Jared More’s Fizzy Finn and a puppet in Riding Lights Theatre Company’s Fizzy Finn Finds His Feet
RIDING Lights Theatre Company’s “crackling new Christmas adventure”, Fizzy Finn Finds His Feet, will hit the ground running from Saturday at Friargate Theatre, York.
Written by Jon Boustead for primary-school children, the topical play addresses children’s mental health problems arising from lockdowns and separation from family and friends.
Finn is a fidget whose brain is ablaze with an unbreakable buzz that fizzes to his fingers and tickles his toes, or it would do so if he could only find his feet, in a Christmas adventure full of fear and bravery in a stormy world.
“Christmas brings surprises and not all of them are nice,” says Boustead. “It’s a crackling mix of hopes and fears and they’re definitely getting closer. Finn is on the run. Can stories help to untangle things?
“If only someone would listen to Suzy Pettiskew before she bursts. Or stop Barney Box’s dog from growing bigger night by night. And can anyone really ‘blotzsh the Glim’?”
Jared More’s Fizzy Finn and Meg Blowey’s Tink the Cobbler in her amazing story-telling Shoe Shop
Directed by Erin Burbridge and designed by Anna Gooch, Fizzy Finn Finds His Feet features a magical blend of vivid storytelling, original music by Patrick Burbridge and creative puppetry, presented by Jared More’s Fizzy Finn and Meg Blowey’s Tink the Cobbler.
Suitable for five to 11-year-old children, the show has been available to schools this term either for live performances or in a film version, accompanied by a teachers’ pack, prepared by a primary school teacher, overseen by a child psychologist and approved by Ebor Psychology. “There’s really useful stuff in there for teachers and children,” says says acting general manager Bernadette Burbridge.
This is the second such Riding Lights film. “We learned last year, with a very charming filmed production of Oscar Wilde’s The Selfish Giant, that film offered a very successful way of supporting schools coping with lockdowns,” says Bernadette.
“We provided a link that they could forward to children at home and in some cases, the giants zoomed into schools, by agreement, to interact with the children.
Finding his feet: Jared More’s Fizzy Finn in a scene with Meg Blowey’s Tink the Cobbler
“Sadly, in November, we were receiving at least one call a day from a school to say they had Covid and didn’t want us to come into their buildings, so we had to cancel a number of Fizzy Finn performances.
“We offered them the film and a virtual visit from Tink the Cobbler and Fizzy Finn instead – and the advantage of having a filmed version is that we can make this available to audiences right across the UK and beyond.”
Now, Fizzy Finn Finds His Feet does exactly that from December 18 to 23 in 50-minute performances at 10am, 1pm and 3pm on Saturday and next Wednesday and 11am and 2pm next Monday, Tuesday and Thursday at Friargate Theatre, Lower Friargate.
“The film is a good alternative but there’s nothing like a live show!” says Bernadette, who sums up Fizzy Fiin’s tale this way: “Jon’s play isn’t about Christmas although it’s set at this time of year. It’s about learning to understand one’s fears and anxieties and finding good ways to deal with them.”
Jon concludes: “Shoes are very good storytellers. You experience a lot by stepping into someone else’s shoes. So fasten your laces! Tie them up tight and join Finn as he discovers Tink the Cobbler and her amazing story-telling Shoe Shop.”
Tickets are on sale on 01904 613000 or at ridinglights.org/fizzy-finn.
So frustrated: Paul Chowdhry has his say on Covid, fame, England’s football team and Tom Cruise’s chopper at the Grand Opera House, York, tonight
IMAGINE if you could have a busy week ahead? Let Charles Hutchinson fill your diary.
Angriest comedy gig of the week: Paul Chowdhry, Grand Opera House, York, tonight, 8pm
AFTER barely surviving the pandemic, British-Asian stand-up Paul Chowdhry tackles the UK’s handling of the Coronavirus crisis and why the rules of six only worked for white people in Family-Friendly Comedian (No Children).
Two years of pent-up frustration go into this new tour show, where Londoner Chowdhry also discusses fame, England football fans and Tom Cruise landing his helicopter in someone’s garden. Box office: 0844 871 7615 or at atgtickets.com/york.
Chesca Cholewa: Writer of Imagine If Theatre Company’s My Old Man
Studio play of the week: Imagine If Theatre Company in My Old Man, York Theatre Royal Studio, tonight, 8pm
IMAGINE If Theatre Company, from Leeds, is touring a part-theatre, part-film production of Chesca Cholewa’s humorous and heartfelt play My Old Man.
When Michal Piwowarski’s granddaughter, Tasha (played by Cholewa), finally moves out, his whole world changes. The school dinner-lady becomes his favourite person, a new neighbour moves on to the street, and Michal (Paul Shelley) has to face his biggest battle yet as My Old Man follows the trials and tribulations of this old, blind Polish soldier. Box office: 01904 623568 or at yorkthreatreroyal.co.uk.
Songs and Stables’ leadership: Kate Stables brings her band This Is The Kit to The Citadel tomorrow night
Experimental gig of the week: This Is The Kit, The Citadel, Gillygate, York, tomorrow, 7.30pm
KATE Stables’ experimental folk quartet This Is The Kit return to York for a special show at The Citadel, the former Salvation Army HQ, presented by Please Please You, The Crescent and Brudenell Presents. Support comes from Nuala Honan and Pavey Ark. Box office: brudenellsocialclub.seetickets.com.
York artist Karen Winship, taking part in the Inspired Christmas event at York Cemetery Chapel
Christmas shopping? Opportunity presents itself at Inspired, York Cemetery Chapel, Saturday and Sunday, 10am to 5pm.
INSPIRED, the annual Christmas show by York artist and designer makers, will be held at York Cemetery Chapel, in Cemetery Road, York, this weekend.
Taking part will be Jo Bagshaw and Richard Whitelegg, jewellery; Catherine Boyne-Whitelegg, pottery; Petra Bradley, textiles; Sally Clarke, collage printmaking; Angela Newdick, collage and surface pattern design; Adi French and Karen Winship, painting, and John Watts and Wilf Williams, furniture.
PQA York’s poster for Disney’s The Little Mermaid Jr at the JoRo
Children’s show of the week: PQA Productions in Disney’s The Little Mermaid Jr, Joseph Rowntree Theatre, York, tomorrow and Saturday, 7.30pm
PAULINE Quirke Academy (PQA) York journeys under the sea with Ariel and her aquatic friends in Disney’s The Little Mermaid Jr, adapted from Disney’s Broadway show and film, based on Hans Christian Andersen’s story of sacrifices made for love and acceptance.
Young mermaid Ariel longs to leave her magical ocean home and fins behind for the world above. First, however, she must defy her father, King Triton, make a deal with evil sea witch Ursula and convince Prince Eric she is the girl whose enchanting voice he has been seeking. Separate casts perform the two shows. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Adam Sowter, Florence Poskitt, Alexandra Mather and Andrew Roberts in rehearsal for Saturday’s Fladam and Friends’ Musical Comedy Hootenanny
Witty and warm songs of the week: Fladam and Friends’ Musical Comedy Hootenanny, Theatre@41, Monkgate, York, Saturday, 2.30pm and 7.30pm
FLADAM duo Florence Poskitt and pianist Adam Sowter take to the Theatre@41 stage with thespian friends Alexandra Mather, Andrew Roberts and Andrew Isherwood for two shows of musical comedy joy.
Fladam’s own topical witty ditties will be complemented by a celebration of Morecambe & Wise, Bernard Cribbins, Victoria Wood and more. Box office: tickets.41monkgate.co.uk.
Scarlett Waugh, left, and Libby Anderson: Sharing the role of Dorothy in NE Musicals York’s production of The Wizard Of Oz
Sparkling slippers of the week: NE Musicals York in The Wizard Of Oz, Joseph Rowntree Theatre, York, Tuesday (23/11/2021) to Saturday
DIRECTOR Steve Tearle has assembled a cast of 60 for NE Musicals York’s energetic staging of The Wizard Of Oz, led by Libby Anderson and Scarlett Waugh, who will alternate the role of Dorothy.
Further roles go to Maia Stroud as Glinda; YO1 presenter Chris Marsden, the Wizard of Oz; Perri Ann Barley, Wicked Witch of the West; Finley Butler, the Scarecrow; Kristian Barley, the Tin Man, and Tearle himself as the Cowardly Lion.
Expect an all-singing, all-dancing production with special effects by Adam Moore’s team at Tech247. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Phoenix rising again: Phoenix Dance Theatre celebrate their 40th anniversary this autumn, opening their tour at York Theatre Royal
Dance celebration of the week: Phoenix Dance Theatre in 40 Years Of Phoenix, York Theatre Royal, Tuesday and Wednesday, 7.30pm
PHOENIX Dance Theatre launch their milestone 40th birthday programme at York Theatre Royal, bringing together highlights from the Leeds company’s groundbreaking history.
Phoenix will combine celebration and reflection in a show featuring Lost Dog duo Ben Duke and Raquel Meseguer’s Pave Up Paradise; former artistic director Darshan Singh Bhuller’s Heart Of Chaos; Henri Oguike’s Signal; Shapiro and Smith’s satirical piece Family and Jane Dudley’s 1938 masterpiece Harmonica Breakdown. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Director Nik Briggs, left, choreographer Emily Taylor and lead actors Sophie Hammond and Damien Poole at the launch of York Stage Musicals’ festive show, Elf! The Musical
Christmas musical of the week: York Stage Musicals in Elf! The Musical, Grand Opera House, York, November 25 to December 3
YORK Stage Musicals present the York premiere of Matthew Sklar, Chad Beguelin, Thomas Meehan and Bob Martin’s Elf! The Musical, directed by artistic director Nik Briggs.
Based on Will Ferrell’s 2003 film, Elf! follows orphan child Buddy to Santa’s North Pole abode, where, unaware he is human, his enormous size and poor toy-making abilities cause him to face the truth.
Given Santa’s permission, Buddy (Damien Poole) heads to New York City to find his birth father, discover his true identity and help the Big Apple to remember the true meaning of Christmas. Box office: atgtickets.com/york.
Amaka Okafor: Taking part in the staged readings of Lucy Kirkwood’s Maryland at Friargate Theatre, York
Play readings of the week: Riding Lights Theatre Company presents Maryland, Friargate Theatre, York, November 26, 6.30pm and 8.30pm
TWO staged readings of Lucy Kirkwood’s 30-minute protest play will feature Amaka Okafor, from the original Royal Court Theatre cast, Laura Pyper, Mark Holgate, Cassie Vallance, Kesiah Joseph, Patricia Jones and Meg Blowey.
Kirkwood wrote Maryland as a “passionate and furious act of resistance to draw attention to the shocking numbers of women who repeatedly suffer violent abuse throughout Britain. The play is not specific; it addresses issues of police behaviour and a culture of violence against women and girls”.
After sold-out performances in London, the Royal Court offered Maryland for free for theatre companies to perform in solidarity and protest. York company Riding Lights has taken up that opportunity, with associate director Bridget Foreman directing the readings. Box office: 01904 613000.
James: Teaming up with Happy Mondays for a Manchester night out in Leeds
Gig of the week ahead outside York: James and special guests Happy Mondays, Leeds First Direct Arena, November 25, doors, 6pm
ALL of 33 years ago, Factory label mates James and Happy Mondays first toured together. Now, two of Manchester’s champion bands reunite for a November and December arena tour.
“Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink,” tweeted Tim Booth, James’s Clifford-born frontman, when announcing the dates with rapscallion rascals Shaun Ryder, Bez and co.
James, who played Scarborough Open Air Theatre this summer, will be showcasing their “sweet 16th” album, All The Colours Of You, released in June. Box office: firstdirectarena.com. Stage times: Happy Mondays, 7.30pm; James, 9pm.
“Critical situation”: Dark nights, dark days too, at York Theatre Royal until further notice
CLOSED. Closed. Closed. Closed. Closed. York’s theatres have shut down en masse in response to Prime Minister Boris Johnson’s Monday briefing on Black Monday to avoid unnecessary social contact at pubs, clubs and theatres.
One by one came the measured official statements in response to the rising Coronavirus pandemic, announced with regret, sadness and heavy hearts.
By way of contrast, a tide of anger rose ever higher on social media from the entertainment industry, feeling shafted by the PM not legislating closure, merely advising it.
In doing so, he placed the decision in the (no doubt frequently washed) hands of theatre managements, boards and trusts, whose sense of moral responsibility left no option but to announce closure until further notice as a precaution amid the Coronavirus crisis. When insurance effectively amounts to no insurance, hell by hand cart is the only journey in town.
Lights out: Ellen Kent Company’s La Boheme, at the Grand Opera House tomorrow is snuffed out by the Prime Minister’s Coronavirus dictum
The Grand National, the first post-Brexit Eurovision, the Chelsea Flower Show, Glastonbury Festival, the Euro 2020 football championships, are all scrapped for 2020. A tsunami of further announcements will follow, not least from theatre companies cancelling or postponing tours.
Keep Calm and Carry On may be the mantra, but the fear is that Keep Calm and Carry On may well turn to carrion on account of, well, the accounts.
York Theatre Royal, in St Leonard’s Place, Theatre @41 Monkgate, the Joseph Rowntree Theatre, in Haxby Road, and Riding Lights Theatre Company’s Friargate Theatre, in Lower Friargate, have individual boards and managements addressing urgent, previously unimaginable requirements and strictures.
Likewise, the Ambassadors Theatre Group, owners of the Grand Opera House, is co-ordinating the Coronavirus-impacted strategy throughout ATG, making statements for the Cumberland Street theatre, whose staff are now working remotely from home.
Clock stopped: PIck Me Up Theatre’s Tom’s Midnight Garden was curtailed after Monday’s performance at Theatre @ 41 Monkgate, York
These are unprecedented circumstances. Circumstances not even seen in wartime when theatres – some, not all – across the land stayed open through 1939 to 1945.
Circumstances where the new C-word has led to theatre after theatre – together with cinemas, music clubs, museums, galleries, visitor attractions, SparkYork, et al – to issue variations on: “It is with enormous sadness that we take these measures, but the safety of our audiences, staff and community is of utmost importance.”
So, where does each of these York theatres stand now, in a city where, like the rest, the theatre focus is turning to those of the medical variety? The best advice is to visit the theatre websites for information on the present closures, ticket refunds, and, in light of the harsh financial reality, Donate Today requests. “Your support is vital to our survival,” pleads York Theatre Royal bluntly.
A spokesman for the Theatre Royal – take it as read that it was executive director Tom Bird – said: “The closure of theatres in the UK puts York Theatre Royal, along with hundreds of other theatres, into a critical situation.”
Road closed: Riding Lights Theatre Company have had give up The Narrow Road tour for Lent
Does that make it theatre’s version of the intensive care unit? Time will tell, but the arts have a way of defying the last rites, always have, always will, keeping the fat lady singer waiting, the final curtain up in the flies. What they will make of Richmond Rishi’s £330 billion loan scheme is another discussion point for the in-tray, however.
In a nutshell, York Theatre Royal’s shows and public events initially are cancelled until April 11, but there surely will be no miraculous resurrection on Easter Sunday. The York Theatre Royal building, box office and café remained open initially, but the building closed to the public today (March 19). The box office is still taking phone calls on 01904 623568; ticket refunds are underway.
Shows at the Grand Opera House, in common with all Ambassadors Theatre Group theatres, are “temporarily suspended with immediate effect”, with a policy of postponement and future re-arranged dates to be confirmed, rather than cancellations, at this stage.
“We are following government guidance which is currently ambiguous,” say ATG. “It is unclear how long theatres are to remain closed. We will reopen them once the government and medical authorities confirm that there is no risk to our audiences, performers and staff.
The Missing Peace: one of the now missing pieces at the Joseph Rowntree Theatre, but with plans for re-arranged dates later
“We are working hard with our producers and performers to understand how this will play out, so we can’t confirm that at this time. We will try, wherever possible, to re-programme shows that have been suspended.”
The Joseph Rowntree Theatre will remain closed “until we receive further instruction that it is safe to reopen”. “We will be issuing further advice in the coming days on how we are going to manage ticket refunds and exchanges,” says trust chairman Dan Shrimpton. “We would ask that you please bear with us and wait for us to contact you.”
The Theatre @41 Monkgate website is yet to be updated following Monday’s Coronavirus ultimatum – the About Us section has Covid-19 Guidance from before – but Pick Me Up Theatre artistic director Robert Readman announced performances would cease after Tom’s Midnight Garden that evening.
He also cancelled Pick Me Up’s Sondheim 90 birthday concert this Sunday and the April 17 to 25 run of The Pirates Of Penzance. Be assured that Coronavirus has been the death of York Shakespeare Project’s Macbeth from March 31 to April 4 too.
Riding Lights, York’s Christian theatre company based at Friargate Theatre, have cancelled their March 16 to April 11 tour of The Narrow Road. “We are very sorry not to be performing this Lent but wish you a happy and safe Easter,” their website says.
Meanwhile, prayers and thoughts go to all those working in the theatres at York Hospital and elsewhere, preparing for whatever is to come.
Adam Sowter, Florence Poskitt, Alexandra Mather and Andrew Roberts in rehearsal for Saturday’s Fladam and Friends’ Musical Comedy Hootenanny
