

In-person events include Creative Drinks on the first Friday of each month at Patch@Bonding Warehouse (having been held previously at Spark:York, with the capacity now doubling from 50 to 100).

Pop-up events for different arts sectors are held too. Board members cover the fields of art, design, poetry, performance, film, gaming, photography, creative writing and literature. “They’re all encouraged to organise events for their sub-sectors,” says Ben.

The cover artwork for Benjamin Porter’s book, York’s Creative Spaces

“I see York Creatives as a hub for finding out what’s going on in the city, to sign-post other things that are going on and to link people new to the city with what’s happening.

“There’s also an option to become a York Creatives supporter for £2 a month, giving access to events, or otherwise entry to events costs £5. A Pro option costs £6.25 a month with a bunch of other benefits.”

Ben Porter on Overt Books

BEN Porter set up the independent York publishing house Overt Books to publish artist books.

“I founded it as the next step in the journey, to help local creatives put their ideas to the page in the form of beautiful yet affordable artist books,” he says.

Already Overt Books has released Ben’s first book, York’s Creative Spaces, a collection of photographs and interviews profiling the studios, workshops, galleries, creative offices and independent venues of York.

“This book documents the quirky, historic, repurposed spaces York’s creative community inhabits and creates work from,” says Ben.

York floral artist Lesley Birch, whose book Flower Power is published by Overt Books. Picture: Esme Mai Photography

Next came Ben’s Wanderings & Wonderings and, in 2025, York floral artist Lesley Birch’s Flower Power, whose release is accompanied by an exhibition at Pyramid Gallery, Stonegate, that will run until mid-January.

“In 2026, we’ll be looking to publish works by a small number of local artists, which we hope to build upon each year. If you’ve got an idea for an artist book that you would like to discuss, contact me via hi@overtbooks.com. If you want to turn your work into a picture publication, I’d love you to get in touch.”

Coming next will be Katie Lou McCabe’s book of analogue photography, A Darkroom Exploration Of Ancient Egypt And The Quantum Void. “It’s a mixture of reflections on how she got into analogue photography, and the things she thinks about when processing in her darkroom on the North York Moors,” says Ben.

“She has linked together an Ancient Egypt creation myth about light and the sun with developments in quantum physics, discovering that if you keep breaking particles down, inside there is light, so as a photographer it’s fascinating to her that everything is made up of light.”

Did you know?

BEN Porter manages co-working office space for businesses in six rooms in premises next to the Golden Fleece, in Pavement, York.

Did you know too?

IN 2013, Ben Porter formed the band Likely Lads. “We were like Arctic Monkeys meets The Libertines. That band folded in late-2014, and we became The Blue Dawns. Our last album came out three years ago,” he says.

In Focus: Introducing Constance Peel, Service Please, Aesthetica Fringe, Rise@Bluebird Bakery, Acomb, York, November 7, 8.30pm; Micklegate Social, York, November 9, 2pm and 8pm

Constance Peel: Writer, director, performer…and waitress, serving up Service Please at inaugural Aesthetica Fringe

CONSTANCE (Connie) Peel, York-born director, producer, writer and performer, will present her debut one-woman show Service Please as part of the inaugural Aesthetica Fringe.

“I’ve been working as an assistant director and performer in theatre professionally for the past two years, since graduating from the University of York,” says Connie, 24. “This show explores the reality of working in hospitality, including the harassment and sexism you can face as a young woman.”

Service Please is billed as “a relatable and comedic monologue that follows Lara, a creative writing graduate, who hopes to write the next best-selling fantasy romance novel. There’s only one thing standing in her way, her casual waitressing job that keeps the money coming in.”

“We’ve all been there, but Lara wasn’t ready for the stressful and chaotic reality of working in the service industry,” says Connie, introducing her monodrama. “Can Lara keep her sanity and get her big writing break or will she crumble under the pressure of understaffed shifts, creepy comments and customers who say their only food allergies are ‘women’?”

Constance Peel’s poster for this week’s performances of Service Please at Rise@Bluebird Bakery and Micklegate Social

Hospitality is the fastest-growing economic sector, worth £93 billion to the UK economy. “But it’s under severe pressure with more than 100,000 job losses predicted by the time of this month’s Budget, due to National Insurance rises (according to UK Hospitality),” says Connie.

“It’s evident working in the sector that to continue profits and keep up with the cost of living, food prices and discounts both need to increase while labour hours decrease. Being a server has never been more stressful and unpredictable and this experience (as other working-class experiences) is so often overlooked by theatre.” 

Sexual harassment is an epidemic in the hospitality industry too, says Connie. “As many as 47 per cent of workers having experienced it – and 69 per cent witnessed it in 2021 (Culture Shift).

“These statistics, though informative, mask the personal cost to the individuals harassed and abused. My play presents interpretations of my own personal experiences, including those with harassment, and they’re an unfortunate part of the job when working as a waitress.

“I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer arts jobs,” says Connie

“They shouldn’t be, and awareness of this experience even in Fringe-scale theatre is always beneficial to the cause.” 

Lastly, says Connie, Service Please tells the story of an artist with no clear way into her industry. “This is the most personally accurate part of my script. I wrote and performed the 50-minute monologue while producing and marketing it alone for its six-day debut run at the world-famous Edinburgh Fringe, where it won plaudits from critics and top reviews.

“Though this is hopeful for creatives, both in the execution of the play and my own story behind it, I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer arts jobs (directly impacting my career).

“It was important that I brought this show back to where my career started, in York where I graduated from the University of York and where I’ve been working for the past three years between York and Leeds. I hope this production and my story makes people see the importance of a small-scale play like this in today’s society.” 

For tickets, go to: ticketsource.co.uk.

More Things To Do in York and beyond the Halloween spooks and ghost train rides. Hutch’s List No. 48, from The York Press

Film critic Mark Kermode: Book talk and gig with his band Dodge Brothers at York Theatre Royal in the Beyond the Frame strand of Aesthetica Short Film Festival 2025. Picture: Julie Edwards Visuals

THE 15th Aesthetica Short Film Festival tops the bill in a week when Sir Gareth Southgate and David Walliams are keen to talk too,  as Charles Hutchinson highlights.

Festival of the week: Aesthetica Short Film Festival, all over York, November 5 to 9

NOT so much a film festival as a “screen and media event”, in its 15th year, York’s Aesthetica Short Film Festival is bigger and broader than ever. Not only more than 300 shorts, features, documentaries, animations and experimental films, but also the VR & Games Lab; masterclasses and panels; workshops and roundtables; networking and pitching; Listening Pitch premieres; the inaugural New Music Stage and Aesthetica Fringe shows; Beyond the Frame events at York Theatre Royal; the UNESCO City of Media Arts EXPO and the Podcasting strand. For the full programme and tickets, go to: asff.co.uk.

Joseph Egan’s club boss Fat Sam from the Team Bugsy cast for Pick Me Up Theatre’s Bugsy Malone

Young swells of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, until November 8, 7.30pm, except Sunday and Monday; 2.30pm, both Saturdays and Sunday

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of more than 40 young performers in Alan Parker and Paul Williams’s Jazz Age musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand Slam and Bugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

Mark Steel: Addressing the leopard in his house at York Theatre Royal tonight

“Leftie, working-class, BBC Radio 4 favourite” comedy gig of the week: Mark Steel: The Leopard In My House, York Theatre Royal, tonight, 7.30pm

COMEDIAN, nation-travelling radio presenter and writer Mark Steel has not so much an elephant in the room as The Leopard In My House. Under discussion is his battle with throat cancer, one that he is winning (thankfully) and that has spawned his new comedy tour show. Cancer, by the way, has done nothing to dull the edge of Steel’s trademark acute political and cultural observations.

“This show is the story of my year, of wonderful characters and often tricky but bafflingly positive experiences,” says Steel. “Doing the show doesn’t quite make me glad that it happened, but it definitely makes up for it quite a bit”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Magpies: Launching new EP at the NCEM

Folk gig of the week: The Magpies, National Centre for Early Music, York, tonight, 7.30pm

THE Magpies, the folk trio that hosts The Magpies Festival at Sutton House, near York, every summer, combine rich harmonies with fiddle-led fire and lyrical storytelling, wherein Bella Gaffney (banjo, vocals), Holly Brandon (fiddle, vocals) and Ellie Gowers (guitar, vocals) meld Anglo and American traditions.

Tonight’s intimate gig marks the launch of this autumn’s EP, The One Thing That I Know. Lead single Painted Pony is a stirring tribute to the St John and St Lawrence rivers of Canada: a song that flows with memory, movement and the quiet majesty of nature’s imprint. Box office for returns only: 01904 658338 or ncem.co.uk.

George Stagnell in the short film Bomb Happy, part of an Everwitch Theatre double bill

Theatre and film memorial of the week: Everwitch Theatre in Bomb Happy VE Day double bill, Milton Rooms, Malton, Sunday, 3pm

PRESENTED in the lead-up to Remembrance Sunday, whose focus this year falls on 80th anniversary of VE Day, Bomb Happy has been created by writer-performer Helena Fox and actor-vocalist Natasha Jones, of Everwitch Theatre.

From D-Day to VE Day, this powerful one-hour double bill of live performance (30 minutes) and short film (30 minutes) brings to life the verbatim accounts of two working-class Yorkshire Normandy veterans, highlighting the lifelong impact of post-traumatic stress disorder and sleep trauma, not only on war veterans but on their families too. Box office: 01653 696240 or themiltonrooms.com.

Leading light Mad Alice: Welcoming passengers to her Ghost Train on the North Yorkshire Moors Railway

Train ride of the week: Mad Alice’s Ghost Train, North Yorkshire Moors Railway, Pickering Station, Sunday, 6.15pm and 8pm

JOIN York ghost walk hostess Mad Alice as she takes a spine-tingling ghost-train ride through the haunted heart of the North York Moors from Pickering to Levisham and back again in an hour-long eerie adventure. “I’ll be joined by Jonny Holbek, from York Light Opera Company, and professional actor Joe Standerline to help me tell stories in the carriage,” says Mad Alice. “Plus a few extra ‘ghosts’, who are actually either NYMR volunteers or York Light members – and even my own niece!”

All on board to learn of the mysterious ghosts that still haunt the carriages and stations; hear of supernatural tales and folklore of the land, and enjoy a special retelling of Charles Dickens’s ghost story, The Signal Man, all while sipping Mini Mad Alice’s Bloody Orange Gin & Tonic from York Gin (age 18 upwards). Box office for waiting list only: nymr.co.uk/Event/ghosttrain.

Sir Gareth Southgate: Discussing his new book Dear England at York Barbican…and the subject of James Graham’s play of that title at Leeds Grand Theatre

Ex-England manager at the double: In Conversation with Gareth Southgate, Lessons In Leadership, York Barbican, November 3, 7.30pm;  National Theatre in Dear England, Leeds Grand Theatre, November 4 to 8, kick-off at 7.30pm plus 2pm Wednesday, Thursday and Saturday matinees

SIR Gareth Southgate, of Swinsty Hall, Fewston, Harrogate, makes the comparatively short trip to York Barbican to discuss his eight years of leading England’s footballers on the world stage with a revolutionary management style that combined calm empathy with mental resilience, courageous integrity with strong accountability.

David Sturzaker’s Gareth Southgate, in trademark waistcoat, in James Graham’s play Dear England, on tour at Leeds Grand Theatre. Picture: Mark Brenner

He will discuss his new book Dear England: Lessons In Leadership, a title shared with James Graham’s Olivier Award-winning play (and forthcoming television drama) that takes its name from Southgate’s open letter during the Covid-19 pandemic.

David Sturzaker plays Southgate, Samantha Womack, team psychologist Pippa Grange, in this “inspiring, at times heart-breaking and ultimately uplifting story” of England, penalties, lost finals and a new-found national identity. Box office: York, yorkbarbican.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

David Walliams: An evening of frank chat and outrageous anecdotes at York Barbican. Picture: Charlie Clift

Candid comedic conversation of the week: An Evening With David Walliams, York Barbican, November 4, 7.30pm

SKETCH comedian, prolific author, talent show judge and English Channel swimmer David Walliams presents an evening of laughter, storytelling and surprises, discussing his Little Britain breakthrough,  Come Fly With Me and his days on Britain’s Got Talent.

Expect the stories behind legendary TV sketches and reflections on his myriad books and the highs and lows of a career. Prepare for candid conversation and outrageous anecdotes, topped off with the chance to put questions to Walliams in the Q&A. Box office: yorkbarbican.co.uk.

Ben Rosenfield and Laura McKeller in The Wetwang Hauntings Live. Picture: Emma Warley

Halloween horrors and jump scares of the week: Neon Crypt & The Deathly Dark Tours present The Wetwang Hauntings – Live!, Theatre@41, Monkgate, York, November 4 to 8, 7.30pm plus 2.30pm Saturday matinee

BETWEEN 1986 and 1993, a series of often violent hauntings rocked the small Yorkshire town of Wetwang. The cases went cold and all the records were lost…until now! Join York ghost walk guide Dr Dorian Deathly as the Neon Crypt and The Deathly Dark Tours team digs into the history and horrors of these cases. “This show is not for the faint of heart,” he forewarns. Suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.

Nik Briggs: York Stage director back on stage to play a contestant in The Great British Bake Off Musical

York musical premiere of the week: York Stage in The Great British Bake Off Musical, Joseph Rowntree Theatre, York, November 5 to 8, 7.30pm plus 2.30pm Saturday matinee

BAKING battles, singing sponges and a sprinkling of hilarity is the recipe for York Stage’s York premiere of The Great British Bake Off Musical, rising to the occasion under the direction of Nik Briggs, who also makes a rare stage appearance as one of the Bake Off contestants.

Expect a sweet and savoury symphony of British wit and oven mitts, propelled by a menu of  jazz hands and jubilant original songs that capture the essence of the Bake Off tent, from nerve-wracking technical challenges to triumphant showstoppers. Be prepared for an emotional rollercoaster ride, where cakes crumble, friendships form and dreams become fruitful reality. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Katie Leckey: Directing Griffonage Theatre’s three nights of Kafka’ strangest short stories in the House of Trembling Madness cellar in Lendal

Deliciously disturbing stories of the week: Griffonage Theatre, Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, November 5 to 7. 6.30pm and 8.30pm  

“NO rest for the week,” say Griffonage Theatre, York’s purveyors of the madcap and the macabre, who are performing Kafka By Candlelight in the cavernous belly of the House Of Trembling Madness cellar as part of Aesthetica Short Film Festival’s debut  Aesthetica Fringe, featuring 25 shows across the city.

This one showcases five of Franz Kafka’s strangest short stories, told disturbingly in the darkness with the audience in masks (optional). “Dare to join us?” they tease. Box office: eventbrite.com/e/kafka-by-candlelight-tickets-1815618316259.

York actor, writer and director Constance Peel: Presenting Service Please at Aesthetica Fringe 2025

In Focus: Introducing Constance Peel, Service Please, Aesthetica Fringe, Rise@Bluebird Bakery, Acomb Road, Acomb, York, November 4 and 7, 8.30pm; Micklegate Social, Micklegate, York, November 9, 2pm and 8pm

CONSTANCE (Connie) Peel, York-born director, producer, writer and performer, will present her debut one-woman show Service Please as part of the inaugural Aesthetica Fringe.

“I’ve been working as an assistant director and performer in theatre professionally for the past two years, since graduating from the University of York,” says Connie, 24. “This show explores the reality of working in hospitality, including the harassment and sexism you can face as a young woman.”

Service Please is billed as “a relatable and comedic monologue that follows Lara, a creative writing graduate, who hopes to write the next best-selling fantasy romance novel. There’s only one thing standing in her way, her casual waitressing job that keeps the money coming in.”

“We’ve all been there, but Lara wasn’t ready for the stressful and chaotic reality of working in the service industry,” says Connie, introducing her monodrama. “Can Lara keep her sanity and get her big writing break or will she crumble under the pressure of understaffed shifts, creepy comments and customers who say their only food allergies are ‘women’?”

Hospitality is the fastest-growing economic sector, worth £93 billion to the UK economy. “But it’s under severe pressure with more than 100,000 job losses predicted by the time of this month’s Budget, due to National Insurance rises (according to UK Hospitality),” says Connie.

“It’s evident working in the sector that to continue profits and keep up with the cost of living, food prices and discounts both need to increase while labour hours decrease. Being a server has never been more stressful and unpredictable and this experience (as other working-class experiences) is so often overlooked by theatre.” 

Sexual harassment is an epidemic in the hospitality industry too, says Connie. “As many as 47 per cent of workers having experienced it – and 69 per cent witnessed it in 2021 (Culture Shift).

“These statistics, though informative, mask the personal cost to the individuals harassed and abused. My play presents interpretations of my own personal experiences, including those with harassment, and they’re an unfortunate part of the job when working as a waitress.

“They shouldn’t be, and awareness of this experience even in Fringe-scale theatre is always beneficial to the cause.” 

Lastly, says Connie, Service Please tells the story of an artist with no clear way into her industry. “This is the most personally accurate part of my script. I wrote and performed the 50-minute monologue while producing and marketing it alone for its six-day debut run at the world-famous Edinburgh Fringe, where it won plaudits from critics and top reviews.

“Though this is hopeful for creatives, both in the execution of the play and my own story behind it, I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer art jobs (directly impacting my career).

“It was important that I brought this show back to where my career started, in York where I graduated from the University of York and where I’ve been working for the past three years between York and Leeds. I hope this production and my story makes people see the importance of a small-scale play like this in today’s society.” 

For tickets, go to: ticketsource.co.uk.

Top Ten Things To Do at Aesthetica Short Film Festival in York from November 5 to 9

The Aesthetica Short Film Festival 2025 poster

CELEBRATING its 15th anniversary, the Aesthetica Short Film Festival (ASFF) transforms York each November into a vibrant hub of culture and creativity next week.

Over five days, from November 5 to 9, and in a digital extension, from November 5 to 30, the city becomes a global meeting point for filmmakers, musicians, technologists and audiences.

Presenting more than 300 films screening across the city, including many Oscar and BAFTA-qualifying titles, the festival champions bold storytelling and new voices from around the world.

Yet Aesthetica’s reach extends far beyond cinema. Its VR & Games Lab, Podcasting Lounge, Aesthetica Fringe and Beyond the Frame events merge film, music, art, comedy and digital culture into one seamless celebration of creativity.

This year, audiences can expect Sophie Duker’s comedy night, film critic Mark Kermode in conversation, a silent cinema live-score performance and the debut of the New Music Stage: a full music festival within the festival, spotlighting ten breakthrough UK artists in partnership with Universal Music and Caffè Nero.

For York and the wider UK, Aesthetica is a cultural catalyst, connecting York venues, supporting artists, boosting tourism and shining a global light on Yorkshire’s thriving creative economy. Driven by the Aesthetica motto that “it’s only an idea away”, ASFF is proof of what culture and creativity do, opening doors, building communities and expanding how we see the world.

Dodge Brothers, featuring film critic Mark Kermode, second from right: Playing at Aesthetica Short Film Festival

Top Ten  Things To Do

1. Film screenings

EXPERIENCE more than 300 shorts, features, documentaries, animations and experimental films from across the globe. Many of these titles are Oscar and BAFTA-qualifying, giving audiences a first look at the filmmakers of the future.

Attend the Makers’ Forum to hear from directors and producers, discover new cinematic voices and celebrate bold, thought-provoking storytelling that pushes boundaries and challenges perspectives.

2. VR & Games Lab

STEP into the future of storytelling. The VR & Games Lab invites audiences to explore cutting-edge works in virtual, augmented and mixed reality, plus innovative indie games. Engage with immersive environments, interactive narratives and demonstrations from the frontier of creative technology. Learn how artists are merging code, design and emotion to reinvent what it means to experience a story.

3. Masterclasses & Panels

AESTHETICA’S  industry sessions feature icons and innovators from Ridley Scott Associates, Aardman, BBC, Film4 and Framestore. Gain insight into the craft and business of filmmaking, from production design and cinematography to pitching, funding and post-production.

Highlights include Behind the Scenes of Gladiator, Napoleon and Alien and Film4’s From Shorts to Features. Ideal for anyone serious about their creative career.

4. Workshops & Roundtables

GET hands-on with practical sessions designed for filmmakers, producers and writers. From screenwriting labs and pitching clinics to discussions on funding, diversity and distribution, these workshops provide actionable advice from professionals. The roundtable format encourages open dialogue and peer learning: the right space to test ideas, ask questions and gain valuable mentorship.

The Games Lab at the Aesthetica Short Film Festival 2025

5. Networking & Pitching

MEET producers, commissioners and collaborators at Aesthetica’s networking events and UK Film Production Summit, featuring more than 150 companies. Speed-pitching sessions and informal meet-ups give you a chance to share your ideas, find partners and make connections that could propel your next project forward. This is where creative relationships and future deals are born.

6. Parties & Socials

WHEN the lights go down, the city comes alive. Aesthetica’s parties are legendary: relaxed, welcoming spaces where creatives from film, music, gaming and art collide.

Whether you are winding down after a screening or celebrating a new collaboration, the festival’s social scene is where friendships form, ideas spark and stories continue long into the night.

7. Listening Pitch premieres

NOW in its fifth year, the Listening Pitch shines a spotlight on the future of audio documentary. Aesthetica has commissioned ten original documentaries through this pioneering programme, and this year marks the premiere of three new projects.

Previous commissions have gone on to screen at SXSW and Sundance and been acquired by The Guardian. This is the place to discover bold new documentary talent, with live presentations, audience Q&As and an atmosphere that celebrates the art of sound and story.

Comedian Sophie Duker: Celebrating female voices in the festival’s Beyond the Frame strand at York Theatre Royal

8. New Music Stage

FEATURING a line-up of some of the UK and Ireland’s most exciting emerging artists, the New Music Stage blends film and sound in thrilling ways. This year’s acts include BLÁNID, Crazy James, Daisy Gill, Dilettante, Ewan Sim, Isabel Maria, Jemma Johnson, Kengo, Pleasure Centre and Tarian: artists championed by BBC Radio 1, BBC 6 Music, RTÉ Radio 1, MOJO and Rolling Stone.

With performances spanning Glastonbury, The Late Late Show, SXSW and The Great Escape, this new stage celebrates the shared rhythm of cinema and song.

9. Beyond the Frame

STEP beyond the screen and into live performance. Highlights include Sophie Duker & Friends, a comedy night celebrating female voices; Mark Kermode in conversation with Jenny Nelson on film music, and a Silent Cinema & Live Score by The Dodge Brothers with Neil Brand and Mark Kermode. These events blur the lines between film, performance and criticism – cinematic storytelling at its most alive.

10. Aesthetica Fringe

RUNNING city-wide, the Fringe transforms York into an open-air gallery. Expect art installations, theatre, DJ sets, exhibitions and surprise pop-ups across independent venues. The Fringe brings York and international artists together, inviting audiences to see the city through a creative lens in a celebration of community, experimentation and the energy that fuels York’s cultural heartbeat.

Aesthetica Short Film Festival invites you to “be part of the story”. “Whether you’re a filmmaker, musician, gamer or culture-lover, our 2025 festival is your invitation to experience creativity without limits,” says festival director Cherie Federico. “Join us in York and be part of a global conversation about the future of storytelling.”

For the full festival programme and tickets, go to: www.asff.co.uk.