WEST End smash Shrek The Musical is on its jaunty way to the Grand Opera House, York, from November 27 to December 2…NEXT year.
After that long wait, join unlikely hero Shrek and his noble steed Donkey, beloved Princess Fiona and the evil Lord Farquaad as they embark on a big, bright, musical adventure that reimagines the Oscar-winning DreamWorks film and William Steig’s book for the stage.
After Broadway and London success, the producers of Hairspray and Priscilla Queen Of The Desert have joined forces with directors Sam Holmes and Nick Winston and designer Philip Witcomb for the touring production.
Full of unexpected friendships and surprising romance, this fun-filled musical comedy promises a cast of vibrant, magical fairytale characters and a “Shrektacular” score by composer Jeanine Tesori and lyricist David Lindsay-Abaire, topped off by Neil Diamond’s I’m A Believer.
DreamWorks’ animated film Shrek celebrated its 20th anniversary last year. Shrek The Musical was first performed on Broadway in 2008, produced by DreamWorks Theatricals and Neal Street Productions en route to receiving eight Tony nominations and the award for Best Costume and Set Design.
The original West End production was nominated for Best New Musical at the 2012 Olivier awards, where Nigel Harman received the award for Best Supporting Actor for his role as Lord Farquaad.
Shrek The Musical was staged previously at the Grand Opera House by York Stage Musicals in September 2019.
Tickets are on sale on 0844 871 7615 or at atgtickets.com.
Butshilo Nleya: Drums and drama at Green Shoots at York Theatre Royal
NOT only a certain platinum jubilee is cause for a party. Charles Hutchinson finds reasons aplenty to head out.
What can you say in five minutes? Green Shoots, York Theatre Royal, Tuesday and Wednesday, 7.30pm
NEW work commissioned by York Theatre Royal from 20 York and North Yorkshire professional artists will be premiered in Green Shoots.
Poets, performers, singers, dancers and digital artists will be presenting bite-sized performances focused on “rebooting post-pandemic and looking to the future of the planet”.
Among them will be Fladam; Bolshee; Alexander Flanagan-Wright; Paul Birch; Hayley Del Harrison; Butshilo Nleya; Hannah Davies and Jack Woods; Gus Gowland; Joe Feeney and Dora Rubinstein. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Miles And The Chain Gang: Miles Salter’s new line-up plays the City of York (Roland Walls) Folk Weekend
That’s all folk: City of York (Roland Walls) Folk Weekend, Black Swan Inn, Peasholme Green, York, today, 1pm to 11pm, and tomorrow, 1.30pm to 10.30pm
THE Black Swan Folk Club’s two days and nights of free music and song take in a marquee concert stage; rolling folk club; musicians’ sessions; singarounds; Japanese drumming; indoor concerts; the Poems & Pints hour and workshops.
Playing over the weekend will be Kaminari Taiko, The Ale Marys, The Duncan McFarlane Band, White Sail, Clurachan, Two Black Sheep And A Stallion, Holly Taymar, Blonde On Bob, Les Rustiques, Caramba, Miles And The Chain Gang, Tommy Coyle, Chechelele, Leather’O and more besides. Full programme: blackswanfolkclub.org.uk.
Artwork by North Yorkshire Open Studios mixed-media artist Jo Yeates, who is inspired by the many possibilities of fabric, paper, paint and stitch, on show at South Bank Studios, Southlands Methodist Church, Bishopthorpe Road, York
Art event of the month: North Yorkshire Open Studios 2022, today, tomorrow, then June 11 and 12, 10am to 5pm
FROM the rugged coastline near Whitby to the rolling Yorkshire Dales, 108 artists and makers invite you inside their studios and workshops.
Over four days, this is the chance to discover secret studio spaces and inspiring locations, watch artists at work, learn about their creative practices and buy contemporary art and design directly from the makers. To plan a route, visit nyos.org.uk to download a free brochure.
Jane McDonald: Headlining Yorkshire’s Platinum Jubilee Concert at Scarborough Open Air Theatre
Coastal party of the weekend: Yorkshire’s Platinum Jubilee Concert, Scarborough Open Air Theatre, today, 6pm
NATIONAL treasure Jane McDonald will be joined by musical theatre stars The Barricade Boys and drag artiste La Voix outdoors in Scarborough this evening.
“It’s going to be amazing,” says Wakefield singer and television presenter McDonald. “A really rousing night, full of song. It will be a real sing-along event, so bring your voices. I expect it’ll be emotional too, but above all else we’ll have a good old party.” Box office: scarboroughopenairtheatre.com.
Beck beckons: More than a year later than first planned, Jeff Beck plays York Barbican…and here’s Johnny too
Guitar god of the week and his (in)famous friend: Jeff Beck, with Johnny Depp, York Barbican, Tuesday, 8pm, sold out
NEWS flash. Fresh from winning his US defamation lawsuit against former wife Amber Heard, Hollywood frontman Johnny Depp, 58, is doing an impromptu victory lap as the special guest of South London rock, blues and jazz guitarist and Rock & Roll Hall of Fame inductee Jeff Beck, 77, on a tour rearranged from April 2021.
Beck will take to the York stage with Rhonda Smith, bass, Vanessa Freebairn-Smith, cello, Anika Nilles, drums, Robert Adam Stevenson, keyboards, and Depp, riffing off his piratical Keith Richards vibe no doubt, on guitar. Box office for returns only: yorkbarbican.co.uk.
Beware the Ides of March…in June: Shakespeare’s Globe bring Julius Caesar to York Theatre Royal next week. Picture: Helen Murray
Political drama of the week: Shakespeare’s Globe in Julius Caesar, York Theatre Royal, June 10, 7.30pm; June 11, 2.30pm and 7.30pm
PREPARE to confront today’s political landscape as Shakespeare’s tragedy Julius Caesar takes on startlingly new relevance in Diane Page’s account of this brutal tale of ambition, incursion and revolution.
When Cassius (Charlotte Bate) and Brutus (Anna Crichton) decide Roman leader Julius Caesar (Dickson Tyrrell) poses a political threat to their beloved country, ancient Rome feels closer to home than ever amid the conspiracy to kill, the public broadcast of cunning rhetoric and a divisive fight for greatness. Box office: 01904 623568 or yorktheatreroyal.co.uk.
She’s back to say farewell: Dionne Warwick makes a last visit to York Barbican next Friday
Soul legend of the week: Dionne Warwick, She’s Back: One Last Time, York Barbican, June 10, 8pm
DON’T walk on by. Dionne Warwick’s rescheduled She’s Back: One Last Time itinerary now carries the Farewell Tour tag too, making next Friday’s concert all the more a Must See event.
Now 81, the six-time Grammy Award-winning New Jersey singer, actress, television host and former United Nations Global Ambassador for the Food and Agriculture will be performing such Bacharach/David favourites as I Say A Little Prayer, Do You Know The Way To San Jose and Walk On By, plus material from her May 2019 album, She’s Back. Box office: yorkbarbican.co.uk.
The poster for Gary Barlow’s one-man theatre show A Different Stage, visiting the Grand Opera House for four performances
Hottest ticket of the week: Gary Barlow: A Different Stage, Grand Opera House, York, June 9, 10 and 11, 7.30pm; June 12, 2.30pm
FIRST, Take That’s Gary Barlow announced Friday and Saturday solo shows, then he added a Sunday matinee, and, finally, Thursday too. Ticket availability is best for the opening night; barely a handful remain for the others.
“I’ve done shows where it has just been me and a keyboard,” says the Wirral singer, songwriter, composer, producer, talent show judge and author. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.” Box office, without delay: 0844 871 7615 or atgtickets.com/York.
Getting mighty Crowded: Neil Finn’s band, Crowded House, head for the Yorkshire coast
Whatever the weather with you, Crowded House play Scarborough Open Air Theatre, July 11; gates open at 6pm
CROWDED House are heading out on their first European tour in more than ten years with a line-up of founding members Neil Finn and Nick Seymour, producer and keyboardist Mitchell Froom, guitarist and singer Liam Finn and drummer Elroy Finn, Neil’s sons.
Such favourites as Weather With You, Don’t Dream It’s Over, Distant Sun and Private Universe will be complemented by material from the Antipodeans’ seventh studio album, June 2021’s Dreamers Are Waiting, their first since 2010’s Intriguer. Box office: scarboroughopenairtheatre.com.
Fourmidable: York children’s entertainer Josh Benson will perform four Just Josh shows a day at the York Spring Fair and Food Festival
BIG beards, food and funfairs galore, Irish whimsy, postcard art, tree theatre, Moronic music, female folk and a year’s notice of camp comedy catch Charles Hutchinson’s eye.
York Spring Festival and Food Fair, Clocktower Enclosure, York Racecourse, Knavesmire, York, running until June 5
IN its second year at York Racecourse, this event takes in the Platinum Jubilee long weekend celebrations to complement the 15 vintage funfair rides, food stalls, live music and family entertainment, highlighted by the lighting of York’s Jubilee Beacon on Thursday evening.
Look forward to 6.30pm performances by York musicians Huge, The Y Street Band, Hyde Family Jam and New York Brass Band, plus Wales’s Old Time Sailors.
Busiest of all will be York children’s entertainer, “balloonologist”, juggler and magician Josh Benson, performing his high-energy Just Josh show four times a day. Tickets: ticketsource.co.uk/yorkspringfair.co.uk.
Jorvik Viking Festival: Invading forces take over York city centre for five days. Picture: Charlotte Graham
Half-term festival of the week: Jorvik Viking Festival, York, today until Wednesday
NEARLY two and a half years after hordes of Viking warriors and settlers last descended on the city, York is ready for five days of Norse-themed fun and entertainment.
Moved from February to fit into the summer half-term holiday, the 2022 festival sees the return of a living history encampment, March to Coppergate, Strongest Viking and Best Beard contests and Poo Day at DIG, as well as a new arena event this evening, The Jorvik Games. For full festival details and tickets, go to: jorvikvikingfestival.co.uk.See full preview below.
Furious romp:The poster for Dylan Moran’s We Got This tour, visiting York tonight
Comedy gig of the week: Dylan Moran, We Got This, Grand Opera House, York, tonight, 8pm
DROLL Irish comedian Dylan Moran promises a joyously furious romp through the frustration and folly of modern-day life in his new tour show.
“These times have not been easy,” he says. “Learn how to make breakfast not even knowing you are out of bed. Diagnose the mirror, reason with the mice and boil yoghurt blindfolded. Enjoy the fruits of hurtling cognitive decline and your neighbours’ sprawling ghastliness, absence of humanity and so, so much more.” Box office: 0844 871 7615 or atgtickets.com/York.
Postcards on the edge: Rows of original postcard artworks on sale at PICA Studios
Art event of the weekend: PICA Postcard Show and Sale, PICA Studios, Grape Lane, York, today and tomorrow, 10am to 4pm
THE artists at the PICA Studios workshop are branching out into one-off postcard artworks for one weekend only. Each postcard will sell for £25 to raise funds towards improving the studio space and to create a gallery in the foyer.
Taking part will be Lesley Birch, Evie Leach, Emily Stubbs, Katrina Mansfield, Ealish Wilson, Sarah Jackson, Ric Liptrot, Jo Edmonds, Lisa Power, Amy Stubbs, Mick Leach, Rae George, Lesley Shaw Lu Mason and Kitty Pennybacker. Purchases also can be made online via instagram@picastudios.
Badapple Theatre Company’s poster for Danny Mellor’s Yorkshire Kernel at Theatre@41
Family drama of the weekend: Badapple Theatre Company in Yorkshire Kernel, Theatre@41, Monkgate, York, today, 2.30pm and 7.30pm
JAMES’S Grandad is at death’s door, but he has one last mission: to find a tree. Many trees in fact, scattered around the country in memory of his Second World War comrades. So begins writer, performer and puppeteer Danny Mellor’s play for Green Hammerton company Badapple.
Divided between being haunted by his plain-speaking grandfather, his mother rekindling her romance with an old flame, and James’s pregnant partner, Rosie, thinking he is cheating on her, Mellor’s “bonkers” solo show undertakes a journey of Yorkshire wit and grit through one man’s determination to leave a long-lasting legacy. Box office: tickets.41monkgate.co.uk.
The Lovely Eggs: Playing The Crescent at the seventh attempt
Cracking gig of the week: The Lovely Eggs, supported by Arch Femmesis and Thick Richard, The Crescent, York, tomorrow, 7.30pm
PROUDLY independent northern psychedelic punk rock duo The Lovely Eggs do not give up. After re-scheduling the tour to promote April 2020’s release of their I Am Moron album seven times, they play The Crescent at last this weekend.
Iggy Pop, no less, contributed to their track I, Moron. “For him just to say nothing but ‘moron’ over and over again fitted in with the sentiment of the song perfectly,” says Lovely Egg Holly Ross. “He just got it. We are all morons. In a world of moronic things. In a world of moronic ideas. You are Moron. I am Moron. We are Moron.” OK, Morons and Eggheads, tickets are on sale at thecrescentyork.com.
Rachel and Becky Unthank: York Barbican debut on Tuesday, showcasing new songs from Sorrows Away
Folk gigs of the week: The Unthanks, Sorrows Away Tour, York Barbican, Tuesday, 7.45pm; Katherine Priddy, supported by George Boomsma, National Centre for Early Music, York, Wednesday, 7.30pm
RETURNING to touring after two years off the road, Northumbrian folk musicians The Unthanks will be previewing their upcoming autumn album Sorrows Away in their York Barbican debut with an 11-piece ensemble. Box office: yorkbarbican.co.uk.
The following night at the NCEM, finger-picking guitarist and haunting singer Katherine Priddy performs enchanting songs on the theme of childhood, distant memories and whatever will follow next from last June’s debut album, The Eternal Rocks Beneath. Box office: 01904 658338 or ncem.co.uk.
Katherine Priddy: Contemporary roots singer and guitarist, playing songs from The Eternal Rocks Beneath at the NCEM. Picture: Sam Wood
Gig launch of the week: Tom Allen, Completely, York Barbican, May 28 2023
YOU will have to wait 12 months for comedian, raconteur, arch television jester and radio presenter Tom Allen’s new show, Completely, to arrive in York. Tickets go on sale rather sooner, from 10am on Monday at yorkbarbican.co.uk.
At 38, Bromley-born Allen has finally moved out of his parents’ house, prompting his eagerness to share his life updates, gain audience opinions on his vegetable patch and delve into the protocol of inviting friends with children for dinner.
On the distant horizon: Tom Allen’s newly announced York Barbican show is a full year away
Jorvik Viking Festival returns with more fun and games…
TENTS for an encampment are being set up in Parliament Street and screens installed at the Eye of York. Traders are transporting their wares to the Guildhall and St Sampson’s Square and a faint smell of mead is wafting through the air. Welcome to the return of the Jorvik Viking Festival.
Nearly two and a half years after hordes of Viking warriors and settlers last descended on the city, York is preparing for five days of Norse-themed fun and entertainment, starting today (28/5/2022).
Postponed from February to fit snugly into the half-term holiday before the Jubilee bank holiday, this year’s festival will see the return of such favourite events as a living history encampment, the March To Coppergate and the Strongest Viking and Best Beard contests, alongside a new arena event at 6.45pm this evening, The Jorvik Games.
“In February, our evening spectacular is usually a dramatic presentation of a Viking story, but with the evenings being so much lighter in May, our event will also be a little more fun,” says event manager Gareth Henry.
Viking warriors ready for a clash of styles
“The Viking Games will pit the finest warriors from four teams against each other, with spectators invited to pick their champion and cheer them on to victory. Henry. Of course, being Vikings, they might not always play by the rules – and with their own horde of supporters behind them on the arena field, sparks will fly with skirmishes inevitable!”
Tickets for The Jorvik Games are still available, priced £15 for adults and £11 for concessions, with family tickets also available at jorvikvikingfestival.co.uk.
While Saturday will be the festival’s busiest day, visitors from Sunday to Wednesday will enjoy a host of events and activities too. On Sunday, at 29/31 Coney Street, visitors can meet Vikings from all over Europe, brought together under the Erasmus scheme, including fun crafting activities.
Young warriors can hone their skills in Have-A-Go Sword sessions on the Parliament Street stage and the Ting Tang re-enactors will bring theatre to the stage every day too.
Five go Viking in York for five days
The last few places remain on crafting workshops taking place Monday to Wednesday at York Medical Society, on Stonegate, including Nalebinding (Viking knitting), Trichinopoly (wire weaving) and tablet weaving.
On Wednesday, Jorvik’s sister attraction, DIG in St Saviourgate, will host the ever-popular Poo Day, a chance for children (and adults!) to try their hand at making a replica Viking poo, based on the world-famous Lloyds Bank Coprolite (fossilised poo, should you be wondering).
Jorvik Viking Centre’s exhibition of items from the Silverdale Hoard, on loan from Lancashire County Museums, is also expected to be popular, with tickets for the attraction selling out for many time slots throughout the half-term break.
“With good weather forecast for the weekend, we’re expecting York to be particularly busy, so would urge visitors to pre-book their tickets wherever possible to avoid disappointment,” says Henry.
Full details of all Jorvik Viking Festival events can be found at jorvikvikingfestival.co.uk.
Behind you! Behind you: Will The Gruffalo pounce on Mouse in Tall Stories’ The Gruffalo?
POLITICS, the weather, monsters, Sixties and Eighties’ favourites, comedy songs and a north eastern tornado all are talking points for Charles Hutchinson for the week ahead.
Children’s show of the week: Tall Stories in The Gruffalo, Grand Opera House, York, today, 1pm and 3pm; tomorrow, 11am and 2pm
JOIN Mouse on a daring adventure through the deep, dark wood in Tall Stories’ magical, musical, monstrous adaptation of Julia Donaldson and Axel Scheffler’s picture book, suitable for children aged three upwards.
Searching for hazelnuts, Mouse meets cunning Fox, eccentric old Owl and high-spirited Snake. Will the story of the terrifying Gruffalo save Mouse from becoming dinner for these hungry woodland creatures? After all, there is no such thing as a Gruffalo – or is there? Box office: 0844 871 7615 or atgtickets.com/York.
True or false: Is Tony Hadley playing York Barbican on Sunday? True!
Eighties’ nostalgia of the week: Tony Hadley, York Barbican, Sunday, 7.30pm
I KNOW this much is true: smooth London crooner Tony Hadley is celebrating 40 years in the music business with a 2022 tour that focuses on both his Spandau Ballet and solo years.
Once at the forefront of the New Romantic pop movement, Islington-born Hadley, 61, is the velvet voice of hits such as True, Gold, Chant No. 1, Instinction and Paint Me Down and solo numbers Lost In Your Love and Tonight Belongs To Us. Box office: yorkbarbican.co.uk.
Up and at’em, Fladam: York musical comedy duo Florence Poskitt and Adam Sowter
Comedy songs of the week: Fladam & Friends, Let’s Do It Again!, Theatre@41, Monkgate, York, today at 2.30pm and 7.30pm
YORK musical comedy duo Fladam, alias Florence Poskitt and piano-playing partner Adam Sowter, vowed to return after last year’s Hootenanny, and return they will this weekend. But can they really “do it again?”, they ask. Is a sequel ever as good?
Mixing comic classics from Victoria Wood with fabulous Fladam originals, plus a sneak peak of this summer’s Edinburgh Fringe debut, this new show will “either be the Empire Strikes Back of musical comedy sequels or another case of Grease 2”. Tickets to find out which one: tickets.41monkgate.co.uk.
Always take a brolly with you just in case: Mikron Theatre Company’s James Mclean, left, Hannah Bainbridge, Alice McKenna and Thomas Cotran on tour in Lindsay Rodden’s all-weathers play, Red Sky At Night. Picture: Liz Baker
Whatever the weather, nothing stops Mikron Theatre Company in Red Sky At Night, Scarcroft Allotments, York, Sunday, 2pm
HAYLEY’S sunny, beloved dad was the nation’s favourite weatherman. Now, she is following in his footsteps, joining the ranks of the forecasting fraternity, or at least local shoestring teatime telly.
When the pressure drops and dark clouds gather, Hayley melts faster than a lonely snowflake. She may be the future’s forecast, but will anyone listen in Lindsay Rodden’s premiere, toured by Marsden company Mikron’s 50th anniversary troupe of James Mclean, Hannah Bainbridge, Alice McKenna and Thomas Cotran. No tickets are required; a Pay What You Feel collection will be taken after the show.
Stop Stop Start: The Hollies’ rearranged 60th anniversary tour will arrive at York Barbican on Monday
Sixties’ nostalgia of the week: The Hollies, 60th Anniversary Tour, York Barbican, Monday, 7.30pm
MOVED from September 2021, with tickets still valid, this 60th anniversary celebration of the Manchester band features a line-up of two original members, drummer Bobby Elliott and lead guitarist Tony Hicks, joined by lead singer Peter Howarth, bassist Ray Stiles, keyboardist Ian Parker and rhythm guitarist Steve Lauri.
Expect He Ain’t Heavy, He’s My Brother, I Can’t Let Go, Just One Look, Bus Stop, I’m Alive, Carrie Anne, On A Carousel, Jennifer Eccles, Sorry Suzanne, The Air That I Breathe and more besides. Box office: yorkbarbican.co.uk.
Giving an earful: Bettrys Jones’s Ellen Wilkinson MP, left, has a word with Laura Evelyn’s British Communist activist Isabel Brown in Red Ellen
A bit of politics of the week: Northern Stage in Red Ellen, York Theatre Royal, Tuesday to Saturday, 7.30pm; 2pm, Thursday; 2.30pm, Saturday
CAROLINE Bird’s new play turns the overdue spotlight on “Mighty Atom” Ellen Wilkinson, the crusading Labour MP cast forever on the right side of history, but the wrong side of life.
Caught between revolutionary and parliamentary politics, Ellen fights with an unstoppable, reckless energy for a better world, whether battling to save Jewish refugees in Nazi Germany; leading 200 workers on the Jarrow Crusade; serving in Churchill’s war cabinet or becoming the first female Minister for Education. Yet somehow she still finds herself on the outside looking in. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Steven Jobson, as Jekyll/Hyde, and Nicola Holliday, as Lucy Harris, in York Musical Theatre Company’s photocall for Jekyll & Hyde The Musical at York Castle Museum
Musical of the week: York Musical Theatre Company in Jekyll & Hyde The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm; 2.30pm, Saturday matinee
BE immersed in the myth and mystery of London’s fog-bound streets where love, betrayal and murder lurk at every chilling twist and turn in Matthew Clare’s production of Frank Wildhorn and Leslie Bricusse’s musical adaptation of Robert Louis Stevenson’s epic struggle between good and evil.
Steven Jobson plays the dual role of Dr Henry Jekyll and Mr Edward Hyde in the evocative tale of two men – one, a doctor, passionate and romantic; the other, a terrifying madman – and two women – one, beautiful and trusting; the other, beautiful and trusting only herself– both women in love with the same man and both unaware of his dark secret. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Coastal call: Sam Fender kicks off the 2022 season at Scarborough Open Air Theatre
Award winner of the week: Sam Fender, Scarborough Open Air Theatre, May 27, gates open at 6pm
WINNER earlier this week of the Ivor Novello Award for Best Song Musically and Lyrically for his Seventeen Going Under single, North Shields singer-songwriter Sam Fender opens the 2022 Scarborough Open Air Theatre summer season next Friday.
Already Fender, 28, has the 2022 Brit Award for Best British Alternative/Rock Act in his bag as he heads down the coast to perform his frank, intensely personal, high-octane songs from 2019’s Hypersonic Missiles and 2021’s Seventeen Going Under. Box office: scarboroughopenairtheatre.com.
The poster artwork for Yorkraine, Ian Surgenor’s benefit concert for Ukraine
THE Yorkraine benefit concert for Ukraine brings together York cover bands The Supermodels, The Mothers, The Y Street Band and Sister Madly on May 24.
Acoustic sets from Alex Victoria and fellow York singer-songwriter Mal Fry and contributions from guest speakers complete the “totally York” 7.30pm bill at the Grand Opera House, York.
The evening of pop and rock classics from the past six decades will raise funds for the British Red Cross DEC appeal to aid Ukrainian refugees who find themselves in dire circumstances. All artists, hosts, sound tech and crew have donated their time free of charge.
Concert organiser Ian Surgenor says: “I’m a taxi driver by trade, and when I was working at night, there was a newsflash that Russia had invaded Ukraine. I was mortified, and then, like 99 per cent of the British population, I just felt helpless.
The Supermodels
“The only thing I thought I could do was to arrange a concert for the DEC appeal. I’ve always held York Rocks Against Cancer concerts at the Grand Opera House, so I got in touch.
“The manager, Alice [Long], went out of her way to find us a spot, squeezing us in for May 24, and we’re delighted to be doing the show there as the acoustics are great.”
Explaining the choice of musicians for the night, Ian says: “Cover bands have a broad appeal, and I have a really good relationship with most of them in York, just from doing events and seeing gigs.
“There’s a mutual respect, so I approached Dave Sykes, from The Supermodels, who did the first York Rocks; I knew Rob Wilson, from The Mothers, and I’ve done shows with The Y Street Band.”
Sister Madly happen to be Ian’s own band, also featuring two stalwarts of the York musical theatre scene, Jo Theaker, last seen in York Stage’s Calendar Girls at the Grand Opera House, and Ian’s wife, Marie-Louise Surgenor, from Rowntree Players.
Sister Madly, featuring Ian Surgenor, Jo Theaker and Marie-Louise Surgenor
Ian was keen to include acoustic acts too. “I’d seen other venues putting on acoustic singers on such nights,” he says.
“In fact, I provided the sound for the acoustic lounge when Big Ian Donaghy held a fundraiser for the Ukraine emergency appeal at York Sports Club in March, with Huge playing in the main room, and Dan Webster, Emily Lawler, Rich Hardcastle, To The Blue and a young lady called Alex Victoria in the lounge.
“I was blown away by her. ‘What a voice this girl has,’ I thought, and I wondered if she’d like to do the Yorkraine gig. She said she’d be honoured!”
In attendance too will be a civic party led by Andrew Digwood, Undersheriff of the City of York, while a speaker from the British Red Cross will explain “what will happen to the money and what it’s like on the front”.
The Mothers
“We’ll also be welcoming a Ukrainian gentleman, Dimitri, who works for the Studio Cloud Nine fitness company. He drove to Poland to bring a family here, but couldn’t get them into the country, so they ended up going to Portugal, where the children were placed in a school within two days. Amazing what can be done, isn’t it?”
Look out too for a guest appearance by York vocal drag diva supreme Velma Celli, alias York’s West End musical theatre actor Ian Stroughair. “Ian approached me and said he thought what we were doing was amazing and asked how he could help,” says organiser Ian, who duly slotted Velma into the bill.
Surgenor has secured sponsorship from four sources: Nestlé, Vincent & Brown, Ainsty Ales and Fenton Simpson Financial Services. “They’ve covered the costs totally for hiring the theatre, projection, and so every ticket sold, every penny raised on the night from a collection, all the money will go the DEC appeal.”
The last mention goes to Simon Hudson, who is providing the sound and lighting…for free, of course.
Yorkraine, Ukraine Benefit Concert, Grand Opera House, York, May 24, 7.30pm. Box office: 0844 871 7615 or at atgtickets.com/York.
Gary Barlow: First there were two, now there are four shows
GARY Barlow is adding a FOURTH show at the Grand Opera House, York, on June 9 after his June 10 and 11 performances and hastily added Sunday matinee on June 12 all sold out.
The Wirral singer, songwriter, composer, producer, talent show judge and author will be presenting his theatrical one-man show A Different Stage, ahead of the September 1 publication of his autobiography of the same name by Penguin Books.
“Now I’ve done shows where it has just been me and a keyboard,” says the Take That mainstay, 51. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.”
Tickets for June 9’s 7.30pm show are selling fast at atgtickets.com/York or on 0844 871 7615.
The Simon & Garfunkel Story: On tour at the Grand Opera House, York
THE Simon & Garfunkel Story returns to the Grand Opera House, York, on May 27 to celebrate the songs of the folk-rock duo from Queens, New York.
The 7.30pm performance features a cast of West End actor-musicians telling the story of elementary school friends Paul Simon and Art Garfunkel, from their humble beginnings as rock’n’roll duo Tom and Jerry, through to their 1960s success, relationship troubles and dramatic break-up in 1970, finishing with a re-creation of their 1981 Central Park reunion concert.
Using a large projection screen, the show features 1960s’ photos and film footage while a live band performs such favourites as The Sound Of Silence, The Boxer, Mrs Robinson, Cecilia, Bridge Over Troubled Water, Homeward Bound, I Am A Rock and America.
The Simon & Garfunkel Story heads to York on the back of a week-long West End run at the Vaudeville Theatre and sold-out performances in 50 countries worldwide,
Tickets are on sale on 0844 871 7615 or at atgtickets.com/york.
Keith Allen as brutal patriarch Max, ruling his sons with threats and violence, in The Homecoming
KEITH Allen is completing a hattrick of roles spread over 25 years in Harold Pinter’s darkly comic power struggle The Homecoming, on tour at York Theatre Royal from tonight.
At the National Theatre, in 1997, the Welsh actor, comedian, television presenter, documentary maker and rousing punk musician played university professor Teddy, returning from America with his wife Ruth to find his two brothers, Joey and Lenny, and elderly father Max still living at their North London family home.
In 2015, at the Trafalgar Studios, London, he was cast as Uncle Sam. “Now I’m playing Max but that’s as far as I can go because I’m too old to play Joey or Lenny,” says Keith, 68. “Max is the patriarch of a very misogynistic household. Every character is repressed to the nth degree but while most of them repress their rage Max doesn’t.
“He had a very interesting relationship with his now-dead wife that has coloured his whole life and he’s in a household where they’re all playing games and trying to top each other. Everything that’s done is for a reason and it’s usually to get one over on someone else.”
Keith compares former butcher Max to a raging sheep: “If you’ve ever been in a field with a very angry tup, you don’t want to be there. I’ve been there and they don’t back down.”
Director Jamie Glover and actor Mathew Horne, who is playing pimp Lenny, always had Allen in mind for their Pinter project “They’re close mates, and the genesis of the idea to do a Pinter play came from them. They took their idea to Danny Moar at [the Theatre Royal] Bath, originally wanting to do The Caretaker, but the Pinter estate offered the rights to The Homecoming instead.”
Glover and Horne were unsure whether Allen would want to return to Pinter’s 1965 fractured family drama, but “Max is a part I’ve always had my eye on,” says Keith. “I was very lucky to be offered it and I’m very pleased to be doing it.”
After all, The Homecoming is considered to be Pinter’s finest work in its exploration of toxic masculinity, stultifying patriarchy, one-upmanship feuds and sexual powerplays. “I’ve always thought Pinter was a poet before he was a playwright and the poetry is amazing. This whole play is about language and very particular choices of words, which is why as an actor you have to be very on-the-ball about the grammar.
Keith Allen’s Max, seated, and Mathew Horne’s Lenny, centre, in The Homecoming
“I think the lyricism of the play is extraordinarily attractive and the tension has people constantly going, ‘What on earth is happening and what’s going to happen next?’.”
Keith praises not only the writing, but the “brilliant structure” too, describing it as a feat of engineering. “As an actor, you just get your skis on and let the skis guide you,” says the skiing enthusiast.
What does Keith recall of his first performance in The Homecoming? “That was in 1997, directed by Roger Michell, who died last September, bless him. I remember feeling I’d let the cast down in rehearsals, as I would forget my lines, make things up and trip my way through it, playing Teddy to Lindsay Duncan’s Ruth.
“But I got a handle on it in the end, and it was a brilliant way to learn about being still on stage, which is a great skill to master, when a lot of actors get scared if they’re not doing anything.”
Comparing the productions, Keith says: “I have to say that all three have had very different qualities. This one is very funny, much funnier than the other two, because the director chose that path. Jamie Lloyd’s production in 2015 was much bleaker; this one is genuinely funny but also very discerning.
“A hefty contributory factor to that humour is that these men are idiots. They’re fantasists, all trying to be top dog, and that’s funny to watch.”
Assessing The Homecoming’s impact on audiences in 2022, by comparison with 1965, Keith says: “Misogyny is very present in the play, as is generational jealousy within a family. The mother is dead but she looms very large in everyone’s memory, especially Max’s because he loathed her.
“When the play was first performed, I don’t think anyone had seen anything quite so vicious and measured before. Now it’s interesting for different reasons because we’re living in a time where women are becoming far more recognised and are on a far more equal footing.
“As an actor, you just get your skis on and let the skis guide you,” says Keith Allen of the art of performing in a Pinter play
“There are things in the play that could be misconstrued as being abusive to women and, because of the times we’re living in, audiences might react very quickly to certain things which they wouldn’t necessarily have reacted to before.”
Keith has “previous” for Pinter, not only appearing in The Homecoming but also in Pinter 3: Landscape/A Kind Of Alaska in the West End and The Celebration and The Room, both directed by Pinter himself at the Almeida Theatre, London, in 2000 and in New York in 2001.
“You very quickly realised that Harold chose people for what they could do; he was very careful in his casting,” Keith recalls. “He wouldn’t ask you to act a part, but to ‘be’, so he left you alone and watched.”
As for Pinter’s advice on his notorious use of pauses, “he once quite frivolously said to us, ‘if the pauses don’t work, **** it’, but actually they do work,” says Keith. “It works like a musical score in that what comes before dictates what comes after. It’s all about rhythm.”
After a five-year hiatus, Keith will enjoy his return to York, where he was last seen on stage as Inspector Rough in Patrick Hamilton’s thriller Gaslight at the Grand Opera House in February 2017. ” York is lovely because you’re near the river and there are some lovely pubs,” he says.
“I really like touring. I like the fact that you’re on the move and it’s as if you’re having an opening night every week because you’re in a different space, in a different theatre, with a different ambience.
” I like to fit in some golf wherever I go and I have an ingrained curiosity about corrugated iron chapels and buildings, so I always see if I can find one or two to go and have a look at.”
Theatre Royal, Bath, presents Harold Pinter’s The Homecoming, York Theatre Royal, tonight until Saturday; 7.30pm, plus 2pm, Thursday; 2.30pm, . Box office: 01904 623568 or at yorktheatreroyal.co.uk
Keith Allen as Inspector Rough and Kara Tointon as Bella Manningham in Gaslight at the Grand Opera House, York, in February 2017
Paul Merton, front, and his Impro Chums Mike McShane, Richard Vranch, Kirsty Newton and Suki Webster
HAVE I Got News For You regular Paul Merton teams up with his Impro Chums to flex their off-the-cuff comedy muscles tonight at the Grand Opera House, York.
In their first antics roadshow since August 2019, seasoned improvisers Merton, Richard Vranch, Suki Webster and Mike McShane are accompanied by latest addition Kirsty Newton on piano.
“What audiences like about what we do is that we haven’t lost our sense of play, our sense of fun, the sort of thing that gets knocked out of you because you have to get married or get a mortgage or find a job,” says Merton. “We play and they enjoy watching us play.”
Let the adlibbing fun and games sparked by audience suggestions begin at 8pm, with tickets still available on 0844 871 7615 or atgtickets.com/York.
Here, the Impro Chums discuss their return to the stage.
Do you expect Covid to be mentioned during a game?
Richard Vranch: “I did quite a few shows back at the Comedy Store after a 16-month break and weirdly it hasn’t come up from an audience in any of the suggestions. I’ve made a couple of jokes about it, because they were very funny, but other than that it hasn’t actually been mentioned.”
Paul Merton: “My own view is that people would want to get away from it. Not every comedy show has to hold up a magnifying glass to society and be about how we live today. The whole idea of entertainment, for me, is to take you somewhere else, not to remind you of where you are.”
Suki Webster: “I think the particular form of comedy we do is about us having fun and being silly; it doesn’t lend itself to satire or in-depth discussion on difficult subjects because you’ve got four or five minds on stage all weaving in and out.
“The depth of it is in the joy and connection with each other and the audience. And we’re all so giddy with excitement at being back together that I can’t see it being a focus.”
What have you missed about the touring life since 2019?
Richard: “The thing I’ve missed is laughter. I’ve been watching a load of telly and there has been wonderful stuff produced by an arts industry that has been having a hard time. But I’ve really missed laughing with mates on the bus on the way to the gig and on stage during the gig.”
Mike McShane: “The last tour was exemplary for us as a group; it felt like a Marx Brothers show in the best way possible. We now had music from Kirsty [on her first tour] and it was all very nice. Getting on the bus, checking in on each other, hanging out, acting like idiots. And doing the show is fantastic and everything you hope for. “
What was your over-riding memory of Kirsty’s first Impro Chums tour of duty in 2019?
Kirsty Newton: “I felt as though I’d been let into the coolest, funnest club ever and we had such a wonderful time. My over-riding sense of it is that it’s probably the best job in the world; just consistent fun and loveliness all the way.
“I’d say I have the best seat in the house: I’m up close and personal with everyone on the stage and I get to direct the music, making them explode into song mid-scene. Quite often I don’t know what’s going to come out of my fingers; that’s the joy of it.”
Paul: “To adapt an old saying, you can lead Paul Merton to music but you can’t make him sing. But it was great having Kirsty there and there was more music in that show than before. Mike and Suki are very strong singers and Richard is very musical, of course, but I stay out of the way.”
Kirsty: “I have one brilliant memory of going through the Scottish Highlands and sticking my head out of the bus going, ‘this is wonderful’!”
For a show without a script, how do you get the comedy muscle moving before the start?
Paul: “The most important thing is to be together beforehand. So, we’ll throw a ball around to be in each other’s orbit and to just tune in to each other.”
Richard: “The preparation for the show is the decades that we’ve known and worked together. With a scripted show or a rock band, you’d start to get ‘musical differences’ round about year 15. I think I first appeared on stage with Paul in 1984, and with impro it’s about a group attitude and sense of fun.
“Weirdly, that matures like a good cheese or wine over the years and doesn’t fester like a rock band. So, we put the work in by simply having done it for all this time and it just gets better and better.”
How important is the audience to making an Impro Chums show the best it can be?
Suki: “If you’re doing a play or stand-up there’s a bit of us and them, but with our show it’s about everybody, because their energy and their suggestions build it in a way that no other show can have. Everything is happening in the moment and what they’re doing is absolutely crucial. When it goes right that means everyone is involved and having a good time. It’s like a big party!”
Keith Allen: Homing in on The Homecoming arriving at York Theatre Royal on Monday
AVOIDING the “devastation of stag and hen parties” (copyright Rachael Maskell, York Central MP), Charles Hutchinson finds reasons aplenty to venture out.
Play of the week: Harold Pinter’s The Homecoming, York Theatre Royal, Monday to Saturday, 7.30pm; Thursday, 2pm; Saturday, 2.30pm
GAVIN & Stacey star Mathew Horne and Keith Allen star in Jamie Glover’s new production of The Homecoming, Harold Pinter’s bleakly funny 1965 exploration of family and relationships.
University professor Teddy returns to his North London childhood home from America, accompanied by his wife Ruth, to find his father, uncle and brothers still living there. As life becomes a barely camouflaged battle for power and sexual supremacy, who will emerge victorious: poised and elegant Ruth or her husband’s dysfunctional family? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Tom Figgins: Introducing new material tonight at Stillington Mill. Picture: Daniel Harris
Outdoor gig of the week: Tom Figgins, Music At The Mill, Stillington Mill, near York, tonight, 7.30pm
SINGER-SONGWRITER Tom Figgins returns to At The Mill’s garden stage after last summer’s sold-out performance, with the promise of new material.
Figgins’ vocal range, guitar playing and compelling lyrics caught the ear of presenter Chris Evans,who hosted him on his BBC Radio 2 show and invited him to play the main stage at CarFest North & South.
His instrumental works have been heard on Countryfile and Panorama and he is the composer for the Benlunar podcast, now on its fourth series. Box office: tickettailor.com/events/atthemill.
Martin Roscoe: Guest piano soloist for York Guildhall Orchestra
Classical concert of the week: York Guildhall Orchestra, York Barbican, tonight, 7.30pm
YORK Guildhall Orchestra’s final concert of their 2021-2022 season welcomes the long-awaited return of pianist Martin Roscoe, originally booked to perform in May 2020.
Retained from that Covid-cancelled programme are Shostakovich’s Jazz Suite, with its combination of cheeky jazz tunes and the Russian’s mastery of orchestration, and Dohnanyi’s mock-serious take on a children’s nursery rhyme. Leeds Festival Chorus join in for Elgar’s Music Makers. Box office: yorkbarbican.co.uk.
Go West and Paul Young: Eighties’ revival at York Barbican
Eighties’ nostalgia of the week: Go West & Paul Young, York Barbican, Sunday, 7.30pm
PETER Cox and Richard Drummer’s slick duo, Go West, and Luton soul singer Paul Young go north this weekend for a double bill of Eighties’ pop.
Expect We Close Our Eyes, Call Me, Don’t Look Down and King Of Wishful Thinking, from the Pretty Woman soundtrack, in Go West’s set. The chart-topping Wherever I Lay My Hat, Love Of The Common People, Everytime You Go Away and Everything Must Change will be on Young’s To Do list. Box office: yorkbarbican.co.uk.
Paul Merton’s Impro Chums: Wanting a word with you at the Grand Opera House
Fun and word games of the week: Paul Merton’s Impro Chums, Grand Opera House, York, Monday, 8pm
HAVE I Got News For You regular and Comedy Store Players co-founder Paul Merton teams up with fellow seasoned improvisers Richard Vranch, Suki Webster and Mike McShane and accompanist Kirsty Newton to flex their off-the-cuff comedy muscles on their first antics roadshow travels since August 2019.
“What audiences like about what we do is that we haven’t lost our sense of play, our sense of fun, the sort of thing that gets knocked out of you because you have to get married or get a mortgage or find a job,” says Merton. Let the fun and games sparked by audience suggestions begin. Box office: 0844 871 7615 or atgtickets.com/York.
Hayley Ria Christian: All aboard her Midnight Train To Georgia for a night of Gladys Knight hits
Homage, not tribute show, of the week: Hayley Ria Christian in Midnight Train To Georgia, A Celebration Of Gladys Knight, Grand Opera House, York, Friday, 7.30pm
HAYLEY Ria Christian’s show is “definitely not a tribute, but a faithful portrayal that truly pays homage to the voice of a generation, the one and only Empress of Soul, Ms Gladys Knight”.
In the late Sixties and Seventies, Gladys Knight & The Pips enjoyed such hits as Take Me In Your Arms And Love Me, Help Me Make It Through The Night, Try To Remember/The Way We Were, Baby, Don’t Change Your Mind and her signature song Midnight Train To Georgia. Box office: 0844 871 7615 or atgtickets.com/York.
Milton Jones: International spy turned comedian in Milton: Impossible
Comedy gig of the week: Milton Jones in Milton: Impossible, Harrogate Theatre, May 21, 7.30pm
ONE man. One Mission. Is it possible? “No, not really,” says Kew comedian Milton Jones, the shock-haired matador of the piercing one-liner, as he reveals the truth behind having once been an international spy, but then being given a somewhat disappointing new identity that forced him to appear on Mock The Week.
“But this is also a love story with a twist, or at least a really bad sprain,” says Jones. “Is it all just gloriously daft nonsense, or is there a deeper meaning?” Find out next weekend. Box office: 01423 502116 or harrogatetheatre.co.uk.
Grace Petrie: Carrying on the fight for a better tomorrow when every day you are told you have lost already
Protest gig of the week: Grace Petrie, The Crescent, York, May 23, 7.30pm
DIY protest singer Grace Petrie emerged from lockdown with Connectivity, her 2021 polemical folk album that reflects on what humanity means in a world struggling against division and destruction.
Petrie’s honest songs seek a way to carry on the fight for a better tomorrow when every day you are told you have lost already. Bad news: her York gig has sold out. Good news: she will be playing Social, Hull, too on May 18 at 8pm (box office, seetickets.com). On both nights, she will be accompanied by long-time collaborator, singer and multi-instrumentalist Ben Moss.
