The man behind the mask: Barry Humphries, Australian actor, comedian, satirist, artist, author and national treasure
BARRY Humphries will reveal The Man Behind The Mask on his new 2022 tour, visiting the Grand Opera House, York, for his only Yorkshire show on April 13.
The Australian actor, comedian, satirist, artist, author and national treasure, who is set to turn 88 on February 17, will take a revelatory trip through his colourful life and theatrical career in an intimate, confessional evening, seasoned with highly personal, sometimes startling and occasionally outrageous stories of Dame Edna Everage et al.
Tickets for the 7.30pm performance go on sale at £46.50 upwards at 10am tomorrow morning on 0844 871 7615 or at atgtickets.com/york.
The Brits welcomed housewife and talk-show host Dame Edna with open arms as Humphries’ premier alter ego immediately became a household favourite, later joined by obese, lecherous and offensive Australian cultural attaché, the Honourable Sir Les Patterson and the elderly, childless Sandy Stone, “Australia’s most boring man”, as Humphries has called him.
Side by side: Barry Humphries and alter ego Dame Edna Everage promoting his 2014 show Eat Pray Laugh!, Barry Humphries’ Farewell Tour – not true as it now turns out!
Peeling off his mask to introduce the man behind the clown, Humphries says: “This is a show in which I am the principal character; it’s not Les, it’s not Edna, it’s not Sandy Stone. It is really about this character called ‘me’. I’m not in disguise.”
His York audience can expect a virtuoso comic solo performance filled with laughter, drama and surprise. “There will be an opportunity to ask questions and the magic of technology may even allow appearances – or interruptions – by unexpected guests,” Humphries’ press release teases.
Prompt booking is advised for his return to Yorkshire, where he presented Eat Pray Laugh!, Barry Humphries’ Farewell Tour at Leeds Grand Theatre from February 25 to March 1 2014.
Sophie Hammond’s Jovie and Damien Poole’s Buddy go green for York Stage Musicals’ Elf
AFTER The Flint Street Nativity and last winter’s debut pantomime Jack And The Beanstalk, York Stage Musicals are serving up Christmas cheer again with Elf The Musical.
Such is the anticipation for this show that the Grand Opera House run from today until December 3 has all but sold out already. “Out of the 11 performances, we have around only ten tickets left for each show,” says delighted artistic director Nik Briggs.
York Stage Musicals are presenting the York premiere of Matthew Sklar, Chad Beguelin, Thomas Meehan and Bob Martin’s musical, based on the 2003 film, the one with a goofing Will Ferrell.
Should Elf somehow have eluded you, the story follows orphan child Buddy as he mistakenly crawls into Santa Claus’s bag and ends up being transported to his North Pole abode.
Once there, unaware he is human, and not an elf, his enormous size and poor toy-making abilities cause him to face the truth.
Given Santa’s permission, Buddy (played by Damien Poole) must head to New York City to find his birth father, discover his true identity and help the Big Apple to remember the true meaning of Christmas.
“We love bringing big Broadway and West End musicals to York: we’ve done Priscilla, Queen Of The Desert and Shrek The Musical, and I knew Elf would be perfect for the cast we have: high energy and full of fun,” says Nik.
Elf The Musical director Nik Briggs, left, choreographer Emily Taylor and lead actors Sophie Hammond and Damien Poole at York Stage Musicals’ press launch at Sotano, Little Stonegate, York
“With The Flint Street Nativity and our musical panto, Jack And The Beanstalk, we’ve started bringing alternative Christmas shows to York and Elf perfectly fits that bill.”
How does the musical differ from the film? “The songs, obviously! It’s got a stellar songbook to go will all the comedy that people love from the movie,” says Nik. “The beautiful score is accompanied by a big, brassy band: a 16-piece orchestra directed by the wonderful Stephen Hackshaw. It sounds amazing.”
As affirmed by the ticket sales, Elf has winter winner written all over it. “People love the film; it’s a title they know, and after the past 18 months we’ve all had, it’s the perfect show too see. Pure joy!” says Nik.
“Just as Buddy helps New York to find its Christmas spirit, so Damien and the cast will be helping York to do the same.”
Enthusing over his two leads, Damien Poole, as Buddy and Sophie Hammond, as Buddy’s love interest, Jovie, Nik says: “Damien IS Buddy! He loves Christmas, he’s so full of joy, so energetic, and with his ten years of West End credentials in such shows as Grease and Groundhog Day, he can sustain that throughout the run.
“Sophie is just the most beautiful performer. I remember when she first walked in to audition for Footloose, more than ten years ago, I was just blown away, casting her as Ariel, the preacher’s daughter with the looks and rebellious attitude of a bad girl. She really takes the audience on a journey when she performs.”
After mounting Jack And The Beanstalk at Theatre@41, Monkgate, last Christmas with the requirement for social bubbles, a compact cast and the constant uncertainty over whether the show would have to be called off (only the finale was lost in the end), Nik is once more producing a show under the Covid cloud.
“After the past 18 months we’ve all had, Elf is the perfect show too see. Pure joy!” says director Nik Briggs
“We’ve kept our numbers to what would be the cast size for a tour – around 20 – and we’ve never stopped learning from the shows we’ve done since the pandemic forced changes, starting with the outdoor concerts at Rowntree Park in late-summer 2020 and the panto,” he says, as he attends to the Elf and safety requirements.
“That’s put us in a really good position to run a show like this, with all the requirements for Lateral Flow Tests and wearing masks when necessary.”
After the hit run of Shrek The Musical, directed and choreographed by Damien Poole after his return to Boston Spa from his West End work, York Stage Musicals are thrilled to be back at the Grand Opera House for Elf. “We love working with the team here, and we love the technical possibilities the stage affords us,” says Nik, who has done the set design on top of his directing duties.
“We’ve had the set built by companies and builders around the country for a brand new set design that works perfectly with the space, inspired by New York and Radio City Music Hall, in Midtown Manhattan, which I visited in 2019, shortly before Covid arrived.”
Looking ahead, York Stage Musicals will be returning to the Grand Opera House from April 22 to 30 next year for the York premiere of Gary Barlow and Tim Firth’s Calendar Girls: The Musical. Write that one down on your 2022 calendar and be sure to book early.
York Stage Musicals in Elf The Musical, Grand Opera House, York, tonight (25/11/2021) until December 3. Box office: hurry, hurry to atgtickets.com/York or ring 0844 871 7615.
Copyright of The Press, York
Damien Poole and Sophie Hammond: Actors, teachers and stars of York Stage Musicals’ Elf The Musical
SOPHIE Hammond is completing a full circle as she returns to the Grand Opera House stage in York tonight in York Stage Musicals’ Elf The Musical.
“This is my first time back in a York Stage show since playing Ariel in 2010 in Footloose. I was blonde at the time,” recalls Sophie, her hair now darker, as she takes the role of Buddy’s love interest, Jovie, in Elf.
“That was my first show with York Stage Musicals, as after Footloose I went off to London to train in musical theatre at the American Musical Theatre Academy, where I managed to get myself an agent and went into performing jobs.”
Four years into the profession, Sophie made a career change. “I decided I wanted to teach performing arts at secondary school, and I’ve been teaching at Beckfoot School, in Bradford, for three years, which have whizzed by,” she says.
Sophie performed in the second of York Stage Musicals’ outdoor concerts in Rowntree Park in Summer 2020 and now she is treading the boards once more at the Grand Opera House. “It feels like it’s a nice circle being completed, being back there after 11 years,” she says.
LIKE Sophie Hammond, Damien Poole has left London behind to make a new start.
“I’d lived there for 15 years, working in the West End, but four years ago I decided to set up my theatre school, Damien Poole Theatre Arts, which I run in Harrogate, and I also work at the Leeds Conservatoire music school, working with musical theatre degree students,” he says.
After directing and choreographing York Stage Musicals’ September 2019 production of Shrek The Musical – “an amazing experience,” he says – Damien now faces the challenge of balancing his teaching duties with playing the lead character of Buddy in YSM’s Elf.
“I try to make time by changing my times at the theatre school and Leeds, so I can rehearse on Wednesdays and Sundays and have Thursdays off,” he says.
He is relishing taking on the role synonymous with Will Farrell. “Obviously I’m not going to be able to create what Will Farrell did in creating Buddy’s character in the film, but I get to sing and dance, and you get to see more layers to Buddy in the musical,” says Damien.
MOSCOW City Ballet will present The Nutcracker at the Grand Opera House, York, on January 23 2022.
Set to Tchaikovsky’s glorious score, this enchanting tale is both an eternal winter favourite and the perfect introduction to Russian classical ballet with its timeless story of Clara being whisked away on a fairytale adventure by her Nutcracker Prince.
Moscow City Ballet is among the world’s most prestigious touring ballet companies, showcasing works from the Russian and Soviet ballet heritage, whether the classics, such as Swan Lake and Giselle, or children’s favourites, such as The Nutcracker and Cinderella.
Moscow City Ballet’s performances combine Russia’s best dancers and beautiful sets and costumes with a live orchestra and breath-taking choreography.
Tickets are on sale at atgtickets.com/york or on 0844 871 7615.
A Christmas tree on January 23? Yes, in Moscow City Ballet’s The Nutcracker at the Grand Opera House, York
Queen’s counsel: Ben Elton, director of 20th anniversary tour production of We We Will Rock You. Picture: Trevor Leighton
WRITER Ben Elton is to direct the 20th anniversary tour of We Will Rock You, the futuristic musical he scripted for Queen. Week two will bring his 2022 cast to the Grand Opera House, York, from February 14 to 19.
“I can hardly believe it’s been 20 years since We Will Rock You premiered in London, or that much of what we thought was science fiction in the script back then has turned into science fact,” says Elton, the Eighties’ godfather of political stand-up comedy, writer for stage and screen and novelist.
“I guess Queen were always ahead of the game! I’ve directed this show all over the world and I can’t wait to bring it home to the UK with a brand new production and a fabulous cast of young Bohemians, Bohemians, most of whom were rocking in their cradles when this adventure first began.”
Queen guitarist Brian May: musical advisor for We Will Rock You. Picture: Rankin
Powered by 24 Queen songs, We Will Rock You tells the story of a globalised future without musical instruments where a handful of rock rebels, the Bohemians, fight against the all-powerful Global soft company and its boss, the Killer Queen, in the cause of freedom, individuality and the rebirth of the age of rock.
Scaramouche and Galileo, two young outsiders, cannot come to terms with the bleak conformist reality, joining the Bohemians to embark on the search to find the unlimited power of freedom, love and rock.
The tour cast will be led Ian McIntosh as Galileo and Elena Skye as Scaramouche, with Jenny O’Leary as Killer Queen, Adam Strong as Khashoggi, Michael Mckell as Buddy, Martina Ciabatti Mennell as Oz, David Michael Johnson as Brit.
We Will Rock You: Touring 27 venues on 20th anniversary tour. Picture: Johan Persson
The ensemble will include Laura Bird, Kate Leiper, Joanne Harper, Anna Davey, Edward Leigh, Spin, Karen Walker, David Muscat, Damien Walsh, Laura Ava-Scott, Victoria Collins, Joseph Connor, Louis Clarke-Clare and Jacob Fearey.
The idea for the musical emerged from a meeting between Hollywood actor Robert De Niro and Queen musicians May and Roger Taylor in Venice in 1996.
De Niro’s daughter was a fan of the ubiquitous British band, prompting De Niro to ask if the rock legends had ever thought of creating a musical based on their songs.
Queen drummer Roger Taylor: Musical advisor on We Will Rock You
We Will Rock You was born, premiered at the Dominion Theatre in May 2002, with May and Taylor as musical advisors, and the musical has since played to 16 million people in 19 countries.
Kicking off at the Kings Theatre, Portsmouth, the 2022 tour will visit 27 venues, including a second Yorkshire run at Sheffield City Hall from August 29 to September 3.
York tickets are on sale at 0844 871 7615 or at atgtickets.com/york; Sheffield, sheffieldcityhall.co.uk.
Danny Nattrass, left, Alex Lodge, Ryan Anderson, Jamie Chatterton and Joseph Peacock as The Osmonds. Picture: Oliver Rosser
THE Osmonds: A New Musical, the story of the Seventies’ hit-making brothers from Utah, USA, will play the Grand Opera House, York, on from August 2 to 6 on its 2022 premiere tour.
Further Yorkshire dates will follow at Hull New Theatre from October 18 to 22 and Bradford Alhambra from November 22 to 26 next year for a show whose world premiere will run at Curve, Leicester, from February 3 to 6.
The Osmonds: A New Musical is driven by a story by Jay Osmond, the drumming brother who sang lead vocals on Crazy Horses, recounting how they were pushed into the spotlight as children and went on to create multiple smash hits.
From their star residency on The Andy Williams Show from 1962 to 1969, through Osmond-mania pop stardom from 1971 to 1975, to the arrival of The Donny & Marie Show, a variety TV show from 1976 to 1979, The Osmonds lived a remarkable life recording chart-topping albums, selling out arena concerts and making record-breaking TV shows. Until one bad decision cost them everything.
“I’ve wanted to tell my story for such a long time and the opportunity to create this beautiful musical, a sort of ‘living autobiography’, seemed the perfect way to do so,” says Jay, who first performed with Alan, Wayne and Merrill, later joined by Donny (with Little Jimmy and sister Marie playing their part in the success too).
“I spent my whole life performing live – on stage, on TV specials, in arenas – so the buzz of live theatre felt like the perfect place for me. There were some difficult times in my life, and some big hurdles to overcome, and this musical will tell people things that will surprise them.”
Jay, 66, continues: “But despite that trouble, when you look back and think of the fans, the music, the once-in-a-lifetime things we did, it’s joyful. I guess I want to do this now to try to spread a little bit of that joy.
“I’ll know I’ve done a good job telling this story if I stand at the back of the theatre and see people waving their arms in the air, singing along and dancing in the aisles. I just want people to be enjoying themselves. I guess that is in the Osmonds’ DNA.”
The Osmonds: A New Musical will feature such Seventies’ anthems as One Bad Apple, Down By The Lazy River, Crazy Horses, Let Me In, Love Me For A Reason, (We’re) Having A Party, Donny’s Puppy Love, Little Jimmy’s Long Haired Lover From Liverpool, Marie’s Paper Roses and more besides.
The Osmonds have sold more than 100 million records worldwide and won 59 gold and platinum awards, and now Jay pulls back the curtain to reveal the real family behind all these hits: parents George and Olive Osmond and their nine children, Virl, Tom, Alan, Wayne, Merrill, Jay, Donny, Marie and Jimmy.
From Jay’s story, The Osmonds: A New Musical has a book by Julian Bigg and Shaun Kerrison and will be directed by Kerrison, with choreography and musical staging by Bill Deamer. The full casting is yet to be announced.
The seeds of the musical were sown by Jay’s 2013 autobiography, Stages. “I wrote this book about my life. It turned into more of a travelogue,” he says. “I always wanted to do a backstage version that included not only the good times, but the bad and sad times too.”
Whereupon a producer friend had an idea: “He said ‘why don’t you write a living memoir and put it on stage?’ And I thought, ‘Exactly’! I’ve always loved the stage; for me it was one last frontier to conquer.
“I wrote it from the heart. It was hard. I had to play my drums a lot to get my emotions out, but it all boiled down to this: why did we do what we did? It was because we wanted to help people; to use those talents to do some good in the world. I wanted to put that purpose into the show. I think you can do almost anything in life if you have a purpose.”
More than 30 songs are combined with Jay’s story in the musical. “It was a challenge,” he admits. “It’s about the four brothers who were at the start. I was one of them. The story starts at the 50th anniversary and then goes way back. Each of us has a different perspective, so this is very much my perspective; hard times, fun times, why we did what we did and how we did it as a family.”
Should you be wondering why the world premiere will be in the UK, rather than the USA, Jay reasons: “This is where our family was so welcomed. Osmond-mania kind of happened everywhere, but there was something about the UK; our family was so accepted and so loved here.
“We’ve been to almost every place on the tour list at some point and they are places that hold so many memories. We’ll go to Canada and America too, sure, but it feels right to begin here.”
Jay believes the Osmonds’ musical could not be better timed after the impact of the pandemic. “I want it to be a celebration of helping people out,” he says. “I want people to walk out of the theatre feeling lifted and excited about life; to feel joy. That’s my goal.
“I’m humbled that we’ve been blessed with people who have loved our music and that we might have played a small part in their lives when they have faced challenges. I want them to know how much they have helped me and my family. They are part of The Osmonds. It will feel like a high school reunion when they come to the show.”
York tickets are on sale on 0844 871 7615 or at atgtickets.com/york; Hull, 01482 300306 or hulltheatres.co.uk; Bradford, 01274 432000 or bradfordtheatres.co.uk.
Jay Osmond
Jay Osmond’s back story
JAY was the instigator of many of the projects that kept the Osmond family together and moving forward during all the years of success. He is the youngest of the original Osmond Brothers group, with a career in entertainment that started at the age of two and a half.
Jay was eight years old when he learned to play the drums and later he collaborated with the brothers on many of the hit records, singing lead vocals on 1972’s Crazy Horses, their best-selling international single.
He choreographed the shows for the Osmond Brothers, as well as for Donny & Marie, using a style influenced by his karate skills learned from his personal instructor, action-movie actor Chuck Norris.
Jay worked behind the scenes as a producer, with production credits for the 1970s’ television programmesThe Donny & Marie Show and The Osmond Family Hour, the 1980s’ variety show Marie, the film depiction of the life of the Osmond family, Side By Side, and the family’s 50th Anniversary PBS special and DVD projects.
He released a solo album, It’s About Time Again, in 2009, and his autobiography, Stages, in 2013.
Did you know?
JAY and brothers Alan, Wayne and Merrill started a barbershop quartet to fund hearing aids for their two older brothers, Virl and Tom. Discovered by Walt Disney in 1961, he mentored them, leading to their invitation to appear on The Andy Williams Show. The rest is pop history.
Did you know too?
JIMMY Osmond played slick lawyer Bill Flynn in Cabaret at the Grand Opera House, York, in April 2009.
The poster for Paul Chowdhry’s Family-Friendly Comedian tour, visiting the Grand Opera House, York, next Thursday
AFTER barely surviving the pandemic, British-Asian stand-up Paul Chowdhry tackles the UK’s handling of the Coronavirus crisis and why the rules of six only worked for white people in his November 18 gig at the Grand Opera House, York.
Two years of pent-up frustration go into his Family-Friendly Comedian (No Children) gig, where he also discusses fame, England football fans and Tom Cruise landing his helicopter in someone’s garden.
Londoner Chowdhry began his stand-up career in 1998 and hosted the comedy show Stand Up For The Week, having been a regular act on earlier series. He was the first British act to perform at the Caribbean Comedy Festival in Trinidad in 2003, and when he sold out the 10,000-seater Wembley Arena in December 2017, he became the first British-Asian comic to do so.
Paul Chowdhry: PudCast podcast
On TV, he has been a guest panellist on 8 Out Of 10 Cats, Comedy World Cup and Sorry I Didn’t Know and he finished last when taking part in an episode of the third series of Taskmaster. He hosts the podcast The Paul Chowdhry PudCast, wherein he interviews comedians.
Last on tour with his Live Innit show, Chowdhry, 47, is known for using the signature phrase “what’s happening white people?” at the start of his stand-up routines.
Tickets for next Thursday’s 8pm gig are on sale on 0844 871 7615 or at atgtickets.com/york.
Seasick Steve: Just him, his home-made guitar and you at York Barbican tonight
CHARLES Hutchinson recommends veteran blues at the double, quilts, a dating show, chaotic Hitchcockian comedy capers, a Brahms Requiem and a Geordie comic out to dazzle.
Solo show of the week: Seasick Steve, Just Steve, A Guitar And Your Tour, York Barbican, tonight, 8pm
LAST year, American DIY blues veteran Seasick Steve released two albums, July’s Love & Peace and November’s Blues In Mono, his tribute to trad acoustic country blues recorded with a microphone from the 1940s as Steve performed the songs direct to an old tape machine.
Now, York-bound Steve says: “I‘m lookin’ forward to coming and playing for y’all. Just gonna be me, you and my guitar. A few songs and a few stories, kinda like we just hangin’ out together! Gonna be fun. See ya there.” Tickets update: limited availability at yorkbarbican.co.uk.
Sanna Buck, Stephen Wright and Aran MacRae look on as a prone Daniel Boyle takes centre stage in rehearsal for York Settlement Community Players’ The 39 Steps. Picture: John Saunders
Play of the week: York Settlement Community Players in The 39 Steps, Theatre@41, Monkgate, York, tonight until Sunday
PATRICK Barlow’s riotous West End comedy hit marks the Settlement Players’ return to live performance for the first time since March 2020.
Harri Marshall’s cast of eight takes on the challenge of combining John Buchan’s 1915 novel with Alfred Hitchcock’s 1935 film scenes in a blend of virtuoso performance and wildly inventive stagecraft, playing 150 characters between them as the mysterious 39 Steps chase Aran MacRae’s Richard Hannay’s on a nationwide manhunt. Box office: tickets.41monkgate.co.uk.
Hey, it’s The Manfreds: Playing the Grand Opera House, York, tonight
Nostalgia ain’t what it used to be? It’s even better at Maximum Rhythm N’ Blues with The Manfreds and Georgie Fame, Grand Opera House, York, tonight, 7.30pm
THE Manfreds and Georgie Fame team up for a celebration of Sixties rhythm & blues in an all-star line-up with hits galore to match.
Original Manfred Mann members Paul Jones, Mike Hugg and Tom McGuinness are joined by Family’s Rob Townsend on drums, Marcus Cliffe on bass and Simon Currie on saxophone and flute, plus former member Mike D’Abo to share lead vocals, and Blue Flames leader Fame on keyboards. Box office: atgtickets.com/york.
Ready to dazzle: Sarah Millican kicks off a three-night run at York Barbican tomorrow
Three-night run of the week: Sarah Millican: Bobby Dazzler Tour, York Barbican, tomorrow to Sunday, 8pm
SOUTH Shields humorist Sarah Millican’s new show, Bobby Dazzler, is doing the rounds on her sixth international tour.
“You’ll learn about what happens when your mouth seals shut, trying to lose weight but only losing the tip of your finger, a surprisingly funny smear test, and how truly awful a floatation tank can actually be,” says Millican, who has “spent the last year writing jokes and growing her backside”. Tickets update: limited availability at yorkbarbican.co.uk.
Masks, of the non-Covid protection variety, will be worn by participants in ventriloquist Nina Conti’s dating show. Picture: Matt Crockett
Game show of the week: Nina Conti: The Dating Show, Grand Opera House, York, tomorrow, 7.30pm
FAST-TALKING, faster-thinking ventriloquist Nina Conti and her cheeky Monkey host a pioneering new dating show for participants picked from the York audience.
What’s in store for the chosen ones? Apparently “she’ll be like Cilla Black with masks. Derailed. Not so much a Blind Date as a re-voiced one.” In a nutshell, they wear masks, she/Monkey talks, with no promise that true love will be found. Box office: atgtickets.com/york.
Matthew Miller’s Golden Bird quilt from his Cloth & Colour installation at York Theatre Royal from Saturday
Exhibition launch of the week: Matthew Miller’s Cloth & Colour quilts, York Theatre Royal foyer, from Saturday to November 30
BASED in London, but from York, multi-media artist Matthew Miller launches his debut quilt installation in the first Beyond The Gallery Walls pop-up project to be mounted by Lotte Inch Gallery.
Artist Matthew and curator Lotte will be hosting the launch from 11.30am to 1.30pm on Saturday, happy to discuss his Cloth & Colour quilt designs. Interested in the ecological use of fabric in quilting, Matthew has used end-of-roll and pre-worn fabrics throughout his series of vibrant collages in cloth.
Alex Ashworth: Baritone soloist for Brahms’s Ein Deutsches Requiem at Saturday’s concert by the Chapter House Choir. Picture: Debbie Scanlan
Classical choral concert of the week: Chapter House Choir, York Minster, Saturday, 7.30pm
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster in a rare opportunity to hear Brahms’s own arrangement written for piano – more intimate and transparent – with baritone Alex Ashworth, soprano Susan Young and pianists Eleanor Kornas and Polly Sharpe as the soloists.
This will be complemented by the world premiere of Lillie Harris’s Comfort, specially commissioned for Saturday’s concert. Box office: 01904 557200 or at yorkminster.org.
Open on Saturday: Carolyn Coles’s studio at South Bank Studios
Christmas shopping? Present opportunity at South Bank Studios’ Art & Craft Winter Fair, Southlands Methodist Church, Bishopthorpe Road, York, Saturday, 10am to 5pm
THE South Bank Studios artists’ group open their doors and studios to the public this weekend, when 28 artists will be exhibiting jewellery, ceramics, lino prints, textile art and fine art paintings and prints, all available to buy, just in time for Christmas. Entry is free.
Among those taking part are Carolyn Coles, Caroline Utterson, Jane Dignum, Lincoln Lightfoot, Richard Whitelegg, Mandi Grant and Fiona Lane. York Music Centre’s Senior Concert Band, Guitar Ensemble, Senior Folkestra and Big Band will be playing, and the icing on the cake will be the church team’s homemade refreshments.
Voila! C’est La Voix
Most glamorous show of the weekend:La Voix, Grand Opera House, York, Saturday, 7.30pm
FEISTY, flame-haired Royal Family favourite La Voix – the drag artiste creation of Chris Dennis – takes on the big divas and makes them her own in her Grand Opera House debut in The UK’s Funniest Redhead.
Billed as her “most glamorous show yet”, the 2014 Britain’s Got Talent semi-finalist will be combining stellar songs and saucy gags, high energy and diva impersonations, glamour and gowns – eight of them – as she switches between the vocal tropes of Tina Turner, Shirley Bassey, Liza Minnelli, Judy Garland and Cher at the click of a finger. Box office: atgtickets.com/york.
Millie Manders and The Shutup: Definitely not shutting up at the Fulford Arms on Sunday night
Gig with attitude of the week: Millie Manders & The Shutup, Fulford Arms, York, Sunday, 8pm
MILLIE Manders & The Shutup spark up cross-genre punk with a lyricism that pokes fun, draws you in or leaves you questioning social norms, teamed to vocal dexterity, grinding guitars, irresistible horn hooks and a pumping rhythm section.
The Londoners will be airing songs from October 2020’s debut album, Telling Truths, Breaking Ties. Box office: seetickets.com/event/millie-manders.
Willy Mason: Nine-year gap after he made a record called Carry On, but carry on he does at last with Already Dead album and tour date in York. Picture: Ebru Wildiz
Overdue return of the week: Willy Mason, supported by Voka Gentle, The Crescent, York, Tuesday, 7.30pm; standing show
NEW York singer-songwriter and lovely chap Willy Mason returns with Already Dead, his fourth album of characterful, sharp left-field pop, folk and Americana but his first since 2012’s Carry On.
“Magic, miracles, ghosts, world leaders; these days it seems there’s little left to believe in,” says Mason. “Lies outweigh truth and even truth can be dangerous.
“Already Dead explores honesty and deception, anonymity in the digital age, good intentions with unexpected consequences, freedom, colonialism, love, God and purpose, because now is the time to restore some much-needed faith.” Box office: thecrescentyork.seetickets.com/event/willy-mason.
Soft Cell: 40th anniversary home-coming concert in Leeds. Picture: Andrew Whitton
Oh, and amid all these York events, here is the gig of the week outside the city walls: Soft Cell, Leeds 02 Academy, Saturday, doors, 6pm
IN 1981, Leeds synth-pop pioneers Soft Cell topped the charts with their Northern Soul cover, Tainted Love. This weekend, they play a 40th anniversary home-coming gig with an early start, kicking off with a DJ from 6pm.
LGBTQ icon Marc Almond and producer/instrumentalist Dave Ball will play two sets: the first from 7pm embracing songs from their back catalogue and previewing their first album in 20 years, Happiness Not Included, out on BMG on February 25 2022.
In the second, from 8.20pm, they will perform 1981 debut album Non-Stop Erotic Cabaret in full for the first time. Cue Say Hello, Wave Goodbye, Bedsitter, Memorabilia et al. Box office: myticket.co.uk/artists/soft-cell
Abba Mania: Thanking Abba for the music at Grand Opera House, York
ABBA Mania could not be playing the Grand Opera House, York, at a better time in light of Agnetha, Benny, Bjorn and Anni-Frid releasing Voyage, their first album in 39 years, last Friday.
Billed as “the world’s number one touring Abba tribute concert”, Abba Mania returns to York on November 20 in its quest to bring the Swedish supergroup’s songs to fans old and new.
Formed in 1999, Abba Mania has been selling out theatres and concert halls internationally ever since. In 2007, the show grossed more than one million Australian dollars at the box office in Sydney, Australia.
Abba Mania has ventured to France, Denmark, Belgium, Spain, South Africa, New Zealand, Singapore, the United States, South Korea and Australia, as well as touring the UK extensively.
Hands up who loves Abba. Step forward Abba Mania
Abba dominated the charts from 1974 to 1983, notching up nine UK number ones, from Waterloo to Super Trouper. At their height, they became Sweden’s highest export earners, even outselling Volvo cars.
Abba Mania promise two hours of uplifting, dance-inducing, sometimes heart-breaking songs, “performed fully live with fantastic staging, lighting and effects, re-creating Abba’s sound not only perfectly but respectfully too”.
Take a chance on Dancing Queen, Waterloo, SOS, Mamma Mia, The Winner Takes It All, Money, Money, Money, Knowing Me, Knowing You, Super Trouper, Fernando, Name Of The Game, Chiquitita, I Have A Dream, Thank You For The Music and Take A Chance On Me being rolled out once more.
Tickets are on sale on 0844 871 7615 or at atgtickets.com/york.
For the official trailer, head to: wetransfer.com/downloads/644cc7b75204d05d6854df6b5f425c4620211110163807/40ceecdb2dce5ecd1984fdfe0ea086b420211110163830/a0d671
Jimmy Carr: Welcoming the Menfulness charity to his Grand Opera House gig in York
COMEDIAN Jimmy Carr will support the work of Menfulness, the inclusive social community for men in York, at tomorrow night’s Terribly Funny gig at the Grand Opera House, York.
Led by five men from York who, like many men, have struggled with mental health and the pressures of life, Menfulness wants to keep growing its community and continue to look for funding opportunities to participate in events, activities and counselling offers of support to men’s wellbeing in a friendly, non-judgemental environment where they can share at their own pace.
The Menfulness charity brings men together to socialise, exercise, enjoy themselves, talk and let off steam: all essential for wellbeing and health, both physical and mental. At tomorrow’s show, the team will be seeking to bring awareness of the mental health of men and hoping to raise as much money as possible to provide urgent counselling to help save men’s lives.
They will be available on the night if any theatregoer would like advice on Menfulness. A collection will take place after the show.
For more information on the charity, go to: menfulness.org/. Box office for tickets: atgtickets.com/york.
Menfulness’s poster for tomorrow’s chance to raise funds and raise awareness of men’s mental health counselling at Jimmy Carr’s gig
Queen drummer Roger Taylor: Musical advisor on We Will Rock You
WE Will Rock You, “the Queen musical”, will rock up at the Grand Opera House, York, from February 14 to 19 2022.
“The show is live, dangerous and more than anything else: it rocks,” says guitarist Brian May of the futurist comedy musical that combines Queen’s songbook with a book by Ben Elton, of The Young Ones, Blackadder and Upstart Crow fame.
Since 2002 more than 15 million theatregoers in 17 countries have seen a show fashioned by Elton around 24 Queen numbers, such as We Are The Champions, Radio Ga Ga, I Want To Break Free, Somebody To Love, Killer Queen, Don’t Stop Me Now, Under Pressure, Bohemian Rhapsody, Another One Bites The Dust and the title song.
We Will Rock You tells the story of a globalized future without musical instruments where a handful of rock rebels, the Bohemians, fight against the all-powerful Global soft company and its boss, the Killer Queen, in the cause of freedom, individuality and the rebirth of the age of rock.
Ben Elton: Writer of the book for “the Queen musical”, We Will Rock You
Scaramouche and Galileo, two young outsiders, cannot come to terms with the bleak conformist reality, joining the Bohemians to embark on the search to find the unlimited power of freedom, love and rock.
The idea for the musical emerged from a meeting between Hollywood actor Robert De Niro and Queen musicians May and Roger Taylor in Venice in 1996. De Niro’s daughter was a fan of the ubiquitous British band, prompting De Niro to ask if the rock legends had ever thought of creating a musical based on their songs.
We Will Rock You was born, with May and Taylor on board as musical advisors. Tickets for next February’s run are on sale at 0844 871 7615 or at atgtickets.com/york.
