Tag: grand opera house york

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More Things To Do in York and beyond. Hutch’s List No. 38, from The York Press

Ulysses Deriding Polyphemus – Homer’s Odyssey,  by J.M.W. Turner, 1829, on loan from National Gallery, London, for Turner, Wedgwood & Beyond: Inspired by Flaxman at York Art Gallery. Copyright: National Gallery, London

GHOSTLY sculptures in gardens, the best in class in brass bands, Mikron Theatre’s mobile library tribute and 60 years of Gilbert O’Sullivan are among Charles Hutchinson’s cultural highlights.

Exhibition opening of the week: Turner, Wedgwood & Beyond: Inspired by Flaxman, York Art Gallery, on show until running until January 17 2027

J.M.W. Turner’s masterpiece Ulysses deriding Polyphemus – Homer’s Odyssey, generously lent by the National Gallery, is making an epic journey north to go on display at York Art Gallery in the wake of the Odyssey’s comeback into popular culture in Christopher Nolan’s film.

Turner, Wedgwood  Beyond: Inspired by Flaxman features an ‘Odyssey wall’ in an exhibition that reflects on the life and legacy of York-born sculptor, illustrator and designer John Flaxman (1755 –1826). Opening hours: Wednesday to Sunday, 10am to 5pm. Tickets: yorkartgallery.org.uk.

 One of 70 ghosts in the Ghosts In The Gardens trail through York this autumn. Picture: Amy D’Agorne 

Trail of the week: Ghosts In The Gardens, York, September 19 to November 1

GHOSTS In The Gardens is back for its sixth haunting season and this time the ghosts are bringing even more friends as 70 ghostly sculptures appear in gardens, on balconies, along the city walls and in unexpected corners of York city centre.

Ten new ghosts join familiar faces from York’s past, each sculpture offering a snapshot of history, bringing fascinating York people, creatures or stories back to life. Some ghosts will return to old haunts, others will be found somewhere new. Admission is free.

John Bramwell: Heading for Selby Town Hall

Humble agenda of the week: John Bramwell, Selby Town Hall, September 19, 7.30pm

AS the singer in I Am Kloot from 1999 to 2014, John Bramwell achieved a Mercury Prize nomination for 2010’s The Sky At Night, a top ten chart position for 2013’s Let It All In, numerous UK and European tours and a triumphant orchestral farewell at the Queen Elizabeth Hall.

Now, as a solo artist, Bramwell travels a very different path, a path that criss-crosses the length and breadth of the UK with a humble agenda of taking his heartwarming songs to the stage for his devoted fans. Box office: 01757 708449 or selbytownhall.co.uk.

York Railway Institute Band: Taking part in National Brass Band Championships of Great Britain at York Barbican. Picture: Keith Meadley Photography

Brass clashes of the week: National Brass Band Championships of Great Britain 2026, York Barbican, September 19 and 20 from 9am and 3pm each day

THE National Brass Band Championships bring more than 70 of the country’s finest brass bands to York for the Sections 1 to 4 national finals. Among the Yorkshire bands competing will be York Railway Institute Band, Wetherby Silver Band and Swinton & District Excelsior Band, all having qualified to compete for National honours. Tickets: Only available to buy in-person on the day. No advance tickets.

Piff the Magic Dragon and Penn Jillette in Piff & Pop’s Magic Shoppe at Grand Opera House, York

Magical show of the week: Piff & Pop’s Magic Shoppe, Grand Opera House, York, September 19, 7.30pm

LEGENDARY magician Penn Jillette, of Penn & Teller fame, is touring the UK for the first time without his 50-year companion Teller, teaming up instead with London-born, Las Vegas-based comedy-magician phenomenon Piff the Magic Dragon (alias John van der Put), from America’s Got Talent.

Act One feature a solo act from both Pop (Penn) and Piff along with Mr Piffles,  the world’s only magic-performing Chihuahua.. In Act Two, they blend into a one-of-a-kind double act. Box office: atgtickets.com/york.

Georgina Liley, left, Robert Took, Catherine Warnock and James McLean in Mikron Theatre’s Top Of The World, on tour at Clements Hall, York. Picture: Robling Photography

Touring theatre show of the week: Mikron Theatre in Top Of The World, Clements Hall, York, September 20, 2pm

MARSDEN’S travelling troupe Mikron Theatre makes its second visit of 2026 to York, this time with Maeve Larkin’s celebration of the importance of mobile libraries as sanctuaries, beacons of hope, public services that connect people and communities in a digital age where human connection is more important than ever.

Top Of The Wold invites audiences to hop aboard the charmingly quirky mobile library for a heart-warming journey via Bempton, Bridlington, Hornsea and Howden in an exploration of a region barely noticed by the nation it feeds, celebrating the forgotten, the resilient and the wonderfully eccentric. Tickets:  available from Pextons, Bishopthorpe Road, York; Clements Hall,  01904 466086; by email to [email protected] or 07974 867301.

Tim Key: Serving up Loganberry comical whimsy at York Theatre Royal

Unpredictable comedy gig of the week: Tim Key, Loganberry, York Theatre Royal, September 20, 8pm

TIM Key, from The Ballad Of Wallis Island and Tim Key’s Late Night Poetry Programme, pops his suit on again to plod about in new show Loganberry. In Key’s own words, “Bit gutted he’s old. Guzzling continental lager. Magnetic LOL. Decent reviews for previous shows. Played a pigeon in Bong Joon Ho’s latest movie. Been on Richard Herring’s podcast. Book out: “L.A. Baby!”. Met Steffi Graf in 1998/9. This show has poems in, and he’ll stamp and howl.” Who knows what else may lie in wait on Sunday! Box office: 01904 623568 or yorktheatreroyal.co.uk.

Mark Thomas: “Taster menu of government and personal mayhem, jokes, rants and a state of the nation broadcast”

Comedy landmark of the week: Mark Thomas, 40 In Stand-Up Years, Leeds City Varieties Music Hall, September 20, 8pm

WHAT?! Mark Thomas has been “standing up” for 40 years? Impossible! But how old does that make you…? Alas it is true: one of our oldest-surviving alternative comics celebrates 40 years at the mic as he takes his new show on the road this autumn.

Expect a taster menu of government and personal mayhem, jokes, rants and a state of the nation broadcast as Thomas tries to turn ‘what the **** is going on?’ into a cogent night of stand-up.Box office: leedsheritagetheatres.com/whats-on/mark-thomas-2026/.

Gilbert O’Sullivan: Songs old and new at the Grand Opera House, York

Seventies’ chart topper of the week: Gilbert O’Sullivan, Celebrating 60 Years Of Music, Grand Opera House, York, September 22, 7.30pm

GILBERT O’Sullivan will celebrate 60 years of making music, revisiting his UK chart toppers, 1972’s Clair and 1973’s Get Down, as well as such O’Sullivan favourites as No Matter How I Try, We Will, Matrimony, Ooh-Wakka-Doo-Wakka-Day, Why, Oh Why, Oh Why  and What’s In A Kiss?, his last of 16 Top 40 entries from  August 1980. Then add further selections from his 21 studio albums, the latest, On The Record, being previewed ahead of its November 6 release. Box office: atgtickets.com/york.

Nish Kumar’s tour poster for Angry Humour From A Really Nice Guy

Political disquiet of the week: Nish Kumar, Angry Humour From A Really Nice Guy, Grand Opera House, York, September 23, Leeds Playhouse, October 3, Hull Truck Theatre, October 9 and Scarborough Spa Theatre, November 14

“THE world is in chaos,” laments political comedian Nish Kumar. “Inequality is widening, autocracy is rising and political parties are collapsing. In these divided times, what this country desperately needs is Angry Humour From a Really Nice Guy. (In many ways it’s actually the last thing this country needs, but it’s what it’s getting, so tough luck).”

Pod Save The UK podcast co-host and former host of axed BBC Two show The Mash Report and Late Night Mash, Kumar has entered his 40s. His mind is breaking, his body is worse, “but audiences can still expect existential angst and political disquiet from comedy’s cheekiest boy”. Box office: atgtickets.com/york.

Ceramics by Emily Stubbs and paintings by Di Gomery at Tinker Gallery

Last chance to view: Di Gomery & Emily Stubbs, Fracture and Flow: Conversations in Paint and Clay, Tinker Gallery, Church Street, Ilkley, until September 26

THIS exhibition by York artists Di Gomery (paintings) and Emily Stubbs (ceramics) is into its final week. Gallery owner and artist Joanne Tinker has refreshed the show since much of the work sold. Opening hours: Thursday to Saturday, 10am to 4pm; other times by appointment.

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Strangers On A Train to play Grand Opera House, York, from February 2 to 6 2027

The poster for Strangers On A Train’s tour travels

BILL Kenwright Ltd’s national tour of Craig Warner’s stage adaptation of Strangers On A Train will play the Grand Opera House, York, from February 2 to 6 2027.

Based on Patricia Highsmith’s 1950 psychological thriller and inspired by Alfred Hitchcock’s 1951 film-noir classic, this new touring production will be directed by Roxana Silbert, former artistic director of Paines Plough, Birmingham Rep and Hampstead Theatre and associate director of the Royal Shakespeare Company. The cast and creative team is to be announced.

David Gilbery, chief executive officer of Bill Kenwright Ltd, says: “We’re delighted to be working with the brilliant Roxana Silbert to bring Craig Warner’s gripping adaptation of Patricia Highsmith’s celebrated novel to audiences across the UK.

“Few thrillers have stood the test of time quite like Strangers On A Train. Its tension, psychological complexity and relentless sense of suspense make it a hugely entertaining night at the theatre, and I can’t wait for audiences around the country to experience it.”

The production will be dedicated to the memory of Hollywood-born, Suffolk-based playwright and screenwriter Craig Warner, who passed away earlier this year. “I had been looking forward to sharing this journey with him and greatly treasured the conversations we had about the production and his exceptional adaptation of Patricia Highsmith’s novel,” says David.

“Craig’s writing is elegant, gripping and profoundly theatrical, and it has been a privilege to revisit his work in preparing this production. His absence will be keenly felt throughout the rehearsal process and beyond. I hope this production stands as a celebration of his talent.”

In Strangers On A Train, two strangers meet on a train. Charles Bruno has an idea for the perfect crime. Two murders. Two strangers. No motive. No connection. No consequences.

Guy Haines dismisses it as a joke, but Bruno is not joking. As Bruno’s obsession spirals out of control, Guy finds himself trapped in a nightmare of guilt, manipulation and fear.

Dark, gripping and full of suspense, Strangers On A Train is a psychological thriller built on obsession, manipulation and the devastating consequences of a chance encounter.

Tickets are on sale at atgtickets.com/york.

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More Things To Do in York & beyond from Aug 29 as Making Waves waves goodbye. Hutch’s List No. 35, from The York Press

Katsushika Hokusai’s The Great Wave Off Kanagawa, from Making Waves: The Art of Japanese Woodblock Print at York Art Gallery, on loan from Maidstone Museum

FROM Making Waves’ finale to 50 years of Aardman, a comic convention to a slapstick Three Musketeers, Charles Hutchinson highlights a diverse week ahead.

Last chance to see: Making Waves: A Closing Celebration, York Art Gallery, Exhibition Square, York, today and tomorrow, 10am to 5pm

YORK Art Gallery marks the closing of the Making Waves: The Art of Japanese Woodblock Print with a two-day festival of music, workshops, creative activities and food and drink for all the family in the gallery and York Museum Gardens. Making Waves talks take place at 11am and 2pm each day; The Art of Kokedama in the Studio today has sold out  but limited tickets are available for 11am tomorrow.

Highlights in the gardens include the Ippuku Tea Stand today, 10am to 5pm (free); Japanese Gardening Society today and tomorrow, 10am to 5pm (free); face painting, today and tomorrow, 10am to 4.30pm; Paddle in the Surf: Mokuhanga printmkaing, today and tomorrow, 10.30am to 4.30pm; sun ring making, 10.30am to 4.30pm (free); Jiu Jitsu performance, today and tomorrow, 2pm (free); Taiko drumming performance, Sunday, 11am and 3pm, with interactive session at 1.30pm (all free), and Micklegate Choir performance of Sound Waves, tomorrow, 12 noon (free). Koto Japanese harp music performances will be at 10am, 11.20am, 12.40pm, 2pm and 3.15pm in the Foyer tomorrow (free). Exhibition admission tickets: yorkartgallery.co.uk.

York singer-songwriter Beth McCarthy: Opening August 29’s bill on The Grid Stage at Leeds Festival at Bramham Park. Picture: Leeds Festival

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, continuing August 29 and 30

TODAY serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office for day tickets: leedsfestival.com/tickets.

Aardman In Concert: Celebrating 50 years of clay, comedy and creativity with a live orchestra at York Barbican

Film celebration of the week: Aardman In Concert, York Barbican, August 29, 1pm and 3.30pm

FIFTY years of Wallace & Gromit, Shaun the Sheep, Timmy Time, Morph and Creature Comforts are marked in a heart-warming big-screen celebration, clay, comedy and creativity.

Presented in partnership with Aardman, Carrot Productions’ new show takes a joyful journey through five decades of stop-motion clay animation from the Bristol studio with its blend of treasured characters, oh-so British humour and music, climaxing with a screening of Wrong Trousers accompanied by a live orchestra. Box office: yorkbarbican.co.uk.

York Unleashed Comic-Con: Comics galore on the Knavesmire

Convention of the week: York Unleashed Comic-Con, York Racecourse, Knavesmire, York, August 30, 10am to 4pm

YORK Unleashed Comic-Con promises a cosplay-friendly atmosphere, Yorkshire artists and comic creators, traders, collectables and geeky merchandise, gaming and interactive zones, a comic book chill-out zone, family-friendly activities and accessible, inclusive spaces. Media guests include Alex Jordan, Harry McEntire, Alan Fletcher, Richard Price and Jamie Kenna. Tickets: unleashedtickets.co.uk.

The Rocket Man: Playing Elton John’s greatest hits on his Yellow Brick Road Tour at Grand Opera House, York

Tribute gig of the week: The Rocket Man – A Tribute to Sir Elton John, Yellow Brick Road Tour, Grand Opera House, York, August 30, 7.30pm

THE Rocket Man and his band travel down the Yellow Brick Road to perform two hours of Elton John hits, from Saturday Night’s Alright (For Fighting), Crocodile Rock, Daniel and Your Song to Philadelphia Freedom, I Guess That’s Why They Call It The Blues and I’m Still Standing. Box office: atgtickets.com/york.

The Dead South: Progressive bluegrass and alternative Americana at York Barbican

Recommended but sold out already: The Dead South, Europe 2026 The Return, York Barbican, August 31, doors 7pm

WHATEVER you call The Dead South’s music – progressive bluegrass, alternative Americana, country, folk or Western – people from different backgrounds, beliefs, experiences, languages and ages love it, clubbing together as the cosplaying “Good Company” at gigs. 

Formed in 2012 in Regina, Saskatchewan, Canada, the line-up comprises Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford, always attired in bolo ties and custom brims. Carter Family meets Addams Family in songs that address themes of murder, disloyalty and ghosts while going from weepy to weird, wistful to wicked. Rob Heron & The Tea Pad Orchestra support. Box office for returns only: yorkbarbican.co.uk.

Snake Davis: Celebrating the art of the sax solo at Pocklington Arts Centre

Saxophonist of the week: Snake Davis Band, Classic Sax Solos, Pocklington Arts Centre, September 3, 8pm

AN instrumental solo can break hearts, lift spirits, even change lives. Saxophone is the favourite instrument of many folk, and for good reason; so emotional, so passionate; it sings, screams, whispers. Step forward saxophonist to the stars Snake Davis, leading his five-piece band through more than  20 classics, from Baker Street, Careless Whisper, Respect and Yakety Yak  to his own solos from Take That’s Million Love Songs, M People’s Moving On Up and Lisa Stansfield’s Change.

Davis reveals their background and history as well as playing them in context. What is their individual magic ingredient; what makes these solos classic? How did they emerge; how did the players produce that magic? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for Pete the Temp’s Romantics, Mystics and Revolutionaries

Spoken-word gig of the week: Say Owt presents Romantics, Mystics and Revolutionaries by Pete the Temp, Theatre@41, Monkgate, York, tomorrow, 7.30pm

POET, author and comic Pete the Temp’s Romantics, Mystics and Revolutionaries is a spoken-word show about rebellion, resistance and wild imagination. The 1800s’ Romantic movement began as a rebellion: against empire, industry and the mechanisation of the soul. Yorkshire became the epicentre of its rebellion. ​

Tomorrow’s storytelling stage show fuses scholarship with music, comedy and poetry in a spellbinding history of riot, repression and psychedelic experimentation. As we face this age of despair, find out what we can learn from past dreams of freedom and renewal. Bangladeshi-Geordie spoken-word poet and creative practitioner Tahmina Ali supports with her explorations of identity, belonging, motherhood, mental health and cultural inheritance, viewed through a distinctly northern lens. Box office: tickets.41monkgate.co.uk.

Our Star Theatre Company: Turning up the slapstick quotient in The Three Musketeers

Slapstick silliness of the week: Our Star Theatre Company in The Three Musketeers, Joseph Rowntree Theatre, York, September 4, 7.30pm  

OUR Star Theatre Company’s re-telling of The Three Musketeers is packed with humour, audience participation and energetically silly performances as a small troupe of performers gears up for its debut performance of Alexandre Dumas’s story.

However, what starts as a simple theatrical endeavour soon unravels into a whirlwind of confusion, mayhem and comical mishaps. From forgotten lines to chaotic set changes, the actors become entangled in a series of blunders. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Louisa Ashdown in rehearsal for her role as The Actor in Hephaestus Theatre’s Richard iii Redux

Introducing: Hephaestus Theatre in Richard iii Redux, The Basement, City Screen Playhouse, York,  September 10, 7.30pm

UNIVERSITY of York theatre graduates Eleanor Doig (producer) and Louisa Ashdown (director and performer) introduce new York company Hephaestus Theatre in Kaite O’Reilly and Phillip Zarrilli’s dark comedy Richard iii Redux.

The company’s mission is to tell disabled stories and put disabled and neurodiverse actors on stage and behind the scenes, this time with Ashdown playing The Actor opposite Georgina Way’s Presenter (on film) in a journey to find who the real Richard iii was while exploring the challenges of being a disabled actor. Box office: eventbrite.co.uk.

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Gin up! Claire Sweeney to star as lush Miss Hannigan in Annie on tour at Grand Opera House. Tickets on sale from September 2

Claire Sweeney’s gin-guzzling Miss Hannigan in Nikolai Foster’s touring production of Annie. Picture: Paul Coltas

CORONATION Street and Brookside star Claire Sweeny will star as bitter, gin-drinking, child-hating New York City orphanage matron Miss Hannigan in Annie at the Grand Opera House, York, from January 12 to 16 2027.

Tickets will go on sale at atgtickets.com/york on Wednesday, September 2 at 10am for ATG members and 12 noon for general sales.

Sweeney last appeared at the Grand Opera House in April 2015, leading the cast as a relationship expert in Sex In Suburbia, an uplifting, revealing and raunchy comedy about dating disasters that she co-wrote with Mandy Muden.

Claire Sweeney, centre, in her last appearance at the Grand Opera House in Sex In Suburbia in 2015

In October 2010, she starred in a re-worked version of Andrew Lloyd Webber and Don Black’s song cycle Tell Me On A Sunday, charting the romantic misadventures of a young English girl newly arrived in New York.

Next January, Claire arrives in old York in Michael Harrison and David Ian’s tour of Charles Strouse, Martin Charnin and Thomas Meehan’s musical, set in 1930s’ New York in the mire of The Great Depression, where brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage.

Her luck changes, however, when she is chosen to spend a fairytale Christmas with famous billionaire Oliver Warbucks. Meanwhile, spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search for her true family.

Claire Sweeney’s Miss Hannigan on the orphanage rampage in Annie. Picture: Paul Coltas

Sweeney, 55, will be joined by Alex Bourne as Oliver Warbucks, Tanisha-Mae Brown as Grace Farrell, Christian Cooper as Rooster and Amber Kennedy as Lily St Regis.

In the company too will be Jack Buchanan, Harrison Burley, Zoë Canham, Sophie Elmes, Belle Kizzy Green, Issy Khogali, Yujin Park, Elliot David Parkes, Carl Sanderson, Michaela Stern, Matthew Sweet and Jessica Wright.

Victoria Alsina, Sophia Saravanan and June Young will share the role of Annie. The orphans will be Chloe Angiama, Freya Beer, Rachelle Bonfield-Bell, Olivia Brooks, Coco Chapman, Maddy Collings, Sienna Culm, Anna Deikalo, Dolly Ismail, Amber Koduah-Hutchison, Thandie Lalji, Jemima Lown, Kennedy-May McLeary, Mollie Moran, Myla Park, Blossom Rolston-Williams, Khit Thakhin and Marnie Rae Warren-Baker.

Amber Kennedy’s Lily St Regis, left, Claire Sweeney’s Miss Hannigan and Christian Cooper’s Rooster in Annie. Picture: Paul Coltas

Best known for It’s The Hard Knock Life, Easy Street, I Don’t Need Anything But You and Tomorrow, the Tony Award-winning Annie combines Strouse’s music with Charnin’s lyrics and Meehan’s book.

The touring production is directed by North Yorkshireman Nikolai Foster, artistic director of Curve, Leicester, with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.

Sweeney, from Walton, Liverpool, is an actress, singer and television presenter. She plays series regular Cassie Plummer in Coronation Street and appeared in Channel 4 soap opera Brookside as Lindsey Corkhill on and off from June 1991 until the final episode, broadcast in November 2003.

Claire Sweeney’s Miss Hannigan making her point to the orphans in Annie. Picture: Paul Coltas

Her TV credits include roles in Clocking Off, Holby City, Merseybeat, Candy Cabs, Scarborough, The Good Ship Murder and Benidorm.

Claire’s many West End roles include Roxie Hart in Chicago at the Adelphi Theatre and Miss Adelaide in Guys and Dolls, playing opposite Patrick Swayze, at the Piccadilly Theatre.

Claire’s further stage credits take in starring roles in national tours of 9 To 5 The Musical, Crazy For You, Chitty Chitty Bang Bang, Legally Blonde, Hairspray and September In The Rain and the title role of lippy Liverpool hairdresser-turned-Open University student Rita in Willy Russell’s Educating Rita, playing opposite Matthew Kelly’s cynical, alcoholic tutor Dr Frank Bryant.

Claire Sweeney in the tour poster for Annie

Sweeney has appeared in Willy Russell’s classic Shirley Valentine, White Christmas, Shout!, a world tour of Fosse and The Play What I Wrote too.

Tanisha-Mae Brown’s theatre credits include Singin’ In The Rain at the Royal Exchange Theatre, Manchester, Brigadoon at Regent’s Park Open Air Theatre, Guys And Dolls at The Bridge Theatre, Evita at Curve, Leicester, UK and Ireland tours of The Lion King and Chicago, A Mother’s Song at the Lowry, Salford, and Pippin at the Garden Theatre.

Christian Cooper played Rolf Gruber in The Sound Of Music at Curve, Leicester, directed by Nikolai Foster. Amber Kennedy’s theatre credits include the UK tour of Sister Act The Musical, UK and international tours of Joseph And tThe Amazing Technicolor Dreamcoat, the international tour of West Side Story and the pantomimes Dick Whittington and Sleeping Beauty, both at Theatre Royal Windsor.

Claire Sweeney in the photoshoot portrait announcing her role as Miss Hannigan in Annie

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Gilbert O’Sullivan to mark 60 years of songwriting on autumn tour. New album On The Record to follow on November 6

Gilbert O’Sullivan: New tour, new album this autumn. Picture: Park Promotions

IN 1972 Gilbert O’Sullivan topped the American Billboard Hot 100 for six weeks with Alone Again (Naturally), a song later covered regularly by Morrissey in concert.

The Smiths frontman also has performed Nothing Rhymed and recorded I Didn’t Know What To Do, the B-side to somewhat obscure May 1971 single Susan Van Heusen, as the flipside to his 2018 single Back On The Chain Gang. “He sent me a recording with a full band – and he told me he liked my image too,” recalls Gilbert.

Dusty Springfield performed Nothing Rhymed on The Marty Feldman Comedy Machine on November 22 1971, while Alone Again (Naturally) has attracted at least 88 cover versions, from Nina Simone to Shirley Bassey, Neil Diamond to Pet Shop Boys & Elton John, Diana Krall & Michael Buble to Donny Osmond, Herb Alpert & The Tijuana Brass to Sarah Vaughan, Johnny Mathis to Andy Williams. No wonder CMAT has called it “the greatest Irish song ever made”.

Born in Waterford, Ireland, and long resident in Jersey, triple Ivor Novello Award winner Gilbert will be turning 80 on December 1, but before then he will celebrate 60 Years Of Music on an autumn tour that will visit four Yorkshire locations: York, Bradford, Doncaster and Harrogate.

It will be a chance to revisit his UK chart toppers, 1972’s Clair and 1973’s Get Down, as well as such O’Sullivan favourites as No Matter How I Try, We Will, Matrimony, Ooh-Wakka-Doo-Wakka-Day, Why, Oh Why, Oh Why  and What’s In A Kiss?, the last of his 16 Top 40 entries from August 1980. 

Gilbert O’Sullivan in his early songwriting days. Picture: Park Promotions

Then add selections from his multiple studio albums that bear witness to his enduring gift for endearing tunefulness, unabashed sentiment and existentialist musings, with his last three reaching the Top Ten, Top 20 and Top 30 respectively.

60 years, Gilbert: where has all that time gone? “I guess I don’t think about it because I always look ahead, with the imminent release of a new album on November 6,” he says. “So we’ve been working on that. All new material, and there’s a duet with the lead singer from The Corrs, Andrea. A song called Is That You?

“On the last studio album [July 2022’s Driven], we had duets with Mick Hucknall [Let Bygones Be Bygones] and K. T. Tunstall [Take Love], which were rock songs, and this time there’s no piano, just acoustic guitar, like a folk song.

“We thought, ‘who could we have singing on this?’, and it was suggested Andrea would be a good choice. So we approached her and she did it in her own way in her own studio because technology is really good for letting you do that now. That will be released as a single, hopefully before the album comes out.”

“Without ever having bothered to look it up, I’m told it will be my 21st studio album,” he says. It will be entitled On The Record (a title shared with a 1976 spoken-word album by controversial British politician Enoch Powell, according to AI Overview). “Between my daughters, my management, my wife and my record company, all my possibilities were rejected,” says Gilbert. “If there were five people arguing about it, this one had three supporting it.

Gilbert O’Sullivan with guitarist Bill Shanley, who will join him for the 60 Years Of Music tour

“We did the album artwork in Nashville, where I was playing the Grand Ole Opry after they got in touch with us and I was asked to go there to perform three songs, What’s In A Kiss, Nothing Rhymed and Alone Again (Naturally), one with a band and two with Bill [guitarist Bill Shanley], who’ll be playing on tour with me.”

After working with producer Ethan Johns on his self-titled 2018 album, Gilbert recorded Driven with Andy Wright, . “I feel that by having a different producer, you get that difference you want. He’d worked with Simply Red and Simple Minds, so this was Simply O’Sullivan!” he says.

O’Sullivan and Wright then made Songbook, a collection of key songs from Gilbert’s expansive catalogue accrued over 55 years, recorded at Lafayette, King’s Cross, London in late 2023 for release in September 2024.

For On The Record, “I decided to go with Andy again, letting him choose the musicians, with some of them having played on the last album,” says Gilbert who recorded the 13 tracks over five days in Eastcote Studios in London. “They know how I work. I play the song to them on the piano, we rehearse it a few times, and then we do a take. No rocket science involved.

“There’s an element of a Sixties feel to a couple of tracks that I really liked, re-mixed with another producer in the USA, Tony Hoffer, who’s well respected in the production field, and it’s worked out really well on the album.”

The poster for Gilbert O’Sullivan’s tour, Celebrating 60 Years Of Music. Picture: Park Promotions

One song in particular addresses the ageing process. “We have a track called Growing Old Disgracefully, which I was anxious to get done before anyone else pinched it!” says Gilbert.

“We also have a song with a choir, made up of studio singers, to sing the chorus to See Us Gone. That song deals with the end of the world, Putin, and what’s going on now. That fear that one day someone is going to press that bl**dy button and we’ll all be gone.

“That’s what I like when writing songs. My songs are like newspapers with the common denominators as headlines, so you can incorporate things that are going on in the world, like on Nothing Rhymed too.”

Heading out on his 22-date tour from September 1 to November 8, pianist Gilbert travels with his own keyboard, rather than relying on each venue to provide him with a piano. “This keyboard allows me to face the audience, and the sound I get is proper sounding, with electric piano for a couple of songs,” he says.

“I have eight versions of one keyboard instrument now, including one in Nashville, one in Ireland and one in Denmark. They’re kept by people I’m working with, who are happy to put them up.

“In the beginning, of course, I used a grand piano – like I do when writing songs – and my voice could sing in concert pitch, then one tuned one below concert pitch, and now I have buttons on my keyboard that allow me to be one tone below concert pitch and a semi-tone below concert pitch.

“Morrissey told me he liked my image,” says Gilbert O’Sullivan, pictured in his trademark Charlie Chaplin-inspired garb when first making his name. Picture: Park Promotions

“It helps me because, as you get older, your voice drops and you have to drop your singing voice. I have a good voice but limited range so I make sure I’m in the right key.”

Gilbert conducts vocal exercises before each concert. “If you don’t have a good voice, forget it,” he says. “I look after my voice. I’ve had no issues, thank goodness.”

He has lived on the island of Jersey for more than 30 years, having moved there with his wife, Aase, to raise their two daughters. “I love it here. It’s just home,” says Gilbert, who has a studio there. “I’m not a social animal. I go on my walks; home life is great.

“My daughters look after the business for me. Tara is on the internet, doing the social media, which is so important for musicians now.”

Summing up 60 years of songwriting, Gilbert concludes: “Why are we able to keep doing it? You do it because of your love of music. You love what you’re hearing. You hear the chords of Burt Bacharach? You want that. I’m a rhythm pianist, I can’t tinkle the ivories, but we have the ability to write music because we love what we hear.”

Gilbert O’Sullivan, 60 Years Of Music 2026 Autumn Tour, Grand Opera House, York, September 22, doors 7.30pm; St George’s Hall, Bradford, September 27, doors 7.30pm; CAST, Doncaster, October 1, 7.30pm (sold out); Harrogate Theatre, October 30. Box office: York, 0333 009 6690 or atgtickets.com/york; Bradford, 01274 432000 or bradford-theatres.co.uk/st-georges-hall; Doncaster, for returns only, 01302 303959 or castindoncaster.com; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

The artwork for Gilbert O’Sullivan’s 21st studio album, On The Record, to be released on November 6 on BMG

What is the track listing for On The Record?

1. It’s Me

2. I Suppose

3. Growing Old Disgracefully

4. Go The Way I Came

5. I Must Be Going

6. Don’t Shout

7. She Never Ceases To Amaze Me

8. Our Love Is Gonna Grow

9. Is That You? (featuring Andrea Corr)

10. Wait

11. Minus Is A Plus With You

12. No Place Like Home

13. See Us Gone

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More Things To Do in York and beyond. Hutch’s List No. 32, from The York Press

Donna Maria Taylor in her South Bank Studios studio

GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.

Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm

MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.

Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.  

Masquerade Ball at the 2026 York Georgian Festival tonight

York festival of the week: York Georgian Festival, until August 10

HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.

Carlton Main Colliery Band: Brass At The Proms at Selby Abbey

Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm

JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.

Futureproof’s logo for a night of poetry, drag, monologues and comedy

Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm

EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.

The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm

CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.

On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm

PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.

Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.

Scissor Sisters: Heading to the Scarborough coast tonight

Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14,  gates 6pm

AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.

Holly Johnson: Frankie says Relax in Scarborough

Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

The Magpies: Hosting their folk festival at Sutton Park

Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.

Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve

In Focus: North York Moors Chamber Music Festival, August 8 to 22

THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.

Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.

Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft

“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”

Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].

“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.

Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega

“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”

Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone,  will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.

Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August  18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.

Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega

The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.  

The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.

Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.

Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides

“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.

“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”

The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day. 

Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson

This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy,  Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).

Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.

Tickets for individual concerts are £18; a season ticket for all 13 costs £190. As ever, under-30s gain free entry to any of the concerts. To book, email [email protected], call 07722 038990 or visit www.northyorkmoorsfestival.com. The full programme can be downloaded via https://www.northyorkmoorsfestival.com/.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson

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Trainspotting The Musical tour cancelled after poor box office. Grand Opera House ticket holders refunded for Nov no-show

Lewis Kidd’s Mark Renton in the London run of Trainspotting The Musical at Theatre Royal Haymarket. Picture: Matt Crockett, supplied by Neil Redding PR

TRAINSPOTTING The Musical has been derailed before setting off on a tour that would have disembarked at the Grand Opera House, York, in November.

“Closed” reads the notice on the GOH website after poor reviews of the London premiere and equally poor ticket sales nationwide, not least in Edinburgh, the setting for Irvine Welsh’s story, where the tour’s opening week at the Edinburgh Playhouse from October 19 to 24 had attracted only 19 per cent ticket sales, according to a Facebook post by performer and resident director Keiran Brown.

Tickets for the York run from November 10 to 14 will be refunded. Ticket holders are being contacted by their point of purchase.

The world premiere will continue its London debut at the Theatre Royal Haymarket until September 5, as planned. All tour details have been removed from the official website.

A statement from the production company says: “The forthcoming UK tour of Trainspotting The Musical, which was due to begin on 19 October, has been cancelled.

“We are very grateful to our cast, crew and creative team for their dedication to the production, but the current economic climate has resulted in lower than expected ticket sales. Ticketholders will be contacted by their point of purchase with full refund details. We apologise for any inconvenience and disappointment this may cause.”

The poster for the now-cancelled tour of Trainspotting The Musical

Presented by Phil McIntyre Live, the musical is written by Welsh, based on his 1993 debut novel that was turned into an iconoclastic film by Danny Boyle in 1996 with a script by Welsh, centred on rapscallion heroin addict Mark Renton and his dysfunctional circle of friends navigating the chaotic highs and brutal lows of addiction, poverty and aimlessness in Leith as they struggle to break free from smackhead self-destruction.

Directed and developed by Caroline Jay Ranger – who was at the helm of John Cleese’s Fawlty Towers The Play, whose tour played the Grand Opera House in May – the musical features music and lyrics by Stephen McGuinness and Welsh. Their score includes tracks associated with the original film alongside new material written for the stage.

Boyle’s Trainspotting was the highest-grossing UK film release of 1996, won the BAFTA Award for Best Screenplay and was later ranked in the British Film Institute list of the 100 greatest British films of the 20th century.

The 2026 musical carried the billing: “Thirty years on from the film that changed everything…this show is expected to transport you back to the Nineties”, declaring that  that “Renton, Sick Boy, Begbie, Spud, Tommy and Kelly, the industrial drug-crazed working-class heroes, are back”.

The Grand Opera House site website’s show details stated: “In 1996, CHOOSE LIFE sounded like a challenge. Thirty years on, the landscape has shifted, but the hunger hasn’t. Addiction hasn’t disappeared – it’s shifted. It’s quieter now, more embedded. Less needle, more screen. Less escape, more repetition. The same restless search for something to fill the space.

“The musical highlights the world we see changing around us, the obscene concentration of wealth, economic and political power in the hands of so few people. It addresses the modern culture of powerlessness. Art the singing-and-dancing Trojan horse that delivers direction and relevance.

Robbie Scott: Cast as Mark Renton for UK tour of Trainspotting: The Musical. Robbie, from Aberdeen, missed out on the West End opening after breaking his back in rehearsals and will miss out on the show altogether. Picture: Matt Crockett, supplied by Neil Redding PR

“This isn’t nostalgia, it’s closer than that. The past isn’t revisited – it lingers. The musical doesn’t tidy it. It sits with it. Listens to it. And lets it sing. New songs, classic songs, a musical like never before. Not for the easily confronted. It’s funny, loud, dynamic, and brings a dark dangerous energy never experienced before on the West End stage.”

In April, Welsh proclaimed: “I believe the musical has a bigger, loudly beating human heart than either the book or the film. People need to think about the world we’re living in, and we offer that inspection, but they also really need to sing their hearts out and laugh their heads off – it’s what being human is all about.”

On Monday morning, before the tour cancellation notice served later in the day, he revealed to BBC Radio 4’s Today programme listeners: “We are in difficult times and we’ve been looking at the numbers and sums. We knew it would be difficult to take a production of that scale on the road. We’ve got 30 cast members. Basically people just don’t have the money. It’s not a great time to be putting a new show on the road.”

Reflecting on the shellacking from West End critics, encapsulated in a one-star Guardian review, Welsh told Today presenter Amol Rajan: “I’m not the kind of writer that is loved by the critics. I tend to be a polarising force. I think it’s the way I go about these things and the way I write.”

Arifa Akbar’s verdict in the Guardian had lamented: “Sadly, the drug-addled escapades and illegal highs here look about as dangerous as a double-dose of Gaviscon.”  She deemed McGuinness and Welsh’s songs to be “forgettable at best, or best forgotten in the case of one with a country and western twang”, concluding that “it all seems so tame and commercial for this bunch of anti-capitalists. A bad trip indeed.”

The tour publicity ended: “There are no clean answers here. Only incredible music and flashes of clarity, humour, and the uneasy sense of recognition. CHOOSE LIFE.”

Alas, the tour producers have had to choose premature death instead.  

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What’s On in Ryedale, York and beyond. Hutch’s List No. 31, from Gazette & Herald, from July 29 onwards

Christina Bianco’s June Carter Cash and Christopher Ryan Grant’s Johnny Cash in The Ballad Of Johnny & June. Picture: Pamela Raith Photography

JOHNNY and June’s country musical, The Queen and Margaret Thatcher’s handbag clashes, a rare Blueflies gig and The Streets’ masterpiece in full perk up Charles Hutchinson for the week ahead.

Musical of the week: The Ballad Of Johnny & June, The Johnny Cash Musical, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees on July 29 & 30 and August 1

THIS thrilling musical from Jersey Boys director Des McAnuff celebrates the love, music and mayhem of country music couple Johnny Cash and June Carter Cash. Electrifying chemistry marks the performances of  Christopher Ryan Grant’s Johnny and Christina Bianco’s June in a story observed through the eyes of Ryan O’Donnell’s John Carter Cash, their son. Box office: atgtickets.com/york.

Blues gig of the week: Ryedale Blues Club presents The Blueflies, Milton Rooms, Malton, July 30, 8pm

ENDURING and beloved York blues and funk band The Blueflies – Miles Gilderdale, guitar and vocals, Gavin Ewing, bass and co-songwriter, and Paul Stipetic , drums – perform only rarely these days. Expect a night packed with outstanding musicianship, ace songs and the kind of atmosphere that only a combo with 40 years of musical muscle memory can create. Booking in advance is recommended on 01653 696240 or at themiltonrooms.com.

Neil Delamere: If it ain’t broke it, should he fix it at Pocklington Arts Centre? Not the seat, presumably

Tall tales of the week: Neil Delamere, Reinventing The Neil, Pocklington Arts Centre, July 30, 7.30pm

COMEDIC adventurer Neil Delamere returns with a new stand-up show, packed with tall tales and humorous stories. Join The Blame Game panellist and Celebrity Chase contestant as he ponders the eternal question: if it ain’t broke, should he fix it? Box office: 01759 or 301547 or pocklingtonartscentre.co.uk. 

Stanley Chow’s poster illustration for The Songs of Joni Mitchell at The Citadel, York

Interpreters of the week: The Songs of Joni Mitchell, with Jesca Hoop & Lail Arad, The Citadel, York, Friday, doors 7pm, show 7.45pm

JESCA Hoop & Lail Arad, acclaimed singer-songwriters in their own right, perform intimate interpretations of their favourite Joni Mitchell songs, accompanied by Richard Sears on piano and special guest Naima Bock. Hoop presented Legend: The Joni Mitchell Story, the award-winning six-part BBC radio documentary and podcast on the Canadian singer-songwriter. Box office: thecrescentyork.com.

 Liz Garland, left, and Meriel Scholfield in rehearsal for the Stephen Joseph Theatre production of Handbagged. Picture: Tony Bartholomew 

Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, Friday to August 29

MOIRA Buffini’s 2014 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.

Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.

Four Forty Theatre: Breakneck character changes and mischief-making in A Midsummer Night’s Dream

Shakespeare show of the week: Four Forty Theatre in A Midsummer Night’s Dream, Joseph Rowntree Theatre, York, Friday, 7.30pm

FOUR Forty Theatre (or 440 Theatre, as their website uses both names) tackle Shakespeare’s romantic romp of a chaotic comedy, A Midsummer Night’s Dream, with their trademark irreverence, wit and theatrical ingenuity, directed by Dominic Gee-Burch, formerly of fellow high-speed Shakespeare humorists Oddsocks Productions.

Lovers are enchanted, fairies feud and a troupe of hapless players rehearse their way into disaster, all in a single moonlit night. Inventive staging, breakneck character changes and playful dismantling of tradition mark out Four Forty Theatre’s mischief-making take on Shakespeare’s best-loved comedy: part affectionate homage, part riotous reinvention. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Saxophonist Snake Davis and guitarist Gareth Moulton: Best buddies’ bonding session at Helmsley Arts Centre

Duo of the week: Snake Davis with Gareth Moulton, Helmsley Arts Centre, Friday, 7.30pm

THE Snake Davis and Gareth Moulton duo is back on the road, featuring saxophonist-to-the-stars Davis and Manchester-born, Macclesfield-based  singer-songwriter and guitarist Moulton, his best buddy, with the promise of new material and a new album.

Davis has performed with Paul McCartney, James Brown, Tina Turner, The Eurythmics and Amy Winehouse and has featured on more than 400 recordings by 60 artists, including Lisa Stansfield’s Change, M-People’s Search For A Hero and Take That’s Million Love Songs. Moulton is lead guitarist with Cutting Crew and “moonlighting” singer and guitarist with Wang Chung and has recorded and toured with Heather Small, Jim Diamond, Paul Young and Go West. Box office: 01439 771700 or helmsleyarts.co.uk.

Mike Skinner of The Streets: Playing A Grand Don’t Come For Free in full at Scarborough Open Air Theatre

Coastal gigs of the week: Scarborough Open Air Theatre presents The Streets, A Grand Don’t Come For Free, Saturday; Sex Pistols featuring Frank Carter, Sunday, gates 6pm

FOR the first time, The Streets’ Mike Skinner is performing his landmark 2004 album A Grand Don’t Come For Free in full on tour. One of the most influential British records of the 21st century, the multi-platinum-selling chart topper delivered era-defining singles Dry Your Eyes, Fit But You Know It and Blinded By The Lights while taking a cinematic journey through the love, loss, chaos, heartbreak, hope and raw emotion of everyday life with poetic wit and honesty.

Original Sex Pistols members Steve Jones, Paul Cook and Glen Matlock are joined by vocalist Frank Turner on Sunday to mark “50 years of chaos and celebration” since the punk iconoclasts’ brace of Summer 1976 gigs at Manchester’s Lesser Free Trade Hall. The Stranglers and The Undertones are special guests. Box office: scarboroughopenairtheatre.com.

Paul Smith: Radiating comic warmth twice in a week at York Barbican

York comedy gigs of the week: Hot Water Comedy Club presents Paul Smith, Happy, York Barbican, Saturday and August 5, 7.30pm

PAUL Smith, resident MC and compere of Liverpool’s Hot Water Comedy Club, is heading to York for two nights in his biggest, boldest tour show, Happy: fearless stand-up at full throttle, brimful of observations, true stories and audience interaction. Pulling tales from  real life, Smith finds joy in the chaos, laughter in the everyday and comedy in absolutely everything. Box office: yorkbarbican.co.uk.

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REVIEW: The Ballad Of Johnny & June, The Johnny Cash Musical, Grand Opera House, York, until Saturday ****

Christopher Ryan Grant’s Johnny Cash and Christina Bianco’s June Carter Cash duetting in The Ballad Of Johnny & June, on fire at Grand Opera House, York, this week. Picture: Pamela Raith Photography

ONE comment stood out in Drama Desk Award nominee Christina Bianco’s interview with CharlesHutchPress ahead of her return to York to play June Carter Cash in The Ballad Of Johnny & June.

“The film [James Mangold’s 2005 biopic Walk The Line] is only about 60 per cent accurate, whereas it’s so special that this show comes from the family,” she said.

The Johnny Cash Musical is directed and co-authored by Jersey Boys director (in tandem with Robert Cary), but the key voice belongs to Johnny and June’s only son, story consultant John Carter Cash, whose books Anchored In Love: An Intimate Portrait of June Carter Cash and House of Cash: The Legacies of My Father, Johnny Cash, inform the script so richly.

What’s more, Ryan O’Donnell’s John Carter Cash narrates the musical, breaking down the fourth wall to engage in informal, home-spun conversation with the Stallls, full of homilies on the thorn pricks of love and marriage as he reflects on the truths behind “country music’s greatest romance”.  

After sold-out seasons at La Jolla Playhouse, San Diego, California, and  the Citadel Theatre, Edmonton, Canada, Christopher Ryan Grant has crossed the Big Pond to play Johnny Cash on tour, joined by UK-based New Yorker Bianco, whose acting, singing and impersonating skills were last seen in York as the multi-voiced LV in Jim Cartwright’s tragic-comedy The Rise Of Little Voice at the Theatre Royal in July 2022.

Not that she delivers an impersonation of June here. “I feel a great responsibility to present her as accurately as possible, without doing an impression,” she told CharlesHutchPress. Her performance is all the more truthful for focusing on emotional depth, her June in full bloom in the face of Johnny’s hurricane, while her singing grows ever stronger, the more  the show progresses.

The subtitle may be The Johnny Cash Musical, but McAnuff and Cary’s show gives equal time to Johnny and June, even if Ryan’s swarthy, black-eyed Johnny is the last to arrive on stage, the Man in Black held back for maximum impact.

Grant looks the part, physically imposing, moving with a swagger, crystallised in the way he holds his guitar, and then there is that deep-as-a-well Arkansas voice: the rolling thunder of his basso profundo, suited equally to warmth, flirting, righteous fire and darkness in songs that address sorrow, fickle morality and redemption with room for humour too (typified by A Boy Named Sue).

As many as 33 songs feature, some sung by O’Donnell’s affable John in storytelling mode, others by characters denoted as Man and Woman 1, 2 and 3, playing wives, husbands, members of Cash’s Tennessee Three and more besides. Anne Marie Wojna is particularly striking as Johnny’s wife Vivian, who inspired I Walk The Line, rooted in his vow not to stray or consume pills.

As O’Donnell’s narrator reveals, those vows were broken. Cash is drawn to pills & alcohol, as much as to June, although the veracity of how they first met is played out three ways by the show’s end, because Johnny and June may be unreliable witnesses, and so John Carter Cash lets us play judge and jury.

This warts’n’all musical, like Jersey Boys before it, features such career landmarks as Ring Of Fire (with Johnny challenging June’s claim of writing his biggest hit), his Folsom Prison and San Quentin concerts, his television specials and his late-career revival with Trent Reznor’s Hurt.

There is no mention of the cotton farmers’ son’s four years in the American Air Force, nor of  producer Rick Rubin’s key contribution to his American Recordings late renaissance, but the tragic death of his brother and Sam Phillips’ early influence at Sun Records do feature, while the typeface on the list of locations and city names above Robert Brill’s wood-dominated set design mirrors the American Recordings album covers.

Throughout, the ‘ballad’ of Johnny & June plays out as a love affair that damaged but fed each other, as son John asks June to admit to her prescription drug habit in later years and Grant’s Johnny has to address his demons, encapsulated in his soul-baring rendition of Hurt.

Connagh Tonkinson’s band is terrific throughout, especially Morgan Rees’s trumpet, while  Byron Easley’s delightfully diverse choreography, Sarafina Bush’s costumes, Peter Fitzgerald’s sound design and Sean Nieuwenhuis’s projections all add to the sound and fury signifying everything in the volatile yet boundless love of Johnny and June.

The Ballad Of Johnny & June runs at Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Thursday and Saturday matinees. Box office: atgtickets.com/york.

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The Curious Incident Of The Dog In The Night-Time to play Grand Opera House in October with teenager Chris now female

The full cast for Melting Pot and Birmingham Rep’s tour of The Curious Incident Of The Dog In The Night-Time, playing Grand Opera House, York, from October 27 to 31

ALEX Keenan and Imi Price will become the first women to portray fearful yet fearless teenager Chris Boone in Melting Pot and Birmingham Rep’s bold new interpretation of The Curious Incident In The Night-Time, booked into the Grand Opera House, York, for October 27 to 31.

Directed by Ned Bennett, this fresh perspective on one of contemporary theatre’s most iconic characters will honour the heart of the original story while inviting audiences to experience Simon Stephens’ adaptation of Mark Haddon’s novel through a new lens.

The story combines the intrigue of a whodunit with a coming-of-age story, wherein 15-year-old schoolgirl Chris Boone is gifted with a brilliant mind for numbers but is unsettled by the unpredictability of people and everyday life, distrusting strangers deeply, never venturing alone beyond the end of her road.

Novelist Haddon never called Chris autistic or attributed Asperger Syndrome to the character, but she does not like to be touched, is incapable of lying, can count binary numbers to infinity and has powers of logic beyond conventional reasoning or normal patterns of behaviour.

When a neighbour’s dog is discovered killed, Chris comes under suspicion. Determined to prove her innocence, Chris becomes both detective and suspect, drawn into a mystery that grows darker and more complex with every clue uncovered.

Charlie Brooks as Teresa Phillips in her York debut at the Grand Opera House in 2017 in Alan Ayckbourn’s How The Other Half Loves

What begins as the search for a culprit soon reveals secrets closer to home, forcing Chris to confront truths that will test her courage, family and understanding of trust, independence and the wider world.

Keenan and Price will alternate the lead role on tour, joined by Charlie Brooks and Joe McFadden as Chris’s parents Ed and Judy.

Brooks is best known for her long-running soap opera role since 1999 as wildcat Janine Butcher, caught up in cocaine addiction, murder and prostitution in EastEnders. Rumours began yesterday that Janine is to return after four years [on release from prison] for “two explosive episodes in the autumn”.

Brooks made her York debut in October 2017 in Alan Strachan’s revival of Alan Ayckbourn’s 1969 comedy of matrimonial mishaps How The Other Half Loves, playing Teresa Phillips on tour at the Grand Opera House. “Teresa is fiery and strong, like Janine, but I think the similarities end there,” she said at the time.

McFadden has appeared in the BBC’s The Crow Road and Holby City and ITV’s Heartbeat and was the 2017 Strictly Come Dancing Glitterball winner to boot. He played film director Jason in the Original Theatre Company’s production of Agatha Christie’s The Mirror Crack’d at York Theatre Royal in October 2022 and was last seen on a Yorkshire stage as Andy Dufresne in The Shawshank Redemption at Leeds Grand Theatre in May this year.

Joe McFadden’s Jason, the film director, in Agatha Christie’s The Mirror Crack’d at York Theatre Royal in October 2022, playing opposite Sophie Ward

Completing the ‘Curious Incident’ cast will be Bridgette Amofah as Siobhan; Alex Murdochas Mrs Alexander/Posh Woman/Voice One; Matthew Bulgo as Roger (Mr Shears)/Duty Sergeant/Voice Two/Mr Wise/Man Behind Counter/Drunk One and Jerone Marsh Reid as Mr Thompson/Man with Socks/London Policeman/Voice Three.

Carla Garratt will play Punk Girl/No. 40/Voice Five/Information; Tom Clegg, Reverend Peters/Uncle Terry/Voice Four/Station Policeman/Station Guard; Robert Penny, Voice Seven, and Sera Mustafa, Mrs Gascoyne/Woman on Train/Shopkeeper/Police Officer One/Voice 6. All will perform ensemble roles too.

Alongside Ned Bennett in the production team will be set & costume designer Eleanor Bull; lighting designer Laura Howard; composer & sound designer Giles Thomas; video designer Hayley Egan; movement director Jenni Jackson; costume supervisor  Izzy Pellow; props supervisor Eve Hall; casting director Abby Galvin and associate director Anastasia Osei-Kuffour.

The Curious Incident Of The Dog In The Night-Time premiered at the National Theatre, London, in 2012 and has been seen globally by more than five million people. The National Theatre’s inaugural tour visited the Grand Opera House, York, in January 2015. York company Pick Me Up Theatre staged the play in April 2025 at Theatre@41, Monkgate.

Pick Me Up Theatre in Andrew Isherwood’s production of The Curious Incident Of The Dog In The Night-Time at Theatre@41, Monkgate, York, in April 2025

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