THE Milton Rooms is counting down the days until it can reopen its Malton doors with four events lined up to kick-start the May reawakening.
First up, Yorkshire singer and guitarist Martin Goughreturns with his One Man Rock Show on May 21; next, the Dickens Society presents Dickens And The Language Of Flowers, a fascinating talk looking at the meaning of flowers and how the Victorians loved sending secret messages in a well-chosen bouquet, on May 23.
Ryedale Blues Club resumes blues service with District Blues, a mix of Americana and rockabilly, on May 27, and 2018 Britain’s Got Talent star Mandy Muden brings her magic, cabaret and stand-up comedy to Malton on May 29.
The Market Place arts and community venue has a new patron, the award-winning Ryedale actor, singer and theatrical producer Scott Garnham, a local lad who first appeared at the Milton Rooms in 1995 in a Ryedale Youth Theatre production of The Boyfriend, aged ten.
As well as many annual Ryedale Youth Theatre productions, Scott appeared in multiple pantomimes at the Milton Rooms. He started in Little Red Riding Hood, then played Baby Bear in Goldilocks and the Three Bears. In his teens, he was either the comedy double act or village idiot in Dick Whittington, Aladdin, Goody Two Shoes and Jack And The Beanstalk and shined as Buttons in Cinderella.
After graduating from the Royal Conservatoire of Scotland, in Glasgow, he has carved out a career in the West End, notching up credits in Billy Elliot The Musical, Les Miserables and Made In Dagenham, as well as in Matt Lucas’s Pompidou for the BBC. He has created the international vocal group The Barricade Boys too, playing the Grand Opera House in York in March 2018.
“I will forever owe a huge debt to the Milton Rooms and the people who work so tirelessly to ensure this wonderful community building is still a key part of Malton and the surrounding area,” says Scott.
‘’It was my first experience of ‘theatre’, being lucky enough to perform with a diverse group of ages, cultures and life experiences. I enjoyed dancing with friends at their many discos and found gifts attending art and craft fairs.
‘’I feel lucky to have grown up where a community building, such as the Milton Rooms, played such a vital and important role in mine and many other people’s lives. Long may it continue.’’
The Milton Rooms’ Covid-safe accreditation has been extended for 2021 by UK tourism body Visit Britain. Under the Government’s roadmap out of Coronavirus lockdown, indoor entertainment venues are expected to be allowed to reopen after May 17 with Covid-secure restrictions in place.
Venue manager Lisa Rich says: “We’re delighted to have someone like Scott on board and we’re really excited at the prospect of being able to open again in a limited way in May and hopefully fully reopening if all restrictions are removed in June.’’
Tickets for all four events can be booked at: themiltonrooms.com/events/
THE 2020 tour of We Will Rock You bit the dust with the Coronavirus
pandemic lockdown, but the show must go on for the Queen and Ben Elton musical.
Not only have many of the original dates been re-scheduled for 2021, but
several venues have been added too, not least the Grand Opera House, York, for
a run from March 22 to 27.
“The producers did not want to disappoint fans who had bought tickets,
so they have been working hard to reschedule as many of the shows as possible,
giving people something to look forward to in these unsettling times,” says the
“We are delighted to announce the good news that the musical
extravaganza will once again rock theatres across the UK from January next
year, playing many of the original 2020 dates and several additional venues
Kicking off in Cardiff on January 18 2021, the tour will then play Milton
Keynes; Southend; Stoke; Bristol; Wimbledon; Bournemouth; Ipswich; Bromley; York;
Newcastle; Northampton; Peterborough; Norwich; Reading; Liverpool; Birmingham
and Southsea, with more dates to follow. Details of how to exchange tickets
will follow in the coming weeks.
Queen guitarist Brian May said: “Happy to say our magnificent UK tour of
We Will Rock You, the rock theatrical, will rise again. The Coronavirus has had
us all on the run, but live theatre will win in the end. Keep hold of your
bookings and the vibe will be yours in 2021.”
Drummer Roger Taylor added: “This is great news, I’m so pleased to see
the show on the road again.”
Writer Ben Elton agreed: “I was so pleased to get the great news that We
Will Rock You is to be remounted next year, after being forced to close mid-tour,
and I hope Queen’s incredible music can help to make us feel like champions
Tickets for the York run are on sale at atgtickets.com/york.
country singer-songwriter Twinnie will go ahead with the April 17 launch of her
debut album, Hollywood Gypsy, even amid the Coronavirus lockdown.
it took the West End musical leading light, model, Hollyoaks soap star and film
actress ten years to land a record contract with big hitters BMG.
very excited and it’s come around really quickly since I released my first EP
[Better When I’m Drunk] last March,” says Twinnie, 32, who first took to the York
stage as Twinnie-Lee Moore at the age of four.
current situation with the Coronavirus pandemic, it’s a weird time, but I’m a
new artist, I’ve waited so long to make an album, and right now, more than
ever, I feel I need music, we need music.
be easy to panic, but I’ve found I’ve connected more than ever with my fans on
to have played a sold-out home-city gig at The Crescent on March 22 to showcase
Hollywood Gypsy, but the Coronavirus pandemic put paid to her debut headline tour,
now re-arranged for the autumn. Glasgow, London, Manchester, Birmingham and
Bristol await, before a Crescent crescendo on November 29, with tickets
perform, however, at the prestigious Country2Country (C2C) Festival in Berlin
on March 7 and 8, and coming next was a C2C show at the O2 Arena, London, on March
14. “That would have been a really big deal for me, being able to promote my
album and tour, so it’s a real downer, but I’m just really grateful that
there’s still light at the end of the tunnel, and it’s good that we’ve managed
to re-schedule the tour,” she says.
would have it, the C2C cancellation led to a prompt invitation to fill the void
in Twinnie’s diary with a live set on BBC Radio 2’s The Country Show with Bob
Harris on March 12. “Bob has been a really big supporter of mine,” she says.
“He was the first DJ to support me on the radio, even before I had a recording
contract. I just sent him a track and he played it!”
first trod the boards in York when attending the late Miss Isobel Dunn’s dance
school, started playing a keyboard at seven and then performed in the Grand
Opera House pantomime dance ensemble. She progressed from roles as Bet in
Oliver! in 2001 and Lilly in Annie in 2002 in the Grand Opera House Summer Youth
Project to playing Dorothy in The Wizard Of Oz in 2003.
“I was 16 and I thought
I might have been too tall for Dorothy but the director, Simon Barry, said I
was the right choice,” she recalls.
month later, the former Joseph Rowntree School pupil was leaving behind her Haxby
Road home for three years of dance and musical theatre studies at Phil
Winston’s Theatre Works in Blackpool.
West End roles ensued in We Will Rock You and the short-lived Desperately Seeking Susan, and in April 2009, now 21, she returned home to the Grand Opera House as 1920s’ Chicago double murderess and aloof nightclub singer Velma Kelly in the national tour of Chicago.
Her face greeted the London Underground
throng on Chicago’s trademark black-and-white posters too and she had a year as
the Latino character Jazmin in Flashdance in the original London cast at the
Shaftsbury Theatre from autumn 2010.
Twinnie sang Miley Cyrus’s The Climb when competing on BBC One talent show The Voice in March 2012, failing to hit the heights alas with an early exit. After film roles in Iron Clad 2 and Strangelove in 2014, she made her soap debut as racy Porsche McQueen in Channel 4’s Hollyoaks in November that year, playing her for a year.
A further screen role followed in The
Wife, the Oscar-nominated Glenn Close film, but all the while, Twinnie was
drawn to making music. “To be honest, music was probably the first thing I
started out wanting to do, which people don’t know about. But people pay their
dues to pay their mortgage,” she says.
“Even when I was doing We Will Rock You
at 19 with Brian May, performing eight shows a week, I was playing country
songs in dive bars too at the weekend.”
Now dividing her time between London and
Nashville, Twinnie is living out that wish to put her song-writing to the fore.
“I’ve been on stage since I was four years old, and my dad introduced me to the
music of some of the best songwriters. Like my first gig was Gilbert
O’Sullivan,” she says.
“And I always loved musicals too. I grew
up watching Hollywood movie musicals, especially Judy Garland, which is one of
the reasons I’ve called the album Hollywood Gypsy.”
Determination to succeed marked out
Twinnie from a young age. “Even at eight, I wrote down the addresses of the
Sony Music and Universal record company labels. Then one of my poems got
published at school. I always wanted to tell stories,” she says.
“I got told you have to do everything for
what you do to work. You can’t just stand there and sing. I always want people
to feel entertained when I do a show.
“I don’t think there are many ‘triple
threat’ performers like me, so I want to tell the story, not just in the song,
but in the performance too.”
Country music might not have been an
obvious outlet for a York singer and songwriter, but Twinnie says: “For me,
country music was always big. Johnny Cash; Dolly Parton, one of the great
songwriters; Shania Twain and now Taylor Swift,” she says.”
Twinnie has been travelling to
Nashville, Tennessee, for the past six or seven years, leading to her co-writing in the capital of country with Grammy
Award-winning writers Nathan Chapman, Liz Rose and Dave Barns.
“I also wrote with Ben
Earle, before he formed The Shires with Crissie Rhodes, and two of my songs
with him, Black And White and First Flight Out, ended up on their first album,
Brave,” she says.
Now, after winning Best
Breakthrough Act at the 2019 British Country Music Association awards and a
support slot on Kiefer Sutherland’s tour, everything comes to fruition for
Twinnie on Hollywood Gypsy.
This is a thoroughly modern country album, made with the likes of Little Mix, One Direction and Britney Spears producer Peter Hammerton, and recorded in Nashville, London and Sweden,with such song titles as Better When I’m Drunk, Type Of Girl, Whiplash, Lie To Me and I Love You Now Change.
“Every genre changes
and country music is now so diverse, but everyone appreciates a good melody,
strong lyrics, and that’s why people really respect country music,” says
Twinnie, who loves the candour of country songs.
“Coming from the North, I’m always
looking to make a real connection. That’s why I write so honestly, talking
about all my faults,” she says.
“I have no shame in highlighting my
flaws and being vulnerable: there’s a strength in vulnerability when we can all
connect with it. Each song shows a different side of my personality: I either
want to break someone’s heart or make them dance.”
Returning to the album title, Twinnie says: “It
pretty much sums me up. As well as my love of Hollywood musicals, I’m a
traveller by nature and by heritage, so I’m quite free. Hollywood Gypsy is about me, my
life, my artistry.
“I’m representing my dad’s heritage, my mum’s heritage, and I’m very proud of that heritage. It’s who I am and why I’m free spirited.
“All of it, whether I’m acting, dancing, modelling
or singing, I’m just not afraid to push my boundaries because, when you feel
you’re getting out of your depth, that’s when the magic happens.”
Recording in Nashville, London and Sweden adds to
Twinnie being a Hollywood Gypsy, she suggests. “I feel I’m a bit of a musical
gypsy, taking from different genres, growing up listening to Tupac, Gilbert O’Sullivan,
Ella Fitzgerald, Billy Joel, Shania Twain,” she says. “Obviously Queen too: I’m
always so grateful to Brian May for when I did We Will Rock You.”
In the Coronavirus
lockdown, Twinnie has set herself a three-week challenge that began a week ago to
listen to an album a day and then pick her favourite song from each one to
learn how to play it. “I never have time to do things like this, so I’m using
this time to grow and get inspired,” she says. “I’m also trying to learn
Along with many
musicians, she is “trying to find new ways to do things at the moment”. Such
as? “I’ve written a song on FaceTime with Dave Stewart, from the Eurythmics,”
Twinnie reveals. “I’d never met him before, but he’s from Sunderland, I’m from
York, so we had that banter of being northerners together!”
the diary for July 11 is Twinnie’s appearance at Pocklington Arts Centre’s
Platform Festival at the Old Station, Pocklington (an event subject to further Coronavirus
updates), but what’s coming next for Twinnie? “I was meant to be going to
America to make an EP in Nashville, and that recording will still happen, but I
may now have to find a way of doing it remotely,” she says.
Looking further ahead, she says: “Hollywood Gypsy is the first chapter. Next year will be the next half of the story. So it’ll be like a double album.”
Did you know?
new video for I Love You Now Change, she is seen signing divorce papers.
“I put my ex’s name on the papers when we shot
the video for a laugh, but some people actually thought it was real,” she says.
“Just to clarify, I have never been married and Boris killed off the
socialising and dating scene, so looks like I won’t be in a white dress anytime
in the video is played by Gustav Wood. Watch it at twinnieofficial.com.
How did The Press
reviewer judge 16-year-old Twinnie-Lee Moore’s lead performance as Dorothy in
the Grand Opera House Summer Youth Project’s The Wizard Of Oz in York in August
“Twinnie-Lee displays supremely confident skills in stage movement; her Kansas accent is spot-on too, and once her voice fully warms up after Over The Rainbow, she sings with expression, albeit in the modern pop style that might better suit The Wiz.”