Livy Potter as Katy, left, and Alice Rose Palmer, as mum Natalie, in Louise Beech’s How To Be Brave at Gilling East Village Hall and Helmsley Arts Centre
FROM a devilish yet dotty canine musical to comedians having their moment, a film festival to glowing ghosts, Charles Hutchinson spots plenty to light up dark days ahead.
Touring play of the week: Other Lives Productions in How To Be Brave, Gilling East Village Hall, tomorrow, 7.30pm, and Helmsley Arts Centre, Friday, 7.30pm
IN 1943, Merchant Seaman Colin Armitage’s cargo ship was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later, HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
Scenes in this resulting play alternate between the life raft and a house in Hull as York actors Jacob Ward and Livy Potter take the lead roles in Kate Veysey’s production. Box office: Gilling East, gillinjgeastevents@hotmail.co.uk; Helmsley, 01439 771700.
Man of The Moment: Ali Woods, playing York Barbican on his debut stand-up tour
Comedy men of The Moment: Mo Gilligan, In The Moment, York Barbican, tomorrow,8pm; Ali Woods, At The Moment, York Barbican, Friday, 8pm
THE moment has arrived for two comedy tour dates with similar show titles, first up the host of Channel 4’s The Lateish Show With Mo Gilligan, Londoner Mo Gilligan, on his In The Moment World Tour 2024.
The following night, half-English, half-Scottish comedian, podcaster and content creator Ali Woods plays York on his debut stand-up tour. At 30, this viral online sketch sensation has finally fallen in love with an amazing lady. “Come on an embarrassing and cathartic journey of teenage angst, relationship fails and learning how to live in the moment,” he says. Tickets update: available for both shows, whereas An Audience With Monty Don (November 11), Jamie Cullum (November 12), Sarah Millican: Late Bloomer (November 14) and Suzi Quatro ( November 15) have sold out already. Box office: yortkbarbican.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majesty Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Very definitely Pride Of Prejudice * (*Sort Of), sending up Jane Austen affectionately in Isobel McArthur’s play at York Theatre Royal
Theatrical flourish of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as You’re So Vain and Young Hearts Run Free.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In the driving seat: Kym Marsh’s Cruella De Vil in 101 Dalmatians The Musical. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, until Saturday, 7pm plus 2pm today, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, today to Sunday, and UNESCO City of Media Arts EXPO, Guildhall, York, Thursday to Saturday
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, tomorrow to Sunday, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Fishermen’s Friends: Playing York Barbican this week, then returning next October
Gig announcements of the week: Fisherman’s Friends, York Barbican, October 3 2025
IN celebration of performing sea shanties for more than 30 years across the world, Fisherman’s Friends will head out from the Cornish fishing village of Port Isaac to play a British tour split between 2025 and 2026.
York will come early, booked for night number two next October on a 32-date itinerary announced even before they have played their sold-out Barbican gig on Friday this week on their Rock The Boat tour, promoting fifth album All Aboard. Box office: yorkbarbican.co.uk.
Skylights: York band headline York Barbican for the first time tonight
FROM Skylights to Ghosts After Dark, a fiesta of film to a musical dog show, Charles Hutchinson spots plenty to light up these November nights.
York gig of the week: Skylights, York Barbican, tonight, doors 7pm
ANTHEMIC York indie band Skylights play their biggest home-city gig to date this weekend with support from Serotones and Pennine Suite.
Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the Barbican. It’s always been a dream of ours to play here. So to headline will be the perfect way to finish a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.” Box office update: Standing tickets still available at ticketmaster.co.uk.
Rob Rouse: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse, tonight
Comedy gig of the week: Laugh Out Loud Comedy Club, Rob Rouse, Peter Brush, Faizan Shan and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm
PEAK District comedian, television regular, Upstart Crow actor and self-help podcaster Rob Rouse, who trained as a geography teacher at the University of Sheffield, makes a rare York appearance with his hyperactive, loveable brand of comedy.
Harrogate Comedian of the Year 2012 Peter Brush combines a slight, bespectacled frame and scruffy hair with quirky one-liners and original material, delivered in an amusingly awkward fashion. Manchester comic Faizan Shah’s material makes light of growing up in an immigrant household with the mental health challenges it brings. Organiser Damion Larkin hosts as ever. Box office: 01904 612940 or lolcomedyclubs.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majestic Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Pride And Prejudice * (*Sort Of): Making merry mayhem with Jane Austen’s novel at York Theatre Royal. Picture: Mihaela Bodlovic
Theatrical high spirits of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, November 4 to 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as Young Hearts Run Free, Will You Love Me Tomorrow and You’re So Vain.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy and Emerging Talent Award winner in the Evening Standard Theatre Awards, now featuring University of York alumna Georgia Firth in the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.
On the spot: 101 Dalmatians The Musical takes up canine residence at the Grand Opera House from Tuesday. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, November 5 to 9, 7pm plus 2pm Wednesday, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, November 6 to 10, and UNESCO City of Media Arts EXPO, Guildhall, York, November 7 to 9
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, November 7 to 10, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Rag’n’Bone Man: Returning to Scarborough Open Air Theatre next summer
Gig announcements of the week: TK Maxx presents Scarborough Open Air Theatre, UB40 featuring Ali Campbell, July 6, and Rag’n’Bone Man, July 11 2025
“I THINK I’ve got the best reggae band in the world,” says UB40 legend Ali Campbell, who last played Scarborough OAT in 2021. “They are all seasoned musicians, who have spent all their lives in professional bands, and I feel so confident with them.” Support acts will be Bitty McLean and Pato Banton.
Triple BRIT Award and Ivor Novello Award winner Rag’n’Bone Man, alias Rory Graham, will follow up his 2023 Scarborough OAT show with a return next summer in the wake of his third album, What Do You Believe In? entering the charts at number three last Friday. His special guest will be Elles Bailey. Box office: ticketmaster.co.uk.
Show announcement of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17 2025
Gary Oldman reflecting on his first steps in professional theatre in the York Theatre Royal dressing rooms on his March visit
OSCAR winner Gary Oldman will return to York Theatre Royal, where he began his career as a pantomime cat, to direct himself in Krapp’s Last Tape next spring: his first stage appearance since the late-1980s.
The April 14 to May 17 2025 production of Samuel Beckett’s one-act monodrama was set in motion when Slow Horses star Oldman paid a visit to the St Leonard’s Palace theatre in March, when he met chief executive Paul Crewes.
“When Gary visited us at the beginning of the year, it was fascinating hearing him recount stories of his time as a young man, in his first professional role on the York Theatre Royal stage.,” says Paul.
“In that context when we started to explore ideas, we realised Krapp’s Last Tape was the perfect project. I am very happy that audiences will have this unique opportunity to see Gary Oldman return to our stage in this brand new production.”
Making plans: Actor and director Gary Oldman in discussion with York Theatre Royal chief executive Paul Crewes in the York Theatre Royal main house auditorium
Ticket prices start at £25, with priority booking for the York Theatre Royal Director’s Circle opening on November 6, YTR Members’ priority booking from November 11 and public booking on November 16, all from 1pm. To become a member and access priority booking, head to: https://www.yorktheatreroyal.co.uk/support-us/.
After graduating from Rose Bruford College of Speech and Drama, Londoner Oldman started out in the repertory ranks at York Theatre Royal in 1979 in such plays as Privates On Parade and She Stoops To Conquer and playing the Cat in Berwick Kaler’s third York pantomime, Dick Whittington, that Christmas.
Dame Berwick later told the Guardian in an interview in 2018: “Gary has gone on to become one of our greatest screen actors but I’m afraid he was a bit of a lightweight when it came to pantomime.
“He kept fainting inside the costume. On at least three occasions I had to turn to the audience and say, ‘Oh dear, boys and girls, I think the poor pussy cat has gone to sleep’!”
Gary Oldman as the Cat with dame Berwick Kaler, centre, in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Oldman, now 66, posted on Instagram: “My professional public acting debut was on stage at the York Theatre Royal. York, for me, is the completion of a cycle. It is the ‘where it all began’. York, in a very real sense, for me, is coming home.
“The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.”
After cutting his teeth in York, New Cross-born Oldman went on to act at the Glasgow Citizens Theatre, the Royal Court, London, and the Royal Shakespeare Company. He then swapped theatre for film with break-our roles as Sid Vicious in Sid And Nancy (1986), Lee Harvey Oswald in JFK (1992) and Dracula in Bram Stoker’s Dracula (1992).
He later played Sirius Black in the Harry Potter film franchise and Commissioner Jim Gordon in Batman Begins, The Dark Knight and The Dark Knight Rises, won the 2018 Oscar, BAFTA and Golden Globe awards for Best Actor for his portrayal of Winston Churchill in Darkest Hour, and is now starring as obnoxious MI5 boss Jackson Lamb in the latest Apple+ series of British spy thriller Slow Horses.
Gary Oldman (third from the left in hat and glasses) in Privates On Parade at York Theatre Royal in 1979: one of his first professional performances after graduating from Rose Bruford College of Speech and Drama, in Sidcup, Kent, with a BA in Acting. Picture: York Theatre Royal
Oldman has been considering going back to the stage for a long time. “I have never been far from the theatre and, in fact, have been discussing plays and my return to the theatre for nearly 30 years,” he posted.
What happens in Krapp’s Last Tape, Samuel Beckett at his most theatre of the absurd? Each year, on his birthday, Krapp records a new tape reflecting on the year gone by.
On his 69th birthday, Krapp, now a lonely man, is ready with a bottle of wine, a banana and his tape recorder. Listening back to a recording he made as a young man, Krapp must face the hopes of his past self.
The melancholic, tragicomic role was premiered in 1958 by Patrick Magee and has been played by the likes of Albert Finney, Harold Pinter, John Hurt, Stephen Rea and Kenneth Allan Taylor, the long-running Nottingham Playhouse pantomime dame, writer and director, at York Theatre Royal in 2009.
Gary Oldman’s Cat in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Samuel Beckett (1906 – 1989): the back story
IRISH writer, dramatist and poet, specialising in theatre of the absurd. Wrote in English and French. Principal works for the stage included Endgame, Krapp’s Last Tape and Waiting For Godot. Awarded Nobel Prize for Literature in 1969.
Gary Oldman: Further screen appearances
TINKER, Tailor, Soldier, Spy (Academy Award and BAFTA nominations); Mank (Academy Award and Golden Globe Award nominations); Oppenheimer; The Book Of Eli; Meantime; The Firm; Prick Up Your Ears; Rosencrantz And Guildenstern Are Dead; State Of Grace; Romeo Is Bleeding; True Romance; Leon/The Professional; The Fifth Element; Immortal Beloved and Dawn Of The Planet Of The Apes, among many others.
Worked with directors Stephen Frears, Oliver Stone, Frances Ford Coppola, Luc Besson, Alfonso Curon, Chris Nolan, Tony Scott, Ridley Scott, Steven Soderbergh, David Fincher and Paulo Sorrentino.
Did you know?
IN 1995 Gary Oldman and producing partner Douglas Urbanski founded a production company, producing Oldman’s screenwriting and directorial debut, Nil By Mouth, winner of nine majot awards from 17 nominations.
Selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress. The same year, Oldman won Channel Four Director’s Prize at Edinburgh International Film Festival, British Academy Award (shared with Douglas Urbanski) for Best Film and BAFTA for Best Original Screenplay.
In Focus:Other Lives Productions in How To Be Brave, Theatre@41, Monkgate, York, Sunday, 7.30pm, and on tour
Livy Potter as Katy, left, and Alice Rose Palmer as mum Natalie in Louise Beech’s How To Be Brave
ON March 19 1943, just after midnight, Merchant Seaman Colin Armitage’s cargo ship, the Lulworth Hill, was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
The story inspiring ten-year-old Katy to be brave in the face of her diabetes is a true one. She has said that Grandad Colin’s experience made her determined to carry on when she wanted to give up and die: “If Grandad Colin can survive an ordeal like that, I can do anything. I can do these injections,” she said. And she has never faltered.
Director Kate Veysey with Rose’s seagull Gilbert
“We hope that by presenting this story we can inspired audiences in the East Riding and beyond,” says director Kate Veysey, a familiar name from both York Theatre Royal Youth Theatre and Next Door But One productions.
Scenes alternate between the life raft and Katy’s house in Hull as York actors Jacob Ward and Livy Potter take the roles of Colin Armitage and Rose (Katy, given a pseudonym), joined by Lex Stephenson as carpenter Ken Cooke, on the raft, Alice Rose Palmer as Natalie (alias mum Louise) and Alison Shaw as nurse Shelley. Age guidance: ten upwards (the show contains moderate bad language). Box office: tickets.41monkgate.co.uk.
Lex Stephenson, as Ken Cooke, left, and Jacob Ward, as Colin Armitage, in Other Lives Productions’ How To Be Brave
Topical, political and convention-challenging artist Heath Kane: Making his Art Of Protest Gallery debut in York
ART Of Protest Gallery’s Christmas Hang is up and glistening in Walmgate, introducing a new name to York’s exhibiting walls.
Born in Australia, Heath Kane has spent much of his life in England; first in London and now in the market town of Saffron Walden, Essex, where he has his studio.
“In the first part of Heath’s career, he was a designer and art director for London advertising agencies, and a strong sense of graphic structure still sits at the heart of his art,” says gallery curator Craig Humble. “He specialises in simple, iconic and memorable pieces that have the ability to tell stories and are linked to a larger narrative.”
Heath Kane’s artwork on display at Art Of Protest Gallery
One of Heath’s breakthrough collections was Rich Enough To Be Batman, the superimposing of Batman’s mask on The Queen’s face, in his response to what he calls “the increasing disparity in wealth that I was seeing”.
“I’ve always been fascinated by the world around me: particularly where life, art and storytelling collide,” says Heath. “After decades of working in advertising and design, it dawned on me that there was more to life than selling people sh*t they don’t need.
“Having worked with clients in the luxury goods market for quite a while, I found it hard to understand how some individuals had more wealth than entire countries. And so I created Rich Enough To Be Batman. I knew then that I wanted any art I made to be topical, political and to challenge the conventions of our lifestyles and the world we live in today.”
“I want people to look at my art and talk about the issues we face, both individually and as a community,” says Heath Kane
Heath has always made art in response to what he sees happening in the world. “Each of my collections explores a different political or social narrative,” he explains. “I want people to look at my art and talk about the issues we face, both individually and as a community.
“When politics seems to be moving backwards (and while right-wing governments continue to be in power), we need to be more active than ever in moving forwards. In creating art, I now have a voice that can help to bring about change. And through buying my art, perhaps you can join in that choir.”
Heath vows to continue to create more art that brings awareness to the societal rifts that politics creates. “I hope to ridicule these divisions while trying to create more tolerance and understanding for each other,” he says. “Let’s work together in making the world better. Not just for ourselves, but for everyone.”
Gallery opening hours are: Monday to Friday, 11am to 6pm; Saturday and Sunday, 10am to 5pm.
ART Of Protest Gallery welcomes Nigerian artist Ben Ibebe to York for his solo show Afrofuturism from October 28 to November 6.
This will be complemented by a “live paint” at the Walmgate gallery on the eighth day, inspired by Ben’s first seven days in the city.
“Art Of Protest encourages urban contemporary conversations on environment, consumption, identity and the global audience,” says director Craig Humble.
That misison statement chimes with Ben’s own working practice: “The inspiration for my art comes from people,” he says. “How they respond to social, economic, political and economic forces in their daily living. The issues, ideas and events arising from man’s quest to contain and contend with these forces form the subject of my paintings.”
Ibebe’s exhibition, entitled Afrofurism, will display images of dense urban architecture, vibrant markets, tradition and romance in the context of West African living.
“When Ben takes up residence at the gallery for eight days, his exhibition will feature a series of unique oil paintings with a textural quality that bridges both abstraction and sculpture via the ordered chaos of thick impasto style of painting,” says Craig.
Mansion, by Ben Ibebe
“While he is here, Ben will be setting up a temporary studio at the gallery where he will work as the exhibition takes place and will be available to meet if visitors call aheadon 01904 659008.”
Holding a BA in Visual Arts from the University of Port Harcourt, in Rivers State, Nigeria, Ben has held solo exhibitions internationally with collectors in many countries, including the United States, Germany, Canada, the United Kingdom and Nigeria.
His tactile paintings are highly figurative, bright in colour choice in oils and mixed media, geometric in composition, almost three-dimensional on the surface, with women deliberately accorded prominence in his depiction of everyday Nigerian life.
“The African woman is strong, beautiful and flowery,” Ben says. “They live in a male-dominated society, based on local cultural tradition with few rights, and are at the receiving end of man’s activities and yet strive so hard to eke out and sustain a living.
“So, I celebrate them by weaving my composition around them most times in their hours of needs, joy, pain and other human activities. Recently, my fixation is on the effect of Western attitudes, globalisation, human trafficking and technology on the African woman.”
To The Market, by Ben Ibebe
Ben adds: “Men come into in my compositions, but they come in mostly as allegories in my political statements and are highly stylized. Other times, they are presented as engaged in male activities: drummers, horse riders, cattle herders, etcetera.”
As for his style, “The finished paintings often come off in the style of impressionism, other times idealism, abstract formalism dovetailing into semi abstraction and full abstraction,” he says.
Looking forward to his arrival in York this week, Craig says; “We’re excited to welcome Ben to the gallery, especially with it being our first exhibition with the artist in residence.
“We would encourage anyone to come down to the gallery to meet Ben and experience his artwork in person. The striking images of Nigeria’s rich cultural heritage colliding with a globalised art world is breaking new ground in process and colour management.
“At Art Of Protest, we want to showcase local, national and international artists to the people and visitors of York.”
Ben’s work already on show in the gallery can be viewed at artofprotestgallery.com.
Static at work on converting a derelict Malton bus shelter into a vibrant expression of public street art. Picture: Brenna Hebrink, Art Of Protest Projects project support manager
WHAT should be done with a disused bus shelter in Malton? Food for thought in Yorkshire’s self-annointed “Food Capital”.
Step forward York arts and media company Art of Protest Projects, Malton Town Council and Static, a London artist duo with deep Scarborough roots, to administer a “public street art transformation” next to Malton Community Primary School in Highfield Road.
Static’s ex-pat North Yorkshiremen, Craig Evans and Tom Jackson, are celebrating creating their nearest painting to home after taking a derelict bus shelter and turning it into “a bright, energetic and colourful visual that completely changes the vibe of the street”.
Once an eyesore of a disused bus shelter, now “an urban art gem”, in Highfield Road, Malton
As Jeff Clark, director of Art Of Protest Projects explains: “The goal of this vibrant transformation is to uplift and bring people’s attention to a structural space that was once an eyesore, but through imagination and creativity has been turned into an urban art gem.”
You wait ages for one bus shelter transformation in Malton, then along comes…? “It’s just the first of many more facelifts the town will receive in the coming year,” promises Jeff. “Street art has a captivating way to not only visually change a landscape, but also to draw people towards certain areas and start conversations about what colour, pattern and design mean and how they amplify a background.”
Whether a town or business wants to send a message, make a space feel safe or simply elevate and beautify an eyesore, urban art is the most effective vehicle of which to do so, Jeff contends.
Art Of Protest Projects director Jeff Clark at the Coppergate Centre unveiling of The Postman’s Guardians Of York installations. He has overseen Static’s transformation of a Malton bus shelter too. Picture: Dave J Hogan
“To be given the opportunity to convert a shelter on a street that was a country road seemed like a fun and exciting way to change a landscape,” he says. “The fact that there is a school next door is what really got me excited.
“What’s better than being able to spark imagination and creativity into young people? We are so amped by the reception this shelter makeover has already received and cannot wait to continue splashing colour around Malton.”
Suitably ecstatic Static artist Craig Evans says: “It was great to take on and transform this overlooked and unassuming piece of public architecture. Being no longer in use and seemingly belonging to no-one, we hope that our intervention here will inject some colour and creativity into the area and inspire the children from Malton Community Primary School and the people of Malton to see the potential in more public places and to take a fresh look at their surroundings.”
The finishing touches: Static ready the Malton bus shelter facelift for its April 14 unveiling
Councillor Paul Emberley, Malton’s town mayor, enthuses: “This is a fantastic transformation of a once-scruffy bus shelter and brings a little more cheer to our amazing town. People love it.”
Malton town clerk Gail Cook concurs: “The shelter is a few metres away from two of our schools and we wanted to create something really special that would inspire the children too – and these talented artists, Craig and Tom, have well and truly delivered!”
Up the A64, Art Of Protest Projects have stationed a host of Guardians Of York on guard on the walls of York, combining street artworks of cultural heroes such as broadcaster and natural world activist Sir David Attenborough, newly crowned with mauve hair, on the riverside by Ouse Bridge with 11 murals to “honour and elevate pandemic key workers from York”.
York Hospital ICU anaesthetist Steve Wasowa mirrors his street art installation pose for The Postman’s Guardians Of York series. Picture: Dave J Hogan
In tandem with the York BID, Clark’s public art champions have worked with The Postman, the anonymous international street artist collective from Brighton, to create the ancient city’s first urban art installation.
The works, a kinetic fusion of the Pop Art palette and brash punk energy, celebrate the Guardians Of York, who helped to keep York moving when the city – and the world – came to a standstill during Covid-19 lockdowns.
Eleven essential workers, all of them York residents, were recorded by a professional film crew in the closed Debenhams store in Davygate, giving their account of the hardships of working through the upheaval created by the pandemic, and all had their portrait photographs taken.
Street artists The Postman with their Guardians Of York artwork of police officer Pauline Law. Picture: Dave J Hogan
Taking part were: Becky Arksy, primary school teacher; Pauline Law, police officer; Sally and Mark Waddington, York Rescue Boat; Martin Golton, street cleaner, and Steve Wasowa, ICU anaesthetist, York District Hospital.
So too were: Steve and Julia Holding, owners of the Pig and Pastry, in Bishopthorpe Road, and founders of the Supper Collective; Steven Ralph, postal worker; Gill Shaw, Boots retail worker, and Brenna Allsuch, ICU nurse, York District Hospital.
Their images have been transformed into murals by The Postman collective, whose favoured artistic medium is pop-culture paste-ups, rooted in punk iconography, wherein they express themselves in brightly coloured, edgy, urban portraits, varying from street artworks of Nelson Mandela in South Africa to pop stars in Los Angeles.
The Postman delivering a street art installation of The Pig And Pastry’s Julia Holding to Finkle Street
“As the Guardians project builds momentum, we realise more and more how important it is to tell the stories of the people behind the masks,” say the mystery duo with roots in graffiti culture. “The key workers that have carried us through the last year inspired us and made a difference to everybody’s lives.”
The Guardians Of York are on display on city-centre walls in a three-month installation from April 9 to July 9, in a show of gratitude to key workers timed to coincide with the relaxation of lockdown restrictions and the reopening of many of the city’s “non-essential” businesses from April 12.
Recalling the flour-based dissolving street art of York memorial artist Dexter, The Postman have applied their paper-based large-scale artworks to walls with wheat paste, their impermanent form of art fading and washing away over time, duly “creating a buzz as people seek them out before they disappear”.
The Postman sail their artwork of Sir David Attenborough aboard the York Rescue Boat at the Guardians Of York installation launch. Picture: Dave J Hogan
Mounting the Guardians Of York is a passion project for Jeff and The Postman. “They like to do street art that makes a difference, and my partner is an NHS frontline worker, so I’ve seen every day how Covid has worn them down, sacrificing their own health. It’s no wonder that nurses have gone down, had to stop working, because they’re frazzled,” he says.
“They’ve had to go into a war-like atmosphere, where normally you’d do a tour and then be sent home, for a break, but that’s not been the case. That’s why my heart and soul has gone into this project.” To watch a video about the project, go to: https://youtu.be/7cUpnE1M-sw
Static artists Craig Evans and Tom Jackson with their latest work, the transformed Malton bus shelter. Picture: Brenna Hebrink
Who are Static?
STATIC is the combined creative output of Scarborough-bred Craig Evans and Tom Jackson, who collided in 2006 in a derelict block of flats with a sea view and have since worked with assorted international galleries and painted murals in the UK and as far away as Japan.
The Static duo have been based in London since 2008 and are founding members of Wood Street Walls, where they spent two months renovating a disused school building to create a shared workspace, Wood Street Studios, for its opening in 2017.
One of the largest community street art projects in Britain, Wood Street Walls uses street art to drive awareness and funding for community schemes and projects involving children and education.
Static’s poster for their Born & Raised exhibition at the Art Of Protest Gallery, York, in October 2018
Static’s studio work is created using a combination of screen-printed and stencil/spray-painted techniques, and they also produce layered glass artworks that play with space and how perceived 2D visuals can shift to reveal a 3D picture. Their works are collected by the Saudi Royal family and musicians Natalie Appleton, of All Saints, and Liam Howlett, of The Prodigy, among others.
In 2018, Static held their first solo exhibition in their home county, presenting Born & Raised at the Art Of Protest Gallery’s original premises in Little Stonegate, York, from, October 19 to 31.
During their York residency, Evans and Jackson painted a floor mural in the Art Of Protest Gallery and a wall mural at Brew York, Walmgate. For more information on Static, go to: welikestatic.com.
Arabella, by Static, from their Born & Raised exhibition in York
Trout, by Dan Cimmermann, from his new Oy! Oy! collection at the Art Of Protest Gallery, York
POCKLINGTON School art master Dan Cimmermann will be painting live from 11am until darkness at tomorrow’s Art Of Protest Gallery launch of his Oy! Oy! solo show in York.
“Join us for a glass of festive fizz and check out this collection of originals based on the streets of York,” says gallery founder and owner Craig Humble, extending an invitation to a timely exhibition that merges York’s past and present.
Put bluntly, “St William’s Window versus Stags, Hens and Racecourse Revellers”. “This exhibition uses art’s first role – to make us look – as a means to encourage our thoughts about what’s important for the living vibrant reality of York today,” he contends.
“We can respect the layers of history that make our city so attractive, while embracing those who use our city for celebrating birthdays, hen dos and globally important sporting events.”
Woo! Woo!, by Dan Cimmermann, newly on show at the Art Of Protest Gallery
Craig, who has re-located his ever-provocative gallery to No. 11, Walmgate, this autumn, continues: “Dan’s show is another example of the Art Of Protest showing the contemporary side of this ancient city. Dan is a Yorkshire artist whose work is predominantly shown in London and Tokyo, so, as an art master at the 16th century Pocklington School, it’s nice to be able to show his work a little nearer home.”
Dan’s Oy! Oy! collection has emerged from his countless visits to York. Living nearby, he enjoys the city’s shops and restaurants, making cultural visits and a day at the races. As a keen photographer as well as a painter, he often takes snaps of scenes and events that catch his eye.
Over the years, he has come to ask himself, “What is it about a city with such a heritage that attracts such gatherings of hedonism and partying?”.
“When I was looking through my photos and sketches, I was struck with the contrast between the stoic architecture, layers of history and the revellers that drive the city’s economy today,” Dan says.
Dan Cimmermann’s studio with his works Woo! Woo! and Museum Gardens
“Whether they be the stags and hens meeting centrally from across the country, or the landed gentry celebrating a coup at the races, York is filled every weekend with drunken forms and faces finding their way around the streets and alleys.
“I kept imagining the Minster’s gargoyles looking down and wondering about how their world view had changed over the millennia”.
Reflecting on the exhibition’s timing in the shadow of the pestilent pandemic, Craig says: “To put on this show after York has seen the quietest year in its history, regarding visitor numbers at least, is the sort of juxtaposition that tweaks the interest of an artist and a gallery, now in a new location.
“Many a local has lamented the city being overrun every weekend, but this staccato year has reminded us all that the city has the restaurants, museums, pubs and cultural investment because of the people attracted to come for whatever reason.”
To mark tomorrow’s exhibition launch, Dan will paint a mural in the backyard of Art Of Protest’s new Walmgate home. Oy! Oy! will then run until January 16 2021.
Dan Cimmermann, pictured when exhibiting at The Biscuit Factory in Newcastle
LUCY CHURCHILL, TRANSFORMING THE SACRED WOUND, A CELEBRATION OF FEMALE SEXUALITY IN THE AGE OF #MeToo, ART OF PROTEST GALLERY, WALMGATE, YORK, SEPTEMBER 25 TO OCTOBER 16 2021
YORK sculptor Lucy Churchill celebrates female sexuality in the #MeToo age in her debut Art Of Protest exhibition in York.
“Lucy’s taboo-breaking, innovative latest work is a far leap from her background in creating bespoke memorials and historical reconstructions,” says gallery curator, owner and founder Craig Humble as he launches her Transforming The Sacred Wound sculptures.
A sculpture from Lucy Churchill’s Transforming The Sacred Wound exhibition
“She started her career in museums at the Metropolitan Museum, New York, and the Crafts Council, London, before taking a more hands-on approach via a diploma from the City & Guilds of London Art School, leading to traditional apprenticeships at fine-craft workshops at Dick Reid’s Workshop in York and Richard Kindersley’s in London.”
As a freelancer, Churchill has created numerous memorials and architectural features that are publicly but anonymously displayed across Britain. Her reconstruction work features on television and in books and her academic research into Tudor history has been published.
Now comes her first exhibition at the Art of Protest Gallery. “Lucy’s new body of work is a complete break with tradition, in style and subject; it addresses women’s sexuality with a frank female gaze,” says Craig.
“The sculptures are startlingly raw,” says Art Of Protest curator Craig Humble of Lucy Churchill’s work
“Created after a life-changing #MeToo experience, the sculptures are startlingly raw. Using a direct carving approach with technical mastery, she eschews a fully described, polished finish, leaving parts of the block uncarved, tool marks still clearly visible.
“Her goal is to imbue rejected shards with a holy reverence and a power that belies their size.”
Lucy has found an appreciative audience for her sculpture and wearable art through Instagram; images of her work have been showcased by The Vagina Museum, and she has become a spokesperson on recovery from sexual trauma through art on social media and at the University of York.
“The work stresses the importance of finding one’s sexual joy,” says Lucy Churchill
“My work changed when I found my voice on a personal and creative level,” says Lucy. “For the first time, I have told my own story, both verbally and in highly personal sculpture. Though prompted by confronting historical sexual abuse, my work is not angry. Instead, the work stresses the importance of finding one’s sexual joy and the healing empowerment of intimate self-knowledge”
Craig concludes: “At the Art of Protest Gallery, we’re very excited to host Lucy’s first gallery exhibition. We enjoy sharing artwork that can’t be ignored, that inspires conversation and reflection while displaying skill and beauty to have in your home”
Clap 2, Boris Johnson, by WeFail, posted on Facebook on April 24 and now on show at Art Of Protest, York
THE art of horror is not only for Halloween, protests York gallery owner Craig Humble as he opens a timely exhibition of shock-horror works by the controversial artist known as WeFail.
Hogarthian cartoon collages by WeFail, alias Martin Hughes, from Manchester, chime with the gallery name as Art Of Protest settles into its new home at 11, Walmgate.
In May, WeFail’s “Blood on their hands for PPE failures” collages of Prime Minister Boris Johnson, Cabinet Office Minister Michael Gove and Health Secretary Matt Hancock, each clapping for the NHS, made the pages of the Daily Mail Online.
Art Of Protest owner and curator Craig Humble outside his new gallery premises in Walmgate, York
Why? After being posted on Facebook, they subsequently appeared on the Havant Labour page with trenchant comments about the Government “completely mismanaging” the Coronavirus crisis.
“Disgusting”, “Disgraceful”, came the Conservative outcry, and Havant Labour subsequently removed the post and apologised fully.
The paintings had been premiered on WeFail’s social media and website , and in response to the reaction to the Labour Facebook post, WeFail posted: “‘Disgraceful art’, what’s really disgraceful is having the highest death rate in Europe, by choice.” “Never apologise for my art”, tweeted WeFail, whose website says he “paints monsters”.
Four Horsemen, by WeFail, at Art Of Protest Gallery
In the window of Art Of Protest is the artist’s statement, WeFail On The Covid-19 Crisis, as he explains: This Is Why I Paint.
Its closing paragraphs read: “At the most crucial time when lives could have been saved, this Government did nothing, in fact on the advice of ghouls like ‘too bad’ Cummings they actively sought to spread the virus and gain the mythical herd immunity.
“Thousands have died needlessly. But it’s pointless debating this, they see what they want to see and when this has passed they will try to rewrite the history books.”
The Art Of Protest Gallery window set up for WeFail’s works of political satire
Welcoming WeFail’s works to Art Of Protest, Craig says: “Political satire has a long history in the UK: WeFail’s work is in the tradition of James Gillray and William Hogarth via its satirical attack on those in power but stylistically is nearer the horrors of Francis Bacon, Otto Dix and Francisco Goya. For this reason, it seems an ideal exhibition for the Halloween weekend.
“Art Of Protest Gallery prides itself on art that makes a viewer look. WeFail soars above this bar. As the first gallery to dare to exhibit original work by WeFail, we’re proud to share this cutting edge of contemporary political satire.”
A digital catalogue is available of WeFail’s hand-finished collages by emailing info@artofprotestgallery.com to provide the opportunity to be “one of the few to own this portentous series of original works”, with the artist making works individually to order.
Clap 2, Matt Hancock, by WeFail from the “Blood on their hands for PPE failure” triptych of works also featuring Boris Johnson and Michael Gove
Art Of Protest has re-located from 16, Little Stonegate after nearly four years, following what Craig calls “a fraught series of unfortunate coincidences and Covid-themed interventions” that led him to declare he was the subject of a “Catch-22 eviction”.
Putting a sense of injustice to one side, the rent he had set aside for staying at Little Stonegate has enabled him to move to Walmgate instead. “There’s a strong relationship with the landlord who owns the building,” says Craig.
“The neighbours have been welcoming and vehicle access to the gallery has made a noticeable difference to the overall experience for collectors.”
A protest marcher with WeFail’s Clap 2 collage of Boris Johnson
WeFail’s exhibition will run until the third week of November, to be followed by a solo show by Dan Cimmermann, opening on the last weekend of November.
“Cimmermann has created a show built on portraiture from the 12th to 16th centuries but melded with the stags and hens that occupy the streets of York today,” says Craig.
“Dan is one of the northern artists whose work is predominantly exhibited in London and Japan but the Art of Protest Gallery likes to champion him a bit nearer his roots in Middlesbrough and where he works in his day job as Art Master of Pocklington School.”
The notice in the window of the Art Of Protest Gallery, in Little Stonegate, York
EVEN a gallery with the bravura name of Art Of Protest must concede to the Coronavirus pandemic.
Craig Humble’s cutting-edge, fashion-savvy gallery in Little Stonegate, York, was to have launched its York Fashion Week exhibition of Pam Glew’s Kiminos with a preview this evening.
Not now. Today Craig posted a statement in the window, under the heading Gallery Closed – Temporarily, to announce that “sadly, with a heavy heart we are closing the gallery in response to the global pandemic”.
Pam Glew’s Kiminos: exhibition postponed, but Art Of Protest Gallery vows it will return
“Due to a combination of recent announcements, the importance for all our future of beating this outbreak and the reality of the ever-thinning streets of York, I am closing the gallery for at least a couple of weeks from Thursday March 19th, while the way forward becomes clear. Hopefully this is an au revoir; rather than a goodbye,” says Craig.
“I will be developing the website and investigating the online opportunities that can be maintained while away from the gallery, so keep an eye out on social media for any changes and news.”
Those hoping to visit the Pam Glew exhibition “to purchase one of the amazing pieces”, says Craig, can click on the Pam Glew Catalogue button on the website, artofprotestgallery.com, for a catalogue of available work.
“Thank you for being part of the movement over the past three years and I look forward to seeing you on the other side of this pause. When we return, it will be with the exhibition newly which has been hung for York Fashion Week featuring Pam Glew’s Kiminos,” he adds.
The frontage of the Art Of Protest Gallery
Craig ends the statement by advising:
Although the gallery is closed from Thursday March 19, email
and social media will be monitored if you want to get in touch.
