Post-Lockdown 2, lights on for More Things To Do in and around York and at home. List No 20, courtesy of The Press, York

Travelling players: York Theatre Royal pantomime stars Robin Simpson’s dame, Faye Williams’ hero, Reuben Johnson’s villain, Anna Soden’s fairy and Josh Benson’s comic. Picture: Ant Robling

EXIT LOCKDOWN 2, enter Tier 2 for York and North Yorkshire, Tier 3 for next-door neighbours The Humber and West Yorkshire.

That means plenty of openings and re-openings for Charles Hutchinson to highlight, but no roads leading to Leeds, Hull or…Pocklington.

The pantomime season in York

NO Dame Berwick Kaler comeback in Dick Turpin Rides Again at the still-closed Grand Opera House, alas, but after two nights at the Theatre Royal this week, York Theatre Royal’s Travelling Pantomime will be making its way around York’s wards until December 23.

Dame for a laugh: Alex Weatherhill’s Dame Trott in York Stage’s Jack And The Beanstalk at Theatre @41 Monkgate, York. Picture: Charlie Kirkpatrick

Audience members will vote for whether they want to see Jack And The Beanstalk, Dick Whittington or Snow White. All performances have sold out but more may yet be added.

Tickets are still available for York Stage’s Jack And The Beanstalk, directed by Nik Briggs and choreographed by West End hotshot Gary Lloyd at Theatre @41 Monkgate from December 11 to January 3. Fans of York drag diva Velma Celli should look out for creator Ian Stroughair’s transformation into baddie Flesh Creep.

The Marian Consort: Live at the NCEM for the York Early Music Christmas Festival and online for York Christmas At Home

Festival at the double for 2020: York Early Christmas Music Festival, National Centre for Early Music, York, December 4 to 12 and York Christmas At Home, December 11 to 13

THE 2020 York Early Music Christmas Festival will be not one, but two festivals, one at the NCEM, the other online. Festive concerts will be performed with Covid-secure safety measures and cabaret-style seating at St Margaret’s Church, Walmgate, York, complemented by a new digital weekend festival.

York Christmas At Home will be streamed from December 11 to 13, with the Yuletide music concerts available on demand throughout the Christmas period until January 6 2021.

Performing live will be Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour. Add The Chiaroscuro Quartet, Matthew Wadsworth and Kate Bennett Wadsworth, Spiritato!, Steven Devine and Stile Antico to that list for the At Home programme.

On your mask, get set, go: Susan Bower’s Christmas Party 2020, newly on show at Kentmere House Gallery, York

Post-Lockdown 2 gallery re-opening: Kentmere House Gallery, Scarcroft Hill, York, from this evening (3/12/2020)

NEW work by Susan Bower, John Thornton and Rosie Dean has arrived at Kentmere House Gallery in good time for Christmas. Ann Petherick will re-open her home art-space tomorrow evening from 6pm to 9pm, followed by weekend opening each Saturday and Sunday until December 20 from 11am to 5pm.

Oils, watercolours, pastels and original prints by 70 British artists are on display, along with books, greetings cards and Christmas cards exclusive to the gallery.

Visits arranged by appointment will be resuming too, on 01904 656507 or 07801 810825 or by emailing ann@kentmerehouse.co.uk.

Climate change: Danny Mellor and Anastasia Benham in Badapple Theatre Company’s The Snow Dancer

Christmas snow: Badapple Theatre Company, in The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm

GREEN Hammerton’s Badapple Theatre revive their 2019 Christmas hit, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.

Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.

Welcome back: Stu Freestone wants a word with you at Say Owt’s December 11 return to live performance

Owt and about again: Say Owt word weavers at The Crescent, York, December 11, 7pm

SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent, re-opening that night with Covid-secure measures and a seated capacity of 60.

Stepping up to the mic will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola.

“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Raby. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves.”

A guided quest with Potions Professor, magical spells and afternoon tea add up to A Very Magical Christmas on the streets of York

New children’s attraction of the week in York: A Very Magical Christmas, York city centre, until January 5

FROM the creators of A Very Magical Adventure comes A Very Magical Christmas: a live interactive theatrical quest with magical spell-casting and a fun, festive afternoon tea with special effects to knock your socks off. Even a visit from old St Nicholas is promised.

The quest will begin at St Michael le Belfrey, where you will meet your guide, the Potions Professor from Old Jacob’s School of Magic, who will teach you how to cast spells and find clues that will lead you to the secret location of the wizard school. For more details, go to averymagicaladventure.co.uk.

A Peter Rabbit Winter Adventure Activity Trail: Solve clues at Beningbrough Hall on various dates in December

Children’s attraction of the week outside York: A Peter Rabbit Winter Adventure Activity Trail, Beninbrough Hall, Beningbrough, near York, December 5 and eight other open days, 10am to 3pm

GRAB a £2 goody bag per child while stocks last, complete with an activity sheet, pencil, certificate, badge and play pack, to embark on a family-friendly Peter Rabbit Winter Adventure Trail in the Beningbrough Hall gardens and grounds.

The task is to solve the clues to help Peter and his friends prepare for the winter ahead, while spotting nature in all its seasonal glory. Expect to find Mrs Tiggy-Winkle, Mr Jeremy Fisher, Flopsy, Mopsy and Cotton-tail before having your photograph taken beside the Peter Rabbit board.

Do check availability of the goody bags before setting off at nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens

Ghost story for Christmas: Alan Ayckbourn has voiced all the roles for the Stephen Joseph Theatre’s audio version of his 1994 play Haunting Julia. Picture: Tony Bartholomew

And what about?

TUNE into Alan Ayckbourn’s ghost story for a winter chill, his 1994 play Haunting Julia, in an audio version for the Stephen Joseph Theatre, Scarborough, with all three roles voiced by Ayckbourn, at  sjt.uk.com/event/1078/haunting_julia until January 5.

Don’t miss the SJT’s Christmas show, Nick Lane’s one-woman version of The Snow Queen, starring Polly Lister at some shows, Jacoba Williams at others, from December 7 to 31.

York Barbican has been busy booking shows for 2021: artist and TV presenter Grayson Perry’s existentialist distraction from the very meaningless of life, A Show For Normal People, September 6;  London indie-pop trio Scouting For Girls, October 10; astronaut Tim Peake’s Journey Into The Unknown, November 2, and comedian Sarah Millican’s Bobby Dazzler, November 12 and 13.

“You’ll leave safe and warm in the knowledge that nothing really matters anyway,” promises Grayson Perry

Shop ‘closes’ after only one day, but Gerard Hobson’s choice is to keep the animal magic coming. Here’s how…

Gerard Hobson’s choice of shop-window dressing at the old Bulmers building in Lord Mayor’s Walk, York

QUESTION. Which York shop opened on a Wednesday, only to close the very next day, but could yet run for a year?

The answer is Gerard Hobson Printmaker, in the old Bulmers building just beyond the corner where Monk Bar turns into Lord Mayor’s Walk.

Linocut artist Gerard was rudely interrupted by Lockdown 2’s killjoy claw tapping on his shoulder, but the lights illuminating his lampshades are still on: a beacon to the boxing hares in this former zoologist’s beautifully decorated window display and the walls beyond with their abundant bursts of wildlife and nature in myriad forms: prints; cut-outs; mugs; tea towels; cushions; cards and more.

“Having planned to open on November 4, before the new measures were then announced, I had to put all my efforts into opening for one day before lockdown,” says Gerard, a regular participant in York Open Studios at his Clifton home studio.

“Over the next month, I’m using the shop [frontage] as a means of getting myself known to a wider audience in York and continuing to sell my art and products online.

Cut-outs by printmaker Gerard Hobson on show at his new shop in York

“We’re operating a click-and-collect service where people can email me with enquiries or orders and they can either pick up from the shop on a certain day – probably Saturdays – or we’re doing free deliveries on orders over £15 in a ten-mile radius from York.”

Bringing the outdoors inside, Gerard’s work is full of joy: a joyfulness that permeates his decision to go ahead with his shop launch. “Although the timing in these matters was not perfect, I decided to open a shop in York against the tide of shop closures,” he says.

“I had a fantastic day on the Wednesday opening and am very positive about what this next month might bring.”

So much so that in the city with the highest net loss of chain-stores outlets in the UK in the first half of 2020 (55 in total), Gerard ponders: “Wouldn’t it be wonderful if empty shops could be used by independent businesses for this period up to Christmas to run their businesses out of.

“York could become alive with shop-window displays offering click and collect or home deliveries.”

Gerard Hobson at work in his studio in Clifton, York

Here Gerard Hobson answers Charles Hutchinson’s questions on opening shops in Covid times, window shopping, York’s city-centre future and his plans for 2021.

What prompted your decision to go against the tide by opening a shop at this difficult time, Gerard?

“York is a very small place and I happen to know the landlord of the old Bulmers building. He hadn’t any plans for the shops and asked me if I would like to use one of them to sell my art for a couple of months leading up to Christmas; with the idea that if it was a success, I could continue the lease into the new year.

“I had never thought of opening a shop before but thought it seemed like a great opportunity; especially with lots of shops closing in York, I thought I would buck the trend.” 

How did you go about designing the shop and how does it contrast with your Open Studios and Christmas shows at your home and on a grand scale in the gallery, grounds and gardens of Beningbrough Hall earlier this year?

A stack of cards designed by Gerard Hobson on display at his shop

“When I first looked at the shop, a lot of work still needed doing to it. It hadn’t even got a floor. I liked the fact the back wall was just breeze blocks, which gave it a more industrial feel, which would work well as my work space. I didn’t want it to feel too polished or formal.

“I measured it up and then sourced pre-loved pieces of furniture in and around York. The exception was the shop counter. I know a chap who sells large slabs of wood, so I bought a piece of elm from him and made the counter base out of a large pallet.

“As an artist, it’s fantastic when someone says you can do what you like with the space – the perfect blank canvas!”

What did your learn from mounting the Winter Wildlife In Print exhibition at Beningbrough Hall? Was it a perfect union of location, theme and artform? Discuss...

Gerard Hobson with one of his installations at Beninbrough Hall, near York

“Working at Beningbrough was a huge learning curve for me. The National Trust were amazing at allowing me free rein to use the grounds as I wished to install the exhibition.

“There are times when you really doubt what you are doing and think the whole thing just isn’t going to work. So, it’s a huge relief when it eventually comes together and all the risks are worth it!” 

You have been stoical about the Lockdown fates playing their hand. How will the shop operate through lockdown? 

“The announcement of the second lockdown was quite sudden but opening for just one day was great. Lots of my regular customers and friends dropped in on the day and it went much better than I had anticipated.

“This year has been so uncertain, especially for the arts, so I didn’t get down about it closing. I thought, ‘I have this shop window; what a great opportunity to advertise my art’, so I’ve put a notice in the window to allow people to window shop and buy through my website.”

On the case: Assorted items by Gerard Hobson for sale via click and collect at his York shop

How long into the new year do you envisage running the shop? Is it a pop-up shop or might it turn into a longer-term enterprise?

“My brother-in-law, Robert Feather, had a jewellery shop on Gillygate for many years, so he’s been very helpful in giving advice. My plans are to run the shop for a year so that I can look at the bigger picture and work out the ebbs and flows of retail (of which I’m sure there are many!).” 

How would you improve the city-centre streets of York?

“I find on the whole that York’s city centre has become a very sad shopping experience. When you go to other European countries, their towns and cities are full of interesting and diverse independent shops. Yet York has such great potential.

“Wouldn’t it be great to see lots of small independent shops, rather than lots of empty ones? It seems such a shame that high rental prices and business rates stop small businesses from setting up.”

Hare today, but thankfully not gone tomorrow, even though Lockdown 2 forced Gerard Hobson to close his shop after only one day

What’s coming up for you in 2021?

“2021 looks like it could be a very exciting year for me. As well as running the shop, I’ll be taking part in York Open Studios in April, which is always an exciting event to be part of.

“I’m running a couple of linocut courses at the RHS Harlow Carr gardens in Harrogate, as well as several classes throughout the year from my house.

“I’ll be working on more indoor installations and artworks for Little Green Rascals Organic Day Nurseries in York. I’ve known the owner, Vanessa [Warn], for many years and we share the same passion that a child’s space, where they learn and grow, should be nurturing and have a homely feel about it.”

Dressing the dresser: Gerard Hobson displays more of his wildlife wonders

Busy, busy! Anything else?!

“I’m also planning an exhibition at York Hospital.”

And finally, putting on your salesman’s hat, sum up what can be bought from the shop…

“Everything for sale in the shop has my designs on it. Limited-edition hand-coloured prints; bird, animal, tree and mushroom cut-outs; cards; mugs; cushions; coasters; chopping boards;  lampshades; tea towels; notepads and wrapping paper.

“There are even some handmade candles made locally. I didn’t make them but I did the logo on the box. Something for everyone, I hope.”

Wellbeing guaranteed at Beningbrough Hall after In The Moment exhibition is extended

Smiling at Doing, Thinking, Speaking, by Lisa Milroy, from Arts Council Collection, Southbank Centre, London © Lisa Milroy. Picture: © National Trust/Anthony Chappel-Ross

IN The Moment: The Art of Wellbeing will be in the moment for much longer than first planned at Beningbrough Hall, Gallery and Gardens near York.

The show was scheduled to close this autumn, but after a temporary closure enforced by Covid-19 lockdown restrictions, the exhibition run is being extended to October 31 2021.

First opened in the spring in the Saloon Galleries at the National Trust country house, In The Moment explores how art can help relaxation and provide a break from life’s daily worries.

Ecclesia, by Bridget Riley, from Arts Council Collection, Southbank Centre, London © Bridget Riley 2020. Picture: © National Trust/Anthony Chappel-Ross

Presented in tandem with the Arts Council Collection, the show was inspired by research that affirms visiting an art gallery is good for your health.

In this instance that means viewing works by such high-profile artists as L.S. Lowry, Tracey Emin, Damien Hirst, Henry Moore and Marc Chagall. The combination of sculpture, colour and intricate sketching alongside video allows visitors to explore their own personal responses to the art.

Covid-secure safety measures are in place at Beningbrough Hall, including a new one-way route to allow for social distancing that utilises the spiral servants’ staircase.

Doryphoros, by Matthew Darbyshire, from Arts Council Collection, Southbank Centre, London © the artist. Gift of the artist, 2017. Picture: © National Trust /Anthony Chappel-Ross

Ann Jones, curator at the Arts Council Collection, says: “We are delighted that In The Moment has reopened at Beningbrough Hall and will be extended until October 2021, enabling more people to see the exhibition.

“Its theme of wellbeing is particularly pertinent at this moment and we hope that visitors will find seeing the art works an uplifting experience.”

The Great Hall and Saloon Galleries are playing host to 14 “engaging and different” artworks, curated to encourage visitors to explore the “five ways to wellbeing”. Namely, to connect, to be active, to give, to keep learning and to take notice. 

Birds, 2012, by Tracey Emin, from Arts Council Collection, Southbank Centre, London © the artist. Picture: © National Trust /Anthony Chappel-Ross

Among the exhibits are the translucent and colour-shifting Doryphoros sculpture by Matthew Darbyshire, standing tall in the Great Hall; the bold hues of Orange No.1 by Basil Beattie in the Saloon and the immersive detail of Doing, Thinking, Speaking by Lisa Milroy.

To see Ecclesia by Bridget Riley, visitors will need to visit Beningbrough Hall before the end of this year because this piece was committed to another exhibition before the agreed extension.

The galleries are sited primarily on the first floor of the hall, where other rooms not part of the exhibition remain closed. To add to their wellbeing, visitors can explore the eight acres of gardens, now awash with autumn colours and a bountiful harvest in the walled garden.

Untitled from the series Where We Belong, by Alejandra Carles Tolra, from Arts Council Collection, Southbank Centre, London. © the artist. Picture: © National Trust /Anthony Chappel-Ross

The stables shop and restaurant are open with spaced-out seating both indoors and outside and takeaway options are available too.

Beningbrough Hall, Gallery and Gardens, near York, is open Wednesday to Sunday, 10am to 3.30pm until November 1; during November, Friday to Sunday, then weekends until March plus the festive Bank Holidays and school half-term in February. Extended opening will resume in Spring 2021.

Booking is recommended to guarantee admission by 3pm the day before, although it is not always needed on quieter days mid-week. Go to: https://www.nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens

York artist Gerard Hobson enjoys winter walk on the wild side at Beningbrough Hall. UPDATED

York artist Gerard Hobson with his wren installation beneath the Clock Tower at Beningbrough Hall, near York. Pictures: Sue Jordan

YORK linocut artist Gerard Hobson is exhibiting for the first time at Beningbrough Hall, Beningbrough, near York.

His Winter Wildlife In Print show at the National Trust property combines prints for sale in the Hayloft gallery with 14 sculptural scenes in the outbuildings, gardens, grounds and parkland, inspired by creatures that make Beningbrough their winter home.

Throughout winter until March 1, they can be seen only on Saturdays and Sundays, from 11am to 3.30pm, and additionally during the February half term.

Hedgehog in winter, by Gerard Hobson,

Created out of linoprints, cut out and mounted to make Hobson’s 3D installations, birds are swooping, climbing or nesting among the trees, from owls and robins to cuckoos, wrens and swifts.

Eyes should be kept peeled for the naughty magpies with their stolen ring. Do look out, too, beyond the ha-ha to the parkland to spot a pair of boxing hares, better seen close-up should anyone be carrying binoculars.

Bang goes the common knowledge, by the way, that boxing hares are a brace of males scrapping over a female. Apparently, as a sign reveals, the fights involve a male and a female, not welcoming his persistent attention. Who knew, the lady hares are effectively saying “Do one” or “Get yourself a better chat-up line”!

Hare, by Gerard Hobson, one of the linoprints in the Hayloft gallery at Beningbrough Hall

These outdoor installations are the first time Gerard Hobson has used his work in this way, and in creating the exhibition, he has made many new pieces especially for the Beningbrough garden.

Not only birds, but other animals too make an appearance in unexpected places, searching for food and preparing to hibernate or sleep, whether bats, mice, stoats or a hedgehog.

Make sure to head upstairs in the stables to the Hayloft for an indoor exhibition showcasing more of Gerard’s printed work, all for sale. Visitors also can create a feeder in the bothy and pick up one of the special colouring-in sheets in the walled garden restaurant, while in the laurel den a dawn chorus soundscape is a reminder of warmer days to come.

Here Charles Hutchinson puts the questions on the art of the matter to artist Gerard Hobson.

You have a background as a zoologist and botanist. What draws you to depicting nature and wildlife, Gerard?

“One of my earliest recollections was collecting a set of bird cards given away with PG Tips tea (I would love to do a set for Yorkshire Tea).

“This moved on to sets of animals both native and around the world, which then grew into a love of nature.

A bird collage by Gerard Hobson

“At the age of about 16, I had a ten-minute chat with a careers adviser, who asked me what my interests were. I said ‘nature and art’ and he said ‘there’s no money in art, go down the science route’, hence the zoology.

“My first job after graduating was with the Wiltshire Wildlife Trust and this is where my knowledge of plants developed.” 

In this age of climate change concern and the extinction of creatures, your art can make a powerful statement …but at the same time, in the short film shown in the Beningbrough Hall bothy, you talk of your art being fun. Discuss…

“People who buy my prints tell me they’re bright and cheerful and have a sense of fun about them. I’m pleased they get that response but I also hope that my images might create a greater interest in wildlife.

“I think most people are aware of the loss of habitat and species and the impact of global warming on our environment, but people feel the problem is so great that their small contribution isn’t going to make any difference.

“I hope my art may stir people to become more interested in the wildlife around them, to feed the birds and join their local wildlife trust. To share this with their children and their children’s children and hopefully generations of young people will become more interested in the birds and woodlands around them. Maybe some will go on to be environmental campaigners – who knows!”

Gerard Hobson at work in his York studio

Your past work often has been of individual creatures. How did you come up with the idea of doing installations and sculptural scenes for the Beningbrough exhibition?

“When I was asked to do an exhibition at Beningbrough, they told me they wanted me to do something outdoors but they wanted me to use my linocuts. However, I knew this was going to create several problems.

“Life-size birds outside would just disappear into the great outdoors, so I had to do everything twice its normal size.

“I wanted the work to be original because somehow, once you reproduce art, it seems to lose its essence, but trying to make my paper linocuts waterproof also proved challenging.

“I felt each installation needed some sort of narrative.  So, my vision for the exhibition was not just about the art but for each one to be linked with some related fact or folklore.”

How does the impact of a group of birds/hibernating animals/etc contrast with those past works?

“I think the outdoor display at Beningbrough challenged me artistically as I have never done an outside exhibition before and I wanted to come up with something a little bit different and quirky: a seek and find concept.

Pheasant, one of the linoprints by Gerard Hobson, at Beningbrough Hall’s Hayloft gallery

“As an artist you are looking at ways to develop, but not lose your style. Before the offer at Beningbrough came about, I’d been considering doing some framed images of my linocuts in naturalistic settings using fake plants, branches, mosses etc.

“When I was about 12, I started collecting taxidermy and had quite a large collection, but over the years it has become less fashionable. However, taxidermy still interests me as an art form, hence the thought of putting my linocuts in cases.”

What influence did the Beningbrough Hall outbuildings and grounds have on your work. Furthermore, did the task of creating work for the outdoors present different challenges?

“When I was asked to do the exhibition, the brief was very broad and they basically gave me carte blanche on the spaces around the grounds, which was fantastic!

“I obviously wanted to do something that was on a circuit so I  around a few times, identifying my favourite trees and possible places to put things.

“Many of the themes for the installations came from the spaces themselves. The stumpery led to the creation of a group of mushrooms and the tool shed looked like a good setting to put animals and birds for sheltering away from the cold winter weather.”

A close-up of the wrens, one of 14 sculptural scenes by Gerard Hobson at Beningbrough Hall this winter

What impact did the winter season have on the work?

“The winter weather has created a few problems. When we were installing the exhibition, it seemed to be constantly raining, which made the installation a very cold and wet experience!

“Once the exhibition was up, we had a couple of weeks where various pieces were coming away from their metal dowel. (I’m not sure if it was the persistent rain or the wrong sort of glue being used.)

“Added to which, very high winds brought down the swallow installation twice and the boxing hares were blown over. There has also been a problem with the thrush installation being attacked by what we think is the resident jackdaw population! “However, through it all, the gardeners and volunteers at Beningbrough have been fantastic at helping put things right.”

What will happen to the installation pieces after the exhibition ends on March 1?

“Good question, no idea. Some of the pieces have weathered, which gives them a look of an old loved toy. I don’t think they’ll last outdoors permanently. I’m open to suggestions.”

Bird And Mistletoe, a winter linoprint by Gerard Hobson

What do you like most about linocuts as an artform?

“I went on a printmaking course at York College about ten years ago and I was particularly taken with producing linocuts.

“Carving away on lino has a very therapeutic feel to it, and it was through this medium that I developed my own style. Prior to this, I’d been quite good at art technically, but didn’t have a particular look to my art, so this technique seemed to release me into something I’d been trying to do for years.

“When you produce a piece of art, you can feel quite attached to it, and it can be quite difficult to part with. With a linocut, because it’s one of a limited edition, you can always hold one back for yourself or a loved one.” 

What are you working on next? York Open Studios 2020 on April 18, 19, 25 and 26, perhaps?

“My exhibition in the Hayloft gallery at Beningbrough is running until the beginning of March, with the sales from this keeping me quite busy at the moment, and I want to keep refreshing this part of the show, so that returning visitors get to see something a little different each time.

“Also, I need to crack on with some new work for York Open Studios, which I’m very excited about this April.” 

Gerard Hobson’s Winter Wildlife In Print exhibition and installations are on show at Beningbrough Hall, Beningbrough, near York, until March 1. To plan a visit, go to nationaltrust.org.uk/beningbrough for more information.

Hare leap: one of Gerard Hobson’s linocut prints at Beningbrough Hall

Did you know?

SINCE childhood, Gerard Hobson has had a love for birds, animals and art. His fascination with wildlife saw him qualify as a zoologist from Bangor University in 1984 and he then worked for a couple of years for Wiltshire Wildlife Trust as a botanist. Later he became an illustrator for the trust, working on leaflets and sign boards.

After relocating up north, Gerard worked for Yorkshire Wildlife and continued to develop his work on a freelance basis. In more recent years, he has turned his hand to woodcarving and these days focuses his attentions on print making, having studied the art form in York. 

York artist Gerard Hobson turns Beningbrough Hall into a winter wildlife wonderland

York artist Gerard Hobson with his wren installation beneath the Clock Tower at Beningbrough Hall, near York. Picture: Sue Jordan

YORK artist Gerard Hobson will hold the first of three print-making workshops in the Hayloft gallery at Beningbrough Hall, Beningbrough, near York, on Saturday to tie in with his Winter Wildlife In Print exhibition and installations at the National Trust property.

Alas all three 10am sessions – using Beningbrough’s garden for inspiration – are fully booked: the first two, this weekend and on February 8, focusing on linoprint making; the third, on February 22, being a family printmaking session.

Hare, by Gerard Hobson, one of the linoprints in the Hayloft gallery at Beningbrough Hall

Hobson’s Hayloft print exhibition and 14 sculptural scenes in the outbuildings, gardens, grounds and parkland are inspired by creatures that make Beningbrough their winter home.

Throughout winter until March 1, they can be seen only on Saturdays and Sundays, from 11am to 3.30pm, and additionally during the February half term. To plan a visit, go to nationaltrust.org.uk/beningbrough for more information.

A bird collage by Gerard Hobson

Created out of linoprints, cut out and mounted to make Hobson’s 3D installations, birds are swooping, climbing or nesting among the trees, from owls and robins to cuckoos, wrens and swifts.

Eyes should be kept peeled for the naughty magpies with their stolen ring. Do look out, too, beyond the ha-ha to the parkland to spot a pair of boxing hares, better seen close-up should anyone be carrying binoculars.

Gerard Hobson at work in his York studio

Bang goes the common knowledge, by the way, that boxing hares are a brace of males scrapping over a female. Apparently, as a sign reveals, the fights involve a male and a female, not welcoming his persistent attention. Who knew, the lady hares are effectively saying “Do one” or “Get yourself a better chat-up line”!

These installations are the first time Gerard Hobson has used his work in this way, and in creating the exhibition, he has made many new pieces especially for the Beningbrough garden. Not only birds, but other animals too make an appearance in unexpected places, searching for food and preparing to hibernate or sleep, whether bats, mice, stoats or a hedgehog.

Pheasant, one of the linoprints by Gerard Hobson, at Beningbrough Hall’s Hayloft gallery

Helen Osbond, exhibition manager for the National Trust, says: “We’re thrilled to host so much of Gerard’s work at Beningbrough this winter. In working towards the exhibition, it’s been a real insight to see how, as an artist, he draws on his botanist background in his designs, and there’s a short video in the bothy showing the process and steps taken in the intricate art of linoprinting.” 

Make sure to head upstairs in the stables to the Hayloft for an indoor exhibition showcasing more of Gerard’s printed work, all for sale.

A close-up of the wrens, one of 14 sculptural scenes by Gerard Hobson at Beningbrough Hall this winter

“It’s not only the chance to discover the series of sculptural scenes, we want the visit to be an immersive experience,” adds Helen. “Visitors can create a feeder in the bothy and pick up one of the special colouring-in sheets in the walled garden restaurant, while in the laurel den there’s a dawn chorus soundscape; a reminder of warmer days to come.”

Did you know?

SINCE childhood, Gerard Hobson has had a love for birds, animals and art. His fascination with wildlife saw him qualify as a zoologist from Bangor University in 1984 and he then worked for a couple of years for Wiltshire Wildlife Trust as a botanist. Later he became an illustrator for the trust, working on leaflets and sign boards.

Artist Gerard Hobson surveys his wren work at Beningbrough Hall

After relocating up north, Gerard worked for Yorkshire Wildlife and continued to develop his work on a freelance basis.

In more recent years, he has turned his hand to woodcarving and these days focuses his attentions on print making, having studied the art form in York.