Oliver Farnworth, left, Mollie Gallagher, John Partridge and Sam Jackson in the poster for the world stage premiere of The Silence Of The Lambs
CORONATION Street star Mollie Gallagher will make her professional theatrical debut as Clarice Starling in the world stage premiere of The Silence Of The Lambs, touring the Grand Opera House, York, from March 15 to 20 2027.
Mollie is departing the ITV soap after almost seven years in the role of Nina Lucas, long-lost niece of Roy Cropper, to tread the boards.
She joined Coronation Street straight out of drama school and has since been central to some of Corrie’s biggest storylines, including the Nina & Seb hate crime storyline, based on the attack of Sophie Lanacaster.
She won the Serial Drama Performance prize in the National Theatre Awards and took part in ITV’s Dancing On Ice in 2023, reaching the semi-finals.
Mollie will join the already confirmed John Partridge’s Dr Hannibal Lecter, Emmerdale soap star Oliver Farnworth’s Jack Crawford and Skins actor Sam Jackson’s Buffalo Bill (a.k.a Jame Gumb) in the spine-tingling psychological thriller.
Adapted for the stage by two-time Pulitzer finalist and Tony-nominated playwright Gina Gionfriddo from Thomas Harris’s classic novel, the touring production is directed by North Yorkshireman Nikolia Foster, artistic director of Curve, Leicester.
Produced by Curve in tandem with Indigo Productions and Crossroads Live, the UK and Ireland tour of The Silence Of The Lambs will open at Curve on August 1 2026, featuring an ensemble of Minal Patel as Frederick Chilton; JoMousleyas Senator Ruth Martin; Lottie Amor as Catherine Martin; Mark Peachey as Pilcher; Andrew Joshi as Peterson and Jonny Magnanti as Wertimer, with Mary Timbrell Hill completing the completing the company, all taking on a variety of roles.
Lancashire actor, singer, presenter, writer and director John Partridge is best known for his long-running role as Christian Clarke in BBC 1’s EastEnders and extensive range of West End credits, from Cats to Everybody’s Talking About Jamie.
Now he will don the iconic mask as the refined and sadistic Dr Hannibal Lecter, the psychiatrist and infamous murderer who FBI trainee Clarice Starling is sent to interview in the hope that his brilliant mind will help to catch Buffalo Bill, a sadistic serial killer still at large.
Another girl is missing, time is running out, but Dr Lecter has questions of his own, and now Clarice must decide: should she keep a safe distance or let Hannibal ‘The Cannibal’ into her head?
Gionfriddo’s theatrical adaptation delves into the psychological tension of Harris’s novel, drawing the audience deep into Clarice and Lecter’s intelligent, intricate and bone-chilling game of cat-and-mouse as the FBI scramble to catch Buffalo Bill.
The tour’s award-winning creative team includes theatre designer Michael Taylor, whose credits include his Olivier Award-nominated design for The Ladykillers and Billy Elliot at Curve; sound designer Carolyn Downing, Olivier Award winner for Chimerica and Tony Award winner for Life Of Pi, and projection designer George Reeve, 2025 Tony Award recipient for Best Scenic Design of a Musical for Maybe Happy Ending, with further credits for Disney’s Hercules and Oliver! (West End and Chichester Festival Theatre).
In the team too are Tony-nominated and Drama Desk Award-winning composer Grant Olding, who has collaborated regularly with Nicholas Hytner at both The Bridge and National Theatre, including One Man, Two Guvnors, and Tony and Olivier-nominated lighting designer Howard Hudson (Starlight Express, Troubadour Theatre; & Juliet, Broadway, West End, international and UK tours).
Born in Copenhagen, Denmark, director Nikolai Foster grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield, going on to create work for many of the UK’s major producing theatres, touring houses and international venues.
He has been director on attachment at the Crucible, the Royal Court Theatre, London, and National Theatre Studio, London, and served as an associate director at Leeds Playhouse. In 2024, he was awarded an Honorary Doctor of the Arts by Leicester’s De Montfort University for his contribution to theatre in Leicester.
At Curve, Nikolai has worked on numerous musical revivals, new plays and musicals and championed emerging artists. Many of the Made at Curve productions Nikolai has directed have transferred to London, toured the UK and internationally.
Tickets for The Silence Of The Lambs’ York run are on sale at atgtickets.com/york.
The Choir Of Man cast: Swapping The Jungle pub for Parliament Street on Wednesday
THE cast of The Choir Of Man will head to Parliament Street, York, at 1.30pm on Wednesday to give a one-off taster of live excerpts from this week’s production, running at the Grand Opera House until Saturday.
Set in the on-stage pub The Jungle, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardisas Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns N’ Roses, Avicii and Katy Perry hits.
The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm.Box office: atgtickets.com/york.
Becky Hill: High-energy performance on Knavesmire track
THE York Mystery Plays on waggon wheels, Becky Hill on Knavesmire, Calendar Girls in the round and early music beyond borders promise high summer times for Charles Hutchinson.
Under starter’s orders: Becky Hill, Summer Music Saturday, York Racecourse, today, first race at 1.20pm
BECKY Hill, two-time BRIT Award winner for Best Dance Act, opens the summer of post-racing concerts at York Racecourse, promising a high-energy performance on the “Glastonbury-style stage” after tomorrow’s seven-race card. For her set list, she can pick from such hits as Gecko; Back & Forth; Wish You Well; Lose Control; Better Off Without You; Heaven On My Mind; Remember; My Heart Goes; Run; Crazy What Love Can Do; History and Disconnect. For race-day tickets, go to: yorkracecourse.co.uk.
Kirkgate at York Castle Museum in full summer bloom with floral displays and new projections. Picture: Gareth Buddo Furmoto Photography
Flower power of the week: Summer at York Castle Museum, in bloom until September 6, open Mondays, 11am to 5pm; Tuesdays to Sundays, 10am to 5pm
YORK Castle Museum is capturing the essence of ‘grand days out’ and celebrating iconic summers across two contrasting centuries this summer season. Drawing on the breadth of the museum’s social history collection, Victorian York Galas and the Swinging ’60s are the programme’s key focus with games, crafts and seasonal decorations providing nostalgia and summer fun for visitors.
Further highlights include Last Stop Before Kirkgate, Novo Theatre’s immersive experience replicating a 19th century coaching inn and arrival into York, and Yorkshire artist Pippa Dyrlaga’s paper-cut hot air balloons, telling the story of balloon rides during the galas. Tickets: yorkcastlemuseum.org.uk.
Richard Ashcroft. Picture: Dean Chalkley
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Richard Ashcroft, today; Billy Ocean and Marti Pellow, tomorrow, gates open at 6pm
THE Verve frontman, songwriter and producer Richard Ashcroft, two-time Ivor Novello and triple BRIT Award winner, headlines today’s Scarborough bill, joined by DJ Wayne, original Kasabian frontman Tom Meighan and Yorkshire indie rockers Apollo Junction.
Trinidadian-British soul singer Billy Ocean (real name Leslie Sebastian Charles, by the way) takes top spot tomorrow, airing such hits as Red Light Spells Danger, Love Really Hurts Without You, Caribbean Queen and When The Going Gets Tough, The Tough Get Going. His very special guest is former Wet Wet Wet singer and musicals star Marti Pellow; Katie Owen supports too. Box office: scarbroughopenairtheatre.com.
Christina Meehan’s Annie, left, and Karen Holmes’s Chris in Calendar Girls The Musical at Stephen Joseph Theatre, Scarborough.Picture: Tony Bartholomew
Make a date with: Calendar Girls The Musical, Stephen Joseph Theatre, Scarborough, today until July 25
AS director Paul Robinson reveals: “Our new in-the-round staging of Tim Firth and Gary Barlow’s Calendar Girls brings the audience into the heart of the Rylstone Women’s Institute, making this true story of friendship and determination feel more personal and immediate.
“This intimate production will create a unique, shared experience, reminiscent of gathering around a community hall or a close friend’s living room, allowing for a deeper connection to the characters and creating a collective, communal atmosphere that fully immerses everyone in the moving story of these ‘ordinary women’ doing something quite extraordinary.” Box office: 01723 370541 or sjt.uk.com.
Cathy Sara’s Villeyn and Thomas Frere’s Jongleur in Riding Lights Theatre Company’s Mistero Buffo. Picture: John Shepherdson
2026 York Mystery Plays Fringe play of the week: Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today, tomorrow, then July 1 to 4, 7.30pm, plus 2.30pm matinees on July 3 & 4
TWO wild strangers roll into York for the 2026 York Mystery Plays Fringe to tell tales destined to turn the city upside down. Combining ferocious wit and fearless physical storytelling, Paul Birch’s two-hander production for York’s Riding Lights Theatre Company tears into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Written by Nobel prize-winning Italian playwright Dario Fo, translated by Ed Emery and performed by Yorkshire actors Thomas Frere and Cathy Sara, this 1969 take on the Mystery Plays will appeal to Fringe theatregoers with a taste for subversive and unapologetic comedy with bite. Box office: www.ridinglights.org.
Bodhan Pitel’s Herod in DSpace Ukrainian Theatre’s The Massacre of the Innocents. Picture: John Saunders
Theatrical event of the week: 2026 York Mystery Plays, streets of York, tomorrow and July 5, 10.30am to 4.50pm; Sunset in the Shambles Market, June 30 and July 1, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five plays will be held in Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. Tickets: ticketsource.com/york-festival-trust.
The Choir Of Man: “The best trip to your local you’ll ever have” at Grand Opera House, York. Picture: The Other Richard
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm
SET in the The Jungle pub on stage, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardisas Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross,Sia, Paul Simon, Adele, Guns N’ Roses, AviciiandKaty Perry hits. Box office: atgtickets.com/york.
Solomon’s Knot: Performing at York Early Music Festival on July 10
50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, July 3 to 11
THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.
Opening with Monteverdi’s 1610 Vespers, presented by I Fagiolini, and closing with Solomon’s Knot’s rendition of Bruhns’s St Mark Passion, the festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.
In Focus: Ripon Theatre Festival, July 5 to 12
Maybe You Like It in Down To Chance: Playing Ripon Theatre Festival at Ripon Arts Hub on July 11 at 8pm
RIPON Theatre Festival 2026 celebrates five years of culture, colour and community spirit from July 5 to 12 with eight days and nights of performances focused on theatre in all its forms, from storytelling and puppetry to cabaret, Shakespeare and circus.
Top talent from Edinburgh & beyond
THE festival welcomes hit shows from the Edinburgh Fringe at Ripon Arts Hub, including Stephen Smith’s One Man Poe on July 10 at 8pm, fast-paced thriller Down To Chance on July 11 at 8pm The Poetical Life Of Philomena McGuinness on July 12 at 2.30pm.
Quirky & unique
RIPON Theatre Festival makes the most of the city’s venues and open spaces with pop-up events showcasing theatre everywhere. A knitting cabaret from Canada, a one-man show about British pub life, walkabout acts, Pop-up Puppetry and Poetry for Breakfast are among the acts that will appear in friendly cafes, pubs and independent shops. Look out too for a show performed inside a vintage bus.
The Big Weekend for families
SUPPORTED by Arts Council England through the National Lottery for a second year, the Big Weekend of free family entertainment on July 11 and 12 will feature street arts and circus theatre from across the four nations and beyond. Highlights include dance-circus troupe Circo Rumbaba and comedy, cooking and circus with Do What Ya Mamma Told Ya.
Reaching out to all the community
IN the weeks leading up to the festival, activities in care homes, “making and creating” sessions with learning-disabled adults and intergenerational music sessions ensure the event reaches all corners of the community.
This includes a schools’ programme featuring Opera North’s Little Listeners and the madcap Rubbish Shakespeare Company.
Supporting new writing & regional talent
ESTABLISHED regional artists, such as Victoria Firth and Kathryn Hanke, from Huddersfield, in Batty! at Ripon Arts Hub on July 9 at 8pm, feature alongside up-and-coming artists such as Constance Peel, from Boston Spa, performing the new play Service Please at The Water Rat on July 6 at 6.30pm.
Providing a platform for locally-inspired works-in-progress, the festival offers audiences the first chance to experience York’s Out Of Character Theatre Company in Outcast’s exploration of life in medieval Ripon and Imogen Wood’s work-in-progress, Jord, whose starting point is the petrifying powers of Mother Shipton in a union of live music, poetry and storytelling that challenges the fascination and obsession with women staying young and delaying ageing.
Summer season finale
RIPON Theatre Festival stretches beyond July 12 for a post-festival open-air Shakespeare finale at Ripon Raceourse on July 24, when The Duke’s Theatre Company presents Romeo & Juliet at 7pm (preceded by North Yorkshire Council-supported performances at Prince of Wales Terrace, Scarborough, on July 22 and Valley Gardens, Harrogate, on July 23). Box office: thedukestheatrecompany.co.uk.
Festival director Katie Scott says: “Ripon Theatre Festival is celebrating a five-year milestone birthday and we are proud of all that we have achieved so far.
“Community led, but showcasing some of the best professional touring work alongside an inclusive and lively outdoor and family programme, the festival is hugely valued for its variety and originality. We can’t wait to share our 2026 offering and bring the joy of live performance to an even wider audience.”
For the full programme and tickets, go to: ripontheatrefestival.org.
Amber Topaz in Red, Ripon Arts Hub, July 8, 7.30pm
Amber Topaz in Red
YORKSHIRE-BORN international cabaret and burlesque siren Amber Topaz celebrates redheaded musical theatre stars of stage and screen in her classy, sassy, fabulous musical revue Red.
Her delicious cocktail of Old Hollywood glamour and West End and Broadway classics is “full to the brim with iconic show-stopping numbers, honouring these formidable flame-haired trailblazers that have shaped musical theatre herstory”.
From the golden era of Hollywood to the bright lights of Las Vegas, Red embodyies legendary artists such as Rita Hayworth, Bette Midler, Bernadette Peters, Shirley MacLaine, Gwen Verdon and many more.
As a teenager, Amber left her Yorkshire roots to move to London and enter the world of cabaret and burlesque, since when she has travelled widely with her combination of frivolous and thought-provoking cabaret.
Fladam, Astro Norma, Ripon Library, July 11, 10.30am and 12 noon
Fladam’s Florence Poskitt & Adam Sowter in Astro Norma
YORK duo Fladam, Florence Poskitt and Adam Sowter, present their out-of-this-world musical comedy Astro Norma at Ripon Library, where they invite audiences aged three to ten to blast off on a madcap 45-minute quest to find Grandpa’s lost star, but beware, the sneaky Silencer is hot on her trail , ready to silence the tunes.
Packed with awesome aliens, rib tickling robots and interplanetary puppets, this joyful space odyssey will have young theatregoers reaching for the stars.
Stewart Lee confronting his inner beast in the poster for Stewart Lee vs The Man-Wulf
EIGHTEEN months ago, contrarian comedian Stewart Lee played five nights at York Theatre Royal as he cut his lupine teeth on Stewart Lee vs The Man-Wulf.
How has the show moved on as he returns for three more nights in York, switching to the Grand Opera House? After a re-write in January, the basic structure remains the same, Lee ambling on stage in billowing shirt to say he still doesn’t know quite what the show is about, whether it’s even worth him doing it, but those fangs are even sharper. “I’m not a stand-up,” he asserts. “I’m more of a literary artist.”
He turns convention on its head once more by being both acerbic, acid-witted entertainer and heckler. Last time, he chided the audience for York giving him his flattest night on his previous tour, when he had picked the Theatre Royal to record his TV and DVD release. “You ruined it,” he grouched.
This time, he may have sold out everywhere else on tour, he says, but the Grand Opera House was, in his words, “only half full”, and those who had turned up would be berated on behalf of those who had failed to do so. Tonight and Saturday’s shows have plenty of ticket availability too, especially in the Grand Circle, so the digs will no doubt continue.
Please note, Lee’s curmudgeonly schtick is delivered with good cheer in becoming a running joke. It will be the absent York’s fault that we miss out on two “toppers” as we fail to laugh in sufficient number to merit them; even the dry-ice smoke to signify his transition into the Man-Wulf will emerge from only one side, to match the “half-empty” auditorium. It had behaved erratically at the Theatre Royal too, but this time the pay-off gibe is better.
By now in his tuxedo jacket, Lee knocks out his topical five gags, set in place 18 months ago, but in need of constant updates and revisions. He takes pot-shots at Ricky Gervais, Jimmy Carr, Russell Brand, the BBC’s Laura Kuenssberg and Gregg Wallace (later to rise above the stage as the face of the Moon). Musk and Trump too. Always deadpan, but always deadly accurate.
Amid the constant cajoling of his audience, he can be self-deprecating too, returning every so often to the ever-lengthening list of unflattering Lee lookalikes. He keeps you on your toes throughout, even spotting the gum-chewing of an occupant of a dress circle box, and he likes to ask questions to which he will then deliver a smarter response than the audience member proffered
That said, York was in blunt mood on a hot night. “Please leave me alone,” requested one voice from the stalls, when asked a second question. “I wasn’t listening,” said another, after Lee sought a comment of his transition into the Man-Wulf of the title.
“We’d all love not to care and be off the hook,” he speculates once more, as he did at the Theatre Royal. “To not be accountable.” Like how a werewolf or vampire thinks. Except that Lee holds everything to be accountable: politicians, fellow comedians, York audiences.
When he asks a woman if she would prefer to be a vampire or a werewolf, she picks the vampire on account of the werewolf ‘s thick fur, a choice perhaps influenced by the June heat wave: conditions that Lee would soon be experiencing in the opening to Act Two, dressed in his £6,000 werewolf costume.
First up, he was telling liberal jokes in a liberal way. Now, after I’m The Man-Wulf, the song commissioned by Lee from Scottish garage-punk band The Primevals, had played throughout the interval, he was in his lupine attire for his pastiche of the comedy of offence perpetrated by Netflix-marketed, 60-million dollar, right-leaning stand-up comedians.
Cue reactionary jokes told in a reactionary way in a gruff American accent, in front of a New York skyline: grotesque, awkward, yet devilishly witty in its deconstruction.
To complete the experiment, he tries out reactionary jokes told in a liberal, left-leaning way, by now stripped down to tour T-shirt, boxers and the wolf’s head.
Above all, you will revel in his turn of phrase; how he picks up on American comic Dave Chappelle’s misuse of grammar; his request for Dave Allen storytelling lighting; his restless curiosity; his knowledge of experimental jazz and stone monuments, his way of being shambling but never rambling; his mimicry of Bob Dylan’s ever-worsening singing in concert; his boundless despair at humanity.
Stewart Lee vs The Man-Wulf, Grand Opera House, York, tonight and tomorrow, 7.30pm. Box office: atgtickets.com/york.
Dan Wood, left, Stephen Wright, Lotty Farmer, Rosa Burns, Hannah Shaw and James Dickinson in York Light Opera Company’s production of The 25th Annual Putnam County Spelling Bee
A SNAPPY crocodile and a Man-Wulf, a spelling bee musical and the York Mystery Plays on wagon wheels keep Charles Hutchinson’s arty eye on the ball and off the football.
Musical of the week: York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, today to Saturday & June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026)
NEIL Wood directs York Light in Rebecca Feldman, William Finn and Rachel Sheinkin’s musical account of six ‘mid-pubescents’ battling for the spelling championship of a lifetime. While candidly disclosing stories from their home life, the tweens spell their way through a series of words hoping to never hear the bell that signals a mistake.
Cue a heart-warming message that highlights themes of friendship, identity and perseverance, all while celebrating the awkwardness and excitement of growing up. Box office: tickets.41monkgate.co.uk.
Jordan Eskeisa, left, Marienella Phillips, Chelsea Da Silva (The Enormous Crocodile, front), Precious Abimbola and Ciara Hudson in Roald Dahl’s The Enormous Crocodile The Musical. Picture: Danny Kaan
Mischievous adaptationof the week:Roald Dahl Story Company in Roald Dahl’s The Enormous Crocodile The Musical, York Theatre Royal, tomorrow to Sunday, 10.30am and 1.30pm
ROALD Dahl’s Enormous Crocodile is weaving his way through the jungle in search of delicious little fingers and squidgy podgy knees. Only fellow jungle creatures can foil his “secret plans and clever tricks”, but they need courage aplenty to stop this greedy, grumptious, horrid brute.
Equipped with Ahmed Abdullahi Gallab’s tunes, Suhayla El-Bushra’s rib-tickling book and lyrics and Tom Brady’s additional music and lyrics, the dastardly family adventure has been developed and directed by Emily Lim, working in tandem with co-director and puppetry designer Toby Olié. Chelsea Da Silva, Precious Abimbola, Jordan Eskeisa, Ciara Hudson, Marienella Phillips and actor-musician René Francalanza star.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stewart Lee’s illustration for Stewart Lee vs The Man-Wulf, on tour for three nights at Grand Opera House, York
Comedy gigs of the week: Stewart Lee vs The Man-Wulf, Grand Opera House, York, tomorrow to Saturday, 7.30pm
AFTER a five-night Theatre Royal run in the fledgling days of Stewart Lee vs The Man-Wulf in January 2025, the contrarian comedian returns to York for three more nights of testing whether the beast inside us all can be silenced with the silver bullet of Lee’s scalpel-sharp stand-up?
Lee will play the same material three ways: first up, telling liberal jokes in a liberal way, then, after a screaming transformation into the Man-Wulf, reactionary jokes in a reactionary way post-interval and, finally, wolf’s head removed, reactionary jokes in a liberal, left-leaning way. Box office: atgtickets.com/york.
The Moorlands Blues Band: Playing at Milton Rooms, Malton
Blues gig of the week: Ryedale Blues Club presents The Moorlands Blues Band, Milton Rooms, Malton, tomorrow, 8pm
IN The Moorlands Blues Band, the powerhouse blues ensemble founded by seasoned musicians Giuseppe Vitale and Rod Mackay is joined by Owen Houlston on voice and guitar. In high-energy performances of soulful depth, they play everything from the rawness of Old Delta Blues to the swing of Jump Blues and the gritty soul of Chicago Blues. Box office: 01653 696240 or themiltonrooms.com.
Karl Mullen: Everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents Karl Mullen, York Theatre Royal Studio, Friday, 8pm
AFTER two Old Paint Shop gigs last year, Karl Mullen, upright-piano busker, Phoenix Inn fixture and Leeds Piano Competition Pub Piano Champion, completes his hat-trick, serving up his energetic take on everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, packed with outrageous and heartfelt stories from decades of gigging. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Coastal gig of the week: Pete Tong, Ibiza Classics, TK Maxx presents Scarborough Open Air Theatre, Friday, gates open at 6pm
FROM the sun-soaked shores of Ibiza to the world’s biggest stages, Pete Tong has redefined live dance music over more than 30 years of pushing boundaries and supporting new talent.
After celebrating the tenth anniversary of Ibiza Classics with four sold-out nights at the Royal Albert Hall, he heads to the Yorkshire coast with The Essential Orchestra, having first visited Scarborough Open Air Theatre in 2023. Box office: scarbroughopenairtheatre.com.
Becky Hill: Performing after Saturday’s race meeting on Knavesmire
Under starter’s orders: Becky Hill, Summer Music Saturday, York Racecourse, Saturday, first race at 1.20pm
BECKY Hill, two-time BRIT Award winner for Best Dance Act, opens the summer of post-racing concerts at York Racecourse, promising a high-energy performance on the “Glastonbury-style stage” after seven races. For her set list, she can pick from such hits as Gecko; Back & Forth; Wish You Well; Lose Control; Better Off Without You; Heaven On My Mind; Remember; My Heart Goes; Run; Crazy What Love Can Do; History and Disconnect. For race-day tickets, go to: yorkracecourse.co.uk.
York Mystery Plays: Returning to streets of York on June 28 and July 5
Theatrical event of the week: The York Mystery Plays, streets of York, June 28 and July 5, 10.30am to 4.50pm; Sunset In The Shambles Market, June 30 and July 1, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons take place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five plays will be held in Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. Tickets: ticketsource.com/york-festival-trust.
The Choir Of Man: Harmony singing to the max at Grand Opera House, York. Picture: The Other Richard
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm
SET in the on-stage pub The Jungle, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardis as Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns N’ Roses, Avicii and Katy Perry hits. Box office: atgtickets.com/york.
Al Dunn, Matt Freeman and Nick Bunt in Oh Zeus! on Le Navet Bete’s fifth visit to York Theatre Royal. Picture: Mark Senior
A MYTHOLOGICAL farce and Lenny Henry at large, a snappy crocodile and a Man-Wulf, a spelling bee musical and a mirrored installation keep Charles Hutchinson’s arty eye on the ball and off the football.
Greek comedy of the week: Le Navet Bete in Oh Zeus!, York Theatre Royal, today, 2pm and 7.30pm
EXETER’S chaotic comedy specialists, Le Navet Bete, conduct a riotous ride through Ancient Greece, the Underworld and back in Oh Zeus! Written by director John Nicholson and company founders Al Dunn, Nick Bunt and Matt Freeman, this mythological farce finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Expect physical comedy, outrageous jokes and fast-paced pandemonium as Dunn, Bunt and Freeman play 40 characters between them. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beverley Knight: Born to perform at York Barbican. Picture: Lewis Shaw
Recommended but sold out: Beverley Knight, Born To Perform, York Barbican, tonight, 7.30pm
QUEEN of British soul Beverley Knight shares stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her on her 20-date UK tour.
“Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul,” says Knight, whose hits include Made It Black, Greatest Day, Get Up, Shoulda Woulda Coulda, Gold, Come As You Are, Keep This Fire Burning and Piece Of My Heart. Her special guest is Gabriella Cilmi. Box office for returns only: yorkbarbican.co.uk.
Anastacia: Playing Scarborough Open Air Theatre on Not That Kind tour
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Skunk Anansie & Garbage, tonight; Anastacia and Heather Small tomorrow, gates 6pm
SKUNK Anansie and Garbage play Scarborough on a six-date tour. Formed in London in 1994, fronted by Skin, Skunk Anansie blend hard rock with political and social themes; American alternative rock band Garbage, fronted by Scottish singer Shirley Manson, combine rock, electronica and pop influences.
Chicago singer Anastacia heads to the Yorkshire coast to perform I’m Outta Love, Paid My Dues and Left Outside Alone et al on her Not That Kind tour. London soul singer Heather Small, of M People fame, is her special guest. Box office: scarboroughopenairtheatre.com.
York artist Ric Liptrot’s illustration for tomorrow’s 2026 Bishy Road Street Party
Community event of the week: Bishy Road Street Party, Bishopthorpe Road, York, tomorrow, 11am to 4pm
CELEBRATING community spirit and independent shops, Bishopthorpe Road Traders Association’s 2026 Bishy Road Street Party combines live music, family activities and food and drink, plus street vendors and community stalls. The main stage plays host to performances by Yorkshire Voices (11am), Third Parallel (11.45am), Gaia On Fire (Juno, 12.30pm) and Bargestra (1.30pm), climaxing with headline sets by the Yorky Pud Street Band (14.15pm) and The Unnamed Band (3.15pm).
Look out for five children’s performances and interactive sessions, with appearances from Evergreen Explorers (11am), Professor Dan (12 noon), Baby Band (1pm), Elevate Dance Sessions (2pm) and Josh Benson (3pm). A children’s zone, featuring face painting, mud kitchen, crafts, hair braiding and balloons, will be set up on Ebor Street and entertainment will be spread across the event space. Charities, artists, makers and community groups offer games, activities and information. Free to attend; no booking required.
Artist and designer Es Devlinin the Temple of the Fours Winds at Castle Howard. Picture: Rick Walker, PA Media
Installation of the week: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near Malton, until September 27
AS part of the Vanbrugh 300 celebrations at Castle Howard, artist and designer Es Devlin responds to Sir John Vanbrugh’s visionary architecture with her luminous installation Library Of The Four Winds, a new mirrored sculpture that takes over the Temple of the Four Winds in honour of the National Year of Reading.
The temple’s original use as a place for refreshment and reading was Devlin’s starting point for a central sculpture made up of hundreds of books, curated from the personal libraries of Vanbrugh and Devlin. The temple is encompassed by four concentric tables where the public can read, draw, talk, eat and listen. The space will host events throughout the summer. Tickets: castlehoward.co.uk.
The many faces of Lenny Henry: Actor, comedian, fundraiser and stand-up anedoctalist
Talk of the week: Lenny Henry, Still At Large, Grand Opera House, York, June 23, 7.30pm
PART stand-up, part storytelling and part conversation with himself and with you, Still At Large finds Lenny Henry returning to the experiences that shaped him while also exploring the ideas, challenges and creative sparks driving him today.
From The Lenny Henry Show and Chef! to dramatic performances in Othello and The Lord Of The Rings: The Rings Of Power, he traces the roles, characters and moments that have defined his six-decade career and shares what continues to inspire him as he reflects on a life lived out loud. On show will be the many versions of Lenny: actor, impressionist, comedian, fundraiser and stand-up anecdotalist. Box office: atgtickets.com/york.
Dan Wood, left, Stephen Wright, Lotty Farmer, Rosa Burns, Hannah Shaw and James Dickinson in York Light Opera Company’s The 25th Annual Putnam County Spelling Bee
Musical of the week: York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, June 24 to 27 & June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026)
NEIL Wood directs York Light in Rebecca Feldman, William Finn and Rachel Sheinkin’s musical account of six ‘mid-pubescents’ battling for the spelling championship of a lifetime. While candidly disclosing stories from their home life, the tweens spell their way through a series of words hoping to never hear the bell that signals a mistake.
Cue a heart-warming message that highlights themes of friendship, identity and perseverance, all while celebrating the awkwardness and excitement of growing up. Box office: tickets.41monkgate.co.uk.
Jordan Eskeisa, left, Marienella Phillips, Chelsea Da Silva (The Enormous Crocodile, front), Precious Abimbola and Ciara Hudson in The Enormous Crocodile. Picture: Danny Kaan
Mischievous adaptationof the week:Roald Dahl Story Company in Roald Dahl’s The Enormous Crocodile The Musical, York Theatre Royal, June 25 to 28, 10.30am and 1.30pm.
ROALD Dahl’s Enormous Crocodile is weaving his way through the jungle in search of delicious little fingers and squidgy podgy knees. Only fellow jungle creatures can foil his “secret plans and clever tricks”, but they need courage aplenty to stop this greedy, grumptious, horrid brute.
Equipped with Ahmed Abdullahi Gallab’s tunes, Suhayla El-Bushra’s rib-tickling book and lyrics and Tom Brady’s additional music and lyrics, the dastardly family adventure has been developed and directed by Emily Lim, working in tandem with co-director and puppetry designer Toby Olié. Chelsea Da Silva, Precious Abimbola, Jordan Eskeisa, Ciara Hudson, Marienella Phillips and actor-musician René Francalanza star.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stewart Lee’s poster illustration for Stewart Lee vs The Man-Wulf, on tour for three nights at Grand Opera House, York
Comedy gigs of the week: Stewart Lee vs The Man-Wulf, Grand Opera House, York, June 25 to 27, 7.30pm
AFTER a five-night Theatre Royal run in the fledgling days of Stewart Lee vs The Man-Wulf in January 2025, the contrarian comedian returns to York for three more nights of testing whether the beast inside us all can be silenced with the silver bullet of Lee’s scalpel-sharp stand-up?
Lee will play the same material three ways: first up, telling liberal jokes in a liberal way, then, after a screaming transformation into the Man-Wulf, reactionary jokes in a reactionary way post-interval and, finally, wolf’s head removed, reactionary jokes in a liberal, left-leaning way. Box office: atgtickets.com/york.
Karl Mullen: Playing everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents Karl Mullen, York Theatre Royal Studio, June 26, 8pm
AFTER two Old Paint Shop gigs last year, Karl Mullen, upright-piano busker, Phoenix Inn fixture and Leeds Piano Competition Pub Piano Champion, completes his hat-trick, serving up his high-energy take on everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, packed with outrageous and heartfelt stories from decades of gigging. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In Focus: Prima Choral Artists, Under One Sky, National Centre for Early Music, York, Sunday, 21/6/2026, 5pm & 7.30pm
Prima Choral Artists; poster for Sunday’s concerts at the double on Father’s Day
PRODUCER and artistic director Eve Lorian leads Prima Choral Artists in a compelling journey through global vocal traditions in two concerts on Sunday at the National Centre For Early Music, St Margaret’s Church, Walmgate, York.
Under One Sky is a signature programme by this Polish-born, York-based choral director, who has consistently introduced unique concerts and explored new territory for York choirs for nearly two decades.
Eve’s latest artistic compilation is designed to celebrate the relationship between musical language, cultural identity and vocal technique, while recognising the unifying nature of the choral canon. Spanning a wide geographical and cultural spectrum, the repertoire highlights distinctive approaches to tone production, ornamentation, rhythm and ensemble cohesion.
Sunday’s programme opens with Sakura, a Japanese folk melody characterised by its pentatonic modality and lyrical phrasing. The Bulgarian works Kaval Sviri and Dilmano Dilbero exemplify the highly resonant, open-throated “white voice” technique, and this vocal aesthetic continues in Serbian folk music, where dance-derived rhythms and communal expression are central.
Folk traditions of the North Atlantic are represented through the French-Canadian J’entends le Moulin, with its rhythmic drive, alongside Wild Mountain Thyme and Gaelic Song Of The Boatman, which reflect the modal inflections of Scottish and Gaelic song traditions.
Prima Choral Artists’ founder, producer and artistic director Eve Lorian
The programme broadens even further afield through Yeish Kochavim (Hebrew), Evohé (Venezuela) and Dao Mai Fan Ye’ (Mandarin), each illustrating the interaction between text, rhythm and collective energy within their respective traditions. These works foreground the role of music in both ritual and communal celebration.
The final section centres on vocal traditions from the Torres Strait Islands and Southern Africa. Sesere Eeye reflects oral transmission practices and community-based performance, while Ngothando, Ndikhokhele Bawo and Papaoutai demonstrate the harmonies and call-and-response structures that are foundational to many African musical forms.
Eve’s diligent research has brought together this sparkling burst of music with the support of a choir who are no strangers to world music and singing in multiple languages.
“We have always been proud of our multi-cultural, international identity,” says Eve. “Music has always been a unifying force for good. These concerts, celebrating unity through diversity, represent a truth that sometimes only music can express.”
Giving a brief glimpse into the creative process behind these events, she adds: “Selecting the music takes weeks upon weeks of research and listening. I thrive on fresh choices, on presenting the unexpected – and these pieces are far from the standard choral repertoire.
Prima Choral Artists in concert under Eve Lorian’s direction
“But the title came so naturally: Under One Sky says everything that we mean to convey in these two performances!”
International connections for Eve and Prima Choral Artists are not merely constrained to concert programming. For more than a decade, Eve has led the way in introducing outstanding overseas opportunities for York choirs.
This commitment continues this summer with a concert tour to Prague from July 8 to 13 to take part in the International Choir and Orchestra Festival (Prague Festival 2026, July 9 to 13).
On September 6, Eve will welcome the Norwegian choir Fanakoret, from Bergen, for a Friendship performance with Prima Choral Artists at St Olave’s Church, Marygate, York, at 5pm.
“Before these opportunities comes the unmissable chance to join Prima on Father’s Day on Sunday at the National Centre For Early Music with the two time slots designed to complement everyone’s plans and make for a truly special weekend celebration,” she says.
Tickets are available from www.primachoral.com; with limited seating available, booking is recommended.
Artist and designer Es Devlin with her Library of the Four Winds installation in the Temple of the Four Winds, Castle Howard. Picture: James Drury
ES Devlin’s mirrored installation at Castle Howard and Lenny Henry’s career reflections stand out among Charles Hutchinson’s joyful June recommendations.
Installation of the week: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near Malton, until September 27
AS part of the Vanbrugh 300 celebrations at Castle Howard, artist and designer Es Devlin responds to the visionary architecture of Sir John Vanbrugh with her luminous installation Library Of The Four Winds, a new mirrored sculpture that takes over the Temple of the Four Winds in honour of the National Year of Reading too.
The temple originally was used as a place for refreshment and reading: Devlin’s starting point for a central sculpture made up of hundreds of books, curated from the personal libraries of Vanbrugh and Devlin. The temple is encompassed by four concentric tables where the public can read, draw, talk, eat and listen. The space will host events throughout the summer. Tickets: castlehoward.co.uk.
NE Theatre York’s poster for Les Miserables School Edition at Joseph Rowntree Theatre
Youth theatre show of the week: NE Theatre York in Les Miserables School Edition, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
ALAIN Boublil and Claude-Michel Schönberg’s musical adaptation of Victor Hugo’s 1862 novel of redemption will be performed by under-18s from NE Theatre York, directed by Steve Tearle, with a 15-piece orchestra under Joe Allen’s musical direction, projections by Tom Turner and the obligatory barricade in the set design.
The musical tells the story of former prisoner Jean Valjean, who is pursued for 17 years by police inspector Javert against the backdrop of a revolution brewing in 19th-century Paris. The principal cast features Sam Brophy’s Jean Valjean, Will Roberts’s Javert, Emil Marczuk’s Marius, Juliette Sellamuttu’s Fantine, Oscar Smith’s Enjolras, Callum Richardson’s Thenardier and Bella Gledhill’s Madame Thenardier. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Indie rock gig of the week: The Kooks, TK Maxx presents Scarborough Open Air Theatre, tomorrow, gates 6pm
BRIGHTON indie rock favourites The Kooks are marking 20 years since the release of debut album Inside In/Inside Out in a set list likely to feature You Don’t Love Me, Naïve, She Moves In Her Own Way, Ooh La, Always Where I Need To Be, Shine On, Junk Of The Heart (Happy) and Around Town.
In the line-up will be Luke Pritchard, vocals and guitar, Hugh Harris, bass, guitar and synthesiser, and Alexis Nuñez, drums and percussion. Standing tickets for the show have sold out. Box office: scarboroughopenairtheatre.com.
Rock Paper Goose: Showcasing Okay! album and new songs at The Old Paint Shop
Indie pop gig of the week: The Old Paint Shop presents Rock Paper Goose, York Theatre Royal Studio, tomorrow, 8pm
YORK multi-instrumentalists Nathan Greaves (vocals, guitar, synth) and Olly Whitehouse (vocals, synth, bass) write catchy melodies, taking inspiration in equal measure from rock, pop and EDM, as heard on their September 2025 debut album, Okay!.
Expect a life-affirming live show full of playful energy and joy and the promise of new songs. Dawid Ziemba supports. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The Overtones: Teaming up with Nadiya Bychkova and Louis Smith for Jukebox Idols Of The 50s and 60s at York Barbican
Song and dance show of the week: Jukebox Idols Of The 50s & 60s, with The Overtones, Nadiya Bychkova and Louis Smith, York Barbican, Friday, 7.30pm
VOCAL harmony group The Overtones, Strictly Come Dancing professional Nadiya Bychkova and former Olympic gymnast and Strictly champion Louis Smith star together in Jukebox Idols, presented by the producers of West End hit Rip It Up 60s.
This non-stop whirlwind of 1950s and 1960s’ music icons such as Nat King Cole, Elvis Presley, Frankie Valli & The Four Seasons, The Beatles, The Beach Boys and the Motown roster features a stellar supporting cast of dancers as they swing, bop, jive and rock’n’roll their way through the ultimate jukebox show. Box office: yorkbarbican.co.uk.
Luka Watabe: York-based Japanese jazz singer, performing in sophisticated cabaret show at The Old Paint Shop
Cabaret night of the week: The Old Paint Shop presents Velvet Jazz Night with Luka Watabe, York Theatre Royal Studio, Friday, 8pm
LUKA Watabe and her professional jazz musicians combine old-school Hollywood glamour with her rich, smooth vocal styling in a sophisticated repertoire of classic jazz standards and modern songs delivered with a sleek jazz twist. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beverley Knight: Born To Perform show at York Barbican. Picture: Lewis Shaw
Recommended but sold out: Beverley Knight, Born To Perform, York Barbican, Saturday, 7.30pm
QUEEN of British soul Beverley Knight shares stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her on her 20-date UK tour.
“Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul,” says Knight, whose hits include Made It Black, Greatest Day, Get Up, Shoulda Woulda Coulda, Gold, Come As You Are, Keep This Fire Burning and Piece Of My Heart. Her special guest is Gabriella Cilmi. Box office for returns only: yorkbarbican.co.uk.
Co-headliners of the week: Skunk Anansie & Garbage, TK Maxx presents Scarborough Open Air Theatre, Saturday, gates 6pm
SKUNK Anansie and Garbage play Scarborough as part of a six-date tour. Formed in London in 1994, fronted by Skin, Skunk Anansie blend hard rock with political and social themes on such hits as Weak and Hedonism (Just Because You Feel Good).
American alternative rock band Garbage, fronted by Scottish singer Shirley Manson, combine rock, electronica and pop influences, exemplified by Stupid Girl and Only Happy When It Rains. Box office: scarboroughopenairtheatre.com.
The many faces of Lenny Henry: Actor, impressionist, fundraiser and stand-up anecdotalist
Talk of the week: Lenny Henry, Still At Large, Grand Opera House, York, June 23, 7.30pm
PART stand-up, part storytelling and part conversation with himself and with you, Still At Large finds Lenny Henry returning to the experiences that shaped him while also exploring the ideas, challenges and creative sparks driving him today.
From The Lenny Henry Show and Chef! to dramatic performances in Othello and The Lord Of The Rings: The Rings Of Power, he traces the roles, characters and moments that have defined his six-decade career and shares what continues to inspire him as he reflects on a life lived out loud. On show will be the many versions of Lenny: actor, impressionist, comedian, fundraiser and stand-up anecdotalist. Box office: atgtickets.com/york.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus!, on tour at York Theatre Royal
In Focus: Le Navet Bete in Oh Zeus!, York Theatre Royal, June 18 to 20, 7.30pm plus 2pm Saturday matinee
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Hal Cruttenden: Dishing out the comical blows at Pocklington Arts Centre tonight. Picture: Matt Crockett
OPEN studios across York and beyond, Strictly dancers in tandem, Les Miserables in its school edition and Elvis Costello’s early years are among Charles Hutchinson’s joyful June recommendations.
Comedy gig of the week: Hal Cruttenden: Can Dish It Out But Can’t Take It, Pocklington Arts Centre, tonight, 7.30pm
EALING comedian Hal Cruttenden’s new tour show promises to stick it to ‘The Man’, as long as ‘The Man’ doesn’t stick it back to him. Utilising his trademark hard-hitting comedy style, he pontificates on subjects such as middle-aged dating, social media, the insanity of modern politics and how his daughters love him but do not respect him. He believes that, after experiencing this gig, you will feel exactly the same way. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Es Devlin stands by her installation Library Of The Four Winds in the Temple of the Four Winds at Castle Howard. Picture: James Drury
Drawing workshop of the day: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near York, today at 12 noon
TO mark today’s opening of her Library Of The Four Winds installation at the Temple of the Four Winds, Castle Howard, artist and designer Es Devlin will hold a 45-minute outdoor drawing workshop, with materials provided. Further workshops will follow at the installation every Saturday until September 26.
Devlin will be in conversation today with Nicholas Howard and Francis Terry in a 5.30pm event supported by the Georgian Society and National Lottery Heritage Fund. Library Of The Four Winds will be on show until September 27. For full details of the workshops, conversation and installation, go to: castlehoward.co.uk.
The Jazzville Quartet: Performing with Kirsty Hughes at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents The Jazzville Quartet, with Kirsty Hughes, York Theatre Royal Studio, tonight, 8pm
YORK jazz combo The Jazzville Quartet are joined by University of York alumna and Royal Academy of Music graduate Kirsty Hughes, showcasing her love of Judy Garland and the great jazz singers in an intimate cabaret performance.
Piano maestro and arranger Alec Robinson, saxophonist Alex Fisher, double bassist Tim Murgatroyd and drummer Steve Hanley will be exploring the Great American Songbook too in a celebration of swing, Latin classics and haunting jazz ballads. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shechter II in Hofesh Shechter’s In The Brain at York Theatre Royal.Picture: Todd MacDonald
New dance work of the week: Shechter II in In The Brain, York Theatre Royal, tonight, 7.30pm
HOFESH Shechter’s exhilarating new full-length work for Shechter II, In The Brain, is a raw, electrifying dive into movement, rhythm, and collective energy, taking a pulsing, urgent journey into the depths of our consciousness, where stories dissolve, identity fades and only the beat remains.
In The Brain is a space to break free, to lose yourself, to surrender to the rush of movement, the weight of bass and the euphoria of bodies locked in Shechter’s signature groove. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Abstract artist Mark Ibson
Exhibition of the week: Mark Ibson, Rise@Bluebird Bakery, Acomb, York, until July 30
SELF-TAUGHT Bishop Wilton artist Mark Ibson’s abstract works are back on the bakery walls at Bluebird Bakery, where he is exhibiting new artworks in the form of experiments in surface texture and instinctive marking.
Initially a furniture and interior restorer, Ibsen began painting in 2012, holding his debut solo exhibition at Partisan, Micklegate, in May 2027 at the age of 47 after years of quietly painting and honing his skills at his studio in the former Herris Fisher blacksmith’s forge. “It seemed to be a natural progression,” he said at the time.
Ric Liptrot: Taking part in North Yorkshire Open Studios in York this weekend
Open invitation of the weekend: North Yorkshire Open Studios 2026, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios. Among those involved in and around York are Lucie Wake; Alex Ash; Lincoln Lightfoot; Jon Haste; Ali Hunter; Veronica Ongaro; Di Gomery; Jill Tattersall; Evie Leach; Katrina Mansfield and Lesley Shaw.
So too are Lisa Power; Lu Mason; Ric Liptrot; Jo Walton; Kai West; Emily Littler; Hannah Arnup; Michelle Galloway; Janie Stevens; Toby Staunton; Gonzalo Blanco; Andrew Bloodworth; Justine Warner; Graham Jones; Nora Gaston and Freya Horsley. The full list of artists and makers can be found at nyos.org.uk.
Amy Dowden and Carlos Gu: Reborn at Grand Opera House, York
Strictly stars of the week combination number one: Amy & Carlos: Reborn, Amy Dowden and Carlos Gu, Grand Opera House, York, June 16, 7.30pm
AFTER making her stunning return to the Strictly Come Dancing dancefloor, Amy Dowden MBE truly feels Reborn in her tour show, accompanied by fellow Strictly professional Carlos Gu.
Back on stage after a triumphant debut season, Amy and Carlos will be sharing an intimate portrait of their lives and journeys, wherein the inspirational and transformative power of dance shines through. Reborn features world-class dancers, live vocalists and a soundtrack of iconic anthems from across the decades. Box office: atgtickets.com/york.
Nikita Kuzmin: Shining brightly in Supernova with Karen Hauer, on tour at York Barbican
Strictly stars of the week combination number two: Burn The Floor presents Nikita Kuzmin in Supernova, with special guest Karen Hauer, York Barbican, June 16, 7.30pm
STRICTLY Come Dancing fan favourite Nikita Kuzmin takes centre stage in the explosive dance spectacular Supernova, joined by very special guest star Karen Hauer, Strictly’s longest-serving female professional.
Created in collaboration with choreographer and BAFTA award recipient Jason Gilkison and presented by international dance sensations Burn The Floor, Supernova is fuelled by the firepower of world-class performers and global creatives in an evening where artistry meets innovation and Kuzmin’s trademark charm, power and charisma shine brighter than ever. Box office: yorkbarbican.co.uk.
NE Theatre York’s poster for next week’s School Edition production of Les Miserables
Youth theatre show of the week: NE Theatre York in Les Miserables School Edition, Joseph Rowntree Theatre, York, June 16 to 20, 7.30pm plus 2.30pm Saturday matinee
ALAIN Boublil and Claude-Michel Schönberg’s musical adaptation of Victor Hugo’s 1862 novel of redemption will be performed by under-18s from NE Theatre York, directed by Steve Tearle, with a 15-piece orchestra under Joe Allen’s musical direction, projections by Tom Turner and the obligatory barricade in the set design.
The musical tells the story of former prisoner Jean Valjean, who is pursued for 17 years by police inspector Javert against the backdrop of a brewing revolution in 19th-century Paris. The principal cast features Sam Brophy’s Jean Valjean, Will Roberts’s Javert, Emil Marczuk’s Marius, Juliette Sellamuttu’s Fantine, Oscar Smith’s Enjolras, Callum Richardson’s Thenardier and Bella Gledhill’s Madame Thenardier. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17, 7.45pm
ELVIS Costello plays York Barbican for the first time since May 2013, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin in myriad roles in Twice Nightly at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
WRITER and performer Dominic Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus!. Picture: Mark Senior
In Focus: Le Navet Bete in Oh Zeus!, York Theatre Royal, June 18 to 20, 7.30pm plus 2pm Saturday matinee
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Grainne Dromgoole’s Liz Gold and Ralf Little’s Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
NO John le Carré novel had been adapted for the stage until Chichester Festival Theatre took on the challenge of 1963’s The Spy Who Came In From The Cold in August 2024.
Film, yes, television series, yes, but the stage: the question is why not? Especially when psychological thrillers work just as well in a theatrical setting. Thankfully adaptor David Eldridge and director Jeremy Herrin, in tandem with production designer Max Jones, grabbed the elusive bull by the horns, their smart, slick and stylish Chichester premiere being followed by a West End bow at @sohoplace and now a nationwide tour.
A bicycle rests on its side centre stage, the front wheel still spinning, never stopping, defying Newton’s Laws of Motion, as Wednesday’s matinee audience gathers.
This symbol of wheels constantly turning, nothing ever settling, encapsulates the clandestine, claustrophobic world of Cold War espionage, deception and moral compromise, machination and manipulation. How can you trust anyone when you can’t even trust your eyes?!
Enter Ralf Little, late of The Royal Family and Death In Paradise, charged with the large task of following in the footsteps of Richard Burton in Martin Ritt’s 1965 film as burnt-out, disillusioned British intelligence agent Alec Leamas.
Drinking too heavily, smoking prodigiously, never seeing his children, Leamas is ready to “come in from the cold” in October 1961, a hollow shell of an outcast at 45. However, a combination of the Control (the immaculate, inscrutable Nicholas Murchie) and supposedly retired veteran spymaster George Smiley (Tony Turner), hovering ominously in the shadows of the stage and Leamas’s mind alike, persuades him to take on one final mission.
He must infiltrate East German intelligence in Berlin, giving him the chance to avenge his nemesis, the taciturn, cynical Nazi-turned-Communist agent Hans-Dieter Mundt (Peter Losasso), after his East German contact, Riemeck (Jonny Burman), is taken out.
Berlin is now divided by the Berlin Wall that looms large over Max Jones’s black-box design, with its steps to a mezzanine level, where Turner’s Smiley makes his entrances, like King Hamlet’s ghost, until taking centre stage late on, when taking over the narrator’s role from Little’s Leamas.
The floor is covered by a huge red map of Cold War Europe, Berlin West and East at its epicentre. Tables and chairs are forever being moved on and off the otherwise bare expanse of stage, where Azusa Ono’s lighting designs – often red and green, rather than the usual cold, disorientating blue – take on greater emotional significance and impact.
Into the plot are woven The Circus, Fiedler (Eddie Toll), the ideological, Jewish, Stalinist deputy director of the East German intelligence service, and librarian Liz Gold (Grainne Dromgoole), the naive young Communist Party activist, Leamas’s unforeseen love interest – the one element Smiley and the British Intelligence overlords had not calculated would influence Leamas’s actions.
Come the interval, Little’s exasperated, exhausted Leamas is calling both the ever-concealing Control and Smiley “liars”. No-one can indeed be trusted in this oppressive, suppressive quagmire of double crossing, deceit and dubious morals, where the end result is all that matters and Leamas is nothing more than a paranoid pawn in the chess set of espionage.
After first reading le Carré’s novel at 16, its chilling Cold War story and lead character had stayed with Little ever since. Now, 30 years on, he invests an assiduous sense of duty into Leamas, who is increasingly rueful and a loose cannon too, prone to sporadic outbursts of humorous theatricality and rising risk-taking to stay alive. Above all, the combination of Eldridge’s writing and Little’s intense performance conveys Leamas’s inner thoughts through haunted monologues in the tradition of Hamlet and Macbeth.
The murky miasma of spying in John le Carré’s books makes Alec Leamas poles apart from Ian Fleming’s secret agent James Bond. His world is no less dangerous and lonely, but drudgery and skulduggery prevail without the glamour and desirable locations.
Outwardly, Eldridge and Herrin’s noir thriller is a period piece, but as the ice forms on a new, 21st century Cold War, The Spy Who Came In From The Cold may well have to be sent out into the cold again.
Second Half Productions and The Ink Factory present Chichester Festival Theatre in John le Carré’s The Spy Who Came In From The Cold, Grand Opera House, York, until June 13, 7.30pm plus 2.30pm Saturday matinee. Box office: atgtickets.com/york.
Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
COLD War espionage, artist open studios on moor and coast, Wright & Grainger in short form and Elvis Costello’s early years revisited make their mark on culture guide Charles Hutchinson.
Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today, tomorrow and Saturday
FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a typically taut tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.
Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.
Rich Hall: Delivering comedy’s version of Chin Music at Pocklington Arts Centre
American comedian of the week: Rich Hall: Chin Music, Pocklington Arts Centre, tonight, 8pm
THE expression “chin music” has two meanings. One is idle talk; the other is a ‘brushback’ throw in baseball or cricket to intimidate the batter. Both describe North Carolina-born Rich Hall’s comedy: idle but intimidating, sharp, quick, splenetic and improvisational. Don’t duck out of seeing him in action in Pocklington tonight. Box office: 017589 301547 or pocklingtonartscentre.co.uk.
Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita at Theatre@41, Monkgate, York
Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, until Saturday, 7.30pm
YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded.
Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.
The Bluffs’ poster for Unwritten: The Literary Improv Show at Rise@Bluebird Bakery
Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, tomorrow, 8.30pm, doors 7.30pm
YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.
The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.
Easingwold creative duo Wright & Grainger: Presenting Say It & Play It at The Old Paint Shop
The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, tomorrow, 8pm
FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.
Hence Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Paul Weller: Heading back to the East Coast to play Scarborough Open Air Theatre
Seaside excursion of the week: Paul Weller, TK Maxx presents Scarborough Open Air Theatre, Friday, gates 6pm
PAUL Weller follows up April’s release of Weller At The BBC Vol 2 with his return to Scarborough Open Air Theatre for the first time since July 7 2024. The Modfather, 68, will be expected to draw on material from his days in The Jam and Style Council, as well as his solo years, from 1992’s self-titled debut to July 2025’s Find El Dorado. Box office: scarboroughopenairtheatre.com.
Mark Butler: Taking part in North Yorkshire Open Studios 2026
North Yorkshire Open Studios 2026, Moors and Coast, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios, including 73 representing the Moors and Coast. Among them will be Boo Barwick-Ward; Iona May Stock; Jo Naden; Sarah Sharpe, Alison Spaven; Anna Matyus; Pam Edwards; Deborah Wilkinson; Iona Harrison; Jonathan Pomroy and Stephen Bird.
So too will Rory Menage; Sue Slack; Mike Nowill; Studio Milena; Clare Belbin; Elizabeth Bailey; Lyn Bailey; Pauline Brown; Sally Parkin; Nettle Cottage Prints; Slab and Slip; Rebecca Callis; Kate Brown; Jess Shaw; Martin Gittins; Alice O’Neil and Gillies Jones. Full details can be found at nyos.org.uk.
Elvis Costello: Revisiting his early years in his Radio Soul! show at York Barbican. Picture: Ray Di Pietro
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17,7.45pm
ELVIS Costello plays York Barbican for the first time since May 2013, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin: Performing Twice Nightly over two nights at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
DOMINIC Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, written and performed by Goodwin and directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
York printmaker Michelle Hughes holding a copy of her debut book, Printing Birds and Wildlife in Linocut
In Focus
Book event of the week: An Evening with Michelle Hughes, Printing Birds and Wildlife in Linocut, Kemps Books, Malton, tonight, 7.30pm
YORK linocut printmaker discusses her debut book, Printing Birds and Wildlife in Linocut, her creative story and upcoming tenth anniversary in business at Kemps Books. “Liz Kemp has been a huge supporter of my printmaking journey, selling my original prints in the early days, greeting cards over the years, and now stocking my book,” says Michelle. “Do come along and support a fabulous indie gift shop and bookshop.”
Published in February 2026, Michelle’s beautifully illustrated book shares how to design, carve and print birds and wildlife using traditional linocut techniques, guiding readers from simple one-colour prints through to more advanced multi-colour methods, including jigsaw, reduction and multi-block printing.
“Whether you are completely new to linocut or already exploring printmaking, the book offers clear step-by-step guidance, practical tips and creative inspiration for capturing birds and wildlife in this rewarding craft,” says Michelle.
“During the evening you’ll enjoy my short talk about my journey to becoming a professional printmaker; behind-the-scenes insights into how the book was created, with a chance to see original prints and lino blocks featured in the book and a Q&A session about linocut printmaking, followed by a book signing.
Come and celebrate wildlife, printmaking and the joy of carving and printing by hand.” Tickets must be booked in advance in person in store or at kempsgeneralstore.co.uk/pages/events.
