Tag: grand opera house york

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More Things To Do in York and beyond, from mind games to life on the wild side. Hutch’s List No. 7, from The York Press

Everything turns green: Flying Ducks Youth Theatre in Shrek The Musical at Joseph Rowntree Theatre

BLINK and you might miss it! Charles Hutchinson urges prompt booking for a host of here today, gone tomorrow events.

Ogre party of the week: Flying Ducks Youth Theatre in Shrek The Musical, Joseph Rowntree Theatre, York, today, 2pm and 7pm

JENNA Howlett directs York company Flying Ducks’ two casts in today’s performances as they dive into a world where love knows no boundaries, friendships are forged in the most unexpected places and laughter is guaranteed.

Join Shrek, Fiona and Donkey on their journey to find true happiness in this David Lindsay-Abaire and Jeanine Tesori show, replete with catchy songs, quirky characters and a story that turns fairytales upside down. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Hammonds Band: Top brass at tomorrow afternoon’s concert in aid of York Against Cancer

Fundraiser of the week: York Brass Against Cancer, Grand Opera House, York, tomorrow, 2.30pm

THE fourth York Brass Against Cancer concert to raise funds for York Against Cancer features the Hammonds Band, founded in 1855 by Sir Titus Salt, and the Shepherd Group Brass Band, from York, introduced by BBC presenter David Hoyle. Box office: atgtickets.com/york.

The hand of fate: The Witches in Dickens Theatre Company’s Macbeth at Grand Opera House, York

GCSE study aid of the week: Dickens Theatre Company, Revision On Tour: Macbeth, Grand Opera House, York, February 24 and 25, 7pm; February 26, 1pm with post-show Q&A

THE infamous Porter acts as narrator for an ensemble of six actors to create a cauldron of characters as Macbeth and Lady Macbeth make their perilous descent towards Hell in Shakespeare’s bloodiest tragedy, adapted and directed by Ryan Philpott, with music by Paul Higgs.

Set against a back-drop of wars, witchery and treasonous plotting, Dickens Theatre Company aim to “entertain and educate to the bitter end” while highlighting how “the Scottish play” remains ominously relevant in the 21st century. Box office: atgtickets.com/york.

Yemisi Oyinloye’s Carmen, left, and Hannah Genesius’s Elsa, right, in Tiny Fragments Of Beautiful Light, on tour at Theatre@41, Monkgate. Picture: Victoria Wai

Investigative play of the week: Tiny Fragments Of Beautiful Light, Theatre@41, Monkgate, York, February 25

INSPIRED by writer Allison Davies’s diagnosis of autism, Tiny Fragments Of Beautiful Light is a journey of self-discovery wrapped in a celebration of the joy that comes when we live as we truly are.

Hannah Genesius takes the role of Elsa, who does not know why she has never fitted in. Could it be the way she is made? Quirky, kind, clever and funny, but school was always a nightmare, and romance was a mystery – until now. When Elsa meets Carmen (Yemisi Oyinloye), the real journey begins: to find out who she is and why an octopus is  living inside her head? Box office: tickets.41monkgate.co.uk.

Dickens Theatre Company in Dr Jekyll & Mr Hyde, lurking around the Grand Opera House, York, for two days

The other GCSE study aid of the week: Dickens Theatre Company, Revision On Tour: Dr Jekyll & Mr Hyde, Grand Opera House, York, February 25, 1pm, with post-show Q&A; February 26, 7pm

WITHIN the thick Fitzrovia fog and dimly lamp-lit streets lurks an evil predator. When Gabriel Utterson learns of the mysterious Mr Hyde, he commits his lawyer’s logic to the proceedings. Believing Hyde to be blackmailing Jekyll, he vows to bring Hyde to task to solve the mystery.

As with Macbeth, Dickens Theatre Company’s cast of six takes on an exciting, educational new stage adaptation of Robert Louis Stevenson’s Victorian gothic masterpiece, adapted and directed by Ryan Philpott. Box office: atgtickets.com/york.

Unpacking Nina Simone: Florence Odumosu in Black Is The Color Of My Voice at York Theatre Royal. Picture: Steve Ullathorne

Biographical drama of the week: Black Is The Color Of My Voice, York Theatre Royal, February 26, 7.30pm

WRITTEN and directed by Apphia Campbell, Black Is The Color Of My Voice is inspired by the life of Nina Simone in an evening of storytelling and performances of her most iconic songs by Florence Odumosu.

Campbell’s 70-minute play follows the North Carolina singer and activist as she seeks redemption after the untimely death of her father. She reflects on her journey from piano prodigy destined for a life in the church to jazz vocalist at the forefront of the civil rights movement. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Gordon Buchanan: Wild about wildlife at the Grand Opera House, York

Talk on the wild side: Gordon Buchanan, Lions And Tigers And Bears, Grand Opera House, York, February 27, 7.30pm

FILMMAKER and photographer Gordon Buchanan recounts thrilling encounters with pandas, grizzlies, tigers, jaguars and more as he charts the heart-stopping moments, the mud, sweat, and tears and the tender interactions that have shaped his career. Box office: atgtickets.com/york.

Elvana: When Nirvana meets Elvis Presley at York Barbican

Tribute gig of the week: Elvana: Elvis Fronted Nirvana, March 1, 7pm doors

FROM the bowels of Disgraceland, rock icons of the afterlife are raised from the dead when rock’n’roll meets grunge as Elvis fronts Nirvana to give the band the front man it has been missing since 1994. Elvana tear through Nirvana’s catalogue while splicing in grunge- up sections of the King’s finest moments, culminating in a whopper mash-up of overdrive and old-school rockabilly. Box office: yorkbarbican.co.uk.

English Touring Opera in rehearsal for The Vanishing Forest, bound for Acomb Explore Library. Picture: Julian Guidera

Climate change drama:  English Touring Opera in The Vanishing Forest, Acomb Explore Library, Front Street, Acomb, York, March 2, 11am

ENGLISH Touring Opera present an enchanting adventure for seven to 11-year-olds that blends Shakespeare, music and an environmental message.

Jonathan Ainscough and Michael Betteridge’s new opera picks up the threads of A Midsummer Night’s Dream as Cassie and Mylas, Duke Theseus and Queen Hippolyta’s children, team up with Puck to save the forest before it is too late. Expect songs, puppetry, spells, mystical flowers and a story to entertain and inspire while tackling the pressing issue of deforestation. Tickets update: last few available at tickettailor.com.

Soul searching: Diversity to play York, Hull and Sheffield on 60-show tour of 31 cities and towns in 2026

Show announcement of the week: Diversity present Soul, York Barbican, April 20 and 21 2026

BRITAIN’S Got Talent’s 2009 winners, Ashley Banjo’s Southend dance ensemble Diversity, will base next year’s tour around the technological advancements of artificial intelligence, asking what the future holds and what it means to be human within the digital age.

“The future is now,” says Banjo. “Humans have become plugged in and completely connected to a world full of artificial intelligence – a world in which it is hard to distinguish reality from fiction. AI has become so advanced it’s considered a life form of its very own. Is this the next stage in our evolution? What exactly have we created? What makes us human?” His answer: “Soul.” Also playing: Hull Connexin Hall, March 11; Sheffield City Hall, March 13 and 14 (matinee). Box office: yorkbarbican.co.uk; connexinlivehull.com; sheffieldcityhall.co.uk.

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REVIEW: Cruel Intentions: The ’90s Musical, Grand Opera House, York, until Saturday ****

Top of the plots: Nic Myers’ Kathryn Merteuil in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

AFTER New York and London runs, Jordan Ross, Lindsey Rosin and Roger Kumble’s jukebox musical spin on Kumble’s too-cool-for-school 1999 movie Cruel Intentions arrives in York in only the second week of its debut UK tour.

Tickets are selling well, albeit with surprising availability for Saturday night, with audience members spread across age groups, from the film’s devotees to lovers of Nineties pop and outré musicals.

Bill Kenwright Ltd is mounting the tour, a rubber stamp that guarantees a high-quality production with hi-tech lighting by Nick Richings,  pin-sharp sound design by Chris Whybrow and, above all, a luxuriant set and especially costume design by Polly Sullivan to evoke the wealth of New York’s Upper East Side in the 1990s.

Jonathan O’Boyle’s cast for the 2025 tour of Cruel Intentions: The ’90s Musical, heading to York, Leeds and Hull. Picture: Pamela Raith Photography

Cruel Intentions was the romance/thriller one with the budding Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair, re-setting Pierre Choderlos de Laclos’s French novel Les Liaisons Dangereuses in the summer recess before the new term at the exclusive Manchester High School in Manhattan, 1999.

‘Tis the mischief-making season where high society does what it always does in thumb-twiddling lulls: match-making, love-making, plotting and counter-plotting, amid the loss of innocence and the need for inner sense.

Oh, and just like in Sex Education, what all the young seem to have on their mind is sex rather more than education. And like in Sex Education too, a soundtrack to die for. We’ll get to that.

The plotting thickens: Will Callan’s Sebastian Valmont and Nik Myers’ Kathryn Merteuil lay their wager in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

The show opens with a voiceover from Nic Myers’ Kathryn Merteuil, waspish and haughtily dismissive, potty-mouthed too, as New York calls on old York to turn off its mobile devices.

Sharp of dress, dark of glass and countenance, Myers’ Kathryn and her step brother Sebastian Valmont (Will Callan) are the “trust fund casualties of absentee parents”, toying with their prey as they place their “cruel” wager. She wins his 1950s’ roadster if he fails to seduce Annette Hargrove (Abbie Budden), virtuous daughter of the incoming new headmaster; he wins next-level sex with Kathryn if he does.

In a new opening song, Livin’ La Vida Loca, director Jonathan O’Boyle introduces all the principals, while Gary Lloyd establishes his choreography will be every bit as snappy, snazzy, fiery, fun and sexy as it was in Heathers.

Abbie Budden’s Annette Hargrove , the new headmaster’s virtuous daughter. Picture: Pamela Raith Photography

In her interview with CharlesHutchPress, Abbie Budden, the only returnee from the London cast, said Cruel Intentions differed from other jukebox musicals in not taking itself too seriously. There was still the darkness of Kumble’s film, she added, but now a playful energy too.

In that way, it might remind you of how The Rocky Horror Show, down the years, has turned camper than the original Rocky Horror Picture Show. Especially here in the entanglements of Luke Conner Hall’s bleach-blond, mullet haired Blaine Tuttle and Joe Simmons’ sports jock Greg McConnell, expressing what they want, what they really, really want in The Spice Girls’ Wannabe.

You want it darker, as Leonard Cohen enquired in his last masterpiece? Well, Kumble and his co-conspirators don’t kill the flame but the darkness comes tongue in cheek, with knowing winks in the dialogue.

Head over heels: Luke Conner Hall’s Blaine Tuttle and Joe Simmons’ Greg McConnell performing Wannabe in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

The callous cruelty brought on by privilege stripping perpetrators of moral responsibility should not be this much fun, but as we know, the devil’s disciples always have the best lines. Witness Callan’s Sebastian, irresistible devourer of “insipid Manhattan dilettantes”.

They don’t always have the best tunes: these are splendidly spread out, from Budden’s Just A Girl and Foolish Games to Gabriella Williams’s No Scrubs in the guise of bigoted snob Mrs Bunny Caldwell (the Lady Bracknell of Upper East Side).

Lucy Carter is a scream as daughter Cecile Caldwell, blossoming in her sexual awakening and funnier scene by scene, whether with scandalous Sebastian, Kathryn or cello tutor Ronald Clifford (Kevin Yates), while Myers is spectacularly, seductively splenetic as the viperous Kathryn, her singing of Bitch  being the show’s high point.

Kiss Me: Nic Myers’ Kathryn Merteuil, left, initiates Lucy Carter’s Cecile Caldwell in the art of kissing in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

You will love Lloyd’s choreography in raincoats for the railway station scene; cheer the inner strength of Budden’s Annette, and enjoy how the show uses Nineties’ pop gems Lovefool, Kiss Me and Breakfast At Tiffany’s, alongside the rock stealth of Counting Crows’ Colorblind and R.E.M.’s Losing My Religion.

What better way to finish than with Bitter Sweet Symphony, as impactful as it was in the movie, in summing up the overriding theme, whether “Tryna make ends meet, you’re a slave to money then you die” or “Tryna find somebody then you die”.

Will Joy’s musical direction and Zach Spound’s orchestrations peak in this ensemble finale, the band fading away in climax of a cappella singing and orchestrated clapping. Earlier, familiar Nineties nuggets break out in new directions, new interpretations, whether in solos, duets, triplets of duets in a song, even bravura mash-ups as top of the plots meets top of the pops.

Bill Kenwright Ltd presents Cruel Intentions: The ’90s Musical, Grand Opera House, York, today, 2.30pm and 7.30pm; tomorrow, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Age guidance: 15 plus. Box office: atgtickets.com/york. Also playing: Leeds Grand Theatre, May 6 to 10, 0113 243 0808 or leedsheritagetheatres.com; Hull New Theatre, May 13 to 17, 01482 300306 or hulltheatres.co.uk.

Dismissive: Mrs Bunny Caldwell (Gabriella Williams) serves notice on cello tutor Ronald Clifford (Kevin Yates) in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

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Abbie Budden dives into the dangerous liaisons of Cruel Intentions in her debut tour at Grand Opera House from tonight

Abbie Budden as Annette Hargrove in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith

ABBIE Budden is surrounded by an entirely new cast as she reprises her role of Annette Hargrove in the 2025 tour of Cruel Intentions: The ’90s Musical, playing the Grand Opera House, York, from tonight to Saturday.

Last year, Abbie made her professional bow aged 20  in the London premiere of Jordan Ross, Lindsey Rosin and Roger Kumble’s New York musical, based on Kumble’s too-cool-for-school  1999 film.

“I’m the only returning cast member from that show at The Other Palace Theatre in Victoria, and it’s been really lovely to revisit it, bringing new elements to it,” says Abbie, who is working again with director Jonathan O’Boyle and choreographer Gary Lloyd.

“The London run flew by and I just didn’t feel I’d finished with it after those five months, so it’s been liberating to come back for three weeks of rehearsals before we opened at Windsor Theatre Royal last Thursday. “

Why was it ‘unfinished business’, Abbie? “It’s always on reflection that you think ‘there is so much more I could have done’, and I’m now finding so many new moments for Annette, bouncing off new members of the cast. 

“But I had an amazing time in London, and as last year was my professional debut, it felt so special to me, and I now come back to the show having had more experiences since then. I did Title Of Show, at Phoenix Arts Theatre and Southwark Playhouse, which was a very different show: a musical about two people writing a musical.

“It was a very meta piece of theatre with a cast of four, the writers and two friends, based on a real story. That was a lot of fun to do, as was playing Jill in my first pantomime  in Jack And The Beanstalk at Ipswich Regent Theatre, and now Cruel Intentions feels like a new challenge again.”

Inspired by Pierre Choderlos de Laclos’s French novel Les Liaisons Dangereuses, Cruel Intentions is rooted in a cruel bet where Kathryn Merteuil (Nic Myers) goads step-brother Sebastian Valmont (Will Callan) into attempting to seduce Annette Hargrove, the headmaster’s virtuous daughter at their exclusive Manhattan high school. 

Weaving a web of secrets and temptation, their crusade wreaks havoc but soon the co-conspirators become entangled in their own web of deception and unexpected romance with explosive results. 

Abbie Budden in her debut professional role as Annette Hargrove in last year’s London production of Cruel Intentions: The ’90s Musical. Picture: Pamela Raith

What a debut role and debut show for Abbie. “I didn’t train at drama college,” she reveals. “I jumped straight into the industry last year at the age of 20. Now I’m 21, and I feel they have really nurtured me. It was exciting but terrifying last year, but now I can be playful with the role with full confidence.

“Last year I learnt so much about myself, just how capable I am – and eight shows a week is tough for anyone.”

After landing such a role on the London stage when so young, Abbie found imposter syndrome kicking in. “But I think that is something that never goes away in this industry: that constant need to prove yourself,” she says. “It’s a feeling that you really have to try to switch off.  Be confident that you’re meant to be here. You just have to remind yourself that you were chosen for a reason.”

Although Abbie has not studied for a drama degree, “as soon as I could, I was wearing dancing shows, from the age of three, growing up in Horsham in West Sussex” she says. “I loved the drama department at my school, Tanbridge House School, and did sessions twice a week and lots of productions at Showdown Theatre Arts, where I found my passion for the arts.

“I did an exchange programme to Baltimore, going to New York too, and that felt like a step into performing that couldn’t have come at a better time before jumping into professional theatre last year.”

Abbie confesses that she had not seen the film until the audition. “The moment I watched it, I loved it. I remember gasping and squealing at how outrageous it was – and chaotic too! The plot really keeps you guessing and Roger Kumble’s script is so cutting. I instantly connected with Annette, knowing it was so right for me as a role,” she says

“Though it’s strongly a 1990s’ film – and placing it in Upper East Side, New York, makes it even more iconic – its themes are still almost painfully relevant.

“Our version plays it slightly different to the film, still taking inspiration from those iconic characters, but I’ve really found my own Annette, where she matches Sebastian at his game. There’s no time where she’s weak or is a victim of Sebastian.

“The Gwen Stefani song that Annette sings, Just A Girl, is telling the world that she yearns to be more than innocent, to be rebellious. She definitely does have a lot of control throughout, and doesn’t lose that; it’s her self-control that she struggles with, showing vulnerability with that.”

The show poster for Cruel Intentions: The ’90s Musical, playing Grand Opera House, York, Leeds Grand Theatre and Hull New Theatre

As the show title indicates, Cruel Intentions is  packed with 1990s’ pop gold dust, from Stefani, Britney Spears, Boyz II Men and Christina Aguilera to TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.

“I almost wish all the songs were in the film because they suit the story so well, and what separates this show from other jukebox musicals is that it doesn’t take itself too seriously,” says Abbie.

What is her favourite number? “Torn. The Natalie Imbruglia song. It’s an absolute banger. If I ever went out to a karaoke night, that would be my number one choice – and it’s a real turning point in the show, where she doesn’t know where she will go from there,” she says.

Abbie also sings Lovefool, the one from the swimming pool scene; Counting Crows’ Colorblind – “a gorgeous moment in the film that’s so honest and sincere on stage that you  really feel the audience go quiet” – and Foolish Games.

“That’s my big ‘belty’ solo in the show, where I do songs that give me lots of contrast, from ‘thrashy’ to beautiful, so Annette really gets to go on an emotional rollercoaster.”

What is the ultimate moral of Cruel Intentions, Abbie? “It’s weird because the characters are pretty devious and do some devious things, but because they’re teenagers and playing games, audiences fall in love with them,” she says.

“But the moral behind it is that there’s a dark side behind privilege, where they’re able to brush everything off with their wealth, which doesn’t just apply to the 1990s. A lot of people will connect with that thing of making questionable decisions as a teenager, but there’s a playful energy to the show as well darkness.”

On the road until the end of June, Abbie is visiting York for the first time this week. “I’ve never been there, so it’ll be lovely to see places on this tour that I’ve never been before,” she says. The further Yorkshire delights of Leeds and Hull await in May.  

Bill Kenwright Ltd presents Cruel Intentions: The ’90s Musical, Grand Opera House, York, tonight, 7.30pm; tomorrow, 2.30pm and 7.30pm; Thursday, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Age guidance: 15 plus. Box office: atgtickets.com/york.

Also playing: Leeds Grand Theatre, May 6 to 10, 0113 243 0808 or leedsheritagetheatres.com; Hull New Theatre, May 13 to 17, 01482 300306 or hulltheatres.co.uk.

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What’s On in Ryedale, York & beyond, under dark skies where wildlife roams. Here’s Hutch’s List No. 6 from Gazette & Herald

Colour & Light: Illuminating York Minster’s South Transept with wildlife imagery

FROM wildlife illuminations to characterful faces, dog origin tales to dark sky wonders, Charles Hutchinson finds February fulfilment.

Illumination of the week: Colour & Light, York Minster South Transept, today to March 2

THIS free outdoor event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the Minster’s peregrine falcons and the urban foxes that roam the streets after dark, to the Romans’ horses for their ride into Eboracum and the legendary dragons carved into the city’s history.

Colour & Light runs nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening is a designated quiet hour with reduced noise and crowd levels. No tickets are required.

A detail from one of Holly Capstick’s portraits in her We Are Layers exhibition at Pocklington Arts Centre

Exhibition of the week: Holly Capstick, We Are Layers, Pocklington Arts Centre, until February 28

HOLLY Capstick explores the layers of our beauty and character in her textile and mixed-media portraits that capture expressions and snapshots of moments in everyday life. “Faces have always amazed me,” she says. “The subtleties of the changes within a face can show so much of how we feel and how we connect to others.”

Thread and Press CIC tutor Holly will run portrait-themed workshops this month for children aged 7 to 16 (Learn To Draw A Face, February 19) and for adults (Textile Portraits, Free-motion Machine Embroidery, February 28). Find out more at hollycapstickart.co.uk.  

In the pink: Emma Swainston’s Elle Woods in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography

Musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, tomorrow to February 22, 7.30pm nightly (except February 16) plus 2.30pm matinees on February 15, 20 and 22

JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both a beautiful blonde and brilliant”.

Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with its powerful message of staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Tannahill Weavers: Fire-driven instrumentals, topical songs, Celtic ballads and humorous tales of Scottish life at Helmsley Arts Centre

Folk gig of the week: The Tannahill Weavers 2025, Helmsley Arts Centre, Friday, 7.30pm

THE Tannahill Weavers, from Paisley, Scotland, play a diverse repertoire that spans the centuries, taking in fire-driven instrumentals, topical songs, ballads and humorous tales of life north of the border.

Roy Gullane, on guitar and lead vocals, Phil Smillie, on flute, whistles, bodhrán and harmony vocals, Scotland’s youngest clan leader,  Iain MacGillivray, on Highland bagpipes, fiddle and whistles, and Malcolm Bushby, on fiddle, bouzouki and harmony vocals, demonstrate the rich Celtic musical heritage in their exuberant concert combination of traditional melodies, rhythmic accompaniment, and evocative vocals. Box office: 01439 771700 or helmsleyarts.co.uk.  

Paul Metcalfe in his Rod Stewart tribute act, Some Guys Have All The Luck

Tribute show of the week: Some Guys Have All The Luck – The Rod Stewart Story, Grand Opera House, York, Friday, 7.30pm

CELEBRATING Sir Rod Stewart’s 80th birthday in a West End tribute show endorsed by his family, Paul Metcalfe takes a live concert journey through six Stewart decades from humble beginnings in rhythm & blues clubs through to swaggering rock showman.

“Rod’s music brings back a lot of memories for people, and everyone can remember the first time they heard Maggie May,” says Metcalfe. “Rod has such an amazing back catalogue of songs and such variety as well. Wonderful ballads, joyful upbeat songs and some great rockers.”

Metcalfe feels like the guy with all the luck in performing this tribute. “When I’m on stage I go into another world and do things I wouldn’t normally dream of doing,” he says. “The show has come on massively since we started. The music, the lighting, the set and the video backdrops have all come on a lot. Fortunately, the audience seems to agree.” Box office: atgtickets.com/york.

Festival of the week: National Parks Dark Skies Festival, North York Moors, from Friday to March 2

THIS year is the tenth anniversary of the Dark Skies Festival and where better to celebrate than on the North York Moors, one of only 21 global locations to be recognised for pristine dark skies as an International Dark Sky Reserve.

Look out for Stargazing Experiences in Dalby Forest; Stargazing at Ampleforth Abbey; the Robin Hood’s Bay Dark Skies Ghost Walks; Evening Adventure Walks with River Mountain Rescue; a Night Navigation Experience with Large Outdoors; Dancing with The Long Dead Stars and plenty more. For full details, visit: darkskiesnationalparks.org.uk/north-york-moors-events.

David O’Doherty: Tiny Piano Man’s pageant of Irish humour and song at Grand Opera House, York

Comedy show of the week: David O’Doherty, Tiny Piano Man, Grand Opera House, York, Saturday, 8pm

THE dishevelled prince of €10 eBay keyboards tries to make you feel alive with a pageant of Irish humour, song and occasionally getting up from a chair. “It’s gonna be a big one,” says Dublin comedian, author, musician, actor and playwright David O’Doherty, star of The Great Celebrity Bake Off 2024 and Along For The Ride With David O’Doherty. Box office: atgtickets.com/york.

Gareth Gates: A Valentine Special brimful of movie love songs at York Barbican

Romantic concert of the week: Gareth Gates Sings Love Songs From The Movies – A Valentine Special, York Barbican, Sunday, 7.30pm

EXTENDING the St Valentine ‘s Day vibes to the weekend, Bradford singer Gareth Gates combines  beloved ballads from classic films with the electrifying energy of up-tempo hits, from Unchained Melody to Dirty Dancing, in a celebration of love stories that have graced the silver screen.

Joining the 2002 Pop Idol alumnus and musical star will be Wicked actress Maggie Lynne, Dutch singer Britt Lenting, Performers College graduate Dan Herrington and a four-piece band. Box office: yorkbarbican.co.uk.

Ugg’n’Ogg: Telling the story of The World’s First Dogg at the Milton Rooms, Malton

Children’s play of the week: Rural Arts presents Fideri Fidera in Ugg’n’Ogg & The World’s First Dogg, Milton Rooms, Malton, February 20, 2pm

IN the fresh sparkling world just after the last Ice Age, there were no dogs. How, then, did we attain our best friend and the world’s number one pet? Luckily for us, along came young hunter gatherers Ugg‘n’Ogg to pal up with the wolves, Tooth’n’Claw, to defy flying meat bones, raging forest infernos and even a time-travelling stick to invent the dog.

This original play for families and pooch lovers aged three upwards highlights the evolutionary transition from lupine to canine in a show full of physical comedy, puppets, music and song. Box office: 01653 696240 or themiltonrooms.com.

James Iha, left, Jimmy Chamberlin and Billy Corgan of The Smashing Pumpkins: Off to the Yorkshire coast in the summer

Gig announcement of the week: The Smashing Pumpkins, TK Maxx Presents Scarborough Open Air Theatre, August 13

AMERICAN alternative rockers The Smashing Pumpkins will play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award. Tickets go on sale at 10am on Friday at ticketmaster.co.uk

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More Things To Do in York and beyond the dark skies of February nights. Here’s Hutch’s List No. 6 from The York Press

Freida Nipples: Hosting a cabaret night of burlesque exhibitionism in The Old Paint Shop at York Theatre Royal Studio

FROM exhibitionist burlesque to imaginative dance moments, wildlife illuminations to bend-and- snap musical empowerment, Charles Hutchinson finds February fulfilment.

Cabaret night of the week: Freida Nipples Presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

YORK’S very own internationally award-winning burlesque artiste Freida Nipples welcomes some of her favourite and most fabulous performance artists from across Great Britain and beyond to The Old Paint Shop’s flesh-flashing cabaret night.

 “Get ready to be dazzled, shocked and in awe,” says Freida. “Only a few things are guaranteed: glamour, gags and giggles.” Box office: 01904 623568 or yorktheatreroyal.co.uk, for returned tickets only.

Chris Newman and Maire Ni Chathasaigh: Heading to Helmsley Arts Centre

Folk gig of the week: Maire Ni Chathasaigh and Chris Newman, Helmsley Arts Centre, tonight, 7.30pm

MULTIPLE award-winning, internationally renowned virtuoso harp and guitar duo Maire Ni Chathasaigh and Chris Newman return to Helmsley after playing to a full house there in December 2023.

County Cork harpist Chathasaigh and flat-picking guitarist, improviser, composer and record producer Newman have toured to 24 countries on five continents, playing venues ranging from village halls and town halls to palaces in Kyoto and Istanbul, from London’s Barbican to Cologne’s Philharmonia. Expect a fusion of traditional Irish music, hot jazz, bluegrass and baroque, spiced with new compositions and Newman’s subversive wit. Box office: 01439 771700 or helmsleyarts.co.uk.

Unstoppable! Evie Hart, Sean Moss, Hobie Schouppe, Juliette Tellier, Donny Beau Ferris, Risa Maki and Oliver Rumaizen in Jasmin Vardimon Company’s Now. Picture: Tristram Kenton

Dance show of the week: Jasmin Vardimon Company, York Theatre Royal, today, 2.30pm with post-show discussion and 7.30pm

NOW, a new creation by choreographer Jasmin Vardimon MBE, celebrates her company’s 25th anniversary in a work that reflects the current moment, the present, and the continuous movement of time in a terpsichorean toast to the beauty of imagination and art.

Rooted in her interest in contemporary lives, the structures of society and the ever-changing socio-political dynamics, Vardimon uses her distinctive dance theatre style to tell a story of our time with an international cast of performers and relevant and iconic moments from the Ashford, Kent company’s repertoire. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jamie Walton: Cello soloist at York Guildhall Orchestra’s concert tonight at York Barbican. Picture: Matthew Johnson

Classical concerts of the week: Yorkshire Bach Choir, Bach To The Future, St Lawrence Parish Church, York, tonight, 7.30pm; York Guildhall Orchestra: Sibelius, Bloch, Tchaikovsky & Shostakovich, York Barbican, tomorrow, 3pm

PETER Seymour conducts Yorkshire Bach Choir on a choral journey through German polyphony, including music by Schutz, Johann Bach, JS Bach, Mendelssohn, Brahms and Rheinberger tonight. Professor Thomas Schmidt gives a pre-concert talk at 6.45pm. Box office: 01904 658338 or ncem.co.uk.

Jamie Walton, cellist and North York Moors Chamber Music Festival artistic director, will be the soloist for Ernst Bloch’s “rarely played, but utterly beautiful” Shelomo in tomorrow afternoon’s concert by the York Guildhall Orchestra. Sibelius’s Karelia Suite, Tchaikovsky’s Romeo And Juliet and Shostakovic’s Symphony No. 9 in Eb feature too in conductor Simon Wright’s programme. Box office: yorkbarbican.co.uk.

Dominic Halpin & The Hurricanes: Turning the Grand Opera House into a honky-tonk in downtown Nashville

Country gig of the week: A Country Night In Nashville, Grand Opera House, York, tomorrow, 7.30pm

DOMINIC Halpin & The Hurricanes re-create a buzzing honky-tonk in downtown Nashville, capturing the energy and atmosphere of an evening in the home of country music, featuring songs from its biggest stars both past and present: Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves. Box office: atgtickets.com/york.

Colour & Light: Illuminating York Minster with wildlife imagery

Illumination of the week: Colour & Light, York Minster South Transept, February 12 to March 2

THIS free outdoor event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the peregrine falcons that call the Minster home and the foxes that roam the city after dark, to the horses on which the Romans rode into Eboracum and the legendary dragons carved into York’s history.

Colour & Light will run nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening will feature a designated quiet hour with reduced noise and crowd levels, ensuring everyone can enjoy the event. No tickets are required.

Pop Princesses : A fairytale epic adventure of pop hits and show favourites at the Grand Opera House

Children’s pop concert of the week: Pop Princesses World Tour, Grand Opera House, York, February 13, 6pm

IN a magical show where four fabulous fairytale princesses become pop stars on an epic adventure, they just love to sing the hits of Taylor Swift, Meghan Trainor, Miley Cyrus, Dua Lipa and Lizzo, complemented by a few of the best songs from all your favourite films and musicals. Box office: atgtickets.com/york.

Drag diva turned Dragamama bingo caller Velma Celli

Drag bingo agogo: Velma Celli’s Dragamama Bingo, Wagamama, Goodramgate, York, February 13, doors 6.30pm

YORK international vocal drag diva Velma Celli, alias West End musical star Ian Stroughair, has won the Best Cabaret prize at Perth Fringeworld 2024 – again! – Down Under. Next Thursday, Velma turns bingo caller for an evening of camp comedy drag bingo fun and games in Dragamama Bingo at Japanese restaurant Wagamama. Eyes down for a full house and a feast of Velma cabaret from 7pm to 9pm. Box office: https://tinyurl.com/4hmukk69.

Emma Swainston’s Elle Woods in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography

Musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, February 13 to 22, 7.30pm nightly (except February 16) plus 2.30pm matinees on February 15, 20 and 22

JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both a beautiful blonde and brilliant”.

Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with a powerful message about staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Festival of the week: National Parks Dark Skies Festival, North York Moors, February 14 to March 2

THIS year is the tenth anniversary of the Dark Skies Festival and where better to celebrate than on the North York Moors, one of only 21 locations in the world to be recognised for pristine, dark skies as an International Dark Sky Reserve.

Look out for Stargazing Experiences in Dalby Forest; Stargazing at Ampleforth Abbey; the Robin Hood’s Bay Dark Skies Ghost Walks; Evening Adventure Walks with River Mountain Rescue; a Night Navigation Experience with Large Outdoors; Dancing with The Long Dead Stars on a walk to Boggle Hole and plenty more. For full details, visit: darkskiesnationalparks.org.uk/north-york-moors-events.

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What’s On in Ryedale, York & beyond. Hutch’s List No. 5, from Gazette & Herald

Untitled 7, by Neil Bunting, from Art Of Protest’s Outsider Inside York exhibition

A DANDY giant,  outsider art, drag bingo and Cuban  rhythms light up Charles Hutchinson’s early February diary.

Exhibition of the week: Outsider Inside York – An Exhibition of Words and Pictures, Art of Protest Gallery, Walmgate, York, on show until February 16

OUTSIDER Inside York celebrates the diverse voices of five artists who have used creativity to reshape their lives and challenge the status quo, revealing art’s transformative power in overcoming adversity.

Taking part will be Boxxhead, alias York mixed-media artist Kevin McNulty; former British Army soldier and PTSD sufferer Kevin Devenport, who began painting as a form of self-expression while in prison for drug offences; Peter Stapleton, who discovered a gift for painting in oils after 22 years behind bars, and late neurodivergent artist and musician Neil Bunting, who died last year, having struggled with mental health issues and personal loss throughout his life and never exhibiting his work in his lifetime. Their works are complemented by poems by Geoff Beacon, whose latest collection, Foreboding, engages with activism and politics in York.

Jennifer Jones’s Belle in Joseph Rowntree Theatre Company’s Beauty And The Beast at the Joseph Rowntree Theatre

Fairytale of the week: Joseph Rowntree Theatre Company in Disney’s Beauty And The Beast, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

THE Joseph Rowntree Theatre Company presents the timeless tale of Belle (Jennifer Jones), a young woman in a small provincial town, and the Beast (Adam Gill), a prince trapped under the spell of an enchantress. The Beast must learn to love and be loved in order to break the spell, but time is running out in this Disney musical adventure.

Further principal roles in Kathryn Lay’s cast go to Jim Paterson as Gaston; Tom Mennary,  Lumiere; Paul Blenkiron, Maurice; Helen Barugh, Madame de la Grande Bouche; Heather Stead, Babette, and Anthony Gardner, Cogsworth. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Meet The Smartest Giant In Town in Little Angel Theatre’s show at the Grand Opera House, York

Children’s show of the week: Little Angel Theatre in The Smartest Giant In Town, Grand Opera House, York, today, 10am and 1pm

GEORGE wishes he were not the scruffiest giant in town. When he sees a new shop selling giant-sized clothes, he adopts a new look: smart trousers, smart shirt, stripy tie, shiny shoes. Now he is the smartest giant in town…until he bumps into some animals that desperately need his help – and his clothes!

So runs Little Angel Theatre’s latest puppet-filled stage adaptation of a typically heart-warming Julia Donaldson and Axel Scheffler picture-book tale of friendship and helping those in need. Box office: atgtickets.com/york.

The poster artwork for Just Us & A Piano at Helmsley Arts Centre

Fundraiser of the week: Just Us & A Piano, Songs From Musical Theatre Broadway and the West End, Helmsley Arts Centre, tonight and Friday, 7.30pm  

JULIE Lomas and pianist Neil Bell bring together a grand piano and an ensemble of 1812 Theatre Company singers to celebrate the world of musical theatre to raise much-needed funds for Helmsley Arts Centre.

Songs from the Broadway classics of George Gershwin, Cole Porter, Jerome Kern and Richard Rodgers through to Cabaret, Wicked, My Fair Lady, Les Miserables, Hamilton and Andrew Lloyd Webber will be performed by Amy Gregory, Esme Schofield, Joe Gregory, Julie Lomas, Kristian Gregory, Natasha Jones, Oliver Clive and Phye Bell. Box office: 01439 771700 or helmsleyarts.co.uk.

Beverley Beirne: Fronting her trio at The Old Paint Shop on Friday

Jazz gig of the week: The Beverley Beirne Trio, The Old Paint Shop, York Theatre Royal Studio, Friday, 8pm

BEVERLEY Beirne sings songs of hope, passion, of living life to the full, of day dreaming, regret, love lost and love found and ultimately of dancing through the game and rhythm of life from Dream Dancer, long-listed for a Grammy Best Jazz Vocal Album.

Listen out for interpretations of David Bowie’s Let’s Dance, Let’s Face The Music And Dance and a bluesy take on The Clash’s Should  I Stay Or Should I Go. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Drag diva turned Dragamama bingo caller Velma Celli

Drag diva deluxe at the double: The Velma Celli Show, Impossible York Wonderbar, St Helen’s Square, York, Friday, doors 7pm, show time 8pm to 10pm; Dragamama Bingo, Wagamama, Goodramgate, York, February 13, doors 6.30pm

YORK international vocal drag diva Velma Celli, alias West End musical star Ian Stroughair, has won the Best Cabaret prize at Perth Fringeworld 2024 – again! – in Australia. On Friday, Velma returns to her regular York joint for a night of sassy song and saucy badinage. Box office: https://tinyurl.com/24s4yyjt.

Next Thursday, Velma turns bingo caller for an evening of camp comedy drag bingo fun and games in Dragamama Bingo at Japanese restaurant Wagamama. Eyes down for a full house and a feast of Velma cabaret from 7pm to 9pm. Box office: https://tinyurl.com/4hmukk69.

York Latinos: Celebrating Cuban music and culture at The Milton Rooms, Malton

Cuban celebration of the week: York Latinos, A Night of Latin Music and Dance, Milton Rooms, Malton, Saturday, 8pm

YORK Latinos pay homage to the traditional rhythms of their homelands while infusing them with contemporary flair in a celebration of Cuban music and culture featuring a dancer from Havana.

Specialising in a variety of Latin genres, they blend the vibrant beats of salsa and the soulful melodies of Cuban Son, complemented by Merengue, Bachata and Cumbia. Box office: 01653 696240 or themiltonrooms.com.

Chris Newman and Maire Ni Chathasaigh

Folk gig of the week: Maire Ni Chathasaigh and Chris Newman, Helmsley Arts Centre, Saturday, 7.30pm

MULTIPLE award-winning, internationally renowned virtuoso harp and guitar duo Maire Ni Chathasaigh and Chris Newman return to Helmsley after playing to a full house there in December 2023.

County Cork harpist Chathasaigh and flat-picking guitarist, improviser, composer and record producer Newman have toured to 24 countries on five continents, playing venues ranging from village halls and town halls to palaces in Kyoto and Istanbul, from London’s Barbican to Cologne’s Philharmonia. Expect a fusion of traditional Irish music, hot jazz, bluegrass and baroque, spiced with new compositions and Newman’s subversive wit. Box office: 01439 771700 or helmsleyarts.co.uk.

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When you put Eric Morecambe, Tommy Cooper & Bob Monkhouse in one play, who has The Last Laugh? Over to Paul Hendy

The Last Laugh writer-director Paul Hendy

PAUL Hendy, award-winning Evolution Productions writer and director, is a familiar name in York from his five pantomime collaborations with the Theatre Royal.

Now, his new play The Last Laugh, premiered at last summer’s Edinburgh Fringe, will play the Grand Opera House from June 10 to 14 after a West End run in London.

Penned and directed by Hendy, the play re-imagines the lives of three of Great Britain’s greatest comedy heroes, Tommy Cooper, Eric Morecambe and Bob Monkhouse, in a nostalgic show replete with gags, badinage and poignant stories.

The tour is being mounted by Evolution Productions in tandem with producer Jamie Wilson, the impresario behind tours of Sister Act The Musical and The Devil Wears Prada. “Jamie flew up on the last day of our sold-out Edinburgh Fringe run at the Assembly Rooms and nudged me to say ‘we’re taking this to the West End’,” recalls Paul. “I knew I had something that people were responding to. The reaction was overwhelming.”

Jamie says: “The young team here at JWP were bowled over by the relevance of their timeless comedy and after seeing it myself in Edinburgh, I just knew it had to have a further life so many more people could experience it.

“What is so brilliant about this play is the audiences who love and remember Eric, Tommy and Bob will be able to relive their comedy greatness, and those that don’t will be introduced to the genius of these national treasures. I’m so pleased these icons will be back on stage for audiences to enjoy.”

The Last Laugh will run at the Noel Coward Theatre, London, from February 25 to March 22 before heading out on tour in June.

In the cast will be Bob Golding as Eric Morecambe, after his Olivier Award-nominated portrayal of Eric in the West End hit Morecambe at the Duchess Theatre; Sheffield Lyceum pantomime dame Damian Williams as Tommy Cooper, after starring in the tour of Being Tommy Cooper, and actor and impressionist Simon Cartwright as Bob Monkhouse, fresh from appearing as York-born Frankie Howerd in the UK tour of Howerd’s End.

Why feature Monkhouse, rather than Howerd as the third comedy legend in The Last Laugh, Paul? “When you see it, it will make sense. Ultimately it’s a show about comedy, but more than that, the life and death of three contrasting comedians, gathered in a dressing room to talk about life, death and comedy, with their three differing approaches to comedy” he says.

“Tommy Cooper was a natural comedian. That was almost a curse as people would just laugh in his presence. He was an innate comedian: whatever he did was funny.

Damian Williams’s Tommy Cooper, left, Bob Golding’s Eric Morecambe and Simon Cartwright’s Bob Monkhouse in The Last Laugh. Picture: Pamela Raith

“Eric was born funny but he needed writers, whereas Tommy didn’t: even a rubbish Tommy joke would get a laugh!

“Bob Monkhouse – who I met, what a lovely man – was not a naturally funny man but he really understood comedy and was a scholar of comedy, working a joke down to the minimum number of words, and polishing it, to make it work.

“Bob was fascinated by how Tommy Cooper was naturally funny; he would say, how do you do it?’, and Tommy would say, ‘I just do’. Eric was in the middle, so funny but requiring material.”

The Last Laugh lets them have fun together. “It was interesting to see how the three of them would work off each other,” says Paul. “I’d already done a 20-minute film version, which did really well on the film circuit in 2017, winning a Best Film award in Manchester and at the Los Angeles Independent Film Festival, and I’d always thought there was more to be mined, more to be explored.

“I analyse how comedy works for my play and panto scripts – I’m a massive Eric and Tommy fan, but I’m more like Bob in working out how comedy works, and that’s what they’re talking about in this play. What do they do when they get a laugh and then chase the next one and why do they do that?

“They were three people at the top of their game undoubtedly, which is why there’s still a lot of love for them. Tommy and Eric died within six weeks of each other 40 years ago and yet here we are, still discussing them. Is there anyone today who will have that lasting impact? Maybe Peter Kay.”

Paul wrote The Last Laugh expressly for Golding, Williams and Cartwright. “Damian is a great friend who I direct each year in the Sheffield Lyceum pantomime, where he’s been the dame for 17 years,” he says.

“Bob plays panto dame too in St Albans, and they both have as much passion for these comedians and the world they’re in as I do. We’ve all read the books, so this show is done with love. Simon was incredible in Howerd’s End, and he’s wonderful in this show too.”

The Last Laugh will be bound for the Brits Off Broadway season in New York, but as for old York, why is Paul’s play playing the Grand Opera House, not the Theatre Royal? “It came down to availability when Jamie Wilson was putting the tour together,” he says.

Last question, Paul:  who has the last laugh in The Last Laugh? “I don’t want to give it away,” he says. “You’ll have to see it to find out! But it’s a good expression for what they do, with three comedians each trying to top each other as they always do.”

Jamie Wilson Productions and Emily Wood for Evolution Productions present TheLastLaugh, Grand Opera House, York, June 10 to 14, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/york.

Just like that….and that…and that in Paul Hendy’s The Last Laugh
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REVIEW: Here You Come Again, Grand Opera House, York, until Saturday ****

Tricia Paoluccio’s Dolly Parton in Here You Come Again, on tour at the Grand Opera House, York

ON Tuesday, queen of country and philanthropist Dolly Parton announced her new autobiographical stage show, Dolly: An Original Musical, would be opening in Nashville in July, ahead of a Broadway debut in 2026.

Previously, Dolly wrote the music and lyrics for 9 To 5 The Musical, premiered in 2008, having starred as secretary Doralee Rhodes in the 1980 film version.

Here she comes again in Here You Come Again, a musical full of Dolly songs, both familiar and not so familiar (Me And Little Andy), picked with Dolly’s approval for the story of diehard Dolly devotee Kevin, who needs dollops of Dolly advice on life and love in Covid times.

Written by Bruce Vilanch, director Gabriel Barre and Broadway actress Tricia Paoluccio, the show first ran in the United States and is now visiting its 33rd city on its debut British tour, produced by Simon Friend Entertainment and Leeds Playhouse.

The setting is an attic in Halifax in lockdown 2020, not Halifax, Nova Scotia, but now in West Yorkshire, home of the Halifax Courier et al, after Gimme Gimme Gimme writer Jonathan Harvey was entrusted with a British re-write.

Or, as the programme credits put it, “additional material” that brings British humour to the core story, along with Covid references, such as a UK news bulletin, banging a pan for the NHS, singing Happy Birthday twice through when washing hands, and stocking up on loo rolls.

Kevin (Aidan Cutler, understudying very capably for Steven Webb at Wednesday’s matinee) has returned to his parents’ home from London, on furlough from his job at a comedy club. His attic is a chapel of adoration to Dolly Parton, as well housing as the best hi-fi and finest retro turntable, a pink flamingo by his bedside and a pulley system for delivery of meals made by his parents on the floor below.

Only he can enter, by a ladder from the outside. His boyfriend, money-man Jeremy, is keeping more than a six-foot distance. Indeed Jeremy has just sent a message to say the relationship is over.

We need to talk about Aidan Cutler’s Kevin: Impressive understudy for Steven Webb at Wednesday’s matinee

Kevin may play by the Covid rules, but what he needs is an agony aunt angel to lift him out of the doldrums. Who could that possibly be but a fantasy vision of rhinestone splendour. Yes, Miss Dolly Parton, y’all.

Nothing is a barrier to Tennessee’s queen of Dollywood, who enters as if by magic, through a poster turning into a real-life Dolly (Tricia Paoluccio, every inch Dollied up to the max), equipped with quips, bon mots, kind words and a song for every scenario.

They need to talk about Kevin. He does, she does, and only occasionally do we see or hear from the parents (Austin Garrett and Emma Jane Fearnley, popping up on backing vocals too) in a show where the two leads do the heavy lifting, backed by a band of Jordan Li-Smith, keyboards, Luke Adams, guitar, Ben Scott, drums, and Kevin Oliver Jones, bass/harmonica. Sometimes musicians appear in the attic, more often they are behind Paul Wills’s set design.

Paoluccio is the perfect Dolly mixture: wholesome, whole-hearted, glamorous yet home-spun, supportive in her philanthropic way. She sings like Dolly, talks like Dolly, moves like Dolly, but this is no mere 2D impersonation. As her Dolly says, she is not only in 3D, but “make that triple D”, and there are plenty more Dolly one-liners where that one came from.

Favourite moment? After Paoluccio’s Dolly sings the tragic, lachrymose tale of Me And Little Andy, Dolly and Kevin discuss why she has written so many sad, sad songs. To make us all feel better about ourselves, she explains.

By this stage, spoiler alert, Kevin, on the wrong side of 40,  has lost his boyfriend, his job, his home, but the Dolly hits keep coming (after finding a corny excuse to include Jolene early on) as the matinee audience starts chipping in with encouragement for Dolly and Kevin alike. Two Doors Down, 9 To 5, Islands In The Stream, I Will Always Love You and the climactic Light Of A Clear Blue Morning go down particularly well, aided by Lizzi Gee’s fun choreography.

Understudy Aidan Cutler’s Kevin, camp and lovable, crushed but uplifted by Dolly, more than holds his own in such glittering company, with a sweetness to his singing chops too. As for Paoluccio’s Dolly, you will always love her.

Here You Come Again, Grand Opera House, York, runs until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box  office: atgtickets.com/york.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 4, from Gazette & Herald

Ric Liptrot: Exhibiting in The Other Collective exhibition at Bluebird Bakery, Acomb

FROM dollops of Dolly Parton advice to Stewart Lee’s werewolf encounter, devilish storytelling to a Cinderella prequel, Charles Hutchinson, cherry picks highlights for the days ahead.

Exhibition of the week: The Other Collective, Bluebird Bakery, Acomb, York, until March 13

CURATED by Bluebird Bakery, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall.

“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.” 

Mark Reynolds’ tour poster illustration for Stewart Lee Vs The Man-Wulf, playing York Theatre Royal until Saturday

Comedy gigs of the week: Stewart Lee Vs The Man-Wulf, York Theatre Royal, until Saturday, 7.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by the silver bullet of Lee’s deadpan stand-up? Tickets advice: Hurry, hurry as all shows are closing in on selling out; 01904 623568 or yorktheatreroyal.co.uk.

Tricia Paoluccio’s Dolly Parton and Stevie Webb’s Kevin in Here You Come Again at Grand Opera House, York

Musical of the week: Here You Come Again, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SIMON Friend Entertainment and Leeds Playhouse team up for the tour of Here You Come Again, starring and co-written by Broadway actress Tricia Paoluccio, who visits York for the first time in the guise of a fantasy vision of country icon Dolly Parton.

Gimme Gimme Gimme writer Jonathan Harvey has put a British spin on Bruce Vilanch, director Gabriel Barre and Paoluccio’s story of diehard Dolly devotee Kevin (Steven Webb) needing dollops of Dolly advice on life and love in trying times. Parton hits galore help too! Box office: atgtickets.com/york.

Hayden Thorpe: Performing Ness with Propellor Ensemble members at the NCEM, York, tonight

Arthouse gig of the week: Hayden Thorpe & Propellor Ensemble, National Centre for Early Music, York, tonight, doors 7pm for 7.30pm start

PLEASE Please You and Brudenell Presents bring Hayden Thorpe & Propellor Ensemble to the NCEM to perform Ness, with the promise of a “sonically spectacular and transformational live show”.

Thorpe, former frontman and chief songwriter of Kendal band Wild Beasts, promotes his September 2024 album. Using a process of redaction, Thorpe brought songs to life from nature writer Robert Macfarlane’s book Ness, inspired by Suffolk’s Orford Ness, the former Ministry of Defence weapons development site during both World Wars and the Cold War. Box office: 01904 658338 or ncem.co.uk.

Sylvie (Aileen Hall), centre, demonstrates her skills to friends Amelie (Perri Ann Barley), left, and Helene (Devon Wells), right, in rehearsal for Blue Light Theatre Company’s Where The Magic Begins!

Premiere of the week: Blue Light Theatre Company in Where The Magic Begins!, Acomb Working Men’s Club, York, tonight to Friday, 7.30pm; Saturday, 2pm matinee

BLUE Light Theatre Company stage York playwright and actress Perri Ann Barley’s new play Where The Magic Begins!, a prequel to Cinderella based on characters from the original Charles Perrault version.

“We meet many beloved characters in their younger days, such as a young Fairy Godmother, who is about to discover her ‘gift’. We follow her journey as she struggles with a secret that could put her life, and that of her family, in grave danger,” says director Craig Barley. Box office: 07933 329654, at bluelight-theatre.co.uk or on the door.

Hannah Rowe: Performing in the cabaret setting of The Old Paint Shop at York Theatre Royal Studio

Cabaret night of the week: CPWM Presents An Evening With Hannah Rowe, The Old Paint Shop, York Theatre Royal Studio, tomorrow, 8pm

YORK promoters Come Play With Me (CPWM) welcome Hannah Rowe to The Old Paint Shop’s winter season. This young singer writes of experiences and shifts in life, offering a sense of reflection within her rich, authentic, jazz-infused sound. Friday’s 8pm show by upstanding York pianist Karl Mullen has sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Adderstone’s Cath Heinemeyer and Gemma McDermott

Devilish delight of the week: Tim Ralphs and Adderstone, Infernal Delights, Rise@Bluebird Bakery, Acomb, York, Friday, doors 7.30pm

TIM Ralphs and York alt-folk storytellers Adderstone serve up a winter night’s double bill of dark delights. Let Adderstone’s Cath Heinemeyer and Gemma McDermott lead you down the steps to the underworld with story-songs from wild places in their Songs To Meet The Darkness set.

In Beelzebub Rebranded, Tim Ralphs’s stand-up storytelling exhumes the bones of ancient Devil stories and stitches them into new skins for fresh consumption in his wild reimagining of folktale, fairytale and urban legend. Box office: ticketsource.co.uk/adderstone/infernal-delights/e-xjjber.

Saxophonist Snake Davis, right, double bassist Don Richardson, left, and concertina player Alistair Anderson: Playing together at Helmsley Arts Centre on Sunday

Trio of the week: Snake Davis, saxophones, Don Richardson, double bass, and Alistair Anderson, concertina and Northumbrian pipes, Helmsley Arts Centre, Sunday, 7.30pm

ADD an old mucker to a new pal, whereupon saxophonist to the stars Snake Davis sounds excited. Snake and Don Richardson go back decades, too many gigs and shows to remember. Lulu and Paul Carrack were particularly memorable. Snake and Alistair Anderson met at a wonderfully quirky Northumberland venue in late 2023 and decided to make music together. Here comes folk, jazz, world, pop and more. Box office: 01439 771700 or helmsleyarts.co.uk.

Craig David: Combining his singing, master of ceremonies and DJ skills at Scarborough Open Air Theatre this summer

Gig announcement of the week: Craig David Presents TS5, TK Maxx Presents Scarborough Open Air Theatre, July 19

SOUTHAMPTON rhythm & blues musician Craig David parades his triple threat as singer, MC and DJ at his TS5 party night – patented at his Miami penthouse – on the East Coast this summer. Expect a set combining old skool anthems from R&B to Swing Beat, Garage to Bashment, while merging chart-topping House hits too.

“I cannot wait to bring my TS5 show to Scarborough and the beautiful Yorkshire coast in July,” enthuses David, 43. “2025 is a massive year for me as it’s the 25th anniversary of my debut album [Born To Do It] and my debut number one single (Fill Me In]. What better way to celebrate than bringing the party to Scarborough this summer.” Tickets go on sale at 10am on Friday at scarboroughopenairtheatre.com. 

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More Things To Do in York and beyond, any way the wind blows. Here’s Hutch’s List No. 4 for 2025, from The York Press

Ric Liptrot: Exhibiting in The Other Collective exhibition at Bluebird Bakery, Acomb

FROM dollops of Dolly Parton advice to Stewart Lee’s werewolf encounter, devilish storytelling to a Cinderella prequel, Charles Hutchinson, cherry picks highlights for the days ahead.

Exhibition of the week: The Other Collective, Bluebird Bakery, Acomb, York, until March 13

CURATED by Bluebird Bakery, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall.

“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.” 

The poster for South Bank Singers’ Of All The Birds concert

Nature concert of the week: South Bank Singers, Of All The Birds, A Winter Chorus, St Clement’s Church, Scarcroft Road, York, today, 3pm

SOUTH Bank Singers present Of All The Birds, A Winter Chrous, a Saturday afternoon concert of choral music inspired by the enchanting beauty and song of birds. Directed by Carlos Zamora, the choral programme spans six centuries, taking in Mendelssohn, Stanford, Ravel, Gibbons, Janequin, Vautor, Guastavino and Bartlet. Admission is free with a retiring collection for the Yorkshire Wildlife Trust.

The poster for A Million Dreams, presented by Steve Coates Productions, at the Grand Opera House, York

Fundraiser of the week: A Million Dreams, A Charity Broadway Spectacular, Grand Opera House, York, tonight, 7.30pm

STEVE Coates Productions present an evening of musical magic, song, dance and laughter by York talent in aid of The Snappy Trust, a charity “dedicated to maximising the personal development of children and young people with wide- ranging disabilities”.

Bev Jones Music Company, Flying Ducks Youth Theatre and a ten-piece band perform songs from Broadway and West End shows such as Wicked, Hamilton, Frozen, The Phantom Of The Opera, Les Miserables and The Greatest Showman. Box office: atgtickets.com/york.

Mark Reynolds’ tour poster illustration for Stewart Lee Vs The Man-Wulf, playing York Theatre Royal from January 28 to February 1

Comedy gigs of the week: Stewart Lee Vs The Man-Wulf, York Theatre Royal, January 28 to February 1, 7.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by the silver bullet of Lee’s deadpan stand-up? Tickets advice: Hurry, hurry as all shows are closing in on selling out; 01904 623568 or yorktheatreroyal.co.uk.

Tricia Paoluccio’s Dolly Parton and Steven Webb’s Kevin in Here You Come Again at Grand Opera House, York

Musical of the week: Here You Come Again, Grand Opera House, York, January 28 to February 1, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SIMON Friend Entertainment and Leeds Playhouse team up for the tour of Here You Come Again, starring and co-written by Broadway actress Tricia Paoluccio, who visits York for the first time in the guise of a fantasy vision of country icon Dolly Parton.

Gimme Gimme Gimme writer Jonathan Harvey has put a British spin on Bruce Vilanch, director Gabriel Barre and Paoluccio’s story of diehard Dolly devotee Kevin (Steven Webb) needing dollops of Dolly advice on life and love in trying times. Parton hits galore help too! Box office: atgtickets.com/york.

Sylvie (Aileen Hall), centre, demonstrates her skills to friends Amelie (Perri Ann Barley), left, and Helene (Devon Wells), right, in rehearsal for Blue Light Theatre Company’s Where The Magic Begins!

Premiere of the week: Blue Light Theatre Company in Where The Magic Begins!, Acomb Working Men’s Club, York, January 29, 30 and 31, 7.30pm; February 1, 2pm matinee

BLUE Light Theatre Company will forego their annual panto in favour of staging York playwright and actress Perri Ann Barley’s new play Where The Magic Begins!, a prequel to Cinderella based on characters from the original Charles Perrault version of “everyone’s favourite fairytale”.

“We meet many beloved characters in their younger days, such as a young Fairy Godmother, who is about to discover her ‘gift’. We follow her journey as she struggles with a secret that could put her life, and that of her family, in grave danger,” says director Craig Barley. Box office: 07933 329654, at bluelight-theatre.co.uk or on the door.

Hannah Rowe: Performing in the cabaret set-up of The Old Paint Shop at York Theatre Royal Studio

Cabaret night of the week: CPWM Presents An Evening With Hannah Rowe, The Old Paint Shop, York Theatre Royal Studio, January 30, 8pm

YORK promoters Come Play With Me (CPWM) welcome Hannah Rowe to The Old Paint Shop’s winter season. This young singer writes of experiences and shifts in life, offering a sense of reflection within her rich, authentic, jazz-infused sound.

The Old Paint Shop shows by irreverent York covers combo Hyde Family Jam (today, 2pm and 8pm) and Karl Mullen, upstanding York pianist Karl Mullen (January 31, 8pm) have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Tim Ralphs: Wild reimagining of folktale, fairytale and urban legend at Rise@Bluebird Bakery, Acomb

Devilish delight of the week: Tim Ralphs and Adderstone, Infernal Delights, Rise@Bluebird Bakery, Acomb, York, January 31, doors 7.30pm

TIM Ralphs and York alt-folk storytellers Adderstone serve up a winter night’s double bill of dark delights. Let Adderstone’s Cath Heinemeyer and Gemma McDermott lead you down the steps to the underworld with story-songs from wild places in their Songs To Meet The Darkness set.

In Beelzebub Rebranded, Tim Ralphs’s stand-up storytelling exhumes the bones of ancient Devil stories and stitches them into new skins for fresh consumption in his wild reimagining of folktale, fairytale and urban legend. Box office: ticketsource.co.uk/adderstone/infernal-delights/e-xjjber.

York Ice Trail: Taking the theme of Origins next weekend

Whatever the weather, here comes the new ice age: York Ice Trail 2025, February 1 and 2

YORK’S “free weekend of frosty fun” returns with a 2025 theme of Origins as York’s streets are turned into an icy wonderland of frozen tableau in this annual event run by Make It York. Among the 30 ice sculptures showcasing 2,000 years of city history will be a Roman shield, a Viking helmet, a chocolate bar,  a drifting ghost, a majestic train and a Yorkshire rose, all captured in the language of ice by Icebox. Full details can be found at visityork.org/york-ice-trail.

Before all that ice, windswept York has another free event on the city streets and beyond this weekend: York Residents’ Festival today and tomorrow. For the full list of offers, head to: visityork.org/offers/category/york-residents-festival.

Snow Patrol: Returning to Scarborough Open Air Theatre this summer

Gig announcement of the week: Snow Patrol, TK Maxx Presents Scarborough Open Air Theatre, June 27

THE Northern Irish-Scottish indie rock band Snow Patrol are to return to the Scarborough coast for the first time since July 2021, led as ever by Gary Lightbody, accompanied by long-time lead guitarist Nathan Connolly and pianist Johnny McDaid.

Emotionally charged anthems such as Chasing Cars, Run and Open Your Eyes will be complemented by selections from 2024’s The Forest Is The Path, their first chart topper in 18 years.  Box office: ticketmaster.co.uk and scarboroughopenairtheatre.com.

In Focus: Hayden Thorpe & Propellor Ensemble, National Centre for Early Music, York, January 29, doors 7pm, start 7.30pm

Hayden Thorpe: Performing Ness with Propellor Ensemble at the NCEM

PLEASE Please You and Brudenell Presents bring Hayden Thorpe & Propellor Ensemble to the NCEM to perform Ness on Wednesday, with the promise of a “sonically spectacular and transformational live show”.

Thorpe, 39-year-old former frontman and chief songwriter of Kendal and Leeds band Wild Beasts, promotes his September 2024 album, Ness, released on Domino Records.

Using a process of redaction, Cumbrian musician Thorpe brought songs to life from nature writer Robert Macfarlane’s book Ness, inspired by Orford Ness, a ten-mile long shingle spit on the coast of Suffolk that housed the former Ministry of Defence weapons development site during both World Wars and the Cold War.

Acquired by the National Trust in 1993 and left to re-wild, to this day it remains a place of paradox, mystery and constant evolution.

Thorpe’s ode to Orford Ness, the physical place and the book, features Macfarlane’s words and illustrations by Stanley Donwood. He premiered Ness with Propellor Ensemble at Orford Ness on September 28 and 29 last year.

Here Hayden discusses working with Robert Macfarlane and Propellor Ensemble, the Cold War, nature and past York experiences with CharlesHutchPress.

Do you have any past experiences of York, whether on a school visit or whatever, Hayden?

“My parents used to take us to the Jorvik Viking Museum when me and my siblings were young. I was always amazed by the fake open sewer smell they would pump into the space.”

When did you last play in York, either solo or with Wild Beasts?

“I believe it was in 2006 or 2007. A rather long time ago. In any case, it’s been too long. It was somewhere quite familiar to me when Wild Beasts were coming up in Leeds. We’d make a regular dash across.”

How did the Ness project come about with Robert Macfarlane?

“In a really old fashioned manner. I fan-mailed Rob and he wrote back with all the generosity and open heartedness of his books. He’s as good as his word in the truest sense.

“Rob and I decided to perform some improvised music to his reading of Ness. It was a Eureka moment. The atmosphere and drama of the sound we made demanded that we commit to expanding it.” 

Did you visit Orford Ness, now the Orford Ness National Nature Reserve, for research purposes?

“Yes. Orford Ness is an astonishing place. It’s a monument to rejuvenation and a monument to destruction. The very best and the very worst of us.” 

By the way, Hayden, York has a Cold War Bunker Museum, in Monument Close, Holgate: a two-storey, semi-subterranean bunker built in 1961 to monitor nuclear explosions and fallout in Yorkshire, in the event of nuclear war.

“I had no idea that a Cold War museum existed in York. That’s fabulous. Bizarrely, I’ve developed a Cold War romance. I guess the conflicts and hostilities we face today have brought these conversations back into our everyday consciousness.” 

The album cover artwork for Hayden Thorpe’s Ness

How have you turned the album into a concert performance?

“The album is very much made of sounds we’ve made with our hands and lungs, so with enough pairs of those it actually translates in a very true way. The unusual instrumentation, with orchestral percussion and clarinet foregrounded alongside me, creates a very distinct ‘Ness’ sound. The shows have been really emotional as a result.”

Were you tempted to feature strings in the Ness project for their emotional heft?

“We deliberately did not use strings. We opted to use the elemental forces at my play at Orford Ness: wind and resistant materials like metal and wood. It creates a haunted, volatile soundscape.”  

Which Propellor Ensemble members will play in York?

“Jack McNeill plays clarinet and Delia Stevens plays orchestral percussion. Molly Gromadzki performs the spoken-word parts and sings in the choir. Brigitte Hart and Helen Ganya make up the choral section. It’s been a joy to work with such expressive and capable performers.”

What does a “sonically spectacular and transformational live show” entail?

“Something which is sonically ambitious and immersive. Once we start the show we don’t stop, it’s the album in full back to front. We want to take the audience to Ness, have them come face to face with the monster.”

Why was the National Centre for Early Music, in the former St Margaret’s Church in Walmgate, chosen for the York gig rather than The Crescent community venue, a classic working men’s club design?

“We’ve heard such great things about NCEM. Much of the story of Ness takes place ‘In The Green Chapel’, so the work lends itself to a space of worship.” 

What is your own relationship with nature? Wild Beasts hailed originally from Kendal, with all that Lake District beauty around you…

“Nature has become increasingly important to my life and work. As artists we’re forced to ask what side of the conversation we sit on, one which acknowledges the existential crisis facing us or one which excuses it. Music can carry non-human voices really effectively. Ness is very much a meditation on that.” 

What will be the next project you work on?“

Good question. Ness has certainly expanded my palette. I’ve come to feel maybe my strength is in making strange and ambitious works which would otherwise not get made. It’s crucial to keep the flame burning on works of exploration and oddity in an industry which increasingly incentivises conformity.” 

Box office: 01904 658338 or ncem.co.uk.

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