The Oldcorne Cross: The crucifix is the only known item to have survived from the 1606 raids on Catholic properties after the Gunpowder Plot
THE only known item to have survived from the raids on Catholic properties conducted in 1606, after the discovery of the infamous Gunpowder Plot in November 1605, will be the focus of the Disguised To Survive exhibition at the Bar Convent Living Heritage Centre.
The crucifix, The Oldcorne Cross, will be in the spotlight from October 5 to November 9. Special collections manager Dr Hannah Thomas explains why: “This is one of the most remarkable items in our possession.
“We have been working closely with experts such as Michael Hodgetts, who has painstakingly researched the history of all known priest’s hiding holes in England and Wales, and we are now confident in believing that this is the only item surviving from a series of raids that took place at the houses of known Catholic associates across the Midlands in 1606, following the discovery of the Gunpowder Plot in November 1605.”
During the Reformation, mistrust and double agents were a part of everyday life. In Elizabethan England the practice of the Catholic faith was banned for political reasons. Elizabeth I and her Government were antagonistic towards Catholics on account of their loyalty to the Pope.
Pope Pius V’s excommunication of Elizabth in 1570 made all Catholics a threat to her claim to the throne. Harsh punishments were handed to Catholics who failed to attend Sunday services in the Anglican church. Heavy fines were imposed and land and property were confiscated. Catholic priests suffered horrific torture and death.
Catholics began to resort to secrecy, whereupon disguises became commonplace during the Reformation. When English priests, trained on the continent, re-entered England, they would be “disguised in both names and in persons; some in apparel as soldiers, mariners or merchants…and many as gallants, yea in all colours, and with feathers and such like, disguising themselves; and many of them in behaviour as ruffians”.
Once in the country, priests had to take on an inconspicuous disguise that would explain their presence at a household if questioned.
On display in the Bar Convent is a set of silk vestments that were carried by a priest disguised as a pedlar (door-to-door salesman). If challenged, the colourful vestments would appear to be an innocent bundle of ribbons.
Bar Convent special collections manager Dr Hannah Thomas with the crucifix
Priests would hide objects used for Mass in plain sight, such as using a carved oak Tudor 16th century bedhead as an altar for celebrating Mass in secret. At threat of discovery, the altar could be quickly replaced by the bed and appear completely innocent.
All communications had to be in code or would be written in invisible ink. When female education pioneer Mary Ward sent secret letters, in order to reveal the hidden text, the recipient would have to heat the paper over a flame or a candle. She would write her messages with lemon juice that would become invisible when dried.
Catholics made use of the architecture and created hiding places; they would always have an escape route. From 1588 until his final arrest in 1606,Nicholas Owen devoted his life to the construction of priest’s hiding holes, to protect the lives of persecuted priests.
He also had the ingenious idea of creating a double hiding hole, one inside the other. When the soldiers found the first one, it would not occur to them to look further. He was eventually captured at Hindlip Hall in the aftermath of the Gunpowder Plot, tortured and killed. A hiding hole can be found in the Bar Convent chapel.
The Sisters of the Bar Convent also took on disguises. As it was very unusual for women to own property, the sisters pretended to be widows and dressed as such in public. Sister Frances Bedingfield, who founded the house, was from a well-known Catholic family and wisely took on the alias of Mrs Long.
The Sisters formed a group of fellow Catholics who they could rely on to keep a secret (Women of the Catholic Underground). They would act the innocent (the women playing up to ‘but we are only women, we wouldn’t be capable of such a thing’).
The location of the convent in Blossom Street, just outside the Bar Walls, was key, being beyond any jurisdiction, with Catholic houses nearby and a view of the walls. This enabled the Sisters to see approaching authorities, giving them the time to escape.
*There will be a trail through the exhibition and those who complete the trail will be in with a chance of winning a £30 voucher for use in the café.
Disguised To Survive runs at Bar Convent Living Heritage Centre, Blossom Street, York, from October 5 to November 9. Opening hours: 10am to 5pm, Monday to Saturday.
York Georgian Festival: for fans of fans and the period alike
THE second York Georgian Festival runs from today to Sunday, buoyed by an “overwhelming turnout” and VisitYork Tourism Awards nomination for last August’s inaugural event.
Day one’s highlight, Horrible Histories author Terry Deary’s 6pm showcase of his new book, A History Of Britain In Ten Enemies, has sold out.
In response to much demand, the festival will host the first York Georgian Ball at the Grand Assembly Rooms, now home to the ASK Italian restaurant, in Blake Street, on Saturday at 7pm. This ballroom played host to dances and dinners in the 18th and 19th centuries, and now guests will be dressed in their finest as they country-dance under the chandeliers this weekend.
Further festival highlights will be tours, talks and the chance to discover hidden Georgian gems across the city.
Festival creator Sarah White, events and marketing manager for York Mansion House, says: “I am delighted to be working with some of the most beautiful museums, venues and minds in York to bring this festival to life. We want to showcase the impact of this time period on the modern day, and we also want to dance the night away.”
Terry Deary: Introducing his new book this evening
Thursday
10am: Behind the Scenes Curator Tour, at Fairfax House.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guts and Bedlam Tour, from York Medical Society.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour with Mad Alice, around the city.
6pm: Terry Deary previews his new book, A History of Britain in Ten Enemies. SOLD OUT.
7pm: Mad Alice History Talk and Gin Tasting, at Impossible York bar.
Friday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10.30am: Georgian Dance Class at the Guildhall.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guys and Bedlam Tour, from York Medical Society.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
7.30pm: Bridgerton by Candlelight, Ignite Concerts. SOLD OUT.
Saturday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2pm: Anatomy of a Ball, Barley Hall Coffee Shop.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
3pm: Regency Rejigged dance performance, St Helen’s Square.
4pm: The Raree Show of The Fox Trap’t, Holy Trinity Church, Goodramgate. SOLD OUT.
4pm: The Rogues Gallery Tour, with Mad Alice, around the city.
5pm: Family Walking Tour: A Day in the Life of Jane Ewbank, with York Georgian Society, starting from St Helen’s Square.
7pm: The York Georgian Ball, at Grand Assembly Rooms.
Sunday
10.30am to 1pm: Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
1pm: Uncovering The Parrot: A Forgotten Women-Led Satirical Periodical of the 18th Century at York Mansion House. SOLD OUT. York Mansion House will be closed temporarily from 12.30pm to 2.20pm to accommodate this ticketed event.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
Malton Spring Food Lovers Festival: Look out for the festival guide and map on site
FOOD for thought on the arts and culture front, from street cookery to dance, trailblazing women to Drawsome! artists and musicians, prog-rock and folk greats to coastal Dexys, as Charles Hutchinson reports.
Flavour of the week: Malton Spring Food Lovers Festival, today, from 9am; tomorrow and Bank Holiday Monday, from 10am
ON the streets of “Yorkshire’s Food Capital”, Malton Food Lovers Festival celebrates Yorkshire’s supreme produce and cooking over three days of 120 artisan stalls and street food vendors, talks, tastings, chef demonstrations, brass bands and buskers, festival bar, food shops, sculpture trail, entertainment, blacksmith workshops, vintage funfair and family fun with Be Amazing Arts’ Creativitent, Environmental Art’s Creative Chaos and Magical Quests North.
The live musicians will be: today, Malton White Star Band, 11am to 1pm, The Rackateers, 1pm to 3pm, and Oz Ward, 6pm to 8pm; tomorrow, White Star Training Band, 11.30am to 12.30pm, and The Rackateers, 1pm to 3pm, and Monday, The Acoustic Buddies, 11am to 12pm and 2pm to 3pm. Festival entry is free.
Mary Ward (Augsberg portrait): Foundress of the Bar Convent, featuring in the Trailblazers audio trail
Exhibition launch of the week; Trailblazers of the Bar Convent, Bar Convent Living Heritage Centre, Blossom Street, York, opening today
THE Trailblazers of the Bar Convent audio trail focuses on uncovering the stories of key characters from the history of the oldest surviving Catholic convent in Great Britain.
Among them are foundress Mary Ward, who believed that girls deserved an equal education to boys; Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world, and Sister Gregory Kirkus, who set up the convent’s first ever museum. Tickets: barconvent.co.uk.
What a hoot: Gemma Curry and her owl puppet in Hoglets Theatre’s Wood Owl And The Box Of Wonders
Pre-festival show of the week: Hoglets Theatre in Wood Owl And The Box Of Wonders, Fountains Mill, Fountains Abbey, near Ripon, tomorrow, 11am and 2pm
IN an Early Bird event for the 2024 Ripon Theatre Festival, York company Hoglets Theatre presents director Gemma Curry’s solo show Wood Owl And The Box Of Wonders for age three upwards.
A lonely little owl wants nothing more than to fly into the night and join his friends, but how can he when he is made from wood in Gemma’s magical half-term journey of singing owls, fantasy worlds, friendship and an age-old message about love? The 40-minute show featuring beautiful handmade puppets and original music will be complemented by an optional puppet-making activity. Box office: ripontheatrefestival.org.
Lesley Ann Eden and her York School of Dance and Drama pupils: Presenting Pinocchio And Ponchetta at Joseph Rowntree Theatre. Picture: Nigel Holland
Dance show of the week: York School of Dance and Drama in Pinocchio And Ponchetta, Joseph Rowntree Theatre, York, tomorrow, 6.30pm
YORK choreographer and dance teacher Lesley Anne Eden presents her 50th anniversary York School of Dance and Drama show with a company ranging in age from six to 70.
Pinocchio And Ponchetta is Lesley’s take on the old story of Pinocchio and his sister, “full of fabulous dancing and great fun for all the family”, with the promise of her trademark quirky props. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The cover artwork for York Barbican-bound Richard Thompson’s new album, Ship To Shore
Folk luminary of the week: Richard Thompson, York Barbican, May 27,doors 7pm
GUITARIST, singer and songwriter Richard Thompson showcases his 20th solo album – and first since 2018’s 13 Rivers – ahead of the May 31 release of Ship To Shore on New West Records.
Notting Hill-born Thompson, 75, who made his name with folk rock pioneers Fairport Convention before forming his Seventies’ duo with Linda Thompson, will be performing with a full band. Box office: yorkbarbican.co.uk.
Yes: Playing York Barbican on Tuesday
Rock gig of the week: Yes, The Classic Tales Of Yes Tour 2024, York Barbican, May 28, 8pm
PROG-ROCK legends Yes perform iconic songs from more than 50 years of groundbreaking music-making, definitely including a 20-minute medley from their 1973 album Tales From Topographic Oceans and “possibly” from latest album Mirror To The Sky too.
In the line-up will be Steve Howe, guitars and vocals, Geoff Downes, keyboards, Billy Sherwood, bass guitar and vocals, Jon Davison, vocals and acoustic guitar, and Jay Schellen, drums. Box office: yorkbarbican.co.uk.
Kathryn Williams and Withered Hand: Teaming up at Selby Town Hall
Duo of the week: Kathryn Williams & Withered Hand, Selby Town Hall, May 29, 8pm
KATHRYN Williams is the Liverpool-born, Newcastle-based, Mercury Music Prize-nominated singer-songwriter with 16 albums to her name. Withered Hand is singer-songwriter Dan Willson, from the Scottish underground scene.
They first met in 2019 in an Edinburgh Book Festival spiegeltent, prompting Williams to tweet Willson: “What kind of songs would we write together and what would they sound like?” The results can be heard on the album Willson Williams, released on One Little Independent Records on April 26, and in concert in Selby (and Otley Courthouse on May 30). Box office: selbytownhall.co.uk.
Dexys: Heading to the Yorkshire coast on May 30
Coastal trip of the week: Dexys, Scarborough Spa Grand Hall, May 30, doors 7pm
AFTER playing York for the first time in their 45-year career last September, Dexys return to North Yorkshire on the latest leg of The Feminine Divine Live!
Led as ever by Kevin Rowland, Dexys open with a theatrical presentation of last year’s album, The Feminine Divine, to be followed by a second soulful set of beloved hits, from Come On Eileen and Jackie Wilson Said to The Celtic Soul Brothers and Geno. Box office: 01723 376774 or scarboroughspa.co.uk.
Bonneville (York singer-songwriter Bonnie Milnes) promotes her debut album New Lady at Drawsome! 2024 gig at The Crescent
York festival of the week: Drawsome! 2024, Young Thugs Studio, May 31; The Crescent, June 1; Arts Barge, Foss Basin, York, June 2
DRAWSOME! combines exhibitions and workshops with live music each evening. York multi-disciplinary artist Rowan Jackson will be exhibiting at Angel on the Green, Bishopthorpe Road, from 7pm on May 27; Things Found and Made at The Golden Ball, Cromwell Road, from May 31 and Greek-Australian graphic novel artist Con Chrisoulis for one night only at Young Thugs Studio, Ovington Terrace, on May 31 from 7pm, when Ichigo Evil, Plantfood, Mickey Nomimono and Drooligan will be performing.
On June 1, Bonneville, Lou Terry, Captain Starlet and Leafcutter John play at The Crescent community venue, where workshops run from 1 to 4pm, featuring Bits and Bots Recycled Robot, with Tom Brader, and Creative Visible Mending, with Anna Pownall, complemented by Zine Stalls hosted by Things Found and Made, Adam Keay and Teresa Stenson.
On June 2, the Arts Barge presents Dana Gavanski, Kindelan, Moongate and We Are Hannah, after three 11am to 2pm workshops: Poem Fishing with Becca Drake and Jessie Summerhayes, Adana Letterpress and lino printing, and Screenprinting with Kai West. Drawsome! is run in aid of Bowel Cancer UK.
The poster for Drawsome! 2024
In Focus: Showstopper! The Improvised Musical, York Theatre Royal, May 29 and 30, 7,30pm; The Showstopper Kids Show, May 30, 2pm
SHOWSTOPPER! The Improvised Musical heads back to York Theatre Royal in an expanded format with a children’s version of the spontaneous musical comedy for half-term week.
The Showstoppers have 14 years behind them at the Edinburgh Fringe, to go with a BBC Radio 4 series, a West End run and an 2016 Olivier Award for their blend of comedy, musical theatre and, wait for it, spontaneity.
Each Showstopper show is created live on the spot from audience suggestions, resulting in a new musical comedy at each performance, which is then named by the audience.
The cast takes suggestions for the setting, genre and style to transform them into an all-singing, all-dancing production with humorous results. Anything can be expected at a Showstopper show, so if the audience fancies Hamilton in a hospital or Sondheim in the Sahara, The Showstoppers will sing it.
Thursday’s Showstopper Kids Show is for children of all ages, who will see their own ideas being turned into a fully improvised musical right in front of them.
The children will decide where the story is set, what happens next and who the characters are. The Showstoppers will create whatever is suggested, so the characters could be anyone, such as the children’s favourite TV show characters, and the show could be set under the sea or in a doll’s house. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Mary Ward (Augsberg portrait): Foundress of the Bar Convent
THE Trailblazers of the Bar Convent will be celebrated in a new audio trail that opens at the living heritage centre, in Blossom Street, York, on May 25 to mark half-term week.
Focusing on uncovering the amazing stories of key characters from the history of the oldest surviving convent in Great Britain, the exhibition trail spotlights:
* Mary Ward, who believed that girls deserved an equal education to boys;
* Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world;
* Sister Gregory Kirkus, who set up the first ever museum at the convent;
* Plus many more incredible women who have lived there over the centuries, dedicating their lives to helping those in need, protecting the Catholic faith and supporting the Catholic community across the city.
Saint Margaret Clitherow
The foundress of the order – resident at the Bar Convent since 1686 – was a Yorkshire woman, Mary Ward, who has such international significance that her followers and supporters are building a case to have her officially recognised as a saint by the Catholic Church.
She believed that women were intellectually equal to men and deserved an education that reflected that equality. Providing a proper education for girls was central to her work, and she duly travelled widely across Europe, founding schools in ten European cities by 1628.
She noted in 1617 that “there is no such difference between men and women that women may not do great things – and I hope in God it will be seen that women in time to come will do much”.
In the mid-18th century, Mother Ann Aspinal wanted to construct a new convent chapel with an Italianate style dome but it was still illegal to build Catholic churches at that time. Rather than hiding the building project, she instead added a new suite of rooms to the front of the building, including a beautiful Georgian parlour, to disguise the real building project taking place at the back of the house: the secret chapel.
Sister Gregory Kirkus: Author of 20 books about the Bar Cinvent
Sister Gregory Kirkus wrote more than 20 books on the history of the convent and researched the lives of many of the sisters who have lived here. She established the inaugural museum at the Bar Convent and saved its historic books and documents. Thanks to her, so much of the building’s history is known.
The Bar Convent Living Heritage Centre is open to the public and welcomes all faiths and none. The chapel is free to visit and a public mass is celebrated on Fridays at 12 noon. The relic of Saint Margaret Clitherow is housed there.
Using QR codes throughout the Trailblazers trail, visitors are invited to discover more about the trailblazing women of the Bar Convent story, whose bravery and determination made history locally, nationally and globally.
Entry to the convent is free. The trail is included in admission to the Bar Convent exhibition. Complete the trail to be in with a chance to win a £30 voucher for the café. Tickets: barconvent.co.uk.
Opening hours for the exhibition, chapel and Georgian parlour: 10am to 5pm; last entry 4pm. Café: Monday to Saturday, 8am to 3pm (hot food served until 2.30pm).
Tuck into An Audience with Grace Dent, the Guardian food writer, columnist, author and presenter, at the Grand Opera House, York, on March 30 (7pm) as part of York Literature Festival
LITERATURE festivities, psychological bunny puppetry, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.
Festival of the month: York Literature Festival, ends April 4
YORK Literature Festival is under way with events spread between St Peter’s School; York St John University; York Explore Library; Theatre@41; The Mount School; The Basement at City Screen; York Museum Gardens; York Medical Society, Stonegate; The Crescent; the Grand Opera House and The Blue Boar, Castlegate.
Among the highlights are today’s (2/3/2024) Folk Horror Day; food writers Nina Mingya Powles and Ella Risbridger on Thursday and Grace Dent on March 30; Nicholas Royle David Boiwe, Enid Blyton and The Sun Machine, March 12; journalist and broadcaster Steve Richards on Turning Points in modern Britain, March 16; Lush founder and lead singer Mike Berenyi, discussing her memoir Fingers Crossed, March 24, and poet and broadcaster Lemn Sissay’s morning poems, March 30. For the full programme and bookings, visit yorkliteraturefestival.co.uk.
Lemn Sissay: British-Ethiopian poet will perform morning poems from Let The Light Pour In at York Literature Festival on March 30 (2pm). Picture: Hamish Brown
When Tuesday is on a Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, tonight (2/3/2024), 2.30pm, 7.30pm
AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.
Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.
Exploring psychological damage: George Green in Foxglove Theatre’s Rabbit at Theatre@41, Monkgate, York
New play of the week: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tonight (2/3/2024), 7.30pm
YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.
Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.
Back on the Chain Gang: Miles Salter, second left, and his York band make a second visit to Ampleforth Village Hall tonight
Village gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, tonight (2/3/2024), 7.30pm
YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.
Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.
Yvette Fielding: Leading the paranormal investigations at the Grand Opera House, in the haunted city of York, in a Sunday fright night
Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday (3/3/2024), 7.30pm
YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.
In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.
Excellent entertainment? Phil Ellis reckons so at Theatre@41 on Tuesday
Comedy gig of the week: Phil Ellis’s Excellent Comedy Show, Theatre@41, Monkgate, York, Tuesday, 8pm
DO you like comedy? Do you like shows? What are your thoughts on excellence? “If you like all three, then the award-winning Phil Ellis’s Excellent Comedy Show is the excellent comedy show for you,” advises Ellis, who promises an hour of stand-up and fun from “the North West’s most punctual working-class comedian”. Box office: tickets.41monkgate.co.uk.
Diversity: Dancing around the Supernova at the Grand Opera House, York, for two nights. Harrogate and Hull to follow
Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, March 9, 3.30pm; Hull Connexin Live, April 7, 2.30pm
2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.
Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.
Suzi Quatro: Using this iconic image from her first photographic session with Gered Mankowitz in 1973 to promote her 60th anniversary tour. York Barbican awaits
Gig announcement of the week: Suzi Quatro, York Barbican, November 15
SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.
Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Box office: ticketmaster.co.uk/event/360060579D80156E.
In Focus: Two Houses, One Story: York ‘s Forgotten Women at Bar Convent and Fairfax House
Special collections manager Dr Hannah Thomas studies a reproduction of Lady Hungate’s unofficial will alongside items left to the Bar ConventLiving Heritage Centre
TWO Houses, One Story: York’s Forgotten Women, a collaboration between the Bar Convent Living Heritage Centre and Fairfax House, opens today, marking International Women’s Day and Women’s History Month.
Running until April 27, the project explores the long intertwining histories of these illegal Catholic houses with an exhibition at each house that enhances the other.
Two of York’s most iconic historic houses, they share a history of strong Catholic women. One was founded as a secret convent, operating a pioneering school for girls, in Blossom Street; the other was constructed as the winter townhouse of Charles, 9th Viscount Fairfax of Emley, gifted to his daughter, the Hon Anne Fairfax, with its richly decorated interiors and stucco ceilings in a masterpiece of Georgian design and architecture in Castlegate.
Dr Hannah Thomas, the Bar Convent’s special collections manager, says: “The histories of the Bar Convent and Fairfax House are so closely intertwined that a joint exhibition such as this makes perfect sense.
The welcome to the Two Houses, One Story exhibition at Fairfax House
“Not many people are aware of the links between the houses but both Anne and Mary Fairfax attended the school here and Lady Hungate lived here with the sisters for 29 years.
“This exhibition gives us a fantastic opportunity to explore and share this exciting little-known narrative with the public and to work with the incredible team at Fairfax House.”
Sarah Burnage, curator at Fairfax House, says: “We are delighted to be working with our friends at the Bar Convent on this joint venture. The exhibition tells the story of women living in York in the 18th century and offers a fascinating glimpse into the little-known world of Catholicism in York”.
Two Houses: One Story features recently discovered documents, beautiful portraits and intriguing artefacts that give new insight into the day-to-day lives of these exceptional Yorkshire women.
Original 18th century account books referencing Lady Hungate, on display for the first time at the Bar Convent
The exhibitions explore how they navigated their faith during an era of persecution and suspicion, and how some were linked to dangerous underground activity that ultimately aided the survival of the Catholic faith in York and beyond.
At the Bar Convent, discover the early years of the Fairfax daughters who attended the school, how and why their grandmother, Lady Hungate, lived at the house for 29 years and the significance and legacy of this alliance.
At Fairfax House, learn more about the limited life choices that woman, like Anne Fairfax, faced in the 18th century. Also discover more about the Catholic networks in the city and how this clandestine community supported each other.
Each exhibition complements the other, and visitors to one house receive a 30 per cent discount on admission to the other with proof of receipt. The Bar Convent is open 10am to 5pm (last entry 4pm), Monday to Saturday; Fairfax House, from 10am to 4pm daily (Fridays: guided tours at 10am, 12pm and 3pm). Tickets: Bar Convent, barconvent.co.uk or 01904 643238; Fairfax House, fairfaxhouse.co.uk or 01904 655543.
Discover what Lady Hungate left to the Bar Convent in her unofficial will, on show at the Bar Convent Living Heritage Centre
Dr Hannah Thomas, the Bar Convent’s special collections manager, with a portrait of Mary Ward and her 17th century paternoster bead. Picture: Charlotte Graham
THE online campaign to support the cause to have 17th century York-born nun and educational pioneer Mary Ward declared a saint by the Roman Catholic Church will be launched today.
This petition launch heralds the beginning of the global annual celebration of Mary Ward Week 2024, marking her birth on January 23 1585 and death on January 30 1645.
In a nutshell, at a time when Roman Catholicism was illegal in England, Mary Ward strived for the equality and dignity of women in religion and education and paved the way for the first schools for girls to offer an education equal to boys, the second being established at the Bar Convent, Blossom Street, York, in 1686.
Today her vision is thriving in 42 countries at around 200 schools worldwide, and yet she was declared a heretic by the Catholic Church and was subjected to a 1631 Bull of Suppression that destroyed her first institution.
The subject of Ciaran O’Connor’s documentary, Mary Ward: Dangerous Visionary, voiced by Dane Judi Dench, Mary was the foundress of the Congregation of Jesus who reside at the Bar Convent, the oldest surviving Catholic convent in Great Britain.
On show there in the permanent display about Mary and her legacy is the 17th century crucifix that she carried on her multiple walks across the Alps to speak to the Pope, along with a pair of shoes from those walks and much else besides.
Prominent in the step-by-step progression to Mary’s “long overdue” beatification and canonisation by the Church is Sister Elizabeth Cotter, Canon Lawyer and Postulator for the Cause of Venerable Mary Ward, who will be promoting the campaign in York this week, with its centrepiece of an online petition to “take the cause to the next level”.
Sister Ann Stafford with Mary Ward’s 17th century crucifix at the Bar Convent Living Heritage Centre, York. Picture: Charlotte Graham
“As part of our case, we need to provide evidence that Mary Ward remains relevant today,” she says. “Key to this was her passionate belief that ‘women in time to come will do much’, which has always been the driving force of followers who brought her vision to 42 countries from her time and up to the present day.
“This recognition by the Church would provide the women of our time with a fine example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.”
Sister Elizabeth continues: “For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Church would validate the belief that Mary Ward is a saint for the modern world; she is needed as much by our 21st century world as she was in those dark days of opposition to women in the 17th century.
“Support for and belief in Mary Ward has never waned in more than 400 years and her beatification and canonisation by the Church is long overdue.”
Sister Ann Stafford, sister in charge at the Bar Convent Living Heritage Centre, says: “We have been contributing to the ongoing global campaign to have Mary Ward officially recognised by the Church as a saint. As someone who campaigned for the dignity of women all of her life, we truly believe that Mary Ward is a vital role model for our time.
“Please help our cause in any way you can. You can sign the petition; join the conversation across the social media platforms using #MaryWardForSaint; visit us at the Bar Convent to discover more about Mary Ward; help us to raise awareness about this local woman who made international history, or let the Cause Office know if you can help us in other ways by emailing causemaryward@gmail.com.”
Canon Lawyer Sister Elizabeth Cotter, Postulator for the Cause of Venerable Mary Ward, with the Sisters in Asansol, India
Explaining the present state of play, involving theological and historical commissions, Sister Elizabeth says: “The process is in the phase where the Church has to be sure that a person never worked or wrote against the Church or did anything contrary to the faith.
“But why has it taken so long? Mary was interred in a monastery in Anger, Munich, in 1631 when she was declared a heretic. When she was let out, she went to the Pope in Rome to seek her exoneration, but it has taken four centuries to do undo the damage done in what was written about her.
“The year of Veneration came in 2009 under Pope Benedict XVI, who had attended a Mary Ward kindergarten school in Germany as a five-year old.”
Now comes the Beatification stage. “We have to find proof of a miracle,” says Sister Elizabeth. “I was appointed to my role in 2015, and I spent 2015 to 2019 asking if anyone had come across a miracle resulting from a prayer to Mary Ward. We came across plenty.”
One such miracle has been selected, whereupon a tribunal/board enquiry has been set up in the Catholic diocese where it occurred, requiring proof of the person’s medical cure.
“Only when they have brought the enquiry to a conclusion will the authorities in Rome decide if Mary is to be beatified or not.”
Bar Convent Living Heritage Centre, in Blossom Street, York: the oldest surviving Catholic convent in Great Britain, opened in secrecy in 1686
The case for Mary Ward was submitted in December 2019, but a combination of the Covid 19 pandemic and the workload of the tribunal priest has kept Sister Elizabeth and Mary’s followers waiting and waiting.
“But what keeps me going is remembering how long it took for Mary to be venerated. I just handle the process on Mary’s behalf and make sure it’s all in order, and we pray for this priest all the time, hoping he will be able to conclude the tribunal because he has so much on his plate.”
In the meantime, special events will be running throughout Mary Ward Week and until February 17 at Bar Convent to highlight the cause. These will be led off by today’s 12.30pm to 1pm talk by special collections manager Dr Hannah Thomas on Mary Ward’s history-making, ground-breaking vision for religious and educational change, against all the odds, and why she should be declared a saint.
At Sunday’s annual ecumenical service at 4pm at St Thomas’s, Osbaldwick, the Anglican church where Mary Ward is buried, the Most Reverend and Right Honourable Archbishop of York Stephen Cottrell will give the homily.
“When Mary Ward died, Catholics were not allowed to be buried in York, but Mary’s followers were so honest in their ‘bribing’ of the Anglican priest at this tiny church in Osbaldwick that he agreed for her to be buried there,” says Sister Elizabeth.
Mary’s tombstone is now placed inside the church, bearing an epitaph with a coded reference to her determination that women might take inspiration from St Ignatius: “To love the poore, persever in the same, live, dy and rise with them was all the ayme of Mary Ward”.
Now the aim is to make Mary Ward a saint.
For more details and the link to the online petition, head to: www.barconvent.co.uk. Bar Convent opening hours: Monday to Saturday, 10am to 4pm.
Mary Ward: Painted Life Congregatio Jesu Augsburg (Germany); Foto Studio Tanner, Nesselway
Mary Ward: the back story
MARY Ward was born into a devout Catholic family after the English Reformation had taken place.
She had a tumultuous childhood; her family was forced to relocate several times to avoid detection and was linked with the Gunpowder Plot.
She witnessed the brutal persecution of her fellow Catholics, including the imprisonment of members of her own family, such as her grandmother, Ursula Wright and the martyrdom of her cousin, Fr. Francis Ingleby, on Knavesmire, York.
Mary felt called to the Catholic religious life that had been banned in England for 70 years and travelled to the continent where many other Catholics had fled.
She and her companions founded the first religious congregation for women modelled directly on the newly founded Society of Jesus (Jesuits), who take a fourth vow of universal mission to go wherever the Pope might send them.
Mary Ward believed that women were spiritually and intellectually equal to men and deserved an education that reflected that equality. Providing a proper education for girls was central to her work, and she travelled widely across Europe, founding schools in ten European cities by 1628.
These views and methods were far ahead of her time and the Catholic Church opposed her at every step and even had her imprisoned.
In 1617 she famously said: “There is no such difference between men and women that women may not do great things – and I hope in God it will be seen that women in time to come will do much.”
To put this into context, this was at a time when philosophers were debating if women even had souls; and her own religious adviser questioned whether women had as much religious fervour as their male counterparts due to the weakness of their sex.
It was a firmly held belief that too much education would be too taxing for the female brain. Even centuries later, in 1895, a manual on child development argued that if a girl overused her brain, it would damage her ability to bear children, noting that ‘this New Woman is only possible in a novel and not in nature’.
Mary Ward died on January 30 1645 during the English Civil War, having never seen her vision fully realised. She is buried in the churchyard at St Thomas’s, Osbaldwick, York, where her tombstone can be seen inside the church.
Across the global network of her religious congregation, the Bar Convent is the focal point and home of the historic legacy of her work.
After her death in 1645, her followers continued her work and opened a secret convent in York. They were the first to open schools for girls in this country that offered the same education as boys.
There is now a global following of thousands of religious sisters, along with around 200 schools worldwide in Mary Ward’s name, lay collaborators and Friends of Mary Ward.
Pope John Paul II singled out Mary Ward as an “extraordinary Yorkshire woman and a pioneer” in 1982 when he celebrated a Mass in York attended by 210,000 people.
In 2009, she was declared Venerable by Pope Benedict XVI, in the first step on the road to canonisation and sainthood. The next step is to have Mary Ward beatified, an ongoing task.
Mary Ward, by Ellie Lewis, an illustration from the In The Footsteps Of Mary Ward guide book at Bar Convent Living Heritage Centre
Why does Mary Ward deserve to be a saint? The Bar Convent charts the reasons
1. Mary Ward pioneered a new way to live the consecrated life at a time when the monastic life was the only way acceptable to the Catholic Church. Believing that God’s will was driving her towards this new way, she persevered despite imprisonment and condemnation by the Church she sought to serve.
Exonerated eventually, Mary Ward’s holiness of life was recognised by the Church in 2009 when Pope Benedict declared her “Venerable.” At a time when the worldwide Synod called by Pope Francis is urging stronger roles for women within the Church, Mary Ward is a prime role model for future generations and especially for girls.
2. Mary Ward’s passionate belief that “women in time to come will do much” has been the driving force of those who brought her vision and values to 42 countries in every continent from her time and up to the present day.
She continues to provide inspiration to the women of our time. Recognition by the Church would provide a much-needed example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.
3. Her key values of freedom, justice, sincerity and joy, vital in her 17th context, retain their significance and importance in a world so devoid of these virtues today.
4. Despite the way she was treated by the Church of her time, Mary Ward retained her love for it, urging her followers to “love the Church”. She is a model of critical fidelity at a time when many struggle within the Church.
5.Mary Ward lived and worked for the greater glory of God despite the obstacles in her way. Her life challenges us to do the same.
6. Mary Ward was an Englishwoman who held fast to the Catholic faith in an era of persecution and hostility to the Church. What a role model she is to English Catholics today. By making her a saint, the Church would give recognition to the many faithful women and men who hold fast to the faith despite difficulties.
7. For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Catholic Church would validate the widely held belief that Mary Ward is needed as much by our 21st century world as she was in the dark days of opposition to women in the 17th century.
“There is no such difference between men and women that women may not do great matters,”wrote Mary Ward in 1617
Hope: Shadow and Light: global drawing installation in the Bar Convent chapel, in Blossom Street, York. Picture: Greg McGee
HOPE: Shadow and Light, the new luminous installation in the 18th century chapel, takes centre stage in Bar Convent Living Heritage Centre’s Christmas experience in York.
Under the title of Let There Be Light!, the 17th century Blossom Street convent is aglow with a twinkling tree and decorative decorations, complemented by window displays of the Nativity.
Hope: Shadow and Light is a collaborative community work of art that not only responds to the Bar Convent’s Christmas theme but forms part of a global drawing campaign that originated in Viborg, Denmark, one of York’s fellow UNESCO Creative Cities of Media Arts.
Run in partnership with Greg and Ails McGee’s York arts charity New Visuality and installation artist Nick Walters, the installation projects more than 200 drawings from 15 countries on five continents on to the chapel dome, alongside work created in York as part of the #DrawWithDenmark – Green Together 2023 Campaign.
Councillor Martin Sanderhoff, from Viborg Kummune, Denmark, addressing the launch of Hope: Shadow and Light at Bar Convent Living Heritage Centre. Picture: Greg McGee
“Drawing is a universal language,” says Bar Convent marketing, PR and volunteering manager Lauren Masterman. “This global campaign uses creativity to generate positive change in a way that makes the world come together; a message that particularly emanates at Christmas.
The “visual conversation” has been joined by York schools Our Lady Queen of Martyrs and St George’s RC Primary; learners from Blueberry Academy; ESOL [English for Speakers of Other Languages] students from York College, and York’s Civic Party, led by the Lord Mayor of York, the Reverend Councillor Chris Cullwick. All art has been distilled into the video installation in the chapel and accompanying exhibition.
Greg McGee, New Visuality co-director and According To McGee art dealer, says: “Art is what makes life better than art, so we owe huge thanks to Bar Convent for reminding us of what a great thing UNESCO’s designation of York as a City of Media Arts is.
“We’re also grateful to City of York Council’s wards and more than 100 hundred of York’s young people who joined us to get creative, especially with working in tandem with Viborg’s globe-straddling Draw with Denmark campaign.
The window display of the Nativity at Bar Convent Living Heritage Centre. Picture: Frank Dwyer
“The results are here to view in the Bar Convent chapel, illuminated so beautifully by projectors from York’s XR Stories that let us paint in light. I’m also thanking in advance members of the public who are continuing to co-create with us by grabbing a blank tag, filling in their prayer, hope, and aspiration for next year for us to include in this ever-evolving exhibition.”
After attending the official launch event, City of York Councillor Jo Coles, executive member for health, wellbeing and adult social care, posted on social media: “It’s tough out there – the mental health of many has been affected. We’re all looking for hope wherever we can find it.
“Thanks to the Bar Convent, New Visuality, York UNESCO City of Media Arts and Guild of Media Arts, a long-standing partnership between City of York Council and Viborg, and some very tenacious individuals, we have a beautiful new exhibition to give us just that.
“Beautiful drawings by children from across the world, including many here in York, have been brought to life thanks to the amazing skills from the Viborg Animation Festival. All projected on to the ceiling of the beautiful Bar Convent chapel. Go see it! It’s stunning!”
City of York Councillor Jo Coles (Labour, Westfield Ward) speaking at the Hope:Shadow and Light launch event
In attendance too as part of a Viborg delegation’s three-day visit to York was Viborg Kummune councillor Martin Sanderhoff, who said: “The Draw with Denmark project, started in Covid to express what ‘hope’ meant to children, showed the power of drawing and creativity for young people. Drawing is needed for creative thinking to address and conquer our problems.
“We now have a global drawing campaign where 6,000 children from 45 countries, from Europe to Africa to America, are expressing hope under this year’s theme of Green Together.”
Bar Convent festive visitors also can experience the Georgian parlour, dressed for Christmas and a special Christmas display in the exhibition.
Let There Be Light! runs at Bar Convent Living Heritage Centre, Blossom Street, York, until December 19. Admission to the Hope: Shadow and Light installation and Georgian parlour is free; the Bar Convent exhibition, Secrets and Spies, costs £6, concessions £4, children £2, family ticket £12, at barconvent.co.uk. Opening hours: Monday to Saturday, 10am to 5pm; last admission, 4pm.
Greg McGee, New Visuality co-director, left, Henrik Holmskov, Focal Point of Viborg UNESCO Creative City of Media Arts, Chris Bailey, Focal Point of York UNESCO Creative City of Media Arts, Sister Patricia Harriss, of Bar Convent, Councillor Martin Sanderhoff, from Viborg Kummune, Jane LH Jensen, director of Viborg Animation Festival, and Ails McGee, New Visuality co-director at the launch of the Hope: Shadow and Light installation
Creative Connections: York and Viborg
THE UNESCO Creative Cities of York and Viborg, Denmark, are working together to improve life for citizens, to make the cities more liveable and to boost the economy.
Delegates from Viborg returned to York from December 5 to 7 to broaden the conversation between the cities, bringing together elected members, higher education, creative industries and business representatives and public health managers.
Those delegates were Councillor Martin Sanderhoff, Viborg Kummune, Henrik Holmskov, Focal Point of Viborg UNESCO Creative City of Media Arts, and Jane LH Jensen, director of Viborg Animation Festival and visibility director of Viborg Animation Workshop.
The aim is to explore the benefits from the creative sector becoming a permanent feature of the political landscape in both cities and regions.
The dialogue between York and Viborg started with ‘Hope’. In 2020, in the depths of lockdown during the Covid 19 pandemic, children and young people were among that hardest hit, shut out of school and away from their friends and wider communities.
In Denmark, Viborg City of Media Arts initiated the Draw with Denmark project, inviting children from around the world to submit drawings of ‘Hope’ to a team of creative animators. Children in York’s schools, led by REACH, the city’s creative education partnership, embraced the opportunity and had the chance to see their drawings exhibited in cities worldwide, as “the world became whole again and it was possible to think beyond confining walls”.
Since then, York and Viborg have continued to discuss shared opportunities and challenges for culture and creativity to make more successful, sustainable communities.
In 2022, with the support of the UK Department of Business and Trade, a Creative Export visit to Viborg was organised for York small creative businesses, while York welcomed two artists from Viborg to run family drawing workshops during the Viking Festival.
York media artist Kit Monkman, whose artwork People We Love was first installed in York Minster for Mediale 2020, remade the work with the participation of Viborg residents for exhibition in the Danish cathedral.
In April, York played host to Denmark’s Ambassador and Cultural Attache to the UK, as well as the UK’s Ambassador to UNESCO, and the deputy chief executive of Arts Council England, as an intensive three-day Study Visit by all 19 municipalities from Midtjylland in Denmark learned of creative approaches to common concerns, covering digital transformation of culture, cultural wellbeing and support for culture.
Chris Bailey, Focal Point of York UNESCO Creative City of Media Arts, says: “Creativity and culture are key to the future success of both of our cities in so many ways. We want to encourage York’s brilliant creative sector to take advantage of the opportunities to work with Viborg, a city with which we share so much history.”
Creative Connections: York and Viborg
THERE are 25 Media Arts Cities in the UNESCO Creative Cities group, the latest designations being for Caen, Casablanca, Novi Sad and Oulu.
The range of work York has undertaken through the Media Arts network over the past eight years includes:
Contributing to specialist conferences, e.g. in Gwangju, Changsha;
Supporting artists for residency or exhibitions in Guadalajara, Austin;
Enabling artist-to-artist collaborations such as City to City with Cali, Karlsruhe, Austin;
Hosting Media Arts Cities’ first meeting in 2018 in York.
York has been the deputy coordinator of Media Arts Cities for the past six years and has been working bilaterally with Viborg since the Danish city was designated a UNESCO Creative City of Media Arts in 2019 in the most fruitful collaboration to date.
Since 2020’s Draw With Denmark launch, York’s creative education partnership, REACH, has continued its engagement with Viborg every year. Drawings have been seen, sometimes animated, other times projected sky-high on the side of buildings, and have been celebrated at conferences around the world.
Further major projects, for instance in performance and in heritage interpretation, are distinctly possible, suggests Chris Bailey. “If these are not be isolated successes, we have to embed the relationship at all political levels and secure community support.
“With more creative organisations involved in the conversation, we believe there will be a steady flow of projects of all sizes, both as part of normal business or with additional funding. December’s visit provided an opportunity to identify potential partners and areas for further collaboration between Viborg and York.”
Did you know?
THE Guild of Media Arts is York’s membership organisation for the creative sector. The Guild is the Focal Point of York UNESCO Creative City of Media Arts
THE Bar Convent Living Heritage Centre, in Blossom Street, York, is inviting you to find answers to clues and discover secrets that helped to save Catholics from being caught by their persecutors in Hide & Seek – The Trail.
Secrets such as objects concealed in everyday household items; priest hiding holes, to be found within the Bar Convent; or invisible ink, used to write the secret letters sent by Mary Ward, but how did the recipients read them? Follow the trail and find the answers.
Explore the collections to uncover the ways that Catholics kept their true religion hidden from the authorities to avoid arrest or death. Discover the reason why Father Edward Oldcorne was hanged, drawn and quartered in the aftermath of the Gunpowder Plot. His crucifix – the only item to survive the raids on Catholic properties – forms the centrepiece of the exhibition.
On November 5 1605, the day of the State Opening of Parliament, Guy Fawkes, of York, was discovered preparing to light a fuse on 36 barrels of gunpowder, hidden under the Houses of Parliament in London.
Had he succeeded in his mission to blow up Parliament, he would have wiped out the entire Royal Family, the Lords and the Commons.
Father Edward Oldcorne’s crucifix
What was Edward Oldcorne’s connection to Guy Fawkes? How did the Bar Convent manage to build an illegal chapel in the middle of York without being caught?
So many questions to be answered in Hide & Seek, an exhibition that goes behind the scenes of the turmoil, suspicion, persecution and tragedy of that time.
Hide & Seek runs until November 5. Admission is £6, concessions, £4, children aged six to 15, £2, under 6s, free, family of four, £12; trail included. Opening hours: Monday to Saturday, 10am to 5pm; last entry 4pm. Tickets: 01904 643238 or barconvent.co.uk.
Dr Hannah Thomas, special collections manager at the Bar Convent Living Heritage Centre, with Father Edward Oldcorne’s crucifix from the Hide & Seek: The Aftermath of the Gunpowder Plot exhibition, opening today. Picture: Frank Dwyer
AN historic crucifix, a Wolds art trail, 40th anniversaries at the quadruple and a York-made horror double bill promise a heap of interesting encounters for Charles Hutchinson and you alike.
Exhibition launch of the week:Hide & Seek: The Aftermath of the Gunpowder Plot, Bar Convent Living Heritage Centre, Blossom Street, York, today until November 16
THE only surviving item from thousands seized in raids on Catholic houses after the 1605 Gunpowder Plot goes on show in York. The late 16th/early 17th century crucifix belonged to Father Edward Oldcorne (1561-1606), who was hanged, drawn and quartered despite being innocent of involvement. His crime: he attended school in York with infamous plotter Guy Fawkes and committed the treasonous act of becoming a Catholic priest.
On display will be new research into the crucifix, more information on Oldcorne and the men he was caught alongside, and an exploration of how priest hiding holes were constructed within the fabric of buildings. Tickets: barconvent.co.uk.
Andy And The Oddsocks: Songs, slapstick and silliness from Andy Day, centre, and co at York Theatre Royal. Picture: Alex Lake
Children’s gig of the week: Andy And The Odd Socks, York Theatre Royal, today, 1pm
STRAIGHT off the telly and onto the live stage, Andy And The Odd Socks bring their madcap mix of songs, slapstick and silliness to life with a 70-minute show to entertain families of all ages.
Fronted by Andy Day, CBeebies regular and 2021 York Theatre Royal panto star as Dandini in Cinderella, their sock’n’roll makes for the ideal first concert for children. Andy And The Odd Socks are patrons for the Anti-Bullying Alliance, by the way. Tickets update: filling up fast; 01904 623568 or yorktheatreroyal.co.uk.
Michael Mears and Riko Nakazono in Essential Theatre’s The Mistake
Studio show of the week: Essential Theatre in The Mistake, York Theatre Royal Studio, tonight, 7.45pm
DIRECTED by Rosamunde Hutt, Michael Mears’s Spirit of the Fringe award-winning play explores the events surrounding the catastrophic ‘mistake’ that launched the nuclear age, followed by a post-show discussion.
1942. On a squash court in Chicago, a dazzling scientific experiment takes place, one that three years later will destroy a city and change the world forever. Two actors, one British (Mears), one Japanese (Riko Nakazono), enact the stories of a brilliant Hungarian scientist, a daring American pilot and a devoted Japanese daughter, in a fast-moving drama about the dangers that arise when humans dare to unlock the awesome power of nature. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Delta Saxophone Quartet: Playing Steve Martland and The Soft Machine works at York Late Music’s concert tonight
Season start of the week: York Late Music, Franko Bozak, 1pm; Delta Saxophone Quartet, 7.30pm, Unitarian Chapel, St Saviourgate, York, today
FRANKO Bozac showcases the reasons why the accordion should not be underestimated in his afternoon programme, featuring a collaboration between composer James Williamson and visual artist Romey T Brough.
Celebrating their own ruby anniversary, the Delta Saxophone Quartet mark York Late Music’s 40th year by performing Steve Martland, The Soft Machine and new works. Box office: latemusic.org or on the door.
Elijah Dsenis-Constantine, as Tony, and Rebecca Ulliott, as Maria, in Be Amazing Arts’ West Side Story at the JoRo
Musical of the week: Be Amazing Arts in West Side Story, Joseph Rowntree Theatre, York, today and tomorrow, 2.30pm and 7.30pm
MALTON company Be Amazing Arts present Leonard Bernstein and Stephen Sondheim’s musical transition of Shakesespeare’s Romeo And Juliet to modern-day New York City, where two young idealistic lovers find themselves caught between warring street gangs, the “American” Jets and the Puerto Rican Sharks.
Arthur Laurents’s book remains as powerful, poignant and timely as ever, charting the lovers’ struggle to survive in a world of hate, violence and prejudice in this innovative, heart-wrenching landmark Broadway musical. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Ceramicist Gerry Grant: Taking part in Pocklington Area Open Studios 2023 at Venue 4, Fangfoss Pottery, with illustrator Sarah Relf
Art event of the weekend: Pocklington Area Open Studios 2023, today and tomorrow, 10am to 5pm
TAKING in Pocklington, villages with ten miles of the East Yorkshire market town, the Yorkshire Wolds and North Derwent Valley, Pocklington Area Open Studios 2023 features 28 artists in 14 venues.
This compact art trail features paintings, ceramics, textiles, jewellery and photography, with the chance to meet diverse painters and makers, many in their own studios, who will preview their latest works for sale, discuss their creative processes, potential commissions and upcoming workshops and courses.
Venue 1: Park Lane End Studio, Park Lane, Bishop Wilton: Colin Pollock, oils, acrylics and watercolour; Judith Pollock, printmaking and mixed media.
Venue 2: The Studio, The Old School, Skirpenbeck: Lesley Peatfield, fine art and abstract photography; Richard Gibson, sculptures.
Venue 3: Rocking Horse Studio, Rocking Horse Yard, Fangfoss: Shirley Davis Dew, painting; Sue Giles, textile art exploring Japanese Shibori techniques of dyeing; Richard Moore, handmade ceramic tiles.
Venue 4: Fangfoss Pottery, The Old School, Fangfoss,: Gerry Grant, ceramics; Sarah Relf, drawing and illustration.
Venue 5: I Woldview Road, Wilberfoss: Mo Burrows, jewellery; Bernadette Oliver, acrylic, ink and collage; Tori Foster, jewellery.
Venue 6: 4 Archibald Close, Pocklington: Peter Schoenecker, 2D and 3D art works.
Venue 7: 35 St Helens Road, Pocklington: Mary Burton, acrylics and pastels; Lee Steele, ceramics; Ingrid Barton, mixed media.
Venue 8: Newfold House Granary Studio, Newton upon Derwent: Chris Cullum, textile arts.
Venue 9: Tullyframe, Main Street, Barmby Moor: Penny De Corte, ceramic art; Avril Cheetham, jewellery.
Venue 11: Church Farm, Town Street, Hayton: Noreen Thorp, pastel, watercolour and mixed media, Lynda Heaton, watercolour and mixed media.
Venue 12: Hayton Studio, Manor Farm, Town Street, Hayton: Peter Edwards, mixed media; Harry Hodgson, mixed media.
Venue 13: Plum Tree Studio & House, Pocklington Lane, Huggate: Belinda Hazlerigg, paintings, printmaking, silk scarves and ceramics.
Venue 14: 3 Stable Court, Londesborough: Tony Wells, ceramics.
For the brochure, map and artist details, head to: pocklingtonareaopenstudios.co.uk/info.html.Free entry.
Hannah Sinclair Robinson’s Grete and a suspended Felipe Pacheco’s Gregor Samsa in Frantic Assembly’s Metamorphosis, on tour at York Theatre Royal. Picture: Tristram Kenton
Touring play of the week: Frantic Assembly in Metamorphosis at York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinee
POET, author, broadcaster and speaker Lemn Sissay has adapted Franz Kafka’s Metamorphosis for Frantic Assembly, visceral purveyors of theatre full of physicality, movement and emotional truths, who last toured Othello to York.
Gregor Samsa finds himself transformed from breadwinner into burden in this absurd and tragic story, wherein humans struggle within a system that crushes them under its heel in Kafka’s existential depiction of the limitations of the body and mind, imagination and aspiration. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Howard Jones: Songs old and new at York Barbican on Wednesday
Sing something synth-full: Howard Jones: Celebrating 40 Years 1983-2023, York Barbican, Wednesday, doors, 7pm
SINGER, songwriter and synth player Howard Jones, 68, is marking the 40th anniversary of his revolutionary debut single, New Song, performing in a five-piece with Kajagoogoo’s Nick Beggs on bass and Robert Boult on guitar. Expect a “sonic visual feast” of hits and fan favourites and a support spot from Blancmange.
“I think my ’80s’ work still resonates through the generations because of the positive message in the lyrics,” says Jones. “I’ve always believed that music can give the listener a boost, especially when things in life prove challenging. Things can only get better when we realise the power of our own actions and engagement.” Box office: yorkbarbican.co.uk.
Mike Scott: Leading The Waterboys for the seventh time since 2012 at York Barbican
More 40th anniversary celebrations: The Waterboys, York Barbican, Thursday, 7.30pm
MIKE Scott has made a habit of playing York Barbican, laying on his Scottish-founded folk, rock, soul and blues band’s “Big Music” in 2012, 2013, 2014, 2015, 2018 and October 2021.
Since then, The Waterboys have released 15th studio album All Souls Hill in 2022; re-released 2000’s Rock In A Weary Land, 2003’s Universal Hall and 2007’s Book Of Lightning on vinyl; appeared on Sky Arts’ The Great Songwriters and announced a six-CD box set of This Is The Sea for early 2024. Joining Scott will be Memphis keyboard player “Brother” Paul Brown, British drummer Ralph Salmins and Irish bassman Aongus Ralston.
Level 42’s Living It Up tour date on Friday the 13th is unlucky for some – it has sold out – but tickets are still available for fellow Eighties’ combo The Waterboys at yorkbarbican.co.uk.
The horror, the horror: Book Of Monsters and Zomblogalypse, made in York, screened in York on Friday the 13th
Spooky screening of the week: Book Of Monsters and Zomblogalypse, Spark: York, Piccadilly, York, Friday, 6pm to 11pm
YORK’S horror filmmaking community gathers this Friday The 13th for a special double screening of Dark Rift Horror’sBook Of Monsters and MilesTone Films’Zomblogalypse.
Both York-made indie films have enjoyed award-scooping film festival tours, with Dark Rift’s follow-up feature, How To Kill Monsters,now screening internationally.
Meet the filmmakers, cast and crew of each movie, including directors Stewart Sparke, Hannah Bungard, Miles Watts and Tony Hipwell and star Lyndsey Craine. Add in signings, photo opportunities with cast and props, and merchandise to buy, including both films on Blu-ray, official posters, art cards and other fun stuff. Box office: ticketpass.org/event/EGUKTC/dark-rift-double-bill. 18-plus only.
In Focus: How York composer James Williamson, artist Romey T Brough and Croatian accordionist Franko Bozac collaborated for Late Music premiere and Blossom Street Gallery exhibition
Croatian accordionist Franko Bozac: Premiering James Williamson’s Romey Collages at York Late Music today
YORK composer James Williamson’s composition, Romey Collages, will be premiered by accordionist Franko Bozac as part of the 2023 York Late Festival season today.
The work is a collaboration between James and artist Romey T Brough that emerged from him seeing her work at Blossom Street Gallery, Blossom Street, York.
Romey, who lived and worked in York for many years, now resides at her studio in the Hertfordshire countryside. Her latest collages will be on show at Kim Oldfield’s gallery until October 29 under the exhibition title of A Collaboration in Music and Colour
“It’s a really interesting exploration of the relationship between the audible and visual,” says Kim.
Croatian accordion virtuoso Franko Bozac will be making his Late Music debut at St Saviourgate Unitarian Chapel this afternoon, when Romey Collages will be showcased.
York composer James Williamson delivering Romey T Brough’s collaborative collages to Blossom Street Gallery
Composer James Williamson says: “This set of five pieces is a direct response to a set of monoprint collages by Romey. I first came across her work in 2016 in Blossom Street Gallery, where one of Romey’s collages was displayed on the wall and it immediately caught my eye.
“The collage was a vibrant display of repeated strips of colours, each strip with its own character, yet similar to the one before and after; a kind of self-similarity.”
At the time, James was working towards his PhD in composition, which drew on minimalist visual art and a fascination with the Deleuzian idea of difference and repetition and how might this apply to composing.
“To cut a long story short, I contacted Romey through the gallery to learn more about her work. We immediately connected over a coffee and thought it would be a great idea to collaborate on a project,” says James.
“Romey then created a series of five collages that drew inspiration from music, with each work having a musical title: Chaconne, Aubade, Nocturne, Pastorale and Berceuse. I then responded to these works and created a set of five pieces, each one being a musical interpretation of the works and their titles.
Chaconne Midday, mono’collage, by Romey T Brough
“Like most of my recent work, I use one or two ideas in each piece. I flesh these ideas out using repetition of singular fragments or phrases, juxtaposed by other contrasting fragments, similarly to Romey’s collages.”
Around the same time, James was contacted by Franko Bozac to commission a new piece. “I thought it would be great to tie the two projects together. I have always loved the accordion for its sound and versatility, and rather fittingly, when the bellows open up, it reminds me of collages themselves.”
In turn, Romey recalls: “I had a phone call from Kim, when I was exhibiting my monoprint collages in Blossom Street Gallery, saying that a young composer was interested in meeting me as he composed music the way I created my collages.
“I was very intrigued, and we met up for coffee outside York Theatre Royal. I hadn’t heard any of James’s compositions but was amazed by how we both could understand each other’s creative processes, and when he suggested a collaboration I was delighted to agree.”
Artist Romey T Brough at work on her mono’collages
On the bus back to her York studio, she thought of moods of the day from dawn to night. “Early the next day I travelled to Monks Cross on a very misty morning and Aubade/Dawn came to me,” she says. “The rest followed on, culminating in Nocturne/Night, inspired by the view from my studio through an established beech hedge of car headlights flashing past.
“I have since then indulged in listening to James’s compositions and created more collages inspired by his work. It’s been an exciting collaboration for me, and I hope to continue creating music-inspired images.”
Describing her modus operandi, Romey says: “My monoprints are created by painting with acrylic paint onto glass; the image is then transferred to paper. The glass is wiped clean each time a print is taken, therefore each one is unique.
“The collages are a development following on from the photographic ones I occasionally create. I am fascinated by how reorganising strips of my monoprints can bring more intensity to the colours and evoke memories and emotions.”
Berceuse Twilght, mono’collage, by Romey T Brough
DrJames Williamson: the back story
STUDIED at University of Huddersfield and Royal Academy of Music, completing PhD in Composition at University of York.
His works have been performed by: Psappha; Aurora Orchestra; Hebrides Ensemble; London Sinfonietta; CoMA London; Croatian Philharmonic Orchestra; Lunar Saxophone Quartet; Delta Saxophone Quartet; Quatuor Diotima; Ligeti String Quartet; University of York Symphony Orchestra; RAM Symphony Orchestra; Kate Ledger (piano); Anna Snow (voice); Ian Pace (piano), Franko Bozac (accordion) and Stephen Altoft (19-division trumpet).
Broadcasts include BBC Radio 3’s Late Junction and Hear And Now, Beethoven FM (Chile) and Radio 3 Beograd.
Nocturne Night, mono’collage, by Romey T Brough
Romey T. Brough: the back story
STUDIED initially at Harrow Art School in Middlesex, north of London. Awarded various certificates including national Diploma in Design.
Studied overseas in Italy in Positano, winning a scholarship. Studied with Professor Spadini at Rome Academy.
Work exhibited regularly at Royal Academy, London, and is in archives of Tate Gallery, London, and galleries and collections throughout UK, Japan, Australia and United States of America.
Shakespeare’s Songs producer and composer Nick Jones with, front pew, Meg Ollerhead and Lowen Frampton, and, second pew, Emma Scott, left, and Tracey Rea. Picture: John Saunders
ST Mary Bishophill Junior, probably the oldest working church in York, will swap hymns for Shakespeare’s Songs on September 22 and 23.
Taking over the ancient building – dating in parts to before the Norman conquest – York Shakespeare Project (YSP) will perform acoustic songs and instrumental music written specially for productions of As You Like It (2008), Troilus And Cressida (2011), Twelfth Night (2014) and The Tempest (2022), complemented by new songs from The Winter’s Tale and Love’s Labours Lost.
St Mary’s churchwarden, Graeme Thomas, says: “We’re always delighted to welcome visitors to our historic church. We’ve had theatre here before, and it will be an atmospheric setting for Shakespeare’s Songs.”
The venerable church has a Roman arch and Anglo-Saxon stonework and would have been centuries old already in Shakespeare’s own time. In contrast, the music by Nick Jones, Fergus McGlynn and York International Shakespeare Festival director Philip Parr is more contemporary, with Jones’s cast singing and playing instruments from guitars, ukelele and mandolin to cello, oboe, recorders and cajon.
Among those performers will be Maurice Crichton, who played Sir William Maleverer in York Theatre Royal’s community play, Sovereign, and fisherman Hector in YSP’s Sonnets At The Bar this summer; Emma Scott, the lead actress from YSP’s Macbeth and Rape Of Lucrece, and musical theatre regular Tracey Rea. Cast members from YSP’s Twelfth Night and The Tempest will feature too, alongside familiar faces from York Mystery Plays productions.
Introducing his new compositions for the show, producer Nick Jones says: “From The Winter’s Tale we have two new settings of songs for Maurice Crichton’s Autolycus, the pedlar with a taste for cheating and petty theft, in which he sings about his roving life: When Daffodils Begin To Peer and Jog On.
“From Love’s Labours Lost, Emma Scott and Sally Maybridge will sing the final song, When Daisies Pied. The play ends with an anticipated marriage halted by a death. The suitors are told to wait a year and prove their seriousness. The year passes in the course of the song, as winter follows spring. I think it’s Shakespeare’s most lovely song.”
Nick, who has devised Shakespeare’s Songs, says: “The York Shakespeare Project was set up in 2001 with the aim of performing all the Bard’s plays in York and completed that initial mission last year with Philip Parr’s production of The Tempest that toured North Yorkshire before a final performance at York Theatre Royal.
Producer Nick Jones: At the helm of a light-hearted revue of Shakespeare’s Songs. Picture: John Saunders
“Original music by local composers has often been a highlight of YSP’s productions and we thought it deserved to be heard again, in a light-hearted revue.
“Staging a musical celebration of our 22-year history, we’re marking that achievement with Shakespeare’s Songs, revisiting the original music from several of those plays and introducing some new songs with a cast of YSP regulars. It should be fun – and we’re exploring a couple of new venues to us, separated by about 1,000 years of architectural history.”
After the St Mary’s performances (7.30pm, September 22; 3pm and 7.30pm, September 23), Shakespeare’s Songs will switch to the thoroughly modern Super Sustainable Centre, Derwenthorpe, Osbaldwick, on September 24 at 7.30pm.
YSP heads into the autumn on the back of Sonnets At The Bar taking over the Bar Convent Living Heritage Centre’s secret garden from August 11 to 19. “We were blessed with dry weather and delighted with the response, drawing a record 600+ audience,” says chair Tony Froud.
The next production will be the first of YSP’s expanded mission to embrace works by Shakespeare’s contemporaries in the project’s second cycle, namely Christopher Marlowe’s Edward II at Theatre@41, Monkgate, York, from October 17 to 21 at 7.30pm nightly plus a 2.30pm Saturday matinee.
Edward II is king at last. Determined to shower his loved ones with gifts, he summons his exiled lover, Piers Gaveston, 1st Earl of Cornwall. King, court and country are intoxicated by their passions, whereupon the Queen takes her own lover and the nation is torn apart in a merciless divorce.
Their child watches from the shadows, desperate to mend his broken family and nation, or bring them to heel, in Marlowe’s poetic play about power and love: who has it, who seeks it and who suffers for it.
Box office: Shakespeare’s Songs, yorkshakespeareproject.org/shakespeares-songs or, if available, on the door; Edward II, tickets.41monkgate.co.uk.
Maurice Crichton in his role as fisherman Hector in York Shakespeare Project’s Sonnets At The Bar in the Bar Convent ‘s secret garden last month. Picture: John Saunders
Shakespeare’s Songs: the cast in full
Maurice Crichton, York stage regular, fresh from a summer playing Sir William Maleverer in York Theatre Royal’s Sovereign and Hector the fisherman in YSP’s Sonnets At The Bar.
Emma Scott, from YSP’s Macbeth and The Rape Of Lucrece.
Tracey Rea, musical theatre stalwart ( such as York Stage’s Chitty Chitty Bang Bang, April 2023).
Meg Ollerhead, from YSP’s The Tempest and York Mystery Plays.
Lowen Frampton, from York company Baron Productions and YSP’s The Tempest .
Michael Maybridge, from YSP’s The Tempest and York Mystery Plays Supporters Trust’s A Nativity For York and The Baptism Play from the Mysteries.
Sally Maybridge, from YSP’s The Tempest and York Mystery Plays Supporters Trust’s A Nativity For York and The Baptism Play from the Mysteries.
Tim Olive-Besly, from YSP’s The Tempest.
Nick Jones. “Apparently I’ve been in more YSP plays than anyone else, most recently The Tempest,” he says.
