MUSICAL duo Flutes & Frets embark on a mini-tour of three York community libraries tomorrow (14/3/2024) in a National Centre for Early Music cultural wellbeing initiative.
Working in partnership with Explore York Libraries and Archives, flautist Beth Stones and frets player Dan Murphy are taking Baroque Around The Books to Tang Hall Explore Library at 11am tomorrow morning; Clifton Library at 3pm tomorrow afternoon, and Explore: Acomb Library Learning Centre at 11am on Friday. Pre-booking is advised for the Acomb performance at http://ncem.co.uk/baroque-around-the-books/
The tour will continue with an invitation-only concert for NCEM members tomorrow at 2.30pm at Fairfax House, to be recorded for online viewing on March 21 as part of the NCEM’s Early Music Day celebrations.
Tickets are free for these informal concerts under a new NCEM initiative in tandem with Explore York, supported by the Mayfield Valley Arts Trust, in a project that illustrates the NCEM’s ongoing commitment to support, encourage and nurture the skills of emerging artists in the UK and beyond.
To conclude the tour, Flutes & Frets will head to the NCEM, at St Margaret’s Church, Walmgate, later on Friday to work on Italian baroque repertoire with The Minster Minstrels, an ensemble that provides musical opportunities for children from across York, supported by the Mayfield Valley Arts Trust and York Music Hub in partnership with York Arts Education.
Delighted to invite Flutes & Frets to York for a residency, library tour and children’s NCEM workshops, NCEM director Delma Tomlin says: “We’re thrilled to be able to be working with the wonderful Flutes & Frets, who appeared in York last December at the York Early Music Christmas Festival.
“Baroque Around The Books will give the people of York the chance to enjoy these fabulous concerts completely free of charge, as we work to share the joy of music making with our partners at Explore York.”
Dave Fleming, Explore York’s innovation, creativity and learning service developer, says: “The initiative emerged from Explore York’s longstanding working relationship with the NCEM, which has been developed over many years. We’ve worked collaboratively with NCEM on successful projects and initiatives over the years, such as Cuppa And A Chorus and now this.”
Assessing the role of music in libraries, Dave says: “Music contributes to Explore York’s commitment of bringing high-quality cultural experiences into our libraries for York residents to enjoy within their communities and right on their doorstep.
“York’s network of community libraries are trusted spaces: safe, creative environments, welcoming to everyone. We have developed out network of libraries as cultural spaces in the heart of communities.”
Crucially too, Explore York is now a National Portfolio Organisation (NPOs), designated by Arts Council England. “NPO recognises Explore’s cultural contribution in creating and promoting artistic experiences, supporting artists, and engaging communities. Opportunities to bring musical experiences into our libraries contributes to what we are as an NPO,” he says.
“Bringing such experiences into libraries aligns with Explore York’s status as an NPO and enhances its cultural offerings. Therefore, the role of music in libraries is seen as integral to fulfilling Explore York’s mission and enriching the cultural experiences available to residents.”
Stone and Murphy’s repertoire spans the medieval to the contemporary, backed by a passion to use instruments from throughout history to create a story that both enthrals and educate. “The educational element of these concerts lies in the opportunity for the audience to experience high-quality classical music performed by internationally renowned musicians,” says Dave.
“In addition to the performances, the musicians will engage the audience by discussing the history and background of the music being played. This approach allows the audience to deepen their understanding and appreciation of classical music, turning the concert into an enriching educational experience.”
Beth and Dan say: “We’re always keen to educate and inform through our performances and so in this programme, we focus on taking the audience on a chronological journey of some of our favourite pieces: a chocolate-box selection of almost 500 years of music.”
Here Flutes & Frets’ Beth Stones and Dan Murphy discuss libraries, music and books with CharlesHutchPress.
When did you form your partnership, where and why?
“Interestingly, Covid helped form the duo. We met while studying at the Royal College of Music, in London, and after collaborating on modern flute and guitar, we realised the potential that our specialisation in historical performance might bring our combination of instruments.
“Beth had been very keen to try playing with lute compared to harpsichord, and Covid brought out a renewed sense of need for chamber music.”
What was the highlight of your York Early Music Christmas Festival concert last December?
“The previous night to our 11am concert, we had a chaotic journey up to York due to train cancellations, meaning we arrived at the hotel at 4am, so to wake up to a cold, frosty morning but have a sold-out audience that had many warm comments to make afterwards made it all worthwhile!”
How did the Baroque Around The Books mini-tour come about?
“Delma has been incredibly supportive of us as an ensemble and believed that we would be appropriate for the intimate setting of libraries. We’re enthusiastic to make the most of our portability and enjoy performing in the types of venues that are harder to accommodate live music.”
Libraries are associated with silence, peace and calm! Does that add to the joy of making music there?
“Every venue has its charm. Libraries in particular tend to bring people that weren’t expecting to find music, especially children and families. As the Italian 15th century philosopher Marsilio Ficino wrote, music is ‘nothing but the decoration of silence’.”
How did you put together the programme for Baroque Around The Books?
“We’re always keen to educate and inform through our performances and so, in this programme, we focus on taking the audience on a chronological journey of some of our favourite pieces: a chocolate-box selection of almost 500 years of music.”
How have books had an impact on your musical selections?
“They haven’t had a direct impact on the programme we’re performing but musical treaties inform the way we play and so affect our approach to all our concerts.”
In what way is the concert educational?
“We encourage our audience to see a bigger picture and think about the changes that instruments and compositional styles have undergone throughout the history of music. Similarly to how a documentary might try to capture hundreds of years in a short space of time.”
Do you have a target audience?
“Not particularly! We appreciate the attention of anyone and everyone.”
What will Friday’s workshop session with The Minster Minstrels involve?
“We’ll be spending some time working with them on Italian baroque repertoire that they’re currently exploring and hopefully sharing some insight in how to approach and interpret early music.”
In a nutshell, what is the relationship between music and books?
“Both are expressions of thoughts, emotions, creativity and storytelling.”
If you could recommend one book each, what would it be?
Beth: “No book means more to me than the Bible, so that’s an easy choice.”
Dan: “It was The Name Of The Wind by Patrick Rothfuss that first inspired me to develop an interest in lute playing, so that’s always my first recommendation.”
When you arrive home, what do you reach for first: music or a book?!
“Music usually!”
