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More Things To Do in York and beyond as Step 3 gathers pace away from home. List No. 34, courtesy of The Press, York

York Minster, west front, by Susan Brown at Kentmere House Gallery, York

THE Roadmap route to recovery is becoming ever busier, like the roads into York. This has prompted Charles Hutchinson to resume his weekly, rather than fortnightly, eerie to spot what’s happening.

Exhibition launch of the week: Susan Brown, Kentmere House Gallery, Scarcroft Hill, York, until July 4

HUDDERSFIELD artist Susan Brown has returned to York Minster, one of her favourite locations for her architectural paintings, for her spring and summer show at Kentmere House Galllery, York.

Her artistic focus is on city life and our relationship with our environment, exploring the rhythm and movement within buildings and interiors, along with creating beautiful abstract paintings, inspired by still-life subjects and landscapes, with an emphasis on texture and pattern.

“Susan’s paintings are bold and striking, predominantly worked in watercolour and acrylic,” says gallery owner Ann Petherick. “The gallery is open anytime by prior arrangement or chance: you can ring 01904 656507 or 07801 810825 or email ann.petherick@kentmerehouse.co.uk, or just take pot luck by ringing the bell. Please ring in advance if travelling any distance.”

Kentmere House Gallery’s next open weekend will be on June 5 and 6, 11am to 5pm; the gallery has a weekly late-evening opening on Thursdays to 9pm.

Jonty Ward: Recital organist and director of music at St Lawrence Parish Church, York

Festival of the week: St Lawrence Trinity Festival, St Lawrence Parish Church, Lawrence Street, York, May 29 to June 5

A £410,000 restoration has perked up the 1885 Denman organ transferred from St Michael-le-Belfrey for installation by organ-building firm Nicholson & Co at St Lawrence Parish Church.

A celebratory festival programme will include a demonstration by Nicholson & Co ahead of the inaugural recital by Robert Sharpe, York Minster organist and director of music, on May 29 at 10.30am.

Further organ recitals will be performed by musicians associated with St Lawrence and the City of York: William Campbell, May 31, 4pm; David Norton, June 1, 4pm; St Lawrence director of music Jonty Ward, June 3, 4pm, and Timothy Hone, music and liturgy administrator at York Minster, June 4, 4pm. The Black Sheep Consort will give a 7pm recital on May 31.

Attendance is free, but booking is required for the Inaugural Recital at festival@stlawrenceparishchurch.org.uk.

A T-shirt to mark the Super Cool Drawing Machine exhibition at The Crescent, York

Hippest exhibition of the week in York: Yuppies Music presents Super Cool Drawing Machine, The Crescent, York, today (26/5/2021) until Sunday

YUPPIES Music’s touring exhibition of musicians’ “other” work, will run at The Crescent community venue for four days from today. This celebration of art created by international touring independent musicians is billed as a “much-needed exploration of fun stuff”, on show each day from 11am to 9pm with Covid-secure measures in place.

Under social distancing restrictions, attendees will have to book in advance, choosing a specific time slot to view the exhibition. Consequently, only a small number of tickets are available at £5 for each time slot at seetickets.com.

Among the artists will be will be trailblazing jazz saxophonist Shabaka Hutchings; Welsh singer/producer Cate Le Bon; experimental folk musician Richard Dawson; African-American experimentalist Lonnie Holley and drummer/composer Seb Rochford, plus members of This Is The Kit, Mammal Hands, Haiku Salut, Snapped Ankles and more besides.

Ben Caplan: Singer-songwriter, from Halifax, Nova Scotia, playing Pocklington Arts Centre in November. Picture: Jamie Kronick

Gig announcement of the week outside York: Ben Caplan, Pocklington Arts Centre, November 11, 8pm

CANADIAN folk-rock singer-songwriter Ben Caplan will play Pocklington on his European autumn tour. 

His extensive itinerary will mark the tenth anniversary of his October 2011 debut, In The Time Of The Great Remembering, and will follow hot on the heels of Recollection, a retrospective collection of stripped back re-interpretations of songs from his back catalogue, out in October. 

Venue manager James Duffy says: “I saw Ben perform at Cambridge Folk Festival in 2019 and was blown away. He has a fantastic stage presence and mixes a wonderful blend of musical styles from folk to gypsy through to rock. Imagine the love child of Tom Waits and Gogol Bordello and you’re getting somewhere close.”

Caplan’s support act will be fellow Canadian Gabrielle Papillon. Tickets are on sale at pocklingtonartscenytre.co.uk.

The girl next door in The Girl Next Door: Naomi Petersen in rehearsal for Alan Ayckbourn’s 85th premiere. Picture: Tony Bartholomew

Premiere of the week ahead: Alan Ayckbourn’s 85th play, The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3

THE SJT’s first in-house production of 2021 will be director emeritus Alan Ayckbourn’s The Girl Next Door, a lockdown love story.

Veteran actor Rob Hathaway is stuck at home during the summer of 2020 with only his sensible older sister for company. Rob has little to do but relive his glory days as fire-fighting wartime hero George “Tiger” Jennings in the nation’s favourite TV period drama, National Fire Service. 

Then, one day, Rob spots a stranger hanging out the washing in the adjoining garden, when the neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?

“The Girl Next Door is an affirmation of love across the generations,” says Ayckbourn. “I hope it’s positive and hopeful for those today crawling out of their metaphorical Anderson shelters blinking into the light.”

Benjamin Francis Leftwich: Playing The Citadel in his home city next February

Gig announcement for next year: Benjamin Francis Leftwich, The Citadel, Gillygate, York, February 25 2022

YORK singer-songwriter Benjamin Francis Leftwich, now resident in Tottenham, London, will return to his home city to play The Citadel on his 26-date British and Irish tour next year. 

The tour will follow the June 18 release of his fourth album, To Carry A Whale, on June 18 on the Dirty Hit label.

His first to be written and recorded entirely sober, it was made over four months last year at home, at Urchin Studios in Hackney, in a hotel room in Niagara and at a Southend studio owned by Sam Duckworth, of Get Cape. Wear Cape. Tickets are on sale at benjaminfrancisleftwich.com.

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What is Benjamin Francis Leftwich thinking behind those closed eyes…?

AHEAD of June 18’s release of his fourth album, To Carry A Whale, York singer-songwriter Benjamin Francis Leftwich discusses life, York, London, music, spiritual recovery, collaborations and the decade since his stellar debut, in conversation with Two Big Egos In A Small Car podcast duo Chalmers & Hutch.

To listen, go to: https://www.buzzsprout.com/1187561/8376650

The artwork for Benjamin Francis Leftwich’s To Carry A Whale, his June 18 album on Dirty Hit Records
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York singer songwriter Benjamin Francis Leftwich to release sobering but uplifting To Carry A Whale album this summer

“A whale is heavy to carry. It’s gonna hurt you to carry it, but it’s also beautiful, and it’s a miracle to be able to carry all that at all,” says Benjamin Francis Leftwich explaining his new album title

YORK singer-songwriter Benjamin Francis Leftwich will release his fourth album, To Carry A Whale, on June 18.

The following month will mark the tenth anniversary of his debut, the 100,000-selling Last Smoke Before The Snowstorm, made at the age of 21 when he became the Dirty Hit label’s first signing.

The new album takes its name from Ben revealing it is the first he has written and recorded entirely sober, a state he has maintained since spending 28 days in rehab in January 2018. “To Carry A Whale is an observation on what it’s like to be a sober alcoholic addict a couple of years in,” he says.

“A whale is heavy to carry. It’s gonna hurt you to carry it, but it’s also beautiful, and it’s a miracle to be able to carry all that at all.

The artwork for Benjamin Francis Leftwich’s new album

“My gratitude is my acceptance of that flawed character and the peace that goes with that, and the title acknowledges that.”

Such is Ben’s confessional nature in his song-writing. “I think that’s the deal I made with myself a long time ago. There’s no distinction between my musical life and my personal life and I write with compulsion,” he says.

“I still consider myself a baby [as a writer]. Maybe I should hide, but I don’t. I just kind of choose it; this way of being. It’s what it is. I’ll still answer your questions! I’m not here to hide things: a problem shared is a problem halved.”

Take the song Slipping Through My Fingers: “It’s that feeling of ‘Where did he go?’. ‘Where did she go?’. ‘Where did the time go?’. I think that addicts and alcoholics do have that mindset, very, very intensely, and it’s a painful mindset,” says Ben. “I describe it as a ‘hole in the soul’.

“Song-writing is a really special thing, a privilege and a responsibility, and it’s something that I love, but it’s good to leave your ego at the door,” says Benjamin Francis Leftwich

“So, writing such a song is cathartic. Totally. Singing from the heart, sharing my experiences, my hopes, that’s one of the things that keeps me well.”

What has Ben learned in the decade since Last Smoke Before The Snowstorm? “I’d probably say, ‘Speak to people you love about your problems. Don’t try to carry everything’ – and ‘well done on signing to an independent label’,” he decides.

After Last Smoke Before The Snowstorm in 2011, After The Rain in 2016 and Gratitude in 2019, here comes To Carry A Whale, comprising ten tracks led off by lead single Cherry In Tacoma, out now.

The recordings were made over a restless four-month span last year, divided between Ben’s home in Tottenham, London, Urchin Studios in Hackney, a hotel room in Niagara and a Southend studio owned by Ben’s friend Sam Duckworth, alias the musician Get Cape. Wear Cape. Fly.

Lasting impact: Benjamin Francis Leftwich’s 100,000-selling debut album in 2011, Last Smoke Before The Snowstorm

Duckworth produced much of the record, sharing production duties with Eg White, noted for his collaborations with Adele, Florence + The Machine and Sam Smith.

Eg White, Ben? How come? “I’ve worked with a producer called Josh Grant for a while, a dear friend of mine, and one day he said, ‘would you like to go over and meet Eg?’. I thought. ‘yeah, I’d love to’, and on that day we wrote Every Time I See A Bird, which is on the new album,” he says.

“Then we worked on Cherry In Tacoma, which I started in America but then hit a wall with it, but then Ed helped to bring it to fruition.”

Ben thrives on co-writing, whether with fellow York songwriter Sam Griffiths, of The Howl & The Hum, or a couple of upcoming days with James Morrison. “It’s great to work with other people,” he reasons.

When he was 21: Benjamin Francis Leftwich in York a decade ago after releasing his debut album

“Song-writing is a really special thing, a privilege and a responsibility, and it’s something that I love, but it’s good to leave your ego at the door. The song exists above us and we’re here to catch it.

“Occasionally you get an artist that goes it alone, but Kanye West co-writes, Taylor Swift co-writes, Adele co-writes. Ninety five per cent of the time, resistance to collaboration is only fear.”

Ben has relished recording with Sam Duckworth. “It’s really important, when there’s an energy there, you just have to grab it. Sam stayed with me at my place for ages when we were making the album. Some people do that 9 to 5 thing with their song-writing, which I respect, but it’s not my way and it’s not Sam’s way,” he says.

“Sometimes I might be going to bed, and then I’ll playing the guitar, and a song starts developing and you don’t go to bed!”

Just as Ben enjoys working with myriad musicians, so he believes in the need to travel for inspiration. “I’m not into the idea of just staying in any one city. It’s very limiting,” he says. “Early on, sometimes people want to put a belt around you to stop you from travelling, but I say ‘fly’.” Or as Sam Duckworth would urge: Get cape. Wear cape. Fly.

Travel has led to such new compositions as Sydney, 2013, Tired In Niagara and Cherry In Tacoma. “Tacoma is close to the Pacific Ocean, near Seattle, and it’s a place I’ve spent a lot of time; my godmother lives out there and I love to stay there,” Ben says.

As for a different form of travelling, going on tour to play his news songs: “We do have tours pencilled in, and I’d imagine I’ll be announcing them within the next two months.” Watch this space.

Track listing for To Carry A Whale: Cherry In Tacoma; Oh My God Please; Canary In A Coalmine; Tired In Niagara; Every Time I See A Bird; Wide Eyed Wandering Child; Sydney, 2013; Slipping Through My Fingers; Talk To You Now and Full Full Colour.

New single: The artwork for Benjamin Francis Leftwich’s Cherry In Tacoma
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The Howl & The Hum turn into the Minster men for live-streamed concert on May 25

The Minster men: The Howl & The Hum pose for “the ultimate York band press shot”

AFTER a year of living under the pandemic cloud, The Howl & The Hum’s Sam Griffiths is judging his mood by a combination of his mental health and what TV programme is catching his eye.

“So, at the moment, I’m very well, and I’m watching Gordon Ramsay, and it does seem that everyone is feeling a little more positive,” says Sam, who will be feeling all the better for the announcement that his ground-breaking York band will play a live-stream concert at York Minster on May 25 from 8pm to 9.30pm.

The last time he graced a York stage with The Howl & The Hum, he was wearing angel wings with a nod to Christmas and Nativity plays at The Crescent in December 2019.

Might we see those wings again in the Nave of northern Europe’s largest medieval Gothic cathedral? “I feel like that’s been done,” says frontman Sam, whose show announcement promises “a unique set to compliment the unique venue”.

“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done. Definitely no animal sacrifices and no indoor fireworks! But we do have a lot of exciting plans, though some of them I can’t tell you!”

York’s long-standing independent promoters Please Please You, independent York grassroots venue The Crescent and legendary Leeds venue and promoters The Brudenell [Social Club] are teaming up with the Chapter of York to present this one-off live performance by the York alternative rock outfit.

Confirmed at the fourth attempt of settling on a date, the show will be live-streamed at 20:15 (GMT) via ticket.co, and depending on Covid-19 restrictions at the time, a “very limited socially distanced audience may be able to attend”.

“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done,” says The Howl & The Hum’s Sam Griffiths, front, as he contemplates their York Minster concert

Indoor performances with reduced capacities could re-start from May 17 under the Government’s four-step roadmap, and so updates on this possibility will be delivered exclusively via the band’s mailing list.

What’s more, this concert could turn into the first in a series of York Minster shows promoted by Joe Coates (Please Please You) and Nathan Clark (manager of The Brudenell), “though they will first see how this one goes,” says Sam. Watch this space.

So much happened for The Howl & The Hum last year, headlined by the May release of their debut album, Human Contact, but so much more should have happened until the pandemic tore up their diary.

“All the post-album tour plans were scrapped, hundreds of shows; that all got decapitated. Our jobs were deemed ‘unviable’ by the Government, and so many friends, musicians, technicians, sound engineers, are still not working, so we’ve got friends involved in our show,” says Sam.

“Joe and Nathan, and friends who are musicians, will help on the day, so this our attempt at rebirth and rejuvenating our corner of the music world, and we’ll be able to pay them properly and fairly.”

Singer, songwriter and guitarist Sam, bassist Brad Blackwell, guitarist Conor Hirons and drummer Jack Williams have all supported themselves through the past year by returning to past jobs when Covid measures permitted: Sam as a barman at the Cardigan Arms in Leeds; Brad and Conor in the Rafi’s Spicebox warehouse and Jack at Bettys in York.

“It’s been a really strange in-and-out time, but we’ve been in the privileged position of being able to regain employment,” says Sam.

“We’re in the studio four or five days a week this year with no distractions because there’s nothing else to do,” says Sam, pictured with Jack Williams, Conor Hirons and Brad Blackwell in pre-Covid times

Meanwhile, The Howl & The Hum have not gone into hibernation. “We’re now at the stage of discussing second album deals, and giving ourselves a wage again, and we’ve got a lot done, which lends itself to our mental health being healthier,” says Sam.

“We’ve been lucky that we’ve had the opportunity to go to our studio because it’s our place of business, so we’ve been there over the past nine months, wearing masks and social distancing.

“We’re in the studio four or five days a week this year with no distractions because there’s nothing else to do.”

Sam anticipates The Howl & The Hum releasing two themed EPs “not too far away”, over the months ahead. Will Covid loom large in the subject matter? “It’s a fine line, because I don’t think you can ignore what’s been happening,” he says.

“There’s no way to pretend it’s not happening, but it’s a challenge to address it in an interesting way, though I’ve always written about isolation. Some songs do allude it, some don’t.”

New material may well feature in the May 25 live-stream. “I reckon it will,” says Sam. “We’re really proud of these songs. They’re sounding almost irritatingly good! We really like them; I’m 80 per cent sure some will be in the Minster setlist.”

That setlist will be built around debut album Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred, through the alienating cycle of pandemic lockdowns.

The artwork for The Howl & The Hum’s 2020 debut album, Human Contact

“At the time it came out, the title was a good line for the press and the press release, though I was worried it was going to haunt us and it would be seen as a joke, a bit of a throwaway, a sly little reference point, but at the end of the day, we were calling it Human Contact because it was about distance in the digital age.

“We’ve had people finding us on social media and telling us about their experiences, about love at this time. It has hit home in more ways than we would have expected, when we suddenly have no idea how to behave as humans towards each other.

‘“Human Contact’ has now taken on such a meaning in itself that the songs seem to resonate even more.”

The Howl & The Hum will be the first rock act to play York Minster since York singer-songwriter Benjamin Francis Leftwich on March 29 2019. What advice on performing there would Ben pass on to Sam, who happened to be busy co-writing songs on Zoom on the day of this interview?

“If he asked me, I would say, ‘sing from your heart, perform like your life depends on it, though I would advise that for all gig nights, and pray in your own way, whether you’re religious or not; just surrender to it,” he suggests.

This will not be the first time Sam has sung in the Minster. “I went to one of the Easter services there, in the congregation, singing along…to very few people around me, if any were looking at me at all! This time they’ll all be looking at me!” he says.

York singer-songwriter Benjamin Francis Leftwich at York Minster, where he performed in March 2019

The cathedral setting will have an impact on The Howl & The Hum’s performance. “I wouldn’t necessarily consider myself to be religious, but there’s definitely a spiritual feeling to it, and the Minster is such an iconic representation of a city that has been so good to us: the city that gave me a fresh start ten years ago,” says Sam.

“Also, I think it was the week I moved to York that Laura Marling played the Minster, and I love the CD she released of that concert.”

A blue sky greeted The Howl & The Hum on the day they lined up for their Minster photoshoot. “It’s the press shot for a York band!” says Sam. “We were very aware we were there, standing outside the Minster, because we’re not comfortable as models…but it is one of my very favourite buildings.”

Looking ahead to the prospect of gigs resuming from the summer onwards with crowds, The Howl & The Hum have September shows in place for Paris, Milan, Zurich, Berlin, Amsterdam, Cologne and Antwerp, along with 13 British dates in October that will culminate in two nights at Leeds Brudenell Social Club, close to where Sam now lives, on October 30 and 31.

“It will be such a burst of joy to play to audiences again,” he says. “I think ‘overwhelming’ will be the word for how everyone will feel as we try to make our way through the first song.”

Live-stream tickets for May 25 are on sale via thehowlandthehum.com/.

Did you know?

THE Howl & The Hum’s guitarist, Conor Hirons, designs the band’s artwork. “He’s self-taught,” says Sam. “He basically got bored on tour, got himself an iPad to draw with, and now he’s so in demand he’s designing everyone’s posters and artwork.”

Band member Conor Hirons’ poster for The Howl & The Hum at York Minster
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Kacy & Clayton open new year of gigs at Lonely Planet’s seventh quirkiest venue”

Kacy & Clayton: cosmic alt-country on the North York Moors at The Band Room on Friday

KACY & Clayton are the first act to be confirmed for The Band Room’s 2020 concert programme at Low Mill, Farndale, near Kirkbymoorside, on the North York Moors.

Promoter Nigel Burnham has announced a 7.30pm shows for Friday, when the Canadian duo will be supported by Arborist. Given the capacity of only 100, he recommends booking at thebandroom.co.uk/gigs or on 01751 432900.

“I think our gig on January 31 – Brexit night! – could be the alternative double bill of the year,” says Nigel. “Kacy & Clayton brought the house down when they played here last March and we’ll be rolling out the red carpet for their return, this time with a full band line-up.

“Support act Arborist, from Belfast, are getting fantastic reviews for their debut album, Home Burial, too.”

Kacy & Clayton, from Wood Mountain, Saskatchewan, are returning to Low Mill after releasing their fifth album, Carrying On, last October. “In the band are Kacy Anderson – alias the missing link between Sandy Denny and Emmylou Harris – and her second cousin Clayton Linthicum, a multi-talented guitarist who could have played on The Byrds’ Sweethearts Of The Rodeo album if he’d been around at the time,” says Nigel.

“Some call them ‘folk roots’, others ‘psychedelic folk’ or ‘cosmic alt-country’. Honestly! They’re destined for great things. Their fourth album, 2017’s The Siren’s Song, was produced by Americana icon Jeff Tweedy; they’ve toured with Wilco and The Decemberists and been mentioned in the same hallowed breath as Grievous Angel-era Gram Parsons and country rock pioneers Buffalo Springfield.”

Singer-songwriter Benjamin Francis Leftwich,outside York MInster. Picture: Esme Mai

The next date in the Band Room diary is York troubadour Benjamin Francis Leftwich on March 6: his first North Yorkshire gig since the very contrasting York Minster nave on March 29 last year.

“We’re delighted that Ben, such a peerless super-cool singer-songwriter, will be making his long-awaited debut here,” says Nigel, who will welcome Wounded Bear as the support act.

Leftwich, who lives in North London these days, released his third album, Gratitude, on March 15 last year with a launch gig that night at an even more intimate solo show, playing to 50 at FortyFive Vinyl Café, in Micklegate, York.

The Band Room will kick off a new year buoyed by the Lonely Planet travel guide placing the moorland hall at number seven in its survey of Britain’s Quirkiest Music Venues. To discover where else made the list, go to lonelyplanet.com/articles/quirkiest-music-venues-uk.

“People travel from across the world to see gigs in this picture-perfect Yorkshire hut,” writes Lonely Planet’s Lucy Lovell. “The wood-panelled Band Room was originally built as a brass band practice room in the 1920s, and aside from new management and a well-curated line-up of bands, little has changed since then.

“There’s still no bar, so don’t forget to bring your own drinks, and enjoy chatting with others who made the journey across the North York Moors.” All very true, except that the pedant police would point out the Band Room used to house silver band practice sessions, not brass band ones.